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headaches-blog · 2 years

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The warriors (1979)

The Warriors is a 1979 American action crime thriller film directed by Walter Hill. Based on Sol Yurick's 1965 novel of the same name, it was released in the United States on February 9, 1979. The film centers on a fictitious New York City street gang who must travel 30 miles (48 km), from the north end of the Bronx to their home turf in Coney Island in southern Brooklyn, after they are framed for the murder of a respected gang leader.

Starring

Michael Beck as Swan

James Remar as Ajax

Deborah Van Valkenburgh as Mercy

Marcelino Sánchez as Rembrandt

David Harris as Cochise

Tom McKitterick as Cowboy

Brian Tyler as Snow

Dorsey Wright as Cleon

Terry Michos as Vermin

David Patrick Kelly as Luther

Roger Hill as Cyrus

Edward Sewer as Masai

Lynne Thigpen as the D.J.

Thomas G. Waites as Fox

Plot

Cyrus, leader of the Gramercy Riffs, the most powerful gang in New York City, requests that each of the city’s gangs send nine unarmed delegates to Van Cortlandt Park for a midnight summit. The Warriors, a multiracial gang from Coney Island, attend the summit. Cyrus proposes to the assembled crowd a citywide truce and alliance that would allow the gangs to control the city together, since they collectively outnumber the police by three to one.

Most of the gang members applaud this idea, but Luther, the unbalanced and sadistic leader of the Rogues, shoots Cyrus dead as police officers arrive to raid the summit. In the ensuing chaos, Luther realizes that one of the Warriors, Fox, appears to suspect him, and makes a false accusation which leads the vengeful Riffs to attack the "Warlord", Cleon. Meanwhile, the other Warriors escape, unaware that they have been implicated in Cyrus's killing. The Riffs put out a hit on the Warriors through a radio DJ. Swan, the "War Chief," takes charge of the group as they try get home, though the Warriors's main enforcer and brawler Ajax disagrees with Swan being leader over him.

The Turnbull ACs spot the Warriors and try to run them down with a modified school bus but the Warriors escape and board an elevated train. On the ride to Coney Island, the train is stopped by a building fire alongside the tracks, stranding the Warriors in Tremont. Setting out on foot, they encounter the Orphans, who are insecure about their low status in the gang hierarchy as they were excluded from Cyrus's meeting. After Mercy, the girlfriend of the Orphans' leader, instigates a confrontation, Swan throws a Molotov cocktail and the Warriors run to the nearest subway station. Impressed and desperate to escape her depressed neighborhood, Mercy follows the Warriors.

When the group arrives at the 96th Street and Broadway station in Manhattan, they are pursued by police and separated. Three of them, Vermin, Cochise and Rembrandt, escape by boarding a subway car. Fox, struggling with a police officer, is thrown onto the tracks and is fatally hit by a passing train as Mercy flees the scene. Swan, Ajax, Snow and Cowboy are chased by the Baseball Furies into Riverside Park but defeat them in a brawl. After the fight, Ajax sees a lone woman sitting on a park bench and leaves the group despite Swan's objections. When Ajax becomes sexually aggressive, the woman, revealed to be an undercover police officer, handcuffs him to the bench and arrests him.

Upon arriving at Union Square, Vermin, Cochise and Rembrandt are seduced by an all-female gang called the Lizzies and invited into their hideout. They narrowly escape the Lizzies' subsequent attack, learning in the process that the gangland community believes the Warriors murdered Cyrus. Acting as a lone scout, Swan decides to return to the 96th Street station, where Mercy joins him (although he spurns her promiscuity). After reaching the Union Square station, they reunite with the remaining Warriors and engage in a fight with a roller-skating gang, the Punks. Mercy proves herself formidable in combat. A member of a different gang visits the Riffs and tells them that he saw Luther shoot Cyrus.

At dawn, the Warriors finally reach Coney Island, only to find Luther and the Rogues waiting for them. Swan challenges Luther to single combat but Luther pulls a gun. Swan dodges his shot and throws a switchblade (taken from one of the Punks) into Luther's wrist, disarming him. The Riffs arrive, acknowledging the Warriors' courage and skill before apprehending the Rogues. As the Riffs descend upon him, Luther screams. The radio DJ announces that "the big alert has been called off" and salutes the Warriors with a song, "In the City." The film ends with Swan, Mercy and the rest of the gang walking down a Coney Island beach, illuminated by the rising sun.

Entry

youtube

Most remembered moment

youtube

Original trailer

youtube

#warriors #Youtube #Spotify #cult movies #cinema

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brookstonalmanac · 3 months

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Events 2.3 (after 1930)

1930 – The Communist Party of Vietnam is founded at a "Unification Conference" held in Kowloon, British Hong Kong. 1931 – The Hawke's Bay earthquake, New Zealand's worst natural disaster, kills 258. 1933 – Adolf Hitler announces that the expansion of Lebensraum into Eastern Europe, and its ruthless Germanisation, are the ultimate geopolitical objectives of Nazi foreign policy. 1943 – The SS Dorchester is sunk by a German U-boat. Only 230 of 902 men aboard survive. 1944 – World War II: During the Gilbert and Marshall Islands campaign, U.S. Army and Marine forces seize Kwajalein Atoll from the defending Japanese garrison. 1945 – World War II: As part of Operation Thunderclap, 1,000 B-17s of the Eighth Air Force bomb Berlin, a raid which kills between 2,500 and 3,000 and dehouses another 120,000. 1945 – World War II: The United States and the Philippine Commonwealth begin a month-long battle to retake Manila from Japan. 1953 – The Batepá massacre occurred in São Tomé when the colonial administration and Portuguese landowners unleashed a wave of violence against the native creoles known as forros. 1958 – Founding of the Benelux Economic Union, creating a testing ground for a later European Economic Community. 1959 – Rock and roll musicians Buddy Holly, Ritchie Valens, and J. P. "The Big Bopper" Richardson are killed in a plane crash along with the pilot near Clear Lake, Iowa, an event later known as The Day the Music Died. 1959 – Sixty-five people are killed when American Airlines Flight 320 crashes into the East River on approach to LaGuardia Airport in New York City. 1960 – British Prime Minister Harold Macmillan speaks of "a wind of change", signalling that his Government was likely to support decolonisation. 1961 – The United States Air Force begins Operation Looking Glass, and over the next 30 years, a "Doomsday Plane" is always in the air, with the capability of taking direct control of the United States' bombers and missiles in the event of the destruction of the SAC's command post. 1966 – The Soviet Union's Luna 9 becomes the first spacecraft to make a soft landing on the Moon, and the first spacecraft to take pictures from the surface of the Moon. 1971 – New York Police Officer Frank Serpico is shot during a drug bust in Brooklyn and survives to later testify against police corruption. 1972 – The first day of the seven-day 1972 Iran blizzard, which would kill at least 4,000 people, making it the deadliest snowstorm in history. 1984 – Doctor John Buster and a research team at Harbor-UCLA Medical Center in the United States announce history's first embryo transfer, from one woman to another resulting in a live birth. 1984 – Space Shuttle program: STS-41-B is launched using Space Shuttle Challenger. 1989 – After a stroke two weeks previously, South African President P. W. Botha resigns as leader of the National Party, but stays on as president for six more months. 1989 – A military coup overthrows Alfredo Stroessner, dictator of Paraguay since 1954. 1994 – Space Shuttle program: STS-60 is launched, carrying Sergei Krikalev, the first Russian cosmonaut to fly aboard the Shuttle. 1995 – Astronaut Eileen Collins becomes the first woman to pilot the Space Shuttle as mission STS-63 gets underway from Kennedy Space Center in Florida. 1998 – Cavalese cable car disaster: A United States military pilot causes the death of 20 people when his low-flying plane cuts the cable of a cable-car near Trento, Italy. 2005 – One hundred five people are killed when Kam Air Flight 904 crashes in the Pamir Mountains in Afghanistan. 2007 – A Baghdad market bombing kills at least 135 people and injures a further 339. 2014 – Two people are shot and killed and 29 students are taken hostage at a high school in Moscow, Russia. 2023 – 2023 Ohio train derailment: A freight train containing vinyl chloride and other hazardous materials derails and burns in East Palestine, Ohio, United States, releasing hydrogen chloride and phosgene into the air and contaminating the Ohio River.

#Events

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quotidiantimes · 2 years

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Ambulances collide responding to call at Barclays Center

NEW YORK — Two ambulances collide head-on late Monday night in Park Slope, Brooklyn. It happened around 10:30 p.m. on Union Street near Seventh Avenue. Police said both ambulances were responding to an intoxicated man near the Barclays Center. One ambulance struck a utility pole and an ATM vestibule. Four EMS workers were treated for minor injuries. CBS New York Team The CBS New York team…

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shiphappen-s · 3 years

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For me, the best and most important scene of any Spider-Man centered media isn't Peter getting the spider bite, it's not Uncle Ben's death, its not the training montage or the mentor scenes, it's not even the big final boss fight.

