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#but it is past my bed time
lostagoodcigar · 2 months
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Brought to you by a tiktok where this guy was talking abt a girl he was seeing and how every time they had sex she’d give him a little treat afterwards (like a lil candy bar)
Like it starts when you jokingly toss Johnny one of the chocolates you had sitting on your nightstand after he ate you out like his life depended on it- he eats the candy immediately obviously as he laughs
Then you end up with a little candy dish on the nightstand, or in the drawer, any time you and Johnny have sex you give him a piece of candy, throw him a bone so to speak. Not on purpose but you think it’s cute- the way his face lights up when given the candy
You find yourself fucking somewhere in the house that isn’t the bedroom? Johnnys right behind you as you make your way to your shared room for his treat, not even realizing he’s doing it.
Whether you forget on purpose or on accident one day he just kinda stands in the kitchen like a kicked puppy and, “didn’t do somethin’ to upset ya did I hen?” His head tilted to the side slightly.
“What? No- what do you mean?” You are genuinely confused until he mumbles a “didn’t get my treat- ya know-“
You have to stop yourself from laughing as you ruffle his slightly overgrown mohawk before you’re off to the bedroom to toss him his little candy.
Honorable mention: I’d like to think Johnnys somehow ended up explaining this to the others, maybe just Ghost at first. And Ghost immediately understands it and is thankful his smile is covered by his balaclava- leave it to Johnny to get himself trained like a good dog
Basically what im trying to say is doing this to Soap would have him so down bad I think
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chestnutroan · 1 year
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You’re a homo sapien and the neanderthal you like met you by the courting tree with gifts of dog daises and pelts and deer tooth necklaces
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collophora · 8 days
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Fic writers who wrote migrainous-hunter I love you Inspired by This fic from @just-here-with-my-thoughts and this one too by lucifer_elliot and this one by @oohhihoney
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picopubbydawg · 7 months
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arti design :) still playing thru her campaign (in metropolis, in the or almost at the house of braids or whatever i think ) she is the only one i haven’t beaten cuz the scavs are beating my ass but it’s ok we soldier on
i do love arti… god forbid women have hobbies
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ohhiplumbob · 10 months
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🌙💤
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roe-and-memory · 9 months
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humanizes your cal
so hes a car and drove on the mud, and that made him muddy. so when humanified, why is the human muddy too? idk
heres an un muddied version
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artkaninchenbau · 8 months
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An AWS comic
#My art#For the record I am not a medical professional and as far as I know AWS isn't even something you can be diagnosed with???#It's so hard to describe what the two sensory hallucinations really *FEEL* like#Like the time one... You know how a dramatic slow motion scene looks like in an anime?#It's like that but if you made it a 60 fps interpolated version of it#It is an absolutely bizarre feeling#Meanwhile the hyper awareness and everything feeling intense feels like how a fisheye lens shot in an anime feels#No I could not be bothered to try to figure out how to draw that for this comic#For the record I haven't actually had those visual hallucinations since I was a small small child#Hell I don't even think I had any hallucinations in my teens at all like#The sensory ones just kinda started happening again in the past 7 years or so?#Also the swelling sensation I've only had once so far. Usually I get the hyper awareness sensation#(Also sometimes I get this intense feeling of swaying when I go to bed but that might not be an AWS thing??)#(Like there's other things that could make you feel like you're rocking on a boat when laying down so I didn't include that)#No I have never talked to anyone about these hallucinations because for the longest time I didn't know what they were#And they are like. Harmless. Like I'm 100% aware they're just strange sensations but not real at all#They last max 15 minutes if even that long and they happen like super rarely#Only once have I had the hyper awareness be SO INTENSE it made me feel distressed#So like. It doesn't really affect my life at all? So why bother with it?#Also IDK if I could even go to a doctor and ask about AWS and have them know what that even is#And even if I could as far as I know there is no treatment for it so like. Whatever#As long as I don't start having distressing hallucinations or visual hallucination's I'll be fiiiiiine
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ahollowgrave · 2 months
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Send 🪤 to see them with something they find hard to resist.
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of course, of course !
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Thank you for the ask @oneiroy!
