#bendy the illusion of living | Explore Tumblr Posts and Blogs

skemford · 7 months

Text

I like talking about bendy characters so it’s time to touch up topic of… Joey Drew himself

Doing it before fade to black release on purpose :)

Here’s my analysis of his behaviour and on the illusion of living philosophy

It’s a huge read and I’ve enjoyed writing it!

(Continuation under the cut)

1. Joey’s family situation was hard on it’s own

Joey doesn’t talk about his parents way too much and mostly focuses on story elements (his father being a shoe maker and how his parents affected his childhood) rather than on his parents as their own people.

They weren’t rich and Joey talks about their family earning a “honest living” but at the same time, he describes how hard it was for his father.

“We weren’t rich. There was an honest living to be earned and Father did that with Mother keeping the books” (TIOL, page 18)

“I definitely saw her (mother) more than I saw Father, who sometimes would only appear briefly at the dinner table, hunched, brow furrowed, silently eating his meal. He’d disappear downstairs right after, and I’d help Mother with the washing up. (TIOL,page 18)

He comments on his father creating fake scenarios (elves helping him to work) to distract from hardship of needing to work a lot to be able to feed their family.

Joey has hard time of understanding ‘why’ he does that and how fantasy can help to work but he wants to believe. He tries to prove to himself that magic can be real.

"I didn’t believe it. I couldn’t believe it” (TIOL, page 19)

“I couldn’t see the elves. They must have been sitting on the table itself, hidden behind Father. I pushed the door open just a little bit and stood taller on my tiptoes.” (TIOL, page 21)

Joey switches between wanting to believe in illusions and not wanting to. He’s scared of not being perceived as normal by others.

He says that it’s not okay to be deep into the fantasy but notes on the fact that he can grasp the concept.

“I knew about make-believe. Played it all the time with my friends. But I didn’t know that adults knew about make-believe too. I nodded. (TIOL, page 23)

After he asks his father directly, he explains his reasoning and says that make-believe helps to feel less lonely (I’ll note on this part, it’ll come in handy later) which changes Joey’s perspective greatly:

"But the make-believe, the little characters, the songs, that changed his reality. What was reality except what we perceive it to be? Elves and magic? Well, why not? (TIOL, page 24)

It’s everything we’ve got to know about his family.

Hard working to earn money for living, using escapism to cope and distant from each other because of their struggles.

This distance likely has continued to grow with years, since for some reason he escaped his home when he was 15 y.o (+ signed up to army); no one seems to actually care and he was left on his own.

1.1 Stage name

Talking about Joey’s distance from his family, he doesn’t use his real family surname or full form of his name.

It’s not something that was explored a lot in Bendy (among all of its content) but we know that he doesn’t like to be referred this way.

'Joey’ was a nickname that he picked up for himself when he was 19 y.o.

"I’m Detective Adam Sinclair. You’re Joseph Drew.” “Joey,” I said. It was a new nickname I was trying out, ever since I moved to the Village. (TIOL, page 88)

Usually he’s referred as 'Joseph’ by his family members or people who are distant to him/don’t know him well.

But "Joey” is not the only one name he gave to himself.

'Drew’ doesn’t look like a real surname. He likely picked it up after getting close with Henry.

Imo Drew is a fun pun name that’s related to Joey owning the studio (and “Joey drew Studios” (literally) in the case of the cycle)

It has never sounded real.

Employees handbook mentions some “Dempsey” person who invests their own costs into the studio:

(Receipts: Investor Deposit, J. Dempsey)

Their initials are “J.D.” which makes it’s obvious who they are.

Joey’s house also doesn’t look rich which would make sense if he put all his earnings into the studio itself.

Bendy devs like to pick names that fit characters & “Dempsey” means “arrogant person” which does fit Joey perfectly.

1.2 Joey is deeply ashamed of the way his family lived.

Everytime someone mentions anything he associates with his past (shoes, for example) he overthinks and creates imaginary conflicts with these people.

His negative thoughts about them take whole paragraphs of text; he tries to make himself believe that he doesn’t care about looking “less” in someone’s eyes. He looks for reasons why they're worse than him constantly.

"Probably trying to figure out my past, and that was none of his business. Then I told myself it didn’t matter because I didn’t care what he thought. I didn’t care much for him in general. He might have been richer than me at the time, but that’s where his superiority ended." ( TIOL, page 26)

He often downplays people because he's deeply insecure and is scared of being outcasted, especially by rich successful guys.

After doing so,he switches toward praising himself and names reasons for why he's better (classic Joey Drew behaviour)

He was a year younger than me, hadn’t fought, hadn’t signed up like I had, hadn’t lied about his age to fight for his country like I had. What could he say to an answer like that?Nothing. Absolutely nothing (TIOL, page 26)

Не believes that they need to feel sorry for this because they have no idea how much he struggled in the past.

2. He's insecure & scared of things he can't control

I could've continues this in previous paragraph but it's a bit different.

You see, while Joey was insecure of his past (things he associated with it acted as "triggers") he still was full of himself.

It was an act but it looked convincing enough; with time it became harder for him to keep it up.

It easily explains his behaviour in batim tapes.

When Joey tries to reassure everyone that he knows what's going on, he actually doesn't. He's as lost as everyone else, he tries to act only when he's forced to do so.

He lies to people and runs away from responsibility because he's scared of abruptness, something out of his control.

Joey shows fear of everything that's unknown to him but he tries to play it off somehow: he tries to be on top and be unpredictable to others.

He treats himself as a human that lives around unpredictable fictional characters that he can't control or read intentions of.

"My father though was a real person. I knew that deep down. But in this moment I saw him not as a son looking at his father but as a viewer looking at a fictional character." (TIOL, page 50)

It's mentioned in the novels that Joey likes theatre and he expresses his thoughts about it to Buddy in dctl.

Theatre operates in "cycles":

Actors play their parts→ the audience applaud→ actors bow→ performance ends→ performance begins and so on.

It's has a pattern and won't introduce anything that will caught you off guard. It's "safe" and as a part of audience,you don't need to perform, you only watch.

Does it remind you of batim's cycle? Outside of holding grudges toward Henry and wanting to run away from everything Joey has performed with GENT, he also searches for control while not being included directly.

