Looks like it's time to talk about starseeds and the New Age movement again.
Since I'm seeing more starseed content being posted, I'm gonna make another post on why the whole starseed thing and the surrounding New Age belief system are... not good.
So for those who don't know, New Age mythology is essentially a hodgepodge of cherrypicked and distorted myths from various cultures, racist pseudohistory, and far right conspiracy theories. To put it very briefly, starseeds are supposedly here to help Earth resist the reptilians, a race of politics-manipulating, war-starting, media-controlling blood-drinking aliens. For those who don't recognize the tropes here, these are basically all antisemitic canards. The reptilian alien myth as most know it today comes from David Icke, who ultimately cribbed a bunch of his material from The Protocols of the Learned Elders of Zion, a Russian hoax created to justify violence against Jews. He was also influenced by the work of people like Fritz Springmeier, a hateful crank who based much of his work on other hateful cranks.
(David Icke, by the way, also claims that transgender is an evil reptilian conspiracy. You'll never find just one form of bigotry with these people.)
There are supposedly numerous alien races out there, and one of the most prominent among them are the Pleiadians, AKA Nordics. While modern depictions of the Pleiadians give them more variety in skintone, there's no denying that older Pleiadian mythology basically pictured them as Aryans In Space, even associating them with the swastika.
You see what's going on here? "Good" swastika-loving Aryan aliens versus "evil" Jewish aliens? Sound familiar?
Racism isn't just a tangential part of the starseed myth, either. It lies at its very core. It's inextricably tied in with the ancient astronaut hypothesis, which has a history of racist motivation behind it. The TL;DR is that a bunch of white people couldn't believe that non-white people had built a bunch of things they couldn't figure out how to build themselves (EG, the Great Pyramids), so they proposed that the real builders were anyone from Atlanteans to aliens. (Atlantis, by the way, never existed; it was a literary device created by Plato.)
One supposed purpose of starseeds is to help the world "wake up to the truth," which basically just means "convert people to New Age spirituality." New Age believes that world peace is contingent on a majority of the world being converted to New Age belief, and that resistance against their belief system is ultimately the work of the aforementioned reptilian aliens.
To put it another way, New Agers think they understand other cultures' spiritual traditions better than the actual members of said cultures, and think that anyone who disagrees with them is being manipulated by the conspiracy, or is an agent of the conspiracy. This includes Indigenous cultures which are already endangered from white Christian colonialism.
Essentially, endangered cultures cannot speak up for themselves and resist New Agers' efforts at cultural assimilation without being labeled a problem and an enemy. It's basically white Christian colonialism repackaged as "spiritual, not religious."
Again - if you heard from these people that some ancient text or myth describes extraterrestrial beings visiting our planet for one reason or another, you heard misinformation. They twist and misrepresent literally every myth and text they get their hands on. For example, you may have heard that the vimanas from Hindu traditions were actually alien spacecraft. They were no such thing. Or maybe you heard that the Book of Enoch describes aliens performing genetic experimentation on humans. It literally does not. At best, all of the stories they cite just kind of sound like aliens if you ignore most of their content and pay no attention to their cultural contexts.
The starseed movement preys on alienated people, especially autistic people and people with ADHD. You can look up nearly any list of signs that you're supposedly a starseed, and many of them will align perfectly with characteristics associated with autism and/or ADHD, or that people with these conditions commonly report. Some people within the movement even go so far as to claim that ADHD and autism don't even exist, but were actually made up by the conspiracy as a cover to suppress and control starseeds, which is some yikes-as-hell ableism.
So basically, people are being told that if they have these certain characteristics or symptoms, that means it's their job to spread New Age spirituality to defeat the conspiracy and help others ascend to the fifth density.
And what's the fifth density, you might ask? It's supposedly humanity's next evolutionary level, because New Age is also based on biological misconceptions. Supposedly once everyone's DNA "upgrades," they'll essentially morph into an aetheric form. Supposedly, this is preceded by a number of "ascension symptoms," including depression, headache, gastrointestinal issues, and any number of other symptoms that could indicate almost anything, including stress.
What many of these people don't realize is, this prediction has already failed. Back in the 2000s and 2010s, experiencing "ascension symptoms" was supposed to precede ascension to 5D beginning December 21, 2012. One lady, Denise Le Fay, was convinced that the hair loss she was experiencing in 2008 was an ascension symptom. As we can see by looking her up, she's very much still with us on the 3D plane these days, repeating the same tired old scripts New Agers recycle endlessly.
