#but now folks are trying to make an example of me and its like

[redactedrem]

You know what? Fuck you. *Ponifies Batman*

Guys I'm so excited to share my newest project of ponifying the Batfam, it started out small with the hypothetical "I wonder what Batman would be like in a mlp universe." And then the project kept getting bigger and bigger.

If anyones interested in my world building/ headcanons surrounding this project, you can see it under the cut. (I didn't want to make the post too long.)

Incase anybody couldn't read my bad handwriting, I gotchuuu.

-(First pic) Bruce Wayne: Bruce had got his cutiemark the night of his parents death, after the grief had broken his spirit and he realized that he never wanted anypony else to feel the same pain as he does. (He has a fake cutiemark to cover up his obvious destiny)

- The first pic is pretty self explanatory, but I want to make it clear that Bruce's destiny isn't "My parents are dead so now I dress up as a bat and beat up mentally ill folk". Because I've seen people on here give hot takes on cutiemarks that directly link them to a ponies destiny.

This goes for specifically in the mlp fandom but (for the sake of being on topic) I'll use the the example of that one post where someone gave the hot take that Jason would get his cutiemark in the warehouse right before he dies (or after he dies? smthing like that) because "It would be really fucked up to know that you were always destined to die." And listen, I can appreciate some good Jason Todd whump as the next guy but knowing that this would be based in a mlp universe . . . just doesn't sit right with me.

It sounds less magical that way. Its like saying that Rainbow Dash was always meant to be the fastest flyer, so theres no point in trying to compete with her. So uhm, trying to stay on topic here. My personal hot take is that a pony's cutiemark is symbol of something that they do/ a skill or talent that they have that makes them happy. And whats a more magical and fulfilling destiny than doing something that makes you happy for the rest of your life?

Looping back to Bruce, he didn't get his cutiemark the moment his parents died, but I like to think that he got it sometime later on in the night. After hours of being checked on by the police, getting looked at by the paramedics, and after Alfred took him home. Its 1:40ish in the morning and tiny foal-Bruce is just staring at his bedroom wall feeling numb and dissociated to hell. And sometime after processing everything that night- he just decides that this is the worst thing that has ever happened to him and that he will do anything to make sure that nopony will ever feel the same pain that he has felt. And then-- Ta da!! Cutiemark!! Too bad neither he or Alfred got to experience the excitement when they both saw it the next day :')

(Edit: I didn't know where to put this detail, but Bruce's fake cutiemark is based off of the "Make It Wayne" TV logo from this fanfic here )

-(Second pic) The Bat: This is heavily inspired by Flutterbat, I know theres canonically already a race of bat ponies made from Lunas stunt as Nightmare Moon. But I chose to go through with the Flutterbat route because batponies are a race, and have bat-like features 24/7. In comparison Fluttershy maintains her pegasus appearance by day and transforms into Flutterbat at night (ALSO with there being implications that there are "Triggers" for her transformations in the day too!!) Which adds the "Vampire." right in front of her batpony title.

I might do a lil comparison chart between vampire batponies and regular batponies in the future or something. But for now I'm focusing on my batpony Bruce Wayne headcanons so yea. My point is that I felt like making Bruce a "vampire" batpony would give him a more solid secret identity with also the bonus of a really metal origin story.

Now we all know that the canonical origin story of batman is that a few months after the tragedy of his parents death, Bruce had fallen into a cave? a well? a pit? of bats and triggered a fear of bats since then. Later on he decides to become Batman so he can invoke the fear of bats he once had into the criminals of Gotham. Yadda yadda yadda.

Now canonically, we don't know the exact science on how Fluttershy turned into Flutterbat. What we do know is that at the time, pony magic is not researched enough for Twilight to be aware that Fluttershys "Stare" is her own form of pony magic and that it would interfere with Twilights spell.

Do you see where I'm getting at here? Uhmm don't ask me what exactly happened in the cave, I'm doing this for fun and thinking about it too hard makes me spiral. But uhmm something something- Bruce looked at a bat in the eye and decided to embrace his biggest fear to fuel his cause, and his already traumatized and fucked up pony magic had transformed his body- something something. (Edit: I didn't think about this until now but maybe Fluttershys "Stare" and Bruces "Bat Glare" could be a usage of the same form of magic? Just a thought)

I'll probably come up with a more suitable explanation in the future, but like I said. All of this is just for fun.

#batfam #batfamily #batman #bruce wayne #headcanon #jason todd #nightwing #dick grayson #alternate universe #my litte pony friendship is magic #my little pony #mlp fim #mlp #mlp art #flutterbat #twilight sparkle #really thought out headcanons #nonbinary artist #dc x mlp #dc x mlp crossover #crossover art #dc crossover #batfam headcanons #mlp headcanons #bruce wayne headcanon #bat pony #batman is so babygirl

[indierpgnewsletter]

There's Other Kinds Of GM Advice: Theatricality versus Transparency

(This first appeared on the Indie RPG Newsletter)

I find that broadly there are at least two kinds of GM advice – and they have a very different philosophy underpinning them.

The first kind of advice aims at all costs to maintain verisimilitude. It’s a solution that you can implement without breaking the players’ immersion in their characters. This can just be stuff like Matt Colville explaining that if your players are taking too long discussing plans, guess what, orcs attack! We’ve all probably played a game where people were going in circles and not able to decide what to do. If it looks like we’re not able to decide, we’re probably going to be relieved if the GM makes something happen to break the deadlock and prompt us back into the action.

(Historically, this kind of thing was taken to egregious lengths like Gary Gygax saying if players start acting uppity, have a rock fall on their head. It’s mostly gone now but reddit tells me that Cyberpunk Red which came out relatively recently still says something similar.)

The second flavor of advice involves breaking character and talking to your players directly. I know “talk to your players” is a mantra repeated so often that autocorrect suggests it as soon as you type the letter t. At its worst, this advice is vague and unhelpful. We’ve all considered talking frankly to people in our lives, we just find it awkward and hard and annoying. But, but, but – at its best, just describing the problem as you see it and escalating it from a character discussion to a player discussion will make it go away instantly. Like magic. (If you’re not sure what that means: In a previous issue, I discussed Jason Tocci’s excellent advice on escalating conversation in this way.)

And since the theatrical flavour of advice has the weight of history on its side and transparent advice keeps getting boiled down to mantra form, I thought I’d write down some examples of situations and some alternative ways to handle them:

Situation 1: The players are marines discussing whether to dive into the alien lair and recover their stolen engine (their main goal) or go and see if another missing team of marines is okay. There is only 45 minutes left and this is a one shot.

Theatrical: The other marines suddenly come on the radio and say, “hey we’re okay, please complete the mission.”

Transparent: “Hey, folks. There’s 45 minutes left. If we don’t do the alien lair now, we won’t be able to do it at all. Is that fine?”

Situation 2: The players are low-level fantasy nobodies who have a famous wizard friend. They’re about to tangle with some medium-level bad guy and decide to call in their wizard friend.

Theatrical: When the players try to contact her via a telepathic phone call / spell, she sounds breathless and says she’s busy doing something way more important like fighting a dragon.

Transparent: “Hey, folks. If we get the wizard in, she’ll absolutely make this fight a cakewalk. We won’t even need to roll initiative really. Is that what you want? Or would we rather have a fun fight?”

Situation 3: The players were having fun exploring when they meet a cool NPC (an android! an elf! an android elf!) who has this interesting backstory with an urgent, earth-shattering hook. They go along with the android elf because it seems more important but immediately look like they’re having less fun.

Theatrical: Narrate how the android elf meets a group of other android elves and have the elf say, “Hey, now that I have these folks helping me, you can leave it you want!”

Transparent: “Hey, folks. Talking to you as players here, do we want to stick with this whole android elf plot here? It does mean that we won’t do any open-ended exploration. Which would you prefer?” If they want to ditch the elf plot, you could just retcon it entirely or do the theatrical solution.

All of these situations have happened at my table. They’re all relatively low stakes and I think whichever way you handle it, it’ll probably be fine. But that said, some situations absolutely work better when done transparently so if you’ve never tried the transparent way, give it a shot. If immersion matters a lot to you, try it at the end of the session.

/End

PS. The theatrical options often still require the players to willingly suspend their disbelief and go with it. If a player didn’t play along, they might just say “I thought their radios weren’t working, otherwise we could’ve just contacted them before. Why can they suddenly contact us now?” or “Oh, the wizard is fighting a dragon right now. We can totally wait. There’s no reason we need to fight the bad guy right now.” And sometimes I can’t shut off that part of my brain either so I won’t judge. But if there’s a way to sidestep that situation even coming up, I’m going to take it every time.

#indie rpg #ttrpg #ttrpg community #ttrpg design #rpg #ttrpgsolidarity #game design

[mcmansionhell]

a fine selection of bonker facades from the DC suburbs

Howdy folks! In honor of Halloween, here are some of the scariest houses currently for sale in the ever-cursed suburbs of Washington, DC. It's been awhile since I checked in on this particular hotspot, and once more, it did not disappoint.

I'll just get this one out of the way. Long-time McMansion Hell-heads are well aware of this monster estate in Potomac, MD, once allegedly owned by a particular professional athlete who will not be named, because the house should suck on its own merit. The only nice thing I can say about this house is that the designers kept the materials and colors consistent, which adds some unity to what is, in reality, five turrets in a trench coat.

Some things, the economists tell us, are too big to fail. This is not one of them. Let's move on.

Many McMansions exist to mock the concept of architectural consistency and historical continuity. This is one of them. About every single type of expanded second-story window elaboration exists here: bay window, covered balcony, juliet balcony. None of them work. The house can't decide if its 19th century eclecticism or tony DC Georgian/Federal cocktail. The random cupola merely adds insult to injury.

I don't know where realtors learned how to do photoshop, but whoever taught them should have their Adobe licenses revoked. There's a certain type of McMansion I call a "hat house" - which is exactly what it sounds like. It's a house with multiple bays or masses and each has its own special hat. This is one of the most egregious examples because all of the hats are different shapes and scales. Not even the most Disney Theme Park pink sky and fairy lighting can mitigate the controlling aesthetic influence of hät.

No compilation of Bad Facades would be complete without at least one Frankentudor™. Rich people in America really like to harken back to the days of feudalism, yet uglier, more drab, and using materials mostly derived from petrochemicals. The lighting is not helping this house, which is about as gloomy, hulking, and bloated as they come.

I have some fondness for houses that derive new, inventive forms of being ugly. The spread eagle McMansion is one of them, two oblique wings with no real core. A corner lot specimen. This one is especially weird, with the quadruple portholes, the windowless bays, the mall foyer, and the hipped roof that's not quite clipped, complete with tacked on gables. Kind of neat, sad to say.

I know most of you won't agree, but I actually believe this is the worst McMansion of the set. The absolute banality of it, the out-of-proportion everything, the compound-like demeanor, the nonsensical spacing of the mind-numbingly identical windows. The most infuriating part is that whoever designed this had some kind of order, continuity, proportion in mind and just failed utterly at it, like Sideshow Bob stepping on all those rakes. I hate it!!!!

When rich people try to make overly-inflated temples to their dumb piles of money, it's deeply satisfying when they end up looking like this house, which is just a pile of roof and wall tacked on to the worst proportioned portico imaginable. Classic McMansion Hubris. Let us all laugh.

Now we're getting into the more eldritch horror part of the list. Some houses make me wonder if I have the same set of eyeballs and conceptions of what "a house" looks like as other people. This one is playing dress up games with foam stickers. It looks like Steve's shirt from Blues Clues. It abuses the prairie muntins, which is an insult to my chosen hometown of Chicago, Illinois. Bad house.

Not enough time is devoted on this blog to bad modernism, though it would be rather generous to call this house modern. It's more like postmodernism trying to remember what modernism looked like and tripping down a flight of stairs collecting random masses and windows on the way down. Houses like this give modern architecture a bad name. It's borderline libel. Also it looks like it was made out of cardboard.

This brings us to our final, and objectively worst house:

I don't even know what to say about this freak of architecture. I don't know how it came together or why. I don't know what it wants or even pretends to do. It is a horrorshow. Gables protruding from random places, stealth roof fragments, windows too small for the walls they're embedded in, a weird cathedral-like entrance, the mosquito-infested pond, the worst example of realtor sky I've ever seen, all of it is terrible. It's haunted. Trick or Treat, but without the treat.

Anyway, that does it for this installment. If you're curious about more McModern badness, this month's Patreon bonus post will be to your liking!

Happy Halloween and Día de Los Muertos!

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including extra posts and livestreams.

Not into recurring payments? Try the tip jar, because media work is especially recession-vulnerable.

#architecture #design #mcmansion #mcmansion hell #bad architecture #ugly houses #dc suburbs #90s architecture #2000s architecture #y2k #urbanism #virginia #maryland

[mojoflower]

So You Want to Tumbl?

There are lots of newcomers here these days, and I thought I'd spell out how to begin and what it means to ‘curate your own dash’ for folks who haven't grown along with Tumblr for the past decade.

If you're coming from a platform where content is fed to you, Tumblr can seem barren and intimidating in the beginning.  But that's actually a good thing!  What it means is that you will see what you want to.  If you're in a fighting mood, go find political discourse.  If you're feeling fragile, make your dash nothing but art and nature.

How to begin?

You’ve made your blog and picked out your icon (seriously, choose an icon:  otherwise you’re indistinguishable from bots).  Feel free to be anonymous.  Most of us are, and it’s wonderful to have a place that’s not tied to your Real Life.  Here you can be a fandom freak (like me!) and no one judges you and your boss will never find out.

