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#btw please tag spoilers or else
catwafers · 5 months
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i've been rotating postcanon knives in my mind for several months at this point, but i don't think i'll be able to draw his story beyond what i have already. so here's a glimpse of what's taken over my mind
(no romance included)
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annaofaza · 1 year
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Knives knows he's coming, with earth embedded underneath his nails, sweat drying on his brow, cheeks sticky and eyelids rubbed raw. He counts on it.
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nazumichi · 2 years
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if clouds on the horizon forces me to look at the blight parents for more than uhhhhh 10 seconds, i will not be pleased. suing in the future, in fact. do not want them in my retinas longer than they need to be.
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nights-at-crystarium · 8 months
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You know what, I assume that people always read my pinned, or notice the pointer "new reader? start here" in every new Fragments' episode. I might be deluding myself. So hi hello lemme TALK ABOUT MY COMIC.
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Before I get too rambly (and I mean RAMBLY), here's a quick intro. Fragments is a comic focused on feels and slice of life, made by a queer guy, aiming to ~character study~ the main cast (Vivi, Raha, Alisaie, Feo Ul) and fill in the gaps in canon (or linger in canon moments that needed more air imo), the tone ranging from angst to fluff to meme. Good punches require a good windup, so please don't expect angst anytime soon :3c
The story's segmented (fragmented, heh) into episodes. Episodes 1-11 take place in ARR, you can enjoy them with no worry about spoilers. Episode 12 onward is ShB, with all the spoilers and lorebending.
My storytelling style assumes you haven't only played through ShB, but know it like the back of your hand, i.e. it's for nerds and thinkers. Of course there's plenty of silly moments that don't require any deep knowledge, but the overarching story does. Often I skip canon events, only hinting that they took place, simply because I don't wanna retell the msq 1:1, I've got plenty of original scenes waiting to be drawn. You're in for a treat if you like obsessing over emotional and moral implications of things. And, yes, this's a story about a morally grey mc. Don't expect to be spoon-fed "and this's why that thing's bad, kids".
Currently I've outlined all the main story beats up until post EW, so it's like, not being winged as I go. Yes I refine things here and there, but I know where I'm going. I'm going ham!!!! With the lorebending post ShB. Initially I didn't plan to, but the more I learned about Vivi and personally grew as a writer, the more courage I got to "divorce" from canon. The general xiv story may still be good wherever it's headed, but it's not suited for an established wolgraha, so I'm making food for myself.
Everyone imagines the lil scenes from their wol's life, I'm taking that a tiiiiiny step further. Fragments tells a cohesive story that's looking to be the longest project at least in our corner. I can and will hyperfixate on this for years.
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I started out just like many others, being hit with ShB like a truck, I wanted to put a catboy under a microscope and rotate him forever. Although I'd already been drawing for decades, I didn't have the comic-making skills yet, or eloquence to write the dialogue, so I spent the first half of 2022 self-studying, just because I needed a mouth to be able to scream about my ship.
Vivi didn't exist prior to my obsession with Exarch. He was made for this, he started out as a reagent (or a foil, now that I know fancy writing terms) for a rich and fun chemistry, and keep myself entertained for years, first and foremost.
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Me, a fool: okay let's make a guy that falls in love with Exarch in this particular moment, what kinda life must he have led to- Me: ....oh no
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The chemistry quickly bubbled up and exploded in my face, involving not only Exarch, but other characters (first as a means to subtly tell about Vivi, then they also demanded their own screentime), and here I am, sitting with a massive script on my hands, drawing my blorbos every day. Thanks for enabling that btw.
I care about characters a lot. I ask a lot of whys and hows. I'm critical-minded and burned on many bad stories that did their characters dirty, and I wanna be an opposing example. What I'm doing is extremely ambitious and risky, yes, but I can only invite you to tag along and see if I stick to my word.
The internet's a cruel and unforgiving place nowadays, and here I am, pitting my passion against what feels like decaying humanity. I'm making this comic to keep myself happy above all else, being sincere and cringe because life's too short to be anything else.
Thanks for reading this, and if you haven't yet, read Fragments here!
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manicrouge · 2 months
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SIN CITY
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[𝙺𝚎𝚎𝚐𝚊𝚗 𝚁𝚞𝚜𝚜 𝚡 𝚁𝚎𝚊𝚍𝚎𝚛]
[𝙳𝚊𝚝𝚎 𝙿𝚘𝚜𝚝𝚎𝚍]: 09/02/24
[𝙰𝚋𝚘𝚞𝚝]: Rorke finds the Ghost's and you fear you're never going to see Keegan again.
[𝙲𝚠]: Major character death, violence, gore, graphic injury, hurt/ comfort, reader goes THROUGH IT, idk if there's anything else.
[𝚆𝚘𝚛𝚍 𝙲𝚘𝚞��𝚝]: 7k (exactly btw)
[𝙰/𝙽]: This has literally been in my drafts since Decemeber and I wrote way too much of it to not do anything with it so = I hope this is enough to suffice. Also, this is entirely based off of the mission 'Sin City' in call of duty ghosts, so if you haven't seen or played the game and don't want spoilers then please skip this !! (I would be surprised if you've not seen this yet you're in the Keegan tag.)
Also, if people do enjoy this I am down to write a part two so please let me know :3
ENJOY !!
There may be typos, apologies!!
Please don't post my work anywhere else without my permission !!
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‘If I ever went missing, would you go and look for me?'
It was silent for a moment, and after five seconds passed, you turned to look at the man lying beside you. As you observed his features, you realised that his eyes were closed and while you doubted someone’s ability to dose off so quickly, you sure as shit didn’t doubt Keegan’s. His hand on your waist gave him away as it tightened on you, pulling you closer to him.
Opening his eyes, he peered at you with a furrowed brow. ‘The fuck kinda question is that, princess?’ He asked, ‘of course I would. Besides, need you with me,’ he said, ‘who else would I have to watch my back? Didn’t spend all that time training you for you to disappear on me, did I?’
Smug bastard.
'You're full of yourself,' you bit back.
'Good reason to be,' he said, brushing a hand through his black hair, moving his fringe away from his eyebrows, 'I'll consider being humble when I lose you, princess. But that hasn't happened and it won't be happening on my watch, not at all,' he reassured, pulling you closer to him.
You slapped his chest, letting out a heavy sigh, resting your head against his chest. In the dead of the night and the silence in your room, you listen to the thud of his beating heart while held up on a tiny bed. You were practically on top of him, legs intertwined. 
There wasn't anywhere to go, however, and he didn't seem to care about you closeness at that moment. Rather, he settled with the heat of your body much better than he would have settled in a bed with more space.
'You think this'll ever be over?' you mumbled, closing your eyes, 'I'd like to sleep in a bigger bed with you; this ones a little cramped. Maybe even watch something on a TV too.’
'You're free to take the floor if you want to, I'm not stopping you,' he grunted, pinching your waist.
'I'm gonna blow your brains out,' you sleepily mumbled, placing your hand over his. His chest twitches as he lets out a short laugh, folding his arm behind your head so he can brush his fingers through your hair. 'I mean it,' you grumbled.'
'Of course you do, princess,' he said, 'of course you do.'
Throughout your training as a Ghost, you gained an understanding that things will never ever be as easy as you wish they were. But, it came with the job, you suppose, whether it was spoken or not. 
Feelings as such only ever drift in when you don’t have a distraction, and the absence of Keegan after Elias sent him to Colorado Springs proved to be bruising. 
Admittedly, you had been apprehensive with Elias’ request, although, in private, you digressed as you noted that Elias is your Captain, and you were to never question your captains judgement. Even when it came to someone that you loved. So, you bit your tongue, and for the first time in what felt like a long time, you allowed yourself to relax. 
But, you have some things you needed to do before you got any sleep, or before you thought about anything else other than Rorke and the Federation. 
‘JSOC’s going to want to move fast on this, so load up before you get any shut eye,’ he advises.
You follow behind him, standing beside Logan as he walked with Hesh and Merrick by his side. Fortunately, the brunt of the experience has been dealt with, you had survived Keegan’s absence overnight, and in a matter of hours, he would be back by your side. Inwardly, you’re embarrassed at your clinginess to him, but deep down you know he enjoys it. 
‘We’ve got six hours until Keegan gets back,’ Elias says. 
Upon the mention of his name, Riley brushes his head against your leg, and you look down at the German Shepherd, rolling your eyes. Leaning down slightly, you scratch his head. ‘Shut up,’ you grumble to the pup when he looks up at you, his tongue poking out from the corner of his mouth. When you pull your hand away, he licks it, staring back at you. With a huff, you fold to his attempt of cuteness, moving your hand to the his head again. 
‘Hold up,’ Merrick says abruptly. 
An arm grabs your forearm suddenly, and you let out a startled breath, though when you look in front of you, you realise you’d almost walked right into Hesh. Exhaling, you turn your head to Logan who gives you a short nod. 
‘Somethin’ feel off to you?’ Merrick asks, turning to Elias.
The man immediately turns to his right, observing a laptop left perched on a desk. He says little for a moment, and when you turn your head away from your Captain, you acknowledge Merrick’s watchful eye as he peers down the scope of his gun, observing the sights through the broad windows located to the left of you. 
‘Security’s working,’ says the man to the right of you. 
Merrick slowly backs away, keeping his eyes trained o the window. You feel your throat tighten as you keep your eyes on the man, his paranoia working well to leave a heavy feeling in your chest. Logan lets go of your arm as he glances at his brother, a look that you don’t miss, and Merrick looks at you. You open your mouth to speak, holding the gun in your hands close to your chest, snapping your head to Riley as the dog begins to bark, glaring directly through he window that Merrick had just kept his eyes trained on. 
While he may be a dog, he is surely not an idiot- in fact, you’re quite sure that Riley is much smarter than many of the people you had encountered when you had been a simple rookie, before Elias had taken you under his wing. He could certainly kill more people, that’s for sure. 
It all seems to happen in slow motion, and the night you had spent prior seems to dissipate in one moment. There’s this hissing, you hear it from below, and before you have time to contemplate what exactly it is, a black can is thrown over the balcony, a train of green smoke pouring from out of the top of it.
‘Fuck,’ you curse, ‘get out!’ you yell, watching as another two cans containing the same foul smelling gas are tossed over  the balcony, hitting the ground with a clink.
As you begin to sprint, you find the air around you is similar to the air you breathed whenever you were spending time with Keegan on his smoke break. All oxygen left your lungs as you broke into a sprint, your eyes water, and before you know it, you falling down to the ground, gasping for air as you feel your eyes grow heavy. 
In the midst of the panic and over the thumping of your heart in your chest, you hear Elias call out, ‘Riley, hide!’ before breaking out into a fit of coughs.
