Tumgik
#bourbon parma tiara
tiaramania · 10 months
Text
Tumblr media
TIARA ALERT: Pélagie de Mac Mahon wore a diamond tiara for her wedding to Prince Amaury of Bourbon-Parma at Autun Cathedral in Autun, France on 8 July 2023.
126 notes · View notes
gabriellademonaco · 2 years
Photo
Tumblr media
♔ Royal Wedding Tiaras ♔
Princess Constance of Bourbon-Parma:
 The Ravinel Meander Tiara
39 notes · View notes
europesroyalsjewels · 11 months
Photo
Tumblr media
Bourbon Parma Fleur de Lis Tiara ♕ Sold by Sothebys in 2018
61 notes · View notes
royal-confessions · 7 months
Text
Tumblr media
“The Bourbon-Parma Tiara worn by Princess Irene of the Netherlands is simply stunning.” - Text & Image Submitted by cenacevedo15
42 notes · View notes
charlotte-of-wales · 10 months
Text
Tumblr media Tumblr media
Pélagie de Mac Mahon, now Princess of Bourbon-Parma, poses on her wedding day wearing a tiara and a pair of earrings lent to her by her maternal aunt Catherine Drummond-Herdman, daughter of the late Cherry Drummond, 16th Baroness Strange | July 8th, 2023
credits
26 notes · View notes
sophiebernadotte · 6 months
Text
Tumblr media Tumblr media
Trond Norén Isaksen: As expected, Princess Ingrid Alexandra wears her pearl tiara to her second tiara appearance at Prince Christian of Denmark’s 18th birthday banquet at Christiansborg Palace today. The tiara originally belonged to her great-great-grandmother, Princess Ingeborg of Sweden, from whom it passed by inheritance to Princess Ragnhild. The children of Princess Ragnhild very generously presented it to Princess Ingrid Alexandra on her 18th birthday last year.
The Princess also wears a diamond bracelet that has belonged to Crown Princess Märtha and Princess Ragnhild, which reverted to the King on Princess Ragnhild’s death. The bracelet was an 18th birthday present from the King and Queen.
She also wears, for the first time, a pair of diamond and pearl earrings that were also a birthday present from the King and Queen. The earrings, which were also worn by Princess Ragnhild, originally had sapphires instead of pearls in the centre and were a wedding present to Crown Princess Märtha from her aunt, Princess Thyra of Denmark.
According to the research I present in my new book «Ingrid Alexandras arv - Kongefamiliens tiaraer og kvinnene som har båret dem - En historie om krig, kjærlighet, makt og prakt gjennom 250 år», it appears that Princess Thyra inherited them from her mother, Queen Louise of Denmark, who had inherited them from her grandmother, Queen Josephine of Norway and of Sweden. In other words, Princess Ingrid Alexandra is the eighth geneation to wear these earrings.
On the internet, the tiara worn by Princess Ingrid Alexandra to Prince Christian of Denmark’s 18th birthday banquet tonight has acquired the name «the Boucheron pearl circle tiara», despite the fact that it contains no circles nor is made by Boucheron. It was Princess Astrid who claimed that her grandfather, Prince Carl of Sweden and of Norway, purchased it for his wife Ingeborg when visiting the World Exhibition in Paris in 1900. However, as I show in my new book «Ingrid Alexandras arv - Kongefamiliens tiaraer og kvinnene som har båret dem - En historie om krig, kjærlighet, makt og prakt gjennom 250 år», it was not one of the tiaras exhibited by Boucheron at the 1900 World Exhibition, nor was it part of Boucheron’s stock nor are there any recorded orders or purchases by Prince Carl or Princess Ingeborg. It does, however, appear to be correct that it is a Parisian work.
Princess Ingrid Alexandra is the sixth woman to wear this tiara, after Princess Ingeborg of Sweden, Princess Margaretha of Denmark, Crown Princess Märtha, Princess Margrethe of Bourbon-Parma and Princess Ragnhild. Those of you who understand Norwegian can read about them all - and the tiara itself - in «Ingrid Alexandras arv».
