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#bob sharen
ultrameganicolaokay · 2 months
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Jim Henson's Labyrinth: Archive Edition #1 by Sid Jacobson, John Buscema, Romeo Tanghal and Bob Sharen. Cover by Buscema and Tanghal. Variant cover by Miguel Mercado. Out in April.
"It's a nightmare come true for one teenage girl when goblins tear her baby brother from her grasp! Journey back to the iconic fantasy realm of the 1986 classic in this brand new edition of the original Marvel Comics adaptation. Adapted by Sid Jacobson with enchanting artwork by John Buscema, this archive-worthy edition is a can't-miss collectible for fans of the seminal film, available for the first time in over 35 years. This facsimile release features the original cover by John Buscema, as well as an all-new variant cover by Miguel Mercado!"
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balu8 · 6 months
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Doctor Strange, Sorcerer Supreme #6: The Faust Gambit Part II Demonic Re-Possession
by Roy Thomas/Dann Thomas (W.); Jackson Guice (P.); Jose Marzan Jr. (I.); Bob Sharen (C.) and Janice Chiang (L.)
Marvel
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cantsayidont · 6 months
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August 1981. To further illustrate the tradeoffs of digital color reconstruction of older comics, here are the first three pages of what may be Gene Day's most spectacular artistic achievement, in MASTER OF KUNG FU #103. The splash page above is followed by this extraordinary two-page spread:
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Some of this appears photo-referenced, particularly the second panel — I'm guessing that Moench found a magazine article or book and either sent or recommended it to Day — but the composition and detail are both remarkable. Will Eisner's THE SPIRIT often found creative ways to incorporate the name of the strip into the art, but turning the title of the story into a panel "grid" is something else.
Here are the digitally colored versions:
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A difficult tradeoff! The reconstructed version is much sharper, so you can see the intricate detail Day put into each panel (and the text is crisper, so you can read Black Jack Tarr's narration without squinting). On the other hand, in not deviating from the original color palette, the digital version is now too bright and too saturated. Newsprint soaks up enough of the ink to fade these colors to a muted twilight glow that's intensely evocative. The digital version (either onscreen or on heavy, semigloss white paper stock) no longer conveys that sense of light and shadow, and the ruddy setting sun on the first page (a really nice color hold) now looks like some kind of alien planet, which is not the desired effect. To capture the original sense of light, the digital colors' saturation would need to come down at least 25 percent, and some hue adjustments might be necessary, trading direct fidelity for a more comparable aesthetic effect.
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tomoleary · 24 days
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Jim Starlin (Penciller), Joe Rubinstein (Inker) and Bob Sharen (Colorist) - Dreadstar #16 Cover Recreation (undated)
Published cover
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liannaedgelord · 1 year
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Holy shit look at this page layout
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comfortfoodcontent · 1 year
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Amazing Spider-Man Vol.1 #375
Writer(s) David Michelinie Penciler(s) Mark Bagley Inker(s) Randy Emberlin Colorist(s) Bob Sharen Letterer(s) Richard Starkings Rick Parker
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wonderwomanart · 1 year
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Wonder Woman vs The Cheetah
by George Pérez & Bob Sharen
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browsethestacks · 1 year
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Original Art - Conan The Savage #09 Pg 01 (1996) by Enrique Alcatena And Bob Sharen
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the-gershomite · 9 months
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The Savage She-Hulk March #6 -July 1980
Enter: The Invincible Iron Man (1-10 of 17)
writer: David Anthony Kraft
art: by Mike Vosburg
inker: Chic Stone
letters: Mark Rogan
colors: Bob Sharen
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makesitprecious · 2 months
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Terry Dodson honoring the ending of the #299 (Venom's first appearance) Mary Jane outfit, seen again in #300 The Amazing Spider-Man #798 (Venom 30th anniversary) variant edition / ASM #299 and #300 with Todd McFarlane (artist) and Bob Sharen (colors)
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comicbooksaregood · 11 months
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Iceman
Volume: 1
Issue: 3
Quicksand
Writers: J.M. DeMatteis
Pencils: Alan Kupperberg
Inks: Mike Gustovich
Colours: Bob Sharen
Covers: Mike Zeck, John Beatty
Marvel
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ultrameganicolaokay · 2 months
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Jim Henson’s Labyrinth: Archive Edition #2 by Sid Jacobson, John Buscema, Romeo Tanghal, Bob Sharen and Colortek. Cover by Buscema and Tanghal. Variant cover by Rebeca Puebla. Out in May.
"Continuing the 3-issue adaptation of the cult classic movie Labyrinth, out of print since the original Marvel run, Sarah manages to reunite with old friends, and even make new ones, despite their odd and fearsome temperaments! But the Goblin King isn't going to make rescuing Toby easy, and Sarah will certainly need all the help she can get from her whimsical companions."
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balu8 · 4 months
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Marvel Super Special #27: Return of the Jedi
by Archie Goodwin; Al Williamson,....
Marvel
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agentxthirteen · 1 year
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Sharon-A-Day, Day 492 (5/6/23)
Captain America 251. On sale 8/12/1980. "The Mercenary and the Madman"
Writer: Roger Stern
Penciller: John L. Byrne
Inker: Josef Rubinstein
Letterer: James R. Novak
Colorist: Bob Sharen
Editor: Jim Salicrup
Sharon wouldn't want Steve to mourn... (Spoiler: It’s because she’s still alive and slowly giving up hope that anyone is coming to save her from the prison camp where she’s being “pawed at” by the guards.)
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tomoleary · 27 days
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Mike Grell (Penciller-Inker), Bob Sharen (Colorist), Jack Morelli (Letterer) Warlord #24 Cover Recreation (undated) Source
Warlord #24 (1979)
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comfortfoodcontent · 1 year
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Spectacular Spider-Man Vol 1 #183
Writer(s) J.M. DeMatteis Penciler(s) Sal Buscema Inker(s) Sal Buscema Colorist(s) Bob Sharen Letterer(s) Rick Parker
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