You wretch, clawing at the ground in some form of futile attempt to escape, but nothing works as you watch Logan collapse right before you, spewing out violent coughs. Never have you felt so defenceless, so weak as you succumb to the gas, the world around you growing blurry before fading into complete darkness. 
‘What are you doing up, kid?’ Keegan asks, seeing you appear beside him.
Letting out a small yawn, your boots crunch against a few stray rocks as you approach him, taking a seat against the rock he was leaning on, looking out at the remnants of No Mans Land. Logan and Hesh had regarded it as their home, as did their father, though, you couldn’t really picture the place without the addition of a crater which grew every day, claiming the lives of old rickety buildings and unsuspecting wildlife.
It was a sorry sight to see for sure, and inwardly, you were happy you never had the misfortune of seeing your own home falling to pieces.
‘You need sleep,’ he said, taking a drag from the cigarette between his lips. 
Your eyebrows raise as you look at him, crossing your arms over yourself. ‘I thought you said you didn’t smoke,’ you say, 'you're a liar.'
You didn’t miss the way he rolled his eyes at your comment, and when he pulls it from his lips, exhaling a cloud of grey smoke, he chuckles. ‘Thought I told you not to hang onto every little thing I tell you, princess,’ he stated, ‘seems like we’re both guilty of doing something we’re not supposed to, hm?’
Placing the cigarette between his lips again, he turns his attention to you, noting that you’d crinkled your nose as the smoke he’d exhaled blew back into your face. ‘You can handle the fuckin’ dust in the battlefield, but the moment you smell a cigarette you fold?’ he mocks, laughing.
Your brow furrows at his comment and you fought of the urge to rip the cigarette out of his mouth. Instead, you allowed him to have his silly little cancer stick knowing that, if you did so something so cruel, he was sure to be upset at you, no matter how close the pair of you were. Cigarettes were difficult to come by and you liked him enough to let him have one in peace. 
When the world fades in, you’re moving.
You don’t know how, and for a short second, you’re convinced you’ve died. But, when you take a sharp breath and feel your lungs burning, you’re crudely brought back to life. When you look ahead of you, you witness two soldiers trailing behind you. Keeping your head bowed, you wince at the dizziness wrecking your tired mind, attempting to hold your breath in fear of the due ache in your lungs.
Swallowing, your mouth is dry and you feel the urge to vomit as your head keeps swaying from side to side. Your limbs feel like jelly, fluid. You can hear them talking, although, everything seems miles away from you, and you feel your eyes water as the tightness in your chest grows. If they know you’re here, do they know where Keegan is? The thought sends a chill down your spine, and in your delirious state, you declare that you will kill anyone who even dared to touch even a hair on his head. Even if it meant your death too. 
‘That all you got you piece of shit?!’
It’s Merrick, you recognise his tone from anywhere, it nearly shatters your delirious state entirely, though, the grip on the back of your collar tightens as your pulled away from him.
There’s more shouting and a loud smack, Merrick, you imagine, is on the receiving end of such a hit. A Ghost in true fashion, that’s for sure. As you attempt to lift your head again, you find the world growing dark once more, and, while you feel as though you should fight against it just as you had seen him do, you allow yourself to fall back into the abyss as you feel your lung burning and throat swelling. 
There’s a screeching when you come back around, a vile ringing in your ears. ‘Well, I guess if you want something done right, do it yourself.’ 
Your blood runs cold.
As you slowly begins to lift your head, a hand grabs your face, forcing your head up. The light protruding from the window to the left of you is nearly bruising, and when the hand holding your face successfully tilts your head up, your eyes meet with Rorkes. He looks down at you with a wrinkled smirk, his hold tightening on your hair, yanking it harder. You wince at the pressure as he keeps his eyes on you.
‘You’re finally awake,’ he acknowledges, pushing your head down, letting go of your hair. ‘Good.’
He walks away from you, and as you look around, you note that Hesh is sitting directly across from you, Logan is to the right of you, and Elias is to your left.
As you continue to look around, your face pales at the disappearance of Merrick, and while you sit, you recall the faint memory in your banging head of the man being surrounded by Federation soldiers.
He’s smart, you think, you could leave that bastard in a forest with a knife and he’d have his own fuckin’ city in a month. He’s fine. 
‘Nice to have the family back together, isn’t it?’ Rorke asks, looking to Elias. The man shows no fear, looking the devil right in the eyes with a stoic expression on his face. ‘One thing, though,’ he says, ‘we’re just missin’ our quiet friend, aren’t we?’ he says.
Your heart calms at such a statement.
He doesn’t have him, he’s fine, he’s safe.
You expect him to keep his eyes trained on Elias, counting on the fact that he is the Captain, but, he turns his head over his shoulder and looks at you. Heaving a heavy sigh, he turns his back to Elias, placing his hands down on his knees, ‘where’s Keegan?’
Looking him in the eyes, you spite your dry throat as the muscles in your neck contort and you muster up a mouthful of phlegm. He keeps his eyes trained on you, and you lung forward, a spray of mucus and saliva coating his face. ‘Fuck you,’ you heave, ‘I’m not telling you a fuckin’ thing,’ you sharply state.
He looks at you with wide eyes, standing up and wiping his face with the palm of his hand. 
‘Damn bitch has got some fight in her, doesn't she?’ he laughs, turning to Elias, ‘not your daughter by blood, but by attitude… fuck me, Elias, you’ve got yourself a mini me!’ he exclaims. You bite your lip, taking a deep breath as you look at your Captain with bleary eyes. Grabbing the back of the man’s chair, he pulls it to him. Elias’ gaze doesn’t leave his. ‘Where is he?’ he slowly questions. 
There’s a moment of silence.
‘You know I’m not telling you a damn thing,’ he spits, baring his teeth in his direction.
Never have you seen the man so agitated, his bruised face flushed red, his split lip oozing with blood, a thin line of it trailing down his chin. He looks like a savage beast as the sunlight behind him renders his features darker than typical, and the curve of his lips when he addresses Rorke even sends a shiver up your spine.
Of course, a Ghost was loyal to his own until death, and even then, they were buried down to watch over them. Once a Ghost, always a Ghost. Elias proved his worth much more than Rorke ever could, and while you wondered what exactly they had done to break the man who Elias had described as ‘one hell of a Ghost,’ but one thing was for certain. A man who broke was not a Ghost. Never was, and never would be.
’Go fuck yourself,’ Elias hisses.
Rorke laughs, nodding his head, letting go of the back of his chair. It lands with a clatter, and you watch as the man continues to nod to himself.
‘Dangerous fuckin’ game you’re playing,’ he states, and you watch as his right hand moves from the front of him, trailing around to the side where his pistol sat in his holster.
He’s gonna shoot Elias. Your eyes grow wide as you watch the man retrieve his weapon. Your muscles tensing as he holds it out in front of him. It’s aimed right at his chest, overing above his heart. ‘Well, let's see if I can change your mind,’ he exhales. 
BANG.
In a moment, his hand whips around, and when the trigger is pulled, all the air in your lungs exudes like puss from a pimple.
The shot causes your ears to ring. It’s loud, and everything is fuzzy. For a moment, you look up in search of the wound, hoping that the bullet had not went through your Captains skull. Only, when you look in his direction, you see the smoking pistol pointed directly at you. Your eyes grow wide, and you let out a short breath.
You heard the gun go off, the bullet had to be somewhere. And then, you felt a wetness pooling against your thighs. Everything seemed to move slowly when you raised your head up, looking across to Hesh with wide eyes. 
I’m going to die, I’m going to die and Keegan isn’t here with me.
As you manage to get a short breath in, agony hits you like a truck and you lean over without a second thought.
I’m going to die.
All you training, everything, how to stop the bleeding, none of it matters; you’re truly at the disposal of the enemy and there’s nothing you can do. Not even you Captain can do anything. 
‘NO!’ Elias screams, dragging you back into the moment. 
Between the thudding beats of your heart, you hear Hesh screaming out bloody murder, thrashing against the ropes that keep him tied to the chair, ‘Son of a bitch!’ he screams, looking directly at Rorke, ‘I’m going to kill you! You hear me? I’m going to fucking kill you!'
A shaky breath leaves you as your eyes well with tears, and when you look down, you gulp hard at the sight of a wound oozing blood. Your throat tightens as you feel your entire body grow hot.
‘Easy junior,’ Rorke warns with a disapproving tone. You keep your head bowed as his shadow looms over you, ‘I ain’t even started with you yet,’ he chuckles.
Keegan, where’s Keegan- I’m going to die.
Your eyes sting as your trembling hands press against the rope, pulling against them. You need to get out of there otherwise you are going to die. 
Elias calls your name, you hear it, he shouts it, yet, it seems so quiet.
'Look at me!’ he demands, and while everything in you is telling you to keep your eyes trained on the wound, you force your head up, sniffing hard as you look your Captain in the eyes. At the very least, even if Keegan isn’t there with you, you have him.
Elias, you captain, your military father. There have been plenty of jokes made during particularly bleak moments in missions where Hesh and Logan have likened you to their sister. It's an honour, truly, to know that they were your brothers no matter relation, and Elias entertained the idea that you were the daughter he had never had. 
Rorke appears behind him and it’s then that you don’t realise how many seconds are passing. Every single second feels like an hour, and you’re more than aware that every second passing is yet another drop of wasted blood. You’re running on borrowed fucking time, and there’s Rorke, the big fucking man he is, parading around in front of you like he’s a jester. ‘That’s right,’ he chuckles, placing his hand on Elias shoulder, ‘that’s it,’ he sighs, ‘show him how much pain he’s causing you right now.’
‘Keegan will kill you,’ you rasp out, stifling a short whimper as you clench your teeth. ‘And if he doesn’t, then I will.’
You’re more than aware of the situation your in and your pessimism seems to waver with your consciousness as a sudden boost of adrenaline fills you with defiance. If you’re going to die, you might as well run your tongue; the worst thing that can happen in this moment is him simply putting you out of your misery. 
Rorke laughs at your threats, ‘you see,’ he begins, ‘funny think about your old Captain here,’ he stops himself for a moment, shoving Elias as he resumes his position, looking you in the eyes, ‘He lets his men die to save his own ass,’ he states, turning his attention away from you, turning his attention back to the Captain.
Exhaling shakily, you look over to Hesh and Logan who return a look equally as frightened. Never have you seen the pair of them appear so apprehensive, although, you definitely don’t miss the look of anger. No, even though the look isn’t intended for you, you feel a chill run up your spine. 
‘Dammit, Rorke,’ Elias yells, ‘this is between you and me!’