][ Screenshot Meme ][
An additional shot, for all of us:
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even-disco-baby · 2 years
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CINDY THE SKULL — “Evening, officers. It’s a bit late to be skulking about, don’t you think?” Though she’s lounging around the coal room door as languidly as ever, her pale eyes ringed with coal dust seem to bore a hole in your skull.
YOU — “I’m looking for a place to sleep.”
CINDY THE SKULL — She lifts an eyebrow at you and Kim. “Did the cafeteria man finally decide he wasn’t interested in keeping a pigsty?”
YOU — “No, Kim is still staying there. I just can’t pay my bill.”
KIM KITSURAGI — The lieutenant clears his throat slightly. “Let’s not give people the impression that officers of the RCM make a habit of dodging their tabs, detective.”
CINDY THE SKULL — She glances at Kim, lips pursing just slightly.
EMPATHY — His little comment irritated her. Curious.
CINDY THE SKULL — “Tough luck, officer.” She shrugs, the faux fur collar of her coat brushing her cheeks. “There’s a perfectly good garbage bin in the courtyard. It’s got a lovely view. Real prime real estate.”
YOU — “I know. Garte said I could sleep there, but I’d rather find somewhere else.”
CINDY THE SKULL — She blinks her coal-smeared eyes at you. Then, she turns to the lieutenant. “Is he joking?”
KIM KITSURAGI — “No,” he says drily. “He is not. If you know of any… more *comfortable* places to sleep, we would be much obliged.”
CINDY THE SKULL — She stares openly at the two of you, as if in disbelief.
COMPOSURE — The absurdity of your plight has nearly broken right through her veneer of youthful detachment.
CINDY THE SKULL — “Maybe I’m the one who should be a detective. I can solve your little case for you right now.” She points to the lieutenant. “Your room.”
KIM KITSURAGI — His face is solid stone. “No.”
ESPIRIT DE CORPS — There are so many reasons why he does *not* want to do that. He has neither the time nor any desire to share them with Cindy. Or with you, for that matter.
-1 MORALE
CINDY THE SKULL — She whistles softly. “Damn. Must be true what they say about pigs and cannibalism.”
KIM KITSURAGI — The lieutenant does not rise to her bait.
EMPATHY — But there is something playing at the downturned corners of his mouth and the furrow of his brow. Something like guilt.
YOU — “What about the coal room, Cindy?”
CINDY THE SKULL — She outright laughs at you. “Fuck no! You want in my room, get a warrant, piggo!”
LOGIC — While drug possession is not a crime in Revachol, it doesn’t stop most cops from confiscating substances from vulnerable civilians for their own personal use. Including yourself, most likely.
ELECTROCHEMISTRY — Hey, good idea! Cindy’s an artsy type, she’s probably got all kinds of shit to get her creative juices flowing.
PAIN THRESHOLD — And to get her through the cold and the hunger and the cruelty.
VOLITION — No. Don’t make things any worse than they already are.
YOU — “But then… where do I go?”
CINDY THE SKULL — She shrugs again. “It’s not my problem, is it? Ask your partner, here. Or maybe you should take a hint and go back home to the farm.”
YOU — “I don’t know if I have a home… I think I lost it.”
KIM KITSURAGI — The lieutenant’s frown deepens. He stares down at his boots rather than meet your or Cindy’s eye.
CINDY THE SKULL — A long, almost uncomfortable silence. Her eyes are hardening as they take you in— you and your bloodshot eyes, your slightly labored breathing, your clothes that are certainly too thin to keep you warm tonight.
EMPATHY — She feels sorry for you, and she resents herself for it.
CINDY THE SKULL — She lets out a long sigh, closing her eyes and shaking her head. “All right, piggy. Just quit looking at me all pitiful… You saw the foreclosed apartment in the hall, right? If you wait for the cleaning lady to go to sleep, and you don’t stay long, it’s not a bad place. Better than the trash, anyway.”
REACTION SPEED — She seems to regret it as soon as the words leave her mouth. She’s not thrilled at the idea of trusting your honor not to rat out or even arrest your fellow squatters. But it’s too late now.
SUGGESTION — Wait. Is it really that simple? What if she expects something in return for the information? Or she could be setting a trap for you!