My favorite scenes are always going to be the ones where New York City backs Spider-Man. Regardless of the police or the Bugle's opinions, Spider-Man is New Yorker through and through.

A few of my favorites are:

The green goblin bridge scene from the first Raimi movie when the people started throwing bricks and shit at normy while Spidey tries to save MJ and the school kids.

The crane scene in the first Webb movie when C Thomas Howell gets the crane operator union of New York on the line and creates a path to Oscorp Tower for an injured Spider-Man.

The final battle scene from Insomniac's Miles Morales video game when his identity gets revealed but the entirety of that Brooklyn neighborhood just decides to keep it completely secret. Snitches get stitches, I guess.

Following on the Insomniac train, for the original Spider-Man game I would like to direct your attention to the entirety of the fake social media feed on the map screen. As well as every interaction he has with Yuri Watanabe and Jefferson Davis. And don't get me started on FEAST doing emergency surgery on Spider-Man and not one person mentions lifting the mask.

There's a dozen more from tons of different media over the years. It is, in my humble opinion, the best part of any Spider-Man movie, show, game, comic, whatever. Spider-Man is like the beating heart of New York. People love him, and New Yorkers protect their own.

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jmojellybae · 3 years

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Tasers and Glocks have very distinct differences. Here is an example from a Glock 17 (a standard police issue handgun) and and a Taser X26P.

Both weapons are standard issue for The Brooklyn Center Police Department in Minneapolis. Tasers are always marked distinctively different from a handgun. They have bright, vibrant neon colors and a shorter handle. You would also notice the weight difference. Glocks weigh significantly more than a taser. The safety for the taser is not located on the trigger (like the Glock 17), another key difference.

Officers are suppose to keep lethal weapons on the dominant side of their body and tasers in the opposite to reduce the chances of confusing the two. In the body cam footage of Officer Potter, you can’t tell where her weapons are located on her body. But you can get a glimpse of her fellow officer and where his taser is positioned on his side. You can also see the very obvious difference in the color of the taser and the gun.

WARNING: DISTRESSING IMAGE

We don’t know if she had her weapons mixed up on her body (this seems unlikely, considering she is a 26 year veteran officer and head of the Brooklyn Center Police Union) or instead, she knowingly drew her lethal weapon, turned off the safety that was located on the trigger, and shot on purpose. The body cam footage of the other officers involved have not been released.

Either way. The Brooklyn Center Police Department’s manual clearly states that discharging a weapon, lethal or not, into a person who is operating a vehicle, is NOT ALLOWED. Even if Officer Potter used her taser, she would have been breaking protocol anyway.

In addition to her breaking one protocol, she also broke another by administering a shot to the chest of Daunte Wright. In the body cam footage, Officer Potter (who thinks has a taser in her hands) had a clear fully body view of Daunte and could have easily aimed for the thigh or leg region. But she did not.

Something has to be done.

#black lives matter #blm #daunte wright #justice for daunte wright #Kim potter #brooklyn center

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wumblr · 3 years

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brooklyn center police chief and union president (who shot daunte wright) both just resigned

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beardedmrbean · 1 year

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NEW YORK — Colinford Mattis’ trajectory from a working-class upbringing in East New York to the Ivy League and corporate law abruptly ended at about 1 a.m. May 30, 2020, when a Molotov cocktail ignited the center console of an empty police car during a Black Lives Matter protest.

On Thursday afternoon, Judge Brian Cogan of U.S. District Court in Brooklyn sentenced Mattis, one of two young lawyers who burned the vehicle during the protests days after the murder of George Floyd, to 12 months and a day in prison and a year of post-release supervision.

Mattis, 35, has lost his law license, having pleaded guilty to conspiracy to commit arson and having acknowledged he had broken the law he had sworn to uphold. Now he may lose much more: the guardianship and planned adoption of three foster children. The oldest is 14.

On Thursday evening, the Brooklyn courtroom was crowded with Mattis’ friends and family.

“I’m deeply sorry and embarrassed about the things I did and said in May 2020,” Mattis told the judge. He said he recently reread his text messages from that day. “I am more than horrified at the words I used,” he said.

“I am sorry that I hurt my three children that my mother had entrusted to me,” he added.

The judge told Mattis that the country needed attorneys to bolster faith in the rule of law and to reassure Americans that the legal system would hold Floyd’s killers to account. He told Mattis that his hard work had changed his station in life.

“You’re not one of the oppressed,” Cogan said. “You’re one of the privileged.”

Spectators in the gallery gasped at the judge’s words. “To make that comment, you’re not seeing the same things that I’m seeing,” said Taaj Reeves, a friend of Mattis’, after the hearing.

In November, the judge had sentenced Urooj Rahman, Mattis’ friend and a fellow lawyer, to 15 months in prison and two years of supervised release for the same crime. She was the primary caretaker of her aging mother. Cogan called the sentence one of the most difficult he ever had to impose. After a lifetime of hard work and conscientiousness, he said, Rahman’s conduct was a violent aberration.

“You are a remarkable person who did a terrible thing on one night,” the judge told her.

Cogan said Thursday that Mattis got a lighter punishment because he had not been the main instigator of the attack.

The sentences close a case that stunned the city, devastated two families and exposed deep fissures between the police and the community. They reflect a long negotiation with the U.S. attorney’s office in Brooklyn, which at first sought steep charges and had pushed to deny bail to Rahman and Mattis, both first-time offenders.

Rahman and Mattis had been high achievers, children of immigrant families who were raised in New York. Rahman pursued public interest law, co-authoring a paper on police reform in 2014 and working at Bronx Legal Services. Mattis followed a more lucrative corporate path. But he was already teetering in his career and personal life when the protests occurred.

The events that led to their downfall began in an unsettled spring.

Mattis had been furloughed in March from his job as an associate at the law firm Pryor Cashman, and the pandemic had cut him off from outside support as he took care of the children, his lawyer wrote.

Then, on May 25, video of Floyd, a 46-year-old Black man who died in Minneapolis after his neck was pinned to the ground by Derek Chauvin, a white police officer, ignited protests. There were demonstrations in at least 140 cities across the United States.

In New York, peaceful protests turned into confrontations with police. Throughout the weekend, demonstrators clashed with officers in Union Square in Manhattan and outside the Barclays Center in Brooklyn, resulting in injuries and hundreds of arrests.

On May 29, according to court documents, Mattis had been drinking throughout the day as he exchanged despairing messages over the murder of Floyd with friends, including Rahman, who were mobilizing to join a protest. That evening, Rahman, who was 31 at the time, met Mattis after he made stops to buy supplies, including gasoline, and joined a swell of protesters in Brooklyn.

Shortly after midnight, with Mattis at the wheel, according to court filings, they drove in a tan minivan to a police precinct in Clinton Hill. After trying to persuade a bystander to throw a bottle that she was holding, Rahman got out of the van herself, walked toward an empty police patrol car that had already been damaged by protesters and threw the Molotov cocktail through its broken window before fleeing.

She and Mattis were arrested shortly afterward and held in jail for several days before they were released to home confinement.

It was a politically fraught moment after New York police officers had arrested hundreds of people during the protests, many on charges of disorderly conduct, resisting arrest and unlawful assembly. District attorneys said they would not prosecute many of the nonviolent cases.

Brooklyn federal prosecutors, then part of the Trump Justice Department, appealed twice to keep them behind bars, saying that the two lawyers had tried to incite others to similar attacks. But more than 50 former federal prosecutors signed a public letter urging the appeals court to reject the U.S. attorney’s office’s argument for detention, saying it contradicted settled bail law.

In June 2020, a grand jury returned an indictment against Mattis and Rahman that included seven counts, including arson, use of explosives and civil disorder.

In November 2021, after President Joe Biden had taken office and new leadership had taken over in the Department of Justice, Rahman and Mattis each pleaded guilty to one count of possessing and making an incendiary device. Last June, those charges were dismissed as part of a deal with prosecutors, and both pleaded guilty to a count of conspiracy to commit arson.

At Rahman’s sentencing, she faced up to five years under federal guidelines, and the government had asked for 18 months to two years. Her lawyer, Peter Baldwin, asked the court to impose only supervised release, saying his client had experienced “a dangerous and reprehensible lapse of judgment.”

“Urooj’s emotions — her anger, her despair, her rage — got the better of her,” he told the judge. Since the incident, Rahman had been in therapy and Alcoholics Anonymous, Baldwin said.

