Tumgik
#blah blah
Text
I draw a lot of sandstorm but it makes morro better but the inverse exists. Sandstorm but it makes cole worse 🫶🫶
24 notes · View notes
toughbunnyforever · 2 months
Text
Tumblr media Tumblr media
trying out human things. its boring
1K notes · View notes
tunnaa-unnaa · 11 months
Video
mild TotK spoilers
(source)
4K notes · View notes
Text
Tumblr media
I am throwing up
Update: Ariel has removed "wife" from her insta bio
Update 2: Ned has been removed from the Try Guys
Tumblr media
Update 3: Ned had released a statement
Tumblr media
Update 4: Ariel has released a statement asking for privacy
Tumblr media
12K notes · View notes
defectivehero · 25 days
Note
If you'd like, please write about an injured hero who needs to be carried around by villain! >:D
“One more complaint and I’m dropping you,” the villain announces, briefly readjusting their grip. They have one arm looped under the hero's knee and the other supporting their enemy's back.
The hero has been steadily avoiding eye contact, instead looking ahead. They look a bit flustered, for some reason. “This is humiliating,” the hero sighs, looking down at their ankle with a menacing glare.
“Yes, it is humiliating,” the villain agrees, an annoyed expression on their face as they stare ahead. They thank the stars that they're walking down a rather narrow and abandoned side street. They wouldn't be able to do this downtown, in broad daylight—both because they're too prideful, and because someone may recognize them. “Maybe if you had paid attention instead of tripping over nothing-”
“Hey, that’s not very nice bedside manner,” the hero interjects. The villain has to take a moment to process that statement.
“Bedside manner is for people who are ill or dying,” the villain sighs, “You’re just dramatic.” Gods, why do they even bother? They could be at home right now, washing the dried blood from their skin and melting under the warm water from their shower. Instead, they're carrying the hero across town as if they're some sort of delivery service. Absolutely ridiculous.
“You haven’t dropped me,” the hero points out. They look far too smug for the villain's liking. Indeed, their next remark nearly makes the villain's jaw crack from how hard they're gritting their teeth. “So I must be doing something right.”
The villain takes a deep breath, trying to maintain their composure. Leave it to their enemy to make a simple act of kindness so painful, overcomplicated, and tedious. “You’re clinging onto my neck so tightly that I’ll get whiplash if I drop you,” the villain feels the need to point out.
“Fair enough,” the hero acquiesces. After a moment’s contemplation, they loosen their grip on their neck. The villain can almost feel the weight slowly seeping from their shoulders. They had underestimated the hero's grip strength, it seems.
They expect the hero to be still once more, but their enemy doesn't relax. It only takes a few moments for them to snap. "Stop squirming," the villain demands.
"I was loosening my grip, asshole-" The hero seethes irritatedly.
"Oh, I'm sorry, what was that?" The villain asks, making a show of looking around at the empty street around them. "Was I just insulted for helping my enemy back to their agency—which, might I say, is an entirely voluntary and selfless act of heroism?"
The hero scoffs and rolls their eyes. "Oh, please," they huff. The villain gets the feeling that, if their arms were free, they'd cross them over their chest in indignation. "You wouldn't know heroism if it punched you in the face."
The villain just stares at them, waiting for them to catch on to what they just said. The hero connects the dots moments later, as they evidently realize that they themself have indeed punched the villain in the face before.
An awkward tension clings to the air. The villain continues walking down the street towards the hero's agency, internally cursing their pure heart. If this is how inconvenient it is to be a hero, then they don't plan on doing anything remotely good ever again.
Mercifully, the building begins to appear in the distance. As the villain crosses the street, the hero begins to murmur. “Let’s go in through the back,” they say, “Just turn the corner, there’s a door back there-”
“Oh, absolutely not,” the villain interjects immediately. "If we're doing this, then we're doing this." They readjust their grip once more and stroll towards the elaborate front doors of the city's top superhero agency. They can feel the hero stiffen in their arms.
“Please, no,” the hero begs them. The villain doesn’t bother listening, instead continuing to walk purposefully towards the entrance. The security is laughably lax at this hour. It's when they cross the threshold of the entrance that the hero attempts to break free from their grasp. Thankfully, the villain had been expecting them to do just that, and they manage to hold tight.
