the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
okay but you can see the moment percy's heart shatters into pieces once he learns that grover was also annabeth's protector. because this child grew up watching as his peers chose schoolyard taunts over compassion. watching as his dad chose freedom over fatherhood. watching as his mother chose to protect his life by sacrificing her own. but when his mom dies, he holds onto the notion that at least he's not alone. at least he has grover. but that worldveiw wastes away when he learns that he is, first and foremost, grover's assignment. that he was no one's first choice at all.
Headcanon that the boys were first introduced to Lou Jitsu through Splinter scrounging up an old movie to watch through a grainy projector. Splinter wanted to hype himself up at the time, to see a version of himself - however fictional - succeeding and being happy.
He watches, and smiles, mouthing along to the dialogue and outright whisper-shouting “HOT SOUUUP!” whenever it comes up.
Nestled in his lap are his four new sons, still learning the world around them and heavily reliant on their new father. They watch with wide eyes how lively their guardian looks, how happy he sounds, and they turn to watch the movie closely. Because, for as young as they were, they could recognize the source of their father’s joy.
So naturally, they come to associate Lou Jitsu with their father’s smile, and in turn, they feel happy themselves. To them, Lou Jitsu will always be a source of joy, and always make them smile, even if they forget why as they grow.
They’re not just movies for the four of them - they’re the distant memories of a warm lap and a smiling face.
The way that Poseidon knows that Sally doesn't want to take Percy to camp, the way he wants Percy to be able to be as much like Sally as he can... Maybe he knows that Sally's goodness is paramount to Percy's ability to eventually save Olympus, or maybe he just wants his son to take after the woman he loves - a woman unlike any he'd met in a thousand years. Further, the way he so clearly wants to be there for them both but knows he can't. The way that's obviously killing him to not be a part of their lives, and so he takes this opportunity to be there for her, even if it hurts him to hear what she has to say. The way he encourages Sally to speak her mind and re-assures her that its' not fair, that she hasn't failed, that she's doing well by Percy, that she's raised him well, and he promises to be there for Percy when he can (and in his own way he has been when it matters).
That I don’t blame you for have killed Jin ZiXuan?
It was impossible.
But she couldn’t say anything that was the opposite either.
[...]
Suddenly Jiang Yanli's eyes opened wide. Her hands conjured up an explosive current of strength from nowhere and pushed Wei Wuxian hard!
Wei Wuxian was pushed onto the ground again by force. The next time he looked up, he saw the gleaming blade of a sword pierce through her throat.
The Grandmaster of Demonic Cultivation, Chapter 78
"With his left hand, he [Jin Guangyao] whipped out another string and attacked Wei Wuxian! Jiang Cheng's pupils shrank to become just a point. With a flip of his wrist, he turned Zidian's direction to defend against the guqing strings."
The Grandmaster of Demonic Cultivation, Chapter 101
"You did all the best things, and yet every time you do the worst ones, it's involuntary! Forced! With some unspeakable grievances! Grievances?! You told me nothing, you played me for a fool!! [...] Can I not hate you?! Why is it that now it's like I am supposed to have wronged you?!"
The Grandmaster of Demonic Cultivation, Chapter 102
SO. TO KICK OFF THE WEEK OF SPECULATION BEFORE THE UPDATE DROPS.
last night i had a bit of a Revelation. literally. i borderline woke up in a cold sweat with this realization. the way i lunged for my laptop to scream at friends... ough. lets get into it
so. i do believe I've made a couple of theory posts about Barnaby not being quite as receptive to his and Wally's "forced" best friendship as Wally - since the show wrote them to be friends instead of it happening naturally. i thought it might be a point of tension for Barn. i thought a lot.
YES SO I'M TOSSING (almost) ALL OF THAT OUT THE WINDOW!
the bios state Barnaby as Wally's best friend multiple times over. it had to be regularly reinforced. their colors were chosen to mark them as friends.
but Barnaby - presumably - can't see the bios, he wouldn't know the scripts. the friendship would be natural from his perspective. how would he know otherwise? even if the relationship started out synthetic, i don't doubt that it became genuine. in the context of their world and perceptions, realistically speaking Barnaby probably wouldn't sense anything wrong.
the reminders to be best friends weren't for Barnaby.
they were for Wally.
i'm starting to suspect that Wally is Barnaby's best friend, but Barnaby isn't Wally's. i think that Wally's "best friend" is Home - or at least Wally has a closer connection to them / Home is more important to Wally than anyone else is.
i remember reading this livestream trivia (from theneighborhoodwatch's doc, if you haven't their resources yet what are you even doing?):
and i assumed it was for Barnaby's side of the relationship. but it's not, is it? it's Wally's? and it makes too much fucking Sense! it fits! i can see it perfectly! i can feel things slotting together in my mind due to this shift in perspective, and i'm scared
Barnaby probably thinks the relationship is natural, just like how he thinks he's a real person in a real world. Wally probably knows that the relationship is a role, just like how he knows he's a puppet in a false reality.
