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#bell rants
5bells · 7 months
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i wanna talk about amber and illuminata's event, yk the one... just wanna complain about it bc i was thinking about it and it hurt 13 y/o me so much so i gotta yell it into the void for lil me
so at the start of the event illuminata comments how she think the lake is missing something and lets it go. later, flowers are missing from her shop and goes on to look for the culprit in one of her detectively-rampages. fast foward and she meets amber, her roommate? person she looks after? still a bit unsure how you could label them but they are friends
(im omiting screenshots for the sake of getting it down to 10...)
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illuminata, who is always outspoken and loud just pauses here dry... and that just added to the horror of it all to me...
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horrible
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and slaps her???????????
she asks amber where she got the flowers and yeah, she had taken them from the store
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GREAT! hit someone before you explain anything? normal behavior, she clearly didnt do it with malice, maybe you can fucking talk about this
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she tells her to shut up before her command and authority then xiao pai comes along and asks illuminata to let amber explain herself
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yeah and what about the moment you just told her to shut up just now two seconds ago maybe. i think you got your order of events wrong. so you slap her, then scold her, then ask her why she did it? fantastic. all for the loss of some fucking flowers.
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amber explains she wanted to make her happy because she had said the lake was missing something and apologizes!!! amber!! i think her hitting you is worse than some flowers getting planted!!! illuminata says Apology Accepted AND DOESNT APOLOGIZE FOR HITTING HER. OK.
the event ends with them hugging. amber stops crying when illuminata asks xiao pai and frey/lest to get seeds to plant bc if amber does it she gets hit, but if its her then its okay!
so thats why i hate this fucking event and illuminata. even if the flowers are important this is no way to treat anyone. what fucks me up the most is that you just know that if it had been someone else that did this she wouldnt have hit them, she is imposing authority over her and that makes me sick. why do you need authority over her when she does not disrespect you, when the crime could have beem spoken through. LIKE IT WAS AFTER YOU SLAPPED HER, slapping her didnt add anything to this aside from makimg her cry and if thats what she wanted thats just cruel. She never apologizes for this either
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that-ari-blogger · 6 months
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Critical Role's Cameraman
So, Critical Role (@criticalrole) just released their newest opening title sequence, an animated sequence in the same style of Your Turn To Roll and I would be remis as a film nerd to not pick apart every detail.
What fascinates me about this introduction, however, is the camera movement and shot composition. Allow me to explain.
I DONT THINK THERE ARE SPOILERS AHEAD, BUT JUST TO BE SAFE
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So, we open with a hand, this is a close up, I don't think that is unobvious.
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But this stops being a close up rather quickly, before it starts moving away. The shot just gives the hand context, and suddenly you aren't in an extreme close up of a hand, you are in a medium shot of a very large person. Then the camera pans backwards, and you can see villains and places spring up, although the perspective on Matt remains weird. Is he a few metres from you, or a hundred? How big is the Game Master here? There's a sense of mystery, of incomprehension. This is setting up some cosmic horror shenaniganry.
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Then, we get Fearne. This is a wide camera motion, swivelling around her in a tracking shot that focuses on her face, and those eyes. It is like a reverse panorama, where Fearne is taking in the world, the world is observing Fearne.
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But I want you to take note of the leaves here, because they are used to form a connection between her and Orym. The transition uses them, while it isn't a direct wipe transition (the leaf just flies close to mask an abrupt cut), it is framed as one. The name of that isn't important, though, what's important is the leaves. By being in both shots, they emphasise the relationship between the two characters. But where for Fearn they show off her sense of wonder, for Orym, they take on a very different meaning.
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Notice, however, how still this shot is. There is no sense of danger here. This is a scene of a warrior with a sword and two people passing on from this world. But it's calm. Because this is a memory. Orym might not be at peace with the death, but the memory isn't a violent one, it's a memory of his family's lives.
Cut to a close up. Orym creates a gust of wind.
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And cut to the next shot.