Rahman was born in Pakistan and grew up in Bay Ridge, Brooklyn; she graduated from Fordham Law School and had always been drawn to public interest work, a commitment for which Cogan praised her.

When she addressed the court, Rahman cried as she spoke about her mother’s grief. “I don’t think there are enough words to express my sorrow and regret,” she told the court. “My sole intention was to lend my voice to other New Yorkers in the pursuit of justice. I completely lost my way in the emotions of the night.”

She is to report to federal prison in Connecticut on Tuesday.

Mattis has already spent nearly a month in jail, has taken a leadership role in his Alcoholics Anonymous chapter and is at no risk of reoffending, his lawyers said in the memorandum to the judge.

Sabrina Shroff, his defense attorney, told Cogan in a presentencing letter how Mattis, the son of immigrants from Jamaica and St. Vincent, grew up in a chaotic home. Although early on he struggled academically, he went on to graduate from boarding school, then attended Princeton University and New York University’s law school.

When he was in his second year of law school, his father, Kingcolinford Mattis, was stabbed to death during a robbery in St. Vincent. His son used alcohol to dull his pain, Shroff wrote.

After law school, when he took a job at a law firm in 2016, he was often late or absent, court documents said. His yearslong dependency on alcohol worsened. He was asked to leave the firm just as his mother was diagnosed with uterine cancer, and he became her primary caregiver until her death in 2019, even as he worked at another firm.

After she died, Mattis took over her role as the foster parent for the three children he is now in the process of trying to adopt. He is also the primary caretaker for his 15-year-old nephew.

Shortly after the pandemic hit in March 2020 and Mattis was furloughed, his drinking increased, according to court filings.

On May 29, 2020, hours before he joined the protests, Mattis watched the video of Floyd’s murder for the first time and began to cry.

Within hours, court records said, Mattis was driving the minivan quickly away from the burning police sedan with open bottles of Bud Light, a funnel, a half-full red gas can and rolls of toilet paper.

#nunyas news #we think before we act #so things like this don't happen

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rockislandadultreads · 3 years

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Black History Month: some reading to get you started

Celebrate Black excellence with these titles

A Black Women's History of the United States by Daina Ramey Berry, Kali Nicole Gross

A vibrant and empowering history that emphasizes the perspectives and stories of African American women to show how they are--and have always been--instrumental in shaping our country In centering Black women's stories, two award-winning historians seek both to empower African American women and to show their allies that Black women's unique ability to make their own communities while combatting centuries of oppression is an essential component in our continued resistance to systemic racism and sexism. Daina Ramey Berry and Kali Nicole Gross offer an examination and celebration of Black womanhood, beginning with the first African women who arrived in what became the United States to African American women of today. A Black Women's History of the United States reaches far beyond a single narrative to showcase Black women's lives in all their fraught complexities. Berry and Gross prioritize many voices: enslaved women, freedwomen, religious leaders, artists, queer women, activists, and women who lived outside the law. The result is a starting point for exploring Black women's history and a testament to the beauty, richness, rhythm, tragedy, heartbreak, rage, and enduring love that abounds in the spirit of Black women in communities throughout the nation.

Black Detroit: A People's History of Self-Determination by Herb Boyd

The author of Baldwin’s Harlem looks at the evolving culture, politics, economics, and spiritual life of Detroit—a blend of memoir, love letter, history, and clear-eyed reportage that explores the city’s past, present, and future and its significance to the African American legacy and the nation’s fabric. Herb Boyd moved to Detroit in 1943, as race riots were engulfing the city. Though he did not grasp their full significance at the time, this critical moment would be one of many he witnessed that would mold his political activism and exposed a city restless for change. In Black Detroit, he reflects on his life and this landmark place, in search of understanding why Detroit is a special place for black people. Boyd reveals how Black Detroiters were prominent in the city’s historic, groundbreaking union movement and—when given an opportunity—were among the tireless workers who made the automobile industry the center of American industry. Well paying jobs on assembly lines allowed working class Black Detroiters to ascend to the middle class and achieve financial stability, an accomplishment not often attainable in other industries. Boyd makes clear that while many of these middle-class jobs have disappeared, decimating the population and hitting blacks hardest, Detroit survives thanks to the emergence of companies such as Shinola—which represent the strength of the Motor City and and its continued importance to the country. He also brings into focus the major figures who have defined and shaped Detroit, including William Lambert, the great abolitionist, Berry Gordy, the founder of Motown, Coleman Young, the city’s first black mayor, diva songstress Aretha Franklin, Malcolm X, and Ralphe Bunche, winner of the Nobel Peace Prize. With a stunning eye for detail and passion for Detroit, Boyd celebrates the music, manufacturing, politics, and culture that make it an American original.

Black Against Empire: The History and Politics of the Black Panther Party by Joshua Bloom, Waldo E. Martin Jr.

In Oakland, California, in 1966, community college students Bobby Seale and Huey Newton armed themselves, began patrolling the police, and promised to prevent police brutality. Unlike the Civil Rights Movement that called for full citizenship rights for blacks within the U.S., the Black Panther Party rejected the legitimacy of the U.S. government and positioned itself as part of a global struggle against American imperialism. In the face of intense repression, the Party flourished, becoming the center of a revolutionary movement with offices in 68 U.S. cities and powerful allies around the world. Black against Empire is the first comprehensive overview and analysis of the history and politics of the Black Panther Party. The authors analyze key political questions, such as why so many young black people across the country risked their lives for the revolution, why the Party grew most rapidly during the height of repression, and why allies abandoned the Party at its peak of influence. Bold, engrossing, and richly detailed, this book cuts through the mythology and obfuscation, revealing the political dynamics that drove the explosive growth of this revolutionary movement, and its disastrous unraveling. Informed by twelve years of meticulous archival research, as well as familiarity with most of the former Party leadership and many rank-and-file members, this book is the definitive history of one of the greatest challenges ever posed to American state power.

Satch, Dizzy, and Rapid Robert: The Wild Saga of Interracial Baseball Before Jackie Robinson by Timothy M. Gay

Before Jackie Robinson integrated major league baseball in 1947, black and white ballplayers had been playing against one another for decades--even, on rare occasions, playing with each other. Interracial contests took place during the off-season, when major leaguers and Negro Leaguers alike fattened their wallets by playing exhibitions in cities and towns across America. These barnstorming tours reached new heights, however, when Satchel Paige and other African- American stars took on white teams headlined by the irrepressible Dizzy Dean. Lippy and funny, a born showman, the native Arkansan saw no reason why he shouldn't pitch against Negro Leaguers. Paige, who feared no one and chased a buck harder than any player alive, instantly recognized the box-office appeal of competing against Dizzy Dean's "All-Stars." Paige and Dean both featured soaring leg kicks and loved to mimic each other's style to amuse fans. Skin color aside, the dirt-poor Southern pitchers had much in common. Historian Timothy M. Gay has unearthed long-forgotten exhibitions where Paige and Dean dueled, and he tells the story of their pioneering escapades in this engaging book. Long before they ever heard of Robinson or Larry Doby, baseball fans from Brooklyn to Enid, Oklahoma, watched black and white players battle on the same diamond. With such Hall of Fame teammates as Josh Gibson, Turkey Stearnes, Mule Suttles, Oscar Charleston, Cool Papa Bell, and Bullet Joe Rogan, Paige often had the upper hand against Diz. After arm troubles sidelined Dean, a new pitching phenom, Bob Feller--Rapid Robert--assembled his own teams to face Paige and other blackballers. By the time Paige became Feller's teammate on the Cleveland Indians in 1948, a rookie at age forty-two, Satch and Feller had barnstormed against each other for more than a decade. These often obscure contests helped hasten the end of Jim Crow baseball, paving the way for the game's integration. Satchel Paige, Dizzy Dean, and Bob Feller never set out to make social history--but that's precisely what happened. Tim Gay has brought this era to vivid and colorful life in a book that every baseball fan will embrace.

#black history month #black history #non-fiction #nonfiction books #reading recommendations #book recs #recommended reading #library #civil rights #black excellence #nonfiction #booklr #tbr #to read

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defundthepolicedestroythegop · 3 years

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So it turns out Daunte Wright's murderer was the president of the Brooklyn Center Police Union. She was a senior officer with well over 20 years of experience, she has a HISTORY of using her position to represent officers involved in other murders, and she expects anyone to believe that she "mistook" her pistol for her taser? Right.

$50 says this bitch murdered Daunte as "revenge" against the city's Black community for Chauvin's trial.

This wasn't random. This wasn’t an “accident.” This wasn't an officer "overreacting." This was 100% premeditated. Maybe she didn't go out looking for HIM, specifically, but she DID go out looking for a Black man to murder. She even had her handy excuse prepackaged and ready to go as soon as she had her victim where she wanted him.

