I'm not a writer but i had this thought so- bear with me, yeah?
For months Eddie hears all about how cool and badass Steve Harrington is, yeah, but you know what he also hears about? How Steve and Robin are made for each other and how cool and pretty Robin is and how stupid it is that they're not a couple for some dumb reason, like Steve not wanting to be with a band geek and still clinging to high school hierarchy. And in all of the things Dustin says about Steeeve Harrington, that last part is the only thing that fits into the Munson Doctrine, so obviously everything else Henderson is saying is what's skewed in his little shrimp world view.
Steve Harrington thinks he's better than a band geek and that's why we won't look twice at a girl that would be perfect for him (according to Dustin Henderson, so... still questionably trustworthy information). Eddie probably assumes Dustin is talking up how close Steve and Robin actually are, just how he's exaggerating how close Dustin himself is to Harrington (like that would impress Eddie and the rest of Hellfire??? He really doesn't know how to get through to the little sheep that his worship of Hawkins' most notorious square is a detriment to his character and not something Eddie would find impressive. If it was real. Which it obviously isn't. Anyway-)
Turns out? Steve Harrington? Actually a cool dude. Not cool as in popular but cool as in "holy shit did he just bite that thing's head off???? Oh and he's not even gonna brag about that, it's just nbd, yeah sure, cool cool cool be fucking cool Eddie, oh god he's talking to me why is he talking to me" and just, chill to hang out with. After the whole shit show went down. Who would have fucking thought, huh? (except for Dustin Henderson, yeah yeah yeah, shut up)
So now Eddie has to reevaluate some other assumptions he made. Maybe Dustin was right and Steve actually is cool and badass, and he and Buckley actually are as close as he had said (and they really fucking are! He has seen them give Keith eerily matching bitchy looks for trying to schedule them on opposing shifts and basically bully the guy into changing the schedule around so they can spend as much time as possible in each other's presence. It's enough to make a guy question his own friendships when sometimes a few hours of band practice are enough to make him want to never see any of those chucklefucks again. Of course, that feeling abates but seriously, how are those two never sick of each other??)
So if they're as close as advertised but not a couple (and after meeting everyone Steve cares about and they're basically all nerds so the "Harrington thinks he's too good for a band geek" thing can't actually hold true-) what is the hold-up? Why aren't they a couple? And somehow, somehow Eddie comes to the conclusion that Steve is in love with Robin. Steve is a serial romantic (emphasis on romantic) and while his love life isn't the talk of the town post-earthquakes as it would have been before, people do still talk about the fact that he hasn't taken out a girl since it happened.
Which brings us to a day in summer, maybe fall, after Eddie has seen Steve look wistfully at a young couple with a baby, that he shows up at Robin's door step.
"Eddie? Hey what's up?"
"Good, good, how are you? Uhh can I... can I come in?" There's a nervous energy around him that is immediately infectious and she leads him to the living room where he immediately starts walking back and forth in front of the couch. She watches him for a moment, hands fluttering through different motions trying to find one that might calm him down before giving up on that. Instead Robin swerves around him, clambering onto the couch and wrapping her arms around her right leg, putting her head on her knee. She follows Eddie's path with her eyes and decides to wait before quickly realizing that she can't, actually.
"As riveting as it is watching you walk a groove into my parents' rug, do you maybe want to say something? I mean I can definitely talk enough for the both if us if that's what you want it's just that I have the slight suspicion you've got something you need to get off your chest" Eddie stopped walking halfway through her monologue and starts nodding.
"Yeah. Yeah yeah yes you're right it's just- I haven't a hundred percent made up my mind about saying something", Eddie has one arm wrapped around himself and uses the other to alternately play with his hair and gesticulate at her, "because on the one hand it's a little bit driving me crazy, maybe, but on the other hand this is none of my fucking business" And Robin who was worried at first just because Eddie is nervous, then for a second because she was scared he was going to confess to a very ill-advised crush on her, is stumped. What the fuck is this about and why did it bring him to her of all people?
"Just say it you weirdo", is what decides to comes out of her mouth but it doesn't even matter because half of her sentence is layered with his "Are you aware Steve is in love with you?"
[here we're facing the issue of me not actually being a writer and pretty much running out of steam but we also haven't reached the part that sparked this whole thing yet, which is wild - let's just pretend I wrote a very funny dialogue between those two in which Eddie confronts Robin for stringing poor Steve along ]
There's a moment when they're both silent and there's a moment when they're both talking and then there are steps coming down the stairs. They make a smirk grow on Robin's face that is starting to worry Eddie when not a parental figure but Steve Harrington steps through the doorway. He's wearing sweatpants and a shirt that might be Robin's and there's a headband pushing his hair away from his face.
"Don't yell at me for coming downstairs, you took forever and the first layer... is... dry....", he stops in his tracks the moment he looks up from his bare toes and sees Eddie. Then he very quickly rips off the headband and slings it somewhere to his right into the unknown of the hallway.
"Hi Eddie. What's... up" Eddie is going to sink into the floor and never come up for air again.