Now seek out tags that interest you.  For example, I was just looking through #moss because I like peace and green things and old-growth forests.  (And, apparently, beautifully naked fae-men, heh.)

Now you follow that tag (if it's a popular tag, it'll say how many followers the tag has, which is beneficial to know if you're making a post that you want to reach all its interested audience) and posts with that tag automatically fill your dash. Voila, you have begun to curate your experience!

Do Follow:  tags; blogs in that tag that you like; people who comment on posts in the blog/tag you follow that seem like they’re up your alley.  The more people you follow, the more varied and nuanced your dash is.

Don’t Follow:  people who make comments or posts that raise your blood pressure.  Topics that upset you.  Discourse that has you arguing in your head for the rest of the day.  PLEASE avoid toxicity.  Real Life is hard enough.

How to be Social and Interact

If you want to find your tribe and interact, it’s best to start following individual blogs.  (If you follow a blog, they have an opportunity to follow you back.  Simply following a tag is a passive, one-way street.)  To Tumbl is to be in a vast cocktail party, and you need to mingle and eavesdrop to find the things that galvanize you.

How to be seen and heard

💬Comment on posts (please always stay positive and enthusiastic:  we really try to avoid toxicity).  You can read other comments (and reblogged comments) by clicking on the notes:

🔁Reblog posts you like, both to show your support and to show other people what kind of things get you excited.  Reblogging is essential to the tumblr ecosystem, because it’s the only way posts move around and get seen.  You can also “like” posts, but that's a much more passive way to interact. Also, reblogs and your own original posts show up on your blog and prove that you're not a bot.

Create your own posts and remember that the first 20 tags you use are essential, because that’s what gets you seen (and followed) by strangers.  Tags 21-30 are good for searching and archiving on your own blog, but they don’t count on the dash.  Instructions on how to Make A Post.

Participate!  Once you find your crowd, you’ll discover that there are always things going on.  For example, in fandoms, we’ve got writing events, art events, crafting and cons.  The more you try to be involved, the more new friends you’ll discover.  Tumblr allows for such an organic community.  One person has a thought, and many others build on that thought, creating something far greater than the sum of its parts.

There is no real algorithm beyond using those first 20 tags.  This may be discouraging to folks who are used to working an algorithm, but we like it fine here, because it keeps everyone real and keeps obnoxious social climbers/capitalists out of your face.

Be patient!  Just like in real life, when you find yourself in a crowd of people you don’t know, it takes a while to form connections.  Watch and listen, and learn to read the room.  Honestly, the thing that will win you the most friends/followers is honest enthusiasm about your space.

Don’t aim for the big names to become your new buddies.  You’re more likely to find a thriving coterie among other fresh faces.  Don’t assume that because they’re small or new they have nothing to offer you.  Often, this is the fire that keeps any given corner of Tumblr going.

Tumblr Etiquette

NEVER REPOST (without explicit permission).  Reposting is when you cut and paste from someone else’s content and then make it into a brand new post under your own blog name.  That is stealing and is very condemned.  Reblogging is when you use 🔁and the OP (original poster) remains attached to their post and continues to see and be in charge of interactions.  

Reblog in addition to Liking. A post that you 'like' is static. You are not helping it to get to a broader audience. If the post or poster is something/someone you support, then REBLOG that sucker: it deserves to fly!

Reblog and add your own content.  One of the best parts of Tumblr is that you can comment on a post, or even add to it in your reblog (as long as you’re not being a dick, okay?  Or changing the topic, which is known as ‘hijacking a post’).  Here is a wonderful example of the Tumblr ecosystem at work, where someone had a thought, other people had thoughts about that thought, and then a bunch of artists jumped in.  Tumblr posts BUILD COMMUNITY, and you can be a part of that conversation.  (Do try to refrain from reblogging with vacuous comments just because you want people to notice you rather than because you actually have something to add, though.  That’s just clutter.)

The most important part of “curating your experience” is learning to Block.

You can block individual blogs, Anons, people in the comments that you find upsetting.  Here's a post on How to Block.

Block entire tags or keywords if they are triggers for you.  (Here is a post on how to do that.) 

Blocking is self-care.  It is not a platform to demonstrate to the community how much you hate someone and how they should, too.  Usually the blocked person never even knows you’ve blocked them.  If they do something egregious (like tell you or someone else to kill themselves), then ‘Report’ them.

You can block something (like #US Politics) if you can’t handle it at the moment, and then unblock it later.  Block a friend if they’re spamming something you don’t like and then unblock them later.  It’s all good!  You are in control of what shows up on your dash.

But doesn’t this mean my dash will be single-topic and boring?

The simultaneous joy and pitfall in following individuals is that MANY blogs are not single-topic.  You will be exposed to all kinds of reblogs/ideas/other people from the folks you chose to follow, and can decide for yourself if you (a) want to be involved in that topic, (b) are indifferent to that topic, or (c) want to run from it screaming.

Also, the blogs you follow will move from hobby/theme/passion over time, and you can move with them, appreciate their new topic without vibing with it, or drop them altogether.

And THIS is how you curate your dash, my friends.

***Install New XKit extension.  It’ll make your life easier!

***Here's the Tumblr Help Center, where you can learn more details.

#welcome to tumblr #new users #tumblr #tumblr etiquette #tumblr tips #how to tumbl #mojo muses #twitter refugees #long post

[xeeroo08]

Astr observations 《4》

Disclaimer: I am not an astrologer. This post is only for entertainment purposes, so whatever I have mentioned, if it is reasonates, well and good, and if it doesn't, then please take it with a grain of salt. Thankyou.

🛖 Aries in 3rd house may have a very reckless yet mature behind the scenes relationship with their siblings. They also fight a lot with their siblings for no reason. Surprisingly, this usually goes physical more than verbal. Very playful relationship. There is always a strong urge to hit the other person and irritate them to death. It gives them pleasure. When injured, you might immediately stop the fight no matter how serious it is and take care of each other. Oh, and if someone else dares to trouble any of you, hell would break loose. They can't hear anything bad about each other. In certain cases, this could also apply to mars in 3rd house.

🪵 Dirty mind, Dirty mind, Dirty, Dirty, Dirty mind~ Heard the song? Yeah it's made for those who have their personal planets or ascendant conjuct asteroid Prevert. Trust me, the dumb way to die is by sneaking a glance in their minds. You will be traumatized for the rest of your life and will never look at them the same way again. At any given moment their thoughts are always in gutter. Yeah I am calling myself out at this one. Do I care? No.

🛖 Mars in 10th house folks are really good at dancing. They dance so well.... like you can see the passion in their steps. Dancing can be one of the hobbies in their lives. These people can also be known for dancing professionally and being captivating as hell on social media.

🪵 Lilith in 7th house could indiacte having seen a lot of failed marriages in their life. This could be in their immediate family or even include their own parents. Hence these people have a really different mindset when it comes to marriages. They might even resent the idea of getting married and often question, what's the point?

🛖 Moon in 1st house are babies. Literally babies. Like they look so damn cute and adorable that I just can't help myself but give them a huge hug. They are the most genuine type of people I think because its rarely when what's on their mind is not on their faces. They look so innocent and naive (even if they are legit not.) People just wanna protect them at all costs. They bring out the maternal instinct for them from the other person naturally. But no matter what their warmth is the best comfort zone and their arms are home <3

🪵 Mars in 5th house would definitely be that uncle/aunt/cousin/sibling who spoiled small kids to death and taught them to do weird stunts and create a headache for other family members.

🛖 Transit Saturn in 1st house is really frustrating. It feels like you are doing nothing progressive for yourself and just wasting time. Your efforts go in vain and its really hard to maintain consistency. Sometimes you also realize what mistakes you are making but you find it difficult to correct them. Mental state is always fluctuating and self-confidence is very down. This mainly goes on until the very end when you realize that now you gotta be serious. But when you really do hardwork and break the cycle of laziness, it pays off. Its like an immature, careless kid suddenly becoming a responsible and serious person. Remember, our beloved saturn plays mind games with you. Its either you break free from this if you want the prize or pay the price.

🪵 The people that I have seen to be most likely get cornered, misunderstood and targeted are people having chiron in their 1st house. Its really concerning and hurtful. Because of other idiots these babies get hurt on a very deep and subconscious level. They occasionally have identity crisis and depression is their bestfriend. They try to be happy but life always seems to push something in their way.

For example, I have this relative of mine and she lost her brother a year before she got married. She thought if she starts fresh, it would help. But unfortunately turned out her in-laws were not good people. She was gravely misunderstood by everyone. Even if people knew that it was not her fault, they took great pleasure in gossiping about her, blaming her and literally named her a psycho. Which she is not ofcourse. She was just mentally fragile and instead of understanding her, supporting her, they made her more unstable for no reason.

🛖 Leo venus folks love Cats. They are an animal lover by heart and soul. They are someone who might stop their car in the middle of the road because they saw a really cute cat walking on the sidewalk. Just to go their and mingle with it while thinking, If only I could take it home....

🪵 Cancer moons in 3rd house, please, please stop imitating that baby voice just to butter me up and get your work done. You might think its cute but no, I can see through everything and its so annoying plus immature. Ofc now it doesn't apply to everyone out there but those who do, please take my advice and stop it. Usually I have noticed only underdeveloped people do this but until they realize, its too late and others already find them so annoying. Honestly Cancer moons are so smart yet sometimes they.....*sighs*

🛖 Nessus aspecting Mercury could mean that you often end up hurting people through your words or the way you communicate even when you genuinely don't mean it. These people are really misunderstood a lot of times. Also this works the other way too. For example, you get easily hurt or offended when people speak ill about you. They might just share their opinion on your new home decor but instead you would feel insulted when in reality that's not the case. Not that you would hold a grudge, it depends person to person but you will definitely not overlook that. It would just sting a lot for no reason. You will always wonder, why did she say that?

For positive aspects, this could work out well too, for instance they know exactly what to say and what not to. They can be great negotiators, entrepreneurs and social influencers. They also know how to handle people embodying nessus qualities like a troll or opposition hell bent on creating trouble. Hard aspect people will slowly learn to overcome their problems in communication with time and experience.

🪵 Mars opposite MC screams suppressed anger. The thick tension between their anger and self-image is unbelievable. They don't like to get angry in public. They often gulp down their anger to the last extent because they don't want their reputation to get spoiled because of it. Sometimes its automatic they wanna get angry at someone but end up swallowing it anyway. But please don't test their patience. They might just explode unexpected at any time like a nuclear bomb and destroy everything within their range, not caring about their public image whatsoever.

🛖 Lilith in first house/Conjuct Ascendant are the infamous bad examples of the family while Lilith opposite Ascendant are the good examples with secrets darker than nightsky- always holding their sanity with a single string. Ironically, both are siblings, two sides of the same coin.

🪵 Remember, in one of my posts, I said that I don't relate with Aquarius rising and their unique fashion sense? Well, guys, I finally cracked the mystery! It's not our fashion sense that's unique. It's us. We are the aliens. Ok, that was a bad joke. But really, for example, a few months back, I wore a very pretty dress at my cousin's wedding. And istg people were looking at me like I was an alien, like I wore something totally out of the blue. As if It was not something improper or overdressed but very different than what everyone was wearing, which, of course, was not the case.

Now the funny thing is, if it was someone else wearing the same dress, I don't think anyone would've said anything about it. And voila! It happened. A few days back, I attended a family function, and I saw a girl wearing the same dress in different color and design. And fr nobody uttered a word. Those same people overlooked her as if it was totally normal. As if they didn't just make me talk of the town for a whole week because of that dress. So yeah, finally figured out, it's me, I am the problem.

🛖 Its not always true when they say Earth Mars people are calm and collected. I mean they are but suppose you have a virgo mars but you also have a Leo or Aries or Sagittarius stelium, your Virgo mars will be crying in the corner while that fire stellium will create a havoc and burn down the whole world in matter of some seconds.

🪵 North node in 11th house people are so likable. They are that one friend who knows the entire school and vice versa. So many connections and so many new friends. They just keep making connections left and right no matter where they go. People like to be in their contact. This gives me 'popular girl' vibe.

🛖 You sneaky little thing, you think no one knows how much you love reading smut? Yeah you, I am talking to you, Scorpio Jupiter/3rd house. Look me in the eye, I dare you to deny this.

🪵 Mercury conjuct Mars.... man, they literally spit fire when they talk. Can't win any argument against them. Ngl, I told my friend that I would leave her if she doesn't keep her hands off me special mention to her love language that is playfully hitting me at any possible situation. She just laughed and said, "Go, nobody would take you." Me: Cries silently. Her: I know baby truth hurts. Lemme give you a hug.

🛖 If you have no positive aspect to sun in your natal chart, it might be possible that people don't like your personality much. They think you are too egoistical or full of yourself. They might also backbitch about you a lot. Now this is just what I have observed so far. So it may not reasonate with everyone.

🪵 People with Sun conjuct Ascendant make very great leaders. They have a king/queen Aura surrounding them. And when they speak or share their opinion, people actually listen and take them seriously. When they walk in a room, they make sure everyone knows who has the authority.

#astrology #aries in 3rd house #mars in 3rd house #asteroid Prevert #Ascendant conjuct prevert #mars in 10th house #lilith in 7th house #moon in 1st house #mars in 5th house #Transit saturn #saturn transiting 1st house #chiron in the 1st house #leo venus #cancer moon #moon in 3rd house #nessus conjuct mercury #nessus square mercury #mars opposite midheaven #lilith in 1st house #Lilith conjuct ascendant #lilith opposite ascendant #aquarius rising #earth mars #mars in earth signs #north node in 11th house #mercury conjuct mars #Sun conjuct ascendant #astro observations #astro notes #zodiac humour

[psychedelic-ink]

𝐂𝐎𝐃𝐄𝐁𝐎𝐑𝐍.