The world seems like its on a merry-go-round, twisting and turning leaving a delightful fuzziness in your head. Adrenaline is pupping through you, and you’re thankful for the emotion, for, if you didn’t have it, you very well would have been out like a light. Your hands continue to pull against the ties of your rope, and while your wrists are burning from the constant pulling and tugging, you breath a short sigh of relief when you feel them loosening. Whoever tied it clearly weren’t trained in the art of kidnapping. 
‘Leave my kids out of it!’ Elias demands.
You feel your heart warm at his sentiment, giving you all the more fight to get out of these damn binds. Works gun is right next to him, you can get it, you can reach for it, and you can blow that fuckers brains out. 
‘You’re talking to a superior Lieutenant,’ Rorke says, pacing back and forward, before finding his way right back to Elias. Looking down at the man, he calmly speaks, ‘show some discipline.’
You feel your face grow warm listening to their exchange. 
‘You were never one of us, you’re not a Ghost,’ Elias cruelly says, turning his face away from Rorke, looking down to the ground. Rorke hums, turning his attention back towards you.
The ties are growing looser, they’re getting there, you can almost get your hand out of them, yet, you maintain poker face as you look up at Rorke. 
‘Well,’ Rorke breathes, ‘that’s just cause I’m better than you!’ he exclaims, keeping his eyes trained on you. You watch as they narrow, it’s a subtle one, one that you had noted during parring matches with rookies.
As Keegan had taught you, when soldiers get lazy, they give themselves away and it’s always in the eyes.
Your eyes dart to his hands, seeing him clench his fists as he snaps his body around, driving his fist into Elias’ face. The man falls to the side with a grunt as Rorke takes a short breath before raising his other fist, ‘I’ve always been better than you!’ he seethes, punching that man again. Elias tilts his head back against the chair, and you watch as both Logan and Hesh begin to fight much harder against their restraints. Either way, someone was getting out and Rorke was going to pay. ‘But you… you call yourself a Ghost?!’ he barks, hating Elias again. 
As he looks down on Elias, you pull a hand free from the ties. Keeping your eyes trained on Rorke, you look down at his gun, gritting your teeth. ‘You’re nothing! You and your kids, you’re dead!’ he declares.
Wrong move.
With his proud declaration, you push yourself up from out of the chair, snatching his pistol from out of the holster on his thigh. Such, unfortunately, doesn’t go unnoticed by Rorke as he whips around, grabbing your arms, forcing the pistol up. You place your hands against his, using all the strength you can muster to pull the gun away from him. 
Nothing moves him, however. 
But he’s a monster, he likes to play with his food.
He’s not using all his strength, he’s taking it easy on you, and you’re still losing. As he does so, he laughs in your ear. ‘Oh,’ he gasps, ‘she’s still got a little life in her,’ he laughs aloud, positioning the gun so your pointing it directly at Elias. ‘Didn’t he ever tell you not to aim guns at people?’ You grunt, driving your foot against his boot, feeling his grip falter for a moment. You attempt to move the gun upwards, your finger pressed against the trigger. Everything burns. Everything hurts. But you’re not going to stop, you’re going to kill this bastard even if it kills you. 
Unfortunately he’s a scummy man, and as punishment for you stomping on his foot, he drives an elbow into your stomach, winding you.
Your hold falters- you almost fall to the floor- but he keeps you up on your feet, and through gritted teeth declares, ‘they could go off!’ His finger jams against your pressed against the trigger, a loud shot ringing in your ears. You watch a Elias throws his head to the side as a bullet drives through his chest. You fight against him harder, shaking your head. ‘That’s is!’ He grunts, ‘just a little more that way,’ he instructs you, forcing your hand further to the right. You actively pull away as the both of you fight against each other. Tears are running down your faces at that moment, every pull and tug driving the bullet in your stomach further and further. 
‘Dammit, Rorke, STOP!’ Hesh begs. 
 ‘Point it… at…’ another shot is fired, and Elias takes it with a grunt, 'your Captain.’
As though taking candy from a baby, he lets go of your hands, plucking it out of your sweaty grasp. Gunpowder invades your nostrils as he lets you go. Rookie mistake, you hear it in your head, but it isn't your voice. It's Keegan's.
You wobble on your feet, staggering backwards as your get your bearings. What you need to do is untie Logan who is right behind you, and then when he's distracted you can get to Hesh. Yet, as you step back and begin to move towards Logan, Rorke whips around to face you again driving the butt of the pistol into your face. It hits you with a crude thwack, a stoke of colour meeting your gaze as you fail to catch yourself, tumbling to the ground.
Logan screams out as you fall to the ground, and you tense as you brace for impact. You land with a thud, a broken cry escaping your lips when you feel the bullet lodge in your stomach dig further in.
The pain leaves you gasping an you clench your teeth as the room spins. Nausea spread through you as you lay there attempting to collect yourself, gulping back the urge to vomit.  Resting your palm against the ground, you begin to attempt to pick yourself up. If you can just make it to Logan, you can make everything right.
Keeping your eyes trained on Elias, you watch as Rorke circles him as a shark did its pray. Both Hesh and Logan are calling you for you, the rattle of their chair thumping causing your ears to ring. Licking your dry lips, you tense when Rorke turns back to you, pointing the pistol in his hand directly at your head.
‘You got fire in you, kid,’ he breathlessly confesses, ‘I like that… risking your life to protect your Captain,’ he chuckles, leaning into Elias, pressing his finger against his chest. ‘You could learn something from her, Elias.’
‘She’s my daughter,’ he croaks. 
‘Yeah,’ Rorke nods, glancing at you, ‘and she’s gonna get to watch you die. Her and your boys.'
Shot after shot is fired, every bang against you to witness as you grab your stomach, pressing down against the wound to keep yourself from losing more blood than necessary. You’re far too dazed to get up and fight against the man who saw the very life of your Captain as some sort of joke. So, you watch, helpless, as Rorke empties a clip into Elias.
‘No! No! Dad!’ Hesh cries. His face is red as he frashes against the ties keeping him from his father, the very sight making your headache. His tone is piercing as he carelessly spits out curses at the man before him. ‘I’ll kill you, you hear me?’ he screams, ‘I’ll kill you, you son of a bitch! I’m going to kill you! Motherfucker!’ 
The worlds a little blurry. 
Your eyelids grow heavy, and when you force the open upon hearing a thud right in front of you, you’re surprised to see Elias’ face meters away from yours. You fight against the urge to drift off. You’re not going to die, you’re getting out of this and you’re seeing Keegan again- you can't die.
‘You did well,’ Elias breathes, looking at you. Your blood runs cold at the sight of blood seeping onto the ground, ‘I’m proud of you, you and my boys,’ he utters, wheezing for a single breath of air. His lips are blue as he stares at you, your eyes welling with tears as you're forced to watch as the man struggles for his last breaths.
Rorke’s boot is planted firmly on top of his head, and you catch your Captain glancing up at the man.
For the very first time, you see fear in his eyes. It's a dastardly look, mixing with the loss of blood in an unappealing manner as his face grows sickeningly pale. Something tells you that Elias Walker is scared of dying.
No Ghost is to be scared of death, that's not who we are.
But, we're scared of losing each other.
Elias Walker is scared of losing his family, of leaving them behind.
Rorke sighs, pushing his boot further down, leaning down to press the muzzle of the pistol against his forehead.
Keegan, please.
‘Oh… you are right, Elias,’ breathes the man, ‘I’m not a Ghost,’ he grins. There's a pause in his words, and you find yourself searching for some form of sickly hope that just in the nick of time, there will be a bullet in Rorke's head rather than Elias'.
Rorke remains tall and as he licks his thin lips and eyes Elias, you find a dismal pit in your stomach that you know you're never going to recover from.
‘I’m the man that hunts them, and sends them back to the other side.’ 
With that, he pulls the trigger. 
You scrunch your eyes shut as you hear the rattle of the man's chest, a wet pray covering your face. Your lips form into a thin line as you choke out a broken sob, and when you bring your lips together again, the metallic taste of your Captains blood. Behind you, you can hear both Logan and Hesh sobbing, the anger the pair of the showed silently dissipated into grief.
The rustle of fabric in front of you unnerves you, and you attempt to turn away from Elias' corpse, letting out a startled breath when a shadow looms over you and you're grabbed.
'Leave her alone,' begs Logan, 'you got what you wanted. Leave her be... please.'
Rorke holds you in his arms like a child would a doll, and to your surprise, he guides you back into the chair you had jumped out from, forcing you back into it.
Standing back from the three of you, he rubs his mouth with his hand, his lips curling into a small grin as he hums to himself. 'Some talent is between you kids,' he says, 'real shame you're fighting the wrong side of this war, really, it is.'
Much to your pleasure, you find Merrick alive.
Despite your doubts prior, you knew well the man was capable of surviving. After the execution of Elias, Rorke left you with his soldiers and you, Hesh, Logan and Merrick were all forced onto your knees, kneeling on the balcony where the attack had first initially ensued. You’re unsure as to how much time had passed, but you were sure the wound was not getting any better as every time you shifted, you fell light headed. 
The soldiers that had been observing you receive something on the radio, although, your entire body is hot and your ears are ringing, the memory of Elias’ face stuck in your head as you were forced to witness his death close and personal. You’re quite sure there is residue on of the crime on your face, so, you keep your head bowed, out of the way of both Logan and Hesh who look completely broken. 
‘You alright?’ Logan whispers.
You’re shaking, but you nod your head. 
‘Just Peachy, L, don’t worry about it,’ you utter, keeping your head down. 
A shadow is cast over you and you catch sight of the boots of three soldiers.
‘The boss wants the girl alive,’ says one of them, causing you to snap your head upwards, looking at the three of them.
The one in the middle is pointing at you, marking you out of the crowd while the other two simply observe. 
You feel dirty. 
The man beside him nods his head, grabbing his pistol from his holster, aiming it at Hesh, while the other one approaches Logan, repeating the process.
It’s terribly calculated, killing both of the brothers, clearing the world of Elias once and for all at the same time. You keep your eyes trained on Hesh, eyes occasionally drifting to the window as you sit and wait. Planting the pistol firmly against Hesh’s head, you hear Logan grunt beside you. Hesh moves to the side, his forearms tensing, preparing for the shot. At the very last, they’re showing them mercy. They could have slit their throats, left them to drown in their own blood, yet, they’re making it easy.
One shot to the head. 
Then you see him. 
A small flicker of light in the distance. 
The light at the end of the tunnel.
The glass shatters, the man holding the gun to Hesh’s head stumbling down onto his knees, his hand firmly planted against his chest. It all happens so fast, the man beside him stands dazed, looking at his colleague. Another shot is fired, going right through the mans skull. A spray of brain, blood and skull covers you as the man fulls forward.
‘HESH, LOGAN! NOW!’ Merrick demands, the pair of them jumping to their feet. 
