Can I bitch for a second? Like, I just want to understand why, in the past few years, comments and reblogs on fics have gone the fuck down. Like why? What fucking changed?
In 2020 and 2021, I used to get comments all the time on almost all my fics and now it's like...I'm lucky to get any. I also know that I write for small fandoms so like, that's a contributing factor, but still. Even with my latest multichapter fic, there are no subscriptions. Like, everything has just gone down.
And while I realize that the pandemic happened in 2020-2021, the decline has been happening for a while, especially here on tumblr. Comments and reblogs and asks about fics are just...not really a thing anymore.
And people wonder why writers don't wanna continue. Yeah, yeah, that whole thing of write for yourself, we all write for ourselves, lets be honest. We do. But we also want to share our creations with you because that's the whole fucking point of art. You want to share it with others and have them appreciate the work and time you put into it. And we'd like to hear feedback! It's literally not a bad thing to want comments. And people need to stop making writers feel bad for saying they want comments. And reblogs. Likes and kudos are great but they don't do anything. They just tell us that you liked the fic/work. But they don't tell us what you thought, what moved you, what rewired your brain, what made your heart thump or flutter or clench. That's what comments tell us. That's why we want comments. We want to see our fics through your eyes.
Writers shouldn't have to beg for interactions, so please. Reblog and leave comments on fics. Please. It's really the least you could do
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Types of outdoor survival guys:
Survivor Guy
"This is the way humans were MEANT to live!" (Absolutely Not)
Lives and dies by his bow drill firestarter
Do it alone to prove something (not sure what, but do your thing, buddy)
Ironically the type of guy most famous for... not actually surviving
Vision Quest Guy
The whitest kind of guy
"Something something the transcendent experience of communing with nature"
"An old Indigenous guide once told me [insert Billy Graham quote here]"
Won't stop climbing into caves
Some kind of fabric tied around his head
"Man the Hunter" Guy
Beautiful and inherently useless flint-knapped knives
"Primitive Skills" (I literally hate this term with every fibre of my being)
Caught a squirrel one time and now believes he can "live off the land"
Why are you not wearing a shirt? The woods are COLD, dude
Super Adventure Guy
"It's not actually that far down, maybe like 1500 feet?"
Has broken so, so many bones
Somehow the guy least likely to die or disappear before you hear about him
Seriously dude, how are you still alive??
Experimental Archaeology Guy
Just the most unhinged man you've ever met
Thinks hunting goats with a stone spear is a polite dinner conversation topic
Indiana Jones couldn't get ethics board authorisation but somehow this guy can??
Has 3 atlatls and knows how to use them
Boy Scout Guy
No fewer than 3 types of firestarter on him every time he leaves the house
Can make a shelter out of literally anything
Infodumps constantly. Dangerously close to mansplaining for most of it
Could give a lecture on field first aid with no prep at all
Passes out at the sight of his own blood
Weekend Warrior Guy
"I saw this on TV once!"
Has every single outdoor survival gadget
Backpack weighs more than he does
All his co-workers know exactly where he was and what he did there last vacation
Carries a machete for some reason
German Tourist Guy
"Just let me park here for a minute, I need a selfie with that bear."
"Something something conquering the forces of nature"
The most expensive hiking boots you've ever seen
You're more likely to spot this kind of guy in the Canadian Arctic than polar bears and caribou combined
Outdoorsy Chick Guy
20-minute monologue about the importance of teaching your daughters they can do anything a boy can
Pink camo
She's probably a bow hunter
Medicinal plant enthusiast (accuracy not guaranteed)
"Men are crybabies, this is So Easy!"
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[ID: A fifteen striped flag. The first and last four stripes all have small bumps facing inwards. The stripe colors, from top to bottom, are desaturated orange-yellow, pastel desaturated orange-yellow, desaturated orange-yellow, pastel desaturated orange-yellow, dull pink, light pink, pale pink, white, pale pink, light pink, dull pink, pastel desaturated orange-yellow, desaturated orange-yellow, pastel desaturated orange-yellow, and desaturated orange-yellow. In the center of the middle flag there is an icon of a halo with wings, while the other flags do not have said icon. End ID]
♡ ⁔⁔ IMPURANGELIC ... !!