📸: Screenshots from DR
7 notes · View notes
steliosagapitos · 1 month
Text
Tumblr media
~ "Grand Duchess Charlotte of Luxembourg's Chaumet Art Deco Emerald Tiara. This tiara was made in 1926 by Chaumet jewelers after Prince Felice of Bourbon-Parma sent some ancient family jewels, including a huge 45-carat egg-shaped emerald donated by Emperor Franz Joseph I of Austria in 1859. Delivered to Grand Duchess Charlotte of Luxembourg as a Christmas gift, this jewel was made with an Art Deco style design featuring the massive emerald in the center, above a sizable square-cut diamond. Charlotte became very fond of this tiara, debuting it in the same year on the occasion of the wedding of the then Hereditary Prince Leopold of Belgium, later King Leopold III of Belgium, with Princess Astrid of Sweden. Following her abdication in 1964 in favor of her son, Grand Duke Jean of Luxembourg, the tiara reached the new sovereign, Princess Josephine Charlotte of Belgium, who, however, did not seem to appreciate the jewel very much, wearing it only sporadically. Following Jean's abdication in favor of his son, Grand Duke Henry of Luxembourg, the tiara passed to his wife, Grand Duchess Maria Teresa of Luxembourg, who, unlike her mother-in-law, uses the tiara very often, using it for noteworthy appearances such as the 2011 Nobel Prize ceremony." ~
2 notes · View notes
Text
Tumblr media Tumblr media
THE ROYAL BAPTISM AT THE PALAZZO FARNESE
Rome, 29 December 1869
I have just left the Farnese Palace, and I really believe that one can say without exaggeration: Naples is no longer in Naples; it is all in Rome today.
It is doubtful indeed that, even in the middle of his capital, Francis II would have seen himself surrounded by a crowd more numerous and better representing, not only the elite, but all the ranks of the nation of which he is the legitimate sovereign.
Certainly more magnificent pomp could have shone in Naples around the royal cradle. But first of all, could the young princess have hoped to have more august godparents before God and at her entry into the Christian life? The Holy Father, the first and greatest of the world's monarchs, the very Vicar of Our Lord Jesus Christ, and in whom the crown of suffering and misfortune heroically borne is added to the majesty of the tiara and the halo of sanctity; The Empress of Austria, who occupied the throne of the Habsburgs and whose sister was that great and pious Queen whom the people, anticipating in some way the judgment of the Church, like to proclaim "the Saint".
(...) The birth of the princess was a universal joy in the kingdom, and for two or three days hundreds of the most eminent people flocked to Rome. At the same time all the trains brought deputations chosen by each province and which the Piedmontese government allowed to pass, for want of being able to oppose a movement which was the expression of popular feeling.
From noon onwards, the vast halls of the Farnese Palace, which is one of the wonders of Rome and has few rivals in Europe, were filled with an enormous audience, composed almost exclusively of Neapolitans. Hardly the Senator of Rome and some Roman princes had been invited. The King, who, like all Bourbons, identifies his family with his country, had wished to be surrounded, with very few exceptions, only by his subjects and servants.
(...) With a delicacy worthy of his great heart, the King had asked the Bishops of the monarchy present in Rome to abstain from appearing at the ceremony: it was not necessary that a mark of religious fidelity should excite against the Episcopate of Naples the passions already so violent of Unitarianism and of the Revolution. On the other hand, fourteen Cardinals had come to pay homage to the majesty of right and wrong.
The number of young men mixed with the defenders who had been whitened in the service of the monarchy was particularly gratifying. After so long an exile, and in the midst of the temptations and seductions which are not spared, the presence and confidence of this generation, which is only just being born into public life, is a most favourable omen. Tradition is perpetuated, and hereditary devotion offers the Crown renewed phalanxes.
All the hope and all the future are there.
The Holy Father was represented by Cardinal Antonelli; the Empress Maria Anna, the godmother, was represented by Her Majesty the Empress [Elisabeth] of Austria, brilliant in beauty, grace, elegance and dignity. The procession of the princes was composed of H. M. the King of the Two Sicilies, H.R.H. the Duke and Duchess of Parma, H.I.H. and RR. the Grand Duke and Grand Duchess of Tuscany, H.R.H. the Count and Countess of Caserta, the Count and Countess of Girgenti, the Duke and Duchess of Alençon, the Duke of Bari and Princess Maria Immacolata, the Count and Countess of Trapani, the Prince their son and the two Princesses their daughters, the Prince of Hohenzollern.
The altar stood in the room decorated with the magnificent paintings of Salviati.