that leaves me wondering how much of it is genuine on Wally's side. i don't doubt that they really are friends, but how deep does that connection go? in the interview, Wally sounded excited/proud about having a best friend, but how much came from a place of feeling, and how much came from a place of Fulfilling The Role? how much of it is performative? how much of it is a mask?
i've been seeing everything differently. Barnaby poses for Wally the most because he has good balance and is good at staying still, not because of favoritism or because he's Wally's best friend. in the 14 (15 including the hidden halloween) audios, Barnaby consistently seeks out Wally and checks in on him. Wally seems more casual about their relationship than Barnaby is.
i'm worried that Wally values Home & You/Us over Barnaby. that Barnaby is second or third place in Wally's heart. that Wally means more to Barnaby than he means to Wally. after all, only one of them needed their relationship to be reinforced on a seemingly regular basis.
i'm confident that Wally cares about / loves Barnaby, but the question is how much? to what extent?
he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
I only recently found out about Dream's End Come True by @mothcpu and it left me emotionally raw like very few pieces of media have managed to do and have been direly wanting to make fanart since
OK, OK, I'm going to go home and break up with her. But what do I tell her? "I deserve better." Jesus, no, definitely not that. Even if that's true, only women say that. "You deserve more." Now, that's pretty good. But she's gonna start to get all unintelligent and tell me I'm good just the way I am. That's the way it is. Haha. "I want to live." That'll take the edge off. I might as well say I want to fuck half of Europe. Let's see. "I think we should be apart now so we can be together later." That's not bad, but I don't want to be together later. I'd spare you the hysterics, but I'd be constantly harassed about when that later was. "I'm in love with someone." That seems pretty definitive, but she'd want to know who the bitch was, and it would start a never-ending interrogation about where I met her, when we met, was the sex good, do I regret it, did I think about her, why I didn't tell her, blah blah blah blah... "I cheated on you." Same thing. Oh God, the easiest thing would be to just disappear without a word, never pick up the phone, never answer her texts again. Okay, it's a little bit of a chick thing. "I don't want kids yet." And then she says, "Neither did she. "I want a baby now." She'll end up saying she does too. "I need to focus on my career now." I'm sure her mothering side would come out and assure me that she'll be supportive, patient, that I can build my career, that she's there for me and won't abandon me in the hardest times. Too bad. Wait a minute! I should make her want to break up. Then how much unnecessary crying and screaming would be saved. I'd pretend a little bit, "Oh, no." and then that's it, hat, coat, goodbye. But it would be too long a process to wait. "Something's wrong, this isn't working." I can hear her saying, "But what, tell me what's wrong, I'll change, just tell me what I can do differently! I know you love me, it's just a moment of desperation, believe me, we can work it out!" No, we can't, I don't want to. Okay, I've got a big mouth now, but I actually loved her and I still love her. Just not the way it should be. Like she did me. But I don't want to hurt her. She's a sweet girl. If I said, "I'm sorry, but I don't love you the way I should and the way you deserve. I'm sorry.", you know what? She'd start to tear herself up, eat her insides out, cry for weeks and look for reasons why she'd gone wrong. I don't want to hurt you. That feeling either comes or it doesn't. Or it comes and then it goes. I'm gone, what do I do?
If you break up with a woman, why does she always, at all costs, try to convince you that you're stupid and don't feel what you feel? I can just decide if I want to be with someone or not. Women, I swear, think that we men are so mentally retarded that we don't recognize when we really love someone. God, how many times have I listened to break ups and say "I know you love me. Deep down, you love me so much, you just don't realize it. You're really going to regret this." It's simply impossible to break up cleanly, without scandal. What do you have to say to that? Fuck, is it that late? Look, she's calling again, asking where I am, what I'm doing, when I'll be home. I'm gonna have to talk to her and break up with her. I'm gonna go. I'll call you later.
- Hey, girl, I'm home. What's all this stuff, you going on a trip?
- No. I'm moving.
- You're moving? Where are you going? Why are you going away?
- Out. You know why. I can't do this. Listen, I think we should cut this short. I don't know about you, but I haven't been happy in this relationship for a long time, and I don't think you have either. I think the best thing we can do is just quietly accept that this is the way it is and break up. We have no reason to be angry with each other, so we can separate from each other peacefully. I've got some stuff left here, and I'll pick it up sometime.
- But hey, wait a minute. Just like that? Are you seeing anyone? What's the matter? You want to talk about it or work it out? You're just gonna throw everything away? I don't get it. Is it me? But I love you. Let's talk about it. Let’s fix it!
- Forgive me, but I don't love you the way I should and the way you deserve. I'm sorry..
***
Then she walked out of the apartment. And I've never felt more in love with any woman in my life than I did with her, staring at the closed door.