YOU — “Hang on. What’s the catch?”
CINDY THE SKULL — A wry smile breaks out across her face. It almost looks pained. “No catch, officer. I’m no snitch. Nor a pig.”
RHETORIC — You’ve insulted her more deeply than she cares to let on. She helped you because she knows your struggles intimately. Struggles that have claimed the lives of people she cared about. But now you’ve reminded her of the difference between you: she calls you pig because you sold your humanity for the power to strip others of their own.
EMPATHY — She’s sad. She was born sad and she will die sad. You are the one making her sad.
YOU — “Hey, Cindy?”
CINDY THE SKULL — “What?”
“I’m sorry. Thank you for helping me.”
“You shouldn’t judge me. We’re the same. We do what it takes to survive. You have the Skulls, I have the RCM.”
“Can’t we just get along?”
“I’ll pay you back somehow. I’ll make things right.”
“I don’t want to be this kind of animal anymore.”
KIM KITSURAGI — The lieutenant looks up at you, startled. Concerned, even. He almost looks as though he wants to say something, but nothing comes to him. He just stares at you, at a loss.
CINDY THE SKULL — She levels you with a steady gaze. Even without the coal dust, her eyes would look sunken into her wan face. If it weren’t for the roundness still clinging to her cheeks, she would have lost nearly all trace of her youth by now.
“I don’t think you even understand what kind of animal you are,” she says coolly.
ENCYCLOPEDIA — Homo sapien.
CONCEPTUALIZATION — A tiny, violent ape.
AUTHORITY — Predator.
HALF LIGHT — Prey.
VOLITION — You’re a human, Harry. Nothing more or less.
INLAND EMPIRE — The saddest and cruelest animal of them all.
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franklyimissparis · 3 months
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who’s who in “let ‘em in” by wings (1976)
and some other thoughts on the song
prefacing this by saying that paul himself has changed his own interpretations and offered many explanations up for each name mentioned in the song! i don't necessarily think there's one right answer about what's about who - paul is known for writing about multiple things at once and having many layers of inspiration behind his lyrics. i will mostly be focusing on the names paul lists off within the song, in the order they appear, starting with:
- sister suzy: suzy was linda mccartney's alter ego within her own band, suzy and the red stripes which was active at the time this song was written. paul has stated on many occasions, including in “the lyrics”, that sister suzy is a reference to linda.
- brother john: a lot of articles reference brother john as being john eastman, linda's brother, while others reference john lennon. paul himself said it could be either. but if we're being honest, the first person paul's gonna think of when someone says “john” is lennon, hands down.
it's worth noting the use of sister when describing linda, paul's wife. while it could make sense in the context of the line brother john being john eastman (john and linda being actual brother and sister to one another), i think it's valid to examine the other potential meanings as well, particularly if we think of brother john as john lennon. it places paul's relation to them both as, firstly, familial and implies an equality in the roles they've served within paul's life. starting the list of people with linda (placing her as the most important as the lot) and then john second is interesting as well. we've seen countless examples of paul and john both comparing their relationships with their wives to their relationships with each other and i think it's striking that paul does this here, whether consciously or not.
(nowadays, paul's brother and sister in law via his wife nancy are actually named jon and susie, coincidentally enough.)
- martin luther: paul writes in "the lyrics" that this is about MLK which i'm sure it partially is but also there is an account of the other three beatles jokingly calling john "john martin luther lennon" in the early days though i couldn't find a solid source for this. there is the infamous 1985 hunter davies quote from paul's off the record phone call with him where he called john “martin luther lennon" but that was obviously years after let 'em in and in a massively different context (though potentially this could suggest that it’s a comparison he’s mentally made before but that’s a bit of a stretch, evidence wise lol). i’ve also heard people say martin luther could potentially be a reference to george martin as well, which is possible. others have speculated that this is a reference specifically to martin luther and the 95 theses (“knocking on the door" i.e. nailing the theses to the door) which paul says may have been true on an unconscious level but wasn't purposeful.
- phil and don: the everly brothers, one of paul and john's earliest and biggest influences as young lads. they were heavily inspired by the everly brothers when they performed as their duo, the nerk twins. they also referred to themselves as the foreverly brothers on other occasions.