#Daunte Wright #Brooklyn Center #Kim Potter #police brutality #racism #defund the fucking police

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gigslist · 3 years

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46 Online Roles and Open Casting Calls - Work From Home - Paid

Company Video Voiceover

PAID WORK FROM HOME NONUNION

Brooklyn SolarWorks Francesca Ricotta, Digital Marketing Manager

1.5-2 minute audio recording. 450-word script. Looking for a welcoming, neighborly tone for a voiceover. We serve a Brooklyn audience, so hoping for someone with a little New York flair. This will be used for an internal video that will be shared with customers who have recently gone solar. The voiceover will outline what to expect during the solar process.

Voice Actor (Voiceover): All Genders, 30-58 voice actor for short informational voiceoverLanguages:

English

Accents:

Standard American

New York

Voice Styles:

Neighborly

Trustworthy

Cool

Friendly

Talent must have access to their own recording space and equipment and submit the final recording as WAV audio file. Ideal completion by Friday, September 10th.

Professional Pay: $70 - $200audio to be used as voiceover for an educational video

Seeking talent: Nationwide (United States)

Attention FRANCESCA RICOTTA - [email protected]

DIGITAL MARKETING MANAGER

====================

Event Sizzle Reel, Bold Inspiring Voiceover

PAID WORK FROM HOME NON UNION

Flightless Bird Creative Stephen Kipp, casting dir.

Casting a sizzle reel for a business event. Production states: "The event is focused on the theme of being 'bold.' To match that energy, we're looking for a bold voiceover read for this video. Kanye West is a good reference for the energy-level and style of delivery."

Roles

Voiceover (Voiceover): 21-35 WORK FROM HOME

Records Sept. 9 remotely.

Professional Pay: $100 - $150Pay TBD.

Seeking talent: Nationwide (United States)

Attention: Stephen Kipp, casting dir. https://flightlessbird.tv/about-us/

Flightless Bird Creative

=============

Razor and Shave Care Product Promo

PAID WORK FROM HOME NON UNION

TubeScience

Hilal Narin, talent prod.

Casting outgoing Australian and British men and women willing to shave on camera, for demos and testimonials with a razor and shave care product. "The product is a popular razor and shave care products that are delivered right to your door. This is an on going project. We shoot a lot of these projects."

Roles

British or Australian Male Willing To Shave With Shirt Off Near Or In The Shower (Lead): Male, 18-54WORK FROM HOMEproduction states: "This project is remote and can be done anywhere in the world; this would be a director assisted remote shoot which you could shoot on a smart phone; male talent will be shaving on camera; we will send you a quick selfie audition; in the audition you can say what you feel comfortable shaving; it could be your beard, your head, your chest, or just cleaning up your beard."Ethnicity: All EthnicitiesRequired Media: Video Reel

British or Australian Female Willing To Shave In A Bathing Suit In A Bathroom Or Shower Setting (Lead): Female, 18-40WORK FROM HOME "This project is remote and can be done anywhere in the world; this would be a director assisted remote shoot which you could shoot on a smart phone; female talent will be shaving on camera. We will send you a quick selfie audition; in the audition you can say what you feel comfortable shaving; it could be your legs, armpits, head, or toes; whatever you normally shave or feel comfortable shaving."Ethnicity: All EthnicitiesRequired Media: Video Reel

Talent shoots remotely.

Professional Pay: $250/DailyPays $250 for day/all media buyout/non union.

Seeking talent: Nationwide (United States)

[email protected]

============

Open Call

ACTOR / TALENT

Please submit via this link

https://airtable.com/shrwe67h1SstvX8mV

if you would like to be cast in a commercial.

For any other questions about casting, you may email us at [email protected]

==================

DTC T-Shirt Brand Casting for series of UGC videos - Remote Production

Open Call

Common Thread Co. Ari Hayes, Lead Creative Producer

Casting a series of UGC videos for a high-growth T-Shirt brand in the DTC ecosystem. Looking for “everyday guys” - who are on the taller side (6’2”+). Ideal talent is someone who fits in both a regular and a tall tee.   Preferably someone who "skinny-fit" who can express high energy and raw / honest testimonials about their experience with the products. Historically, UGC content from the client has performed best outdoors in good looking environments because the shirts feel grounded in reality and not just a studio or upscale apartment setting. So, if possible - please try to shoot outdoors in an appealing setting with good light that brings out the value propositions of the shirts and doesn’t hide or distort them with harsh light or shadows. iPhone 8 or Newer will be required for this shoot (for camera / audio purposes). Ring Light or Personal Lighting is required for this shoot. This will be a remote production to be shot at talents home or nearby exterior area (park, backyard, etc.) Looking to shoot ASAP based on talent availability!

Male Talent (Day Player): Male, 25-45WORK FROM HOME"Everyday Guy" Average guy who is "skinny-fit" or as close to that description as can.Ethnicity: All EthnicitiesRequired Media: Headshot/PhotoApply

Remote Production - Shoots Nationwide Must submit before 9/17

Professional Pay: $200/DailyPays $200 / day minus any pickups due to technical or human error. Paperwork will be completed through Wrapbook.

Seeking talent: Nationwide (United States)

https://www.linkedin.com/in/arihayes

https://www.linkedin.com/company/common-thread-collective

https://commonthreadco.com/

==========================

'Talking It Out,' Virtual Arts Festival

THEATER: PLAYS

PAID WORK FROM HOME NON UNION

Piccione Arts A. Piccione, coord.

Casting roles in the Nov. 20 performance of "Talking It Out," a virtual play festival in support of mental health awareness.

Roles

Jane (Lead): Female, 25-45from the short play "Something Stupid." Young woman in her 30s being treated for cervical cancer.Ethnicity: All EthnicitiesRequired Media: Headshot/Photo, Video Reel

Brie (Lead): Female, 25-45 from the short play "Something Stupid." Jane's close friend.Ethnicity: All EthnicitiesRequired Media: Headshot/Photo, Video Reel

Thomas Brown (Lead): Male, 25-45WORK FROM HOMEfrom the short play "Warriors." An Iraq-war veteran in his 30s, who suffers from post-traumatic stress disorder.Ethnicity: All EthnicitiesRequired Media: Headshot/Photo, Video Reel

Dr. Gozlin (Lead): Female, 30-50WORK FROM HOMEfrom the short play "Warriors." A Veterans’ Hospital doctor, she suffers from post-traumatic stress disorder from her own time in the military.Ethnicity: All EthnicitiesRequired Media: Headshot/Photo, Video Reel

Matt (Lead): Male, 16-25WORK FROM HOMEfrom the short play "The Teenagers Aware of Death." Proud of his wrestling achievements.Ethnicity: All EthnicitiesRequired Media: Headshot/Photo, Video Reel

Piper (Lead): Female, 16-25WORK FROM HOMEfrom the short play "The Teenagers Aware of Death." Loves to be comforted every moment.Ethnicity: All EthnicitiesRequired Media: Headshot/Photo, Video Reel

Geraldo (Lead): Male, 16-25WORK FROM HOME

Killer (Lead): Male, 30-70WORK FROM HOME

Police Officer (Lead): All Genders, 25-70WORK FROM HOME

Hope (Lead): Female, 16-25WORK FROM HOME

Dr. Morgan (Lead): Female, 30-70WORK FROM HOME

Dad (Lead): Male, 30-60WORK FROM HOME

Protestor(s) (Lead): All Genders, 18+WORK FROM HOME

Mister (Lead): Male, 25-45WORK FROM HOME

Jude (Lead): Male, 16-25WORK FROM HOME

Ruthie (Lead): Female, 18-35WORK FROM HOME

Vera (Lead): Female, 18-35WORK FROM HOME

Ellis D. (Lead): Female, Trans Female, 18-35WORK FROM HOME

Rehearsal dates subject to actor and director availability. Tech rehearsals from Nov. 15-19 (each day from 6 p.m. EST onward0. Performance Nov. 20 (7 p.m. EST).

StipendStipend TBD. Production states: "Half of all donations go toward the National Alliance on Mental Illness, while the other half will be distributed evenly among the participating artists."

Seeking talent: Worldwide

[email protected]

https://anthonyjpiccione.com/

======================

Hiring Actors to Play Customers in Chicago

Open Call

PAID WORK FROM HOME NON UNION

The Center for Civil Rights/NCRC

Jake Lilien, Compliance Program Manager

Seeking actors to go "undercover" to determine whether businesses in the Chicago metro area are observing civil rights laws, as part of a civil rights enforcement program. This work will all be remote, and can be done from home. Company states: "To give an example of our work, we'll hire a white actor to contact a bank about a loan, then hire an actor of color to contact the same bank about the same type of loan, to see if the bank treats them the same way. We file complaints against businesses that show patterns of discrimination." "Assignments typically require about an hour of work, and participants will be paid $45 for each completed assignment. Hours are very flexible, but the work must be done during regular business hours (Monday through Friday, 9 a.m.-5 p.m.) "This is a great opportunity for actors looking for some extra income, and participants will have a direct impact on increasing fair and equal access to housing throughout the nation."