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I will not lie, Bertrand is my favourite character across all of Critical Role, so this shot of him made me smile, but it isn't the point here. The point is Imogen's introduction.
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Although is Bertrand not actually the point? Because take a look at how Imogen is shown here. Do you notice anything?
She's shown in the exact same way. Imogen is shown doing the exact same thing that those who have died have done. And she can see them ahead of her. The camera panning back shows a wider perspective here, showing her as she tries to run, tries to get away from the same path as Bertrand.
The wind from Orym's blade that came to this scene gets across a consistent element: Memory. This is a dream. But dreams can become nightmares.
As Imogen loses her footing, the camera gives some of its wildest movements yet. It tumbles around her, then looks up.
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The camera stops moving when it sees the red moon, because now the viewer has something to orientate themselves around. There is a constant point, and we can see Imogen falling down. And getting closer, and closer, and closer, until.
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These are the three frames in order, there is nothing in between.
Imogen crashes into the screen, and we get an abrupt impact frame (that's the black and white one) then Ashton. This is so cool to watch, in my opinion, but it is quite possibly the opposite of smooth in camera work. So why is it so cool? Motion.
The motion is in towards Imogen and out away from Ashton. They are both falling, just in different directions. And the impact frame both helps smooth over and accentuate the abrupt transition.
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The camera around Ashton is a tracking shot. They are falling, but they remain the exact same in the screen (shrinking slightly). The rest of the world moves. And when Ashton lands, the screen cracks. The tracking shot is used to show Ashton's disassociation with their surroundings. Not in a "I feel nothing" type of way, but in a "it's me vs the world" type of way.
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Then, there is an abrupt cut away. Nothing hides or smooths this at all, because Ashton's memory isn't smooth, and neither is Ashton. Remember the disassociating thing I mentioned, now it changes again to someone who gets lost in his thoughts. Medium.com calls this an "anxiety stare" and as someone who does that on the regular, I can attest to this abruptness being exactly what that feels like.
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I'm not going to talk too much about the ship, but just be aware that there is a Dutch angle (the horison is diagonal) here to heighten the stress of it.
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Likewise with this shot, there isn't much to talk about. The slow outward zoom and triangular composition are neat, and the tiered reactions (bottom row reacts, then middle, then Fearne) are amusing, but other than that, not much.
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Then we meet Laudna, playing with Pate and giving him life. That's a neat little shot, I wonder if there's a metaphor there.
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Oh.
This is a super cool visual because it establishes exactly who this character is in two seconds. But I also want to point out the symmetry of this. The hair becomes the blood which becomes the hair again, and then the tree.
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Laudna is introduced as big and scary and imposing, and that is very intentionally undercut by making her look small.
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Being small means you are less likely to be the focal character, so shrinking Laudna takes away her agency. Only to give it back through Imogen, and when the camera pans back outwards, Laudna is the same size, but the colours and the surroundings make her feel less alone, and as a weird result of that, less small.
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And last but not least in this moment, there is the delayed drop of the hands. Laudna finally feels safe and finally breathes a sigh of relief.
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That, however, imediately match cuts to this. FCG's vision. The red tinting has obvious implications that I don't need to explain, but the match cut heavily implies a connection between this group and the Bells Hells. There is a fear that this might happen again made clear by a single transition.
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Here's something else. FCG doesn't move. At least, the camera doesn't treat them as moving. It's a slow panning out as if nothing is happening. It's the disassociation vibe that you get from Ashton's falling shots now repurposed to someone who isn't in control of their own actions. This is what FCG is afraid of, this is the important pieces of his character. This is FCG.
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And just like Laudna, FCG finally gains agency when surrounded by their friends who hug them, and FCG finally moves.
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Chetney Pock O'Pea, outlaw of the RTA, alpha of his own heart. A fundamentally chaotic character who takes rules as suggestions to be intentionally ignored. A man who's first instinct upon meeting you is to consider how you could be killed. And he is introduced whittling, with a steady camera and warm light illuminating his face. This is a peaceful side of Chetney, there is a duality to him.