HE decides what will happen to the cycle residents. HE writes the story that other people can barely affect. HE blames other people for studio's downfall and makes them suffer for his wrongdoings.

Joey knows that he has failed but he can't process it. He doesn't know what will happen and he's scared of being put into situations he can't predict.

It's really shows how insecure he became with years.

3. Why Henry is important?

Why exactly Joey couldn't replace one man he didn't knew for a really long time? What made Henry so special to him?

We don't get a big insist on their friendship but it can be said that their short-lived bond was strong or at least Joey believed that it was.

Henry seems to be Joey's role model of sort even if Joey doesn't want to acknowledge it.

Joey notes on how Henry changed the course of his life without knowing about this

Henry is a determinated man who went for a career in art because he knew what he wanted & he stayed on this path no matter how hard it was to get any recognition.

Henry's the man who makes decisions and acts when he needs to.

Meanwhile, Joey feels lost his whole life. He searches for answers,purpose or a place with a "soul".

Henry gave him new meaning for life. Creative path with endless possibilities that Joey could build from scratch.

Joey was heartbroken when Henry left, doesn't matter for hard he tries to act like he wasn't.

"His presence was helpful, I can happily admit, but his absence was even more so. Not having him at the studio ended up being one of the best things that could have happened to it" (TIOL, page 138)

For some time his life was revolving around Henry. He knew what to do and what will happen, Henry always pushed him to the right decisions.

He says so directly in batim chapter 5:

"The truth is, you were always so good at pushing, old friend... pushing me to do the right thing"

With loosing Henry, Joey lost his newly gained purpose in life. It wasn't something that he was able to figure out by himself & it made him blind to the road that lies ahead.

He's angry at Henry for being like "other people" that he hates. For leaving him behind when he's scared of being alone.

We don't know about Henry's perspective much but he strikes me as someone who would be supportive of Joey at first.

He made some of Joey's ideas real and left only after a breaking point.

3.1 "Cartoon family"

Joey is deeply attached to main JDS toons that he "mutually" owns with Henry.

Especially, it's noteciable with toon Bendy who was called his child on a couple of occasions:

"Bendy was Joey’s child, and he felt just as strongly about Bendy as I feel about my flesh-and-blood son" © Nathan Arch (TIOL, page 5)

"He was my very first creation—one could even call him my firstborn." (TIOL, page 12)

Joey not only sees Bendy as his child but he also relates to him.

He draws parallels between them both, calls bendy manifestation of "the illusion of living" and shows some of his mannerisms (as he says)

Joey wants to see himself as Bendy.

A character who's loved by kids and adults alike and who always has friends around.

"I tell people that Bendy is the perfect example of my philosophy." (TIOL, page 12)

"To know that I needed a creation so perfect, so accessible to so many people, that it would help me change the way the world saw itself." (TIOL, page 13)

In Joey's apartment the only one picture in frame that he owns is illustration/animation cell of toons drawn by 'Henry Stein':

They're depicted holding hands with Bendy being in the middle of both; it's portrays closeness between them and Bendy's importance in the picture

But was it's actually signed up by Henry or Joey is the one who did it for himself?

We know from batim (and batdr notes) that Joey's signature is "your best pal" which makes this case...a bit complicated

Joey could've wanted to pretend that Henry is still close to him and decided to sign up drawing with his name

Or possibly it was signed up by Henry somewhere in the past. In this case, Joey could've adopted Henry's signature as his own.

Both speculations have place to be real and we can't prove any of them.

Joey's known for pretending (which would fit with the 1st possibility) but he's also stuck in the past and stole a lot of ideas that belong to other people.

Imo it can be interpreted based on the way you see him.

4. Why was Susie fired?

Joey's obsessed with everything that is related to Bendy which can be seen with him being angry about "crooked bendy dolls" or bendy expression sheet in batim ch 2.

We can speculate that Susie Campbell wasn't fired from the role of Alice's voice actress for any valid reason BUT because Joey felt personally offended.

As Norman says in dctl, Alice Angel was really popular for a bit, which possibly could have been unacceptable for Joey.

Bendy is the main character Joey relates to and he wouldn't have wanted to be overshadowed in any way.

Susie being fired and humiliated (for not knowing that she was in fact fired) is the consequence of Joey's insecurity.

Susie claims that "she was absolutely perfect for the role" at first so at some point Joey completely changed his perspective.

Any character getting attention would be good for the studio. Firing a voice actress that helps to get this attention lacks logical reasoning.

After Joey "calms down" he has a conversation with Susie about 'an opportunity' he has for her. This opportunity is Susie being the first (speculated to) human sacrifice. He believed that she'd have been a perfect Alice.

Joey puts Bendy above Boris and Alice (like he does with himself & other people) so him acting pitiful about any other character getting popular does makes sense.

But he still cares about them...to some degree.

"Boris was special, Alice was complicated." (TIOL, page 154)

Joey having complicated feelings with Alice as character is really interesting and it's perfectly reflects what he was thinking about Susie.

She was a perfect voice actress to others but wasn't to him. He thought that she'll be a perfect Alice (after the ink machine was created) but she failed to be.

"She was beautiful. And loved by all. She was perfect...No matter what Joey says." (batim chapter 3, Susie talking about herself in 3rd person)

In dctl he claims that he relates failed experiments to "people not being real enough" or says that they weren't pure.

At the end, Joey basically has decided to pretend that she never was real

Susie is never mentioned in his memoir and she's almost fully erased from studio's history.

In Batdr's studio tour (music department part) "Susie Campbell" was replaced with "Allison Pendle"; meaning that Allison is officially the only one Alice Angel voice actress according to him.

5. The ink demon

It's one of the most interesting parts here and I'm sure that a lot of people have talked about him better that I'll.

The ink demon is a "product" of mistreatment, Joey's unhealthy projecting and capitalism (duh)

Joey saw Bendy as his son

He wanted to be like Bendy, someone who's loved and can always escape from troubles

One of reasons to bring Bendy to life is his marketability. Joey wanted "alive attractions" he can get money from.

The ink demon wasn't able to fullfil any expectations that Joey had.

He was passive and harmless (at first) but to Joey, he's not a cheerful toon that he has always dreamed about.