Roles

Civil Rights Tester: All Genders, 18+WORK FROM HOMEActors of all races and genders needed to serve as civil rights "testers." Actors must be 18 or older to participate. Company states: "Because of grant restrictions, we are unable to work with anyone who has ever been convicted of a felony, or any crime of dishonesty (such as perjury, fraud, or writing bad checks). We are also unable to work with anyone who has worked for a bank or a real estate agency within the past 12 months."Ethnicity: All EthnicitiesApply

Mandatory training session on Sept. 13 (6:00 PM -9:00 PM CST) via Zoom.

Stipend: $45Pays $75 for completing the three-hour training session, then $45 per assignment. Each assignment requires about an hour of work.

[email protected]

https://ncrc.org/

===================

Home Depot Design Center VO

PAID WORK FROM HOME NONUNION

Trade School Ben Tischler, sr. prod.

Casting voiceover for video showcasing the Home Depot Design Center.

Roles

Voiceover (Voiceover): 25-40WORK FROM HOMEFemale voice, clear, conversational, refined, positive/energized tone and attitude.Apply

Recording date TBD in the Old Fourth Ward area.

Professional Pay: $1,000One year - Broadcast, BTS, Social , Internet, New Media, OTT, Industrial, Historical for PR purposes

Seeking talent from: Atlanta, GA

https://www.linkedin.com/in/ben-tischler-0319829

============================

'By Mouth' Podplay

PAID WORK FROM HOME NONUNION

By Mouth -Martin Garrison, prod.-dramatist

Casting podplay "By Mouth," a podplay based on a classic novel. Production states: "Before auditioning, please listen to selections of our first two podplays at: bymouth.org/podplays."

Roles

Kira (Voiceover): Female, 20-30WORK FROM HOME20, British RP light, feminine with rare indomitable will more often found in a man. Doesn’t care what others think—tunnel-visioned—in her own world--certain about what she wants. Kind but not nice or phony. Sister to Lydia and daughter to Kira’s Mother.Accents:British

Andrei (Voiceover): Male, 25-40WORK FROM HOME 20’s, British or Scottish/Irish lower-class light, controlled intensity, highly intelligent, masculine. In love with Kira. Accents: Scottish

Uncle Vasili (Voiceover): Male, 45-60WORK FROM HOMEcountry British sialect, 45-60, from where folks in 1800’s hunted, fished and trapped animals. Self-made furrier to former czar. Salt of the earth type. No artifice. Up from bootstrap’s authority/confidence. Revolution has made him bitter but is naturally optimistic and still vital when excited. Father to Victor and Irina and husband to Kira’s Mother.Accents:British

Timo (Voiceover): Male, 45-60Scottish or Country British. Gruff, booming-voiced Scottish or Irish sea dog—a Blutto with a heart of gold. Accents: Scottish

Karp (Voiceover): Male, 45-6040-50’s, heavy British cockney, short, fat, ugly, pushed up pig nose, obsequious, ingratiating. Accents: English - Cockney

Kira's Mother (Voiceover): Female, 45-60WORK FROM HOME Accents:British

Required Media: Voice Reel

Irina (Voiceover): Female, 20-30WORK FROM HOME

Victor (Voiceover): Male, 20-35WORK FROM HOME

Sonia (Voiceover): Female, 20-30WORK FROM HOME

Marisha (Voiceover): Female, 20-30WORK FROM HOME

Lydia (Voiceover): Female, 25-35WORK FROM HOME

Kira's Aunt (Voiceover): Female, 40-55WORK FROM HOME

Tonia (Voiceover): All Genders, 35-55WORK FROM HOME

Vava (Voiceover): Female, 20-35WORK FROM HOME

Sasha (Voiceover): Male, 20-35WORK FROM HOME

Talent records voice-over remotely at home studio.

Stipend: $125 - $1,000Pay TBD.

Seeking talent: Nationwide (United States)

Additional Materials

Website:http://www.bymouth.org/podplays

CHARACTER LIST_By Mouth podplay.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/69a0e328-26c3-43ed-9b52-0a7b38161c7d.pdf

KIRA_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/f4026011-df2b-4d5f-9aeb-102c58f06daf.pdf

ANDREI_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/6dfbb1f4-534b-4839-b3ac-6b2072f2b5b2.pdf

UNCLE VASILI_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/9dd1f37b-8e09-4220-bc05-1417f50d77ea.pdf

TIMO_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/79f43f5a-782f-4334-b765-f3cc478aa5fc.pdf

KARP_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/518a744a-5066-43c5-9f7c-f30188fcd81e.pdf

KIRA’S MOTHER_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/f77be1a1-5afb-4497-81a3-df38fbf2b65b.pdf

IRINA_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/f0cbae30-426c-4493-abc2-82ab26df1e73.pdf

VICTOR_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/6b50c51f-a069-4603-8c05-27d281150a10.pdf

SONIA_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/05d21440-6fa4-40e3-ab19-3094b6102837.pdf

MARISHA_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/fb422d34-a9dd-4bce-97ec-92232d802f74.pdf

LYDIA_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/1ffa4b29-c822-4bc6-a974-8506f452f126.pdf

KIRA’S AUNT_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/4a493ce0-d001-432a-9234-4b3c8cbde213.pdf

TONIA_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/c08abaa1-0956-456e-905b-6ccaf98652bc.pdf

VAVA_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/9b8b5927-0ab3-4e25-9204-70f9aa00c892.pdf

SASHA_Lines_By Mouth.pdf https://d26oc3sg82pgk3.cloudfront.net/files/media/uploads/casting_call/d29ddfe8-ce97-4710-9387-b48d163d1096.pdf

https://bymouth.org/contact

=================

Covet Fashion, Models

MediaNug.com Matt, producer

Casting seven females to model fashion outfits to create digital ads. The company is not a clothing brand, but a fashion app called Covet Fashion. Models will select three-five outfits from your wardrobe to showcase.

REMOTE UGC - - FEMALE FASHION STYLING (Lead): Female, 18-30Ethnicity: All EthnicitiesRequired Skills:

Voice Style: Happy

Voice Style: Attractive

ON LOCATION (LOS ANGELES) - - FEMALE FASHION STYLING: Female, 18-30

Ethnicity: All Ethnicities

Required Skills:

Voice Style: Happy

Voice Style: Attractive

Some roles are remote UGC, others will be on location in Los Angeles., CA.

Professional Pay: $400 - $500/DailyRate: $400-$500 (depending on role)

Seeking talent: Nationwide (United States)

https://www.medianug.com/contact

==========

#remote acting giigs #remote jobs for actors #work from home voice over work #online acting casting calls

2 notes · View notes

learningrendezvous · 3 years

Text

Women's Studies

BELLY OF THE BEAST

By Erika Cohn, Angela Tucker, Christen Marquez, and Nicole Docta

Filmed over seven years with extraordinary access and intimate accounts from currently and formerly incarcerated people, BELLY OF THE BEAST exposes a pattern of illegal sterilizations, modern-day eugenics and reproductive injustice in California prisons.

When a courageous young woman and a radical lawyer discover a pattern of illegal sterilizations in California's women's prisons, they wage a near-impossible battle against the Department of Corrections. With a growing team of investigators inside prison working with colleagues on the outside, they uncover a series of statewide crimes -- from inadequate health care to sexual assault to coercive sterilizations -- primarily targeting women of color. This shocking legal drama captured over 7-years features extraordinary access and intimate accounts from currently and formerly incarcerated people, demanding attention to a shameful and ongoing legacy of eugenics and reproductive injustice in the United States.

DVD (Color, Closed Captioned) / 2020 / 81 minutes

GLOW: A WILD RIDE TO HEAVEN

Director: Gabriel Baur

"Someone who glows so brightly is not going to grow old," Fellini once prophesied about Irene Staub, aka Lady Shiva, one of the greatest of all Swiss divas. Thanks to her aura and talent, many doors opened for Irene during Zurich's exuberant years between 1968 and the late 1980s. Discovered by a pioneer of Swiss fashion design, she made the break from streetwalking to being part of the fashionable art scene. Finding work as a model, she also pursued her dream of becoming a singer, starting out in a legendary Zurich underground band. But Lady Shiva lived life in the fast lane; torn between the stress and strain of success, a yearning for freedom, and self-destructive urges, she died far too young under circumstances that have never been fully explained.