By the way, everything you near New Agers saying today about old systems being dismantled, dark forces being arrested or kicked off the planet, and new economic systems on the horizon? They've been recycling these scripts for years now. Take a look at this page written back in 2012. You got stuff about the complete dismantling of an enormous network of sinister forces," "the arrest and removal of a world-wide cabal," and a "new economic system."
("Cabal," by the way, is a dogwhistle term for "Jews.")
Furthermore, people in this movement are often encouraged to try and access past life memories through dreams or hypnosis, which makes the whole thing feel even more real to them. But the thing is, you can have incredibly vivid experiences about literally anything you put your mind to - the people in the reality shifting having vivid experiences of living another life in the Harry Potter universe are a great example of this. Just because you have vivid experiences, doesn't mean they have any bearing on anything happening in this reality.
So yeah, the starseed movement and the larger New Age movement are both extremely harmful. They promote racist pseudohistory, medically-irresponsible pseudoscience, conspiracy theories that target numerous marginalized groups, and functionally target aliened people with ADHD and autism to convince them that spreading its beliefs is their job.
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Good Vibrations Two
This AU got a lot more attention than I expected actually hfjdks I'm so glad everyone likes it!
Anyway, here's part two! We get some concert, some peeks at how Robin helps Steve navigate social situations, and a little Eddie having an itsy-bitsy crisis over Steve's fashion choices.
Have fun! And, as always, if you see any typos, no you didn't (especially for this one since I wrote most of it on my phone actually lmao)
----
Steve stares at the shirts laid out on his bed, arms crossed over his chest. Choosing jeans had been easy, but choosing a shirt is giving him trouble. What do you wear to a metal show at the local dive bar for a small-town band in which the lead singer is a long-time and way-out-of-your-league crush that you've been holding a candle for since the first time you saw him laugh on top of a cafeteria table?
You definitely don't show up in a plain black shirt, that's for sure.
The lights in the hall outside Steve's room flicker, switching off and on three times. Steve just barely notices, which means he doesn't get his pants scared off when Robin appears in the doorway, grinning at him while pocketing the key to the front door he'd given her months ago into a messenger bag. "Hey, dingus," she says, striding into the room and flopping onto the bed.
Steve rolls his eyes, yanking the shirts out from under her and laying them once more over Robin's stomach and legs. "What shirt should I wear?" he asks.
It takes a few seconds for Steve to look from the shirts to Robin, and she patiently waits until he's staring at her to say, "Just pick one. Nobody's gonna care what you're wearing."
"I care," Steve says, frowning as he looks back at the shirts. For the aforementioned crush reason, Steve cares very much about the shirt he wears. "What says 'Hi, we've never talked before but your music is the only thing I can hear and I think your hair is in desperate need of quality shampoo and also I've been halfway in love with you since, like, sophomore year'?"
Robin considers the question for a long moment before picking up a red sweater. "This one says 'I'm horny'," she offers.
Steve blinks, staring at the sweater for a few beats before laughing. "But I'm not," he says.
Despite looking at Robin, she happens to angle her head toward the sweater, and her response is lost on Steve. He frowns, waits until her jaw has stopped moving, and says, "I didn't get that."
After Robin first learned about Steve's deafness, he'd been overly anxious about asking her to repeat things. Somehow, it was worse to constantly ask when the person knew he couldn't hear well, if at all. But Robin had never shown annoyance; she'd just adjust her posture, make sure Steve could see her lips, and repeat her words. She does all of this now, and Steve gets to read her joking response, "Yeah, but you will be."
And, yeah, she has him there. Steve huffs and collapses onto the bed beside her, sacrificing the shirts. "I'll need a jacket," he says, turning his head to look at Robin so he can read her response.
Instead of words, though, he sees her face light up, and she jumps off the bed. Steve sits up, watching as she digs in her messenger bag before pulling out a t-shirt. "Remember when I stayed over a few weeks ago? And you let me borrow a shirt? You should wear it!"
Thankfully, Robin waits until she's done talking to throw the shirt in Steve's face. Honestly, he only understood a few words ("remember," "borrow," and "wear") but he's gathered enough context clues to get the gist of things.
He spreads the shirt out, humming at the Iron Maiden design. It's not one he wears often; for the most part, it's a shirt he wears on lazy days at home because of how soft it is. But as he's studying the design, Steve is suddenly hit with a stroke of pure genius.