One of main issues that Joey has with him is that he's off-model:

"Listen Tommy, i know you boys over at Gent are doing your best but I'm paying for living attractions,not walking abominations. Whatever that grinning thing was i saw walking around your office,you better keep it up locked tight! Might scare off investors!..." (batim chapter 5)

"Grinning thing" and "walking abomination." The ink demon is completely dehumanised because he's not marketable.

As it was mentioned earlier, Joey sees Bendy as a perfect being and relates to him

He doesn't want to relate to the ink demon; for this reason, he separates them both.

Joey has hard time with accepting "failures". They either get forgotten, dumped or he tries to change them somehow.

The ink demon is a mistake that Joey and GENT have tried to "fix" for years. "A monster" that has shattered Joey's dreams.

5.1 The ink demon's sense of self

It's Joey character analysis so this point won't be too big.

The ink demon was treated like a mistake for being different:

Closed off, isolated, put in the cycle,tortured.

He was in the place where no one would care because he's not "a perfect bendy". Most of it comes from Joey or is related to him in some way.

Everyone saw him as a monster and he has accepted this role.

We know how it went in batim/batdr.

Worth to mention that unlike Joey, he has never lied in batdr. It's either harsh truth or projecting.

6. Ink Children

Allison was close to Joey and had a good impact on him,as he claims.

Indirectly, she made him want to have a family with the help of the ink machine.

I doubt that this decision has come from the place of jealousy toward Henry (who has a family) unless future content will somehow prove that I'm wrong. Joey can have one good intention while failing everywhere else.

Joey could've wanted to have a family to prove that there's still something good in him.

He was scared of dying alone and being forgotten.

"I hadn’t known that at the time. It gave me chills. The thought of success only after death, now that terrified me. That was not the plan and would never be the plan" (TIOL, page 122)

We don't know how many children have perished until the final, perfect one. And we can't claim what exactly has happened to them.

We don't get much details about the creation process of artificial "almost humans".

The only one we heard (outside of Audrey) is "AD" (name of the file) from batim chapter 5

"Tell me another one,uncle Joey..." ("AD" in batim post credits)

And sadly,you can't say much based on this.

They could've been physically unstable and die on their own terms

(milk packages from Joey's kitchen table in batim chapter 5. All of them were stained with ink)

If they stained object with ink by interacting with them, it could've become worse with time.

Again,with lack of context,it's almost impossible to debate for or against this idea. Was that's a thing for other ink creatures?

Susie does brings up in batim that she was "a shapeless slug" at first.

Joey didn't changed much and dumped imperfect ones

Honestly this part depends on how much you believe that he could grow as a character.

(memo from batdr, GENT building)

The way Joey talks about "other versions" sounds... indifferent.

Which is weird, because he did spend time with "AD" from batim by entertaining her with stories when she has asked him to

Does he tries to justify them being dumped OR he's distracting from the fact that they didn't had a chance to properly exist?

It feels like it was left for interpretation on purpose.

6.1 Audrey Drew

Second and last artificial child after "AD" that we canonically know about.

For Joey, creating something perfect that will outlive him could've been a key to his definition of immortality. He wanted to leave something after his death that people could know about. A piece of "perfect art"

"...Of course, I intend to live forever, so that will never happen! Ha, a joke indeed, but in a way not a joke, for what is art but a doorway into immortality? The greatest Illusion of Living then, living on after we are no longer alive. What is more of an illusion than that?" (TIOL, page 219)

Joey makes jokes about living eternally even before the ink machine's existence.

After it's creation, it's wasn't something that he has planned but he was ready for this fate (for one reason or another)

At the end of his life, Audrey has became a thing he'll live through eternally. And Memory!Joey is here ig

Memory!Joey basically calls Audrey his magnum opus:

"...My Greatest creation" (batdr, final Memory!Joey custscene)

Which further established that Joey is more proud of Audrey than he ever was on the Bendy franshise (it's hard to be proud of the stolen ideas, peoples deaths or the cycle,eh?)

Audrey seems to share adventurous spirit of young Joey (in his early 20s) & determination

They both got dragged into events they didn't asked for:

Joey (when he was 19 y.o) by detective Sinclair who has blamed him for a murder.

Audrey by Wilson Arch who has wanted to murder her.

6.2 Audrey and the ink demon

Similar trauma, different outcomes and treatment.

How present Joey was in Audrey's life? Why did they got separated at one point even before he has died?

Is there's something Memory!Joey hides from Audrey on purpose?

Batdr archives mention that Audrey has repressed her memories but what and why exactly?

In batdr the ink demon interacts a lot with Audrey which holds huge significance on the story.

In his first interaction with her he says "ink speaks to me and whispers your secrets" so the ink machine (who seems to hold some sense of identity) does know too.

The ink demon heavily relates to Audrey through the game. They were both left alone (in different ways) and they share one creator.

"You are without the purpose. Your very existence.. was a terrible lie...you're a mistake. A monster. Just like me." (batdr, the ink demon, last playable segment)

He heavily projects on her through this last interaction. Audrey does has a purpose,she was created to be a daughter Joey did wanted and loved. As much as Joey Drew could love at least, if you see this part as debatable.

But there's one thing he's right about, her existence is a lie.

Joey put burden of "protecting the cycle" on her while she thought that she's an orphan.

Batdr archives also question how much agency she has, which i find interesting.

7. "The illusion of living" (or TL;DR for this analysis)

The art of lying masterfully and manual on how to justice God complex.

Joey describes his life from early childhood (when he was 5 y.o.) and to the point of him being 42-43 y.o., a bit before the ink machine was created.

This book is about a man who couldn't find his purpose in life even with the help of other people and decided to blame everyone for this.

Lies, accusations, insults, distorted information, searching for "a soul" (literally and figuratively) and never ending hidden sadness after he lost Henry.

He tries to replace this empty gap with letting their creations become his whole life but it doesn't end well... (the ink demon,dead employees and the cycle)

He tries to separate himself from this and focused on creating a family.

Artificial daughters are electric boogalo №2 (unexpected direct sequel) which has ended working somehow.

