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#but also it would not work out very well for me specifically considering
followthebluebell · 2 days
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Can I ask you, as someone else who seems to be more of a cat guy, your experiences with Truffle? I’m considering a Spoo for my next dog and am trying to get a feel for whether or not one would work for me (and my cat guy spouse). I’m mostly wondering about energy levels because someone saying “moderate energy” or “high energy” doesn’t give me a whole of expectations as to how much and how intense exercise I’d be looking at to keep the dog satisfied which is important living in an apartment with a cat. I really like the trainability of the poodle and work in grooming so even if I didn’t want to do it myself, I have trusted people to do it for me so that’s no issue. I mainly want a companion I can take on hikes and to restaurants/brewpubs on the weekends who won’t eat my other pets. Just trying to gather as much perspective as possible before jumping in :)
Honestly I think spoos are the world's most perfect dog. I'm only a little biased in this absolute concrete fact. I'm not sure I could have any other breed of dog at this point.
I think Truffle is a medium energy dog. He's fairly active; we used to go on five mile hikes three days a week, but have since petered down to 1.5-2. On days we don't hike, we usually play fetch or flirt pole for like 30 minutes.
He also loves days where he does absolutely nothing, which really highlights my next point:
I don't think energy levels are as important in a dog as a good off switch is. Even if we've done absolutely nothing, Truffle won't tear up my house or try to eat my cats. I think a lot of this is just genetic, tbh. I looked specifically for breeders who titled their dogs for obedience and agility AND raised their dogs in their home because I wanted a dog that was smart, healthy, and had a good, solid basis for home living. A few dogs in Truffle's pedigree have hunting titles as well, but there's not really much of a delineation between hunting lines and show lines in poodles.
Mental exercise plays a much bigger role than physical exercise. We train daily for around 30-40 minutes--- I think that's a bigger requirement than just physical exercise. It's definitely something he's way more into and tends to tire him out more.
He's not a super cuddly dog. He likes to be BY me, but not ON me. This is great for me because I get touched-out easily, especially by a large dog. He's just unobtrusive, which was ideal for a service dog. He's not running around trying to be everyone's friend. He's just aloof towards strangers.
TBH the biggest issue I have with standard poodles is their tendency towards pickiness about food. Truffle's on a vet prescription diet due to stone formation and it can be a fucking pain to get him to eat sometimes. I've recently found a new hack (he really loves pumpkin) but I know in my heart that it's going to lose efficacy at some point and I'll have to try something new.
Like i said, I think he's the perfect dog for me. He's happy to go out on a hike and look for cool lizards, but he's equally happy to curl up on the couch and snooze as long as he also gets to do some trick training. He's very chill with the cats and treats strangers as a curiosity rather than a compulsion. He's a lovebug without being overly cuddly and needy.
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capn-twitchery · 17 hours
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do you have any tips for drawing expressions? it’s one thing that I always notice about your art, I love how expressive your characters are.
thank you so much!! it really means a ton bc expressions are one of the things i've focused & worked the hardest on over the years :D ♥
which ALSO MEANS--HA, YOU ACTIVATED MY SPECIAL INTEREST TRAP CARD i am now going to talk at you all for far too long about it >:) buckle up!
prefacing this by saying i Love animation, this makes me biased as hell with where i get my sources + how i study art. anyway!
i think my biggest #1 tip is don't be afraid to get goofy with it--characters don't have to look cool and stoic all the time, they can be silly! if an expression reads better, but looks a little off-model, do it anyway! make that guy look weird!
i draw little thumbnail expressions a Lot, whether for actual art or for just fun doodling. i don't have any recent ones to hand-- but here's some from a while ago. they help a ton to figure out what works quickly without worrying about actual facial features
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they also help to see if i can push an expression further, it's easier to test out weird things on a tiny round doodle and then translate that into an actual drawing later on. pushing expressions To The Limits is a really good exercise in itself!
gonna put the rest under the cut bc it's getting long & i have a lot more to say
ok this in itself is a whole topic i can go on about for hours, but i'll try to keep it semi brief--i Love considering how different characters would show emotions! how one character would express sadness, how that would be different to another, how one character would smile vs. another, stuff like that!
related, giving characters individual expression quirks. twitch's :3 mouth & lazy lidded eyes if you could see them anyway & Very Smug Eyebrows, while grace has heavy low eyebrows & sad puppy eyes & usually looks at least 10% unsure at all times. it makes every single twitch smile look slightly not genuine and makes grace look. well. you know. the quirks are really fun to think of, and it makes drawing expressions feel a lot more fun when you personalise them!!
expressions can be easier to think of when you put characters in scenarios & consider how they'd react. it can also help to think of the character Moving/talking, instead of as a static image. mini comics or just adding dialogue to art helps a lot with this, i've only just started doing it and i'm having a blast!!
ok this one is weird and hard to explain and might only be applicable to me bc i can't see images in my brain-- but i'll throw it out there just in case! lots of artists make faces in the mirror to reference their own expressions, but it's never worked for me
i Do still act stuff out in my brain & make faces irl, but instead of doing it in the mirror, i just make the expression & consider how my face is moving in Words? ok for example This Comic, last panel for twitch--i'd run through the dialogue in my head and move around how i feel like they would, and list it off in Words--raised eyebrows, closed eyes, tilted head, etc etc. then i have a framework to base the expression on! and i don't need to stare into my own face in the mirror for reference. no mirror needed at all, actually. win/win. i do this for body language too
(yes this makes you look insane btw. sorry. if you do it too long best case scenario you get very dextrous eyebrows and worst case scenario you might start making cartoon character faces irl (or both) (i'm both))
not sure how much it helps specifically with expressions outside of animation, but it's a fun exercise--learning the limits of a character's face, animation calls it squash & stretch. drawing a face in the two most extreme states. so on character expression sheets you'll see weird faces like this⤵️ that's what that is
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another exercise, i always have a ton of art saved that i like the expressions of. usually a lot of concept art for films. i'll do studies of them & redraw them, and/or take ocs and redraw them with those expressions! it's a great way to look at how other artists do stuff and yoink bits you like.
you'll hear this a lot if you look up Any art tips, but references & studies are great. i get a lot of inspo from disney concept art bc their artists are very talented people, but currently i hope disney studios' own hubris eats it alive. i want to see mickey mouse buried in a hole, the rat bastard. anyway some places i personally take inspiration from:
i look at a lot of animation concept art, some good sources are characterdesignreferences, livinglineslibrary, there's pdfs of animation art books all over the place too.
specific concept artists i like are jin kim & shiyoon kim !! they do Great expressions.
outside of film industry, tealin and tracy butler of lackadaisy cats are some inspirations! tracy butler has a great expressions tutorial here
if you find this stuff interesting & like reading, the illusion of life by ollie johnston & frank thomas is an incredible insight into the thought process behind stuff like this! there's a pdf here, unfortunately just a scanned copy but worth a read if you like this stuff!! specifically chapters 'character development', 'animating expressions & dialogue', and 'acting & emotions'
sorry that was an essay and a half but hopefully it was a little bit helpful!! i always love talking about this stuff so if you want anything clarified/just wanna talk about it more i am Always ready to go off >:3
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Character voice
Thanks @elsie-writes here, @willtheweaver here, @mk-writes-stuff here and here, and @illarian-rambling here!
Rules: rewrite the given line in your characters' voices
Got long, under the cut
“Are you okay?”
Lexi: "Omigosh are you okay? What happened???" [Probably panicking herself]
Maddie: *squints, tilts head* "What's wrong with you?" (Genuine worry)
Ash: *tries to read them telepathically* "You're upset. Why?"
Gwen: "Hey, are you feeling alright?"
Robbie: *clears throat* "You good dude? Been worried about you."
Akash: "Are you okay? Been worried, man."
Jedi: "Are you feeling alright?"
Carmen: *pretends she doesn't care, even when she does* "What happened?!"
“I overslept!”
Lexi: "WHAT?! What time is it?? Oh no oh no oh no I overslept my alarm! How is that possible?! Now I'm gonna be late oh no --"
Maddie: "Hm? It's [time]? Hm. Overslept I guess."
Ash: "Wow. I was more tired than I thought."
Gwen: "Oh, no, I overslept!! Guess I have to go to bed earlier or set more alarms next time."
Robbie: "What time is it?! Huh. Guess I needed the rest."
Akash: "There's no way I overslept--guess I didn't set my alarm. *Checks* I did?! Oh no, what are they going to think?!"
Jedi: "I overslept? Oh, dear, this never happens... I rarely sleep as is."
Carmen: "Did someone turn off my alarm? Change it?? There's no way I forgot to set it or slept through it. I don't do that. I don't need the sleep. I made sure I got my schedule working to get the maximum amount of work done. And now, I won't be able to do everything today." (This may continue)
“No, I don't want to eat that [insert food]!”
Lexi: "No, thank you. I'd rather not eat that. I ate too much already, and am full. Also not the hugest fan of it--it isn't your cooking."
Maddie: "I don't like that food. The texture is all wrong."
Ash: "I don't want to eat this--I don't care for it."
Gwen: "Sorry, not that hungry for it. Thank you for offering, though."
Robbie: "Nah. Not in the mood. Thanks, though."
Akash: "I, uh, hate to disappoint you, but I don't like this food. Nothing to do with you or your cooking abilities, it's all me."
Jedi: "Thank you for considering me when offering this, but I am afraid I am not fond of this particular dish."
Carmen: "Ugh, it's disgusting, I'm not eating it."
"That is the ugliest thing I have ever seen someone wear."
Lexi: "Oh... Um, here's the thing: I think we can do better. With the outfit. It's, like, cute and all in a... Unique way. Grotesque maybe. It's the color, I think. We can fix it though! I'll help."
Maddie: "What are you wearing? Are you going to the town in that old Dr. Seuss movie? Or like a Star Trek vacation spot?" *Grins at joke*
Ash: "Why would you wear that? It doesn't really look good."
Gwen: "Oh wow. Um. Sorry, I--your outfit. It's... Interesting. Haven't really seen anything like it."
Robbie: "Oh my GOD! Sorry. Your outfit just took me by surprise. It's...dude, I can't -- it's awful. For your sake, please go change?"
Akash: "Um..." *runs hand through hair* "Look, buddy, I love you, but *grimaces* I think you can do better. Frankly, it's not good. It's...bad? For you. How about I help you pick out something that's more...you?"
Jedi: (silent for several moments) "That is certainly a very interesting choice of fashion. I have certainly not seen anything quite like it, that's for certain."
Carmen: "What in the world made you get into that - it's hideous. Never seen anything worse in fact."
Bonus for this one, because I have a couple specific fashion oriented characters I wanted to react to this--
Rose: *several seconds of panicked crisis* "Okay, we can make this work. Let's spruce up this outfit."
Alex: "Oh honey...darling. Babe. Sweetie. Treasure. Sweetheart. Sunshine. Baby. I'm running out of synonyms. We need to help your look. It's not that good."
Sam: "...this is weird for me, I usually have something to say here. Well, uh, that outfit isn't working for you. Sorry. Don't want to hurt your feelings. But I think your feelings might be more hurt by others. You're glad you're with me. I'll help you."
Niri: *several seconds of contemplating what to say, if anything, he can't talk, he has an excuse, but oh no they're expecting a response, any longer and he will be rude!!!* (hesitant signing): "I don't want to be rude, but I...don't like it. Sorry. Do you want me to help you? I'm good with fashion."
"I hope you stub your toe."
Lexi: "Y'know what? I wouldn't care if you stubbed your toe." (She thinks this is an insult)
Maddie: "I really hope you stub your toe. Cause that hurts. A lot. You've done it before, right? It's bad."
Ash: "Leave me alone and go stub your toe."
Gwen: "You're such a rude person - I hope you run into something and stub your pinky toe. Maybe that will teach you." (Akash: Gwen, babe, how would that teach them? Gwen: I don't know, it sounded better in my head.)
Robbie: "You wanna know what I think about you, Jason? You're a pompous prick bus stop. And the next time you turn a corner, I hope you slam your tiny toe right out of the joint. God, that's painful. And maybe you can get the nail caught on something too. And I hope someone wearing shoes steps on your bare toes as well. And I also hope--" *Akash probably pulls him away*
Akash: *gets as close as possible* "Why don't you go stub your toe or something. I hear that it hurts."
Jedi: "If you were to stub your toe, I will not make a promise to not enjoy it."
Carmen: "I cannot describe how much I want you to STUB YOUR TOE RIGHT NOW!"
Woo, that was a lot!
Tagging @foyle-writes-things @drchenquill @monstrouswrites @mysticstarlightduck @talesofsorrowandofruin @sleepyowlwrites @sleepywriter00 @sarandipitywrites @theeccentricraven @leahnardo-da-veggie + anyone else!
Y'all's sentence is, "Is anyone going to drink this?"