- brother michael: paul's brother mike, unsurprisingly. though paul also states in “the lyrics” that this might have been a reference to michael jackson as the timing works with paul and linda meeting the jackson 5 around the same time as well but i think realistically he probably mostly had mike mccartney in mind with this one.
- auntie jin: paul’s real and favourite auntie from liverpool. saw one very rogue take that it’s meant to sound like ‘antigen’ but, quite frankly, i think that’s a bit horseshite.
- uncle ernie: in “the lyrics”, paul mentions that he has a cousin called ian who was sometimes referred to as "ern". but also states that at this point he was just playing with words and sounds and this probably wasn't his intention. previously, paul has attributed the line as a reference to keith moon, who was close to the mccartneys in the 70s prior to his death and played the character of uncle ernie in the film tommy (1975). it also could refer to ringo starr as well, as he voiced uncle ernie in the LSO's recording of tommy. ringo himself referenced let 'em in ("someone's knocking on the door/someone's ringing my bell") in 2003 in the song "english garden" which suggests that, at the very least, he felt as though there was some connection to him there.
- uncle ian: like previously stated, paul has mentioned his cousin ian as potentially inspiring this line but personally i think uncle ian could be a reference to paul himself. "ian iachimoe" (meant to phonetically sound out "paul mccartney" backwards) is one of paul's many pseudonyms, thought to have been created around 1966. he signed the lyrics of paperback writer with "yours sincerely, ian iachimoe" and it is also said that in order to distinguish themselves from the rest of his mail, paul would tell his close friends and family to address letters to ian iachimoe so he would know to read them.
paul referred to "let 'em in" as the musical equivalent of a "stocking stuffer" in “the lyrics” which i'm sure it was in his mind but me and my tin hat will be reading deeper into it as usual! this song reminds me quite a lot of “call me back again" in the sense that i think (subconsciously) it may be a bit of a poke at john to get in contact with him.
it's important to note that the album was written/recorded/released around the time of the infamous “it isn't 1956 anymore” incident where, according to john, paul kept showing up at the dakota with his guitar after sean was born without calling ahead. john would let him in but would be a bit put off about it until one day he gave paul a bit of shite for it and paul took it quite personally. while the actual incident is noted as happening in april of 1976 (according to the beatles bible) if it's true that, as john says, this happened a few times there could have also been some tension with paul appearing at john's in the prior months before paul recorded the song in february of 1976.
paul has spoken of the song as reminiscent of a typical party in liverpool where there's sort of a constant stream of family and friends coming through the door - this could be something paul is nudging john to remember (especially with the references to their teenage musical influences and acquaintances and paul's family members that john himself once knew personally.) something along the lines of "oh come on, john, you've gotta just let people into your life, you can't shut out the people who love and miss you. this is how it used to be with us, don't you remember those days?" ... but that's just my interpretation. anyway sorry this was so long but i just thought i'd share in case some of you hadn't heard all the possible interpretations of the lines :))
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gasstationpopcorn · 2 months
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0ann3 · 5 months
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Haha, what if they saw the other out on a date but at that time didn't knew they were officially together-
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Had a sudden hc/thought that if Floyd and Riddle are on a date, they're either holding hands or Floyd's hand will be on Riddle's shoulder
Meanwhile, Azul would prefer clinging holding onto Deuce's arm for whatever reasons
@thehollowwriter @distant-velleity (Hello once again AKSHAKShas)
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rainymoodlet · 10 months
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downloaded a hair just for young adult ivory and lord... imma bout a skip a whole lifestage... 🙏
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cerealmonster15 · 11 months
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rewatched That One Scene to get the Vibes for this. it’s fine. okuyasu just needs 2 have his mind palace moment 😌
ref:
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ty @gaminegay​ for sharing the cool pose refs post w/the world ily
[the post in question] [send me some suggestions if u so desire]
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nach0 · 5 months
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MCYT Yuri Week; Day One - Dance/ Break
"Are you taking notes on our date?"
