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#bojack horseman 6
starlight-bread-blog · 7 months
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elcandepavlov · 2 years
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The view from halfway down
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teddybeach · 10 months
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You're Bojack Horseman; there's no cure for that.
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hellish-cruelty · 8 months
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She's so me.
Bojack Horseman (2014 - 2020)
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rubyfunkey · 3 months
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ocs based on the flower vases from bojack horseman's mom's funeral my beloveds
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2004wasabadyear · 1 year
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for you mentally ill cunts ik ur on here 💀
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pe0pleall3rgy · 1 year
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Shows are a never ending life, of course. A silhouette that stays when you are gone…
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music00lbumm · 4 months
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Bojack art in 2023- it’s only cause of Dr. Champ I love him with my whole heart
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quinintheclouds · 2 years
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I love Diane
[Transcript]:
Guy: What about that girl who opened up a lemonade stand to help pay for her father’s cancer treatment? Diane: How is that a feel-good story? “Hey, America! We’re the only developed nation without subsidized healthcare, so this child joined the workforce in a desperate bid to keep her father alive!”
[later]
Guy: Whitewhale’s not evil. They’re just capitalists. Diane: What’s the difference?!
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hazelnut-u-out · 1 year
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I think an interesting facet of the storytelling of Rick and Morty is the way that you’re intended to view Rick as a main character. It’s inarguable that both Rick and Morty are the main characters of this show (although, season 6 left Morty feeling a bit neglected, in my opinion). That being said, there are some things that I’ve found interesting regarding the way that Rick is intended to be perceived.
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Generally, when you’re consuming a piece of fiction, there is a compulsion to like the main character. At the very least, you’re used to empathizing with them on most things. Now, I’m obviously not trying to say that main characters can’t be bad people. That wouldn’t exactly be a generalizable statement. In fact, I think that it is a marvelous tool in fiction to follow a protagonist who is very obviously doing the wrong thing. Main characters are allowed to be villains.
I guess what I’m getting at here is that I’m used to liking main characters as people (not just their presence on the page or screen, dialogue, or personality) even when they’re consumed by a villain arc. I really loved the tonal shift that took place in the last episode of season 6 of Rick and Morty, because they really challenged me on that. They flipped the script, in a way.
(Disclaimer: I love Rick. I'm just angry with him at the moment.)
I think the only other piece of media I’ve consumed in the genre that I’ve felt executed this same earth-shattering disappointment of being denied a main character you like was Bojack Horseman. Bojack is the main character. He’s funny, charismatic, empathetic, tormented. As the viewer, you want to like him. You’re waiting for a reason to be able to love him, but… it’s never enough. It never comes. No matter how many grand gestures he attempts or how well the groundwork is laid out for a redeemable character, as he says, “You have to be dependably good.”
That fundamental dissonance is something that I can’t help likening to Rick.
All the pieces are there, but he can't quite put them together.
I’ve even found myself waiting for the moment Morty gets to deliver a confrontational monologue to Rick with the same emotional significance of Todd’s.
“You can’t keep doing shitty things, and then feel sorry for yourself like that makes it okay. You have to be better.”
I truly felt, for the first time, that I wasn’t supposed to like Rick. I was supposed to hate him. ‘A Rick in King Mortur’s Mort’ and ‘Ricktional Mortpoon’s Rickmas Mortcation’ were both episodes told quintessentially from Morty’s perspective. This meant that, of course, I loved Rick’s screen presence, what he offered the narrative, his dialogue, and comedy; but also that I found myself hating him as a person. I was so angry with him.
These were episodes told from the perspective of a victim, but with the gift of adult/outside perspective on the situation, which Morty doesn’t have.
It was truly a brilliantly executed narrative device. As the viewer, I was begging Morty not to go down into that lab. I was urging Morty to realize that none of this is normal or acceptable or something he had to go along with.
On the other hand, Rick is a deeply tormented character that is incredibly easy to empathize with, but it’s very clear that he’s not who you’re meant to be rooting for anymore.
With all of this in context, it makes more sense to me why Morty was pushed to the background to highlight Rick’s growth as a character. It’s a lot easier to empathize with an abuser- to feel bad for them and be on their side- when you’re consuming a narrative about their healing from their warped perspective. It’s a lot easier to like them as a person when you’re not facing the direct consequences of their actions on their victim.