He quickly changes into the shirt and then grabs a varsity jacket (not his letterman, but one he'd seen at the mall and bought on a whim because it used a nice shade of yellow) off his desk, tugging it on over the shirt but leaving it unbuttoned. After a few more seconds of digging around, he finds sneakers under the bed and tugs them on.
"Okay," he says, turning so Robin can see the outfit from every angle. He comes to a stop when he's facing her once more, hands buried in his jacket pockets, and asks, "What do you think? How's it look?"
"I think you'll give Eddie a crisis," Robin replies, wrinkling her nose at the varsity jacket. "Not, like, a bad one. But he'll probably ask where you got the shirt from."
Steve grins, thinking that sounds about perfect, and turns to study himself in the mirror. It's a surprisingly solid blend of metal and jock, and it makes him feel oddly confident, the same way he felt the first time he did his hair just right and everyone complimented it.
"Perfect," he decides. "Let's go."
----
The ride to the Hideout isn't exactly quiet, but it's not like Steve can talk and drive at the same time. So it's filled with music blasted as high as it can go on his car stereo, causing the whole vehicle to vibrate with each beat. When he finally turns the car off after parking, Robin grimaces as she rubs her ears.
She waits for Steve to be in front of her before saying, "We're putting the windows down next time."
"Oh. Sorry," Steve says, rubbing the back of his neck a little awkwardly as Robin dismissively waves off his apology.
"No, it's fine, I'm just saying. Now, let's get inside before they start."
With that, she loops her arm through Steve's and drags him into the Hideout. They're hit with a wave of cigarette smoke, spilled beer, and sweat as they walk through the door, the combined smells making Steve dizzy. He frowns, leaning closer to Robin as she squeezes his arm. He feels her thumb tap him twice, their code for asking if the other is okay.
"I'm fine," he mumbles, nodding to a table in the corner. "Let's go sit. I just need to get used to...everything."
The lights are weird, too. Despite the place being dim, the few lights that are on are flickering, and Steve is having trouble processing all the new information his (working) senses are taking in.
Thankfully, Robin pulls him over to the table he pointed to, a small circle near a stage of dubious sturdiness. It looks like it can barely hold the instruments, much less those plus the people who will play them. There's an amp on the side of the stage near the table, which means they'll have the perfect spot to feel the music's vibrations. Steve slides into one of the chairs there and closes his eyes, resting his arms on a table that is surprisingly not sticky.
He feels Robin move the other chair next to him, slide in, and start pulling things out of her bag. When Steve opens his eyes again, there's a notebook between them and a variety of pens in all different colors spread out across the open pages. Robin has already picked up a red pen and is writing with it as Steve chooses a purple one.
When Robin is done writing, she taps the page so Steve can read, "Want something to drink?"
"I'm not sure we can trust the glasses here," he writes back.
"The fact you're calling them "glasses" tells me everything. Just sit tight."
With that, Robin drops her pen, winks at Steve, and heads over to the bar where a woman is wiping the counter. Steve watches her for a few seconds before looking around at the other people in the place. Most of them are sitting in groups, talking amongst themselves. Most of them also have mustaches or beards, making it downright impossible for Steve to read their lips.
Instead, Steve just gets a dull kind of rush in his ears, an ever-present background noise he can't escape. Soon enough, maybe because he's thinking about it too much, a high-pitched ringing starts up in his right ear, growing and growing in pitch until it's all he can focus on. Steve grimaces and looks down at the notebook, trying to keep his shoulders relaxed so he doesn't look as tense as he feels. The ringing persists, and he rubs his ear like that's going to help.
His ear is still ringing, though it has started to diminish, when a water bottle is placed in front of him. Steve jerks, forcing himself to calm down as Robin slides into her seat again with a mug of beer that's more foam than anything else. "They're about to start," she says, waiting until Steve has nodded once to show understanding before taking a sip.
Steve looks up at the stage and wonders how he missed Eddie and his friends arriving. As his friends are setting up behind him, Eddie is resting one hand on the neck of his guitar and using the other to hold the mic close to his mouth. Steve can't read his lips, but Eddie's grin is a little contagious as he says something to a guy by the bar. The guy must say something back, because Eddie bursts out laughing, his head thrown back to show off a neck Steve wants to bite.