Wordcount: 1504
AO3 Link
It’s not often Pearl and Gem get the chance to relax and take some time away from things. It should have been nice, and by all accounts would’ve been, if only Gem could stop stressing for five minutes.
(Featuring art at the end!)
Gemini Tay, Grand Wizard of the Crystal Cliffs, was proud to say she was good at social interaction. It’d be disappointing if she wasn’t, after all the time she’d put into studying the cultures of each and every important person she’d ever have a chance of interacting with.
It was like a test. A constant, neverending test that she had to pass or else she’d start a war.
But she definitely wasn’t on edge at all! Large formal events totally didn’t make her nervous in any way! In fact, one on one interactions should probably be a breeze in comparison.
Courting wasn’t something she’d ever bothered to study. The Crystal Cliffs historically hadn’t held any close alliances for more than trade, the previous Grand Wizards emotionally detached by design. She’d thought herself the same, even after the Wither Rose Alliance was formed. It was the most involved the Cliffs had been in hundreds of years. Still, romance was something she hadn’t considered. It involved too much trust, too much vulnerability, for her to ever picture herself wanting.
That lack of foresight left her cramming every book on romance she could get her hands on five minutes before her very first real date with Pearl.
Apparently they’d been on ‘dates’ before, quiet moments stolen away in the midst of the chaos that was their lives. Pearl had mentioned a stargazing date fondly, leaving Gem thoroughly confused. It had been entirely spontaneous, she hadn’t even dressed up or planned anything, and it didn’t line up with anything she’d learned about how dating worked.
Not for the first time she wished there were more books on Helianthian culture. Maybe it would help her understand the distinction between ‘date’, ‘hanging out’, and just ‘chilling.’ She still wasn’t sure if they were all separate things yet. Maybe she could ask? But then it would reveal how little of her girlfriend’s kingdom she knew, then Pearl would get offended and break up with her, then leave the alliance, then the Cliffs, Mythland, and the Grimlands would all be without food and everyone would starve.
She was spiralling again. It was thoroughly unproductive.
None of her books were helping anyway. They were all about formal courtships, something Pearl had laughed about with her before-
“Now I get the intent,” she’d said, giggling slightly as she put the sunflowers into a vase. “But he would have had to buy these from my empire to gift them back to me.”
“Traditionally, it’s considered a sign of respect to give things of the courtee’s empire. It shows an interest in the culture they come from, and a willingness to compromise and combine their own culture in the process.”
Pearl rolled her eyes with a smile and Gem quickly closed her mouth, a long honed instinct from accidentally finding herself on the edges of people’s patience, but she got the odd impression that Pearl wasn’t annoyed at her.
“All this courting stuff has its place, but it’s not for me. If I find someone I want to go out with, it’d be nicer if it was natural. And if I don’t… no big deal. I’m happy with what I have. Besides, I know my type.”
Gem’s heart quickly found its place in her throat, thumping so loud she was surprised Pearl couldn’t hear it. “Can I ask what that type is?”
“I can say for sure it’s not-” Pearl squinted at the note, “-Brad from Mythland. Sorry buddy, better luck next time.”
They both laughed, and the matter was dropped.
-or wild, whirlwind romantic fantasies that moved so fast she had to put them down before uncomfortable bile rose in her throat. The thought of jumping into anything without preparation, but especially something as deep and personal as romance, made her nervous. She could handle spontaneity, liked it at times!  But there needed to be trust there first, a baseline to deviate from. Would Pearl try to move too fast for her? Would she say anything against it even if she did? There was no script for her to work from here, no guide to where normal boundaries lay. She was going in blind for the first time in a very long while.
Then a knock at the door signalled her preparation time was up.
“Gem?” Pearl called through the wood, amusement already creeping through her tone. “Did you lose track of time again?”
“No, I’m ready!”
She ran a hand down her shirt to clear all but a few methodical wrinkles, enough to seem casual without looking sloppy, and nodded once in satisfaction. The heavy wooden door opened for her with ease (and she definitely didn’t use magic to make herself seem more impressive.)
“Wow, you look… really nice.” Was Gem imagining the blush on Pearl’s cheeks? She had to be, especially as her voice quickly picked back up into fond teasing. “I didn’t know you even owned any casual outfits.”