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Speaking of which, notice how Chetney draws back from the light as he transforms. His eyes begin to glow, but they don't illuminate him, until this:
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Chetney is now backlit by the cold light of the moon itself (There's a neat reveal of Ruidus caused by the pan, but that's only tangentially relevant). Notice how much further you are from him here than in his first shot. But notice how much of him is visible, and how much of the screen he takes up. It's the same, this is still the same character. It's a true Doctor Jeckyl and Mr Hyde character. This isn't split personality, but a character who can be a different person in each form, while still remaining Chetney at all times.
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There is more in this video. I encourage you to watch it, but unfortunately, Tumblr has a limit on how many images I can include, so I will leave you with this final shot. A group of heroes looking up at a threat that is so much bigger than them, a threat that is literally controlling the light. But the Bells Hells are closer to the camera, they take up more of the screen. The battle isn't lost, instead, it is just starting.
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miraculousbohemian · 4 months
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i'm so fucking tired of heteros ffs GIVE ME PEGGYNAT
also natasha in this entire episode is just *gay yearning* for a certain Brit
Melina just goes slipping shit like "ah go for her left knee she fucked it up in third grade" LIKE MA'AM.
WANDA?! WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA WANDA
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royalarchivist · 1 month
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[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
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[ Transcript continued ↓ ]*
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
#Pactw#QSMP#Pac#March 18 2024#As much as I love keeping people updated about Pac / the other Portuguese-speaking creators#I think I might not make as many transcribed posts for their clips anymore#I just don't think I'm qualified enough to be transcribing things for a language I don't know#like yeah we have the Qlobal Translator and Aypierre's translators to rely on#And I'm always upfront when I'm not 100% sure about a translation#but I've been thinking about it a lot and it kinda makes me feel a bit icky. Idk.#I might be overthinking this but I just I don't want to spread around translations I'm not super confident about#esp. since I know a lot of people cite my clips in analysis posts or link them to other people as resources#and 90% of the time I'm like ''Hell yeah I love seeing people getting a lot of use out of the archive''#but sometimes I get a bit anxious like ''Did I do a good enough job translating this''#''Am I ruining someone's entire perception of a conversation or character because I left one word out or mistranslated something?''#And like I said that's normally not a HUGE concern since if I'm not certain about a translation I just won't post a clip. but you know#idk it might just be the anxiety talking but I really really don't want to spread bad info#Happy to hear other folks' perspective#I'm really grateful for people like Bell and Pix and others who translate clips and I always try to reblog those#but we don't have a ton of people posting clips & translating things on Tumblr since we're so English-centric#which is part of the reason WHY I like sharing clips of the non-English-speaking CCs#but at the same time I want to do an accurate job representing what they're saying#Maybe I'll just start posting things and give a TLDR context of what they're talking about but not a transcript#that way native-speakers can hop in and add translations if that's something they're comfortable doing#and if not then well. at least I'm not sharing something that isn't super accurate#idk I'm just thinking out loud a bit in the tags#But I'm open to hearing other people's thoughts on the matter#Anyways giant rant aside. q!Pac is NOT doing ok rn
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liamthemailman · 3 months
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Flowers from the cold war
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and a Bell
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Russell Adler as requested by @rekakamado and extra
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fllnordr · 4 months
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I would really love for the rdr community as a whole to stop trying, (and failing), to defend Dutch, and shift the blame entirely onto Micah. Red Dead Redemption and Red Dead Redemption II are both beautiful and well thought out games both in the gameplay and the storytelling. But I think a lot of people simply ignore those things, hence my long rant of a post.
TLDR: I think Micah was intentionally written to be one dimensional, and Dutch was manipulative from the start. Arthur is just a unreliable narrator.
