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#burleigh
imaf00die777 · 10 months
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summersenstations · 1 year
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Burleigh, Gold Coast, Australia
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roughridingrednecks · 4 months
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Burleigh in Florida
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realchangeau · 9 months
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hortovanyi · 1 year
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#burleigh #cycling #cycle #cyclinglife #summer #goldcoast #wymtm (at Burleigh Pavilion) https://www.instagram.com/p/Cmz2vVKS4C9/?igshid=NGJjMDIxMWI=
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cancerzodiaco · 1 year
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Horóscopo diario en Keokuk
#Aries, a veces, se equivoca en sus primeras relaciones y le cuesta ser fiel o encontrar el amor de su vida.
Tarot Y Videncia:
Llámanos Ahora
🇺🇸 Estados Unidos: +1 21 37 84 79 82
Para resolver los problemas del corazón y entregarnos a la felicidad. ¡Los temas del corazón son tan complejos! Cuando el amor no ha tocado a la puerta nos sentimos ansiosos por encontrar a la paraje ideal y una vez que la tenemos nos enfrentamos al miedo de perderla. En cualquiera de los casos no hay de qué preocuparnos porque el tarot amor nos brinda la ayuda necesaria para triunfar en una relación.
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sneakysoundsystem · 1 year
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NYE 🪩🪩🪩 
TICKETS HERE
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fujifilmgoldcoast · 2 years
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random-brushstrokes · 4 months
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Averil Mary Burleigh (British, 1883–1949) - The Mask of Ohi Baba
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lepetitdragonvert · 7 months
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Endymion
Artist : Averil Mary Burleigh
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kellymagovern · 5 months
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Ambrosia - "Biggest Part of Me" [x]
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~ Averil Mary Burleigh, "A Stately Measure" (1913)
via world4.eu
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adrianvarelablog · 1 year
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Emerging artists
Cromwell Place Art Gallery
28 Jan 2023
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By Adrian Varela
In 1892 Dvorak landed in the USA, newly appointed director of the National Conservatory of Music of America, in New York City. During his three years in the USA, he was also tasked with the job of spearheading the synthesis, or creation, of a truly (North) ‘American’ musical form of expression. Though still a post-colonialist viewpoint -widespread quintessentially North-American music already existed in the form of the music of black and native peoples- the choice of Dvorak, as a composer who might be able to do this was within the realm of art music, was an inspired one. Dvorak had for years made music of his native Bohemia an integral part of his compositional output. Children of this effort include his symphony no.9 ‘From the New World’, the cello concerto, and the ‘American’ string quartet, performed tonight.
At the Conservatory, one of his black students, singer, composer, and arranger Mr. Harry T Burleigh frequently shared black, and other native music, with Dvorak. It was through Burleigh that Dvorak came to feel that much of this music was (as still is much native music in many other parts of the world) based on the pentatonic scale. Every theme in the ‘American’ string quartet is pentatonic, as is the anonymous negro spiritual ‘Deep River’.
The British-Sri Lankan composer Yshani Perinpanayagam has based her ‘We Folk Disquieten’, here a world premiere, also on the pentatonic scale; or rather, several. There is really only one pentatonic scale, which can be anchored to any given note, ie played ‘higher’ or ‘lower’. Perinpanayagam, giving each instrument a distinct pentatonic scale, represents the local voices of different peoples in different parts of the world, gathering them in a single, powerful, unified voice as the work unfolds.
‘Pyramid in an Urban Landscape’ by the Mexican (hence North American) composer Diana Syrse is given here its UK premiere. In it she combines the use of traditional string quartet instruments with pre-Columbian ones. At first, one may wonder why these pre-Columbian shapes and sounds are irrupting into the old, established order of the string quartet- until we realise it is the ‘West’, the colonisers, who have encroached around the pyramids, the ayoyote, the ocarina and the shaker, all of whom were there first.
The title of the concert, ‘Emerging’, evokes the idea of the new: new music, new paintings, new art. But these final expressions cannot be understood without also delving somewhat into the different processes and cultural environments, which lay out the conditions in which artists work, to generate this new art. We invite the audience to join us in being a part of the process that underpins the genesis of some of the works we perform today.
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travelbinge · 10 months
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By Seanscottphotography
Burleigh Heads, Queensland, Australia
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Averil Mary Burleigh (British, 1883–1949) - The Mask of Ohi Baba
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Transcendental Etude - Adrienne Rich
No one ever told us we had to study our lives, make of our lives a study, as if learning natural history or music, that we should begin with the simple exercises first and slowly go on trying the hard ones, practicing till strength and accuracy became one with the daring to leap into transcendence, take the chance of breaking down the wild arpeggio or faulting the full sentence of the fugue. —And in fact we can’t live like that: we take on everything at once before we’ve even begun to read of mark time, we’re forced to begin in the midst of the hard movement, the one already sounding as we are born.
[Thanks Inward Bound Poetry] [via Alive On All Channels]
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scintillulae · 4 months
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