Logan shoves the guard to the ground, pulling him away from you while Hesh and Merrick rush two of two of the soldiers by the balcony. The awestruck soldier is left to you and you watch as he rushes forward, pulling the gun from the corpse of the dead soldier. Fortunately, Hesh manages to grab the rifle from off of the solider standing on the balcony, elbowing him in the stomach. Rushing up to you, he hits the back of the mans guns with the butt of the rifle, causing the man to fall to his knees. You watch with wide eyes as the solider attempts to rush up to him while Hesh fights with the other one. 
Another shot is fired. 
The soldier behind Hesh falls to the ground. 
‘I got you! Go!’ Merrick yells as more shots are fired.
The rest of the soldiers standing behind are dropped. To the right of you, you hear a gunshot as you stand up, watching Logan push himself up from off of the ground, the blood of a Federation soldier soaking into his t-shirt as he steps over the corpse. Grabbing the pistol discarded on the ground, Logan quickly fires a shot through the head of the solider Hesh is fighting with. A bullet whizzes past you, and without a second thought, you snap around, firing two shots directly into a soldier to the right of you. There are more shots from the right of you, and when the final body drops, you exhale. 
‘You okay, Merrick?’ Logan asks as Merrick unties the ropes around his wrists. ‘Rib’s broken, but I can move,’ he reassures, rushing up to Hesh. 
Logan pulls himself free, immediately approaching you, ripping off the edge of his t-shirt. You watched with a furrowed brow as he eyes you. 
‘Need to keep you from bleeding all over the place,’ he states, ‘c’mere,’ he instructs. You step forwards and he hands you the scrap from his t-shirt. Pressing it against the wound, you groan as he wraps the rope around you waist, trying it tightly around your waist. ‘Keegan’ll kill us if you lose a drop more blood… lost enough today too,’ he says, tying it tightly. ‘You still good to fight?’ 
‘Always,’ you say.
Holding his hand out, the pair of you bump fists and for the first time since this morning, you feel the dread swirling in your blood slowly coming to a stop. 
‘We got to get going,’ Merrick sharply states, marching ahead of the free of you. Hesh follows after him. ‘Keegan, we’re up and moving, get here as soon as you can,’ he instructs.
You look at his back in surprise, your own hand falling to your ear piece realising thatchy hadn’t taken them off of you.
‘Check… I’ll meet you in the kitchen,’ confirms the voice you have missed so terribly.
You clear your throat, wincing as you proceed forward, following after Merrick. Part of you wants him to say something to you, to tell you that everything is going to be okay, but you understand that doing such would absolutely be irresponsible, so, you busy yourself listening to Merrick. 
‘We need to make it to the west side of the building,’ he states, ‘it’s the best chance of getting out of here.’ You nod silently, taking a moment to take a breath. Everything was going to be fine, and in the end of this, you were going to have Rorke’s head in your hands. ‘You still good to fight, Eclipse?’ 
‘Always,’ you give a short nod, ‘bleedings calmed,’ you confirm, despite the burning causing you legs to wobble slightly. In due time it will be over, all of this ill be a distant memory. Just push on a little longer, that’s all you have to do. 
‘Shh.. noise behind the door,’ Hesh warns as he approaches it, ‘lets make this quick.’
As you push through the room, you exhale when a voice calls, 'I'm almost there,' Keegan confirms as your brow furrows, a particularly step sending a shot of pain through your stomach up your back.
You clamp your mouth shut as you whimper, your dry mouth longing for a drop of water. Eventually, this will be over, you just had to stick to it. He's almost here, you just have to keep pushing on. That's the only thing you can do.
Just keep fighting.
'You better find a place to hide, though, lotta guys headed right to you,' he warns.
You want to complain upon hearing such, why can it never just be easy? Everything has to be difficult, no matter what you're doing, you can never just catch a break.
‘Key,’ you exhale seeing the man standing before you.
His hardened haze softens upon catching sight of you, and you waste no time rushing up to him, throwing your arms around him. While unprofessional, you feel no shame in confessing that you were going to die without him, and if anything, you were deserving of this moment. The hug you share is brief as he grabs your forearms checking you over.
He stops when he sees your stomach. 
Merrick curses and falls to the ground, ‘shit,’ he hisses, attempting to push himself up off of the ground. As you look back to Keegan, the pair of you turn your attention towards the doors behind you, hearing voices edging closer and closer.
Grabbing you, he looks to Hesh and Logan, ‘get him up,’ he demands, gently guiding you into the room behind you. ‘We gotta hide, not gonna be able to take them,’ he states, pulling you to the side. ‘What the fuck happened?’ he whispers as Logan and Hesh quickly help Merrick inside the room.
You feel his hand against your stomach, wincing as he looks at you. The pressure on your stomach falters as he pulls his hand away, observing a wet patch in his gloves.  
‘Got shot talking back to Rorke,’ you confess, and while you’re sure it’s something you certainly should not be proud of, you speak with a glowing tone as you look at him. Besides, he trained you all those years ago, why should you be ashamed?
'Logan thought fast, used the rope he tied us up with to try and stop the bleeding,’ you mumble. His gaze hardens as he looks at you, and you swear you can see his Adams apple bobbing beneath his mask. Gently he pushes you behind him, helping you to the ground. Looking over his shoulder, he reaches his hand behind him, squeezing your knee. 
It’s so quiet, yet you feel as though your heart is going to burst. 
You place your bloody, shaking hand over his and offer him a wavering smile. He takes it in for a moment before snapping back into action. His hand is pulled from your knee and you’re left alone. 
'Turn that radio down,' Merrick hisses as Hesh helps him down
He hums as the doors burst open. Pushing you behind him, you all sit and watch as shadows pass you by.
And then the world begins to still. You're unable to describe just what it is you're feeling, although, despite the weight and severity of everything happening around you, you feel light as a feather. Your clothes are soaked at this point and in spite of your efforts, you find your breathing slowing as you lean against the wall.
Clumsily, you reach your had out to latch onto the floor as you feel an overwhelming drowsiness hit you. You've put in all the work and effort you can muster, yet, you've tried from it and as you wade through the mush of panicked voices and the thudding of your heartbeat in your ears, you succumb to your body's desperation and fully close your eyes, wading into the quiet of the stream.
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lesbian-in-leather · 3 months
Text
Let's Talk About Alastor
Hazbin Hotel is rotting my brain so it's time for me to ramble about it to no one in particular!! Obviously this post will contain a whole multitude of spoilers, so please don't look under the cut unless you're fine with that/have seen the full season
As I mentioned in the tags of this post, I have SO MANY THOUGHTS about our beloved Radio Demon, especially in regards to the finale and how I think his plot could go next series, so buckle up folks, this'll be a long one
First off, let's talk about the way he fights. When he's fighting anyone, Alastor is big, and showy, and fucking deadly. We see it time and time again—he has fun when he fights, he enjoys the carnage and, most importantly, the terror he elicits from his foes. And that's why he was tasked with dealing with Adam—he's insanely powerful, and if anyone can take down the head of the exorcists, it would have to be Alastor (because obviously they didn't know Lucifer would show up to help, and Charlie hasn't fully come into her power yet, but that's another post). And he knows it! He knows he's powerful, he knows he's deadly, he knows everyone is shit-scared of him, and that's what he relies on.
And then the finale happens. He's in that final battle, and he's actually put to the test. And in terms of sheer power, for once in his afterlife he isn't the strongest in the room. He's actually outmatched, or at least on an even footing. And if he'd fought like everyone else, then maybe he would have succeeded—if he'd taken Carmilla's advice, I have no doubt that he would have won, or at least held Adam off for long enough that the others could have come and helped him. But he never stood a chance. Because he fights like an angel, and that's why he loses to one. Look at Carmilla's conversation with Vaggie:
"You leave yourself open with every swing; you fight like someone unafraid of harm" "Angels wield no shield, little armour, and fight with reckless abandon"
Remind you of anyone? Rewatch Alastor's fight with Adam—he's fighting just like he always does. He has multiple opportunities to take him out, but, like always, he chooses to play with his food. He's enjoying himself, he's riling Adam up, dancing around him, taunting him. Because at no point does he consider that he could lose this fight—he has no armour, no shield, he didn't even bring an angelic weapon! He just has his trusty radio mic (the source of his power? Perhaps... but that's a discussion for another post) that Adam breaks. And the genuine fear in his eyes, in his voice when that happens? He has no idea what to do. He never even considered this could happen. Everyone else is fighting for their lives, but he was treating this war like simple sport... until suddenly he couldn't.
And speaking of motivation, once again we can look to Carmilla's song to see why he loses when the other, objectively less powerful souls (Husk, Angel, Cherri, hell, even Nifty) succeeded. Yes, they weren't against Adam, but they were still fighting exorcists—you know, the same angels that have been decimating hell's population unchallenged for literal centuries. But they didn't die. Because they were fighting for what they truly believed in, because they had a real reason to not only fight, but to live. I saw it mentioned in this post earlier, and they make such a good point! Charlie's fighting for her dream and for her people; Vaggie's fighting for Charlie; Lucifer for his daughter; Angel, Husk, Pentious and Cherri are all fighting for their friends (something Charlie gave them, btw, but again, that's a different post). But what's Alastor fighting for? Power? Fun? To prove a goddamn point? I think he loses because even he doesn't really know why he's fighting. I mean, listen to Out For Love and tell me it doesn't apply to Alastor just as much as Vaggie:
"I see you're driven by your detestation Your every step is stoked with animus You need a different type of motivation Or there's no way that you can handle this I know you're thirstin' for vengeance, Vaggie You're out for blood But you'll only stand a chance if you're out for love"
Which would bring me onto where I think his plot will go in future seasons (should we get them), but first we need to clear a couple of things up and try to understand his character as best we can. Now here's the thing, I know a lot of people are divided on the topic of Alastor's feelings. Some people say he genuinely cares about the others, while some say he's just putting up a façade and playing the game, and that all of the supposed evidence of his feelings are actually manufactured manipulations. But I think both readings are true, and also, neither of them are.
Because I think Alastor does care about the others, to an extent. But I also think he refuses to acknowledge it, to recognise that part of himself, that he's buried those feelings so deep he doesn't even know that they can exist within him anymore. I think whoever holds his leash (Lilith? The seven year gap is a little too convenient to ignore, but at the same time, now that we know where she is, what's her motivation? Anyway, another post) pushed him towards the hotel for their own purposes, but I also don't think they're particularly checking up on him. I think his mission is to do with Charlie, but I also think he's grown genuinely attached to her over the months they've known each other. Why do I think this? I'm glad you asked!
