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#but its still experience
puppyeared · 4 months
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my attempt at making a fursona
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sabertoothwalrus · 2 months
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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saltmalkin · 10 months
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fish wizard
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cloudyydraws · 4 months
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more mario and luigi doodles but i took their mouths away
+ extra unfinished stuff under the cut
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kkoct-ik · 13 days
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finally scratching the skill cabinet itch
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lycorim · 1 month
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Only her bones returned.
[inspo & reference]
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lazycranberrydoodles · 7 months
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i do not remember the plot of scum villain because i read it in 2020 and it feels like a fever dream now so my characterization is entirely based off of the fanon on my dash.
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hualian are my favorite but i do feel that bingqiu deserve the win. tgcf is VERY yuri, but svsss has gender as a main theme and both characters keep getting compared to maidens. overall there are more explicit references to women regarding bingqiu.
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uncanny-tranny · 10 months
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Social transition being seen (by some) as this super easy thing that isn't as hard as real transitioning (medical) is bullshit. Be critical of the idea that there are some trans people who just "have it easy" because they are trans or because they are trans in ways you may not be.
Social transition is just as difficult, hard, and rewarding as medical transition. Maybe it is not as hard for some, sure, but that is not the same as thinking that social transition is inherently easier or lesser. If you're socially transitioning, your voice still matters.
#trans#transgender#lgbt#lgbtq#ftm#mtf#nonbinary#not to mention that so many people DO want to medically transition but *can't*#so it can be even harder for some when they feel social transition is their only option when they don't want it to be#but social transition carries its own risks and challenges and again rewards#and i've seen this idea plenty where it's like 'oh you don't GET my struggles because you're SOCIALLY transitioning'#and while yes i am different than some trans people to say i'm struggling *more* if i'm the only one medically transitioning is??? huh????#i don't buy into this idea that social transition is never scary because you don't have the boot of the medical system on your back#(though non-med or pre-med transitioning people still face issues in medical settings so even THEN we aren't seperate)#like there's very few ways you can separate my issues as a medically-transitioning person and the issues of somebody who isn't...#...and by that i mean there's few ways you can separate our issues so that mine trumps theirs or that i'm seen as like... trans but More#does that make sense?#medical transitioning is important but that doesn't mean it is *more* important or that only *it* is important#you can support us who are medically transitioning without erasing the experiences and struggles of other trans people#and plus... so many of us who are medically transitioning NOW are the people who socially transitioned THEN#and dare i say i despised social transition more because of how hard it was? medical transition has been (more or less) easier...#...in that i can just *be* now
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thankstothe · 2 months
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redysetdare · 8 months
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I think i just need to express that the culture surrounding QPRs right now made me think that i couldn't have strong bonds with my friends. Society told me i cant have strong bonds with friends because that was only for romantic relationships. Then i went into aro spaces and this idea was reinforced using QPRs instead of romantic relationships. it was "You can still have strong bonds with people without romance! It can just be a QPR instead!" "QPRs are MORE than friendship so you can have STRONGER BONDS than you would with friends."
it made me think that the relationships i wanted with my friends HAD to be something other than friendship for it to be as strong as i wanted. If i wanted to be the first person in someones life i had to enter some sort of committed relationship. if I wanted someone to care about me as strongly as i did them then it would have to be a relationship that was "more" than friendship.
I thought I wanted a QPR because i was told the only way to get that care and security that I wanted was to enter into a relationship that was "more" than friendship. because friends didn't care that much. because friends didn't live together their entire lives. because friends were never the priority relationship wise. and it took me years to realize that i didn't want any partnership and i shouldn't have to be in one to want these things from a friend. these things CAN be something friends can do. but i found that out on my own. because the aro community kept saying "you want a QPR" when i just wanted a friend who finally saw me as a priority in their life.
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garnet-xx-rose · 2 months
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I love watching Phantom where the Raoul is giving it his all and is trying his best to be a good boyfriend and yet Christine is still visually conflicted on choosing him or the literal murderer that lives underground.
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kaitobromota · 2 months
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rewatched dr1's anime and the amount of joy this image gave me was indescribable
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kiivg · 9 months
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.He knows just what it takes to make a pro blush.
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mother-athena · 2 months
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it's morning and you're working on something at your desk when your little one quietly shuffles into the room, looking for you. "Good morning, angel. Did you sleep well?" You spin around in your chair as they come up to you.
quietly, your baby whines and lifts their arms up. "Are you feeling too little for words this morning?" You smile. "You wanna sit with me until you wake up a little more? Mommy just has to finish this really quickly and then we can have something yummy for breakfast."
you easily lift them into your lap and they immediately latch onto you, gently resting their head on your shoulder while you went back to finishing your work.
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zhuzhee · 7 months
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vast boys!!
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strawberrybabydog · 16 days
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if we keep doing uwu soft little vampire and big strong dumb werewolf how are we going to ever break out of gender binary
if i see 1 more artist make the masculine/larger/stronger human partner into the werewolf im going to freak out
lycanthropy is about losing yourself. please i am begging you to make someone random, someone unequipped, into a werewolf. please. small scrawny werewolves who are weak and scared, feminine werewolves, werewolves who struggle with the idea of taking something's life (even another animal for food) werewolves who refuse to get dirty because they're averse. werewolves need more than 1 mental illness yall
its kind of a joke at the beginning but not really. make an insane jacked vampire and her petite femme werewife with braided patterned fur or something; make the vampire a seamstress who wont quit until her werewife has the perfect fitting dress for her new furry body. stop with the "oh this character is butch/masc, CLEARLY they would make a good werewolf" shut uuuuupp be a LITTLE more creative. come on!!! do you really think every single werewolf has a premium gym membership? quit drawing them like it !!!
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