But still,i wouldn't trust this man even a pet rock and the ink demon & Audrey are a proof on 'why.'

~~~~~~~~~~~~~~~~~~

Trivial facts (bendy employees handbook/the illusion of living):

>He loves mac n cheese

>Joey meet Sammy at a theatre when they were teens

>Joey loves throwing peanuts at theatre actors

>In Joey Drew studios you can celebrate only main toons birthday or Joey's birthday. Other birthdays are prohibited.

>Joey stole award that Sammy has earned

> Joey officially is an employee of the month eternally...

> Joey stoles ideas for cartoons from employees and they don't get even a couple of cents for this (woah! How surprising /j)

~~~~~~~~~~~~~~~~

Special thanks to everyone who interacted with my Audrey analysis earlier!

#batim #bendy and the ink machine #batdr #bendy and the dark revival #joey drew #bendy #ink demon #audrey drew #henry stein #susie campbell #I won't tag everyone who was mentioned #bendy the illusion of living #bendy tiol #my post

82 notes · View notes

angelofthepage · 5 months

Text

youtube

Hey Bendy fans, so Joe from ChairThatSpins hosted a really fun AMA with Adrienne Kress this afternoon! Fans of the Bendy novels had a lot of great questions, and Adrienne had a lot of great answers! Joe has very kindly uploaded a vod of the event up on his YouTube channel. Wanna know if one of your burning Bendy questions was answered? Consider giving it a watch! (WARNING: This video does contain spoilers for all the Bendy books, most notably Fade to Black.)

It was so much fun to be there live for this, what a fun way to spend a Saturday. XD I will continue to not be normal about some of the things we discussed.

#bendy books #bendy novels #bendy and the dark revival #bendy fade to black #bendy fade to black spoilers #bendy ftb spoilers #bendy dctl #bendy dreams come to life #dctl #tlo #bendy tlo #bendy the lost ones #bendy tiol #tiol #the illusion of living #bendy the illusion of living #adrienne kress #ama #Youtube

20 notes · View notes

ripleycano · 8 days

Text

This is what Joey sounded like in TIOL

#joey drew #batim #bendy and the ink machine #the illusion of living #tiol #henry stein #sammy lawrence #kyle #adam sinclair #art #digital art #fanart #hey there art department

287 notes · View notes

spiritintouch · 1 year

Text

I started to hate "the illusion of living" even more while drawing this art.

#batdr #bendy and the dark revival #batdr spoilers #batim #bendy and the ink machine #joey drew #the illusion of living #my art

1K notes · View notes

inky-lacuna-numinous · 6 months

Text

Today is a GREAT day to be a batim fan!

Happy Halloween

#bendy and the ink machine #batim #batdr #bendy and the dark revival #batim audrey #batdr audrey #audrey drew #cosplay #costume #happy Halloween #the illusion of living book #the illusion of living #tiol #fav

240 notes · View notes

archer-kacey · 1 month

Text

Problems with erasing Bendy Book canon:

With the FNAF books, we were told they were canon-divergent fairly early on. For Bendy, this was never specified, leading many to believe this was all just straight-up canon information that they were running with for theorycrafting. For a long time.

Why the hell would you de-canonize the ENTIRE origin story of Boris? He's a central character to Bendy and the Ink Machine.

You're going to throw out THE ENTIRE AUTOBIOGRAPHY OF YOUR MAIN VILLAIN? THAT'S.......NOT A GOOD IDEA!

(And before it's pointed out, no, we don't "need" Illusion of Living for "gay evidence." The point here is y'all released an autobiography for one of your two main characters and you're saying it's not canon. That's ludicrous.)

Things that were explained/brought up in the novels that apparently "aren't canon anymore": how Sammy got infected, Thomas's conflicting feelings about the machine he created, the origin of Boris the wolf, several instances of Joey's gaslighting and manipulative behavior and his slow descent into madness after Henry's departure, a look into Gent technology and the Gent experiments that took place after they switched over to "research", Abby Lambert (who SHOULD be in the mainline games all things considered), Joey Drew's ENTIRE AUTOBIOGRAPHY including his PHILOSOPHIES AND REAL ASS LIFE, ANDDD the themes of classism, racism, and sexism that were VERY present at that time in history. Among other things.

You're taking out several new characters for no reason. I'm not saying they all need to return, but it makes zero sense to introduce a bunch of new guys and then immediately abandon them...only to introduce a bunch of OTHER new guys.

I've seen a few comments in response to Mike that go along the lines of "oh thank goodness now I don't need to read the books to understand the lore!" No disrespect, but I think that's a fundamental misunderstanding of what the books do. They enhance your understanding of all the background plot. You don't need to read the books to understand the games. But that shouldn't mean erasing the existing information's canonicity because not everyone wants to read it.

Bendy isn't FNAF. Bendy has a much more streamlined plot. Not everything fits perfectly of course, but to take out such a large chunk of what we THOUGHT was the plot (or plot-adjacent) is headscratching to me. You claim to care about the plot, characters and worldbuilding and then you decide that some of the BEST written interpretations of these characters and their world just aren't "legitimate" now? .......All of a sudden?

I want to punch something

#I'm starting to get really irritated at M+M downplaying the books. no sir they aren't fun extras that's just the actual plot you threw out #this decision would also erase the books' minority and women characters. which I don't think is the intention at all but that's the result #people who are really into bendy are gonna want more canon lore...we should really leave the canon-divergence to fanfics at this point #bendy books #i'm dying #dreams come to life #the lost ones #bendy fade to black #illusion of living #joey drew #adrienne kress #mike mood #themeatly #bendy and the ink machine #bendy and the dark revival

128 notes · View notes

mickeys-malarkey · 1 year

Text

Pt. 3/3: My BATDR Timeline & Plot Twist Theories!

First, I think both BATIM and BATDR take place sometime between 1978 and 1991. I already suspected BATDR was happening in the ‘80s based on the fact that card readers – which have featured in many of the environment screenshots we've seen – were invented in 1979...

…and Audrey's clothes and hairstyle look very 1980s.

