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stevienick · 2 years
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I look at people, but I never do anything special to find someone or something.
The Green Ray (1986) — dir. Éric Rohmer
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WONDER BAR (1934) | dir. Lloyd Bacon
“The other [scene that stands out above the rest] involved a handsome man, asking a dancing couple if he could cut in. The female partner, expecting his attention, agrees, only to see him dance with her male partner. Jolson then flaps his wrist and says, “Boys will be boys. Woo!”. This scene almost caused the Production Code to reject the film, and was featured in the opening scenes of the documentary film The Celluloid Closet (1996).”
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classicfilmsource · 3 years
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Along the Coast (1958) dir. Agnès Varda
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animusrox · 3 years
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THE GRID Koyaanisqatsi (1982) dir. Godfrey Reggio
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junkfoodcinemas · 3 years
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Shaun of the Dead (2004) dir. Edgar Wright
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trainstationgoodbye · 3 years
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I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks different now. Susan Sarandon and Geena Davis in Thelma & Louise (1991) dir. Ridley Scott
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thesoldiersminute · 2 years
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Anya Taylor-Joy For The Dior Addict Campaign (2022)
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stream · 3 years
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Jerry Maguire (1996) | The Dark Knight (2008)
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isabelladjanis · 3 years
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L’ENFER Henri-Georges Clouzot, 1964
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mike-mills · 3 years
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GREASE (1978) dir. Randal Kleiser
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userdrama · 3 years
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Hausu ハウス’ (1977) dir. Nobuhiko Ōbayashi
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Marilyn Monroe at the “Call Me Madam” premiere in 1953 (video source)
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classicfilmsource · 3 years
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John Cassavetes & Sidney Poitier in Edge of the City (1957) dir. Martin Ritt
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animusrox · 3 years
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Office Space (1999) dir. Mike Judge
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junkfoodcinemas · 2 years
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The Matrix (1999) dir. The Wachowskis
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classicfilmblr · 3 years
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ANITA EKBERG with Dean Martin in Artists and Models (1955) dir. Frank Tashlin; costumes by Edith Head
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