Using never-before-seen archival footage and interviews with prominent contemporaries, director Gabriel Baur brings us back to a vibrant age of boundless possibilities, in which the sky seemed the only limit for people like Lady Shiva...an age that to this day still kindles a yearning in us.

DVD (German with English Subtitles) / 2020 / 100 minutes

I'M MOSHANTY - DO YOU LOVE ME?

Director: Tim Wolff

The world's second largest island, Papua New Guinea is one of the most dangerous places to be a woman, with 70% reporting that they experienced domestic violence and sexual violence before the age of 15. Sorcery accusation killings and family violence take the lives of thousands of women every year and HIV infection rates are the highest in the Pacific. Transgender women are most often homeless, unemployed, denied education and medical care and living under the constant threat of robbery, rape and murder.

I'm Moshanty - Do You Love Me? Is a musical tribute to the late, legendary South Pacific recording artist and transgender activist Moses Moshanty Tau and the LGBTQI community of Papua New Guinea. With their lives still haunted by colonial-era sodomy laws and deadly religious bigotry, Moshanty stands as a beacon of hope for the transgender and LGBTQI community of the entire South Pacific.

Filmed over a weekend in the fall of 2017 and including her last live performances, the film celebrates the transgender activist with a mother's heart, teeth of gold and a voice like a coronet. Hear her journey from a tiny Motuan village to the top of the regional music industry. In her last interview, she shares her personal truth and her greatest desires as a woman with her millions of fans.

In 2017, a diagnosis of throat cancer threatens to silence the activist and a failed surgery leaves her unable to sing. Finally, an entire nation, from ordinary citizens to Ministers of Parliament, is asked to grieve for their brightest light and their most heavenly voice. Who could ever sing the songs of Moshanty?

DVD (English, Tok Pisin, With English Subtitles) / 2020 / 57 minutes

ALL WE'VE GOT

By Alexis Clements

ALL WE'VE GOT is a personal exploration of LGBTQI women's communities, cultures, and social justice work through the lens of the physical spaces they create, from bars to bookstores to arts and political hubs.

Social groups rely on physical spaces to meet and build connections, step outside oppressive social structures, avoid policing and violence, share information, provide support, and organize politically. Yet, in the past decade, more than 100 bars, bookstores, art and community spaces where LGBTQI women gather have closed. In ALL WE'VE GOT, filmmaker Alexis Clements travels the country to explore the factors driving the loss of these spaces, understand why some are able to endure, and to search for community among the ones that remain. From a lesbian bar in Oklahoma; to the Esperanza Peace & Justice Center in San Antonio run by queer Latinas; to the WOW Cafe Theatre in New York; to the public gatherings organized by the Trans Ladies Picnics around the US and beyond; to the Lesbian Herstory Archives in Brooklyn, the film takes us into diverse LGBTQI spaces and shines a light on why having a place to gather matters. Ultimately, ALL WE'VE GOT is a celebration of the history and resilience of the LGBTQI community and the inclusive spaces they make, as well as a call to action to continue building stronger futures for all communities.

DVD (Color) / 2019 / 67 minutes

BLACK FEMINIST

By Zanah Thirus

BLACK FEMINIST is a lively and illuminating documentary that explores the double-edged sword of racial and gender oppression that Black Women face in America.

Frustrated by the lack of intersectionality in the women's movement and the misogyny plaguing the Black liberation movement, filmmaker Zanah Thirus set out to shine a light on the complexities and power of Black feminism. Featuring interviews with a wide range of scholars, writers, business owners, veterans and comedians including former Ebony Editor-in-Chief Kyra Kyles, professor Carrie Morris, and author Tami Winfrey Harris, the film lays bare the everyday lived experiences of Black Women everywhere.

DVD (Color, Closed Captioned) / 2019 / 53 minutes

NICE CHINESE GIRLS DON'T: KITTY TSUI

By Jennifer Abod

Nice Chinese Girls Don't is a portrait of Kitty Tsui -- an iconic Asian American lesbian, poet, artist, activist, writer, and bodybuilder who came of age in the early days of the Women's Liberation Movement in San Francisco.

In Nice Chinese Girls Don't, Kitty Tsui recounts her emergence as a poet, artist, activist, writer, and bodybuilder in the early days of the Women's Liberation Movement in San Francisco. She narrates her experience of arriving to the States as an immigrant from Hong Kong by way of her own original poetry and stories.

Tsui wrote the groundbreaking Words of a Woman Who Breathes Fire, the first book written by an Asian American lesbian. She is considered by many to be one of the foremothers of the API, Asian Pacific Islander, lesbian feminist movement.

In 2018, APIQWTC, Asian Pacific Islander Queer Women & Transgender Community honored her with the Phoenix Award for lifetime achievement. In 2019, her alma mater, San Francisco State University inducted Tsui into the Alumni Hall of Fame. Her forthcoming books include Nice Chinese Girls Don't, Battle Cry: Poems of Love & Resistance, and Fire Power: Poems of Love & Resilience. Tsui currently lives in Oakland, California, and is writing a screenplay, Unmasked.

DVD (Color, Closed Captioned) / 2019 / 20 minutes

NO TIME TO WASTE: THE URGENT MISSION OF BETTY REID SOSKIN

Directed by Carl Bidleman

Celebrates legendary 99-year-old park ranger Betty Reid Soskin's inspiring life, work and urgent mission to restore critical missing chapters of America's story.

NO TIME TO WASTE celebrates legendary 99-year-old park ranger Betty Reid Soskin's inspiring life, work and urgent mission to restore critical missing chapters of America's story. The film follows her journey as an African American woman presenting her personal story from a kitchen stool in a national park theater to media interviews and international audiences who hang on every word she utters.

The documentary captures her fascinating lifeâ€”from the experiences of a young Black woman in a WWII segregated union hall, through her multi-faceted career as a singer, activist, mother, legislative representative and park planner to her present public role.

At the Rosie the Riveter/WWII Home Front National Historical Park, Betty illuminates the invisible histories of African Americans and other people of color. Her efforts have changed the way the National Park Service conveys this history to audiences across the U.S., challenging us all to move together toward a more perfect union.

DVD / 2019 / (Grades 7-12, College, Adults) / 52 minutes

NORMAL GIRL, A

Directed by Aubree Bernier-Clarke By Shawna Lipton, Pidgeon Pagonis

A NORMAL GIRL brings the widely unknown struggles of intersex people to light through the story of intersex activist Pidgeon Pagonis.

Activist Pidgeon Pagonis was born intersex, not conforming to standard definitions of male or female, and experienced genital mutilation as a child. Now Pidgeon is fighting the medical establishment, seeking to end medically unnecessary surgeries and human rights abuses on intersex people in the United States and around the world.

An estimated 1.5% of the population is born with intersex traits. While most of these babies are healthy, their bodies are treated as a medical emergency. It is common practice for doctors to perform genital surgeries on intersex infants--often with disastrous results including total loss of genital sensation, lifetime synthetic hormone dependence, and being assigned a gender with which they do not identify.

Through the story of Pidgeon's remarkable journey and fight for bodily self-determination, A NORMAL GIRL brings the widely unknown struggles of intersex people to light.

DVD (Color, Closed Captioned) / 2019 / 14 minutes

SHUSENJO: COMFORT WOMEN AND JAPAN'S WAR ON HISTORY

Director: Miki Dezaki

One of the most heated issues in Japan and Asia today is over something that occurred 80 years ago: the Japanese Imperial Army's sexual enslavement of an estimated tens of thousands of Korean women and others in military brothels during World War II. Many nationalist Japanese conservatives (with the surprising support of Western media influencers) believe the women were mostly willing prostitutes, not 'sex slaves', and that the estimated number is far smaller than are claimed. But contemporary historians, activists and - most significantly - the surviving victims and their families, believe otherwise; the denial of their suffering so long ago has created an entirely new trauma.

Director Miki Dezaki, a second-generation Japanese American who learned about comfort women from his Japanese immigrant parents, questions why accounts in the Western media have often sided with the Nationalists. With a keen eye for detail and precision, he interviews historians, advocates and lawyers who discuss the evidence: historical documents related to the Japanese military's direct role in managing the brothels, and harrowing testimonies by former comfort women. 'Shusenjo' is a deep dive into this impassioned subject - bringing to light the hidden intentions of the supporters and detractors of comfort women.

DVD (English, Japanese, Korean with English Subtitles) / 2019 / 120 minutes

ARCHIVETTES, THE

By Megan Rossman

For more than 40 years, the Lesbian Herstory Archives has combated lesbian invisibility by literally rescuing history from the trash.