[PT: Impurangelic. End PT]
— A gender related to impurity and angels. This gender is the feeling one may have of feeling defiled or impure, while wishing they could go back to when they were pure. This gender is also related to the song "Pure as a Lamb" by Baby Bugs, fallen angels, mourning over what could have been. It embodies mourning, melancholy, and a wish for a softer reality.
— This gender was created with trauma survivors in mind, and I would prefer if only trauma survivors use it. Despite the religious themes to it, it is not exclusive to religious trauma survivors. This term was not created to aestheticize, glamorize, or romanticize trauma; it was created for coping reasons. The use of the word "impure" is not meant to be derogatory, nor is it meant to promote or romanticize unhealthy mindsets. Once again, this is a term created by a trauma survivor to cope with feelings related to their trauma.
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the alt. thanks to them opening boards are going to emotionally scar me for life. look at his face. luz is terrified but desperate with a hope she feels is unfounded, needing that optimism to imagine a way out of this that doesn't hurt; that doesn't end in more tragedy?
she thinks they're on the same level of bad but sad. that she did as much as hunter in the name of helping belos, without knowing the whole truth of who belos was, who he is. she's traumatized by it.
she needs to not be alone in it.
the i'll keep your secret if you keep mine is a knife to the heart. we are in this together, she is saying. whether we like it or not, at least we have each other. at least i'm not alone.
but what do you say to that? how do you make a witch's oath without magic? you take it to heart. you hold it closer to anything. there aren't words for a devotion like that, the kind of devotion hunter has led with his entire life, and now, here, it's for luz. it's for everyone, for protecting them, to be able for them to get home again.
it's reminiscent of that good old golden guard loyalty, but remade in the light of this new world, new life. it's a cause to live by, a goal, a dream; and as the story goes, we can see - there isn't much he isn't willing to sacrifice for it, especially if the cost is only himself.
(he has nothing to return for, after all. he has a graveyard, filled to the brim with bones and masks and a future he only narrowly escaped.)
sacrifice - that is something he's been waiting for his whole life. so of course he's willing to risk everything for them. what better ending is there, where at the very least, his friends can go home to where they are loved? where no one has to be afraid, anymore?
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random sunday afternoon thoughts but i think the thing with writing advice isn't only that it's just that -- advice -- but also that most of the time it's really just an intro to some kind of craft theory. like you can see a post about how to write better prose for example and it can give beneficial ideas -- show don't tell, specific language, utilise the senses -- all of these are good as theories on craft but with any theory there are exemptions, there are ways to bend it. you also have to ask why this is a theory in the first place, what idea of good prose does this theory come from? but ultimately the thing is no writing advice can tell you how to work that advice into your writing voice/specific story. so seeing these posts as examples of craft theory rather than advice helped me out a lot because instead of wondering which advice to take on for a story, if i "knew" enough about this writing thing to make that call, i was seeing these posts as an intro to a theory on craft, and then i'm asking myself what i can do with this theory, what can this theory do for my story? where does this theory come from? what kind of story/writer does it consider, what kind does it not?
atm i'm writing a flash in 1st person present which is not a POV i use a lot and before i would read as many resources on 1st person present as possible -- which in itself isn't bad, resources exist for a reason! -- but i'd always get stuck because in my attempt to learn as much about "how to write" something as possible, i would forget the only person who can teach me how to write something in my story is me. those resources do help, but the answer is in my story. and that answer will look different in the next 1st person present story i write. there's a garth greenwell quote i love about drafting that says "if anything i try to forget all considerations of craft or technique, to work from a place as near to ignorance as I can manage". i think part of taking in writing "advice"/craft theory is also understanding the gaps in it that are filled in by your story, what will strengthen and what will weaken it. and understanding writing advice as just craft theory helped me because it's just that -- theory, possibilities with craft -- and isn't meant to answer specific questions about how to write a specific story, and you will also learn a lot more if you let yourself lean into the unknowing that is a natural part of writing. because you don't need to know craft to write, you just need to know what your story needs, and a lot of advice and "rules" are really just intros to craft theory that can help you start to know where to look for your story's answers, rather than giving the answer itself. tldr most writing "advice" and "rules" is just craft theory, and instead of trying to shape your writing to fit "advice/rules" you should be thinking about the ways you can shape theory to fit your writing
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