First off, let's examine his reactions in various key moments throughout the series so far:
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This first shot is the most annoyed we see him for the entirety of the song Should Have Stayed Gone, despite singing with one of his (many?) self-proclaimed rivals, Vox. Now yes, he does look moderately peeved, but I would argue that it's much less to do with Vox, and much more to do with the focus on television and his constant fear of irrelevancy (more on that later in this post). Then look at his expressions later—
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Now he's enjoying himself, he has that ever-present shit-eating grin we all know and love. And, most crucially, no one else can see his expressions during this song. No one's looking at him in the first pic, and for the rest of the song he's in his radio booth, so it's safe to assume that his expressions are far less guarded than when he knows he's being observed. Why is that important? Well, let's take a look at another Alastor-heavy episode, shall we? That's right, no Alastor analysis would be complete without a delve into Dead Beat Dad, so here we go!
Right off the bat, we're shown his dislike of Lucifer. I know some people say it was all for show, but I disagree. Hear me out—Alastor's smart, no one's arguing otherwise, so why make an enemy of the literal devil just for sport? Now, let me be clear—I don't think he actually sees Charlie as a daughter-figure (at least, not consciously, and certainly not as strongly as he was making out). The thing is, he is good at reading people, and all it took was one look at Lucifer can't-wait-to-break-the-door-down Morningstar for him to realise that Charlie's affection was what mattered the most to him. However, his hatred of Lucifer was not all for show. So why did he hate him? The fact that he hadn't heard of him certainly won't have helped (again, Alastor definitely has a whole complex, we'll get to that), but his loathing started before Lucifer had even spoken to him. How do I know? Take a look at the moment when Lucifer has literally just opened the door
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Look at that eye twitch. No one's looking at him. No one can see it. But the sheer, unbridled rage is so evident that he can't quite keep it from his face. And all Lucifer has done is hug his daughter. Now, assuming the two have never interacted before (Lucifer certainly doesn't seem to remember him, and Alastor doesn't act as though they've met) what reason does Alastor have to hate him? If Lilith is his master, perhaps it's on her behalf? But he doesn't seem particularly loyal to whoever holds his leash, far from it, so that leaves us with the two most logical options: either Lucifer is the one holding his leash (not impossible, but I wouldn't say it has much evidence thus far), or Alastor is genuinely opposed to him because of how he's treated Charlie. Because he does care about her, however little he'll admit it to himself.
Just to really hammer this point home, I'd like to show just some of the many other instances of Alastor being genuinely furious with Lucifer over the course of this episode—in fact, seeing as we've already talked about Should Have Stayed Gone, let's constrain ourselves to Hell's Greatest Dad for now, shall we?
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All Lucifer has to do is laugh at the start of this song, and just look at Alastor's face! That's anger, or at the very least intense annoyance—with ever-smiling-Alastor, the proof is always in the eyebrows. Then we get this wonderful sequence of expressions while Lucifer begins insulting him:
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Oh, and just in case you need a comparison, here's a shot of Lucifer insulting Alastor side-by-side with two different instance of Vox insulting Alastor. And some people still think Vox is his rival and he was just messing with Lucifer?
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Now you may say, "Ah, but that's not a fair comparison! Alastor was clearly winning his argument with Vox, whereas he and Lucifer were on a much more even footing!" to which I would reply yes! Exactly! That's why Vox isn't anywhere close to being Alastor's rival, and also at least part of the reason Alastor cared so much when fighting with Lucifer. If winning against Lucifer was as easy as Vox, of course he'd pick that fight. But it wasn't. At the start of Hell's Greatest Dad, he's getting straight up humiliated (as those four waiter-esque pics demonstrate). And yet, he keeps fighting. Partially for pride, I'm sure, but some part of him absolutely cares about the argument he's making.
How do I know that? Well, you see, first of all we take a look at how Alastor acts when he first starts singing. As we all know, Alastor's power lies in his voice—his face was made for radio—and he's (almost) always so much more in control when he's talking, and always in control if his radio filter is in place. In fact, the stronger it is, the more he appears to be taking charge. So, when he first begins to fight back against Lucifer, he immediately puts that Cheshire-Cat-esque façade back into place, quite literally dancing around Lucifer as he does so:
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And yet, his energy is so much higher than normal. He's leaping around, his usually calculated movements suddenly far more erratic and energetic than we've seen him. For example, in his first verse alone, he goes though all of this:
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Not only is he using far more power, he's become so showy, his expressions are so much more unhinged than even he usually is, his pupils are near-constantly slitted, and, most importantly, take a look at his colour palette. Right at the very start it's still his classic red and black, but then—without Lucifer even interrupting—he gets so invested in convincing Charlie (and, by extension, proving himself better than Lucifer) that he switches to what I have dubbed his Powerful Palette. It only ever happens when he's demonstrating his full abilities; when he's angry at Husk, when he's fighting Adam, when he makes a new deal, and... now. Arguing with Lucifer over who's a better father to Charlie. And while usually it's in brief flashes before he returns to normal, here he stays consistently in his greens and pinks, for a good majority of the song. You don't think that means he really cares, even just a little bit?
And when Lucifer has the gall to interrupt him with his golden fiddle, and just look at Alastor then;
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Look at his face, look at his posture. Alastor, notorious for waving his arms around in grand, swooping gestures, is standing there, gritting his fucking teeth, fists clenched, arms folded at what must be an uncomfortable angle. The only time he moves is to concede a tiny step so he can drop a fucking piano on the literal devil.
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Now this bit is so interesting, because he, very briefly, seems to believe that he's won, or is at least winning. And even then, he doesn't relax, he doesn't return to his normal colour palette or even his normal expression. He's still furious, you can see it—with Vox, it was a game. This is personal, and then when Lucifer is actually not only fine but still fighting, now playing a new instrument, (literally playing the devil's chord) to deliberately ruin Alastor's melody? Oh that's pure rage.
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This first expression is his immediate reaction to it and, perhaps even better, the other two are him trying to contain it. Because he knows he can be seen, but he physically can't look any more collected than that; he can't control his expressions during this song. If he could, he would, because it would irritate Lucifer all the more, and he's more than smart enough to realise that. But neither of them can control themselves here, because both of them really, genuinely, care.
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Then he physically places himself in between Charlie and her father, not only pushing him out of the way, but then going so far as to physically drop him out of frame with a gesture reminiscent of a Roman Emperor as he reinstates his claim over Charlie—again, feeding into his need to be relevant and powerful (we're getting to that part, I promise). But isn't it interesting that this time, he didn't even use his power? He pushed Lucifer with his bare hands, not bothering with the intimidating shadows or powerplays, because for once it wasn't about that. For once he wasn't focusing on the person he was fighting, but on the person he was fighting for.
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Now this exchange is so interesting. Because Alastor misses a really good opportunity to get Charlie on his side, and I think he misses it purely because he (almost certainly without realising it) gets actually, genuinely offended on behalf of his friends. Because when Lucifer calls the others losers, he's insulting Charlie's family. Knowingly and callously! Right in front of them! And if Alastor was in his right mind, he would have absolutely pointed it out with a fake gasp and a shit-eating grin. But look at the way he reacts to Lucifer's interruption—the narrowed eyes, the tensing of his shoulders, the flexed wrists and clenched hands. That's genuine anger; it's too immediate and out of character to be anything else. Because he didn't intentionally goad Lucifer into saying that. And instead of taking advantage of the opportunity, he responds by, very childishly, asking Lucifer to "butt out" of his song. Because they were Charlie's family first, and he may feign indifference, but he included himself among them for a goddamn reason, and how dare Lucifer insult them like that?
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And again, compare how he's moving and standing to how he was in Should Have Stayed Gone. In this gif (and Hell's Greatest Dad as a whole, but let's focus on this bit right now) he's glaring, his shoulders are hunched—he tries for his usual nonchalance by pushing Lucifer out of frame with a swing of his hips, but then is immediately betrayed by his expression, and his reaction the second Lucifer comes back at him. Meanwhile, in Should Have Stayed Gone, this is how he acts while taunting Vox:
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He's so much more relaxed, he's visibly having fun, and Vox is the one bending himself out of shape to try and get Alastor's attention win the argument. Another interesting parallel between him and Vox in these numbers is when Vox is clearly losing towards the end of his part in Should Have Stayed Gone, compared to Alastor's first verse in Hell's Greatest Dad.
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I mean, these frames are just a little too similar, don't you think? Both of them desperately trying to grab the attention of the subject of the song, duplicating themselves and leaning over the borders to try and be noticed... oh Alastor.
And now, finally, we get onto the bit that I've been promising for this entire post: Alastor's inferiority complex. The thing is, I think I've worked him out (at least, to an extent). We've seen time and again that he hates the idea of being irrelevant—the fact he doesn't like any technology beyond radio (leading to the real reason for his annoyance in that very first picture I used, when he sees everyone gathered around Vox's screens); his reaction when Carmine said she had not in fact, been wondering where he was; his reaction when Lucifer says he's never heard of him; the way he rushes to "remind people why he's here" at the end of Dead Beat Dad, and the fact that when he first arrived he took out all of the overlords who dared to dismiss his power, just to name a few. His fatal flaw is clearly pride—he wants people to know him, he needs to be relevant or he doesn't know who he is.
And I think that's the real reason he hates Lucifer. Because, father-figure or not, the two of them do represent the same position in Charlie's life. But why would she need help from a human soul (albeit an insanely powerful one) when she has a literal angel around to do whatever she wants? Yes, Alastor is powerful, but if Lucifer is back in the picture... well, we all saw it in the finale. Alastor was quite literally fighting for his life, and barely escaped with it, while Lucifer was dancing circles around Adam, shapeshifting, taunting, joking, and all the while he was periodically rescuing Charlie too. His attention wasn't even entirely focused on the battle, and he wasn't even really trying to hurt Adam until the end when shit got personal.
And I also think that's why Alastor got so scared. Because he almost died. As I said right at the start, he fought like an angel. He didn't even consider getting hurt as an option. And now he's having a crisi of mortality, and being powerful and scared is a dangerous combination. So where will his story go from here?
Well, from the fact that he's still at the hotel, I think that's evidence enough that he's being forced to stay with Charlie—despite all the very real evidence we have that he does genuinely care about her (I mean, they way he talks about shaping her to Rosie? The gentle looks, the fact he loaned her his mic? Don't forget how he looked when that got broken, it's clearly so important to him, and he gave it to her twice. Not to mention the whole 'wanting to be relevant in her life' thing that I've been going on about for like, half of this post. Remember what Rosie said about words being easy, but actions are hard? Yeah, he says he doesn't care, but... anyway). So, he's being forced to stay while he looks for an out in his contract with someone. But where does that leave him in the wider story? Well, I do think he'll eventually turn on Charlie and the rest of the gang, but I also think that it'll be temporary. Assuming the crew gets as many seasons as they want to tell the full story (never a guarantee, but here's to hoping) then I think he'll probably stay for a while next season but work against them behind the scenes, then make an open move against them, then be gone for a while, then start his long and arduous journey back into everyone's good graces.