TSP intro
TSP tag list (ask to be +/-): @thepeculiarbird @illarian-rambling @televisionjester @finchwrites
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flintbian · 1 year
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Man, life is just depressing right now
#the one thing that was keeping me sane has gone away#i would always say 'yeah every medical professional has given up and there's nothing they can do. but at least i have my PTs' well...#my current PT's are the only ones that ever treated me like a person and they always kept trying...but they've given up too#basically Clare was like we haven't made any gains in over a year and your state keeps getting worse. nothing we do helps#so it may be time to consider stopping bc throwing away money isnt helpful either#and i argued that it's damage control and improves my quality of life and i have a progressive disease i never was going to get better#not to mention mentally it helps to know there's people in my corner and at least they haven't given up on me#but now they have and im feeling so very very alone and hopeless#it's not like this is a surprise right? ive always been beyond help and it's an incurable degenerative disease#but still getting to this point fucking sucks#and i went to the new neurologist and he had nothing but crazy experiments bc ive tried fucking everything#and then to top it off the only doctor i trusted from when i was a teenager for one specific med issue had also said the same#literally this week she was like there's nothing more. i cant help find someone else. sorry kid. wishing you the best#and Xmas is a depressing and challenging time too#and i have 400 med problems while trying to find work#the past few weeks have pulverized me and i havent stopped crying in days#so yeah. terribly terribly alone#and im trying not to go down any spirals and havent. my therapist was out this week. but im seriously questioning the point#at this point maybe i should give up too#im being stubborn bc no i cant go yet i havent seen the lights yet or read my new books#but honestly i havent been able to read partially bc im afraid if i do im losing the last tethers to earth#there's not much or anything to live for#it's at times like these you truly realize how much you dont want to die. you just wish you could live#but im broke and freezing and in pain and alone. this story's ending fucking sucks#my dbt is coming in clutch but seriously. is there a point anymore?#never got to live. sick since a kid. hell was always here#sorry for the depressing state of things ill go back to being insane in a moment#p
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starstrike · 2 months
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Mithrun's desire as an SA analogue
TW discussion of SA and detailed breakdown of aesthetics evoking SA. The way I discuss this is vivid in a way that may be triggering, though there is no discussion of actual sexual assault. Just survivor's responses to it.
People relate to Mithrun and see his condition as an analogue for a few different things, like brain injury or depression. And I think all of them are there. But I also see Mithrun's story as an SA analogue, and Ryoko Kui intentionally evokes those aesthetics. I think it's a part of Mithrun's character that a lot of people miss, but I very much consider it text. This is partially inspired by @heird99's post on what makes this scene so disturbing; so check out their post, too :)
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So to start off with, the demon invades Mithrun's bed, specifically. There's even a canopy around it, which specifically evokes this idea of personal intrusion; the barrier is being pulled apart without consent or warning. The way the hand reaches towards Mithrun's body from outside of the panel division makes it almost look like the goat stroking over his body. It's an especially creepy visual detail; similarly, the goat's right hand parts into the side of the panel as well. It's literally like it's tearing the page apart; but gently. So gently.
Mithrun is in bed. It is his bed that the demon is intruding on. He's in a position of intimacy. The woman behind him is a facsimile of his "beloved" that he left behind; the woman who, in reality, chose Mithrun's brother. He is in bed with his fantasy lover, who is leaning over him. While this scene isn't explicitly sexual, it is intimate. And it is being invaded. The goat lifts Mithrun gently, who is confused, but not yet struggling.
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The erotics of consumption and violence in Ryoko Kui's work(remember that the word 'erotic' can have many different meanings, please) are a... notable part of some of her illustrations. I would say she blurs the lines between all forms of desire: personal, sexual, gustatory and carnal, in her illustrations in order to emphasize the pure desire she wants to work with and evoke to serve her themes. Kui deploys sexual imagery in a lot of places in Dungeon Meshi, and this is one of them.
In this case, horrifically. The goat's assault begins with drooling, licking, and nuzzling. The goat could be enjoying and "playing with" its food. But it can also be interpreted as it "preparing" Mithrun with its tongue as it begins to literally breach Mithrun's body. The goat also invades directly through his clothing; that adds another level of disturbing to me. There's nothing Mithrun can do in this moment of violation. Mithrun is fighting, but he is fighting weakly, trying to grip on and push away when he has no ability or option to. All he can do is beg the goat to stop. And it doesn't care. This all evokes sexual assault.
The sixth panel demonstrates a somewhat sexual position, with Mithrun's thighs spread around the goat's hunched over body. In the next, the goat pulls and holds apart Mithrun's thighs as he nuzzles into him. The way the clothing bunches up looks a bit as if it has been pushed up. It has pinned Mithrun down onto the bed, into Mithrun's soft furs and pillows. It takes a place made to be supernaturally warm and comfortable, and violates it. It's utterly and intimately horrifying. To me, this sequence of positions directly evokes a rape scene. I think Kui did this very explicitly. These references to sexual invasion are part of what makes this scene so disturbing; albeit, to many viewers, subconsciously. It makes my skin crawl.
This is also the moment the goat takes Mithrun's eye. Other than this, the goat seems exceptionally strong, but also... gentle. It holds Mithrun's body tightly, but moves it around slowly. It doesn't need to hurt Mithrun physically. But in that moment, it takes Mithrun's eye. Blood seeps from a wound while an orifice that should not be pierced is penetrated. This moment, the ooze of blood in one place specifically, also evokes rape. That single bit of physical gore is a very powerful bit of imagery to me.
Finally; it is Mithrun's desire that is eaten. After his assault, Mithrun can find no pleasure in things that he once did. He is fully disassociated from his emotions. This is a common response to trauma, especially in the case of SA. It's not uncommon for people to never, or take a long time to, enjoy sex in the same way again; or at all. They might feel like their rapist has robbed them of a desire and pleasure they once had. I think this makes Mithrun's lack of desire a partial analogue for the trauma of sexual assault.
Mithrun's desire for revenge was, supposedly, all that remained. Anger at his assaulter, anger at every being that was like it; though, perhaps not anger. Devotion, in a way. To his cause. I don't know. But the immediate desire to seek revenge is another response to SA. But on to Mithrun's true feelings on the matter.
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This is... So incredibly tragic. Mithrun feels used up. Like his best parts have been taken away. Like he's being... tossed aside. This certainly parallels the way assault victims can feel after being left by an abuser. Or the way assault victims feel they might be "ruined" forever for other partners. These are common sentiments for survivors to carry, and need to overcome. In the text, it's almost like Mithrun feels the only being who can desire him is a demon who might "finish devouring" him. That that's his only use. It's worth noting that Mithrun trusted the demon. Mithrun's world was built by the demon, and Mithrun, in that way, was cared for by the demon. I think this reinforces Mithrun's place as a victim.
There's also something to be said about Mithrun as a victim of his own possessive romantic and sexual desire. The mirror shows him his beloved just dining with his brother, and it infuriates him. He doesn't know if the vision is real, nor if she has really chosen his brother as a romantic partner. The goat then creates a whole fantasy world where she loves him. As Mithrun's dungeon deteriorates, she is the only person that continues to exist. Mithrun continues to have control over her. And that is the strongest desire the demon is eating, isn't it? There's something interesting there, but I don't know what to say about it.
In conclusion, I think Mithrun's story is an explicit analogue for sexual assault-- though, certainly, among other things! The way the scene plays out and is composed explicitly references sexual violation and invasion of the body. His condition mirrors common trauma responses to sexual violence. And, at the end, he finally realizes he can recover.
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Let's end on a happy Mithrun, after taking the first step on his journey to recovery :) You aren't vegetable scraps Mithrun. But even if you were-- every single thing in this world has value. Even vegetable scraps.
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reverie-starlight · 1 month
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{peace - atsumu}
would it be enough if I could never give you peace?
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putting this down as fem!reader, only because there are some specific nicknames I wanted to use (pretty girl, sweet girl, etc) no physical descriptions though!!
very soft fluff, like disgustingly soft. this is loosely based on one of my absolute favourite songs <3
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“I feel so safe with you…” you mumble one night while resting against his chest.
it’s been a busy evening- going to one of his games and then to your work party immediately after. needless to say, the both of you are very tired. so tired that when you got home an hour ago, just past midnight. he had to help you get your pyjamas on and drag you to the bathroom before you flopped into bed and cuddled close to one another. you’ve been recharging with each other and focusing on some quality time you missed out on during the day.
atsumu feels his heart squeeze at the sound of your sleepy voice, soft and quiet and matching the persona you often take on when you’re exhausted.
he sighs in content and strokes the cheek not pressed against his chest with his thumb. slow and gentle. “yeah, pretty girl?”
you nod a little, nuzzling further into his skin. “you’re so peaceful.”
he freezes a little out of pure shock.
atsumu has never considered himself a peaceful person.
he’s seen his fans online lovingly describe him as chaotic, heard his teammates refer to him as energetic and sometimes hard to keep up with. he’s gotten abrasive, overexcited, intense… and what’s more, the lifestyle that comes with being a pro athlete is anything less than peaceful to begin with.
he still doesn’t see those as inherently bad qualities, even now that he’s older and doesn’t let his ego run the show anymore.
however he’s got it stuck in his mind that he could never give you peace. would it be enough for you? would you stay with him ten years down the line, even with all the flaws that he believes he is? he’s not easy to love, he knows it, but is he enough to make you stay?
and then sometimes you say things like that, making him question everything, things that change his own perception of himself.
“peaceful, huh? weren’t ya running your mouth this morning calling me a freak for putting my milk in before my cereal?” he tries to joke.
you giggle a little and he holds you tighter out of adoration. “well you still are, but you’re also very peaceful.”
he’s silent for a moment but he can’t help but ask, “how do ya figure?”
you do your best to word it properly. he loves the way your face scrunches up as you think of what to say. “I always feel so calm around you. more calm than I’ve ever felt around anyone else. and so extremely safe. I can be myself with you and I don’t have to worry about anything when you’re around because I know you’ll be there to help me if something does happen.”
he doesn’t know what to say, but you solve that issue for the both of you with what you say next.
“you offer me a special type of peace I didn’t think was possible, ‘tsum. you’re my angel.”
you make it seem so simple, like there’s nothing in the world that could ever dispute it.
he can’t stop his eyes from welling with tears. he’s always been an emotional person- he knows, he’s been berated for it since childhood, both teased and defended against others by osamu for it. he wears his heart on his sleeve and it wasn’t until meeting you that he considered it an admirable quality. he feels things deeply, and this hits him deeper than anything else ever has.
but you’re just as emotional as he is, so when you look up and notice him trying not to cry, you immediately tear up too. “don’t cry,” you sniffle, trying to wipe his tears while a few run down your own face. “I love you so much, atsumu.”
he sniffles as well, voice thick and full of love. “I love you, too, baby. how’d I end up with such a sweet girl, huh?”
you shake your head. “I’m not, I’m just telling the truth.”
he laughs through his tears. “and being sweet while doin’ it.”
he presses kisses to your forehead, mumbling small thank you’s against your skin. “for the record, I feel the exact same about you. my angel.”
you crawl up a bit so you could be face to face with him. you kiss him properly and taste the saltiness of your mixed tears.
“I didn’t think I could ever offer that to anyone. I’m not used to hearing it, so I stopped believin’ it.”
your heart breaks a little but you’re quick to reassure him. “well believe me. you offer me more than I deserve.”
“that’s not true,” he’s always so quick to defend you. “you deserve way more than I could ever give you.”
you smile a little bashfully and then pull a face he recognizes as the one you make when you’re trying not to yawn. “alright, sweetheart, we should get some sleep.”
he strokes your cheek and gently rolls you off of him so your head rests against your pillow. he chuckles when you immediately choose to rest it against his chest again instead. he loosely wraps an arm around your waist and kisses the top of your head.
you listen to his heartbeat and drift off. your breathing evens out almost immediately and atsumu thinks back to a time when you used to struggle to sleep around him.
he smiles to himself, wiping the last of his tears and whispers something you just barely manage to catch before sleep fully pulls you under.
“sweet dreams, baby. I love you.”
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peace is one of my favourite songs ever, I very much relate to it. and I think atsumu would too. I wrote this at like 1 am so if there’s mistakes, or if it seems very all over the place, blame it on sleep deprivation and devastating brain rot for the boy </3
hope you enjoyed :)
some tags :3
@emmyrosee @dira333 @luvring
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writingmeraki · 1 month
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here and now.
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a kim mingyu drabble !
pairing : secret!agent!mingyu x secret!agent!reader, established relationship ( they are married )
genre : angsty with fluff :)
warnings : reader is pretty miserable, cussing, cheol is mean but annoying mean, petnames, kissing, unhealthy routines.
author's note : ohhh i can't let go of these two, i rlly jst like this au a lot lol, i wonder if you would want more set in this same au, lmk hehe :) hope you like this !! but also the fact that i have other wips but i can't get this specific couple out of my head ???? very self indulgent bcoz tell me why i want this mingyu with me rn. also third work this month...let's hope we keep balling like that!!!
set in the SAME universe as this !
word count : 1.6k
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The world was miserable.
You wanted to curl up in a ball and just lay in your bed, sleeping until you could no longer differentiate between reality and dreamland.
But alas, you couldn’t. As an agent, sleep to you was like a reward. One would think a need should never be something you get once in a while but, your job was practically making all your essentials feel like rewards. 
Mayhaps not the healthiest, but you were already used to it and your body as well, so you were not truly affected when you couldn’t get any of your essentials. 
Though, you were sure the world felt more miserable because you hadn’t seen him in so long.
Kim Mingyu, the man you married. Your husband.Your other half, your other puzzle piece, your other- you get the point. Six months, twelve days, and ten hours since you last saw him. 
He was gone on a mission that was supposed to take no less than a month, but who were you kidding? Who was your boss kidding? Top priority missions always took up time. 
The thing that still pisses you off is why you weren’t allowed to go with him. 
Apparently, you were needed back in Seoul and not there was the bullshit reason. You spent enough time being annoyed and angry at that, now you just felt terribly upset. Upset without him in your life physically, sure virtually he was one message away, but being on the complete opposite side of the globe also meant time zones were a pain in the ass.
Sighing, you made your way into the tall building disguised as one of the offices but it was where your agency was. You held a cup of coffee, that was just as bitter as your mood, in fact you didn’t even like coffee, but today you felt no point in trying to uplift your mood because the only thing that would was a certain person who you were not even sure when you’d meet. 
It was not you who felt this way, in fact Mingyu was probably feeling worse. Having been someone whose love language was physical affection, it did not feel the same through a fucking screen. He was ready to quit actually, three months into it because he terribly wanted to see you, but you convinced him he’d be back sooner if he finished it. 
You knew you were lying to him and yourself, but you had no choice. This was your duty right? 
