Godos Fluff Headcanons I Absolutely Adore
(...and some general lifestyle headcanons thrown in)
-Nikolai likes to cover Fyodor with his cloaks/capes sometimes when they hug (like in those long, rocking hugs). It gives him a feeling of comfort, like Fyodor's safe and nothing can hurt him. Fyodor likes it too; to him it feels like an extra layer of endearment and makes him feel safe, secure and loved (plus it's warm).
-Nikolai is one of the few people Fyodor trusts entirely with his ushanka. This isn't a small thing--he usually doesn't even like to let people touch it, but he even trusts Nikolai to spot clean it for him.
-Nikolai absolutely loves to take care of Fyodor, which works well, because Fyodor likes being taken care of. This extends to cooking (where Nikolai will often ask Fyodor to pick one new dish to try to go with whatever staple meal Nikolai's making that week), making him tea most days and keeping the berry preserves stocked up, and nursing Fyodor when he's sick.
Nikolai doesn't enjoy trying to get Fyodor to remember to eat, or sleep, or shower, sometimes, but he takes Fyodor's health even more seriously than his own most of the time, and so is usually trying out some new method to achieve at least one of these things.
-Nikolai worked as a stage actor before he took up terrorism, and practiced a lot at home. Fyodor would often watch his practicing, occasionally give feedback, and they might talk a bit about the story afterwards. This was a common before-dinner activity for them, which was mostly for fun, but also helped Fyodor get out of his work headspace and into his home headspace, and of course Fyodor's psychology-based feedback often helped Nikolai with his nuances in his delivery.
-Dinner is a very important together time for them. Both make a point of having dinner together as often as possible, so that they're sure to have time together to talk. Though late-night conversations are also common with them, there's always a chance of Fyodor being sucked back into work or Nikolai needing extra time to work something out/rehearsals or shows taking place at night, so they make dinner the designated time together. Also, since their dinner is usually a dish Nikolai made, Nikolai likes to share the food with Fyodor, and Fyodor likes to appreciate the shared food with Nikolai.
-Depending on how late Nikolai's shows ran while he was in a play and what came after, they may have dinner together as late as 1 or 2 in the morning, but still, they always ate together (Fyodor was almost never ready to go to sleep by then anyway, which I'm sure helped, but the idea that he shared his usually alone-time with Nikolai is sweet to me).
-Regarding the dishes: generally the system is that Nikolai cooks and Fyodor cleans. The everyday dishes are usually washed by Fyodor, since he goes to sleep much later than Nikolai and often has several cups of tea and snacks long after Nikolai's gone to bed. Nikolai puts away the clean dishes in the morning, long before Fyodor wakes up.
-Regarding their sleep schedules: Nikolai (according to himself) tends to find his moods and general thought process annoyingly mercurial if he ends up more than an hour off his sleep cycle, and so is fairly regular with going to sleep around 23-24 and getting up around 6-7 (giving up his precious productive night hours was hard on him--the time past 1-ish when your brain lets you be creative--but he soon learned to replace them with alcohol). This of course can be completely thrown out of balance when he has rehearsals/shows, but the rest of the year, he sticks to it religiously.
Fyodor has no such trouble with moods and, like Nikolai, finds his best hours to be in the early morning. So, he generally goes to bed around 3-5 and wakes up at 11. Unlike Nikolai--whose body, like a clock, always keeps him asleep for exactly eight hours--Fyodor relies on alarms and always gets up at 11, unless he has somewhere to be earlier. He doesn't generally go to bed earlier though, so he just tends to be (more) tired on those days.
-Fyodor's usually tired (either from his sleep schedule, physical ailments, or both), and his energy levels tend to range from moderate to low. At first this irritated Nikolai for a bit, I think, but he eventually came to learn what Fyodor's low-energy emotes meant (which can look kind of funny when Nikolai reacts to an emotion that seemingly isn't being expressed).
-Nikolai loves swing dancing, but Fyodor doesn't usually have the stamina for it. So instead, when the dancing itch arrives, they waltz or do some slower dance with a bit of verve. Dancing's difficult in the narrow living room, but they manage (and, when Nikolai's brother and sister-in-law come over, he swing dances with them, which Fyodor enjoys watching).