Obviously his deal with Charlie will come into play, and I think he'll probably use it as leverage to get out of his deal. "I'll make Charlie do what you want—without hurting her, or making her hurt anyone else—and I get to be free from this bullshit" kinda thing. I also think it'll be very interesting when that happens, because I have a theory on what he meant by the deal having "clipped his wings"—I don't think he can take anyone's soul anymore. Think about it; we've only seen him even attempt two deals this season, and not even once has he attempted to add a soul to his supposedly ever-growing collection. It would certainly clip an overlord's wings to not be able to amass any more underlings—especially since it seems that the more souls someone owns, the more powerful they are, not just in terms of owning other people, but in actual, tangible power. So I think he'll eventually get out of his deal, and then he'll be free and he'll go utterly off the rails... for a while. But it won't be as fun anymore. Husk and Nifty will have been forced to turn against their friends, and Alastor won't care what they think, because why would he?
Except suddenly he does. Husk's silences suddenly feel a lot more pointed, and Nifty refuses to even look at him, and suddenly he feels something he hasn't felt in a very long time, or perhaps he's never felt it at all. He feels guilt. Regret. He wants friends again, because they were loud and annoying and they didn't respect him but... he'll realise that his affection for them wasn't all for show, not even by half. Because he almost died for them. And even when he's talking about it, scoffing at his own perceived weakness... he calls them his friends.
And that's when the real fun will begin, because the Radio Demon On A Mission will be a force to behold, and god help anyone who gets in his way, because once he figures out the love he's fighting for... oh, he'll be unstoppable.
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lightfeltmemories · 5 months
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black!reader finds out feitan's hair is actually naturally curly
kind of a small thing when you find out that feitan actually has curly hair naturally and... it's kind of cute :3 this is based off the fact that when curly hair while its straight is exposed to steam and water it curls up ;)
also, spoilers! if you haven't caught up with the manga and especially read chapter 396 then don't read this (the curly hair thing isn't made up btw look it up!) and please do not come in my comments asking "why is the reader specifically black shouldn't this be for everyone!!!??" first of all go to literally any other feitan x reader fanfic on here then you can see content geared towards you and second it makes more sense for the reader to be black so hush.. anyway
tags; x black!fem!reader, this is kinda short less than 500 words so if you want something novel long then idk what to tell you, non yandere feitan, soft-ish feitan (you know how he is), definitely self indulgent don't judge, nothing bad happens tbh it's pretty fluffy and just normal couple stuff honestly but there are very brief mentions of torture and murder and that's all, feitan uses your conditioner xD
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you were currently in the kitchen making dinner while feitan was in the shower, before you met him he didn't shower very often, he always had either a metallic smell of blood or straight up rotting human flesh and it smelled horrible, so, you had to talk him into taking showers at least once a week, you were practically begging this man.
and to your surprise, he actually listened.
it had been only about half a year since you both decided to officially start dating, at first you were a bit nervous that he might torture and eventually kill you like everyone else, but that time hasn't come yet, he's actually a tad bit more open with you than he is anyone else, he's more open to your touch, he'll tease you, purposefully hide things you always use just to see you look for them, you learned that he is quite playful.
dinner was almost done and you heard the water shut off in the bathroom meaning feitan was done with the shower.
you decided to fix his dinner first and yours last so that he can come out with his food already out and ready for him, he had been in the shower for about 40 or so minutes while his food was out and ready for less than 10.
you go in the hallway to check on him and you see him walk out with a tower wrapped around his waist, showing off his fit body, for such a small guy it looked as if he lived at the gym.
but that wasn't what surprised you.
what surprised you was the fact that his hair wasn't straight anymore, he had tight, wet curls!
feitan looked at you, confused by your shocked face.
"what?" he asked you.
walking over to him to feel his wet hair, it was soft... and oddly smelled of your conditioner.
"first of all, i didn't know you had curly hair! and second, did you use my conditioner?"
feitan shrugs at the questions. "maybe i did use your conditioner." he says, walking to the shared room, smiling and closing the door behind you.
"well, hurry it up in there because your dinner is ready!"
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m-eowdy · 6 months
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m-eowdy housekeeping notes
Added "Oliver" back to my names. I love him too much, please (also) call me by that name
They/he -> he/they
Changed my icon back from catgirl Emma to just plain Emma. It was too crowded. Might change my icon to something else again if I find something, since I'm not really in my Starkid era rn.
I'm going to stop tagging Nerdy Prudes Must Die posts with #npmd spoilers
Beginning tomorrow, I'm going to stop tagging Our Flag Means Death posts about episodes 1-7 with #ofmd spoilers. I will still be spoiler tagging things happening in episode 8 until next thursday.
I am eating homemade popcorn with sugar and cinnamon and it's fucking delicious and I recommend it!
I have covid and it sucks but I'm getting better
Thank you, that was it! This is meant as a lighthearted thing btw. I just really like organising my thoughts into bulletpoints.
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fastidious-and-a-mess · 9 months
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btw of you have emetophobia or if vomit just grosses you out, be careful if you go see teenage mutant ninja turtles: mutant mayhem. there’s one scene with Really explicit puking, they didn’t hold back or censor anything.
SPOILERS for the movie obviously!! nothing overtly plot-relevant, but moderately detailed scene descriptions.
it’s the flashback of april explaining her ‘puke girl’ nickname to the turtles, and the vomiting itself happens very soon after she sits down in front of the camera to give announcements and lasts for several seconds. there is vomit all over the screen and it can be seen directly coming out of her mouth.
there’s another scene later in which she almost throws up again, but swallows it down and does not actually puke (which is gross in its own way) at least, she doesn’t puke again on screen iirc, although i cannot actually remember if this does eventually happen off screen. if somebody else could weigh in with more details that would be appreciated. this scene happens in the climax of the movie when she is once again in front of a camera.
i don’t have the time stamps either, but if anyone else could add them on that would be greatly appreciated!!
addendum: she does indeed throw up again, after thinking she had successfully gotten past it.
edit: please don’t tag this with ‘emetophobia tw’ or ‘vomit tw’ or anything like that!!! if you do, then people with those tags blocked won’t see this warning!! by tagging this post with those warnings, you’re hiding it from the people who need to see it the most.
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cirrus-grey · 9 months
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I have now finished watching Good Omens Season 2
If you haven't already, please block the tag "good omens spoilers" - I won't post anything else until Friday night at the earliest, but after that all bets are off.
@albertinesimonet, I did not manage a full liveblog but I did jot down my reactions after watching each episode, and those are compiled under the cut :)
(SPOILERS!)
Episode 1:
Holy flipping fuck are they actually making the ineffable husbands canon???
Okay.
Look.
I saw that it was trending alongside Supernatural and OFMD. I suspected it was going this way, and the season had ended with some sort of confession/immediate separation.
That did not prepare me for the season to open with Crowley saying "hello gorgeous" to a nebula and Aziraphale being disappointed that Crowley wasn't talking to him. Or for Good Old Fashioned Lover Boy to be playing while Crowley rushed to Aziraphale's aid, like-
This is a fanfic. This is a motherfucking fanfic, and I am pleased to say that my brain is processing it as such, a well-written but ultimately non-canon fanfic (*puts on my "I still have book!omens brainrot" shirt*) that just so happens to have been written by one of the original authors.
Anyway, outside of my snorting disbelief that the first ship that I ever shipped is apparently going canon in one 'verse, I do actually have some legitimate theories, which run as follows:
A. I know this season is the plot-bridge between the original novel and what would have been the sequel, and B. I know the sequel was going to involve the second coming of Christ, therefore C. I suspect this Resurrectionist group that kept getting hinted at in the promos is trying to bring Jesus back, Gabriel found out and tried to stop it, and that's why he lost his memories. I'm a tad bit surprised Heaven as a whole doesn't seem to be involved in the return of their special boy, but I guess we'll see how that plays out as the season goes along.
Episode 2:
Oh hey, I've read this one before! "It's ancient Biblical times and Crowley and Aziraphale are angsting about their orders and finding solace in each other's company" may have never gotten its own tag, but there are certainly enough fics about it that it could.
"Can I be a blue one?" Weird kids are the best.
So the Resurrectionist is a pub, not a group. Still think they have something to do with the second coming, but I'm open to being proven wrong.
Gotta say, I didn't expect Every Day to be plot-relevant. I knew they had it for the soundtrack, but I'm really liking this sort of spooky-mystery-music-mixup they've got going with it - love the way its incorporated into the end credits, too.
Totally down for master-thief Jane Austen, btw.
How many people are writing fics about Crowley and Aziraphale getting caught in a rainstorm and hiding under an awning even as I type...
Episode 3:
How to run a bookshop, a guide by A.J. Crowley: Carry large stacks of books around aimlessly and then toss them on the floor when you get bored.
I'm honestly surprised his awning plan nearly worked. Curses be upon weak awnings, I suppose.
I do like that the Bentley recognizes that it has to play nice with whichever one of its dads is in the driver's seat lol
Okay so they keep drawing attention to the fact that there's flies in the bookshop, and now Beelzebub is acting off. Are the flies like... telepathically communicating Gabriel's worldviews to them? Is that how they figured out he was there?
That bit he said when Crowley mentioned tempests is definitely from the Revelations. I unfortunately don't know enough about the Revelations to draw any new conclusions from this. I know they deal with the apocalypse and the antichrist, but that was S1 stuff so there must be something else...
(That bit definitely sounded like Rapture stuff though, just saying)
Lotta talk about people coming back from the dead, here. It's doing little to dissuade me from my idea that this is all related to the second coming. Their "little" miracle was strong enough to bring 25 people back? Okay. How did Gabriel add his own power to it... and who did he bring back? (Does 1 Jesus = 25 normal people?)
...Okay yeah I just googled it and the second coming (and the rapture) is definitely in Revelations. Apparently the appearance of the antichrist is its herald. *insert 'oh yeah it's all coming together' gif here*
...
Several-hours later addition: When they were talking about gravity Gabriel seemed upset that the book didn't stay where it was put, "it goes down." And that flies go up.
...did he "go down," turning into a human, and is Beelzebub "going up," and that's why they're so worried about finding Gabriel? Figure out what happened to him, so it doesn't happen to them as well? Hmm...
Episode 4:
"The rumors that you two are an item..." Yeah holy fuck they're actually doing this. I don't know why it keeps catching me by surprise??? I guess it's not like, the forefront of the plot, so every time it comes to the front it feels a bit like a new thing, but still.