The boss’ office was still as peculiar as he was, never failing to amuse you whenever you’d enter and always finding new collections or items decorating it. Today, you saw an art piece that was of the sun and the moon. 
Everything reminded you of him. He was your sun, even your moon too. 
You frowned more at the thought, wondering how the heck were you not able to not think of him for a few minutes. Then again, perhaps being together for more than a decade would do the trick. You’re practically bound permanently by that point. 
Sitting down on the cushion chair in front of Seungcheol, you didn’t even bother greeting him, still in thoughts until you heard a chuckle from in front of you. 
“What’s funny?”
“You look extra miserable today.” 
You glared at the man, annoyance changing into anger with retorts about how he’d feel if he was kept away from his partner for this long, considering he was someone who was pretty boastful about his partner. 
“But- I did not call you for that. I have a special mission for you. And no, I don’t have any updates on Mingyu.”
You groaned at his words, considering what he said was just getting worse and worse as he spoke. 
“For this though, you’ll have someone with you. You’ll be needing another person to complete this task. They should be arriving in a few minutes.” 
“Please don’t be a rookie, I don’t have the patience to deal with one, not right now.” You figured you couldn’t not do it. It was your job after all. But perhaps he’d be a little considerate. 
“Oh don’t worry, I think they are pretty experienced, maybe even more than you.” He grinned but you couldn’t quite put a finger on what he meant. His eyes gleamed with something you couldn’t tell. 
“Just say you hate me, Cheol. It’s easier.” You bitterly spat out, taking a sip of the now cold coffee and frowning in distaste. It seemed it was up to par with your state. 
You leaned back, looking at the watch on your wrist, seeing it’s been a few minutes already and wondering just how long this person would take. 
You tried to pinpoint who it possibly was, but you were never good with names of people you might have seen in passing. That was more of Mingyu’s thing, he always remembered the forgettable things. 
The sound of the door opening was what made you perk up. You sat a little straighter, feeling like perhaps you shouldn’t make it outwardly obvious to the entire population how you were truly feeling. 
Seeing the chair pull, you didn’t bother looking besides you, feeling that seeing them from the corner of your eye was enough. They were a little further from you, but you could tell they were quite…large? They were wearing a cap and a mask, practically their entire body was covered with a black coat. It was suspicious and you just wondered if this was just an excuse for Seungcheol to have you murdered in a discreet way. 
Seokmin…? No, he's almost my height, probably Chan? 
You didn’t even realise the person had taken your coffee, pulled off their mask,took a sip of it and almost spat it out. 
“Baby this is actually so disgusting, since when did you drink this?” 
Wait.
You recognised that voice. 
He kept the cup back down on the table in front of you, wearing that very very familiar ring on his left ring finger. 
You think your brain short circuited at that very moment. 
Now you knew why Seungcheol had a sly grin. 
The fucker planned this. 
In all his glory, Kim Mingyu sat beside you, now seeing no point in wearing the cap, he tossed it off and threw it on the table. He shuffled his hair, which was now longer than you last saw it.
“Missed me?” He had the audacity to say that with his stupid canines peaking out, wearing that stupid grin that made you feel giddy all over and the stupid glint in his eyes that shone as he took you in.
Stupid, stupid, stupid Mingyu for making you feel like throwing up in all mixes of emotions. 
So in the mix of it, you just remained frozen. Eyes blank, nothing on your face physically to indicate any emotion. 
“I’ll leave you two…just don’t do…stuff.” Seungcheol retorted and your hands itched to strangle him. 
Before you could even comprehend you were now alone, you felt your chair being pulled to face him. Your mind still in disbelief and conflict.
“Hi.” He spoke gently, his hands now reaching towards yours and grasping them. It had been way too long since he smelt your signature perfume, held your hands in his with the same intensity, felt your touch. He thinks he might just die in peace now. 
“I’m just trying to figure out if I’m dreaming.” You murmured as you blinked slowly at him, still unmoving even though he now was bent down and closer to you.
The grin on his face widened as he leaned in, and next thing you know, you felt his lips on yours. 
Familiar…just like…home. 
He pulled back, still smiling as he softly laughed, “Real enough, darling?”
Mingyu wasn’t someone who was caught off-guard easily but he was the moment you launched forward and wrapped your arms around him. He yelped as he held you, surprisingly not toppling over.
You didn’t even grasp you were full on sobbing at that point, your entire body shaking and held you even more tightly. He stood up, one arm around your waist and the other gently rubbing your back. 
“I’m here now, I’m here.” He whispered softly as his hand caressed your hair, you moved your arms to wrap them over his shoulder as you placed your head in the crook of his neck. 
“i-i really-” missed you. I felt incomplete without you. I just…I really missed you. I really fucking love you.
You wanted to say as cheesy as it may have sounded, but cheesiness be darned you couldn’t hold back, not when the time apart made you realise that it didn’t matter if it was just another way of showing your love for him. You also realised Kim Mingyu deserved all possible ways of showing your love for him.
“I know, ‘s okay baby, I know.” You only sobbed harder as you pulled back, not caring how you looked, probably a whole mess with red eyes and tears all over, his arms were still around you as you held his face with both hands. 
He was there. You thought as you caressed his cheeks. He was there. You thought as he looked at you like he’d finally found his treasure,eyes twinkling, smiling at you.
And he was there, right there, with you as you tilted your head up, closing your eyes and placing your lips on his. 
Because no matter what or how long, Kim Mingyu would always find his way back to you, his other forever half. 
And oh, you’d make sure he was never apart from you from then on. Not even for a day. 
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all written works as well as images and edits (unless credited) belong to pri. do not plagiarise, repost, re-edit or claim as yours. pics mostly found on pinterest.
writingmeraki Ⓒ 2024
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bone-and-butterflies · 9 months
Text
How to hide plot twists from both your readers and your characters in a way that is not frustrating or annoying.
So I was watching a book review for a book that I liked but both loved and hated some of the plot twists. Of course this got me thinking about plot twists and why they work for both readers and the characters that are falling for these plot twists.
Readers
The key is to control the information that your readers have. Your readers aren't going to consider an option unless (1) that twist is really common for your genre and that reader has read that genre a lot and will therefore be expecting it or (2) you have very obviously given them the specific information nessesary to unintentionally figure out the twist before the characters.
Why does this information stand out, you may be wondering. It is because there is nothing else going on to distract away from a piece of information that can seem meaningless with the right context.
Most of the time, if you're not writing a very specific plot line with a very specific genre, your reader isn't going to immediately know where the plot is going so they may not be looking out for the information relevant to a later plot twist, so as long as you justify an informational choice that explains a later plot twist in a way that covers a variety of basis, they're probably not going to pick up on the one piece you left out, aka what is going to make this twist fun.
This piece of information should be something small and unassuming. It can be magical, but if you're writing fantasy that magic has to be hidden really really well. I find that a plot twist works the best when the piece of information that is missing is something you wouldn't really think about, like the reason a prince was able to infiltrate a prison and hide his identity was because he had his cousin standing in for him and we don't know that this cousin existed and knew the limits of that world's magic (this is actually a plot twist that fooled me btw despite how obvious at sounds now).
A good plot twist that fools the reader relies on twisting the information that the reader has and therefore twisting how they think the story will go.
Midway sidenote: not every plot twist needs to exist to fool both the reader and the character, sometimes it is really fun to watch a character fail because of something inherent to that character.
Characters
Remember how I said sometimes it's really fun to watch a character fail. That only works sometimes.
It is more annoying to figure out a plot twist that is really obvious and then have the character miss it because the author said so.
So how does a writer pull this off?
Be intentional. Have an idea in mind of when you want the reader to figure it out and ask your beta readers when they figured out your plot twists to control that as much as you can.
Your character does not know which genre they're in, so you have to both get inside the character's head and take the reader along with you so they understand why this character is making these poor choices and missing the most obvious villain in the room.
Why would a character miss a plot twist?
They are distracted or delusional. Characters have goals and they may ignore their better judgments to achieve these goals based on their personality. Put more emphasis on your character's motives to hide information that may make plot twists more obvious. Also, your characters may use information about their world to explain their motives and this information may also be vital to understanding a later plot twist
The average person does not go around thinking everybody around them is out to get them especially if those people seem incapable of that through the pov character's ego or the other character's demeanor. If your character has known somebody for a really long time or knows a piece of information that is vital to the worldview they're probably not going to immediately discard it. Fun fact: in the real world, when people have their views disputed, even with very good evidence, it can make them more likely to hold on to that old belief.
Expectation of harm. Different characters have different experiences with shape how bad they think things can get. For example, if a character has never experienced something, they may not know what can lead to that thing. (FYI older characters are more likely to know more things so be careful with this one.)
The Twist
For a twist to work, it must make sense with both real world and in world knowledge as well as common sense, so keep this in mind as you plan.
Conclusion
This isn't comprehensive because good plot twists require a lot of information to make them work and that's makes them very specific. While I would love to explain why different plot twists work, part of them working is them fooling you and hindsight bias is kind of a thing.
Keep writing. If a plot twist just isn't working either scrap it or let it sit until you have the information to build reasons why it should work.
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burnorgetburned · 7 months
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EVEN MORE CLARA DOLL DETAILS:
So you know how the Dolls have their own distinctive clothes?
Guess who else has their own distinctive clothes!
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That’s right. The multiple Homuras are actually Clara Dolls.
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And that’s why ‘Homura’ is smiling.
Here they are! The one with the striped hat is Nekura (Gloominess or Pessimism) and the one with the flower is Mie (Vanity).
Here’s their descriptions from the art book.
[The second one to come was Gloominess. Walking out with a tapping sound, she sneered at Good-for-Nothing. “This is Good-for-Nothing! How very unbecoming.” These dolls are only disciples of Freedom, and are devoted to their lust for it.]
[The tenth to come running is Vanity. She exaggeratedly avoids Good-for-Nothing's head and says a few words. “I wouldn't be able to bear dirtying my cape with that sticky blood!” These dolls make fun of the witch's self-mutilation.]
Good-for-Nothing is Homura, by the way, but the Clara Dolls seem to consider Good-for-Nothing to be good for something after all after she splits Madoka. She turns into the Devil, and the Clara Dolls are stated to be “okay” with the Devil. If the young voices in the trailer belong to the Clara Dolls, then they also call her “Akuma-sama” now. Something like Mistress Devil, implying a sense of respect.
[… if they are not summoned, they will simmer. There are orders they will comply with, and also orders they will disobey. What they are and the witch herself's own magic are not well understood.]
At the end of Rebellion, Homura gave Madoka her ribbon back. She declared that they might become enemies in the end. Honestly, I thought that Homura would try her best to avoid Madoka entirely. The trailer suggested that Homura was meeting Madoka, though. Here’s the answer: it wasn’t Homura herself, but Gloominess, who wants freedom.
Now, I’m not sure how this situation works out. Do Clara Dolls have free will? Are they obeying Homura’s orders? Acting out Homura’s true emotions? Is Homura perhaps directly puppeteering them in order to fulfill her goals, or do they act on their own?
I find it likely that it’s a mix of both: some of them obey her, and some of them will try and fulfill her (probably very conflicting) desires, as familiars usually do. Gloominess is likely part of Homura who wants the freedom to talk to Madoka, for example, but Vanity seems to me like a Clara Doll who is obeying Homura. After all, she still needs magical girls to fight wraiths, at least until she finds a way to wipe them out.
[I'm Vanity (Mie). I'm pushing myself to the limit for someone.] And she is, of course. All of the theatrics, the calls, the organization of magical girls. These are things that Vanity is shown to engage in. All of this is for Madoka.
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We see with Gloominess, at least, that she seems to be fulfilling a specific desire: in the background are white spider lilies. Instead of the red spider lilies that mean death, final goodbyes, and lost love, white spider lilies mean a hope for the future and a fresh start. Maybe this really is the first meeting for these two in a while, and she wants to be friends again?
Or maybe, being Gloominess, she wants to warn her about something.
[I'm Gloominess (Nekura). Forcing smiles tires me out.]
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Then there’s this Homura.
Nothing about her clothes is very different. She is wearing ribbons as Homura in the wraith universe does, but look closely: the ribbons are different. They have some wavy stripes on them, while Madoka’s ribbons are plain. She does not correspond to any known Clara Doll.
However, there’s mentioned to be a fifteenth Clara Doll that is not yet born: Ai, representing love. This could be her. Is it love for others? Or love for herself? I’m hoping it’s the latter, but very likely it’s love for Madoka and her friends. This would explain why she’s trying to fight Homucifer in the poster, as Homura believes that she’s a danger to everyone else.
How can this be? Well, here’s a few options:
- The Clara Dolls are grown-up familiars. They ate souls, and they became a copy of their witch. This is a process that was explained to us in the original series, where some magical girls are stated to farm familiars by letting them eat people so that they would grow souls/grief seeds.
- The Clara Dolls are not familiars, or wraiths, but instead a secret third thing. “What they are and the witch’s own magic are not well understood”, as said in the Rebellion art book. They could be magical constructs of a different kind, but I do think that this would get into overcomplicated explanations quickly, so I favor the familiar explanation.
- The Clara Dolls could be familiars, but instead of eating souls they’re simply powerful enough to change their shape. Their strength is equal to the strength of a magical girl…. when Homura was a witch, before Homura became something more. It could also be energy from the contracts making them stronger. Maybe it’s me being sentimental, but I don’t like the idea of Homura letting anyone’s soul be nommed on.
Now, before there’s a panic about how they’ll juggle fifteen extra characters, here’s a few thoughts:
- Just because they seem different doesn’t mean they’re actually different. It might be that the Clara Dolls are a way for Homura to present herself. As Vanity, she might show off more, or have dramatic flourishes like her throne and her dress. As Gloominess, it might be that she doesn’t believe that her plans will work, so she tries to do what makes her happy. It’s likely that the Clara Dolls are just extra ways to explore Homura’s character. They’re parts of her soul, after all, and right now she is extremely powerful. She might simply want to keep her true self away from humans.