I think that’s why there’s something so eerie about the ending of ‘Ricktional Mortpoon’s Rickmas Mortcation’ to me. It left me feeling nauseous and anxious; consumed by this anxiety from watching an unknowing child fall victim to circumstance, manipulation, and abuse.
Rick’s drunkenness in that final scene isn’t played for laughs, like in the pilot or ‘The Rickshank Redemption,’ nor is Morty’s hesitance. There’s this harsh reality that he isn’t frantically stumbling and running away in terror, like he did in earlier seasons. Instead, he’s just uncomfortable. This is something he’s used to. His normal is dealing with his grandfather’s drunken, violent mania. His normal is accepting his role- his destiny to be a sidekick.
This shot of Morty’s face is actually what reduced me to tears while watching the finale. There is something so unsettling about this look of, ‘Nothing has changed.’ Something heartbreaking.
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Rick’s role is to fuck Morty up, and Morty’s role is to forgive him for it.
And Morty is accepting his role…
For now.
It’s a harsh reality to accept that your beloved protagonist is destined to become a villain, and I can’t help but feel that we’ve rounded a corner with this series where Rick is fated to be the villain in Morty’s story.
Evil Morty and Rick Prime might be the facetious faces of the ‘big bad,’ but I have this sinking feeling that our bad guy has been hiding in plain sight for a long time- whether or not it’s his intention.
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starlight-bread-blog · 7 months
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i just wanted to say your pfp reminded me of diane nyugen from bojack horseman. speaking of which, do you have any opinions on bojack horseman you'd like to share?
That is Diane! :)) My header is also BoJack Horseman with Diane's amazing quote "Sometimes life is a bitch and then you keep living". I love her and this show SO MUCH, and I absolutly have opinions I wanna share.
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If I had to pick an episode that encapsulates what this show is, my picks would be:
Let's Find Out
The Shot
That Went Well
The Underground
Episodes that balance comedy with drama so well I can't even begin to dissect it. Let's Find Out's framing device being a game show is so smart, AND THE ENDING- The Shot is so objectively silly but god, it's the only time (?) we see BoJack full on cry. In The Underground they burn and eat Zach Braff✨️ That Went Well just- words can't do it justice.
I also really like the ending. It's PERFECT. (Not literally). BoJack's journey was about radical freedom, about how all of his actions are his fault, about how after rock bottom, life will still continue.
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This theme is the reason why the most important episodes aren't the finales. Having BoJack face all the consequences for his actions is the best way to conclude his journey. It's not conclusive, but that's what the show has been saying this whole time.
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Also also, Diane's arc in season 6>>>> Like. That's so real. Stories just kinda creep up on you sometimes fully formed. Negative emotions fuel so much art, and her need to make sense of her trauma by using art to help others, and how it parallels Penny--- the show actually stated that tragety has no meaning in season 2. Herb's death was so stupid and served nothing. BoJack tried to give it meaning, but there was none.
Also also also-- the show called out all the freaks who use BoJack to excuse themselves.
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You see these writers care about what they're putting out there. And on top of that, it's also an amazing scene. It's like It's You being followed up with That's Too Much Man. Head in the Coulds -> The Showstopper.
Btw – two of the best episodes if the show are one with all words and no words. Both end with a joke that has a meaning. BoJack could have apologized this whole time. And I love that theme that played at the end of Fish Out of Water. AND Free Churro was nominated for an Emmy! Deserved.
I could keep going, but other points I'd like to touch upon deserve a full meta. Thank you for this ask, I had an excuse to talk about BoJack Horseman! Asks about Bjhm are ALWAYS welcome.
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dyin-in-side · 2 years
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hellish-cruelty · 10 months
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Does it get easier?
Bojack Horseman Season 2, Episode 12: Out to Sea
Every day, it gets a little easier. But you gotta do it every day. That's the hard part. But it does get easier.
Lost in translation, Sofia Coppola (2003)
The more you know who you are and what you want, the less you let things upset you.
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prossywho · 1 year
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Don’t stop dancing...
don’t stop dancing...
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julia0689 · 1 year
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Time’s Arrow neither stands still nor reverses, it merely marches forwards...  The many faces of Beatrice Horseman.  6 hours, Adobe Photoshop. 
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