The young princess was carried on the arms of the Duchess of San Cesario. It was a touching honour for the illustrious and courageous Grand Mistress of the Palace, whose name is inseparably linked to that of the heroine of Gaeta and who deserved to receive the medal of that forever memorable siege; it was a touching honour for her to hold before the sacred font the royal child whose birth has just thrown a lightning bolt of happiness on the fortunes she has nobly shared.
S. Cardinal Patrizi performed the ceremonies and gave the young princess the names of Christina-Pia-Maria-Anna-Elisabetha-Natalina-Ephisa. The Neapolitan nurse in the magnificent costume of the women of her country, from the mountains of Avellino, was noted with interest near the font. These national clothes had a charm and a high significance in the midst of the brilliant finery of the great ladies and the insignia of the court figures.
The princess carried the magnificent christening gown, made of white lace, a gift from three hundred Neapolitan ladies, a masterpiece of taste and a guarantee of fidelity.
After the ceremony, the procession reformed. The Empress, the King, the Princes and Princesses went to the salons. The new Christian was brought to her august mother, whose emotion was deep. The Queen, with tears in her eyes, instructed the Duchess of San Cesario to thank all the faithful Neapolitans who had given, on this occasion, proof of a devotion that survives time, trials and persecutions. The Queen's emotion was so strong that duchess had to withdraw so as not to prolong its duration.
And, in fact, nothing honours a people and touches the hearts of sovereigns like these testimonies of a constancy above all perils, all perils and all sufferings.
The King was radiant with happiness. After ten years of proscription and in the midst of the joys of fatherhood, to find near him the servants who had been the companions of his misfortunes; to see a new generation rising up in the cult of right and duty; to receive the wishes of an entire people who aspire to become free again and to reconquer their nationality and their dynasty: what a consolation, and above all what hope!
Here, then, is at last a dawn of prosperity rising over the House of Bourbon and the kingdom of Naples! It is the harbinger of an even more beautiful day; it is the sign of a forthcoming triumph of good Law and Justice.
De Riancey, Henri (1870). Lettres sur Rome (Translation done by DeepL. Please keep in mind that in a machine translation a lot of nuance may/will be lost)
6 notes · View notes
royaltysimblr · 1 year
Note
Can you do Princess Mia's tiara worn by Anne Hathaway in the movie The Princess Diaries please?
hi! i haven’t touched blender in years! the tiaras i just released we’re from two years ago so i’m not sure if i will make another tiara myself again unfortunately :( but i’m pretty sure @normalsiim created that tiara i believe it’s called the bourbon-parma? tiara if i’m not mistaken. anyway have an amazing day! :)
5 notes · View notes
theroyalwatcher · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Chaumet Bourbon-Parma Tiara
0 notes
gemville · 2 years
Text
Tumblr media
Bourbon Parma Family Fleur de Lis Tiara, Circa 1912 by Austrian Jewelers Hubner. It Was Made For Princess Ellie de Bourbon Parme, Née Archduchess Marie Anne Of Austria
The Diamonds In This Tiara Were Originally Set In The Plaque Of The Order Of The Saint Esprit Of Charles X, King Of France (1757 - 1836)
185 notes · View notes
tiaramania · 2 years
Text
Tumblr media
TIARA ALERT: Princess Charlotte of Bourbon Parma wore a diamond meander tiara for her wedding to Javier Valladares Urruela at St. Aubin’s Church in Tourouvre au Perche, France on 25 June 2022.
105 notes · View notes
gabriellademonaco · 2 years
Photo
Tumblr media
♔ Royal Wedding Tiaras ♔
Princess Charlotte of Bourbon-Parma:
 The Ravinel Meander Tiara
29 notes · View notes
europesroyalsjewels · 3 years
Photo
Tumblr media
Bourbon Parma Diamond Floral Tiara ♕ Sold by Sothebys in 2018 to an Unknown Buyer
79 notes · View notes
Photo
Tumblr media
✵ June 16, 2012 ✵
Princess Maria Carolina of Bourbon-Parma, Marchioness of Sala & Albert Brenninkmeijer
25 notes · View notes
royaltyandpomp · 5 years
Photo
Tumblr media
THE TIARA
H.R.H. Princess Claire of Luxembourg, née Lademacher
24 notes · View notes