Founded in the 1970s in a New York City apartment, The Lesbian Herstory Archives is now the world's largest collection of materials by and about lesbians. For more than 40 years, the all-volunteer organization has striven to combat lesbian invisibility by literally rescuing history from the trash.

Frustrated by misogyny and homophobia within academia, Deborah Edel and Joan Nestle co-founded the archives for those conducting research, both professional and personal. Over the years, the organization has witnessed many of the major milestones in LGBTQ+ history and has weathered several storms. Today, with its founders in their seventies, the archives are facing new challenges, including a change in leadership and the rise of digital technology.

Exploring the fascinating origins of the organization, THE ARCHIVETTES is a tribute to second-wave feminism and intergenerational connection, as well as an urgent rallying cry for continued activism in a politically charged moment.

DVD (Color, Closed Captioned) / 2018 / 61 minutes

FEMALE PLEASURE

By Barbara Miller

#FEMALE PLEASURE accompanies five extraordinary women around the globe fighting to reclaim female sexuality.

The film introduces us to author Deborah Feldman from Brooklyn's Hasidic community, sex educator Vitika Yadav in India, manga artist Rokudenashiko in Japan, Somali activist Leyla Hussein, and former nun Doris Wagner in Europe, courageous women who are all struggling to end the harmful cultural practices like genital mutilation and the shaming of the female orgasm that lie at the root of rape culture and patriarchy. Not only highlighting the issues that have contributed to the sexual marginalization of women, the film also calls these atrocities, embedded within cultural and religious norms, by their actual names: rape, assault, child trafficking, abuse. We witness these female activists who were taught to be silent confronting the very entities that have oppressed them.

Both an urgent call to action and an empowering plea for self-determined joyful female sexuality, #FEMALE PLEASURE is ultimately an inspiring tool to help women, no matter their cultural or religious background, to reclaim their bodies and celebrate their sexuality without shame or suffering.

DVD (English, Japanese, German, Color, Closed Captioned) / 2018 / 101 minutes

TO A MORE PERFECT UNION: U.S. V. WINDSOR

Director: Donna Zaccaro

To A More Perfect Union: U.S. v. Windsor tells a story of love, marriage and a fight for equality. The film chronicles two unlikely heroes, octogenarian Edie Windsor and her attorney, Roberta Kaplan, on their quest for justice: Edie had been forced to pay a huge estate tax bill upon the death of her spouse because the federal government denied federal benefits to same-sex couples...and Edie's spouse was a woman.

Deeply offended by this lack of recognition of her 40+ year relationship with the love of her life, Edie decided to sue the United States government - and won. Beyond the story of this pivotal case in the marriage equality movement, the film also tells the story of our journey as a people, as a culture, and as citizens with equal rights.

Windsor and Kaplan's legal and personal journeys are told in their own words, and through interviews with others, including Lillian Faderman, a leading scholar on LGBTQ history, and Evan Wolfson, who first at Lambda Legal and later as founder of Freedom to Marry was the godfather of marriage equality in the US and now worldwide. Legal observers, including Jeffrey Toobin from CNN and Nina Totenberg of National Public Radio, also lend their insights.

DVD / 2018 / 63 minutes

WE ARE THE RADICAL MONARCHS

Directed by Linda Goldstein Knowlton

Follows the Radical Monarchs, a group of young girls of color on the frontlines of social justice.

Set in Oakland, a city with a deep history of social justice movements, WE ARE THE RADICAL MONARCHS documents the Radical Monarchs--an alternative to the Scout movement for girls of color, aged 8-13. Its members earn badges for completing units on social justice including being an LGBTQ ally, the environment, and disability justice.

The group was started by two fierce, queer women of color, Anayvette Martinez and Marilyn Hollinquest as a way to address and center her daughter's experience as a young brown girl. Their work is anchored in the belief that adolescent girls of color need dedicated spaces and that the foundation for this innovative work must also be rooted in fierce inter-dependent sisterhood, self-love, and hope.

The film follows the first troop of Radical Monarchs for over three years, until they graduate, and documents the Co-Founders' struggle to respond to the needs of communities across the US and grow the organization after the viral explosion of interest in the troop's mission to create and inspire a new generation of social justice activists.

DVD / 2018 / (Grades 4-12, College, Adults) / 86 minutes

YOURS IN SISTERHOOD

By Irene Lusztig

YOURS IN SISTERHOOD is a performative, participatory documentary inspired by the breadth and complexity of letters that were sent in the 1970s to the editor of Ms.- America's first mainstream feminist magazine. The film documents hundreds of strangers from around the U.S. who were invited to read aloud and respond to these letters written by women, men and children from diverse backgrounds. Collectively, the letters feel like an encyclopedia of both the 70s and the women's movement- an almost literal invocation of the second-wave feminist slogan "the personal is political." The intimate, provocative, and sometimes heartbreaking conversations that emerge from these performances invite viewers to think about the past, present, and future of feminism.

DVD (Color) / 2018 / 101 minutes

FEMINISTA: A JOURNEY TO THE HEART OF FEMINISM IN EUROPE

By Myriam Fougere

FEMINISTA is a lively and inspiring feminist road movie that explores the largely unrecognized yet hugely vibrant pan European feminist movement. Filmmaker Myriam Fougere joined an international group of young feminists who were traveling across twenty countries â€“ from Turkey to Portugal, by the way of the Balkans, to Italy, Spain and Portugal â€“ to make connections and unite forces with other women. She witnessed these determined activists participating in political gatherings, supporting homegrown local feminist struggles, exchanging strategies, and inventing new ways to resist and fight for change. Revealing how feminism is transmitted from one generation to another, FEMINISTA provides a rare glimpse into a widespread feminist groundswell movement, possibly one of the largest and unrecognized mass political movements that is very much alive and well throughout Europe today.

DVD (Color) / 2017 / 60 minutes

FINE LINE, A (EDUCATIONAL VERSION)

Directed by Joanna James

Explores why less than 7% of head chefs and restaurant owners are women, when traditionally women have always held the central role in the kitchen.

Featuring intimate interviews with world-renowned chefs like Dominique Crenn, Lidia Bastianich, Cat Cora, Elena Arzak, Elizabeth Falkner, Maria Loi, Sylvia Weinstock, Michael Anthony and others, A FINE LINE explores pressing issues faced by women in the culinary arts and across all industries, including sexual and workplace harassment, access to capital, unequal pay, and lack of paid family leave and affordable childcare.

An uplifting American success story about perseverance, family, and food, A FINE LINE follows the personal story of Valerie James, a small town restaurateur with a larger than life personality who raised Joanna as a single mother on a mission to do what she loves while raising two kids and the odds stacked against her.

DVD / 2017 / (Grades 7-12, College, Adults) / 56 minutes

CATCHING SIGHT OF THELMA & LOUISE

Directed by Jennifer Townsend

Explores the same women's and men's reactions to the groundbreaking film, "Thelma & Louise", 25 years ago and today.

Powerful, authentic, and timely, CATCHING SIGHT OF THELMA & LOUISE dives off the edge into the truth of women's experience in the world. It revisits the journey of Thelma & Louise through the lens of viewers who saw that iconic film in 1991 and shared intimate, personal, stories at that time. The same women and men were tracked down 25 years later. Are their responses different now? Has anything changed in the way women are treated?

Interview commentary mixes with clips from "Thelma & Louise" to reveal why this cinema classic continues to resonate with millions of viewers, the world over. Christopher McDonald, who played Thelma's husband, and Marco St. John, who played the truck driver, offer an insider's viewpoint.

DVD / 2016 / (Grades 10-12, College, Adults) / 86 minutes

REVIVAL, THE: WOMEN AND THE WORD

By Sekiya Dorsett

THE REVIVAL: WOMEN AND THE WORD chronicles the US tour of a group of Black lesbian poets and musicians, who become present-day stewards of a historical movement to build community among queer women of color. Their journey to strengthen their community is enriched by insightful interviews with leading Black feminist thinkers and historians, including Dr. Alexis Pauline Gumbs, Nikki Finney, and Alexis Deveaux. As the group tours the country, the film reveals their aspirations and triumphs, as well as the unique identity challenges they face encompassing gender, race, and sexuality. This is a rarely seen look into a special sisterhood - one where marginalized voices are both heard and respected.