We play through Arthur's eyes and see/believe what he does. We can see Arthur's loyalty blinds him (and by extension, us) to Dutch's behavior. I would know peace if some folks to took a media literacy class. Red Dead one & two are shining example of the bias in an unreliable narrator. Video games are not exempt from literary tools because you control part of the story. That control is limited to the actions of your bias protagonist, in this case John and Arthur.
The same applies to Micah. Arthur never trusts Micah from day one, and so we as the player don’t trust him either. It would be incredibly lazy on Rockstar’s behalf to created as one dimensional of a character as Micah. But the thing is, Arthur views him that way, a no good money-hungry thief from the start. Arthur is able to see through him, but he is blind to Dutch’s similar behavior because of his loyalty. It’s an incredibly smart tool to use in video games. Once you replay the game without the blinders on of your first playthrough, you’re able to see that Dutch has behaved the very same ways from Chapter One, all the way through Chapter Six. The only difference is that Arthur (and we the player) is slowly becoming aware of the patterns for the first time.
Now, for the blatant mischaracterization of Dutch entirely. To blame everything on Micah diminishes Dutch’s character to such an extent it completely disregards the decades long manipulation he inflicted on the gang, that is very real and very obvious. I won’t get into the way each individual character’s behavior was effected by this, but I will speak about Arthur and John briefly.
Dutch takes in people that are vulnerable and that he knows he can manipulate for his own gain. Children included. Multiple children, in fact. He always has a plan, not to keep folks safe, but to keep everyone comfortably under his thumb. It was always, "Are you with me, or against me" from the beginning. Everyone was either a means to his end, or they were worthless. The second someone did not agree, it was a betrayal, and an attack. I don't doubt he did some things out of kindness, but there's always ulterior motives. Dutch is nothing but a man of pretty words that hide his manipulation.
Dutch maintains an air of grandiosity amongst the gang. He obviously holds the belief that he is above them in all ways. He believes he is their leader because he is simply better than the rest of them. He’s smarter. He’s this god-like figure in his mind. He’s their savior. Hence his distaste for any doubt, or even being challenged.
Lenny and the conversation he has with Dutch about Evelyn Miller for example. Lenny indirectly call’s Dutch’s empty words out and points out that both Miller (Dutch’s idol) and Dutch himself hide behind their flowery words and phrases. Or Arthur and Hosea voicing their concern about robbing Leviticus Cornwall, it’s seen as a betrayal. Or when Uncle pokes fun at Dutch in camp and Dutch says to him, “I would really like to kill you right now.” Dutch may not be entirely self aware, but any attack at him does dig at him for a reason. And this is all from chapter two! There has always been a pattern.
Dutch says he "saved" them. He saved Bill, and John, and Arthur and Lenny and Javier. He saved all of them, and he is above all of them. Dutch sees people as nothing more as tools to meet his goals. There are instances where he does seem to genuinely care, but the ulterior motive is always there.
Dutch and Micah were written with the idea that we see the story through Arthur’s eyes. Arthur is blinded by his decades long to loyalty to Dutch and slowly coming to the realization of the truth. Micah is incredibly one dimensional cause Arthur sees through him and views him as a rat from the start. The truth of the story can be seen through repeated playthroughs. Dutch’s paranoia from the start, questioning Arthur’s loyalty from Colter. Micah sniffing around about the Blackwater money from the beginning. Arthur’s journal entries about the his biased version of the truth. Media literacy is necessary even in video games. God.
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tending-the-hearth · 11 months
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nerds (affectionate)
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mixedup-sideblog · 22 days
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41 letters…what the fuck.
The charges listed against Peck:
- SA of a person under 16.
- SA by foreign object.
- SA oral.
- SA with use of anaesthesia or controlled substance.
- Using a minor for SA.
- Sending harmful matter.
Drake Bell was sexually tortured by this man when he was only 15 years old and 41 pieces of shit wrote this kind of crap in support of his abuser….
James Marsden:
“I do intend to shed light on the fact that he has learnt his lesson…the earth would fall from the sky before Brian would think about doing something like this again.”