DAY FOUR OF HAUNTED HOEDOWN

prompt: artificial intelligence au + "here, you are. you tiny thing."

pairing: ai-enhanced!miguel o’hara x f!reader

genre: explicit smut, minors dni, sci-fi, enemies to lovers

summary: there are codeborns and codebreakers. In this world ruled by ai and the people who want to keep it that way, codebreakers fight for freedom while the feared codeborns (ai-enchanced humans) do everything to keep the so-called 'peace'. You are one of the codebreakers, hunted by one of the most menacing codeborn yet, miguel o'hara.

word count: 3k

warnings: hunter/prey, chase kink, size kink, power imbalance, fear kink, dancing on the line of dubcon due to the power imbalance, but reader very much wants miguel, hate sex, piv, possessive!miguel, biting (it has a slight aphrodisiac effect because why not), some blood, dystopian, bondage with mechanical arms, double penetration thanks to said mechanical arms, dirty talk, degradation kink if you squint,

a/n: i don't know with this is, it kinda sorta happened and, honestly, i don't hate it.

In a city perpetually cloaked in gray, oppression is an unrelenting weight. Surveillance cameras leer from every corner, tracking your steps and every muttered word.

This city used to thrive, alive with energy. Now, it's stifled by a regime that rules with an iron fist. Holographic banners hang in the air, projecting sanitized slogans that mask the truth. Rain splashes onto pixelated cobblestones, the wet ground echoing the neon lights into your eyes. 

Heart pounding, you dart through the alleyways, every step echoing. You hear them chasing you, the CodeBorns, they were the AI-enhanced sentinels of this world. Their purpose; bring order to the intricate dark web of the city. You scoff as you run, what a load of bullshit. The sentinels are nothing more than mindless robots that have a barely working human heart—and brain—for that matter. 

Very fittingly, you’re part of a group called CodeBreakers, a group of dedicated people trying to dismantle the regime and censorship. You just recently hacked into the cinema, which might seem not like a big deal, but you just had to save those poor people from watching the same damn thing over and over again. 

Making people watch something else that wasn’t handpicked by the goverment might’ve not been a big deal, but breaking into the system certainly was, and something not everyone could do. 

“Shit,” you hiss, accidentally tripping over a loose cobblestone. “Shit shit shit—” 

The worst thing about the CodeBorns is the fact that they can do a lot that regular folk like you can’t. For example, they’re all ridiculously fast, they can see in the dark, they can hear exceptionally well, they have superhuman strength—

You hear a wall shattering behind you and heavy steps grow closer, you’re relieved when you realize it’s only one set of steps, but as you realize who those steps probably belong to, your chest caves. 

Fucking, Miguel O’Hara. 

You hear the familiar creak of mechanical limbs and the familiar sound of your name falling from his lips. Another thing about the AI-enhanced sentinels, they have body upgrades they can take off whenever they want to. 

“You can’t unrun me!” he roars. “You know you can’t!”

He’s right, you can’t run a beast of a man like him. 

You need to be smarter. 

Ducking into another alleyway, you thank whatever god is left in this world overrun by technology for the web of light the neon signs provide. You quickly spot a string of utility boxes, It’s dangerous, but you manage to squeeze yourself between them and the hard stone wall. Heat radiates from the boxes. If Miguel doesn’t lose track of you soon, the damn thing might heat up enough to burn you. 

The clatter of mechanical limbs echoes closer.

And then you see him. 

The neon light reflects off his holographic suit, its dynamic red details reminiscent of flickering pixels. He's a towering figure. Spider-like limbs protrude from his back, their gleaming metal glistening with the moisture of the rain-soaked air. They move slightly as if looking around, trying to sense her. With panic, you hold your breath, the small hairs on the back of your neck standing with attention. 

His brow is slightly furrowed, something you recognize he does when he’s either angry or annoyed—or both.  His lips, however, curve into a faint, almost menacing smile, revealing a glimmer of satisfaction in this pursuit.

The alleyway seems to shrink around you as his steps grow nearer. Your pulse quickens, synchronized with the flickering lights around you. This isn’t your first run-in with Miguel, and you doubt it will be the last. 

You squeeze your eyes shut. The fear you feel poisons you, making your stomach churn and your mouth taste of death. He’s captured you before but never actually handed you in. 

Arousal rears its head among the fear, coating you in a sheer sweat. You can’t help it. It’s a Pavlovian response at this point, you see him and your body starts leaking like a damn faucet. Miguel had captured you twice, and in both of them, you ended up with his cock deep between your legs. 

You just never know with him. He never contacted you outside of this, never acted in a way that would indicate that something had happened between you two. 

All he gave you is this, the chase, the fear, the wondering if this might be the time he throws you in a needlessly futuristic cell—

"Here, you are. You tiny thing."

Shit. 

It’s comical really; the way you look up with wide eyes as his red ones peer down at you. His smirk is non-existent, yet you can still feel his satisfaction in finding you. Your chest heaves painfully, you can move, struck with uncharacteristic fear. He might not be an animal you get the sense that he smells the horror sticking to your skin. 

You’re about to make a run for it when the mechanical arm’s sinewy grace coils around your ankles. Miguel pulls you out of your hiding place. All the blood rushes to your face as you hang upside down. 

“Dammit, Miguel!” you hiss. “Put me down!” 

He raises a sole brow elegantly, his eyes moving up and down your body, his gaze almost predatory. “Rather bold for a criminal,” he answers, voice nonchalant. The limbs tighten around your ankles, just a shy away from being painful. The arm draws you nearer, your breath mingling with his in the dewy air. “I’m starting to think you enjoy getting caught.” 

“Does it look like I have a death wish?” you ask. His lips twitch and you quickly add. “You know what, never mind, don’t answer that.” 

“What if it was one of the others who found you first? Were you going to spread your legs for them too? ” he snarls. “Is that how you’ve been getting away from hacking our systems for this long?” 

This time when the limb squeezes harder around your flesh and bone, you scream. The sound is drowned by the constant buzz of the world. “I should just take you in,” he murmurs. “Be less trouble.” 

Due to the blood gathering in your skull, you might be imagining things but you swear you saw a hint of actual worry instead of anger in those crimson eyes. But that shouldn’t be possible. Codeborns didn’t feel; sure they felt anger, but they were programmed sentinels made not to care about anyone who went into their criminal system. 

“Careful, your emotion is showing.” 

Maybe you do have a death wish, after all. 

“Bitch.” 

His sudden anger chokes the air from out of your lungs. You’re suffocated. The limb around you suddenly scorching hot, his eyes redder than normal, bright enough to match the neon raining from above. He bares his teeth at you, sharp and venomous, when he wants them to be. Miguel leans further into your personal space, his scowl deep—you begin to shake all over, your heart begging for your body to move away but you can’t. All you fear and think is fear. 

Arousal sneaks between the sinews of emotions. You taste it on your tongue, the scent of it searing as you take quick, sharp breaths. 

Miguel’s nose brushes the tender skin right under your ear, the sound of his inhale deafening “Afraid?” he rolls his tongue, his voice nothing but gravel. Before you can answer, a chuckle halts your tongue. His breath dans over your damp skin, goosebumps rising across your skin. “Or aroused? Or perhaps both?” 

You say nothing and it’s not for a lack of trying. You’re stunned into it, your tongue feeling limp and big in your mouth. The sharp edges of his teeth nip at your upside-down cheek, and despite yourself, a whimper escapes. 

“No seas tímida ahora. Where’s all that bite from before? Cat got your tongue?” you joly at the sudden feel of his warm tongue, your nipples hardening under the fabric of your shirt. “Beg for it.” again, a darkness curls around each and every word. 

This situation shouldn’t be getting you this hot and bothered. The want between your legs pulses so bad that it hurts. 

“P—Please, Miguel,” you say barely above a whisper. “I. . . I want it.” 

“Want what?” 

Fucking asshole. “Your cock. I want. . . you to fuck me.” 

His smile does nothing to quell the fear, “Good girl,” he rasps, the words echoing in your ear. 

The rest happens in a blur. 

Suddenly you’re not hovering upside down anymore, instead, you’re shoved up against the hard, cold surface of a wall, your pants being lowered for you. Now it’s your wrists that are bound and pinned above your head, your legs spread from the ankles thanks to the mechanical arms. Miguel’s large presence looms right behind you, his clothed cock flush between the crevice of your ass. 

“Let’s see how wet you are,” he coos, ripping your panties into two. You make a strangled sound of disapproval, but all he does is click his tongue. “Be grateful I didn’t shred your pants.” 

Grateful is the last thing you’re feeling as two fingers spread your folds, the middle one dipping between. Your body speaks for itself. Swiping his fingers up and down, he gatherers your slick around the digit and traces your entrance, pushing in. Your body jumps at the beach, pleasure licking the base of your spine. “So responsive,” he murmurs and you hear the familiar glitching sound of his suit. 

Then you feel the heft of his cock laying right above the curve of your ass, both his hands cradling your asscheeks. The limb around your wrists coils tighter. 

Miguel parts your cheeks, getting a better look. Your cheeks burn in response. The cool air hits your other hole and you hate the way your body clenches at the cold. His thumb traces the rim and a loud exhale of air rips from your lungs. Your legs start to shake, slick dripping down the insides of the tender flesh. 

“Gonna fuck this pretty asshole one day soon,” Miguel gloats. Experimentally,  he pushes his thumb forward, nearly knuckle deep until you start squirming. You’re dripping for him, your asshole fluttering around the digit. The mild pain only makes your pulse race. “Unfortunately for you, I can’t today.” 

You hear his smile in his voice. The smugness that is laced into his every sentence. Your breath hitches when he pulls out, a moment later the warmth of his finger is replaced with something cold and metal. 

You tense as you hear the machine whirring, the hardness of it is replaced with something rounder and softer. “M—Miguel. . . ?” 

His lips touch your ear, “Shhh, don’t worry about it, princesa, just a little something to keep you satisfied while I fuck your pretty little cunt.” 

The arm merely moves over your hole, a feather-like touch that warms your skin. When it gently prods at you, you arch your back instinctively, your ass moving up into the air. 

Miguel only chuckles, the sound dark and low, a faint slap is delivered to your ass. You yelp but he doesn’t say another word. 

He’s big. 

You have no idea if it’s just lucky genetics or due to the ai-enhancement but whatever it is; he’s well-endowed. 

He makes you feel every tantalizing inch as he pushes himself further into your cunt, your walls throbbing while adjusting to his width. Your jaw drops, mouth gaping. He presses deeper and deeper, every centimeter of your cunt claimed by him. Your knees buckle and for the first time, you’re grateful for the robotic tendrils holding you up. He growls into your neck, those same venomous fangs skimming the tenderness of your neck. You feel the sharp bite of his nails digging further into your hip. 

Towards the base, his cock thickens and your eyes roll back as he shoves the last of it deep inside you. Your breasts feel heavy, tingling with pleasure despite being untouched.

Miguel doesn’t wait, he pulls back his hips and snaps them forward. Your stomach clenches with a delightful shiver. While slamming into you, the arm that holds your wrists together starts to pull you back until your back forms the perfect art, a mild discomfort steaming at the base of your spine. The way he’s angling you above his cock coaxes sweet, load moans from you. If possible, he’s even deeper now, hitting that devastating spot you can’t seem to reach when you’re on your own. 

“You like being my little plaything?” he groans, kissing the sweaty skin between your neck and shoulder. You moan again when the rounded tip of the mechanical limb starts pushing into the tight ring. A fresh pulse of wetness soaks you and trickles down his length, leaving your body trembling. “Fuck,” thrust. “So,” thrust. “goddamn,”  thrust. “wet—” 

You attempt to say his name but all you manage is the pathetic repeat of the letter “m”. His lips curl cruelly and the tip of the arm forces itself deeper, fucking you with shallow thrusts. “Pathetic,” he spits. “You’re so fucked out that you can’t even say my name? You can’t help drooling around my cock, can’t you? This is why I think you enjoy getting caught, you tiny thing,” the hard edge of his voice softens as he drags his nose down your neck. “So pathetic.” 

When he nips at your neck for the nth time tonight, you bare yourself to him by tilting your head. You want it. Want him. You need to feel him tear into your flesh, you want to feel the sting of his bite for weeks. 

His movements slow on both ends. “It’ll hurt,” he warns. 

“I don’t care,” you choke out. “P-Please— I–I can’t—” 

You really can’t talk. Your cunt squeezes around him, begging for the hard pound of his hips. Miguel doesn’t make you say it twice. He sinks his teeth into the same pace he kissed not a moment ago, the pain is instant, the trickle of warm blood making you squeamish. He doesn’t suck, only bites, not that you ever thought he would be sucking your blood. You imagine it’s just something he enjoys doing, like a primal need. You feel the soft webs of psychedelic venom seep into your veins. Your body grows limp, your lids growing heavy, he resumes his thrust and the pleasure you feel is tenfold. 

“Oh god,” you gasp, slack-jawed. “Oh my fucking god—Miguel—” 

He pulls out his teeth, kissing the marks he made that were shiny with blood, “I know, I know,” he grinds his hips, the pleasure shooting up your spine like electricity. “The effects won’t last long.” 

His words go through one ear and out the other. However. Your body singing with pleasure and nothing else, the word around you fading into reds and pinks. 