The villain pointedly clears their throat, satisfied with the way the occupants of the foyer immediately swivel around and stare with gazes of recognition. “I think I have something of yours,” they announce, looking down at the hero in their arms. At this point, the hero is positively wriggling in their arms—desperate for escape. The villain finally decides to take pity on them and they release their grip, leaving the hero to fall to the ground.
“Ouch.” The hero mutters once they hit the ground. The villain rolls their eyes, knowing that the hero managed to break their fall with a tactical roll and land without injury. They push themselves to stand on one foot and someone nearby rushes to their side, providing them adequate support to remain balanced on one side.
Everyone's eyes are on them, as if they're waiting for the villain to do something. "You may carry on," the villain orders, when a few seconds pass and the onlookers continue to stare expectantly. Their voice seems to break through the confusion and anticipation, and the people scattered around the space return to whatever they were doing. "I've done my civic duty for the year." They mutter to themself, turning on their heel and heading for the door.
"Hey." The hero's voice makes them freeze in place. The villain inhales slowly, summoning more patience. They turn around and manifest a calm expression.
"What?" They ask, struggling to keep the frustration from their voice.
"Thanks." The hero smiles.
"Just- don't let it happen again," the villain answers, looking away from the hero's far-too-bright smile. They turn on their heel and walk away, pushing away any and all feelings born from their enemy's gratitude.
©2024, @defectivehero | @defectivevillain, All Rights Reserved. Reblogs are greatly appreciated—just don't steal or share outside of Tumblr, please.
endnotes below!
the villain, holding the hero by the scruff of their neck: look what i foundddd!
the villain: this heroism stuff sucks. the hero: *expresses their gratitude and smiles* the villain, visibly flustered: now hold on a second...
this dynamic really amuses me. I can't get rid of the mental image of the villain holding the hero by the scruff of the neck like a kitten, and the hero just kind of hanging there in defeat. good stuff.
the villain lies awake that night, unable to stop thinking about the hero. :3
and thanks to the anon who sent this request! I posted a cry for help yesterday very briefly and then got embarrassed and deleted it, but! the original point still stands: my ask box is open! send me stuff and i *may* write it!
if ur reading this, ily <3 hehe
tag list: @lateuplight @wit-is-wisdom @greengableswriting @whump-me-all-night-long @noawhite @rekhyt-of-arcadia @the-blind-one-speaks @sufferfictionalcharacters @basically-psyduck @alexkolax @subval01 @emerald-blade @felicia609 @surplus-of-sarcasm @ilickedanenvelopeandilikedit @a-chaotic-gremlin @unknownogre @prompt-fills-and-writing-spills @whatwhumpcomments @excusemeasibangmyheadonawall @agayprince @starsick1979 @a-lonely-little-ghost @agayprince @plum-tello
click here if you’d like to be on/off the tag list!
290 notes · View notes
mellonposting · 7 months
Text
I want a Lord of the Rings animated series done by Tom Moore.
Cartoon Saloon's style portrays fantastical intensity so well while also carrying the stories they tell with such lightness and fluidity. The 1978 animated version of Lotr leaned on the weight, action, and drama of Tolkien's trilogy but I think Moore could make something that would include the abstraction and artistry the story deserves.
Tumblr media Tumblr media Tumblr media Tumblr media
425 notes · View notes
obsessed-sketches · 2 months
Text
Tumblr media
*singing quietly* My love are you the devil?
(This was inspired by the song the fruits by Paris Paloma, please listen to it it’s so good. Also while you’re at it, listen to Which Witch by Florence + The Machine too.)
165 notes · View notes
Text
i do find it very funny how people here seem to continuously make posts/memes about the fact that the destiel meme keeps trending, how much they hate it, or how much they love it, or something along the lines of "could you stop trending for FIVE MINUTES", but in doing so, have actively contributed to the number of posts tagged with supernatural and the destiel meme, making it trend even more
436 notes · View notes
hyperbali · 1 year
Text
Can you fucking imagine being Hawke when they hear about this
"Yeah, turns out you didn't solve anybody's problems. In fact, you actively made pretty much every single one worse!"