Then they released the images of Audrey's office, where her chair and desk lamps also look very 1980s, and the wallpaper and flooring looks pretty 1970s…

…and @inkdemonapologist pointed out that the type of bankruptcy we see documents for in Joey's apartment didn't exist until 1978…

…and I remembered that Joey's apartment also had a newspaper whose headline took place in the future— Princess Diana's 30th birthday which, as TetraBitGaming on YouTube pointed out, would be in 1991 since Princess Diana was born in 1961. She should be two years old if BATIM were really taking place in 1963!

Maybe, at the time, they didn't mean for these two to be clues, since they seem to have rolled the date backwards a bit from the newspaper one; but at this point it feels pretty clear when BATDR takes place, to me. And I'm even more certain than I already was, after finding out that this image from the JDS website…

…is titled “museum” (good work yoinking it, @halfusek /gen 👍🏻), that we know the ink dimension's new home: Nathan Arch Sr.'s private Joey Drew Studios museum that he mentioned he was curating in TIOL (meaning it's existed since around 1972).

“Over the years, I have collected every single piece of the studio memorabilia I could find to restore it to its former glory, to create, in a sense, a private museum that gleamed with the true vision of Joey Drew…” ~ Nathan Arch, The Illusion of Living, pg. 2

Also, besides the fact the museum image has clearly aged, here's some more evidence that at least a few years have probably passed since Bendy was purchased: it generally takes a fair bit more time (years!!) to make movies/documentaries, as Archgate Pictures seems to have made about Joey, than it does to make shorts.

As for BATIM, I think that time has been moving as normal outside of the loop, we were just seeing a repeat of that significant day in 1963; Henry and Joey have been trapped in the ink dimension for somewhere between twenty and thirty years, and the bankruptcy paperwork and Princess Diana newspaper were pieces of the real world leaking into the memory. This explains how there seems to be evidence of Audrey in BATIM and how BATDR is still supposedly neither sequel nor prequel to BATIM despite all the evidence that it takes place long after 1963! They're happening at the same time!! I wonder if Audrey is the daughter of the little girl we hear at the end of BATIM? So, Henry's (great-)granddaughter or Joey's (great-)great-niece?

Now, onto my big theory: the plot twist.

If they handle it right, it would be really, really cool if “break the cycle” really doesn't just mean “end the time loop” but also “break the cycle of abuse/trauma” and a lot of the huge cast of not-so-innocent characters wind up with the potential to get redemption arcs. I have an idea of exactly how they might be planning on even providing the opportunity for Joey.

Victor McKnight commented this on his Artistic Hallowing music video and pinned it:

Those last two sentences. “Make sure you're watching every second! You don't want to miss any vital information. 😉” Does that not sound to anyone else like he's got insider information? Now, I want y'all to watch these music videos that either Victor himself or his brother Noah were suspiciously involved in all of (and one of which is supposedly a BATDS song but for some reason involves Audrey) and tell me if you notice any patterns.

youtube

This one seems to be a duet between Sammy and the Ink Demon, both singing to Audrey. Sammy mostly sings in the default sepiatone, asking us things like “Can you see me? Can you feel me?” (that feels so… sad… and desperate…) and telling us things like “make sense of the consequence we witnessed on that day” (Excuse me, you're telling me that there was a consequence for something on a specific, significant day that we witnessed?? 👀) The demon, on the other hand, mostly sings when the grayscale effect is on, and seems to just be playing a stereotypical villain roll until you notice “be forced to believe what I see” (why would we even give a crap about what you're seeing /srs? How the actual heck would we see what you're seeing /gen? You don't even have eyeballs, bro /j) and “be damned in this evil received” (how do you receive evil that damns you? Maybe by being abused and becoming an abuser in response?).

youtube

Two apparently-separate characters singing with the same voice but very different tones and outlooks on the situation, still both singing to Audrey, in this one. One mostly sings in the default sepiatone, again, at first seeming more hopeful, helpful, and friendly until you start noticing ominous comments like “you've made mistakes, accept the change. You will be punished too” (*incoherent noises* 🚨🚨) and “welcome to my dream . . . you still think you are safe in my dream.” The other mostly sings when the grayscale effect is on, again, and seems much more aggressive and seductive until you start noticing comments like “take up your weapons, just leave my friends be” (why is this stereotypically evil-seeming character both telling us to take up weapons, not just letting us have them, and asking us to leave his friends alone with them?).

youtube

More hints that the demon who will rise and presumably is most important to the story is linked to grayscale, in this one.

youtube

And, in this one, Sammy's asking if the grayscale-linked demon is the one who will set him free (as he claims to be in the first two videos).

Across all four of these first videos, there seems to be an overall “things change when we switch from the default sepiatone to grayscale” and “grayscale is dangerous and seems hopeless but it's important and linked to truth and freedom” theme…

youtube

…You're telling me that Sammy and his followers' past (BATIM?) selves were worshipping an imposter demon…? And the truth will be revealed in BATDR…?

Hum, hum, hum… fascinating. I'd noticed the sepiatone vs. grayscale split and imposter vs. true savior thing long before I read the books; for the longest time, I thought it meant we would be dealing with a Henry-Bendy and a Joey-Bendy, as I've been seeing people theorizing. But then I read TIOL, and discovered what I think is evidence that this info is indeed canon and was not left on the cutting room floor while BATDR was in development limbo.

Nathan makes a very strange note on Joey's story about the Sparkle Unicorn speakeasy…

“…I remember this night well. Though I remember it being at the Bee Room, gold and black, not silver as the main design aesthetic. Doesn't really make much of a difference though, I suppose.” ~ Nathan Arch, The Illusion of Living, pg. 44 (emphasis added)

Nathan remembers that night in sepiatone, Joey remembers it in grayscale.

Now, I've seen all kinds of theories all over about how Wilson actually “banished/killed the ink demon…” “Wilson took advantage of some sort of blip in Bendy's existence that happened when Joey died,” “Wilson got rid of him by purifying him and turning him into Dapper Bendy,” “Wilson got rid of him by fusing him with either Henry or Joey,” “Wilson got rid of him by trapping him in Henry's loop,” “he didn't, Wilson's just another liar manipulating everyone,” etc…

What if we're looking at this from the wrong angle? What if the point is that, whatever happened, neither of the BATDR Bendys is the original soulless monster we see in BATIM and the books? What if, whether they share a body or are separate, there are two human souls involved here? What if one of those souls is the “new evil” in the ink dimension, not Wilson, who may have been meddling in ink dimension affairs since 1963?