- They could work like projections. Homura wants more bodies to work with, but she has to filter herself through the Dolls’ personalities. This could result in a lot of juicy character interactions, as the things she tries to keep hidden are closer to the surface.
- Will ‘Ai/Mystery Homura’ fight against Devil Homura? Very likely! How can this be when they’re the same person? Well, who hates Homura more than Homura? That’s right. Nobody. Anyone can fight and argue with their self, it’s just usually not on the level that a reality-warper like Homura can manage.
If this is true, there’s plenty of interesting directions they can take it.
- Because the Clara Dolls have a degree of separation from Homura, they can show other characters things that Homura herself has ignored or locked away. Bad memories, affection for her friends, the resentment she must feel - everything from concern to a cry for help can be plausibly shown through them as the actors.
- Manuke (Stupidity) is specifically more naive/sincere than the others. Maybe interacting with this Doll would show the Quintet that there’s something more going on than a Devil who wants to hurt other people.
- If Ai represents a love for other people, Ai can have a strange character arc where she learns to value Homura/herself, and become self-love.
- On the other hand, Ai can represent self-love from the start, and because Homura looks very fucking unhealthy in the trailer, she only wants to stop her because she’s hurting herself. This option plays into the themes of self-sacrifice and happiness, which I believe to be some of the major themes that they’re going for.
- The poster could be misleading and Ai ends up fighting everyone but Homura. I find this the funniest option.
- Homura can hug herself. It’s possible. In fact, every character can hug Homura 15 different times.
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Smiles are a Clara Doll’s default expression. We have yet to see Homura smile for real.
Is this going to get very ambiguous and confusing? Probably. But rewatching for details was the fun part in Rebellion, so I’m looking forward to it!
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reiding-writing · 1 month
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Spencer making cold!Reader flustered? And morgan teasing
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CUP OF COFFEE [ONESHOT]
/kʌp əv ˈkɒfi/
a local officer on a case you’re working on really wants to impress you, spencer reid does it without even trying.
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WARNINGS: fem!reader, morgan being morgan, reader trying to be civil but ultimately failing
spencer reid x cold!reader || fluff || 2.9k || series masterlist!!
a/n: reader doesn’t actually get all that flustered but i feel like it’s more accurate this way rather than having her go into a full on fluster considering her personality-
main masterlist!!
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It was always fifty-fifty when working with local police departments on a case. They either wanted absolutely nothing to do with the FBI or they would follow you and the team around like a bunch of children.
This one was the latter, and it was arguably the worse of the two.
It felt like every time you rounded a corner you had a police officer just waiting to divert all of your attention away from the case so they could ask you questions about your job, and it was starting to get really frustrating.
“Have you ever worked a case like this before?”
“Not specifically,”
“How do you know how to write a psychological profile for a type of crime you haven’t encountered before?”
“I‘ve got a PhD in Psychology-“
“What exactly is a psychological profile?”
You were starting to get really annoyed now.
You know there was no ill intent behind his questions, he looked no older than his early twenties, fresh on the scene and to the types of things the criminal world really had to offer.
He genuinely wanted to learn, but when you were trying to catch a serial killer before they had the chance to kill anybody else, you didn’t exactly have time to entertain all of his questions whilst also focusing on the profile you were trying to curate at the same time.
“You can ask me your questions after this guy is behind bars,” That was probably as nice as your request was going to get.
“Right- Sorry- I’ll stop talking now,” He pressed his lips into a tight line with a small nod as he took your words to heart.
The boy reminded you of Spencer in some ways. He was tall and disproportionately lanky, he seemed to have a never ending stream of curiosity, he dressed decently similarly, and he even made the same expressions you’ve come to recognise as a staple of Spencer’s personality.
One thing that was very different between the two though, was that Spencer knew how to take a hint.
He would’ve left you alone the second those words came out of your mouth, but instead you had now gained yourself an observer as you worked, one that was cemented by the scraping of metal chair legs on the carpet and a messenger bag hitting the floor.
You fight the urge to audibly groan at his persistent presence, closing your eyes with the silent prayer that something would call his attention out of the room so that he would leave you to work in peace.
Then there was a knock on the door.
Looks like God was on your side today.
“Come in,” You call out towards the door with an internal sigh of relief, wringing the whiteboard pen in your hands as you turn towards the door you’d specifically left closed so people like officer curious sat at the round table wouldn’t bother you.
Your relief was short lived when Morgan walked through the door, and you don’t even try to hide the groan that leaves your mouth at the look on his face as he enters. “What now?”
“Now now, that’s now way to be a good role model to your youngers now is it?” The smug look on Morgan’s face only widens as he spots the officer at the table. “I’m looking for pretty boy, can’t find him anywhere,”
You shrug as a response. “Unlike the rest of you, he knows when to leave me alone, so I haven’t seen him,”
If that wasn’t the most direct indirect way for you to say you didn’t want the officer’s presence whilst you worked you didn’t know what was.
Morgan raises an eyebrow, his smirk unwavering. “Well, we've got a lead on the case. Thought you might want to be in the loop.” He glances at the officer, then back at you.
You give him a short hum and discard the whiteboard pen on the table, having to physically raise your hand to stop the officer from following the two of you out of the room. “We need to speak privately for this, I’m sure you understand,”
“Right- Right yeah sorry- I’ll just uh- wait here then…”
You give him a short nod with your lips pressed taut into a line as you push Morgan out of the small meeting room and into the hallway, following behind him and clicking the door shut behind you.
“Got yourself a fan have you?” Morgan chuckles slightly as he watches the officer take a seat back at the table through the room’s window, his eyes on you as he tries to silently soak in every detail of the conversation through the glass.
“More like a parasite, he hasn’t left me alone for more than five minutes all day.” You groan exasperatedly as the two of you walk to a private area to have your conversation.
“Can you blame the kid? He’s probably never seen an FBI Agent in person before, he’s just excited,”
“Annoying is what he is,”
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
When you return to the put-aside meeting room reserved for your profile making, there are two cups of coffee on the table, and of course, the officer is still sitting there.
His head turns up to the door as you open it, and he straightens his back in the chair. “Welcome back- I uh- I made you some coffee, I wasn’t sure how you liked it so I asked one of your team members- Two sugars right?“
He pushes the mug carefully in your direction so the drink doesn’t spill, and you walk right past it back towards the whiteboard.
“Thank you, but I don’t drink coffee in mugs used by other people, nor do I drink coffee made by an unhygienic office coffee machine,” You try your best to be civil as you shut him down.
“Ouch-” Morgan leans against the door frame with his arms crossed, shaking his head in exaggerated disapproval at your response. “Don’t be so harsh-”
You roll your eyes at Morgan’s input, turning your gaze to the now slightly embarrassed officer. “I appreciate your effort,”
“I should’ve asked you personally, I’m sorry-”
“Don’t apologise you didn’t do anything wrong, it’s fine,” You give him a small tilt of your head to hammer the fact that everything was fine home so that he didn’t completely crumple up into himself and leave you to deal with it.
“Right, sorry- I mean-” The officer sighs as he gives up talking, taking the two mugs in his hands as he stands from the table. “I’ll take these out,”
Morgan follows the boy with his eyes as he walks past to leave the room, and you slump your shoulders the second he’s out of sight.
“For God’s sake-”
“You’ve really got yourself a little shadow,” Morgan continues to revel in your misery as he steps further into the room, letting the door close behind him.
“I am two minutes away from ripping him a new asshole if he doesn’t take the hint and leave me the fuck alone,” You groan exasperatedly, dragging your palm down your face as you take a seat on the edge of the table. “I’ve barely gotten anything done because he keeps peering over my shoulder like a goddamn five year old with separation anxiety,”
You weren’t wrong in the first half of your assessment, most of the whiteboard you’d been using to write down your notes was empty despite you working on the profile for multiple hours at this point, and judging by the attitude of the poor officer you were slandering the second half of your assessment wasn’t too far off either. “You never get that frustrated with Reid,”
“How is that at all relevant to anything I’ve just said?”
“Come on, you’ve gotta be able to see the similarities here, he’s practically a carbon copy of what Reid was like when he first joined the team,” Morgan gives a short laugh as he gestures in the direction that the officer had just left in.
“Reid was just as annoying back then,”
“He’s barely changed at all-” Morgan rolls his eyes at your half-assed way of explaining why Spencer was an exception to your frustration.
“He’s changed a lot actually,” You shake your head with an impatient sigh as you lean over to grab your whiteboard pen, using it to keep your hands busy.
“Whatever helps you sleep at night,” He mirrors the way you shake your head with his own. “That boy is your kryptonite and you know it,”
“Get your ass out of this room before I cover your face in whiteboard marker penises,” You don’t refute Morgan’s claim and he knows it, standing up with a smirk and his hands raised comically in surrender as he retreats to the door.
“Yes ma’am,” He turns for the door handle with a laugh, but the door swings open before he can, and you mentally prepare yourself for that goddamn police officer to walk back into the room and continue hovering over you like a mosquito.
You don’t have to.
“Well speak of the devil,” Morgan tilts his head knowingly at you as Spencer bypasses him to enter with a cardboard holder of take out ocffee cups in hand, eyebrows furrowed slightly in confusion at why you and Morgan would be having a conversation about him without him being present.
Morgan nudges Spencer with his elbow, eyes locked on you as he starts to spill. “Little miss Ice Queen and I were just talking about-”
“There’s a possible lead in the case.” You interrupt him before he can divulge any details of your conversation. “One you would benefit from knowing about. Morgan was looking for you,”
“Oh-” Spencer gives a short nod in your direction, leaving the cups on the table to ball his hands together and then flex his fingers like a mini hand workout. “I was in the coffee shop down the block sorry,” He takes the two cups from the holder, one in each hand, and holds the one in his left out towards you.
You take the cup from him with your lips pressed into a small line, as much of a thanks as you’re going to give and as much of a thanks as he was expecting in the first place.
“They were established back in 1902 and continue to make their coffee using traditional methods rather than using a machine like most coffee shops do in the present day.” He takes a sip from his own cardboard cup after his little bit of exposition of the shop’s history and you mirror him in doing the same.
Absolutely perfect.
As to be expected from someone when the person who ordered it had an eidetic memory. And maybe a little bit better because that person was Spencer Reid. Maybe.
“I-” You’re not exactly sure what to say. Obviously a thanks would be worth voicing, but he had gone out of his way to buy you a cup of coffee, even if him remembering your order was like reciting the alphabet in his head.
“Thank you, it’s nice,” You give him a small nod through your mostly deadpanned expression as you take a second sip through the plastic lid of the cup, trying in vain to seem nonchalant about the unannounced gift that he’d brought back for you.
Morgan noticed immediately. Of course he did, because when was Morgan ever minding his own goddamn business?
“No problem,” Spencer’s face erupts in that bright smile of his, and his words get half caught in his throat as he tries to speak whilst in the middle of swallowing. “Did you know that coffee is actually a fruit despite coffee beans being called, well, beans? The coffee beans that we use to make drinkable coffee are actually the pit of coffee cherries, that grow on bushes in low-altitude tropical regions,”
You give him a small hum and a nod as an acknowledgement of you taking in the information, and Morgan laughs at the way your eyes flicker away from Spencer’s gaze rather than holding it firm like you usually would. “No coffee for me pretty boy?”
“You had a cup of coffee in your hand when I left,”
“So what? I’m stuck with the shitty police station coffee and little miss ‘I hate everyone’ gets your old fashioned fancy coffee?” Morgan’s accusation holds no malice in it whatsoever, and if his tone wasn’t enough to display that, the goddamned smirk on his face definitely was.
“I do not hate everyone, just you,” You shoot your retort at him with a roll of your eyes and a scoff.
“You wound me,” Morgan clasps his hand dramatically over his chest, pretending to stumble backwards out of pain. He knew you didn’t hate him really, no matter how much you claimed to.
“Caffeine helps increase brain functioning, which will help when curating a profile,” Spencer half points to the still mostly empty board behind you and you almost groan at the reminder of just how little progress you’ve made. “And she doesn’t like the coffee machines, so a proper cup of coffee is the next easiest option,”
You almost forget to breathe as Spencer explains his reasoning behind the coffee run. He’d remembered that tiny detail. Obviously he had, he had an eidetic memory. But he’d actually thought about it and made a conscious decision to find you a caffeine fix elsewhere in the wake of that knowledge.
“Everyone should preferably be drinking properly made coffee, but with the prices I’m not surprised people choose the cheaper option, even if they’re not getting as much caffeine per drink,” Spencer shrugs as he continues his explanation, finishing it off with another sip from his cup.
Your eyes turn up at the mention of the price. You hadn’t considered the fact that him buying you coffee actually included him buying the coffee.
“How much was it?” You glance between him and the cup in your hand as if trying to figure it out yourself based solely on the black tree printed on the cardboard, eyebrows furrowed at the idea of him spending a lot of money on two cups of coffee of all things.
“Uh,” He deliberates on whether to actually tell you, but he knows that you’ll find out one way or another so there was no real point in trying to hide it from you. “Eighteen for the both of them,”
“Eighteen dollars? You spent eighteen dollars on two cups of coffee?” He was expecting that reaction from you.
“Proportionally it’s actually relatively inexpensive considering how it’s made and the beans that are used. Some professional coffee makers charge upwards of fourteen dollars a cup,”
“And those coffee makers are absolutely fucking insane,” You stare down at your cup as you internally judge whether it was worth a whole nine dollars. It was a great cup of coffee to be sure, probably the best one you’d ever had, but nine goddamn dollars? It wasn’t even a large cup. “Nine goddamn dollars for a cup of coffee my god,”
You can see Spencer’s expression falter slightly in your peripheral vision at your outrage of the price, something that you’d definitely not intended and something you considered an easy fix as you left your cup on the table to rifle through your bag.