Miguel snapped his hips hard into you, meanwhile, the limb resumed its thrusts, stretching you further with every stroke. Some part of you is reminding you that Miguel, as of right now, can see every part of you, your most intimate parts completely bare. But the soothing venom lurking in your veins whispers words of encouragement. You focus on being stretched further, your hips move in need to meet his thrusts, but having nothing to brace yourself against, you surrender and allow him to take you apart wholly. 

His grunts became louder, Miguel pushed deeper and deeper, both cocks thrusting into you at the same time. Spit dribbles from the corners of your lips. Your mind empties with slack-jawed bliss as both lengths repeatedly strike your sensitive spots, pounding you with pleasure. 

You let out a loud gasp when the limb pulls out of you suddenly and you’re left empty, Miguel’s arms wrap around you, hands sliding under your shirt to cup the heavy weight of your breasts. He presses flush against you, striking your ass, he fucks into you with short, deep thrusts. 

His fingers pinch at your hard nipples, slightly turning them, “Gonna fill you up,” he groans. “Gonna fuck myself deep inside of you so no one will dare touch you.” 

The possessive tone, the brutal pace of his thrusts, the large hands on your tits—all of it pushes you down the edge, your body going rigid before relaxing entirely. You gush around him, wet sounds echoing in the narrow alleyway as he fucks you through it, not slowing down in the slightest. 

However, you do feel the hold around your wrists recoiling along with the ones holding your ankles apart. Miguel holds you close as you fall loosely like a ragdoll, animalistic sounds are grunted into your ear, another burst of arousal awakening on your tongue. 

The tip of his tongue dances along the bite marks when he spills into you, his cock deep, just like he promised. 

There’s so much, you feel the heat of it spreading inside of you, some of it spilling around from where his cock stretches you wide. His hips twitch, his arms forcing down the grind of your hips. You let out a whimper, your head falling over his shoulder. 

The two of you remain like that until his cock begins to soften inside of you, Miguel slowly pulls out and lowers you to the ground so you can sit. He finds your pants and throws it towards your lap. 

Sadly for you, your brain registers none of that. The dumb muscle only starts working again when he stands tall in front of you, that same menacing stance returning. 

“Don’t let me catch you again,” he says, voice stern. He looks down at you as he stuffs his cock back in his pants. “If I do, I’ll have to lock you up. This was your last warning.” 

And with that, he leaves. 

A bitter laughter bubbles in your throat as the back of your head hits the hard surface of the wall. Rain begins to drizzle, the first tiny drops landing on your cheeks and sliding down to your neck. 

Among all the people you could’ve fallen for, why did it have to be him?

#miguel o'hara x reader #miguel o'hara x you #miguel o'hara x f!reader #miguel o'hara x fem!reader #miguel o'hara au #miguel o'hara smut #atsv fanfiction #oscar isaac characters #across the spiderverse fanfiction #spiderman 2099 x reader #spiderman 2099 x you

[fairuzfan]

I don’t ask this expecting you have THE answer or that there is one, but I follow a non Palestinian white man on insta (in addition to many Palestinian folks in diaspora and in Palestine) who mostly shares things from Palestinian ppl/sources.

He has several times criticized / shared criticism of charity dinners, music festivals etc raising funds for Gaza with the perspective of, it’s not appropriate to have a dance party or dinner while people are undergoing genocide, but also that in this moment, art isn’t resistance because there needs to be physical resistance, blockades of weapons, etc.

I’ve seen this echoed from some others especially critiquing white folks trying to claim “joy is resistance” right now, which makes sense to me, but i also wonder if it’s reductive to say art or music is not resistance because I feel like it can have a lot of power especially alongside social movements… was wondering if you had thoughts on this or perhaps knew where I could look to learn more.

Please ignore if this is too much, and thank you

I think things like writing and illustration and music feeds into the spirit of revolution and is necessary in that way. You have to energize the masses somehow, and to ensure that your message spreads as far as possible. A good way is to make art, or to sing a song, or write a story.

That's why Wisam Rafeedi wrote his book and different resistance factions make posters and videos — to spread their ideas and garner support among the masses.

It's not as important as putting yourself in immediate physical danger to incapacitate the colonial entity — but I think for Palestinians and other colonized peoples, they do need to make art to really process their thoughts. Of course there's a difference when a Palestinian in Palestine, a Palestinian in the diaspora, a nonPalestinian ally of color, and a NonPalestinian white ally do this. I won't deny that there's a nuance when it comes to this.

But writers who write about Palestinian Liberation historically have been assassinated because of how they participate in liberation actions and also spread ideas of liberation themselves. I don't know which white guy you're talking about but I feel like this is mostly a conversation that should be led by Palestinians if we're talking about Palestine because they understand the nuance of saying statements like "the only resistance is physical." I understand what he's saying to an extent but that does erase a lot of Palestinian resistance the past few decades by making sweeping statements like "art is not resistance" and kind of simplifies the issue at hand.

Charity dinners and galas and that stuff... I don't know what I think about them, I think that people are going to do it either way so my opinion doesn't really matter. Hey, if you're going to raise thousands of dollars for Palestine, I'm not going to stop you at all. I personally think you should try to avoid posting pictures and stuff like that from the gala itself if you're going to host one just out of courtesy.

I guess overall what I'm trying to say, art resistance becomes physical a lot of the time. I think its really reductive to say "art isn't resistance" and also personally insulting considering I have family members and friends who were journalists, creative writers, and artists and killed/targeted for their work.

Here's this article by Fargo Tbahkhi about the role of writing during a genocide that might be a good read. They also mention how Israeli propaganda (calling Palestinians "human animals"/"Amalek" as an example) is specifically a use of culture and writing to energize people to commit genocide. An especially poignant part that I completely agree with, and am trying to get at:

Palestine requires that we abandon this catharsis. Nobody should get out of our work feeling purged, clean. Nobody should live happily during the war. Our readers can feel that way when liberation is the precondition for our work, and not the dream. When it is the place we stand, and not the place we shake ourselves towards. In this way, what the long middle of revolution requires, what Palestine requires, is an approach to writing whose primary purpose is to gather others up with us, to generate within them an energy which their bodies cannot translate into anything but revolutionary movement. This is what Boal modeled for us in his theatrical experiments, which were dedicated to empowering audiences to act, to participate in a creative struggle to envision and embody alternatives. For Boal, theater was not revolution, but it was a rehearsal for the revolution, meant to gather communities together in that rehearsal. Creative work readies us for material work, by offering a space to try out strategies, think through contradictions, remind us of our own agency.  

#palestine

[lo-fi-charming]

so i've been keeping up with TMP as it's airing, which has been fun, it's actually really nice to experience this kind of story weekly since i came into TMA late and listened up to the s4 finale in like, a month or two. i've been enjoying the new characters and statements, and while i was worried i'd have trouble actively listening (my attention span/executive functioning can be really variable when it comes to podcasts), it's been surprisingly easy for me to actually listen to each new ep the day it drops publicly

all this to say im enjoying the show! but i've found myself feeling increasingly frustrated with a couple things i keep seeing when it comes to discussions of it

to me, it seems... there's been a pervasive reluctance to take TMP as what it is. and i do understand that. it'd be stupid to pretend TMP doesn't exist exclusively because of TMA and that show's success, that it's a successor that was pitched as being similar. it's a story being written by the same people (plus guests), in the same universe (roughly), going for about the same tone and maybe themes.

i just feel like it's a bit of a shame, though, that so many folks seem unwilling not to carry TMA with them when they're engaging with TMP

i don't know where or when it was said, but i swear there was a comment made by jonny and/or alex about how TMP will have some commonality with TMA in terms of world-building, but also, people who listened to TMA first may find themselves theorizing in the wrong direction because we're judging things based off what is no longer concrete, reliable information; things are going to work differently in the world of TMP, and since we have preconceived notions on what is relevant or how things work, that's going to influence how we engage with information presented in TMP if we let it. and that's not even considering the fact that they've been explicit in conveying the idea that TMP was written so you can experience it fully without having listened to any of TMA at all!

i'm very much someone who tries to engage with media on its own terms, largely taking things at face value until i'm given reason to suspect otherwise. that's something i'm trying my best to still do with TMP, even though obviously, i've also listened to TMA and am basing some of my thoughts and personal theories on what we know from that

but that's what i mean to say i guess, it's something you have to actively choose to do. and it feels like, just based on what i've been seeing in fandom spaces, that a lot of people are having a bit of an odd time with TMP because of a reluctance to do that?

i think the easiest way to explain what i mean is to point to a general acceptance, already on the level of fanon it seems, to interpret the computer voices as Our Jon and Martin (+ Jonah/Elias, maybe). now obviously we have the actual real world reason why their voices are present in TMP, because of course jonny and alex were going to come back as voices in the show in some way. and i 100% agree it's a perfectly logical conclusion to then interpret their inclusion as being related to Jon and Martin somehow. i'm personally very into the theory that it is in no way them - not in any way that matters - but specifically their voices that have been stolen (by the Web?) as a means to help spread fears in other realities. but that's really not how i've been seeing people play with the concept? it seems largely 1:1. and again, i totally understand where people are coming from with that - especially when you consider how it can be a super fun concept for horror and angst, or even just the fact that folks want an excuse to carry their favorite characters into this new show and still play around with them. i promise i don't mean to bring this up as a means of making anyone feel bad or like, chastised for interpreting things a certain way and playing in the space!

it's the biggest example of what i mean though, and was a huge point of frustration for me when we were first being presented with TMP. it's not just that i don't want the voices to be Jon and Martin proper (i am very into their Ambiguous End, i believe it's best to leave that as a space for fans to play in); in all honesty, i think it's kind of a shame and maybe even a bit boring (im sorry!) to be engaging with TMP this way

and it's not just stuff like that - i've been seeing a fair amount of people expressing frustration and feeling disappointed with how TMP is hitting, but i mean, i feel like that's inevitable when you're going into it expecting More TMA? i saw at least one person basically say "ive been waiting for it to make me feel the way TMA made me feel, and it hasn't yet", and i really just feel like that's setting yourself up to be dissatisfied! beyond the fact that we're only 5 episodes in and the story has barely gotten a chance to happen yet, a huge element of this new show is that it's being approached as a largely collaborative effort, it seems, with lots of guests coming in to help shape the story and more writing and plotting influence that isn't jonny

obviously it's fine to not be super into that! undoubtedly it's a question of taste. but you do have to acknowledge that that's the case and adjust your expectations accordingly, or else you're not going to have a great time

i really like TMA, i had a great time with it, but even if TMP is a sequel to its parent podcast, it's not the same thing - and personally, i don't want it to be! i do hope that's a sentiment that is able to be more widely felt by some fans as we gain more distance from TMA while TMP is airing. i just think more people would be able to enjoy it that way, and come up with more interesting theories and interpretations of things! but those are really just my own personal thoughts

#endlesschatter #tmagp #i just needed to express some of this #it's a bit tricky tho esp with the voices as jmart thing bc a lot of my buddies and pals are playing in that space #and i hate to sound like im vagueing or complaining i swear im not ;lskdjfljk it is truly so unserious in the end #it's just very much not my interpretation or desire to see canonized in any way #though i cant deny some of the arguments made in favor of that interpretation are compelling #and i mean if it's the case in canon! not like im gonna be mad at folks for calling it!! #might not be my favorite angle but could still be plenty fun! #but also yes yeah i just wrote a lot of words down just to say i think it might be nice. if. #the fandom at large didn't try putting a coat of TMA paint over TMP and interpreting everything that happens in a TMA-colored lens

[yanaleese]

◈ Love Me, Kidnap Me, and Love Me More ◈

Yandere! OC Karma x Calculative! Gender Neutral! MC

VER EN ESPAÑOL. MUY PRONTO

Synopsis: You put blood, sweat, and tears into your work. Little did you know, your secret admirer, Marka does it too.

Content warning: Yandere and literally anything that goes with it, violence, hypnosis (not on reader), drugs (implication), and yes there will be a Part 2

PLEASE SUPPORT PALESTINE WITH MONEY, OR WITH A CLICK

Scores, talents, personas.

THESE are the factors that classify the education system. Although not immaculate, it serves its purpose - to send vulnerable people into the workforce, and devour them whole. Their livelihoods, their time, and the minuscule bits of energy left inside of them.

But there are some who are born with advantages, and some who have to work their ass off for it.

I, unfortunately, have the latter. Things don’t come easy, instant, or perfect. I am actually quite idle, I enjoy the freedom of gaining knowledge and insight. Uniquely, tried and tested knowledge that is critical for survival.

And that, is how I manage my late nights. By listening to “Advice to Survive” with its host, McGregory Callahan.

Back in the 60s, he was a CWO-4 Navy Seal officer, a rank given to an exclusive few. And now that he’s retired, he humbly shares his advice to the community, and showcases guests every now and then to keep the show alive. But majority prefers to listen to his voice, which I strongly agree with.

“And so, ladies and gents…” His voice was smooth and husky. “It’s time to sign off, folks. Stay safe, and always remember…” I chuckled, saying his closing lines with him.

“Live, not die, and try to survive. Thanks everyone.”

As the radio chipped off, the sun poured its rays into my window, as if the heat wasn’t enough. I groaned, my eyes leading me to my collection of “wake-up” capsules. Tempted, and deceived, I slithered my way over to it, dropping another 2 or 3 in my mouth.

I grumbled. Regret seeped into my veins, my body woozy and tense. Once again, I stayed up.

And of course, it happened to be a Monday morning; where I had a morning class. “Well fuck me gently with a chainsaw.” I began stuffing my bag with my utensils, paperwork, snacks. I could never get used to this shit. “I hope nobody pisses me off for the rest of the day.”