- ahh don’t worry everyone, James is pretty sure he would never drug and r*pe a child again so let’s just let him off on this one!
Taran Killam:
“Brian is fully aware of his misjudgement and takes full responsibility.”
- poor old Brian making that minor misjudgement when he decided to prey on a child, turn him against his father, against his family, isolate him and groom him then repeatedly SA him. Don’t worry he’s stepping up and taking full responsibility!
Joanna Kerns:
“There must have been some extreme situation or temptation exerted upon him.” and “ I would hire him today to work with children.” And "a good man that made a mistake, not a bad man who got caught."
- see that’s all it was poor Brian could not resist the extreme temptation, of course blame the 15 year old victim not the fucking adult, it’s always the same bullshit from these people I swear.
Ron Melendez:
“I also know the young man…I have met his family, seen his behaviour…I saw him pursue a friendship with Brian, maintain their close ties…Brian made a large mistake but it was not his alone.”
- surprise, more victim blaming, more trivialising. A mistake is forgetting to lock your door or putting salt in your tea instead of sugar…repeatedly r*ping a child is not a fucking mistake - it’s a fucking crime!
Tom DeSanto:
“Brian is ashamed and remorseful about his lapse in judgment.” and “ I met Drake…he seemed very fearful of his father and unable to communicate with him whatever sexual issues he was going through”
- again - broken record here but r*ping a child is not a bloody lapse in judgment! And again - victim blaming and suggesting his family were at fault!
Will Freddie:
“I can only reiterate how devastated Brian is and how these past events have forever changed him.”
- well thank god Brian is so devastated that he got caught - poor thing. The threat of prison probably has ‘forever changed him’ but I’m sure his inability to stop himself from SAing kids has done far more significant damage to his victims (and yes I believe he has more than Drake).
Kimmy Robertson:
“An outrageous, overtly gay, over-sexed person…he totally took advantage of Brian’s willingness to help.”
- the amount of victim blaming in these letters, particularly this one, is just astounding. The 15 year old boy took advantage of the 40 something year old man? Do you really truly believe that Kimmy? I’ll say it again for the billionth time - What. The. Fuck.
And this is just the snippet, there are 34 more letters - all I’m sure are variations of the above examples. The fact that we live in a world where these people not only do and get away with this shit all the time but also are supported so wholeheartedly when they’re exposed for doing it, is quite frankly terrifying.
I do not accept - we did not know the extent of what we were defending as an excuse here. You knew the charges it’s even clear in the letters themselves - you know it’s about the SA of a child (a child some of you even knew personally), you decided to disregard them, defend them or downplay them. You are only coming out now with weak-ass apologies because you have to - in reality you never thought those letters would see the light of day outside the court room.
I’m sorry but the amount of victim blaming, trivialising and excusing here is just more proof to be added to the huge pile of evidence that Hollywood is a cesspit, it does not care about victims, it does not care about children.
If anyone is still in doubt about the amount of systemic CSA in Hollywood please go and watch An Open Secret (whole thing is on YouTube)- a movie that they desperately tried to bury but is just as hard hitting as ‘Quiet on Set.’
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mayzi33 · 5 months
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Random thought of something I find quite unfair. Everyone knows Sonic and Tails are best pals right? Right. But here's the thing. Sonic, and pretty much almost everyone else in the franchise has many different relationships. For starters, Sonic is literally the main character, so he has a relantioship with pretty much everyone. Knuckles, for example, is really close to Sonic, Tails and Amy, but he has other relantioships outside that, like with the Chaotix and Rouge. Amy is another one that befriends everyone easily, like Cream, Silver, Blaze, Shadow and heck even Surge now in IDW.
But what about Tails?
I've seen many people complain already that despite Tails being ridiculously close to Knuckles and Amy, we don't get to see him interact much with either of them without Sonic being around (except for Frontiers, which I'm very greatful for). We don't see having any strong bonds with everyone besides Sonic, and yes, I know that they're called "Unbreakle Bond" for a reason, but come on, everyone else gets to have a million of close friends, why does Tails have to exclusive to Sonic?