DVD (Color, Closed Captioned) / 2016 / 82 minutes

SIBERIAN LOVE

By Olga Delane

In rural Siberia, romantic expectations are traditional and practical. The man is the head of the household. The woman takes care of the housekeeping and the children. But filmmaker Olga Delane doesn't agree. While she was born in this small Siberian village, as a teenager she migrated to Berlin with her family, and 20 years of living in Germany has changed her expectations. SIBERIAN LOVE follows Delane home to her community of birth, where she interviews family and neighbors about their lives and relationships. Amusing and moving, this elegant film paints a picture of a world completely outside of technology, a hard-farming community where life is hard and marriage is sometimes unhappy - but where there are also unexpected paths to joy and family togetherness. Through clashing ideals of modern and traditional womanhood, SIBERIAN LOVE is a fascinating study of a country little known in the US and of a rural community that raises questions about domesticity, gender expectations, domestic abuse, childcare, and romance. Excellent for anthropology, women's studies, sociology, Russian and Eastern European Studies.

DVD (Color) / 2016 / 82 minutes

VOICES OF MUSLIM WOMEN FROM THE US SOUTH

By Maha Marouan and Rachel Raimist

When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind. VOICES OF MUSLIM WOMEN FROM THE US SOUTH is a documentary that explores the Muslim culture through the lens of five University of Alabama Muslim students. The film tackles how Muslim women carve a space for self-expression in the Deep South and how they negotiate their identities in a predominantly Christian society that often has unflattering views about Islam and Muslims. Through interviews with students and faculty at Alabama, this film examines representations and issues of agency by asking: How do Muslim female students carve a space in a culture that thinks of Muslims as terrorists and Muslim women as backward?

DVD (Color) / 2015 / 32 minutes

http://www.learningemall.com/News/Women_202101.html

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dewitty1 · 3 years

Photo

Via @buzzfeednews

On Monday night, the police officer who killed Wright was identified as Kim Potter, a 26-year veteran of the department.

In a press conference, Gannon said Potter had meant to use her Taser on Wright, but accidentally shot him instead.

In body camera footage of the incident, Potter can be heard yelling, “Taser! Taser! Taser! Oh shit, I just shot him.”

Potter was placed on administrative leave pending an independent investigation, but on Tuesday she resigned from the department.

In an interview with Good Morning America on Tuesday, Wright’s father, Aubrey Wright, said he “can’t accept” the excuse that the fatal shooting of his son was a mistake. “I lost my son. He is never coming back. I can’t accept that,“ Aubrey Wright said. "A mistake? That doesn’t even sound right.”

Potter is president of her police union, the Brooklyn Center Police Officers Association, a role in which she has represented other officers who’ve killed people, KSTP-TV reported.

Gannon said officers pulled Wright over Sunday afternoon over an expired registration tag on his car, and when they ran his name through their system, found he had a warrant out for his arrest. He had missed a court appearance for two misdemeanor charges: carrying a handgun without a permit and running from police last June, according to court documents obtained by BuzzFeed News.

While officers attempted to arrest him on Sunday, Wright tried to break free and get back in his car. Body camera footage shows Potter warning Wright she would tase him, but then she fatally shot him.

(We know they’re still going to get that nice police pension though, right?) #Shameful

The Cop Who Killed Daunte Wright And The Police Chief Have Resigned Following Continued Protests https://buzzfeed.com/juliareinstein/daunte-wright-protests-kim-potter

https://www.instagram.com/p/CNnaVF2lxBQ/?igshid=1bxvs6fv3vwem

#shameful #duantewright #minnesota #blacklivesmatter #justiceforduantewright #blm

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kissingcullens · 4 years

Text

I just attended a Teach-In on Divesting from Police and Investing in Community hosted by Brooklyn Mmovement Center.

One important takeaway: KEEP CALLING AND TWEETING your city council members!

They talked anout how people think "Well I already called" or "well I know my elected officials are already on my side so I don't need to call-"

No! Keep the pressure up and get creative: tell them exactly how you want them to invest the money. Make demands.

because if the pressure drops off, they may slide back into business as usual-

but if they can point to 10,000 calls and tweets from constituents, that gives them the guts and the support to stand up to police unions and other entrenched powers.

i just thought that was a good point that I hadn't thought of in those terms

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96thdayofrage · 3 years

Text

A white police officer who fatally shot a Black man during a traffic stop in a Minneapolis suburb resigned Tuesday, as did the city’s police chief — moves that the mayor said he hoped would help heal the community and lead to reconciliation after two nights of protests and unrest.

The resignations from Officer Kim Potter and Police Chief Tim Gannon came two days after the death of 20-year-old Daunte Wright in Brooklyn Center. Potter, a 26-year veteran, had been on administrative leave following Sunday’s shooting, which happened as the Minneapolis area was already on edge over the trial of an officer charged in George Floyd’s death.

Brooklyn Center Mayor Mike Elliott said he was “appreciative” that Potter submitted her resignation but that he had not asked for it nor accepted it. It wasn’t immediately clear what that would mean.

A decision on whether prosecutors will charge Potter could come as soon as Wednesday. Meanwhile, the cities of Minneapolis and St. Paul imposed 10 p.m. curfews. A Brooklyn Center city spokeswoman didn’t immediately respond to a message on whether the city would have a curfew.

Gannon has said he believed Potter mistakenly grabbed her gun when she was going for her Taser. She can be heard on her body camera video shouting “Taser! Taser!” However, protesters and Wright’s family members say there’s no excuse for the shooting and it shows how the justice system is tilted against Blacks, noting Wright was stopped for expired car registration and ended up dead.

Elliott said at a news conference that the city had been moving toward firing Potter when she resigned. He said he hoped her resignation would “bring some calm to the community,” but that he would keep working towards “full accountability under the law.”

“We have to make sure that justice is served, justice is done. Daunte Wright deserves that, his family deserves that,” Elliott said.

Activists who attended the news conference called for sweeping changes to the Brooklyn Center Police Department and sharply criticized the acting police chief, Tony Gruenig, for not yet having a plan.

Elliott said the department has about 49 police officers, none of whom live in Brooklyn Center. He said he didn’t have information on racial diversity at hand but that “we have very few people of color in our department.”

The modest suburb just north of Minneapolis has seen its demographics shift dramatically in recent years. In 2000, more than 70% of the city was white. Today, a majority of residents are Black, Asian or Latino.

Wright was stopped for having expired license plates. Police then tried to arrest him on an outstanding warrant after failing to appear in court on charges that he fled from officers and possessed a gun without a permit during an encounter with Minneapolis police in June.

Body camera footage released Monday shows Wright struggling with police when Potter shouts, “I’ll Tase you! I’ll Tase you! Taser! Taser! Taser!” She draws her weapon after the man breaks free from police outside his car and gets back behind the wheel.

After firing a single shot from her handgun, the car speeds away, and Potter says, “Holy (expletive)! I shot him.”

Wright died of a gunshot wound to the chest, according to the medical examiner.

Protests began within hours.

In her one-paragraph letter of resignation, Potter — a 26-year veteran — said, “I have loved every minute of being a police officer and serving this community to the best of my ability, but I believe it is in the best interest of the community, the department, and my fellow officers if I resign immediately.”

Wright’s father, Aubrey Wright, told ABC’s “Good Morning America” that he rejects the explanation that Potter mistook her gun for her Taser.

“I lost my son. He’s never coming back. I can’t accept that. A mistake? That doesn’t even sound right. This officer has been on the force for 26 years. I can’t accept that,” he said.

Chyna Whitaker, mother of Daunte’s son, said at a news conference that she felt police “stole my son’s dad from him.”

The Minnesota Police and Peace Officers Association said in a statement Tuesday that “no conclusions should be made until the investigation is complete.”

Prosecutors in Hennepin County, where the shooting occurred, said they have referred the case to nearby Washington County -- a practice county attorneys in the Minneapolis area adopted last year in handling police deadly force cases. Washington County Attorney Pete Orput told WCCO-AM that he had received information on the case from state investigators and hoped to have a charging decision on Wednesday. Orput did not immediately respond to a message from The Associated Press.

Elliott, the mayor, called for the governor to move the case to the attorney general to prosecute.

Asked to comment, John Stiles, spokesman for the attorney general’s office, said the attorney general has confidence in Orput’s review of the case.

Ben Crump, the Wright family’s attorney, spoke outside the Minneapolis courthouse where a fired police officer is on trial in Floyd’s death. Crump compared Wright’s death to Floyd’s, who was pinned down by police when they tried to arrest him for allegedly passing a counterfeit $20 at a neighborhood market last May.

Daunte Wright “was not a threat to them,” Crump said. “Was it the best decision? No. But young people don’t always make the best decisions. As his mother said, he was scared.”

Potter has experience with investigations into police shootings. She was the police union president and one of the first officers to respond after Brooklyn Center police fatally shot a man who allegedly tried to stab an officer with a knife in 2019, according to a report from the Hennepin County Attorney’s Office.

After medics arrived, she told the two officers who shot the man to get into separate squad cars, turn off their body cameras, and not to speak to each other. She accompanied two other officers involved in the shooting while investigators interviewed them.

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