◈

“The bell. Ugh, the damn bell. Never have I wanted to smash that thing into pieces.” You could barely make out the crowd, more or less. Not even your best friend’s face.

“Wait. You had a rough night…again?” Heidi glared, her eyes were practically glowing with concern.

“Maaaaaaybe.” You slurred, taking baby steps to your seat. “Good thing my seat mate is a quiet kid.”

Speak of the devil, Marka entered the room, his footfalls silent as he strolled to your direction. His timing was impeccable.

“Good morning, Marka.” You mumbled, your eyes not meeting his. Besides, there were no eyes thanks to his bangs.

“Heh…” In response, Marka gave an exciting grin, happily waving a good morning back to you. How he could be energized on a Monday morning, was a complete mystery to you.

Actually, a lot of him is shrouded in mystery. Or rather, in suspicion.

Other than the weird name, Marka was supposedly from the countryside of Honduras, Tegucigalpa. His parents were also from Honduras, and he worked as a pizza delivery driver, and stayed at a friend’s apartment for shelter, with the purpose of redoing college thrice to get a degree. While some of this is true, some of it didn’t add up.

For example, his idioms. Sometimes he would say “Puchica” , “Chero”, “Chivo” - and when I looked them all up, the common denominator was El Salvador. He said his parents came from Honduras, so how can this be true?

“[Y/N].”

Then him, being the pizza delivery driver. You don’t often order pizza, but you’ve never thought that pizza could smell so shitty. You could remember him rushing to one of your afternoon classes, and instead of smelling like oil and grease, he smelt like weed. What the fuck???

“Hello? [Y/N]?”

Plus, the fact that he is redoing the course a third time. And yet, every single exam he is perfectly scoring an average mark. He also ends before everyone else, as if he has all the time in the world.

That’s not normal.

Though you’ve never confronted Marka about this, you preferred to remain silent. Times are harsh, and you weren’t willing to stretch out a hand when you could barely help yourself.

But there is NO way that you’re befriending someone as suspicious as him.

“[Y/N]!!!” Heidi whisper-shouted, breaking you out of your thoughts.

“[Y/N], please answer-“ Mr. Dimmy paused, clearing his throat. “Actually. On second thought, please see me after class. Thank you.”

You bit my lip, letting it bleed. Fuck. You spaced out again.

“Sir I-“

“No buts, no coconuts.”

While cursing yourself internally, you decided to take out your vent book out of your bag, only to be stopped by Mr. Dimmy once more.

“[Y/N]. Can you please answer the question on the board for me, please?”

Shit, you just opened your bag.

“Give me a moment-“

“[Y/N].”

Clenching your fists, you gave a plastic smile. It was understandable where he was coming from, since he didn’t want his star pupil to daydream for the second time.

“My bad, Sir. Hopefully I’ll get this right.”

As you were busy solving the equation, Marka decided to do you a favor and close up your bag. So by the time you came back, Marka grinned, hoping for a thanks to come out of it. But you decided to ignore the kind gesture, continuing to pay attention to the board. You had enough attention for one day.

◈

If there was one thing you loved, it was clocks. It was nice to know how the time passed, whether it was rapid or abnormally slow. And of course, it was slow.

“[Y/N], this has happened on multiple occasions.” Mr. Dimmy rubbed his temples, exhausted from having the same conversation with you. “We, as staff, made it clear that you can take days off.”

“I’m very sorry Sir, but I can’t do that-“

“[Y/N], enough with the excuses. You are not enough getting enough sleep, and it’s affecting your concentration.”

Scores, talents, personas: nothing on this conversation applied to that. Kindness was a pain in the ass.

“And so, I’m going to ask the dean to personally give you a suspension. A whole week suspension.”

You had to hold your tongue. Why do you have to do triple the work???

“Sir. I’m behind on what I need to cover. I’m begging you, please just let it slide.”

“But [Y/N], you are three weeks ahead. Taking a week off is enough right now. Trust me.”

You glanced at the clock. It was 9:47, the minute hand approximately reaching the next minute.

“If I see you Tuesday afternoon, I will personally escort you outside. That is all.”

Rubbing your eyes, you ran to the top of the stairs, before making yourself out. You couldn’t believe what just happened.

“[Y]-[Y/N]…” It was Heidi.

“Heidi. I’m done for the day, so I’m going home. Text me later if you’re curious.” Your demands were quick and stern.

Poor Heidi snuggled her books, her expression shaping into pity and guilt. If only you could just take a break.

◈

“Giggles, after giggles. These fucking cuches don’t know when to quit it, don’t they?”

“Markaaaa…” She snorted, sounding exactly just like he called her: a pig. “Teach me a little Spanish, no?~ ❤️”

Marka shook his head, his face clearly showing discomfort.

“Come on, we wanna hear it! Maybe we can fuck it up, you know?”

Damn that Rico bastard. He never knew how to read a room.

“I said no.” Marka ran his fingers through his bangs, revealing the swirling darkness within his eyes. “Now learn to be good little shits, I’m in a bad mood.”

Immediately, the entire group stood completely still. Before seconds later, horrifying shrieks escaped people’s lips. Some froze in horror, sweating profusely. Others just ran away from Marka, while some fought with him. Luckily, thanks to his physique he could handle his attackers pretty clearly.

“Ha…shame…” He continued to hit Rico with every punch, starting to see blood oozing out of him. Marka couldn’t help but grin in sadistic glee. “This hypnosis is always pure luck for me.”

Grabbing the leg of one of his classmates. Marka twisted, fractured, and even jumped on her leg, which was perfectly in sync with his words.

“Fuck. Fuck. Fuck. Fuck. FUCK.” Marka cursed out loud, growling in frustration. Every time he thought about you, the feeling wouldn’t go away. “I just wanted to do a good deed. Why. Won’t. They. Love. Me.”

Hearing the classmate’s sharp cry, Marka kicked the person away from him, heading to your locker. It was encased in a shitload of locks, all of them personally made by yourself. You knew how to be efficient and useful.

Too bad Marka knew lockpicking a bit too well. “It’s been a while since my last rejection…so let’s see what’s here now-“

With a clink, he guided his fingers to first few letters he made….only to find them….

Crushed.

“….”

He should’ve been used to this by now. The dust, the grime, the dead spiders. After finally getting a fresh new locker, it was understandable that you cleaned up the space.

But you didn’t. You decided to make your old locker your new dumpster bag instead - including his love letters.'

His scarred thumb clutched the pink envelope, or the crushed up ball that it was. He could remember the time he had to go off on business, missing college for an entire week. He had to stay low due to a shot out, which resulted him gaining a major injury in the shoulder and his left hand. He didn’t mind the injuries due to past experiences, but he was…depressed. Marka couldn’t see anyone, neither be online lest he got found out. It was a decision that both he and José made for his safety.

And so, to satiate his loneliness, he wrote to you. Even though his left hand was twitching in pain, he wrote. Even though his brain was telling him to stop because of the pain; he wrote. He wrote because he knew that you gave him the happiness, the hope that he needed for this world. Yes, you were flawed…but with each other, the two of you could heal one another’s scars. Right?

“….Ha….”

His hands shook in silent rage as dark droplets dropped on to the paper. I’m sure you didn’t know any better, it was simply a misunderstanding. Yes, yes - it was miscommunication.

It was understandable, since he didn’t make it clear. He didn’t flirt with you since it wasn’t your thing. I guess the letters weren’t either.

Maybe he’d have to try something…a bit more drastic.

“I need to know…do they love me…? Do they not? Maybe….”

Clutching the paper in his chest, he started chuckling to himself. No, grinning madly as he stared at the locker in front of him, his face contorted into something twisted and grotesque.

“Maybe it’s time I should pay your house a visit, hmm? ❤️~.”

NOTES:

Cuche = Means pig in Salvadorian slang. ɪғ ʏᴏᴜ ʜᴀᴠᴇ ᴀɴʏ qᴜᴇsᴛɪᴏɴs ᴀʙᴏᴜᴛ ᴋᴀʀᴍᴀ, ᴊᴏsᴇ́ ᴏʀ ʜᴇɪᴅɪ ғᴇᴇʟ ғʀᴇᴇ ᴛᴏ ᴄʜᴇᴄᴋ ᴍʏ ɪɴʙᴏx.

#karma #karma imagines #qc #karma lore??? not rly #i mean....I wouldn't say karma lore. Maybe Karma imagine? #yeah cause this relies on probability...so. #male yandere #yandere #yandere oc #yandere x reader #yandere x you #yandere blog #yancore #yandere male #yande.re #yandere boy #yandere mafia #yandere x male darling #yandere x darling

[odysseyeurobeat]

Literally just me gushing about eurobeat

Y'know what? Tumblr, you get a little treat. I don't have much better of a place to post something long-winded like this, so here we are.

I love eurobeat music. Big surprise from the girl with it in her handle, right? But I don't just love one kind of eurobeat. No, I'd go so far as to say I love it all. This genre becomes an absolute buffet of delightful, energetic, silly fun when you forget about trying to look for ways it "doesn't count", and try to look for the ways it does.

I love early eurobeat! I love the stuff that's indistinguishable from early Italo Disco, the formative things where the tempo was still low and the disco vibes were still high! That's Eurobeat and the first few volumes of Super Eurobeat are great for this!

I love later eurobeat, too! Even if some of the sounds aren't always my favorites, I love that folks were trying new things and dabbling with new sounds, experimenting in ways that in previous years seemed prohibited! Comparing some aliases who have been going for multiple decades from this period to when they started is also super fun!

I love traditional eurobeat, if I could pick a name for it! Faster, more rave-influenced, whether or not it's still got some disco elements in it, themes about nightclubs and love and loss and betrayal and that ever-ubiquitous fire! Maharajah Night has some great examples, leading into the bulk of pre-200 Super Eurobeat volumes!

I love J-Euro! It turns out, folks in Japan have different ideas and tastes and approach the genre VERY differently than the folks in Italy do, and I love how it sounds! I love how the sound design is so different and the speed jumps a little higher!

I love indie eurobeat! I love hearing how new and amateur producers take a crack at the sound, and seeing what folks do as the tools for making it grow and evolve! Even virtual versions of the synths the masters used to use are available now, and it's fantastic to hear how those things sound in new hands! I love the ways indie producers bend, break, and work around the rules of the genre and still deliver a uniquely "eurobeat" experience! Without this category, I would never have found DJ Command, DJ Bouche, Turbo, Vikas Beatbox, the Galaxian Recordings crew, and so, so many more!

I love happy eurobeat! The nature of the genre makes it so straightforward to pair its signature energy with joy, delight, empowerment!

I love sad eurobeat! That very same energy that powers joy and happiness can be just as powerful for driving home sorrow and sadness, and some lyrics even carry strong emotional weight (we're well past the days of eurobeat being only about Burning Love Car Baby Fire Desire Tonight Drift Tokyo, y'know)!

I love fandom eurobeat! Yup! Vocaloid, Touhou, MLP:FiM, Vtubers; whatever you may be a fan of, chances are good there's a eurobeat remix out there (or even an original) that suits your fancy!

I love Initial D eurobeat! How could I not, right? The classics are classics for a reason, and eurobeat and drift racing are a uniquely fantastic pair. Of all the things eurobeat could be about, it's one of a few that really knock it out of the park!

I love feminine eurobeat! Masculine eurobeat is great too, but it already gets a lot of love in the other categories, so I want to celebrate those eurobeat songs that feel quite the opposite while still being perfectly eurobeat! Eurobeat is broad enough to express feelings like this, too!

I love songs that aren't quite eurobeat, but have elements of it! And I love eurobeat songs that heavily include elements from other genres, too! Eurobeat is like any other genre-- it has not always had the same chances to rub shoulders with other sounds in the dance space, but when it does, some wonderful things happen! And the whole music world is enriched for that cross-pollenation!

I love the songs I used to dislike! To think I'd go from vastly disliking Norma Sheffield's discography, to adoring it so fully! Disliking "Higher Higher More and More" to seeking it out from time to time! Not being fond of SAIFAM/BBB's style, to knowing some of its songs by heart!

And most of all, I love that I get to MAKE this stuff for a living! I do not take the fact that this could've not worked out trivially, and I hope I've rewarded your patiences well with a lot of new favorites and starting points for diving deeper into the genre over the last... almost 20 years, now!

And that's just the tip of the iceberg! I understand some eurobeat isn't to everyone's taste, but I think if you haven't tasted all that there is out there, you owe it to yourself to see how you feel about it. You might be pleasantly surprised!

#eurobeat #initial d #odyssey eurobeat #eurobeat brony #ken blast #super eurobeat #rambles

[qqueenofhades]

Maybe this is a controversial opinion, but its one that I've been reminded of in the few weeks since things have escalated so severely in Israel and Palestine-- I feel like the pressure for random, average individuals online to be vocally political is not only entitled and uncomfortable, but also just an example of misplaced priority.

Like, I have people on twitter right now that are flat out saying if you don't talk extensively about I/P you're truly, irredeemably evil. I've had mutuals say that silence means you're complacent in genocide, that you have blood on your hands (exact words). But it just doesn't make sense? Most of the people who I've seen being flat out harassed for being silent are teenagers who don't have money to donate, working class folks who don't have time to spare, and normal people who just don't have enough of a following online to even spread any word effectively. Of course, the ones doing the harassing are also poor/busy/not-popular, but they don't see the irony. (I've also seen them say that talking about war constantly is taking a toll on their mental health, saying they've cried, had nightmares, panic attacks, etc...but they also say that taking a mental health break from social media is "selfish" and genocidal, so.)