-There's a park a few roads down from where they live, and they often in the late spring and early summer enjoy playing violin and cello together out in the greenery. Nikolai especially loves when the birds twitter while they're playing.
-Speaking of birds, Nikolai also loves going out with Fyodor and pigeon-spotting. Sometimes he'll take a bag of breadcrumbs to sprinkle for the birds they come by. He does this alone too, but enjoys sharing this activity with Fyodor.
-Nikolai also, when he has more free time, enjoys bird-watching. He keeps a journal of the different birds he sees, how many, etc. When he gets up at about 6, they're really active, and sometimes he'll luxuriate in an hour of peaceful bird-watching and documentation from the kitchen window. (Unfortunately, the window view is onto the street, so he doesn't see as many as he would in a park or garden, but he still sees enough to be somewhat satisfied.)
Fyodor isn't very interested in birds in and of themselves, but he loves listening to Nikolai's enthusiasm, love for and musings about the little creatures, and so will often ask about Nikolai's recent sightings when he knows Nikolai's been bird-watching.
-Fyodor loves to use terms of endearment. 'My Dove' and 'Dear' are his favourites outside of 'Kolya' (and its variants). Nikolai likes to take inspiration from the moment to make pet names, so may say something like 'My Little Red-Nose' (when Fyodor's sick) or 'Drowned Rat' (when Fyodor's wet and upset about it) (I imagine most of them would be animal or food related, but my imagination has a rough time keeping up with Nikolai's), as well as 'Fedya' (and its variants). He might also call Fyodor 'Fedka' if he's feeling derisive enough, though I can't imagine Fyodor would ever call Nikolai 'Kolka'.
-One thing Nikolai loves about Fyodor is that, when Nikolai gets into one of his black moods, where he can't seem to enjoy or appreciate anything, and, in general, just wants to sink into nothingness, Fyodor understands and doesn't judge him, nor expect more. Fyodor will usually take up the cooking (which... his food is usually bland and tasteless, but neither care all that much in those times), keeps the lights dimmer/curtains drawn, and most of all lets Nikolai come to him.
He also doesn't complain about lack of hugs, though they're very important to him. Nikolai finds hugs disturbing in a black mood, because he can't feel anything from them, and so they just distress him. It is harder on Fyodor than I think he usually admits to himself though, not being able to hug or pet or really comfort at all his friend who's in so much pain.
-Fyodor doesn't like being around drunk people, but Nikolai often relies on alcohol to get him into the right headspace to work. To compromise, Nikolai tries not to get more than tipsy around Fyodor, generally going for lightly buzzed, and usually does it while Fyodor's working. (Though this does go out the window sometimes if Nikolai wants badly enough to numb his emotions.)
-Fyodor gets miserably sick relatively frequently (~3-4 times a year), often with the changing of the seasons, which usually knocks him out for a solid two weeks. Nikolai hovers and cares for him with all the terrified devotion of a mother whose baby suffers from scarlet fever. The sheer nervous energy emitted from Nikolai tends to overwhelm and tire Fyodor out, but he still finds Nikolai being there to take care of and be with him to be more comforting than if he was alone (him having to comfort Nikolai tires him out, but also helps him feel more at peace). (Occasionally, maybe a little less than once a year, Fyodor will have a seizure bad enough to keep him in bed for a few days, and the dynamic's about the same as when he's sick.)
-A few times, Nikolai kept vigil over Fyodor's sick body (the first time being after a particularly bad seizure left Fyodor bedridden for five days, a few months into their friendship). It… Well, let's just say it never ended well for Nikolai. Fyodor eventually managed to calm Nikolai down enough about his frailty to get him to compromise on sleeping close together (though Fyodor first tried sending Nikolai away, Nikolai worked himself into an even bigger panic when he couldn't see how Fyodor was doing).
-Nikolai is absolutely terrified of doctors. He's also a borderline hypochondriac. Thankfully, Nikolai's aggressively healthy (except for some minor stomach issues and some major mental issues), so this isn't often a problem. However, the few times it was, and Fyodor genuinely needed Nikolai to go to a doctor, it always took a very long and drawn-out discussion to convince Nikolai that the doctors weren't going to torture him to death (Fyodor never learned what exactly Nikolai was afraid of, but it seemed something along the lines of what you'd expect from a BCE Chinese torture chamber, or Yosano's clinic).