“You are simply something else Dr Reid I swear,” The second you pull your purse out of your bag he knows what you’re going to do, and he tries to shut you down before you can even start.
“I- You don’t- I chose to pay for it with my own money you don’t-”
You make a ‘zip’ motion across your mouth with your middle and index finger to stop him from talking as you pull out a ten dollar note and shove it into the chest pocket of his cardigan so he can’t refuse to take it from you. “Never buy me a drink that expensive again,”
“Right,” Spencer presses his lips tight into a line with a small nod, “Did it taste okay at least?”
“It was probably the best cup of coffee I’ve ever had, but that doesn’t make it not ridiculously expensive.” Spencer doesn’t even try to suppress the smile that emerges on his face at your approval, even if it was backhandedly berating him for buying it in the process.
“Cough cough lovebirds, in case you forgot, Reid still needs to be debriefed about the new lead,” You don’t even bother trying to retort to Morgan as you pick up your coffee and leave the room with Spencer happily trailing behind you.
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caesium-55 · 1 month
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—seven days. [ iii ]
pairing: max verstappen x manager! reader.
summary: as the third time world champion, max verstappen's manager, you function on the belief that whatever max verstappen wanted, max verstappen shall get. but this time, after four years of working as his manager, you can't give him what he wants anymore and that was to stay.
author's note: hi hello welcome to part three. i flunked the quiz. lemme know what you think. NOT BETA READ. NOT EDITED. this chapter kinda sux. can't believe i went through a breakup just last week and i still cant write decent post-breakup scenes.
tags: @whatamidoingwithmylife-ramdom @eugene-emt-roe @bellezaycafe @barnestatic @theseerbetweenus @wcnorris @notyouraveragemochii @lpab hope i didn't forget anyone.
masterlist.
you: *sent a link*
him: ?
him: what's this
you: benefits of crying
you: read it it's enlightening
him: some people do not cry over a breakup you know and that is totally okay
you: why crying helps.
you: 1. tears release toxins, stress hormones to be specific. it is good to let all the bad energy out.
you: 2. it aids sleep. no need for further explanation.
you: 3. crying releases oxytocin and endorphins. i know you don't know what an oxytocin or an endorphin is but they're happy chemicals.
you: 4. crying helps you receive the support you need from the people around you. EMOTIONAL VULNERABILITY is okay, max. stop treating it like an STD.
him: it feels like an std
you: pussy
you: emotional vulnerability is a thing and it's normal so stop trying to be a big strong man when you're barely holding it together.
you: you may look fine now but i know you
him: please stop
you: no
you: 5. crying has a self soothing effect. very nice actually. it activates the rest and digest system.
him: what even is that
you: the parasympathetic nervous system
him: ??
you: this is why you shouldn't have dropped out of high school
you: education is important yknow
you: youre already lacking in three forms of intelligence, academic, emotional n social intelligence
him: fuck you im smart
you: fuck you 2 and yeah you're smart but only in geography
you: you probably can't do your taxes
him: im dutch so the company's account department do it for me by default
him: the american system is just weird
you: cant argue w/ u there
you: also, 6. crying helps restore emotional balance
you: see? you need that
you: yknow now that i think abt it you should consider seeking therapy
him: what makes you think i’m not in therapy right now
you: well have you considered getting MORE therapy?
You stand in front of the body mirror, holding the Red Bull polo shirt against your body to see how it looks on you for one last time. On your right sleeve, the word MANAGER is written in bold, white text. Because that was what you were. Just a manager.
In another universe this is not the shirt that you’d be wearing. The MANAGER would have been ENGINEER. In another another universe where your family has been well-off enough to continuously send you to karting school and you would have been the one driving the fucking car by now.
You know, if Max has even tried talking to Horner and suggested that you should be moved into the engineering team, then you wouldn't be stuck wearing this god-awful polo that burned your skin every time you wore it for work. Everybody reduced you as Max’s American manager and because you are American, most of them kind of just assumed that you're dumb, you know?
Does the world even know how smart you are? That you graduated top of your class, got the best thesis award, and that you had finished your masters just this year? Did they even know that a Japanese car company wanted you on their research team? That a NASCAR team wanted you on board as one of their engineers? Does Max even know?
Fuck no. He only knows that you're the best at ironing clothes and organizing his Google calendar and memorizing his entire coffee order by heart. He knew you're good at extinguishing kitchen fires and kicking ass in YSL Opyum heels. You doubt he knows that you can do Calculus in your sleep.
You can take it if the world puts you down for your appearance. But if the world puts you down because of your intellect? That's a different story. You'll take any insult to the face but not to your intelligence.
You have four days left in Monaco so you have begun packing already. You're right, everything did fit into three suitcases. Also, you haven't told Max yet. For some reason, you’re too anxious. Which is shocking to say the least because you never ever gets anxious when it came to Max Verstappen. You wouldn't have lasted this long working alongside Max if you were a pussy.
Max Max Max Super Max Max—
“[Name] here. Need anythin’, champ?”
Hearing a sob on the other end of the line immediately activates your fight or flight response. Your eyes widen and you toss the Red Bull shirt aside. Your legs leads you to the nearly empty shoe rack stationed beside the front door, grabbing the pair of shoes at the very top of the tiny shelf and throwing them on.
“I’m comin’ there. Hang on, Max. You wait for me, okay?”
He doesn't answer, just continuing to sob and the sound absolutely breaks your heart.
You run to his penthouse at a speed that will even put the RB19 to shame. Not even bothering to knock, you barge in and yell his name in the empty halls of his penthouse. You search in the kitchen. He's not there. The living room. Not there either. The room where his simulations are. Not there. You run to his bedroom upstairs.
The door is locked. Dammit. Panic overflooded your system.
“Max, sweetheart, you there?”
No answer, but you can hear a faint sound behind the door if you press your ear against the wood. Firefighter training covered how to open a fucking door when it was locked so this once again becomes a situation where you're grateful that you did that tiring and borderline suicidal volunteer work.
Max keeps a fire extinguisher inside his penthouse as per your advice. There is one stationed in almost every room inside his house. You knew there is one inside his room and another one just at the end of the hallway. You make a quick run for it and once you have the extinguisher in your hands, you run back to his door.
“Step away from the door!” you instructed while your mind mentally calculates your payment plan as you hit the door knob with so much force, the walls tremble at your strength. You're functioning on pure adrenaline. Your instincts only yell one thing and that is: go to Max. No one and nothing in this world will keep you from him. It isn't long until his bedroom door broke down. With one last final kick, it crumbles down from its hinges and you forcefully pry it open and sprint inside.
Max tucks himself in the tiny space in the corner of his huge bedroom, his knees shoved up to his chest. A 181-cm tall man trying to make himself as small as possible.
This is it. This is the bottled-up emotions he's been storing since Abu Dhabi. You cannot say you have not anticipated this. Max is bound to explode sooner or later.
Panic attacks have made a home in Max’s body since he was a child. That's what one gets when they’re parented by someone like Jos Verstappen. He killed Max’s soul and made the boy a machine and for what? To shape a child into a man, a racer that he wanted to be but failed to become at the cost of Max's mental health and childhood.
When Max looks up with that heartbreaking look on his face, you almost crumble. Almost, because you cannot crumble. Not when Max needs you.
Sometimes, you forget what it took for Max to become the champion that he is today. A childhood sacrificed for his dominance on the tracks. A whole lot of hatred from the people to become a WDC. And now, a love lost for his third consecutive championship.
“You came,” his voice cracks towards the end.
Your eyes soften, “You called, Max. Course I’ll come.”
You barely brace yourself for the impact that is Max’s body wrapping around yours in a tight hug. The man have literally launch himself from the floor to you at sixth gear speed. You stumble backwards slightly, holding his bed for support so the both of you won't fall down.
“Max—”
“No,” he whispers and his grip on your tightens as if he's afraid that you’ll slip away if he even tried to give your lungs space to breathe. “Don't speak. Stay.”
What Max wanted, what Max would get. So you shut your mouth, shuffle slightly so he'll be in a more comfortable position and allow him take whatever he wants from you. This will be the last chance he’ll ever do it anyway because in four days time, you’re flying to Texas.
You stay for what is probably hours in that position. Crumbled together on the floor, leaning against the side of Max’s king-sized bed. Your shirt is completely damp from his tears but you cannot even bring yourself to care about it.
“Your shoes…” It's the first time Max has spoken since the start of his meltdown.
“Hm?” you turn your head and your nose nuzzles against his hair, making you scrunch it up a little. His hair is tickling your nostrils. If you lean a little forward, your lips will meet the skin of his temple.
“They’re mismatched.”
Brows furrowed, your eyes move to your feet and see that Max is right. Your shoes are indeed mismatched. On your left is one of your Adidas slides and the other is your slip-on Skechers. You ran from one building to another in mismatched shoes. Fucking embarassing.
“Ignore them.”
Silence.
“You good now?”
“No.”
“Okay,” you say. “If you want to talk, I’ll listen.”
You hear Max let out a shaky breath, “Just stay for a while. Don't leave me alone.”
“Okay.”
Eventually, you manage to talk Max out of the hug. You're beginning to feel claustrophobic but you do not want to say it out right so you try to negotiate instead. That's how you and Max found yourselves inside his kitchen again. You're trying to replicate your Abuela's cheesecake, which she was known for back in Austin, and Max is…well, he's Max and he’s trying to be helpful in any way he can. If it's some other day, you'd have shoved him out of the way because you prefer working alone in the kitchen. Having eyes on you gives you anxiety. But given today’s circumstances, you do not have the heart to make Max leave so you task him with doing the little stuff like mixing things and throwing shit to the trash can nearby. And he does so splendidly.
“Thank you, by the way.”
“For what, baby?” You internally wince at your own slip of the tongue. Damn that habit of yours of calling people with affectionate call signs. Thankfully, Max seems to have not noticed it.
“For coming here.”
You shrug.
“I only did what you did for me in 2021.”
Again, your breakup with Leo was bad bad. You spent a month crying for a love lost and Max was there for you. For the most part, at least. You want him to focus on winning and winning alone that you pushed him away a lot of times but you appreciated how he was more obedient to your commands, that he held his tongue so he wouldn't piss you off even though he was not liking your words, and that he was considerate of you.
“I hope you won't go into fights though,” you chuckle. “Like I did after my breakup.”
He smiles, shaking his head lightly and you know he's recalling the memory. 2021 is a hilarious year for you, the Red Bull manager. You went viral after getting into a cat fight with a girl and a whole fist fight with her boyfriend.
You and Leo called it quits a week before Monaco and even though it had been four races since then, your heart was still in a quite fragile state at that specific race weekend. One minor inconvenience was enough to ignite a wild blaze of fire within you and nobody could extinguish the flames.
After Silverstone FP1, you were leading Max to the cool down room to brief him with Horner’s relayed instructions and someone had thrown a glass bottle towards the both of you while walking. Originally, Max was the main target of the bottle but you happened to have moved towards the line of trajectory and the bottle landed on your temple, hard enough that you stumbled upon impact.
You barely heard Max’s shocked gasp and shout of panic over the sound of glass shattering on your foot because the only thing you could register was the terrifying feeling of a thick liquid trickling down the side of your face and you didn't even need to see it to know it was blood.
The only thing you saw was red and it was on fucking sight.
Fucking Hamilton fan. Fucking Hamilton. He’s in Max’s way. He’s in your way. He’s the wall that was dividing you from your dream position in the engineering team.
You shoved the iPad you were holding to Max’s hands and marched down to the woman wearing the Merc #44 merch, swiftly jumping over the barricade and grabbing her by the collar of her pristine white Versace top.
The events that followed were too fast. You grabbed her collar. She pulled your hair. You also pulled her hair. Someone pulled her away from you. You tried to grab her, clawing her bare arms with your manicured nails. She screamed. You screamed back. You pulled out some curse words in Spanish as well because cursing her in one language alone is not enough. Her boyfriend appeared. A quick punch to your cheek. You fell to the ground.
The world stood still. There was a sting on your palm because your skin got torn from the hard surface of the concrete ground. You let a bloodcurdling war cry and your Dad would definitely be disappointed at you for using the boxing techniques he taught you for self defense purposes only to fight a guy two times your size.
Everything was a bigger blur from there. But you did remember the sensation of Max’s strong arms around you, stopping you from lunging forward again. He was saying sweet words to your ear to calm you down but your brain failed to intercept them so you could hear the words, could hear his voice, but not understand any of it. You remember Christian Horner's disappointed face that haunted you even two years later. You remembered feeling so terrified as you sat outside Christian Horner’s office waiting for the final verdict while he and Max and a few of the Red Bull higher-ups argued about your future with the team. You remembered hearing Max’s loud snarl on the other side of the mahogany door: “Did you see her face?! There was blood everywhere! On her nose, on her mouth, on the fucking side of her head!” You remembered the girl taking the case to court. You remembered fearing that you’d be sent to jail. You remembered that she lost the case because it was ruled as self defense and your injuries were grave. You remembered discovering that it was Max who used all his power and got the best lawyer to fight your case. You remembered the atmosphere in the Red Bull garage shifting when you entered it a few weeks later and everyone stared the bandages and bruises. Everyone thought one thing: of course, it would also take a monster to manage a monster like Max Verstappen. You remembered Lewis Hamilton, seven-time world champion, apologizing personally for the fight caused by his own fan. He didn't need to but he was so sincere with it that you cried when he handed you the apology flowers. God, how could you even hate this man? Your anger towards him was misplaced.
You’d been living with the guilt ever since, that you were horrifyingly violent for a day, that you were capable of killing for a day. And it could happen again. One day. God, you hoped you wouldn't have to see that day. You knew all your coworkers have been careful with angering you ever since. They're terrified of you even. Max should be, too. But then again, why would he when he already saw the horrors done by his father’s hands ever since he was a child? He was used to it.