Tumblr media
1K notes · View notes
veryluckyclovers · 2 years
Text
Tumblr media
before I used to only want to give up
2K notes · View notes
fanfrelon · 2 months
Text
I was kind of expecting Froy & Zane to post something on Insta for Valentine's day, but I guess not 🤷
116 notes · View notes
absolutelynotsanebaby · 2 months
Text
My reaper cole au is so. I eat him. Reaper baby im SO sorry for what I've done to u. He's just there. Spinning in my brain. This au is sooo self indulgent and sooo disconnected from canon hes basically my oc but i do NAWT care. Mt baby my baby youre my baby say it to me baby my baby.....
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
My most darlingest son.....
141 notes · View notes
sleepynegress · 5 months
Text
So, I'm Watching Dollar Tree The Gilded Age: The Buccaneers (I apologize that this is a long one folks because of ADHD Romantic Period Drama w/ ~Color~ tangents)...
Tumblr media
Okay... So, I have to preface this by admitting that Bridgerton never has been my great big thing. It's a cake sculpted from cotton candy.
Pretty and sweet, but not much substance. And very much leaning on the "fantasy" so everyone can enjoy the costume romance fun (but it does please me to see my marginalized players, playing well...). -Using an author's works as a base, who not only started with an all-white palette but was flippant and insulting in response to the idea of inclusion... And yet...
I'm just saying, it is something that the woman who walked away from ABC because an exec didn't respect her enough to get a Disney pass for her family, went on to make that lucrative author's uplift deal with, instead of say, Beverly Jenkins. I love underdog romances that aren't the typical het white bread. Give me the canon gays (I never got slash...but I love when it's canon, especially with color), the big girls, the dark brown skin girls, the Black couples, and the interracials, especially when both are BIPOC and there's no lag in charm/looks in the lighter half in some expertly lit, dressed, confection that makes everyone look as gorgeous as they actually are and there's all kinds of soft plotting and chemistry. Bridgerton for all its lazy ways of handling color, gave that. Everybody is hot. And the people that studios have typically just pretended either weren't "invented" yet or were all living horrible tortured lives of enslavement got to get the sweet costumed wooing, will-they-won't-they, ~romance~ treatment. But... being an obscure Black history nerd... I'm neurodivergent, so I have some deep-dive GEMS that I'll mention here that I NEED TO SEE DONE WELL, before I die. FYI I called Dido Elizabeth Belle a good 8 years before that was actually made. It is frustrating to see some of the ACTUAL interesting capacities in which some actual existing Black folks in history who did live interesting, not tragic lives, not given the big glossy budget, well-written renderings they deserve... In lieu of what has now, firmly taken hold as a trend, colorblind casting in known white works. See recent adaptations of David Copperfield, Persuasion, Tom Jones, & Great Expectations,
Tumblr media
and now, this The Buccaneers (which like I said, is Dollar Tree, and *worse* the colorblind cast sister Conchita is using her regular-eggular Cali accent and...is not a compelling actress & her man is a jar of mayo) and baby...them costumes are Reign-levels of anachronistic/bad. It's the lazy jump onto the trend Shonda exploded, and Mr. Malcolm's List started (yeah, that short film was put on YouTube a full year before Bridgerton debuted). So, my point... Instead of *just* doing colorblind casting in old classic white period works... I need to see these ACTUAL GREAT stories of and/or written by or about the colorful people who lived in those societies. And this is where it could get long... but I'll do my best to keep it short... EXAMPLES that were gotten right and those *I need to see adapted*: ____
Interview With The Vampire is inclusive color-AWARE casting... The showrunner went beyond and actually rewrote the narrative to make sure the inclusion wasn't lazily done, but actually improved the depth of the source IMO. And I believe the showrunner is a queer white man. It just takes empathy and effort.
Passing... is a moody slow-burn horror based upon an actual work written by a Black woman in that period, and adapted by a white-passing WOC who not only lived the theme, but rendered it expertly.
Tumblr media
Belle is often pointed to as a good example, but my nerd-ass knows Gugu's beyond AMAZING handling of the material elevated it.
Tumblr media
Too much was changed from the reality of her life (IMO), still...Most period dramas are about as "true" and yall know I was not a fan of Sam Reid's over-dramatic ass in this... (yelling in that damn carriage for what?!) but he is PERFECT in IWTV. Sanditon being made, despite the typical side-character Black character issues...really was a reset because Miss Austen had already envisioned, in her day and above her class(!) a Black heiress as a character getting the Austen treatment, w/o any modifications the salty and ignorant would prefer to think is beyond "true history". ----- I have a little hopeful part in my brain that wishes it had the power to will capable adaptions of the lives of Carlotta Stewart Lai - middle-class educated Black woman who became a teacher & lived an "Anne of Green Gables" type of Edwardian life (more interesting really) surfing, having "bathing parties," and teaching Hawaiians with her Black family, Portuguese, Hawaiian and Chinese friends on the big island... Her life was w/o the stereotypes people assume all Black Americans lived in Victorian/Edwardian "America".