In the meantime Robin stood up on the couch to sit cross-legged on the back of it for a better vantage point and is steepling her fingers in front of her face. Eddie is getting the distinct impression he's missing some crucial information here.
"Stevie, babe, platonic love of my life-", Steve nods for her to go on, "you know how we decided I get a veto on your romantic life because we realized droves of suboptimal dates actually make you miserable so we're going for quality over quanity for the first time in your small-town Casanova life?" Steve has that cute little crease between his eyebrows while he's looking back and forth between Eddie and Robin, trying to figure out what's going on but he rolls his eyes at the end of her sentence, back in familiar territory. "Yes, Robin-"
She interrupts: "And you know how I also reserved the right to give a shovel slash molotov cocktail talk to anyone we deemed worthy of being a potential future partner?" Steve's face somehow shows an emotion that can only be encapsulated by "?!" as he glances to Eddie before shifting back to Robin with just the "?" remaining.
"First I have to say I'm personally very pro, I loved this experience; Eddie here really made a fool of himself, very worried for your delicate sensibilities and how I'm breaking your sweet little heart." "...what...?"
"So: what's the verdict on a potential future partner giving me the shovel talk?"
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James (whispering): Maybe they didn’t see us-
Firenze (standing with a pack of angry centaurs): Come out and face us wizards! For your transgressions, a battle to the death will be fit!
Remus (hissing): I told you idiots that trying to ride a centaur was a stupid idea. Sirius, go fight them!
Sirius (scowling): Why me?
Remus: Because you’re British
Sirius:
Remus (angrily): Five of you colonized half the world, I’m sure you can handle some centaurs
Sirius (angrily): And what about you two?
Remus (stares in *Irish*)
James (scowls in *Indian*)
Sirius (sighing and walking to the centaurs): Well fuck. Tell my mother I hate her.
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Something interesting about watching Utena AFTER already being a fan of a few Utena-like shows is how much less captivating the duels get after the first 12 episodes (peak fiction)
I have a lot of smaller complaints about the black rose arc that made it terrible to watch, but the repetitive entirely impersonal fights is a big one. Utena has no reason to fight the people she's fighting. THEY don't have a reason to fight Utena. And they don't ever make a point out of that like they almost do with the first black rose duel (Kanae being pitted against Anthy because somewhere way deep down in her mind she blames Anthy for her fiance not giving her any attention? Not knowing Anthy is a victim of Akio's herself? And a man in power uses that to further his own goals? Yeah there's A Point there, even if it doesn't come up for the rest of the arc)
I'm still only at the beginning of the next arc so I'm hoping it'll be better. It's at least got a bit more visual spectacle, but it is always. The same spectacle. The cars are cool but they don't even change color or models or anything, at least the black rose arc tables had character-relevant props on them? They've still not really got anything to do with Utena or Anthy. Utena still wins all the time because she Has To or else the plot won't work. It's too important for her to be the top duelist for her to lose. Except whenever eventually (hopefully) she has to lose for an emotional low point to happen.
Anyways back to my point uhhh GOD I MISS THE DUELS FROM REVUE STARLIGHT AND GUNDAM:THE WITCH FROM MERCURY
Vague spoilers for both btw (also I'm not claiming they're better shows overall, definitely not Revue Starlight as much as I love love love it, and Witch From Mercury is only really better for 1 season+a bit of season 2)
Revue Starlight doesn't make the stakes of the duels so high that the protagonist has to Always win, so I don't just entirely mentally check out of them for that. The conflicts are all personal and/or the occasional bigger picture setup (and then the movie's are all VERY personal). And they're not always between the protagonist and a side girl! And on top of that like. The fights in the show visually are exactly what you'd expect from "the guy who was mentored by Utena's director makes a show about magical girls who are all theatre kids". And the movie only gets more insane with it (those cars in Utena WISH they were Wagamama Highway). And having the actual characters both talking AND singing out their conflicts is always fun.
GWitch has a very similar setup with Suletta fighting people for the role of groom to the war robot school's principal's daughter. But also the dueling system has an added level of being how EVERYONE at school can settle conflicts and makes demands and bets on these duels between each other. Plus there's other emotional conflicts that go into it. It takes a while for Suletta to get used to this system and start acting on it herself and insighting duels for herself and her bride's and friends' sakes. And then when she gets too used to and comfortable with the duel system, the show turns and goes "this isn't how war works, loser" and the betting stops mattering to characters because they start ACTUALLY JUST FUCKING KILLING PEOPLE AND THERE'S TERRORIST ATTACKS AND POLITICAL CONFLICT AND EVERYTHING SUCKS FOR A WHILE BECAUSE WAR AND CLASSISM AND THE CYCLE OF SIN BAD. And Suletta now suddenly has to deal with THAT. And it doesn't stop there! More personal shit happens! God I wish the second season wasn't so rushed, it absolutely reeks of "this show was forced to be shorter than planned because it was openly gay". The first season was so perfect. Why did this happen. At least it got to have a full story, as butchered as it is...
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