“I won't,” he says, smiling at you. “I wouldn't want to add anymore problems for you to clean up.”
But you will not be the one cleaning it up because you resigned. You didn’t tell that to him though. Not right now. He just had a meltdown over Kelly leaving him and the news of his manager leaving him too will destroy him.
The cheesecake is a little burnt when you take it out of the oven but it actually adds more flavor to it so yeah, that's a win.
“We should drink,” you suggest.
“It’s mid-afternoon.”
“We drank at mid-afternoon yesterday,” you give him a blank stare. “With Alex and Charles, remember?”
He doesn't say anything as you make your way to his fridge and pull out two bottles of beer. Max has champagne stored somewhere but you have enough of those expensive champagnes. You need beer. Beer is good. Beer is nice. You're a beer type of person and it is time Max becomes one, too.
“I’m no scientist,” you begin, biting off the beer’s bottle cap. “But according to chemistry, alcohol is solution.”
Well, technically, edible alcohol or ethanol is not a mixture. Rather, it's a pure substance that happens to be a liquid at room temperature and typical atmospheric pressure. Pure ethanol is not a solution. Hard spirits though? That's a solution.
Beer is not a hard spirit. It's more of a fermented drink. But Max doesn't know that, though, so you don't bother explaining the science behind it.
Somewhere down the road, the two of you move to his living room. You use the Youtube app in his TV to search karaoke video and have the bestest time of your lives. You're screaming along some Daddy Yankee and El Alfa songs and Max doesn't know how to speak Spanish so he’s just vibing to it.
At 5 PM, you pull out Max’s expensive vodka bottle. Now this is the real shit. The ten bottles of beer? Those are just pregame. Max is already drunk with just those because he’s a pussy but you’re no pussy, so the only right answer is vodka! Viva la vodka or whatever.
Your throat gets tired of singing and Max gets tired from dancing, too, so you both decide to just go entertain yourselves in other ways. First, you introduced Max to beer-pong. He loses, of course. He sucks at everything not racing. Then, the two of you move onto chess. Max gives up mid-game. He cannot understand the rules. Then, lastly, you move to the billiard table Max owned. He only used it when the other guys are over and you do not even know why he bought it when he sucked at playing billiards.
“You know what Kelly said the morning before the race?” Max suddenly says and you look up at him, brow raising slightly. He’s drunk; his skin is flushed and he is all giggly and smile-y as he sits on the billiard table’s side rail and using the billiard stick as some sort of support stand to keep him from falling. You hope he won't accidentally poke himself. You're no better, too. Ten beer bottles and a few glasses of vodka. But you’re not as drunk as Max, and you still have a straight vision and you can still sink the colored balls into the pockets of the billiard table.
“Hm?”
“That it was unfair for her.”
You raise a questioning brow, “Why?”
“I bought shoes and they don't fit her.”
You blink. He laughs at himself as if he has uttered the funniest joke in the world.
“Three years of relationship gone because of a single pair of shoes,” he continues. “She wanted those shoes, too.”
Kelly….what the fuck?
“But that's okay. She….She made me open my eyes, you know? She made me realize what I truly love.”
“Racing.” It's not even a question. It's the truth.
Max stares at you, long and hard, and you look away first because you fear that if you allow yourself to stare too long, you’ll drown in those beautiful blues. This is enough heartache for the day. No need to add more.
“Hey [Name],” he begins. “If I asked you to kiss me, would you do it?”
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luxaofhesperides · 3 months
Text
“You know, I never realized how true the ‘eyes are the windows to your soul’ thing was until I saw yours.” + fluff + cafe AU ; requested by @kiv1!
He’s sure Danny didn’t expect to see him every other day after he casually mentioned that he had gotten a part time job at a local cafe. However, as his friend, it is Duke’s moral duty to only get coffee from that shop while Danny is on shift, specifically to annoy him. 
Also, so he can support his friend, but being annoying takes priority.
It’s a routine now, for both of them. Danny clocks in for his shift and an hour later Duke is strolling into the cafe with his eyes locked on Danny’s. The rest of the baristas always shove Danny up to the register when they see Duke, taking over whatever order he was making. Even some of the other regulars turn their attention up to the counter, hoping for another few minutes of entertainment.
Danny sighs as he gets ready to input Duke’s order. It’s never the same one, because Duke would hate to be predictable and make things easier for Danny, but it has the side effect of making him realize that some of the expensive, seasonal drinks are really good. 
It’s a bit hard on his wallet, but it’s a price he’s willing to pay for teasing Danny. 
“Hey,” he greets cheerfully as he leans against the counter, grinning at Danny.
Danny sighs again. “What can I get you today, random customer that keeps bothering me.”
“A latte, but make it sweet somehow. And iced.”
“What size would you like?”
“Let’s go with medium today.”
“Anything else?”
“Yeah.” Duke leans closer to Danny, watching as he fights down a smile. “I just gotta say that you got gorgeous eyes. You know, I never realized how true the ‘eyes are the window to your soul thing’ was until I saw yours.”
Danny considers this for a moment, then shakes his head. “It kind of sounds like your trying to steal my soul through my eyes.”
“Why is that what your mind goes to?”
“Well. I watched Coraline last night.”
Duke stares at Danny, taking in the dark circles under his eyes. “...Didn’t you say that movie gave you nightmares as a kid?”
“Yeah! And it turns out, it gives me nightmares even now!”
“And ruined my pick up line,” Duke complains playfully.
“It was too cheesy anyways,” Danny replies, putting Duke’s order into the screen. It prints a moment later, no doubt with some bizarre name since Danny refuses to actually name Duke on his orders, and then recites the price. 
He pays and watches as Danny slaps the order onto a medium sized up, then tosses it over to the barista making the drinks. He’s not actually sure what her name is since she refuses to wear a name tag, but she always gives him a wave and also a rating of how good his pick up lines are.
“Seven out of ten!” she calls out to him today, then gets started on making his drink.
“I don’t see why you don’t flirt with anyone else,” Danny says, “I’m pretty sure my coworkers like your pick up lines even more than they like me.”
“Why would I want to flirt with them? Danny, I’m literally only here to bother you.”
Danny rolls his eyes. “Yeah, trust me, I know. My good looks just keep pulling in business.”
He says it like a joke, but it’s true. Duke has noticed it. Danny’s coworkers have noticed it. His manager noticed it and now has him out on the floor every shift. If they can get him to work on the chalkboard sign outside, or wipe down the two tables out front, then they do it, because Danny is Midwestern to his core and it’s very charming in a place like Gotham. He smiles at people as they walk by, happily answers their questions when they ask him what the cafe serves, recommends food and drinks for them, is generally a bright and nice person to everyone who comes near the cafe. 
His cute looks draw people in, then his personality makes them stay. 
It’s all customer service, of course, because Duke never gets the cute, sunny Danny. He’s left with the sarcastic, rude, and funny Danny that’s been his friend since they met in junior year of high school. 
“Your eyes are really pretty, though,” Duke says, “Very blue. Sometimes green. It’s no wonder people keep falling for you!”
Danny reaches across the counter to shove Duke away, but he’s blushing, so Duke is counting it as a win. “Shut up. Now you’re just lying. My eyes are never green.”
“Yes, they are. Danny, I’ve seen them multiple times. They’re green sometimes.”
“No? My eyes have literally only ever been blue. They’re the bluest blue to ever blue. They don’t just turn green.”
They squint at each other for a long moment, trying to figure out who’s wrong and in what way. Duke’s pretty sure Danny’s wrong, since he can’t exactly see his own eyes, and Duke has spent an embarrassing amount of time just admiring how nice they are in different kinds of light. But also, they are Danny’s eyes, so he should know what color they are.
Then Danny’s coworker is setting down Duke’s drink on the pick up counter, giving Danny an excuse to get back to work.
“One medium oatmeal cookie iced latte for Cornelius Aggravating Douglas.” He holds up the drink and makes very direct eye contact with Duke, holding out the drink towards him.
“Did you really have to make the initials ‘Cad’?”
“Yes.”
“Fair enough,” Duke says, making Danny crack a smile. 
“Are you heading out after this?”
Duke grabs a straw and sticks it into his latte, swirling it around some. “That was the plan, yeah. Got a few library books to pick up. Why?”
“I got approval for a half shift today, so I’m off in like ten minutes, if you wanna wait for me.”
“Hell yeah, dude! I’ll wait outside so I don’t distract you with my flirtatious winks again.”
“Get out of here,” Danny laughs. Duke lifts his drink in a quick toast, then gets out of there. He takes a seat at one of the tables out front, content to just people watch as he slowly sips his latte.  
It’s cloudy out, but not raining, which is always a plus. As much as he’d like to see the sun, these kinds of days aren’t so bad, either. The wind still carries a bit of a chill, but the spring is steadily warming things up. There are tons of people out, a constant rush of movement, but a few do catch sight of him, then look towards the cafe, their steps slowing down as they think. Most keep walking, but Duke does manage to get a few to go in just by taking a long sip of his latte to really enjoy it.
Really, he should be getting compensated for the work he’s doing to draw people in. Danny’s not the only one who can do it. 
Bruce keeps offering him money, so he doesn’t need to get paid, but maybe he can convince the other employees to talk Danny into accepting one of his pick up lines so they can go on a date one of these days. 
It’s become a bit of a joke, but the first time Duke used a cheesy pick up line on Danny, he was being absolutely serious about it. He definitely shouldn’t have used a pick up line he found from a website centered on relationship advice, but he panicked and needed some extra help. 
Instead of smoothly asking Danny out on a date, Duke froze up, blurted out the pick up line, then had to laugh it off with Danny and pretend it was a joke. 
He still wishes he was able to ask Danny out properly before, but he’s also glad that they got to spend more time as friends, getting to know each other. It’s easier to be with him now, no longer so tongue tied and flustered. 
Duke gets to fluster Danny now, which is much better. 
And maybe one day his pick up lines will work! Sooner or later Danny’s going to question why he keeps doing this, and then he’ll connect the dots and understand what Duke feels for him.
As it is, he has yet to connect shit. 
“My eyes are definitely blue,” Danny says as he walks out of the cafe, messenger bag slung over his shoulder. “I checked while I was putting my apron away.”
“You’re still on that?”
“They’re blue.”
Duke gestures for Danny to come closer. He complies and leans down, letting Duke cup his face in his hands. He checks, considers, then checks again, and says, “They are indeed blue.”
“Told you they weren’t green,” Danny says smugly, pulling back. 
“And I said they were green sometimes. Now clearly isn’t one of those times, but they do turn green!”
“I don’t think you should be allowed to say any eye-related pick up lines until you admit that you were wrong and didn’t know my eye color.”
Shaking his head, Duke stands up and pushes in his chair. “Just wait, I’ll catch it sometime and prove it to you.”
“Sure, whatever. Don’t you have library books to get?”
“Yeah, you coming with?”
“Obviously. Why else would I leave my wonderful job where I am left alone to make drinks in peace?” Danny knocks his shoulder against Duke playfully, then reaches over and steals his drink right out of his hand. He takes a sip, makes a pleased hum, and drains half of what was left in the cup. 
“Hey!” Duke moves to take it back, which is naturally the exact moment Danny takes off running, effortlessly dodging everyone else on the sidewalk. He takes off after Danny, using his powers to make sure he can move out of the way of anything or anyone who gets in his path. 
They’re past the block when Danny starts to slow down, taking another sip of Duke’s latte. 
He puts on a final burst of speed and all but tackles Danny into the mouth of an alley, reaching for his cup. “Gotcha!”
“No!” Danny wails dramatically. He takes a step back and Duke watches as his power kicks up again, showing him a vision of Danny stepping on an empty can and falling back. Except he doesn’t really fall back? His foot rolls back on the can for a second, then goes through the can and settles back onto the ground where he catches his balance. Through the entire three second fall, Danny’s eyes are a bright green, brighter than Duke’s ever seen them.
His vision fades away and he moves to catch Danny, taking the chance to watch carefully as Danny’s foot does indeed go through the can. He quickly brings his gaze up to Danny’s eyes, which are green, but not inhumanly bright like they were in his vision.
Is the green not perceptible to normal humans?
He can probably only see it due to his powers. Which means he somewhat inadvertently outed himself as a meta.
Whoops!
Might as well just bite the bullet.
“Hey, do you have powers?” 
Danny chokes, shoving Duke away as he coughs and tries to clear his throat. He looks panicked, wild-eyed, searching for an escape route. “What? No. Why would I have powers? Maybe you have powers, have you ever considered that?”
“I mean. I do have powers. That’s why I’m asking.”
“Hold up. Stop talking. You have powers?”
“And your eyes are green sometimes.”
“That’s. No, they’re not,” Danny lies. It’s a very bad lie, seeing how on edge he is, and as much as Duke hates making Danny feel like that, he did get some bad habits while training with Bruce and this is one of them: the need to keep pushing, chasing after clear answers regardless of what the cost is. 
Duke shrugs, taking a sip of his latte, down to its last few mouthfuls, acting casual. “If you say so. But my powers don’t lie, man. As much as I wish they would, sometimes.”
“...Can we not do this out here?” The defeated tone Danny speaks with makes Duke hate himself. But he needs answers now. He needs to know if Danny is like him, if he’s safe, if he needs help. He needs it more than he needs Danny to like him at all. 
“Sure. I know a few quiet places we can talk.”
“I can’t believe this is happening,” Danny mutters. “Did my eyes really give it away?”
“Yeah. I mean, to be fair, I also didn’t realize until literally right now, so I don’t think anyone else will figure it out just from staring into your eyes.”
“See, this is what happens when you keep flirting when you don’t mean it. Secrets get pulled out into the open and it’s bad for everyone!”