Going back to the time frame I propose BATDR is happening in… Joey was born in 1901, which means that if Nathan was 18 or 19 when Joey was just turning 16, then he was born in 1899 or 1898. So, in 1978, Nathan would've been 79 or 80, and in 1991 he would've been 92 or 93. Especially considering the clues that point towards Nathan having been a smoker, it wouldn't surprise me if he's straight-up already dead in BATDR. Mayhaps for 211 days? During Loop 414…? Could this be why the BATIM loop is different, with Henry apparently not remembering anything that previous versions of himself could? The now-previous owner of their prison has died of old age and/or lung cancer? And could that be why the JDS museum has fallen into bankruptcy? Has Nathan Jr. taken over and isn't as ruthless a businessman as his father?

Itsjustjord on YouTube pointed this out in his trailer reaction, which when he said it set my Clue Radar off so that I went to the trailer again to get a closer look. And… well… *clears throat*

…Do y'all see this weird effect over Dapper Bendy? Compared to every other character we see in the trailer as well as the environment around him, does it not look as if we're seeing him, specifically, through some sort of cartoony filter? Maybe it'll only be in circumstances like this (far away in weird lighting) that the edges of the illusion will fray in-game, based on the other teaser image we have of him, but it definitely looks off to me.

Especially with what I now suspect Allison and Susie's situations were in relation to Nathan, I think that the ink creatures’ perfection vs. imperfection has nothing to do with how pure/good vs. impure/evil their hearts are as we've been lead to believe/is the conventional surface-level reading, but instead how intact vs. broken their hearts are. I think that the more horrific the ink being's appearance, the more the soul inside was abused while it was alive. Allison isn't a perfect Alice because she's a better person, it's because she obeyed Nathan and wasn't made to suffer as severely as Susie, who Nathan chose to be his next Isabel. So, why is one new Bendy (apparently created after Joey lost everything, I suspect even being made to watch his Shoulder Angel's murder before being murdered himself) so much scarier than the original (created before Joey lost everything) and the other so goshdarn perfect, proportions and all?

Maybe the banning of everything related to Sammy's demon cult and Henry under Wilson's rule has to do with his decades-old mission to keep the Creators from joining forces, as well as everyone including himself feeling like they're finally free from The Great Puppet Master?

I love Dapper Bendy's design as much as everyone else!! He's positively adorable, and it would also be a nice outcome if the baby boy is exactly what he seems and just a precious lil friend to love forever; but I theorize that Dapper Bendy is the perfectly sane, untraumatized, and truly evil one, that (assuming we actually get choices in BATDR, unlike in BATIM) his route, no matter how things seem in the moment, is the wrong one, that he's Nathan. And I think Freaky Teeth Bendy (that's been my nickname for him since we first saw him and I'm sticking to it lolol) is the damaged as heck but able to be saved one, that his route is the correct one, that he's Joey. I also think that we won't get to see either demon for what they really are – won't be able to get the True, Broken Cycle, “Joey's Redeemed & Nathan Faces Justice” Ending – unless we somehow unlock Grayscale Mode like we could in BATIM and gain the ability to see Joey's truth. Until then, we'll be seeing the demons the way Nathan wants us to see them. Through Nathan's tainted, gaslighting, sepiatone filter.

If I'm right, the fact that they did choose these color palettes is so perfectly poetic~! Sepiatone is what happens when black-and-white images have been chemically altered for preservation purposes; Nathan's altered our perception of himself, Joey, and all the events surrounding them, and his version of events is much more resilient. Meanwhile, Joey's would be more pure and unaltered but easily destroyed— including by himself, with his Illusion of Living coping mechanism… The only thing that could make it more perfect is if not only do we get to see Henry in BATDR, but when we do he's an angelic toon… *Vibrates with excitement*

Please, please, please, JDS, let me be right about where you're going with this!! Cause this would genuinely be so freaking cool…!! 🙏🏻 I hope that we eventually get to “rejoice with our founders,” as Artistic Hallowing says, when they're reunited.

Thank you for coming to my TED Talk, rofl. Congratulations on making it through the ramblings of a hyped AuDHD fangirl (though, I guess we already knew you were capable, if you've read TIOL. I could do a whole nother rant on evidence that Joey's basically confirmed canonically ADHD(+?), my freaking gosh). 😝

Read the Rest of the Original Analysis/Theory: Part One • Part Two • Unexpected Part Four

BATDR Analysis/Post-Playthrough Theory Revision: Part One • Part Two • Part Three • Part Four

824 notes · View notes

randombendyfan · 3 months

Text

#batim #batdr #bendy #bendy and the dark revival #bendy and the ink machine #the illusion of living #joey drew #sammy lawrence

124 notes · View notes

spotlightstudios · 10 months

Text

The back is done!

Joey messed up a lot of people's lives w/ his company, but Sammy is my favorite of them, so he gets Art Privileges♡

(For anyone who missed the first one, I decided to draw scenes from the End Credits of batim in the front/back of my copy of The Illusion of Living! Sammy is in the back cover.)

Doing this was so much fun! Serotonin to level ten!

#light's spot #my art #batim #bendy #sammy lawrence #bendy and the ink machine #bendy and the dark revival #batdr #joey drew #The illusion of living #sammy #legit could'nt help myself #sammy my beloved #technically the projectionist is by favorite #but his end-credit inclusion was weak and I think Sammy's is my favorite!#if I do this again I'll probably end up doing the Boris' frame because all three of them together was so cinematic smh #but for now this is it!

194 notes · View notes

dynafire · 6 months

Text

wow, my last post which had links to the bendy novels blew up!!!! would be an even BIGGER SHAME if people began going to this mediafire folder that absolutely doesn't have the first four novels as pdfs.....seriously, don't do it guys!!!! and definitely don't spread this link around!

#batim #batdr #bendy #kindlybeast #the meatley #bendy novels #fade to black #the illusion of living #the lost ones #dreams come to life #batim dctl #batim tiol #batim tol #batim ftb #bendy and the ink machine #bendy and the dark revival

88 notes · View notes

reanimationstation · 4 months

Text

SINCLAIR MY BELINCLAIR.... i cant believe it took me so long to draw the guy ever!!