-Needless to say, Fyodor's spent many a night listening to Nikolai's fears and explaining why they're likely not one of The Horrors. He might have gotten tired of it, except Nikolai's fears were usually so creative and obscure that Fyodor actually often found them fascinating.
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you ar ethe only correct person about despair makoto. im not even in the fandom anymore and despair/dr3 makoto means so so much to me. i want to hear your thoughts on him
Despair is pretty focused on personal overindulgence, yeah? Like it's about a person reaching their breaking point and their emotions overflowing into a state of euphoria when they make things worse for themselves and others, when they're denying the kindness they know they can offer, solely bcs they believe it's ultimately futile. Succumbing to the fact that nothing will get better, and finding their own joy in that endless darkness. It's all about selfishness, all about taking without giving back.
Makoto, inversely, is very set upon giving without taking. He always wants to find a way to help people, to reach a conclusion that makes everyone happy. He'll deny his own tendencies towards violence and crush any thought of being what he views as "selfish" (i.e, getting angry or grieving or letting himself dwell on awful things). He's sure that there's an innate goodness of every person, and that absolutely nothing should end in the suffering of another.
So, in the case where he turns to despair, I'm into the idea that he'd simply want to deny that aspect of himself. Stop being that kind, good person that can bring everyone together, pull the cork off the bottle of emotions he's been building up for years, and take with no thought behind it. It was his job to unravel the tangled messes of people's emotions and mental states, to try and quell the blossoming despair others would feel.
Perhaps, for once he just wants to stop and let others do that thinking for him, just for the chance to feel something other than the positivity he's always been expected to show.
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One day I will write a more detailed post about everything that I disliked about the path they chose in Last Evolution Kizuna, but I was thinking today of how they basically wrote themselves into a dead end but expect us to take a positive outcome out of it.
Like, the ending is very bitter with one pinch of sweet. It is meant to make us sad, and just a little hopeful that they still keep the 02 ending canon so we can assume that eventually all Chosen Children (or Adults) reconnect with their Digimon partners.
But I’m thinking, even if you want to ignore tri. (which to me it felt like they were deliberately ignoring everything about it with the exclusion of one (1) mention of Meiko and Meicoomon) where the whole plot happens because a former Chosen Child wanted to reconnect with her Digimon, the same thing happens in Kizuna. Sure the separation of Taichi and Yamato from Agumon and Gabumon was “fated” but Menoa’s actions were what kicked the plot forward.
And so, with what Kizuna sets up, more and more Chosen Children will be separated from their Digimon partners until something happens off-screen and they reach the 02 ending (which to me, doing that off-screen is a huge cop-out but that’s a point for another post plus we’ve still got the upcoming 02 movie to watch so). So I’m asking, how are we supposed to think that absolutely none of those people will go to such extremes like Menoa did? Yeah, maybe we don’t want to assume that of the beloved twelve children from Adventure and 02, but there’s way more Chosen people out there... so are we supposed to assume things go well afterwards?
If anything, in Kizuna, only Taichi and Yamato (because of course only those two) were directly impacted by Menoa’s actions; as a proof, when Mimi and Palmon wake up from their coma, they both consider everything a dream, so I can’t be convinced anyone other than Taichi and Yamato would fully understand the consequences of going too far to be reconnected with your Digimon partner (again, tri. notwithstanding). It’s also only the original eight that are even brought up with the idea of moving forward; none of the other Chosen that were taken by Eosmon are shown to struggle with the concept, they’re just brought in the Neverland and then wake up safe in their hospital beds. Did they even understand what went on, why Eosmon was created, why she fell and why they woke up again? Will they understand what it means when the countdown ring appears on their Digivices? Will they expect and (reluctantly) accept it when their time runs out like Taichi and Yamato did?
So, with the way the topic is written and explored in the film, it doesn’t become an object lesson to that many people, so it’s bound to happen again. There’s nothing in the film to disprove this, and even if we assume that Koushiro would issue a warning among the Chosen Children network about what’s fated to happen (which again, is work we’d do off-screen in order to make the film make sense), I cannot safely assume at least one of them wouldn’t go as far to try to stop it or undo it as Menoa did.
It’s not just a mostly bitter with a bit of sweet ending the film gives. It’s so sloppy that upon closer inspection it falls apart and only fates itself to be repeated.
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