Duke lightly punches Danny’s arm, trying to lift the mood. “Hey, who said I didn’t mean it?”
“What?”
“Who said I didn’t mean it when I flirt with you?”
Danny blinks at him, confused, then says, “I mean, no one I guess. But it’s pretty obvious?”
“I only flirt with you, you know.”
“Oh.”
“Yeah,” Duke says, trying to ignore how his voice shakes slightly. “There’s another one of my secrets. Can we call it even now?”
“Oh!” The shock of the revelation distracts Danny from his earlier nerves. Which is great, because now Duke is the one who’s nervous. It’s worth it, though, seeing the pretty blush come to bloom on Danny’s cheeks. “So all those pick up lines—”
“Yeah.”
“And the pick up line made you realize my powers!” 
“These pick up lines are doing the most,” Duke agrees. And then he realizes, “Hey, you what this means? I was right! Your eyes are windows to your soul!”
“I’m going to hit you,” Danny says, already winding back for a solid punch. He lets Danny hit him since it’s only fair for the stress he caused; as a meta, Duke knows how important secrecy is, how the difference between life and death can be just how well his powers are hidden. 
“Are we even now?”
Danny considers him for a moment, then sighs. “Yeah, I guess. Let’s be done with this for now, okay? Let’s go to the library.”
He refuses to entertain any conversation about powers or Duke’s feelings for him. It’s nice to spend time with Danny, but by the end, Duke is sure he can feel his heart start to crack in half. A sleepless night awaits him when he gets home, moving past his cousin’s attempts to talk to him in favor of flopping face down onto his bed.
But the next day, Danny grins at him when he walks into the cafe. He doesn’t have a new pick up line, choosing instead to act as calm and casual as possible to give Danny some space.
Also breaking routine, Danny insists on personally making Duke’s drink, writing something onto the cup before he fills it up with a floral tea. 
You’re so fine, you made me forget my pick up line, is scrawled on the side of his cup when he gets it. 
“Enjoy your drink, Cutiepie the Third,” Danny says with a shy smile.
“The Third?” Duke repeats, relief making him feel lighter than air, “Who are the first two?”
“Don’t worry about it, cutie. Get to class!”
Duke lets Danny chase him out, and holds in his laugh when he hears Danny’s coworker screech, “What was that?!”
Yeah, they’ll be fine. In the meantime, Duke needs to see if apology pick up lines are thing. Danny definitely deserves one.
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februarybluues · 10 months
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You spin my head around (like a record)
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summary: hobie never believed in throwing his money away to useless big corporations. but, when you started working at his favorite record shop, he decided to make a small exception. warnings: slight flirting, terrible british a/n: i love this idea so so much and have many ideas for it so if you want a part 2 let me know!!!
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If there was one thing hobie hated most, it was capitalism. Having to spend money on things you didn’t need but were marketed in a way that made you feel like you needed them, pissed him off to no end. Especially when it came to big corporations. He didn’t see the purpose of having to feed these ‘money-hungry pigs’, which would only end up causing harm to everything and everyone that got in their way. The only exception was small businesses. He never gave his money away on anything unless he desperately needed it, but that wasn’t often. Until it came to you.
There was a particular record shop in the middle of the city that he occasionally visited. Mainly because it was the only one near him that actually had his favorite artists. – which were rarely sold due to how ‘underground’ they were. Don’t get me wrong, he liked his fair share of mainstream, popular artists, he just also liked his fair share of small garage punk bands. The kind of small bands you’d find playing at your local pub. But, the point is: that specific record shop was the only one he actually liked. But, that didn’t change his hatred for capitalism. Which meant he wasn’t shy to ‘borrow’ a few cd’s, or vinyls from that shop. Actually, he hadn’t once paid for anything, and he’d never once been caught. That’s just how things were. He’d never planned to feed into society’s corrupt ideations. Never. He would continue to visit that record shop whenever he pleased, but never once considered buying anything. That is, until a new employee started working there.
They were perfect. The living embodiment of utter perfection. Every time Hobie entered the shop he was greeted by a sweet smile from behind the till. Everything that person did drove Hobie crazy. - in the best way imaginable. That person was you. You’d only recently gotten the job, around a few weeks ago. It was simple enough, but it definitely was not your dream job. You only got it because you needed the money, even though the pay was barely enough to get you going for the week, it was something! Despite never once having a proper conversation, Hobie knew he liked you. From your genuine, unrelenting kindness, to your style. He was fond of everything you did. And before he knew it, his occasional visits turned to him visiting whenever he could. Not because he wanted to actually buy anything, but because he wanted to see you. Any chance he got, he would rush straight over to you. It got to a point where he had memorised when you were working and when you weren’t. And now, here he was.
“Are you actually gonna pay this time?” you asked him, familiar with his habit of pocketing cd’s and vinyls and then leaving. You never did anything about it for many reasons. One of which was because you did not get paid enough to deal with it. And also, because he was insanely attractive. He laughed. Not like an actual laugh. But, a small exhale, similar to scoffing. “Maybe I am,” he said, handing you the vinyl. You smiled at him and scanned the record, noticing the familiar album cover. “Oh sex pistols!” you exclaimed, mentally taking note of how his music taste was almost as beautiful as he was. “You’ve got good taste.” you said, before putting the record in a bag. You didn’t notice how he lit up at the sudden compliment; freaking out on the inside, but playing it off well. “You listen to ‘em?” he asked, his heavy accent now very prominent. Your smile never once faltered as you looked back at him. “I love them!” you said. You began to hum the tune to one of their songs, doing a dramatic little dance, which earned a small laugh from him. “You know… It’s surprising that you’re actually buying something for once.” you commented, jokingly but also genuinely. He tilted his head to the side in response. “Oh yeah? How so?”  he leaned against the till, hands in his pockets as he talked with you. “Well, I see you here all the time. - Almost every time I'm working, actually. And - I guess I kinda got used to you wandering around and then leaving. It’s kind of weird how this is the first time I’ve heard your voice.” you laughed, and his lips quirked up in a small, almost unnoticeable smile. “What’s wrong with havin’ a look around?” his voice was low, and he spoke innocently. Despite the both of you knowing he was anything but innocent. “We both know you’ve been having a bit more than a look around.” you said, in reference to the many times you’d seen him ‘borrowing’ a few cd’s. He laughed this time. In truth, he cherished this moment. As it had been the first time he’d heard your voice. You were sweet, funny, and apparently had good music taste. All three of those traits were almost impossible to be found in the people Hobie had met. There was just something about you that was so different from everything else. So unique and-
“That’ll be 24.99” you said, snapping him out of his thoughts. 24.99? He repeated in his head, confused. He could’ve sworn that the price tag said 30? Had you given him a discount? For literally the first time ever, he handed the money to you and paid. He regretted a lot of things, but getting to talk to you was not one of them. You handed him the bag and smiled at him once more. Hobie then realised this would probably be the only time he’d ever interact with you again. In a panic, he spoke up again. “D’ya wanna spend time together after this? We could maybe listen t’the record? See if it was worth th’money?” While the usual confidence in his voice remained, there were hints of hesitation laced under his words. “I’d love to!” you exclaimed, blatantly happy. He smiled, now exposing his teeth. “Lovely.”
“I almost forgot–here’s my number!” you pulled out a pen from your pocket and wrote your phone number on the paper bag that you put his vinyl in; trying to make it as neat and legible as possible. Once you were happy with it, you handed it back to him. “I get off work at 6. Call me then and we can organise something, yeah?” you offered, to which he nodded. “It’s a date.” he said, and winked before turning around and exiting the shop; the jingling of the door suddenly sounded way happier than it usually did. Maybe your new job wasn’t so bad after all.
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hey pookie just wanted to let u know my requests are opennn and you wanna request something sooooo badly so why don't you just go over there and send one in thanks love u hope you liked that little fic
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silksongeveryday · 30 days
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Drawing Hornet everyday until Silksong comes out - Day 400!!!
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Well then.
Thanks to everyone for all the love and support, genuinely one of the biggest reasons I still continue doing this daily. You all are amazing :)
And thank you for 2.3k!!!
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…I don’t really know what else to say at this point lol???? I’ve been doing this so long these milestones are starting to become less and less exciting. /lh
I’ll be honest I was really banking on Silksong being released in 2023 I genuinely wasn’t expecting to make it more than 250 days tbh. But hey, I guess I was joining the delusional crowd with that one lol. I just really hope Silksong releases this year or at least we get a confirmed release date at all???? All this waiting is starting to feel like kingdom hearts 3 all over again
Well anyway, here’s my 100 day checkup I guess:
Burnout has been wavering in and out I think. I’m not putting in effort like I used to during the day 150-250 period of this blog but hey the fact that I’m still dedicating a brain cell to this at all is impressive to me. Generally speaking I’m not a person who likes to commit themselves to something for more than a year unless I absolutely have to. I could literally take a break from this blog whenever I want but it’s been such a consistent part of my daily routine that I just haven’t lol.
I’ve been debating back and forth with myself on whether or not I want to have a couple people helping out with the blog. On one hand it would be really nice to have a helping hand so I could take more consistent breaks but on the other hand I’ve never been good at communication especially because organizing something like that is wayyyy out of my comfort zone. I run my blog a very specific way and I’m often bad at explaining my process to others without something getting misunderstood.
So I’m thinking up a few other ideas as well. Don’t feel like going into specifics because I’m not certain on them at all but if I feel like one works I’ll talk about it more in the future here or on my main blog.
Life has been really busy lately but after a long time I think I might finally have time to dedicate a full day to drawing multiple doodles so I can mass schedule and take a longer break I think. No promises on that but here’s to hoping.
Oh yeah also today’s specific drawing is inspired by Day 174. Also considered a redraw I guess??
That’s all I can think to say right now, so I guess that’s everything, thanks for reading! Here’s to more doodles! :)
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cloudypariah · 3 months
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How to perpetrate and sabotage your own kidnapping: A guide for dummies.
- The creation of the board (and its subsequent discovery)
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Summary: Step One: host a brainstorming session with your teammates on how best to kidnap your future abductee. Step Two: have said abductee show up half an hour into the session and begin correcting your entire plan. Step Three: realise at the beginning of their impromptu presentation the target has absolutely no idea that they’re the target. Step Four: fail anyway.
Pairing: Dark!Poly!Task Force 141 x fem!Reader
Word count: 1.8k
Content tags: Dark content - Discussions around kidnapping, tense situations. If this is not your cup of tea, please go and find something different might better suited your palate. This is an 18+ fic meaning minors do not interact with this work. No one has permission from me to repost, copy or translate my work. No one has my permission to put my work into any AI source.
Notes: This is my first foray into the COD fandom and will be the first part in a dark comedy series. Please let me know what you think. Not proofread very well, sorry for any mistakes! Thanks for the motivation @live-love-be-unique !
Link to Task Force 141 masterlist / Link to COD masterlist
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Captain John Price likes to think he knows his men well enough to trust them when his back is turned. Now that itself doesn’t necessarily mean knowing each and every one of their dirty secrets - he definitely wouldn’t come out smelling like fresh daisies if any number of his were revealed - but it does mean that he has the awareness to recognise that they all share one particular secret.
He sees it in the way Lieutenant Riley’s body language shifts when you give him his medical forms to look over, your consideration at offering him the option to disclose only certain personal information making the reserved soldier relax just enough to offer you a low thanks, accompanied with a stare that stretches on for a few moments longer than considered socially polite.
It’s also so amazingly obvious with Sergeant MacTavish. John’s surprised everyone else misses the way Soap’s smile takes a little longer to fade after departing for yet another mission, your swift congratulations on completing yet another physiotherapy appointment - “ Keep it up the good work big guy” - leaving the Scotsman floating on cloud nine damn near until the plane lands.
And how could he forget Sergeant Garrick? The man’s quick to change his tune and focus up, but the captain has observed Kyle absentmindedly rubbing his shoulder, thumb gingerly stroking the spot where your palm was only moments before, your figure long gone as you retreat down the corridor to where you came from.
No, Jonathan Price doesn’t miss a thing about his men. And it only takes two weeks and a long chat in the corner booth of the bar one quiet night - sans you or Laswell - before somehow his place becomes the meeting point for an unusual, though not unwelcome, topic - you.
More specifically, how to keep you.
The wooden shit box of a sports bar was where the first two facts were confirmed amongst them: 1. Every single one of the 141 men wanted you for themselves, but they weren’t above sharing. 2. You weren’t worth killing each other over, not when there was a much easier solution staring them in the face.
John’s house became the go-to place to discuss fact number three - They needed a plan.
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It was Gaz who initially suggested the whiteboard after numerous interjections from Ghost and John; from everything to how to keep this from Laswell, to deciding which of your usual hangouts would provide them with the best opportunity to commence your “relocation”, to how to delicately but firmly explain said "relocation" to you once it was complete. Kyle loves his brothers in arms and never regrets a moment where his life is on the line if it means saving any one of them, but his patience began to wear thin when Soap got bored and started using goddamn paper planes instead of words to get his point across. At that Price finally relented and bought the damn thing.
Now, John was expecting you to pop by his place on Wednesday night to drop some papers off. A perfect opportunity, were it not for the fact that the gentlemen were still disagreeing on where to relocate you. However, it’ll allow you to grow more comfortable with him while he has some alone time with you, your presence like a balm on a wound - soothing and necessary (at least to him).
He had been looking forward to seeing you… tomorrow. So when you turn up not just on the doorstep but in the middle of the bloody hallway in his own bloody home halfway through the 141 “guys night”, his secondary action of shitting bricks quickly overrides his primary instinct to eliminate the threat.
He’s on his way back from the bathroom when he sees you standing, familiar folders firm in your grasp - fucking hell, is that his spare key too? - and a sour expression on your pretty face.