The only really close relationships we've seen Tails form besides him and maybe Knuckles and Amy are with Cosmo and Chunck on Sonic X. But it isn't even canon in some time-lines. Some might say Charmy or Cream, because they're the "kid trio", and as much as I like that idea come on, is there any comic or canon Sonic content really featuring this trio alone? And then there's IDW, where he finally gets a nemesis for HIM, Kitsunami, yet we got like- 5 interactions of them or something. He's also kinda close to Tangle and Belle, and you can even take like, Barry from TMOSTH, but the fandom doesn't even give much attetion to that. It's SO HARD to find comics, fanarts, fanfics and just overall content of Tails with someone else who isn't Sonic, (at least from what I've seen on Tumblr) while for everyone else it can be easy.
Anyways my point is... GIVE. US. MORE. TAILS. INTERACTIONS. WITH. OTHER. CHARACTERS. Thank you so much.
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arthursfuckinghat · 2 months
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I think a lot of people forget why a character like Micah exists - aside from aiding the plot.
Micah is a guide (of sorts) for you to see what a "bad man" really is, to help you understand why Arthur does what he does and to show you that there's actual thought and morals behind his actions.
Micah, on the other hand, kills because he wants to and for stupid reasons. He is a malicious, mocking, hurtful, and sadistic man who cares very little for anybody but himself. He's a misogynist, racist, and frankly irredeemably evil.
As much as Micah was able to manipulate Dutch, Arthur could see right through him. Ultimately causing a rift between Dutch and Arthur, which is exactly what Micah wanted.
Micah was made for you to see the differences between "good" and "bad" people.
Characters like Sean, Lenny, Charles, all "good" people who have done "bad" just like the rest of the gang, including Arthur. I think the reason that people are quick to say that Arthur was "a bad person until he got tb" is because we see his experiences first hand (plus player choices) and not much of the other "good" gang members' "bad" actions. That and his motives and his background is sometimes misunderstood by players.
Arthur is a "good man", "a saint", "an angel", "a blessing" to some and a "bad", "evil", "cruel" man to others.
Playing as Arthur means getting to understand his internal conflicts and his desire to be a better person, something Micah had no intentions of being.
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blazethecheeto · 6 months
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is this a good time to bring up that loki: where mischief lies basically has the plot of loki being in a love triangle between a trickster enchantress that's toxic for him and wants to cause chaos and a human man in a strange society that's made him a better person and it shows him being genderfluid and bi and has all the themes the season 2 finale led up to including the angstiest ending that made me cry?
it has him saying this, canonically:
“do you have a preference between men or women”
“i'm perfectly comfortable as either”
it's basically the show, but like, if they made it as queer as it should have been.
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5bells · 7 months
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bellamer · 11 months
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Me when I track down everyone who's even made a slightly anti black comment about Hobie's Spiderverse design:
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robinfollies · 5 months
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belle i doodled last night! 🧡 love her sm
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mrswarnerxo · 14 days
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i just realized how good my music taste is. LIKE HELOLOO?? I LISTEN TO CHASE ATLANTIC?? LANA DEL REY?? (i dont support her i just like her music) THE WEEKEND???? ARI ABDUL?? ISABEL LAROSA??? HEARTBEAT BY CHILDISH GAMBINO???
erm idk guys but i MIGHT love my music taste
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Okay I know we all make jokes about the radiation line in Suburbia Overture / Greetings from Mary Bell Township! / (Vampire) Culture / Love Me, Normally but its actually one of my favourite because it makes sense with the whole fitting in, trying to be normal in a suburban setting because of nuclear families (could also be toxic families, like what genius.com says but idk they could both be right) but anyway love this song 10/10 great lyric as well mr wood and remember its only culture and its more afraid of you than you are of it
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