The whole interaction leaves me with so many questions. If stepping away from social media because politics are stressing you out (which they are known to do), are you obligated to use social media? Do you have to use twitter to be a good person? What does that say about people who can't afford a phone, or live in a country where it isn't quite possible? (Are homeless folks inherently genocidal, or is that an "obvious" exception that was never clarified because no one uses nuance anymore?) If you have to talk about world events, lest you side with the oppressor, at what point is something so catastrophic you *must* talk about it? Is there a number of lives lost that is low enough you can get away with being quiet, and a certain amount too high that you're obligated to talk about it? Is it your duty to have the news on 24/7 to make sure you don't miss anything and catch all the global disasters as they happen? How much do you have to talk about something for it to be considered "enough"? Is there a quota??

It just feels like a lot of people are acting as if people who aren't chronically online aren't 1. doing any activism, because the only important activism is social media networking (sarcasm), or 2. are inherently bad people for *not* spending 6 hours a day on their phones. Like, I had someone I thought was a friend say I was a bad person because I was trying to cut down my social media usage, because the timing was "too convenient"... as if that's a normal thing to say to someone, ever. Sorry if I went on a little bit of a rant, it wasn't my intention. I dunno, maybe it's just me; I've seen a lot of people saying this sort of stuff so maybe they are the majority. It just feels really weird to let people that are addicted to social media take charge of who online is "good" or "bad" based off their internet usage. As if we were all catholics or something. If I were to say that current takes on morality were very catholic-seeming, would you know what I mean?

As recently noted, I am myself on an embargo from answering asks related to this topic. I will make one exception because this is important. Please note that any wank in replies or reblogs will be instantly blocked (and I won't hesitate to disable reblogs if necessary). I will not be answering follow-up asks or getting drawn into Discourse. I do not want to do it and it will not be happening.

I have said it before, but it bears saying again: thinking that the only way to Do Activism is to be constantly on social media and immersing yourself in terrible things nonstop and then posting the Most Correct Opinions (and then viciously attacking anyone who is even slightly Not As Correct as you) is absolutely bullshit. If you're engaging with this content so much that it's giving you a mental breakdown or otherwise plunging you into a spiral of anxiety that you take out on other people who are just as far removed from actually doing anything about it as you: why? Do you really think that you and you alone, one random person on the Internet, are the only way anyone else is going to find out about these things? Or do you think you have to perform the Most Correct Opinions nonstop, viciously harass anyone who isn't responding in exactly the same way, and this is the sum total of what your response should be? Especially in a situation as bloody and complicated as this, dealing with reams of religious, social, cultural, and political history where the average commentator on this conflict knows only what's been fed to them by propaganda on TikTok? How the fuck is that useful or constructive for anyone, aside from perpetuating the idea that you have to be angry all the time on social media about things you essentially know nothing about? I can't see that it does.

What's happening to the Gazans right now is no qualification or equivocation, a genocide. It should rightfully be opposed and called what it is. But unfortunately, I have spent too much time around Western Online Leftists to believe they actually care a whit about stopping genocide as a fundamental principle, and only want to be seen to loudly care about what their Ideology has told them to care about. If it means hand-waving aside genocide and atrocities when committed by their preferred polities, so be it. Why haven't these same people been wall-to-wall up in arms about what Russia has been doing in Ukraine, or for God's sake Syria for the past ten years, if they're really concerned about the rights of innocent Muslim civilians attacked by a far-right imperialist power? Why not the Uighurs in China? Why not [insert the blank] of all the terrible things happening in the world as a result of far-right fascist genocidal imperialism? Why only this conflict? Why now? Why does it involve so much excusing of terrorism as long as it's committed for the Right Ideology? Why are some of the most loudly pro-Palestinian accounts on here also the most rabidly pro-Russian? How does that make sense? To put it bluntly, those genocides are being committed by nation-states that Online Leftists like for being "anti-Western," and therefore their activities are actually fine and should even need to be defended.

My point is not to say that what's happening to the Palestinians is not bad. It is. It is awful and inexcusable. However, I seriously doubt the motives and morality of those who are being the loudest about screaming on social media and attacking everyone else for not instantly repeating their views. I seriously doubt that the Online Left actually opposes genocide and accelerationism as fundamental principles, because they proudly demonstrate every day that they don't. Until those vast factors can be dismantled and shown for what they are, and this can be placed into its larger context, I don't buy it and I don't believe this wall-to-wall social media outrage factory is actually aimed at helping the Gazans or anyone else suffering the most as a result of this. It is just to show that they can be counted on to Perform Outrage and harass anyone else who doesn't do the same, and that does nothing for anyone whatsoever.

#anonymous #ask #politics for ts #israel hamas war #once again any wank will be blocked #reblogs will be turned off if needed #i will not be elaborating further #the end

[picnokinesis]

flux adjacent fic recs

in media res by wreckageofstars (3k, 1 chapter, gen) summary: “Well,” she said. “Now you know what the mattress is for.” Dan shifted. “And the trampoline?” “Best not ask about the trampoline.” //I think this is probably the first Dan pov fic I ever read, and it’s absolutely brilliant. This author gets the character voices down so perfectly it’s unreal, and the whole thing is just so wonderful to see from Dan’s outsider perspective. It’s set in the immediate aftermath of Once, Upon Time, and it does a fantastic job of exploring the impact of what happened in that episode – both from a whump perspective and an emotional one. Angsty, but also funny in the worst kind of way – someone please go give Yaz a break, she REALLY needs one. Anyway, it’s great, everyone go read it right now.

Hearts of Stone by weirdpug (previously xhonia) (1k, 1 chapter, thoschei) summary: The Doctor loses herself. The Master finds her. //Ohhh this one this one, it’s SO awesome – it’s one of those fics that does really cool things with the formatting? Which works great here, because it’s a weeping angel!13 fic and wow, wow! Extremely awesome indeed, and just beautifully written – the prose is just so full of character, even when the Doctor is losing herself and it’s so well done.

Divination by WalkerLister (6k, 1 chapter, gen) summary: “There was a name for someone similar to me once. They called them the Valeyard. You can call me that, if you like. I quite like it, it’s suitably eerie. Little bit of drama never hurt anyone.” //Right, so we all remember what happened when War of the Sontarans aired…we got that ‘next time’ trailer of Once Upon Time…and all collectively lost our minds over the inverted dark coat. Since then, I feel like everyone has been finding really creative ways to get it into fanfics, and this is a wonderful example. And, well, if the promise of dark coat!13 wasn’t enough, this fic is just an absolutely fascinating look at the concept of the Valeyard in the context of the fobwatch from Flux, but focused on Yaz and her relationship with/perception of the Doctor. It’s such a good concept and so so wonderfully done! (also, if you’re a fan of thasmin, this author has a ton of stuff, so definitely go check it all out! For the less thasmin-inclined folks, I highly recommend Ipesity, which is one of my favourite post-TTC fics)

three points where two lines meet by Ymae (4k, 1 chapter, gen) summary: The Doctor tries to get those memories back, and breaks herself, bit by bit. //Oh man. This fic. I still remember when this one first posted and hoooooo boy, it is a hell of a gut-punch and absolutely wrenched my heart right out of my chest but HHHHHHHHH wow!! WOW. Genuinely, I think this fic rewrote my brain a little bit. It's set in the immediate aftermath of Once, Upon Time where the Doctor makes some very unwise decisions about trying to tug at her timeline and it's absolutely incredible. Very angsty, very whumpy, and full of a HUGE amount of the Doctor messing with timelines and very visceral, tangible descriptions of her timesense. It is such a treat, guys. And if you like this one and want something with similar vibes, I also highly recommend this post-flux fic by the same author!

Sheer Poetry! by Papapaldi (57k, 5 chapters, gen) summary: Trapped within her own mind, the Doctor travels through an impossible house, with everyone she has ever been locked inside. Her body is an unresponsive, useless bag of flesh somewhere far and away in reality. The part of her brain that she knows, where her past resides, sits somewhere else entirely within the old machine. The Ravagers eat, buried memories beckon, and the Doctor's faith is shaken to its core. She will never be the same – but that's what she's all about, right? Incredible change. //oh my days. THIS FIC, guys - look, I see the word count, I know, I know. This fic is a serious undertaking, but like so many things in life it is soooooo so worth it. Bucket loads of absolutely ASTOUNDING imagery, more references to Lungbarrow and Timewyrm Revelation than you can shake a stick at, BUT you don't need to have read those stories at all to enjoy this absolutely fantastic saga (put it like this - I've not read those books, and I had a whale of a time). Incredibly poetic, a little nonsensical in the best kind of way (it IS a mindscape fic) but startlingly funny and so beautifully in character. I laughed, I cried. This fic is just a love letter to everything Doctor Who, weaving all of canon into this beautiful, cohesive tapestry. I highly recommend. (and, if you're hungry for more and want tpotd content, there's an excellent sequel as well)

every step i choose to take (begins to set the world aflame) by SleepyMaddy (12k, 1 chapter, thoschei) summary: In a spaceport lost in a remote quadrant of interstellar space, a Doctor who doesn’t know herself anymore runs into a Master who doesn’t know himself yet // Ok so the sheer concept of this one ALONE is absolutely brilliant – the Doctor, escaping from the Division and half out of her head, bumps into the Master, who’s not long regenerated from Missy. And, guys. It’s fascinating. Seeing the Master right at the start, before he finds out everything that comes to define him in this era, and then having him meet a version of the Doctor who is quite a lot further along than him and just completely out of it? It’s like catnip to me, guys. And, of course, it’s all helped by the fact that the writing is absolutely brilliant – the characters are just absolutely spot on, which is quite an incredible feat seeing as they are both in very different places to where we see them in the show, yet they still manage to ring true throughout the whole thing. And also the mindscape imagery? The psychic whump? The emotional gut-punch that is the entire fic? Absolutely unparalleled. (also, if you’re a spydoc fan? Just help yourself out and read this author’s entire set of works, because it’s all fantastic)

see me bare my teeth for you by picnokinesis (16k, 1 chapter, gen) summary: “Do you know your mission?” //This is a bit of a cheeky self-rec, but, in my defence, if you're looking for flux fics, then I think you'll enjoy this one. I wrote it in the week after Village of the Angels aired, and it's basically all my thoughts and theories about what was going to happen in Survivors of the Flux thrown into a 16k oneshot. I was...mostly wrong HAHA but I’m still really proud of it. If you like division!doctor, then this one is for you

we're only dreaming (tell me who i am) by SpaceBetweenGalaxies (2k, 1 chapter, gen) summary: more the-memory-house-is-Lungbarrow clowning //ok, so if you were like me when flux was airing and absolutely lost your MIND over the illogical house which was a bit too on the nose regarding Lungbarrow related things, then THIS FIC IS FOR YOU. Absolutely brilliantly done, with some gorgeous imagery that I'm still thinking about to this day, and just a wonderfully unsettling exploration of the Doctor and how she picks at those cut off memories in the aftermath of the Flux

the stars are bound to change by emptypockets (9k, 1 chapter, gen) summary: Being trisected across the universe has unexpected consequences for the Doctor, and Yaz is tasked with the responsibility of keeping her awake. //ohhhhhh this fic is so wonderful!! It's that weird sweet spot of 'soft angst', where it hits where it hurts but at the same time the whole thing feels like it's wrapping you in a warm blanket. Augh!! Such a lovely portrayal of the Doctor and Yaz's dynamic - I adore how this author writes these two so much. An absolutely lovely (but angsty!) character exploration, with a healthy dose of whump and sleepiness on the side. What more could you want?

Everything by rowanthestrange (24k, 13 chapters, thasmin) summary: In which Yaz wants to know everything, and the Doctor finally wants that too. //Ok, so full disclosure, I don't read that much thasmin, but this fic, guys. It's just gorgeous. A beautifully written exploration of Yaz and her relationship with the Doctor in the aftermath of Flux, which explores the years Yaz spent in the past and how that changed her; the Doctor grappling with her identity issues and how that's changed her; as well as all sorts of other wonderful things besides. Another fic that had tears streaming down my face (the TARDIS chapter got me...). It's such a poignant, emotional fic, and it's very focused on character in a way that I really adore. If you like thasmin, this is an absolute must-read. If you're not a fan of thasmin, I recommend it anyway (- signed: a thoschei shipper) because it's just such a brilliant portrayal of these two.

#doctor who #thirteenth doctor #dw fic #yasmin khan #the doctor #the master #jodie whittaker #thoschei #spydoc #sacha dhawan #thasmin #fic #fic rec #doctor who flux #doctor who series 13 #dwedit #taka edits #feel free to add more recs in the notes if you like!! #share the love!! #apologies for the wrong username on the hearts of stone one #because i made that edit so long ago that the author changed their name KSKSKSKSKS #but my editing programme has updated and completely changed?? #so the settings I used to make that. are. not there anymore RIP ME #BUT AHHHHHH YES i've been meaning to make another one of these for AGES!! #anyway forgive me if i missed anyone's fics!! #honestly half the challenge is finding fics that like....i can find a screencap that WORKS for the story #which is a challenge in itself #there were a couple of others i also wanted to rec but the TITLES WERE TOO LONG #GUYS #like i know im part of the problem i KNOW

[gentlebeardsbarngrill]

01/18/2024 Crew Recap

TLDR; Summary: #HoistTheAds and Astroglide OFMD both happening tomorrow 1/19/24; UK Fans We Need Your Help!; New Hashtags/Petition Link; David Jenkins/RhysDarby/TaikaWaititi Troll us with Hidden Stuff; More Articles; Petition Status, News That Gives Us Hope for S3, and Rhys Darby in Shorts.