#victors art #detective sinclair #adam sinclair #idk what to tag him #joey drew #he's here! so im tagging him #bendy and the ink machine #the illusion of living #batim tlo #q

56 notes · View notes

skemford · 1 year

Text

FINALLY GOT POOLS

Absolutely 100% important question trust me

#batim #bendy and the ink machine #batdr #bendy and the dark revival #bendy #henry stein #audrey drew #joey drew #buddy lewek #buddy boris #(I won't tag book protags)#(ONLY because I'm not sure if people use their tags.)#bendy dctl #bendy tlo #bendy dreams come to life #bendy the lost ones #bendy the illusion of living #audrey batdr

42 notes · View notes

angelofthepage · 2 years

Text

Bendy Fans: Ready your microphones! My Bendy novel themed audio project is open for auditions, and I'm looking to hear YOUR voices!

https://docs.google.com/document/d/1GK2bj0wbepmvnR8lx7SmA_a6KHaIqnrvndRpMBbGdN0/edit?usp=drivesdk

Hi, I'm Kat, and I'm an artist of many mediums. I've been a voice actor on fan projects for about nine years now, and I love what I do! I've gotten to meet so many awesome people throughout my time doing this, many of which I'm fortunate to call my friends, and I really want to share that experience with all of you! It's about time that I get my feet wet in casting and directing, so I want to give you guys a chance to make your voices heard in this audio animatic project!

I'm inviting Bendy fans of all skill levels to try their hand at voicing some extras in this project. I have 17 solo lines and 1 mystery character that really need some sound. If you've been curious about getting into voice acting or are just getting your feet wet in the medium, consider auditioning! All the instructions and requirements are listed in the Google document for your convenience.

Deadline to submit your auditions is August 1st, 2022. If you have any questions or need clarifications, you're free to email me at [email protected], and my comments and DMs are also open and easy to reach! Break a leg, I'm excited to hear what you've got!

#bendy #bendy and the ink machine #batim #bendy voice acting #bendy voice project #voice actors #bendy fan project #voice acting fan project #bendy the illusion of living #bendy novels

9 notes · View notes

halfusek · 1 year

Photo

this is joey and sammy’s dynamic in tiol right

#bendy and the ink machine #the illusion of living #batim #sammy lawrence #joey drew #halfart

607 notes · View notes

ripleycano · 1 year

Text

The Illusion of Living: Sammy Lawrence Archive

Long time no see, BATIM friends! In light of BATDR releasing soon, I’ve decided to buy The Illusion of Living and compile all the information we have about our favorite music director. I’ll also include information from sources other than TIOL for a more holistic aggregate of knowledge :)

Full post under cut!

Appearance

Let’s start with mentions of physical features and attire. We already knew from the Hot Topic takeover that he had a ‘flowing cascade’ of brown or blonde hair:

TIOL adds onto this in Joey’s description of Jack Fain and Sammy Lawrence at the evening party:

“Though I suppose his (Sammy’s) hair could have been slicked back a bit more, not quite so long and floppy on the top as it was. As it still is.”

It looks to be the case that his hair was indeed on the longer side, and it remained that way during his time at the studio. (Personally, I’m a big fan of the idea of his having messy, unkempt hair that’s a little long for the standard of his era.)

DCTL describes Sammy as looking like a bird or insect, TIOL does the same:

“Sammy stepped toward me out of the dark. His angular face was highlighted now from the lights of the party, throwing sharp shadows that only made him look more insect-like.”

In addition to this, TIOL confirms my assumptions that Sammy is both younger than Joey and looks permanently exhausted:

“He was a couple years younger than me but seemed like a fellow who had lived several lifetimes already.”

Keep in mind Joey thinks this on the eve of his thirtieth birthday, meaning Sammy was likely somewhere in his twenties when he started working at the studio.

We already know suspenders were part of his closet, but what else? TIOL portrays Sammy in stark contrast to his musical partner, Jack Fain. This is seen not only in their personalities, but also in their attire.

“The man (Jack Fain) tipped his bowler in our direction. I understood now why he was still wearing it even indoors. His whole outfit was a kind of costume in a way. He wasn’t in a tux or a dinner jacket either. Instead he was in dark gray wool trousers with red suspenders, a white button-up shirt beneath an orange vest and brown bow tie. He fit the description of “a character” to a tee. Sammy Lawrence on the other hand was in a neat simple black evening suit and looked totally appropriate for an opening night party.”

Looks like Jack prefers to dress in bright, flashy clothes, while Sammy’s style of choice is plain, smart, and occasion-appropriate. Unfortunately for him, he is eventually fated to wear only ink-soaked suspenders for the remainder of his life :,)

Past

With TIOL, we finally have some insight into Sammy’s life before the studio! Joey mentions he had already seen Sammy prior to their meeting at Chapter 6′s opening night party.

"I hadn’t realized right away when I met him properly on the eve of my thirtieth birthday that I’d seen him before. Only in that first conversation was it revealed he’d worked for the Grand Cinema as a teenager. I remembered him then easily. I’d been so impressed by the quality of the music that I’d hardly noticed the film.”

Sammy had already been working in the film industry before taking up Joey’s job offer-- looks like his job was to play live music scores to accompany film visuals.

“The music he (Sammy) made felt effortless but what was just as striking was his focus. The way he stared at the screen before him, watching the film as keenly as any of us in the audience.”

"It was an incredible show and I remember the audience applauding at the end of the film, which didn’t happen all the time.”

Not only was Sammy skilled at his job, but it looks like he had a deep predilection for cinema. I wonder how things would’ve turned out for him if he’d continued his path in the film industry.

Personality (oh boy)

Pre-ink

All the information prior to TIOL (audio tapes, DCTL, etc.) point to Sammy being adherent to a specific archetype: the tortured artist. He’s artistic, sensitive, and immensely talented-- however, he’s also irritable and blunt. (“I just hope nobody tells Sammy. Because if he finds out I lost my keys again, I’m out of here!”)

Luckily, TIOL adds more nuance to his characterization! Before becoming affected by the living ink of the studio, it seems that Sammy was fairly quiet and very much introverted.