Aziraphale's smug fucking little eyebrow raise at that "I didn't think you were his type." He's like yeah, and what do you know, hm?
Did not expect the entire episode to be backstory, but that was very cute, especially given how much people fixated on the church scene in S1. That little showcase of their trust, both of them worried it'll go wrong but still willing to try because they feel safe with each other. I like that they managed to keep the tension of the setting, that "I'm pointing a gun at my best friend and this could go horribly wrong" feeling, even when it's well-established that the worst that could happen is paperwork.
Also, Crowley trying really, really hard to give Aziraphale positive feedback on his magic tricks even when he knows they suck. That's true love, right there.
Another showcase of people coming back from the dead. We've had the kids getting "brought back" from shape-shifting, the "resurrectionists" digging up dead bodies, and now actual honest-to-god zombies. I am Sensing A Theme.
...are the zombies still around? What's-is-face the demon did say eternal undeath...
Aaaaaand there's going to be an army of demons dropping in on the local business association meeting. I hope Aziraphale has enough tea cakes for everyone.
Episode 5:
SEAMSTRESSES SHOUTOUT ITS A FUCKING DISCWORLD REFERENCE
I know most people are probably going wild over the Dr. Who references but. It's the seamstresses guild...
I'm sure Mrs. Sandwich and Rosie Palm would get along famously.
In other news wow they're just being blatant about the ineffableness of these husbands now, aren't they? The great thing about that is I'm watching it with my parents and I don't think either of them have clicked that it's going canon - like, they're just interpreting it as a running bit, 'haha isn't it funny that everyone keeps mistaking them as a couple' kind of thing. The same thing happened when I showed them OFMD, neither of them realized Ed and Stede were actually going to be a real canon thing until the kiss. I mean, maybe they've worked out that this is going somewhere by now? But I don't want to ask in case they haven't, because I'd love to see their reaction if it blindsides them.
I am Not Normal about the dancing. Aziraphale's giddy little grin when he drags Crowley to the floor? The fucking. Hand presses. I've probably read too much Jane Austen if I'm going this insane about them just pressing their palms together.
And just... that whole fucking scene. The amount of queer people - either queercoded or just flat-out obviously queer - is making my heart feel full. When Aziraphale referred to the magic shop owner's partner using 'they' before we met them I thought it was just, you know, being polite, he'd never met them and didn't want to assume, but then they showed up in person and folks were still using they and they were so obviously giving a huge middle finger to gender norms I just-
Man I need to watch more queer shows I love this feeling.
And the army of demons is more of a large crowd but, well, still threatening. I like the use of masks to hide demonic traits, clever costuming detail there.
But. My dudes. Don't split up, what the fuck are you doing? You've been here for all of human history, you know how stories go, surely you know things always go wrong when you split the party??? I love protective!crowley, I do, but my dude taking off to bring this mess to heaven's attention is not the way to go about saving your angel. And Aziraphale, buddy, I don't know what you're planning to summon there but I really don't think it's going to go well.
...Maybe he's planning to teleport himself, Gabriel, and the humans up to heaven, too, to get them away from the demon crowd. It would be funny if Crowley and what's their name, Muriel, step out of the elevator and Aziraphale is just. There already.
(I don't think that's gonna happen though. I think everything is just gonna get Worse)
Anyway sidenote Lottie if you've read this far, when Gabriel started talking about feeling like a house I immediately thought of you, I know that's a theme you like ♡
Episode 6:
Jesus Christ!
(Called it!)
So I got a lot of the details wrong, but I was spot on with my two big predictions from the beginning. (Hey that ending reminded me of OFMD and Supernatural, I've got a great idea, why don't we all blog about the three of them and get them trending together-)
Gotta say, I'd only given a passing thought to Gabriel and Beelzebub being a Thing, their shippers must be going wild.
I knew there was a reason they kept drawing attention to that fly.
*Spots fire extinguishers* "Hey is that a Magnus Archives ref-" *Is brutally murdered with a lead pipe before I can finish*
I actually kind of love that Nina and Maggie didn't get together at the end of it all? I had felt like it was all going a bit too fast for them and I'm so glad they acknowledged that. They've got time, now, to work things out, and I love that they left it with the certainty that they'd be there for each other in the future... but not quite yet.
Oh! Oh! Oh! And they fit in the halos-used-as-lethal-frisbees-sequence! That was fabulous, I want to see more exploding headgear.
...anyway I think that's all the little bits I wanted to mention before getting to the Main Event.
I'm actually... not all that devastated about that ending? Like, okay, my heart was breaking watching it, the miscommunication and assumptions leading to a dramatic separation, it's tragic and angsty and oh my god my ship kissed my first ever ship kissed they did it they did the thing-
But. Two seconds after the credits started rolling my mind was already flying to, "oh thank goodness, they've got a Source On The Inside now and they might actually have a shot at stopping the end of the world instead of, you know, being blindsided by it because no one in heaven or hell is talking to them"
Like, sure, major breakup here, Crowley's gonna be pissed and Aziraphale might have to do their silly little "I'm sorry" dance three or four times before they can actually get down to business, but I don't think there's a question that both of them still trust each other immensely and know they can rely on each other to help out in a pinch. They'll be walking on eggshells for a bit, but it's pretty obvious that Aziraphale wouldn't have taken the promotion if he'd known Crowley wasn't going to come with him and as soon as he manages to properly communicate that fact they'll be fine.
(Sidenote, this, right here, exemplifies the difference between Book!Aziraphale and TV!Aziraphale. Book!Aziraphale is way more cynical about the whole heaven-and-hell system, he'd never say "heaven's still the good guys," and he'd be very, very suspicious of a sudden promotion landing in his lap after such a tumultuous sequence of events. TV!Aziraphale might not be the sweet little innocent bean fandom makes him out to be, but damn is he naive compared to his book counterpart. Makes me wonder how much of the hypothetical sequel has to change to work with this plotline - I'd bet my ass he wasn’t an archangel in that one.)
Can Crowley... hear the soundtrack? "No nightingales" like how does he know that's significant? Sir you are breaking the fourth wall-
(And how powerful is he? He's a nobody in hell but he keeps stopping time and could access classified documents up in heaven, something made his and Aziraphale's miracle blow up and apparently it wasn't Gabriel, and he also just brought a whole ass dude back from the dead??? Maybe those "Crowley is Raphael" theorists from S1 had a point)
Anyway, to cap it all off: my current predictions for S3 are the aforementioned ineffable husbands makeup and subsequent spy shenanigans as they scramble to try to stop Apocalypse 2: Jesus Boogaloo; they fail and Jesus comes back, but instead of following the Great Plan he instead chooses to side with "all of humanity against all of heaven and hell" (maybe Adam shows up too to help out?); and Crowley, despite his repeated protests, actually does end up running a bookshop because he doesn't trust Muriel to do it properly.
I summation, yes I am still alive, and very excited for the next season, whenever it happens. Also I need gifsets of the dance scene and that kiss ASAP please and thank you.
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wormlette · 1 month
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We want to know your Farcille Half-Foot Incident Ideas please
OK SO THE FARCILLE HALF FOOT INCIDENT THAT LIVES IN MY BRAIN. nobody look at me i'm really tender about my farcille headcanons
Spoilers for like ch22 til 50ish and for anime onlys
SO ROLESWAP WITH FALIN AS THE ONE GOING TO RESCUE LAIOS AFTER HE GETS EATEN BY THE DRAGON. things would be similar to in canon with some differences. Laios getting fuckin bit in half saving falin. Marcille being the one to teleport them all and feeling really guilty for leaving laios behind but she was unable to stomach the idea of losing falin when it was so close to happening… both of them still having chil tag along (chil is now the one pining for his missing touden btw. if you even care).
And meeting Senshi who is a bit more reserved about Falin’s magic but less wary because it’s gnomish and he knew gnomes at least. Falin and Marcille both doing dark magic together to resurrect him. (Um. Falin may have put herself in the dungeon a bit and well you see she might just be a beautiful puppy girl with gender affirming fangs and feathers and. um. the dragon cock) and
She is grappling with taking what she wants and no longer just being understanding and easygoing and protecting everyone else but having to confront seizing her own happiness and her own life and rescuing Laios even if other people don’t like him. i see her as being a fundamentally deeply enmeshed character and growing from that would be her plot arc. Namari would still leave but they might still have Shuro idk. Or maybe Falin would alienate him by saying something abt Laios mattering more and not caring about Shuro or if he loved her if he can’t save Laios then who gives a shit about him. And then he’d leave to get his retainers and prove himself to HER rather than his father I think. Yeah that’s pretty good
And ANYWAYS falin is already a chimera so the changeling shrooms maybe don’t affect her or maybe she just gets like. Um. you know how izutsumi just becomes a different race of beastkin. Don’t look at me. And then Marcille is still a half foot and she gets soooooo overwhelmed. The speculative bio of it all. The undocked long tail. (Chil could share a little lore about them traditionally being docked at adolescence to become an adult to avoid stigma of being considered basically beast men etc [and falin would be like ooooh shit that’s why he’s so weird about eating demihumans huh bcuz some ppl consider half-foots basically as that.] but also that more modern half-foots are eschewing the tradition... He let his kids pick what they wanted to do, and Fler wanted hers docked but Mei and Puck chose to keep them.)
And anyway overwhelmed Marcille just wants Falin to take care of her so Falin carries her away in her big strong chimera tallman arms and keeps brushing her whiskers and well. They simply get so curious about each others’ bodies (no chance to explore really with the pace of the dungeon and staying ahead of Others), that they simply must bang it out. Falin can smell her. Btw. Biting with the fangs. Btwwww
Chil also had an experience of chimera laios treating him oh so gently and staring at him w the same usual dopey laios look before wreaking havoc on everyone else. Btw. And it keeps him up at night. If u even care
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doodle17 · 6 months
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Just got back from the fnaf movie
!!SPOILERS SPOILERS SPOILERS!! TRUST ME THIS MOVIE IS SOOO WORTH WATCHING WITHOUT SPOILERS JUST HOLD OUT A LITTLE LONGER I BELIEVE IN YOU
Please remember if you reblog go tag with every fnaf spoiler tag you can think of btw!
Anyways
This
Movie
Was so... godamn...
GOOOD!!!!!!!!
DUDE, I KID YOU NOT THIS MOVIE FUFILLED EVERY SINGLE ONE OF 10 YEAR OLD ME'S EXPECTATIONS AND DREAMS AND IT FILLED MY CURRENT ONES TOO
You guys it was just- AHGAYAGAHWHOWWHOSBSOANALENSLSN
First of all: absolutely loved how it wasn't overly violent. I'm not a prude, but when it comes to gore and violence, I'm very particular. Everyone who follows me knows I'm not a fan of gore, and luckily this movie had none!