Note: Please feel free to let me know if I missed something important, if I'm incorrect, if the formatting pisses you off, or whatever, I take constructive feedback <3 thx lovelies.

Need to catch up on recaps? ofmd daily recaps

==Things You Don't Want To Miss Tomorrow 1/19/2024 and 1/20/2024==

EDIT: HOIST THE ADS: This might be starting at 12 EST - https://www.tumblr.com/renewasacrew/739916790295052288/join-us-in-just-over-10-minutes-at-midnight-est?source=share

#HoistTheAds is finally coming to NYC and LA tomorrow. There will be Flyovers, Billboards, etc. As of right now it looks like its just happening every few minutes on the billboard for the next day.

Tumblr Info

Twitter Info

==Astroglide Watch-A-Long at 1/19/2024 1 PM PST ==

To clarify exactly how it works, basically what they're doing is asking you to stream on the service of your choice starting at Season 1 Episode 1, and Astroglide (and Squishables might be joining) will be tweeting reactions as they go.

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=UK Fans! We need your help! @lamentus1 was kind enough to give us updates on the efforts going on over the UK!=

UK specific OFMD fans in groups on Tumblr, Twitter and Facebook are trying to come together to push for the BBC to air OFMD Season 2 in the UK since they haven’t done so yet!

So many UK fans can’t actually watch the second season *legally* based off a tumblr poll that @lamentus1 did recently, and a third of fans who voted can’t even watch OFMD because it’s not on in their country!

The current plans are:

Email two key people at the BBC:

Sue Deeks (Brought OFMD to the UK) --- [email protected] Charlotte Moore (Chief Content Officer ) --- [email protected] Email Prompt: if you need an example:

Send Tweets regarding wanting Season 2 to Air on BBC on twitter (same hashtags from @renewasacrew I believe but it that's incorrect please let me know!):

BBC2 IPlayer

The ongoing twitter thread for this is here

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====New Articles ====

BBC fans fight to save cancelled show, with petition reaching 58,000 signatures

'Our Flag Means Death': Fans Rally to Save Cancelled Show'

Our Flag Means Death: Fans campaign to save queer pirate comedy

---Articles in Dutch---

Fans pikken cancellen van Our Flag Means Death niet en tekenen massaal petitie --------------------------------------------------------------------------

=Cast and Crew Seen in the Wild=

**START OF DISCLAIMER: This whole thread on Djenkins and Taika's mother in law is fan theory at this point, read into it as you will, but think of it like tabloid news**

The most exciting and I think ... brain candy worthy today was Rhys and David posting a BTS picture of Rhys in the colonial hat/outfit. It sparked some interesting ideas on the status of season 3.

I have to say, hats off to the folks over on twitter @fowlfiend for making this connection

Earlier today, Chaos Dad, David Jenkins posted the following picture of Rhys that Rhys shared on his Instagram with a song attached to it called "I'm a Man" by Jobriath.

Now, all well and good right? Rallying cry to all the crew! BUT Twitter folks think there's a deeper meaning and I'm inclined to agree.

How fucking cool is that? Thank you to @lamentus1 for pointing out also that Chaos Dad's post had the "three finger" I love you which is yet another 3 today.

Add to that, Taika's Instagram's been pretty quiet lately, and he happened to post a picture today of his mother-in-law @veraora on IG for her birthday, which just happens to have... 3 pigeons in it. Once again, thanks @lamentus1 for bringing this to our attention. ---also please wish VeraOra Happy birthday!

Now, could all of this be just coincidence? Sure, but where's the fun in that? Seems like we're going on a treasure hunt.

**END OF DISCLAIMER: This whole thread on Djenkins and Taika's mother in law is fan theory at this point, read into it as you will, but think of it like tabloid news**

===Other Chaos Dad Posts on Twitter===

=Hashtag Updates / How you can help=

@renewasacrew Has done some cool stuff and made saveofmd.com direct to the petition site. This should help with being able to share more easily. Full thread here on tumblr

Today's Goals and Hashtags Per @renewasacrew

#ArentYouGLAAD #SaveOFMD #TheNumbersWereThere

=Petition Status Updates=

Petition hit 60K all!!!! GREAT JOB! Just in time for Time Square tomorrow!!

I didn't see a drastic change on a lot of the fundraisers so I'm not adding those today--- I think we've had a big day as it was with the stuff around David posting without posting about season 3.

So I thought I'd end with some more info from our lovely @TheCozyPirate on twitter, the lovely person who exposed the information about how s3 was already in preproduction. They seem to have more insight in a lot of this.

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=So if your question is, is it making a difference? Why doesn't dad just come out and say it? Here's some insight:=

And this next one helps me to feel like we're still heading in the right direction. "If there were nothing viable, he would be able to say that. He would never, never let this go on if hopeless". I think is pretty uplifting.

Lastly, I think you all should be damn proud of yourselves with these calls, as a former Customer Support Person, I appreciate you all so damn much for keeping it kind and polite! Stede would be proud!

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Finally-- one last thing, since today's theme on tumblr is trolls getting all up in our faces, just remember you do not have to engage with them if you don't want to. If you want to have kind discussions, and you feel up for it, go for it, but don't feel obligated to defend the community.

We all know we care, we all know we're doing a great fucking job at taking care of each other, helping awesome causes, and still having fun while doing it. You don't have to prove to anyone that you are allowed to enjoy your pirate show that means something to you and spend a few bucks to support it.

Don't let people who are struggling with their own trouble take your light. Enjoy things, have fun. You deserve it.

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On a lighter note to end on: I have a serious question for all of you.

Who gave this man the right to wear these fucking shorts? Good god.

#ofmd #our flag means death #our flag means us #our flag means gay #renew as a crew #arentyouglaad #save ofmd #save our flag means death #stede bonnet #rhys darby #david jenkins #chaos dad #daddy jenkins #proud pirate daddy #saveofmd #taika waititi #Sorry this is earlier than planned #I gotta finish taxes tonight #so if something exciting happens in the next 4 hrs feel free to update! #ofmd daily recap

[linderosse]

I LOVE YOUR WIELDERS OF WISDOM COMIC!!!! i think its wonderful and so absolutely necessary (if u will excuse my feminism)... the art style is GORGEOUS and im just so grateful someone is giving love to all the zeldas <33

sorry that this is anon but. i dislike being perceived lmao

Thank you so much!!

And heck yeah on the representation front! I’m doing my best to write a variety of interesting characters that will help me tell the stories I want to tell. To me, the fact that they’re mostly women is both incidental and vitally important at the same time.

Tetra was my first Zelda, and I always loved her pirate captain badassery and no-nonsense attitude. I was a bit of a ‘tomboy’ (used in the non-insulting sense, simply referring to a girl who liked traditionally boyish hobbies/clothing) growing up, so I identified with Tetra real hard <3. Heckin’ loved her practical, forthright nature— and the way the games don’t hesitate to show her wackier side and how her actions sometimes get her in trouble— and how she gets out of it, with or without help.

And of course, girls can also be girly and get things done! Love the more traditionally feminine Zeldas as well; shirking feminine mannerisms definitely isn’t a requirement for a well-written female character. You can have a character wear a tiara, battle in a dress, and still be cool. Heck, you can have ’em don a soft gown, not fight at all, and still be an awesome character: maybe she genuinely wants good for the world, or maybe she controls the board with gentle magic and soft “feminine” persuasion to achieve her goals, turning foes into friends— or her pawns.

And characters don’t always have to succeed! Sometimes persuasion fails. Sometimes they argue with someone they know is right. Sometimes her sword falters. But that’s fine! That’s what makes for a good, realistic, fun character— that’s how humans are.

(continued under the cut)

See, I feel like some popular media is trending towards forcing women to be *exclusively* badass, almost flawless in their physical skill yet boyish in their mannerisms.

Like, as a random example: Peach in the Mario movie. Movie Peach no longer giggles and blows kisses, because that would be too girly. And Movie Peach is a perfect platformer and politician, because female empowerment. Same thing with Galadriel in RoP (and it’s honestly a bit different and way worse with RoP Galadriel, because her mother-name is Nerwen which translates to man-maiden and she is canonically a tomboy, but they write it so badly in RoP that not even the rest of the characters in the show respect her for her over-the-top ‘female badassery.’) And as a huge, longtime fan of both the Mario series and the Silmarillion, it kinda hurt to see those Mary Sue-esque, somewhat shallow depictions of what should be complex characters.

Now, the thing is: one or two perfect characters like that are just fine! The problem lies in the fact that many of these shows have only a few female characters to begin with, and they’re all like that. Peach is kinda alright, but Galadriel’s major flaws are barely even shown because the writing has to try to make her look badass even when she’s making objectively terrible decisions.

Because here’s the thing— depicting only perfect women and minimizing flaws isn’t supporting female empowerment. Girls have flaws too, folks. Popular media relying only on the immaculate femme fatale badass just makes for a more cliche story, and imposes higher standards on young girls who look up to these characters. And the forced boyishness forces standards as well.

Why can’t Peach flutter her eyelashes, giggle, and still knock bad guys on their asses? Or, better yet, why can’t Peach flutter her eyelashes, giggle, knock bad guys on their asses, help Mario out, also get helped by Mario, and maybe admit that it took practice for her to get to where she is now?

That’s how she used to be in the middle Mario era, like Super Mario RPG, Thousand Year Door, and Super Paper Mario. Peach was feminine and still relatable to a young tomboy like myself.

I’ve rambled on for far too long, but anyways, that’s what I’m gonna try to do here with the Wisdomverse: tell stories of a bunch of different types of people, where each of them has their own take on what it means to be Zelda.

I can’t promise I’ll be perfect at writing this either, honestly. Perhaps I’ll fall into some of the same traps— I’m sure it’s hard to avoid them.

And perhaps my thoughts on this will evolve over time as well, and I’ll later have an even better understanding of how to write the characters I want to write.

Either way, I’ll certainly do my best!

Tl;dr: I got really sidetracked, but thank you for the kind message! Glad to hear you’re enjoying Wielders of Wisdom; hope to keep building my characters into interesting and at least somewhat complex women as things progress :)

#wielders of wisdom #linked universe #tetra #princess peach #galadriel #lin responds #wisdomverse #wis tetra #paper mario #rings of power #lu wielders of wisdom #lin rambles #lin writes #lin thinks #lu tetra #lu wisdomverse #loz #zelda

[dailyadventureprompts]

Drafting the Adventure: To the dungeon!

Recently I worked out a framework for running exploration based adventures , and while a lot of people seemed to like it, a few folks wrote in asking how it might work in practice. I’m only too happy to provide an example, as it will likewise give me the chance to demonstrate how to combine a wilderness adventure with a dungeon adventure, which is something I wanted to do anyway. 

Background: the party is sent off to seek an arcane mcguffin contained in an ancient ruin, with the caveat that no one really remembers where the ruin might be. As such they’ll have to explore a stretch of wilderness looking for signs of old habitation before getting to delve the dungeon itself.

Setup: In addition to gearing up The party might want to talk with some locals to get information about where they're going, which will allow you to drop clues about further places they cam explore. Any Entry marked with a (G) can be hinted at in gossip and research, providing them a hint about where to go.

FIRST ZONE : The Ancient Plains

"Cool winds steal the warmth from your cheeks as your party steps into the wilderness, your goal and the mountains far in the distance and a vast rolling grassland before you. This place was the site of a great battle that nearly destroyed your home, but is now quiet save for the murmur of the tallgrass and your own footfalls.

Design Note: The party can either choose to head to one of the locations they've already heard about/discovered, or spend time trying to find a new location with a perception or survival check, with you rolling a die to decide which one to point them at first. Once the random encounter is unlocked, add one die to the pool every time they travel to an area, and two die if their searching for a new area falls below a reasonable dc.

SECOND ZONE: The Forgotten Foothills

"Like the fingers of a grasping titan, the roots of the mountain-range pull at the earth giving rise to steep ascents and sudden valleys. The trickle of pure glacial melt runs in small streams over this uneven landscape, giving you a refreshing if bonechilling respite from your long travels."

Design Note: Now rather than making simple progress, the party needs to actively hunt for the location of the ruins, with the understanding that taking a surface look at different locations is going to bring a random encounter or two down on their heads REAL fast.

Also shoutout to Yithini, my homebrew goddess of ascension in all its forms.

THIRD ZONE: The Cascading Ruins

"It was no wonder it was so hard to find this old fortress, as the waters pouring down from the cliffs above seem intent on wiping it from the mountainside. The noise and the crush of endless water rumbles in your bones as you make your approach, up a slick half eroded stair that might've been part of the structure's battlements. Most of the structure is lost in the pool of rushing white water below, but a few stretches of old fortification still manage to withstand the siege of time. "

Art

#drafting the adventure #mountain #field #adventure design #dungeon design #dm tip #dm advice #treasure hunt #dungeon #dnd #dungeons and dragons #d&d #ttprg #pathfinder #yithini

[lurkingshan]

A Time Called You: A Great Reminder to Go Watch Someday or One Day 

This past weekend Netflix dropped a new kdrama called A Time Called You in its entirety, and I became particularly interested in watching it as soon as I realized what it was: the Korean remake of Someday or One Day I knew had been in the works for awhile. If you’re not familiar, Someday or One Day (SOOD) is a beloved 2019 Taiwanese drama that is widely considered to be among the best dramas the country has ever produced (there is also a 2022 film version of the story, but that’s less relevant to this post). Now, I love Korean dramas, and I know that countries remaking each other’s best shit is very common in the Asian media landscape, but I couldn’t help but feel protective of the original work and a bit resentful of the choice to adapt something that was so original and unique and specific and put that generic kdrama sheen on it. Taiwan has a small film industry, and this is one of its jewels. We didn’t need Korea’s take on it.