“’Sammy!’ called out one of the supporting actors in a low baritone. The man at the piano shook his head. He seemed annoyed. I thought it was funny, I didn’t realize that it wasn’t an act. That Sammy was not a fan of attention and definitely didn’t like putting on a show like this.”

When conversing with Joey, he speaks in a curt, brief manner, never bothering with hollow pleasantries. He’s not one to sugarcoat his questions, consequently offending one very ego-driven Mr. Joey Drew. (He only gets away with it since Joey is so enamored with the idea of hiring him, but we’ll expand on that later.)

“”I’d like to talk to you two,” I said, smiling as warmly as I could. I wanted them to know I was a friend. But of course Sammy just stared back at me. “About what?” he asked curtly.”

“Sammy reluctantly nodded. I had no idea then why he was making such a fuss, honestly still don’t know to this day what makes him a grouch, but if being a grouch means beautiful music, I have no problem with that, I’ll tell you.”

““Joey Drew, owner of Joey Drew Studios,” I replied. “And what’s a Joey Drew Studios?” asked Sammy, lighting a cigarette from the darkness by the stone wall at the edge of the terrace. Yes, he said it in that dismissive tone. I didn’t understand why he needed to talk to me like that. I didn’t respect it. I was starting to doubt my own judgment. Did I really want to offer the opportunity of a lifetime to someone so extreme in their indifference?” (Side note: “What’s a Joey Drew Studios” absolutely knocked me out. Joey being incredibly offended about it didn’t help.)

““That was me, I remember you now. You are quite the talent,” I replied. “I know,” he said.”

Being a man of (very) few words, it seems that Sammy doesn’t express his thoughts much, either. Oftentimes, he’ll simply drift off in the middle of a conversation to ponder something with no additional context given. (Essentially, he just throws things out there and expect people to understand exactly where he’s coming from)

““Joey Drew Studios,” he said again, mulling it over. “So like film?” I nodded. “Sure, like that,” I replied. ... “You like movies,” he said, nodding back. Was he imitating me now? “I do.””

““Can we watch a movie?” asked Sammy. “A movie?” Sammy always had and still does have a way of surprising you with what he’ll say or do next."

What Sammy doesn’t say with words, he conveys with the occasional bemused facial expression. Joey finds this especially fascinating, often scrutinizing him closely in an attempt to figure him out. I imagine he treats it as some kind of game.

“Jack was duly impressed, Sammy was unreadable. Typical Sammy.”

““Why do I know you?” he asked then. He was looking at me carefully now. Not in the same suspicious manner. He was truly trying to figure out the answer to his question.”

“Jack on the other hand seemed to love it. “You can feel the creativity!” he said. Sammy said nothing, of course."

“Jack looked at Sammy, then back at me with an expression of “I have no idea what he’s thinking.”"

In fact, Joey has an incredibly unhealthy obsession with trying to read Sammy which begot this... fascinating passage:

“He (Sammy) leaned back on both elbows on the stone wall. Beneath him Fifth Avenue roared and certain death would come to anyone who toppled over the edge down onto it. The man definitely had confidence in that wall. I had a sudden urge to give him a shove. Not push him over, but just to see his reaction. This might sound strange, but I needed to see a human moment from him, I needed to see the man he was hiding from me.”

A mysterious guy for sure.

As if his lack of willingness to verbally communicate wasn’t difficult enough, Sammy is shown to be very, very stubborn and demanding. (Artists, am I right?)

When asked to work for Joey, he first demands that he receives a tour around the studio. Before Joey can even start to schedule a date, Sammy pulls a Sammy:

““How do I know it’s real?” Sammy asked. “Oh it’s real,” I replied. Sammy stepped toward me out of the dark ... “Show me.” I nodded. “Of course, let’s schedule a tour for some time this week,” I said. ... “No,” he said, inching toward me. “Now.” “Now?” “Now.”” (Now I know for one that Joey’s heart DEFINITELY skipped a beat there)

Upon visiting the studio, Sammy kindly (?!) gives his unsolicited input on a group of characters he’s never seen before:

““Do you have other characters?” asked Sammy, not turning around. “A wolf,” I replied. “Boris,” I added. “Good name!” said Jack, turning in his seat and grinning at me. “You need a girl,” said Sammy.” (No maidens???)

Thanks, buddy.

Finally, Joey manages to win him over, to which newly hired Sammy Lawrence responds:

“Finally Sammy spoke again. “I want full creative control over my department. I want to hire my own people. And if the money isn’t good, I’m not signing the contract.” ... “Ol’ Sammy, a man who knows his own mind,” said Jack with a laugh."

It’s a very bold move to speak to your boss like this, but I fully support it. It’s no secret that Sammy is very talented and fully aware of this fact-- I’m very glad he knows his worth :) (Although signing that contract did lead to him becoming a cultist stuck in a time loop)

Post-Ink (I’ll likely touch on his post-ink self and descent into insanity on another post once I find my copy of DCTL!)

That’s all I have the energy for now, but there is one more thing I’d like to touch on: Norman.

Unfortunately, there is no mention (that I know of) of Norman in TIOL. Perhaps this is because he was hired later on, partly thanks to our very own Sammy Lawrence :)

“Sammy looked around the room. “I’ll need a projector,” he said. “A projector?” I asked. He nodded. “To play with the movie.” Of course, I realized then. Of course. That was what he did best, improvise as the movie played. “Yes! A projector booth, of course, that will be our top priority.” I added it to the mental list I’d started months ago.”

Looks like Sammy was indirectly responsible for the projection booth in the music department! I love the unexpected eye for detail he has when it comes to the video side of the production process. His enthusiasm shows in his insistence on watching the films he plays to, which I find very sweet.

I’ll probably follow this up with posts about Sammy’s in-studio relationships and one focused on his post-ink ‘prophet’ self. Thanks for sticking around for so long!

As for my final thoughts on Sammy, Joey says it best: “I’d never trade Sammy Lawrence for anything.”

#sammy lawrence #bendy and the ink machine #batim #bendy and the dark revival #batdr #joey drew #jack fain #norman polk #text #the illusion of living #tiol

1K notes · View notes