Tumblr media
Gustav Badin, a Black man who was "Chessmaster" of the Swedish Royal Court in the 1700's...was in charge of the Royal family's secrets after the Queen's passing, really gives me intelligent queer Black man energy in his portrait and lived out a non-tragic life in a VERY white space many don't know we occupied.
Tumblr media
And The Hunters... Who already have a short film and I've posted about it here... but I would LOVE to see an actual rendering of their lives in the Klondike, with their gold and silver prospects and son grandson Buster and daughter Teslin in Edwardian Canada.
(that is Teslin at the highest point in the photo, named after the lake she was born at)
Tumblr media
(and the Hunters' grandson Buster ice-fishing)
Tumblr media
All this to say... Now, that I've thoroughly veered away from my review of a middling show... I WISH THESE DAMN SHOWRUNNERS used a little effort in research and imagination and gave us more "true to life" renderings of Black life (and life of color, in these romanticized spaces) that isn't tragic nor the patronizin inclusive "fantasy"... That feels like it's smirking at me while saying "we know you weren't ~really~ here, but here! have a cookie!!" These people existed.
You don't have to *just* make inclusive versions of white works with the lie that you have to do that because thee above people ~didn't exist~. Nor do you have to be lazy when you do!! (see: IWTV) Right now, for me... It feels like for the most part we're in a period of very shallow "advancement" in period rep. And I'm saying if little old me can find the actual stories that could make AMAZING true history-based media. Why can't the more powerful people do the same?? P.S.
You already know I'm fresh off being mad about that shitty Bass Reeves show...but I'm even madder because I can't even say, "just make sure its made by Black people," because Jeymes Samuel (AKA Bullitts) gave us skinny biracial StageCoach Mary!!!
---NO!! I will never stop being mad about it!!
DO BETTER!! Have the empathy and care for the material, regardless, and don't rest on "I know what I'm doing because I'm Black" That male gaze won out over truth in The Harder They Fall *smh*
Tumblr media
P.P.S I get the feeling the lazy adaptions are about cash-grabbing, what they see as a trend, and being all the ready to jump back into the whitewashed business as usual, that ain't true to *all* actual histories nor (as Austen proved) fictions of those eras or spaces.
P.P.P.S. On The Glided Age!! I do love that the Fellowes drama has Erica Armstrong Dunbar (known for her book and research on Ona Judge -another figure whose story needs to be adapted!!!- the Black woman who successfully escaped enslavement from George Washington's household and was doggedly pursued by him throughout her life) and Salli Richardson-Whitfield as producers... so, Denee Benton's Peggy is authentic... but as much as I like The Gilded Age, I want to combine Fellowes comfort drama... with a CENTRALIZED Black character... Why can't someone do all of it correctly?? WHY??!!!
163 notes · View notes
tunnaa-unnaa · 6 months
Text
Ei kyllä = Ei
Juu ei = Ei
Ei ei = Ei
Juu juu = Vastahakoisesti kyllä
Mut ei me olla mitenkään vastahakoinen kansa tai mitään.
359 notes · View notes
doctorharrisbonkersphd · 10 months
Text
The way Nimona goes to Bal because hes "a bad guy" i.e another queer person, and the way he does but doesnt accept her in the beginning, even going so far as to say "im more accepting than most" but still rejects her when she becomes too much for him. It really highlights how trans people have to fight to be accepted in our own community, has cis queer people still look down on us. They will preach being accepting because theyre queer, until we dont fit into the narrow concept of what being trans is.
1K notes · View notes
cherubshert · 5 months
Text
music bounces off the padded walls of the studio. you shift, your eyes fluttering open. it takes you a while to adjust to the bright lights, you look around, before turning to anton. his head rested against the wall, soft breaths leaving his lips. you snuggle into him, your head buried in the crook of his neck. he shifts, tightening his grip around you, turning to kiss your forehead, before falling back into slumber.
123 notes · View notes