And having watched the adaptation in full now, I am feeling pretty justified in that initial feeling. Let me just say upfront: A Time Called You (ATCY) is a perfectly good drama with a solid cast and competent storytelling. Had I seen it absent the knowledge of what it was adapting, I probably would have liked it a lot. But I have already seen and loved Someday or One Day, so I feel compelled to break down why it is the better version of this tale, both for my fellow SOOD devotees who are wondering how this adaptation stacks up and for folks who have only seen the kdrama in the hopes that you’ll decide to watch the original. As usual, I did the most, so reader be advised that this is long (tagging @troubled-mind as promised and @smittenskitten because I saw you were looking for a comparison of the two dramas). TL; DR: if you liked ATCY, or have seen neither version and are wondering which to watch: go find Someday or One Day, because it’s an overall superior and more satisfying execution of the same story.

The Vibe

Let’s start here because it’s the most obvious and immediately striking thing as someone who has seen both versions. SOOD has a bit of a rough and unpolished feel, which makes it feel more grounded in reality (important when you are getting into fantasy elements like time travel but you still want the characters to feel like real people). We open our story in 1998 in a record shop with a young girl playing Last Dance by Wu Bai and China Blue, a 1996 mando pop rock ballad, and thus setting the tone—this will be a somewhat raw and bittersweet story about grief and hurt and longing that will invite us to wallow in our feelings. And that melancholic vibe stays throughout the drama, even in the explicitly happy scenes, because you are always aware that the joy you are seeing has already been lost. 

By contrast, ATCY feels… emotionally flat. Don’t get me wrong, it is a very faithful adaptation. The early episodes are practically a shot for shot remake of the original drama. But it’s too polished, too shiny. The filmmaking is bog standard kdrama fare; everything is soft focus and warmly lit and too beautiful and consequently nothing feels real. It feels right in line with the standard aesthetics of recent mainstream Korean dramas, and that choice undermines the emotional weight and grit of this story.

A great example of this can be seen in the way the two dramas handle the iconic scene where our female lead runs in the rain, looking back over her shoulder to smile in delight at the male lead before continuing on her way. This is a moment of realization for him about his feelings for her—one he will later immortalize in a painting that becomes part of the mystery of the past she is trying to unravel. In Someday or One Day, this scene takes place on a regular street, in the utterly mundane surroundings of their everyday lives as they walk home, and she runs down the middle of the road as puddles gather in the uneven pavement; in A Time Called Love, they are in a picturesque park for this scene, surrounded by green and encased within a grove of giant trees, and she runs right down the middle of a tree lane that looks like it came straight out of a fairytale. One story is very much about a love grounded in a reality we can recognize; the other is pure fantasy romance.

The Music 

I already mentioned the song that anchors the Taiwanese drama above. Last Dance is hugely important to the story, both thematically and as a plot device, and in its ability to set the mood and tone of the drama. 

The Korean remake similarly uses a real 1996 ballad as its main song and time travel mechanism: With My Tears by Seo Ji Won. And, uh, the vibe is a bit different. 

Discerning listeners might recognize this as one of the many classic love ballads performed by our favorite doctors by day, rock stars by night over on Hospital Playlist. It’s a perfectly fine song. But it sets quite a different tone for our story, doesn’t it? It also is meant to be a song that a teenage boy is hankering to listen to on cassette, and listen, I wasn’t living in Korea in 1996. I have no idea how culturally accurate that may be. I’m sure there were in fact baby Lee Ik Juns running around trying to get their hands on this cheesy love song. But the edgier sound of Last Dance definitely sounds more in line with something the teenage male lead would listen to and what the music is meant to convey. And frankly, since we hear this song about 30 times in the drama, it matters that Last Dance is just an objectively better song. 

And that’s just the tip of the iceberg, because beyond the classic song each version chose to use as its centerpiece, there is also a stark difference in the quality and tone of each drama’s OSTs. Here is a compilation of the Someday or One Day tracks, including the utterly gorgeous main theme by Shi Shi. The music is hugely important in the Taiwanese drama and is used to set the mood as well as emphasize its themes, and the tracks feel specific to this story.

And here is a compilation of A Time Called You OSTs.

If you’re familiar with kdrama OSTs, you will recognize most of the artists on here, as well as some new covers of old songs. And again, the vibes are quite different. Whereas SOOD was very intentional and specific in its music choices, ATCY just sounds like every other kdrama. There is nothing on this tracklist that stands out or evokes the kind of feeling that the SOOD tracks do.

The Main Couple

The name and timeline situation in this show makes this section unnecessarily difficult, so let me just make a little reference sheet here: 

Someday or One Day

Alice Ke plays Yu Xuan (2019) and Yun Ru (1998)

Greg Hsu plays Quan Sheng (2019) and Zi Wei (1998)

A Time Called You

Jeon Yeo Been plays Jun Hee (2023) and Min Yu (1998)

Ahn Hyo Seop plays Yeun Jun (2023) and Si Heon (1998)

All of the actors here are seasoned and very good at their jobs, so I am not casting shade on any of them—they are executing their performances based on writing and directorial choices. But I cannot deny that the Taiwanese version of these characters are more compelling all around. In SOOD, the main characters have a real spark; despite the melancholic undertone of the story, there are moments of genuine joy and when they connect with each other, you feel why this bond is strong enough for them to find each other through time and despite all the trauma they endure. In ATCY, however, the characterizations are muted.

This is most evident in the difference between Quan Sheng/Zi Wei and Yeon Jun/Si Heon. Greg Hsu plays Zi Wei as magnetic, playful, mischievous, utterly lovable, and very intense about his feelings for his lady. He has a real joie de vivre about him that clearly brightens up Yu Xuan’s life considerably, and his devotion to her is not just shown, but deeply felt. Experiencing their memories, you understand immediately why Yu Xuan can’t move on from his death; he was the joyful, relaxed counterpoint to her more ambitious and serious personality. Si Heon, though? He is a nice dude and a generous partner and he is very good looking. But he doesn’t have the playfulness or the intensity that his Taiwanese counterpart does. His personality is just more moderate all around. One great example of this: upon discovering that he has traveled forward into the body of the person that would become Yu Xuan/Jun Hee’s boyfriend, Zi Wei (in Quan Sheng’s body now, are you still with me?) actively decides to find her, love her, and try to solve this time loop quagmire they are in; Si Heon (in Yeon Jun’s body) waits for a moment of fate to give him a sign, and only makes the decision to pursue Jun Hee after running into her by coincidence.

Similarly, Jun Hee is not quite as spunky and sassy as Yu Xuan and Min Yu is not as dark and awkward as Yun Ru; when Jun Hee travels to the past and takes up residence in Min Yu’s body, the differences between the two characters she is playing are not as evident. In SOOD, I could tell at a glance who is in Yun Ru’s body; in ATCY I need more context to be sure. Where Yun Ru had more of an edge, Min Yu simply reads very shy. It’s not as compelling. One scene that really stands out as an example of this: when Yun Ru is pretending to be Yu Xuan in 1998 and looks in the mirror to practice smiling, it looks downright creepy and sinister; when Min Yu is masquerading as Jun Hee and looks at herself in the mirror, she just looks awed and happy, if a bit awkward. It’s subtle, but it changes the way you feel about the characters. 

The difference in Jun Hee and Yeon Jun’s characterization also affects the couple chemistry, which is just not nearly as strong in ATCY. The characters are more muted and thus the expected sparks are more like smoldering embers. The relationship feels cozy and warm and nurturing, but it doesn’t feel vital. It doesn’t feel like the kind of relationship you would fight through time or break the rules of the universe to return to. I recall gasping or crying or laughing out loud throughout SOOD because I was constantly taken aback by Greg Hsu’s arresting presence and the chemistry he and Alice Ke generated was just emotionally riveting. When Yu Xuan told Zi Wei (as Quan Sheng) that they were officially together, that man literally jumped for joy and shouted out his love for her; Si Heon (as Yeon Jun) reacts to the same moment with a quiet smile and a hug. When Zi Wei saw Yu Xuan in Yun Ru’s body again in the finale, he knew instantly that it was her and the smile overtook his face as he reached for her; Si Heon initially called Min Ju’s name before getting closer and taking several beats to realize it was Jun Hee (ruining this iconic moment is perhaps this remake’s greatest sin against romance, my god). 

Everything between the couple in SOOD was just more, both in happiness and in despair. I liked Jun Hee and Si Heon, and Ahn Hyo Seop and Jeon Yeo Been are very competent actors whose performances I have loved in other dramas, but they didn’t achieve that level of chemistry here, the writing and directing choices worked against them, and I didn’t feel that same desperation for them to figure this out that I did with Yu Xuan and Zi Wei. 

The Story 

The Korean version is a very faithful adaptation overall (I haven’t mentioned Jun Jie and In Gyuk because his character and story is more consistent across the two shows), but does make some small tweaks to the story, some of which seem to be out of necessity due to a shorter run time (one episode and a couple hours total less than the Taiwanese original) and some just… because? The shorter amount of story time does lead to them having to cut corners on some aspects of the mythology and time travel lore, making it all a bit less clear for folks who don’t already understand what’s going on, and they put in a few nods to typical kdrama tropes like amusement park dates and hand of fate stuff that we really didn’t need—they are already trapped in a time loop together, we get it!

ATCY also messed with the timelines and ages for reasons I don’t really understand and that don’t really track. In SOOD, Zi Wei traveled forward from 2002 to Quan Sheng’s body in 2010, met Yu Xuan, and then died in 2018. In ATCY, Si Heon traveled forward from 2002 only to 2007 and did not die until 2022—but the relationship dynamics are all the same. It made sense for a young couple who had been together about 7 years and who were in their mid-20s to be having the kind of relationship problems they did—fighting about prioritizing careers and time abroad and whether it was time to get married. But a couple who has been together nearly 15 years? Who are in their mid-30s? They would have already been married probably and had a couple kids to boot. The choice to change the timeline like this had me scratching my head and accomplished nothing for the story. 

But neither of those things are the change to the story that is weighing on me most. That occurs in a very small and brief backstory for the real Yeon Jun, where the drama introduces an original character who has no counterpart in SOOD: Tae Ha. 

In SOOD, the real Quan Sheng is a closeted gay teenager who meets a tragic end: he confesses to his crush, gets brutally rejected, then gets bullied when the crush tells others about his sexuality, and ultimately decides to walk into the sea in an attempt to end his life, a choice that leaves his body in a coma until Zi Wei’s consciousness takes it over. In ATCY, this backstory changes and Rowoon is brought in for a brief but impactful cameo as Tae Ha, Yeon Jun’s cram school friend. We see that the two have mutual feelings for each other but are both struggling to confess. One day as they are driving together, they finally explicitly acknowledge their feelings, holding hands and smiling at one another—and then immediately get hit by a Truck of Doom (easily one of the most tired kdrama tropes), Tae Ha dying on impact and Yeon Jun ending up in a coma with Si Heon’s consciousness eventually taking over his body like in the original story. 

Now on first glance, you might be inclined to give the show some credit for including a new gay character and giving the original Yeon Jun a happier experience with his crush. Explicit gay representation? In a mainstream kdrama? Still very rare and a big deal if done right. But if you think for a moment longer you’ll realize we can’t give the show credit for this, because this is a textbook execution of the Bury Your Gays trope and the narrative punishment that befalls gay characters who act on their attraction. Essentially, what the Korean remake did here was reveal these two characters are gay, killed them both immediately after they decided to pursue a relationship with each other, and then had the het male lead character take over the body of this gay man and use it to enter into a relationship with a woman. Some aspects of this plot were present in the original tale, but this choice to add an additional gay character only to kill him and tie it to their moment of acknowledging their mutual attraction? Made it significantly worse. It was badly done and I will not applaud the drama for representation when they did it in such a cruel way. 

The Ending

SOOD ends on a hopeful but somewhat ambiguous note, with Yu Xuan in 2020 finding a way to go back and save Yun Ru (and Jun Jie by extension) and then breaking the time loop, sacrificing her relationship with Zi Wei in the process even as it breaks her heart (because the only way for them to meet and fall in love in 2010 was to stay in the loop). She sacrifices their romance, and all their memories together, because it’s the right thing to do—she inadvertently destroyed Yun Ru’s life with her time traveling, and she couldn’t live with that knowing there was a way to fix it. We are left with a broken time loop, original teen Zi Wei meeting child Yu Xuan again in 1998, and the hope that they will find a way to make their fates align again and be together without time travel complications. It’s just the right bittersweet touch to end the story on; their previous relationship was lost and their sacrifice was real, but there is hope for another version of a happy life together, someday.

By contrast, ATCY goes for a more explicit happy ending: Jun Hee makes the same choice to go back and save Min Ju, and to break the time loop and sacrifice her relationship with Si Heon, but in ATCY we then jump forward to 2011 to a happy epilogue to see Si Heon and Jun Hee meet as adults. And look, I love a happy ending! But what I said above about the sacrifice Yu Xuan and Zi Wei made in SOOD really resonating because of its bittersweet ending? That’s absent here, because ATCY decided they needed to put a bow on it and reassure us they would get back together. ATCY was just never willing to let us stay in the grief or commit to the darker and sadder aspects of this story, and as a result, the whole thing loses some of its impact.

#someday or one day #a time called you #tw drama #kdrama #long post #why yes i did write a 3k word post for the ten people on this website who care about both these dramas #shan shouts into the void