A tap on his arm brings his attention away, and he looks at the notebook to see Robin has scrawled out a transcript:
"Eddie: Thanks for coming out tonight, everyone
Guy: Fuck off, Munson
Eddie: Love you, too, Jeremy"
Steve snorts, looking up to see Robin's equally amused smile as she continues to write on another page. When he glances at the stage, Steve sees Eddie still talking into the mic, his eyes roaming over the audience until they reach Steve and Robin. Eddie seems to grip the mic tighter, and he holds Steve's eyes for a few seconds, giving just enough time for Steve to wave awkwardly before Eddie looks away. But his smile seems a little bigger than before, and Steve is happy to let himself think he caused it.
When he looks down again, Robin has finished writing, and she nudges the notebook closer to him. Eddie must talk fast, because her writing is almost indistinguishable from chicken scratch in dirt that a cat got dragged through. Thankfully, Steve is an expert at this point.
"Eddie: Anyway, you know the drill. We'll start with some Metallica, treat you to Iron Maiden, throw in a dash of Black Sabbath, and then grace you with a Corroded Coffin original. If you don't like it, not my problem."
Steve feels the beginning of the set as he finishes reading. He sits a little straighter, planting his feet firmly on the floor and placing his palms on the table with his fingers spread. Robin is still writing next to him, most likely transcribing the bits and pieces of conversation she can hear for Steve to read later and laugh at. She doesn't try to get his attention while she does, already knowing it won't be worth it after Steve has shifted into Music Mode.
In the same way that people can tell what song is playing based simply on the first note, Steve can sometimes tell based on the strength and length of the first vibration. In the same way people know the lyrics of songs after listening to them enough times, Steve knows the vibration patterns like the back of his hand. In the same way people who hear their favorite songs played live can tell when a note is wrong or a lyric is sung too fast, Steve can tell when the drummer or bassist makes tiny mistakes that wouldn't be caught otherwise.
And Steve loves it. He loves how his entire body thrums with each vibration that travels from the amp. He loves how he can close his eyes and picture a story based on the music, one that probably doesn't match the lyrics but tends to replace them in his heart. He loves that this is something he can still share with his friends, even if most of them don't realize how different his experience with music is.
So, for all the little bumps and dips that occur in the vibrations as Corroded Coffin plays, for all the tiny slips that certainly go unnoticed by anyone else, and for all the fact that Steve doesn't get to hear Eddie's voice, he can confidently say he loves the show. He's never heard the songs played like this before, and it helps diminish the gut-deep desperation for new music.
And then Corroded Coffin starts a new song. It's one Steve doesn't recognize, one with vibrations that are completely foreign to him, and he jerks his head up to watch Eddie play his guitar in an opening solo. It thrums across the floor, climbing up his legs and spreading in waves from his palms on the table. Steve feels goosebumps chase after it, a new wave washing over him when the guitar solo ends with a particularly strong vibration that's immediately followed by the drums and bass.
Eddie throws himself into the music, moving and twisting and strutting around the stage like he's playing to Madison Square Garden. Steve can't look away, the lyrics incomprehensible but replaced by the jerk of Eddie's hips and the tilt of his head and the little half-spin he does on his heel.
It ends too quickly with one final, reverberating strum that lingers in Steve's bones, burrowing into his marrows as Eddie pushes his hair back and grins into the mic. He says something breathlessly, his shoulders rising and falling rapidly as he tries to catch his breath, and Steve knows he's gone.
He's hopeless.
He's desperate.
He needs more Corroded Coffin, more Eddie, in whatever form he can get.
----
For the first time, Corroded Coffin gets genuine applause after playing. Usually, the patrons of the Hideout will politely clap (if they even notice the set is over) for about two seconds. Tonight, however, Eddie and his friends are graced with excited clapping, a few shouts, and one very strong whistle from a small table to the left of the stage. And it spreads because even rough biker dudes can fall to peer pressure when it's that enthusiastic.
So, yeah, genuine applause all because of Steve Harrington and Robin Buckley who, Eddie thinks, is surprising company for the former King of Hawkins High. No matter how unexpected, he should still thank them and ask what they thought of the set now that it's over. He carefully sets his guitar on a stand and glances over his shoulder, catching Jeff's gaze and flashing a grin. "I'll be right back," he says before jumping off the stage and heading over to Steve and Robin's table.
As he gets closer, he notices the notebook and pens spread out, colorful writing filling the pages and Steve grinning with amusement as he reads it. Robin is watching him like she's waiting for him to understand an inside joke already so they can laugh about it together. If Eddie didn't already know Robin was like him (band camp, summer after his junior year, during an unfortunate game of Seven Minutes in Heaven where they awkwardly stood in a closet together before Robin commented on his black bandana), he'd wonder if something was going on between them.