It was still pretty gruesome. Like the guy getting his face eaten by Mr. Cupcake and that one girl who got bitten in half by Freddy. But even then, all you could see was the silhouette and her lower half fall to the floor. And 90% of the other scenes you do see, but they kind of let the sounds of what's happening fill in the gaps as the camera goes somewhere else, like with Mr. Cupcake.
Even when you see their bodies later on in the parts and services, the end results of what happened earlier aren't even that bad! Tbh it's almost too dark to even see anything
I loved that! It made it perfectly fine for me to watch and not squirm uncomfortably or feel sick. It actually shocked me! Most gore just makes me roll my eyes and want to gag but this stuff literally made me say "WOAH that's MESSED UP" (enthusiastically) out loud a few times!
Also the parts with the animatronics playing with Abby.... GOD that really filled a void in me that I never knew I had... Watching them play and build a fort and be goofy... Really made me smile so hard!... Uh, as if they didn't kill a bunch of dudes earlier.... Hmm..
All the little references made me point at the screen and squeal! That MatPat cameo my goodness! It made me laugh too lol, which I was pretty surprised about! I wasn't expecting to laugh, smile and cry in a scary movie but here we are!
Every Balloon Boy jumpscare got me, because even though it was, as all those video game critics say, "a cheap spook with a loud noise" I can guarantee a lot of other people did too
AND FELLAS WE GOT IT!!! SPRINGLOCK FAILURE BABYYYYY!!!
I think I was pretty pleased with how they did the springlocks. The reveal... The way Abby said "They can see you now." As they turn to William... Their real Killer... HOT DAMNNNNN AND THEN HE SAYS THE FUCKING LINE AND PUTS ON THE HEAD JUST- CHILLS DUDE (I should probably mention how loud this movie made me btw)
And that part legitimately made my eyes water too! When they dragged him away, the music and him twitching... All I could think was "JUSTICE!"
And I love that they made William a horrible father from what we saw when he talked with Vanessa. It always irks me the wrong way when people try to portray him as a sad parent who lost his daughter and that's why he did what he did. Like- no. He wasn't okay in the head you guys, he was NOT a good father, EVER. I'm sorry but no, he literally neglected, emotionally, and possibly, physically abused his kids.
And I love what they did with characters too! I like how the movie just did its own thing that to me, felt like What fnaf REALLY is.
I never like fnaf lore as it is now. I like when the premise was simply: "guy kills kids, hides their bodies in suits, ghosts posses the animatronics, and want to take revenge but don't remember their killer, so they kill anyone they think is him." Before all that sci-fi stuff got involved. And the Movie is just that! "guy kills kids, hides their bodies in suits, ghosts posses the animatronics, and want to take revenge but don't remember their killer, so they kill anyone they think is him."!! It was awesome!
And I like how it explains that there's the possibility that while the kids posses them, they also have somewhat minds of their own. At least that's what I got from some stuff revealed. There's ways been a part of me that thought the animtronics themselves had minds of their own, so to see that it could be a possibility (in the movies canon at least) was really cool!
Also... Living tombstone fnaf 1 song :) in end credits!
And to end this off, sadly there wasn't a post credit scene sadly (unless you count that CoryxKensin getting jumpscared by the BB toy after the fancy credits)
But!!!! Did anyone else notice the fnaf 2 music box playing in the end credits? And the one noise that says the letters and stuff during the secret fnaf 2 minigames...?
I mean, Matthew did say he signed for 2 more movies... So who's to say we won't get a Fnaf 2 movie based off the evidence of what we heard there, huh? Just a little thought I decided to leave here before we end things off :)
FORGOT TO MENTION that both me and Cherri SCREAMED the lyrics for the fnaf song at the end lol,and two girls next to us started recording us lol (not in a mean way we all talked and ranted for a good 3 minutes afterward it was fun!)
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isa-ghost · 5 months
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Btw guys I'm getting my comics for Christmas so I won't be talking anything theory-related about Altrverse until then. Please for the love of god tag your stuff appropriately so I don't get spoiled.
I blacklisted #altrverse spoilers so please remember to use that for not just me, but anyone else too.
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smok3r7 · 4 months
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I hope this doesn’t come across as rude or anything because I don’t mean in that way at all!!! And I completely understand not wanting to spoil your story…
But with some things, like cheating, it can be very triggering to people. Which is why they ask if that’s gonna happen and getting an unclear answer about it can be a bit frustrating! Like, I wanna support you and your story!!! But cheating is an extremely sensitive topic for me so I avoid reading it.
If you don’t want to spoil then please just say you don’t want to share yet and maybe put more direct things in the tags after the story is done?
Or I’ve seen people put spoilers below a read more thing.
Again, please please don’t take this in a rude way. I really liked the first part (and I’m not the other anon that asked btw!) and it’s totally okay to not spoil. But if someone asks then these answers that could mean anything and go either way aren’t really helpful at all… just saying you don’t want to say anything until the story is complete would be better!
Much love and keep up the good work!
No thank you really! Honestly I’m new to the tag part of this, this is my first story I’ve posted on tumblr (I was a wattpad baby) years ago! I’ve tried to base tags off of what I’ve seen on other stories on here but that definitely makes sense! Sorry to anyone who I made feel this way, not my intentions at all babes🩷
The answer to the cheating question for
my story is below if you want to know⬇️
Joel doesn’t cheat directly, a kiss happens once by Samantha, but nothing else. He instantly regrets it and then moves her to a different position at work so he doesn’t have to be around her since she wouldn’t give it up. He had her moved a week prior to the fight reader and Joel have.
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ltleflrt · 11 months
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Re you post on rating changes (I agree with you btw), what's your opinion on the "more tags to be added later"? Bc personally I dislike this - especially on fics where the author note is 'I have it all planned/written'.
Hello!
I use the tag sometimes, but mostly because I do NOT have it all planned and written and I'm not always sure what's going to end up in the story. Or I'm having an Old Lady Moment and I can't think of what else to tag, but I feel like I should have more tags lol.... but for someone who has it all planned/written, I'd still give them a little bit of leeway in case they're also blanking on the best tags to add.
I'd hope they're not doing it to avoid spoilers, I have always thought that was a bad reason to not tag things, or to tag them as they go. People who don't want to be spoiled won't read the tags, and in my opinion spoilery tags have never actually spoiled anything for me because sure there might be a tag like "amputation" or something, and I have no idea when it's going to happen, how it's going to happen, or who it's going to happen to. That's like saying a movie trailer is too spoilery because it shows scenes from the movie.
If they don't want to tag things because of spoilers, but they still want to warn about things, there's always the "Additional Warnings in the Author's Note". Then they can put them in the end note of the chapter with a link from the header note, and it's a good compromise.
However, I think fandom leans far too heavily on warning tags, and needs to put more effort into bait tags. What if I've recently lost a hand, and I want to read about characters who've had an amputation? Like, sometimes things that person A sees as a warning, person B sees as a reason to read the fic in the first place? Personally, I always filter out MCD, but I sometimes specifically search for some of the other archive warnings. I've had a bad day, I'd like to read something violent please lol... well the same goes for the additional tags. Oh, you're "warning" for unhealthy relationship dynamics? I'm in the mood for something fucked up, let's go! etc.
But yeah, long winded way to say I don't mind the more tags to be added later tag because I give people the benefit of the doubt. I just hope they consider making their story easier to find rather than trying to draw in the wrong audience by trickery.
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ipsen · 9 months
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kanae brainrot apparently
“oh that kanae gender poll is neat haha anyways” the next day comes “oh okay.”
my opinion on kanae is “interesting without the burden of hindsight.” if tg had positive trans rep in mutsuki or big madam kanae would be a very good character with a very compelling arc. unfortunately, tg slaps every trans or ngc character with the “GASP. lying about their gender?!” tag at least once. at least mutsuki kinda gets away with it.
anyways. let’s do some vacuum analysis. under the cut.
kanae’s purpose in the story is heavily related to her perception of his personal gender versus what gender she thinks will better serve her family legacy. As the very last remaining rosewald, she wants to be a man because for one reason or another, she perceives women to be weak. her mother succumbed to illness early on when they fled germany, for example, while her brothers fought unflinchingly to help her escape. She was very young, so these facts made an impression upon her.
of course, no one calls her out on this because no one around her understands. They don’t know what it’s like being alone. They don’t know what it’s like losing everything and wanting nothing more than to get revenge against the ones who think they’re better and stronger. They don’t know. They don’t know her. She wishes they knew her. She wishes they loved her.
Until one day:
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(can i PLEASE take my eyes off this woman for FIVE MINUTES jesus christ)
eto hates two particular things: herself, and people who lie. this is a core character trait of hers and explains the targets of her torture. people who remind her of herself and think of themselves as superior to someone/something else. why?
because she’s been in those very situations, and it worked out for the worst.
eto targets kanae because kanae hates humans on a broad scale (see: how she treats chie), but this is born of fear as only the ccg are the cause of her suffering and the only ones who really care about her dying, and despite having been thrown about by “humans” (again, ccg) and seeing the value non-ccg humans bring to the table (again, chie (bless chie’s heart btw), who is also hunted by the ccg), kanae still despises them and sees them as beneath her.
eto was the same way at one point. she was targeted by V, who took Noroi, her only family at that time, away from her. In her quest for vengeance, she mutilated Kasuka Mado, who, for all intents and purposes, is not a part of V, but an unwitting weapon swung around by them. she presumably does similar things to other investigators out of rage and pain because there’s nothing left for her and she has no support system to reign her in. this is until she meets arima who decides to help her (and even then…).
and eto, more or less, broke free of the mindset kanae is currently in. only thing is: eto also hates herself. she hates how many people have died on her quest for change, how many people will continue to die even when she “wins”. she hates herself as the instigator, but it’s all she knows and all she will continue to do, and she wishes she could just mutilate herself and die and answer for everything she’s done. but that would be a purposeless death. so she turns to a different pastime and breaks out the sewing kit. surely she can “fix” this pitiful caricature of herself while getting the twisted satisfaction of “hurting” herself.
(spoilers: it doesn’t work.)
and you know what they say: as eto, so kaneki.
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neither wants to hurt kanae, not really, but rather they want to hurt the image of themselves that kanae exudes. is it better? no, but it’s an important distinction when factoring in characters.
… this was supposed to be about kanae. please accept my apologies. let’s get back on track.
it’s tragic, isn’t it? the people who have real, genuine, human experiences (eto can eat human food, kaneki was human) are the ones who inflict arguably the most pain on kanae. she continues to be at the mercy of the humans she hates so much. their twisted perceptions of love have infected her and she dies.
and yet she thinks she dies happy.
well those are the morning thoughts while i’m supposed to be on vacation. thanks for reading!
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