Your eyes narrow further when you spot him, striding over with fury rolling off you in small waves. “Captain Price, I know you did not leave these dossiers on my desk just before the end of my work day with a note stating they all need to be completed by the end of the work day.”
John’s senses are briefly overwhelmed by you being so close to him, the sight of you angry having a different effect on him than what you had originally intended. He’s never seen it before, and his hand twitches when you’re less than a foot away - fluctuating adrenaline or the desire to reach out and hold you, he’s not sure which is more prevalent. 
He always forgets to not be so obvious around you, but it isn’t as though you usually notice. (He’s not sure if the thought should make him feel sad or grateful.)
The sounds of his men arguing in the background, merely the next room over, are enough to bring reality crashing down hard.
His voice is deliberately loud and stalwart when replies. “You can’t be here.”
“Tough shit. Your lads night can wait.” You lean past him to the origin of what your gut was telling you was the sounds of the remaining 141 members quarreling. It’s easy to slip past Captain Price once your mind is set, the push of files against his chest preventing him from reacting for a few seconds - all the time you need to move down the hallway to where everyone else is bound to be.
John is quick to rush behind you, the arguing noises having swiftly changed to near cartoon-like crashes just moments before you enter the room. 
Ghost has migrated to the corner of the sitting area, standing as stiff as a fucking nutcracker, a mountain of crumpled notes and paper planes spilling out from between his arms. (His mask is still on thank god because it’ll hide exactly how caught out he feels, and if there’s one thing Simon Riley cannot stand it’s feeling like a kid with his hand caught in the cookie jar). His eyes instinctually watch your every move, waiting for your reaction.
Both of your gazes drift to the other side of the room, with neither of you failing to notice how the couch cushions are strewn widely across the space, (with one being stuck on top of a bookshelf for some odd reason) to find not one, but two soldiers gecko’d to the standing whiteboard.
Their demolitions expert is currently splayed out on the left side of the board and desperately grabbing the top of its metal frame, his stomach pressed into the cold porcelain and a left leg hitched up in a poor attempt to conceal the incriminating writing.
Price’s protégé is in a similar state. Dear Gaz has his back against the right side, with his arms outstretched to - much like Johnny - cover as much of their group planning as possible, a coloured marker clasped in each fist.
Two deers in headlights.
The sight of his task force is enough to bring back flashbacks of his original conversation with Kate about bringing these men together because Jesus H. Christ, what the fuck was he thinking?
There are a few moments when nobody moves or dares to breathe…
… except for you, of course.
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You waste no time walking over to the two youngest members of the 141 as you attempt to shove them off the board. “Move,” you demand, palms pushing firmly against their sides. “I want to know what’s so important to everyone.” When they refuse, you do your best to stare at them, pleading with a pleasantly soft, “Please.”
Yeah, they both do what you say with ease when they hear that, giving you enough space to take in the somewhat smudged scribbles.
You miss the signal John gives Simon, the Ghost moving closer to your position as John quietly locks the door, and when your attention is drawn back to the board after the other two move you also miss all of the knowing looks shared behind your back. This was very far from ideal, but how can they recover from this?
They hope you understand that whatever comes next, they didn’t plan for it to start this way.
Kyle and John call your name but you ignore them, still processing the information written in front of you.
Johnny flexes his hands, preparing for the worst as you step back and say, “This is… bullshit.”
Every single member stops. That was not the reaction they were expecting.
Turning to face the group, you scoff. “I’m not even kidding. Firstly, you’re using guys' night to work, which is horrible for your mental and emotional health. And you should all know better.”
Four sets of brows furrow in united confusion. You don’t let that deter you from continuing, your arms gesturing haphazardly at the whiteboard. “Secondly, this is hands-down one of the worst brainstorms I have ever seen. This is not cohesive in the fucking slightest. Garrick, mark me.”
Kyle chokes on his spit, his brain short-circuiting before he sees your fingers wiggling at one of the markers he’s holding. The sergeant promptly gives it to you.
Your free hand takes turns pointing at everyone else in the room, a verbal command of, “sit down” directed at each man also. Dumbly and cautiously they all do. Ghost places himself at the end of the couch nearest the entrance, John strategically chooses a spot between yourself and the kitchen, and Soap and Gaz sit closest to you, where the two of them can hear you muttering under your breath as you draw what appears to be a massive cloud shape in the middle of the board.
Once completed, you fill your shape in with the word ‘TARGET’ and slam your free hand against the board. No one flinches, but if one were to look closely there would be some eyes widening in response. Johnny swears he sees one of your eyelids twitch.
“So,” you call out, “what do we know about the target?”
There are not only wide eyes looking at you, there are full glances exchanged between your audience.
“Seeing as you had the nerve to not invite me in your little meeting while keeping me on overtime” - Kyle and John squirm at that, and your finger makes a little circle - “we are going to be working on this project together. With all due respect, I’m not asking.”
Surely not…
And it’s when Captain John Price reviews the writing left over from the others that he realises Kyle and Johnny did one thing right during their clusterfuck of a coverup.
They managed to erase your name.
… you have absolutely no idea you are the target.
 A piece of writing far in the coroner catches your attention, and your shoulders slump. “The target likes knitting and ‘The Karate Kid’. In another life we would have been the best of friends.” A dramatic sigh leaves you, “Oh well, at least I’ll be able to give you some insight into the mindset of this individual. Any questions?”
Four hands shoot up.
Rubbing your hands together with glee, a maniac smile grows on your face. “Excellent.”
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thankskenpenders · 5 months
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Help me out here: Why is there so much Ian Flynn hate going around lately? I thought everyone loved that he was contributing to the games. Now suddenly they aren't. I guess that's par for the course for this series but I don't get it. He isn't perfect but I like what he's done. Am I a weirdo?
Ian Flynn has always had a lot of fans, but any creator putting their work out there is going to have detractors as well. That's just the nature of being an artist. To some extent, it's no big deal. He's not a perfect writer. Nobody is! I consider myself a fan of his work, but I've criticized plenty of individual writing decisions from him on here.
But Ian doesn't just have critics. He has his own obsessive hatedom. And the specific nature of Ian's hatedom is... interesting.
A decade ago, Ian was only the guy writing for Archie Sonic, meaning any debates over his work were quarantined within that tiny niche of the larger Sonic fandom. Only people who kept up with the comics month to month had any real reason to have an opinion on the guy, which means we're talking about merely thousands of fans as opposed to millions.
Within that group, he had some haters. You had the people who were mad about story changes made during his run, particularly things like ancillary characters getting killed off (although over the years we've learned that most of those were editorial mandates from Mike Pellerito). You had the people mad that Ian didn't push their favorite ship, with feuding SonAmy and Sonally fans claiming that he was CLEARLY biased towards one or the other. You had the people who just really, really liked one of the previous writers way more - usually Penders, as hard as that may be to believe today. That sort of thing. Pretty normal comic fandom type stuff. Again, it comes with the territory.
Unfortunately, many of those haters only got worse over time, morphing into reactionaries who constantly try to incite Comicsgate type culture war bullshit.
There are people still mad at Ian for making Sally bi and pairing her with Nicole instead of Sonic in the later Archie comics. There have been elaborate MS Paint red string conspiracy boards explaining how people like Ian and Jon Gray have apparently been destroying the franchise from the inside for years by Making Sonic Woke. (Jon gets dragged into this because people are still mad about him drawing The Slap 20 years later. Yes, really!!) There was an unhinged change.org petition trying to get Ian fired, specifically from people who were mad that the Freedom Fighters aren't in the IDW comics. There was even a very sad little fan campaign from these people trying to get Sega to move the Sonic comic license away from IDW and over to Udon, because they thought Udon would bring Sally and Bunnie back and also make them sexy again. There's a lot of this.
(Unfortunately, Penders has also exacerbated this by gossiping about Ian on Twitter and giving these fans ammo, but that's a whole 'nother discussion.)
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The thing is, for years, people who only played the games or watched the cartoons had no reason to pay attention to any of this. Now, though, Ian isn't just writing for some weird spinoff comics that only the super nerds read. Now he's writing comics that are canon to the games, and ALSO some of the games themselves, and ALSO consulting on other tie-in media like Sonic Prime, and ALSO writing the official Sonic encyclopedia, and ALSO serving as part of the new Sonic Lore Team at Sega. And on top of all this, he's got an increasingly popular podcast where he fields questions about his work on all of these things, which serves as one of the fandom's main windows into creative decisions being made behind the scenes.
As a fan of Ian's work, it's been really cool to see him rise in prominence. But the dark side of this is that his obsessive haters from the Archie days now have WAY more of a potential audience of their own. Now, every Sonic fan has to have an opinion on Ian. What this frequently means is that you'll have the Comicsgate types taking things Ian writes or says out of context, attempting to get more of the general fandom to yell at the guy.
Unfortunately, there are a wide variety of Sonic fans who take the bait:
You've got hardcore fans who disliked basically any recent piece of Sonic media and are looking for someone to blame.
You've got the people who are concerned about the sanctity of Sonic's canon, who shoot the messenger any time Ian mentions a new retcon from Sonic Team on the podcast - or any time he even mentions the THOUGHT of changing anything about the canon, as we saw recently with the Sol Dimension nonsense.
You've got people who romanticize some sort of mythical artistic vision that Sega of Japan supposedly has (or had) for the franchise. To many of these fans, American contributors like Ian just don't "get" the heart of the series and are trying to turn Sonic into something different. (This "heart of the series" tends to be some mix of Japanese instruction manual lore, the cinematics from Sonic CD, the OVA, and/or the games written by Shiro Maekawa, depending on what Sonic media the fan in question grew up with.)
You've got fans of specific characters or ships who pin the blame for how their faves are depicted entirely on Ian - most vocally fans of Shadow, even though the root problem is that Sonic Team hasn't known what to do with Shadow since 2006. At best this stops at regular old criticism, but at its worst this devolves into claims that Ian has an agenda against certain characters.
You've got fans annoyed by a perceived over-emphasis on comic-original characters in the IDW comics, ignoring the obvious facts that these characters exist because the game cast is so tightly controlled by Sega, and also, you know, that people just like the IDW characters and want more stories about them.
You've got a LOT of discourse over IDW's Sonic being a hero who tries to give his enemies second chances, as if half of Sonic's closest friends aren't already former villains and rivals. Honestly this is very transparently just reheated Steven Universe discourse lmao
You'll also see people who just think they could do Ian's job better. They can't believe that THIS GUY is the American fan working on all these Sonic projects, when clearly THEY understand the characters and lore and themes SO much better than this charlatan.
All it takes is for someone in one of these categories to be unhappy about some recent piece of Sonic media, and for them to come across an out of context quote or comic panel that rubs them the wrong way, and suddenly the leftist Zoomer Sonic fans will join the latest dogpile on Ian alongside the reactionary Comicsgate types who are mad at him for Making Sonic Woke.
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In general, when fandoms get upset, they tend to want a scapegoat. A person or two to point a finger at and go "THAT's who ruined the thing I love!" This tends to be based less on reality and more on which contributors are the most visible online. You'll sometimes see teenage and adult fans of children's cartoons single out a storyboarder who's particularly vocal on Twitter, blame them for every story decision they don't like, and harass them off the platform out of a sense of retribution for their favorite ship or whatever. Failing that, fans might choose to blame every nitpick, down to individual lines of dialogue and frames of animation, on a showrunner, just because that's the name they associate with the show. And unfortunately, when it comes to Sonic, Ian is now arguably the most prolific and outspoken contributor on the English speaking internet, and therefore a common scapegoat.
Some of the things I've seen Ian blamed for are truly wild. A lot of people have claimed for YEARS that he's just lying about the existence of creative guidelines and restrictions from Sega - or, as fans call them, The Mandates - even though they're just an inherent aspect of working on a licensed property. Others claim that The Mandates are real, but somehow Ian's fault. A vocal minority of fans have convinced themselves that Ian is the sole reason the Freedom Fighters don't exist in the IDW comics, even though Ian says he's been pushing to bring them back since day one.
Sometimes you'll see people say he ruined shit he didn't even work on. A few weeks ago on Twitter I saw someone claim that Ian had written a rejected script for Sonic Forces in which Tails died. I could not find a source for this for the life of me. As far as I can tell, the rumor seems to have been born from an alleged leaked script for Forces with margin notes from Aaron Webber that criticized the way Tails was written, and also an old tweet where Aaron joked that Tails would die in an upcoming episode of Sonic Mania Adventures. These merged into "Aaron Webber criticized a draft of the Forces script in which Tails died." How'd Ian get dragged into this? Who fucking knows!
It's all just a big game of telephone. All it takes is some asshole to make something up about Ian on Twitter or YouTube or a DeviantArt journal or some forum, and at least a couple people will believe it, and then it gets repeated as fact. Again, this used to be contained by the niche nature of the Archie Sonic fandom, but now there are WAY more people who are receptive to this shit.
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It's just sad to me that Ian tries to be so open and honest about his work, to try to explain the rationale for certain things, to keep fans looped in on the direction the franchise is headed, and this just gives the Flynnspiracy types more quotes to take out of context and try to paint him as the devil. If it sounds like I'm being overly defensive and dismissing his critics, man... some of the things I've seen people say directly to him are just unbelievable. People will send paragraphs-long angry screeds in to his podcast that completely tear him apart, and he has to sit there and be like "Well, that's your opinion, and you're entitled to it." People literally pay for special guest interview episodes where they just rapid fire complaints about his writing at him directly to his face. I don't know how he does it. I would snap.
All of this over Sonic the fucking Hedgehog of all things.
I don't know how to wrap this up. Engaging with fandoms online is very tiring, which is why I tend not to do it. Things like this are too common. I guess, just... remember that making art collaboratively is a complicated thing. The people involved are generally trying their best given the circumstances, but they're only human. They make mistakes. But please treat them like humans. Criticism and dogpiling are not the same thing.
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