"How'd you like the set?" Eddie asks when he reaches the table, suddenly nervous enough to tug on a lock of his hair and pull it in front of his mouth.
Robin looks up, but Steve doesn't. He's still reading the notebook, snorting at whatever is written there like he didn't hear Eddie. It's not until Robin elbows him that he raises his head, eyes widening when he sees Eddie. "Sorry, could you repeat that?" Steve asks, his gaze dropping to Eddie's mouth (Eddie definitely isn't imagining that) and faltering some.
"I asked if you liked the set," Eddie says, frowning slightly as Robin grabs a pen and scribbles something on the notebook. It's too small for him to read, but he doesn't miss how Steve glances down for less than a second before his eyes light up with realization.
"Oh!" he says, looking back at Eddie and flashing a charming grin. "It was great. You guys are so loud, and I've never f-uh, heard anything like your original song before."
Eddie catches the way Steve fumbles, faltering like he wanted to say one word but forced himself to say another. Something is tugging at the back of Eddie's mind, but he can't quite grab onto it just yet. For now, he leans forward, placing both hands on the table so he can be closer to Steve. "You listen to metal often, Harrington?" he asks.
Steve stares at his mouth for a few seconds before nodding, and Eddie feels the thrill of learning something completely unexpected. "I like Black Sabbath best, but Judas Priest and Guns N' Roses are close seconds," Steve says.
"Yeah?" Eddie asks, "What do you like most about it?" He wants to know. Does Steve Harrington (King Steve, Steve "The Hair" Harrington, Steve fucking Harrington) like metal for the same reasons he does? Does he like the stories and the passion and the heavy theatricality of it all?
Steve seems to hesitate, possibly thinking about how to answer, before finally saying, "I like how it's music I can feel. When I listen to metal, it digs into my bones. Other music doesn't."
Somehow, Eddie's grin gets impossibly wider, and his cheeks are hurting from the sheer force of it. He's about to say more when Robin glances at the clock and swears under her breath. "Shit, I promised Mom I'd be home ten minutes ago," she says, grabbing the pens and recklessly throwing them into her bag.
It's the movement that seems to catch Steve's attention, and he looks down at Robin's hands before looking up at the clock. "Oh, fuck, your curfew," he says, looking at Robin like she hadn't just said the same thing two seconds ago.
"Yeah, no shit, dingus," Robin says, pausing long enough to speak while looking straight at Steve before throwing the notebook into her bag, too. She jumps to her feet and hauls Steve out of the chair, making his varsity jacket fall open to reveal an Iron Maiden shirt.
And Eddie thinks his heart just about stops. He doesn't know why, but seeing Steve in a metal band shirt under an undeniably jock jacket makes him feel....something. This is, like, sacrilege, right? How dare Steve Harrington allow Metal and Jock to meet? Doesn't he know the two styles clash? Or, well, they're supposed to clash, but Steve somehow wears them well, and Eddie thinks he's upset and annoyed by the fact.
Before Eddie can analyze that feeling, Steve says, "Sorry to run, Eddie. You played really well. Let me know when the next show is."
There's a lot to unpack there, too. Steve Harrington wants to come to another Corroded Coffin gig. Steve Harrington is sorry he has to cut the conversation short. Steve Harrington thinks his band played really well. Before Eddie can say anything in response, Robin is dragging Steve away, throwing a goodbye over her shoulder.
Eddie doesn't want Steve to go without something, though, some kind of departing word, so he shouts, "See ya later, big boy!"
Steve doesn't look back, but Robin nearly trips over the doorway. She then pauses long enough to say something to Steve, watching with sheer delight as he splutters and glances at Eddie before dragging her through the door. Eddie couldn't stop the grin if he tried, and he didn't try.
Later, when Eddie is sprawled on the floor of his room, staring up at the ceiling and thinking about Steve's stupid combination of Metal and Jock, he'll be struck by a sudden, consuming thought. What if Steve was wearing just the Iron Maiden shirt? What if he wore just the jacket?
Eddie swallows around the sudden lump in his throat, his mouth going dry as he scrambles to his feet and gets ready to take a very, very cold shower.
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Tag List (the tag list is completely filled up! There definitely wasn't enough room for everyone who requested a tag orz
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@hallucinatedjosten, @queenie-ofthe-void, @r0binscript, @jewellthebooknerd, @paintgonewrong, @vacantwatchers, @newagemyth, @gutterflower77, @just-a-tiny-void, @littlebluejane
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