The outfit could be considered casual. If one didn’t know the quite frankly overkill amount of thought Gem had put into it. Muted colours to give off a softer feel, an inversion of her regular layers as a symbol she wasn’t acting as a ruler but instead herself. Amethyst around her neck and hanging from her ears both for power in case of an emergency and a reminder of her empire’s resources. Her gloves were, admittedly, mostly just because she wanted an excuse to wear them. But to anyone that asked she could easily pass it off as a combination of the two of them, the stars and moons pattern conveniently fitting. She liked her regular gloves, the leather preventing any distracting textures, but it was nice to make a change every once in a while. 
“I’m full of surprises.” Gem smiled, looking Pearl up and down. She could analyse what it meant later, when they had a quiet moment, but for now they had places to be. “You look pretty as well.”
“Don’t I always?” She flipped her hair, tied up neatly in a braid that made Gem’s breath skip, turning her nose up for a moment before the act broke down into laughter. “Come on, I know you have a schedule for this. Lead the way.”
~
In Gem’s opinion, the date was going pretty well. She’d hit all her talking points and had genuine discussion, Pearl had laughed at her jokes, and she’d learned much more than she’d expected. They were taking a break while their horses drank from a nearby stream, Pearl leaning against a tree and Gem leaning on Pearl. 
It was nice. It was peaceful. It was very abruptly interrupted by the scratching of Gem’s pencil that was so much louder than she’d anticipated.
Pearl cracked an eye open and glanced down at her. “Gem?”
“Mhm?”
“Darling?”
“Yeah?”
“Person I adore more than anything in the world?”
“...Yes?”
“Are you taking notes on our date?”
Gem blushed, ears pressing against her head in embarrassment. She should have been more subtle, or just tried to remember everything she needed to know, even if it meant she’d have less energy to spend on concentrating on what was actually happening, she should-
Pearl pressed a kiss to her head, carefully avoiding her antlers.
“It’s cute, fawn.”
“I just want to get it right,” she muttered, picking at the fabric of her gloves. “I haven’t done this before, before or after becoming Grand Wizard. It’s all complicated and there’s no rules to fall back on if I get lost.”
Pearl hummed gently and unfurled a wing, wrapping it around Gem at her silent nod.
“We just came out of a war with a demon. No one expects you, or any of us, to readjust instantly. If you wanna put this on pause, catch your bearings a bit, I’ll get it. Just tell me, yeah? Don’t get trapped in that head of yours.”
She moved to tap her forehead but pulled back at the last second, humming gently instead. Her gaze didn’t hold any expectations, just a gentle patience and a warmth like the sun.
And oh, Gem remembered why she fell for Pearl in the first place.
“I don’t want to stop. It’s just… a lot. Sometimes. Not that it’s your fault!” She hurried to add. “Rules are just easier to work with, knowing the limits and expectations.”
There was no judgement. The world didn’t collapse, no one mocked her admission of weakness, and Pearl didn’t immediately rescind all of Helianthia’s resources.
It was… a little disorientating, if Gem was being honest.
“That’s ok. We can figure out what works together. I don’t mind if you write your notes or want to set guidelines, so long as it’s not hurting you. Don’t sacrifice what you want for me or anyone else.”
She pulled her ever slightly closer, and the wing around Gem’s shoulders was more comforting than any weighted blanket she owned.
“For today though, let’s just enjoy this break from the chaos. We’ve earned it.”
For once, Gem couldn’t agree more.
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(if my laptop messes the colours of this up i'm going to explode btw ^^)
also i know i had a taglist but it's been like a year since i last used it so idk if anyone still wants to be tagged, i'm down for starting it up again though
@mcyt-yuri-week
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theraedar · 2 years
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Woke up peacefully today until i thought about if lorel ended up at rsa instead and never met ace or deuce
They’d be a little more solemn at rsa...the atmosphere at nrc and the friends they made helped them open up n be comfortable n loose but at rsa, they a lil icy and distant
In normal twst verse they also struggle with deciding where they should be, at nrc they want so bad to prove that they Could belong there, so that maybe they would be “allowed” to stay, but they also know they should go home
Part 2 here!
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