Tumgik
#being insane...............
catmask · 6 months
Text
when u go to write a mentally ill person in ur story you are presented two options. the first option is to write your mental illness realistically as you actually experience it with all the ups and downs and people who are like you will resonate with it and feel seen. except every person who reads instagram infographics on mental health that uses the phrase narcicisst for anyone who does anything that crosses them and unironically call themself a dark empath will call you scary and tell you that youre demonizing mentally ill people
the second option is to lie and write inspiration porn for those people to get hard to
52K notes · View notes
lungthief · 9 months
Text
listen. i know it's not 2014 anymore and i know it's just a throwaway line and that the russo brothers didnt intend for marvel action blockbuster captain america the winter soldier to become the tragic gay love story that never was but man. having steve say "it's kind of hard to find someone with shared life experience" in a conversation about romantic relationships right before the bucky reveal is so cruel. it's not just about steve and bucky obviously having the shared experience of being "out of time," it's the fact that they've both been stripped of their humanity in opposite directions. steve is a legend, he is an american hero and a national icon before he is a human being the same way that bucky is a weapon and a killing machine before he is a human being. steve knows that anyone who falls in love with him in the 21st century fell in love with captain america first, and that's just not him. but then the one person who knew him first and knew him best and loved him (not captain america, that little guy from brooklyn) so much he died for it is alive, impossibly. and it's a miracle because he's back and it's horrific because he's back under the worst possible circumstances. but to steve, the winter soldier is worth tearing the world apart for because he's always been bucky first. they find each other and suddenly they're human again. and maybe, despite it all, being "out of time" becomes a blessing, because in this century they'd finally be allowed to love each other the way they've always wanted to. like real people do.
like. no. the captain america trilogy isn't about two queer men traumatized and alienated by war and modern life rediscovering and reclaiming their humanity through their love for each other. but. i mean. it couldve been
24K notes · View notes
stuckinapril · 3 months
Text
noticed a dip in posts about palestine on my dash, so i think it deserves to be said again: palestine is not a trend. caring about genocide is not a trend. there are still reports about humanitarian aid trucks intentionally blocked off from gaza, meaning so many fucking gazans, a big portion of them children, are just bleeding out with no help. it just came out recently that israelis disguised as women and medics infiltrated a west bank hospital, at which point they killed 3 palestinians (whom they claim were militants. right). these people are living day to day without even the most basic utilities. anyone who claims to have “activism fatigue” needs to question why they’re so severely lacking in the most basic forms of compassion. you don’t get to just grow bored of talking about palestine. please never stop calling attention to the genocide happening full force in front of us.
13K notes · View notes
that-dumb-dinosaur · 7 months
Text
Tumblr media Tumblr media
look me in the eye and tell me this isn't one of the coolest shots in any star wars tv episode. and don't even get me started on when his voice overlapped with Vader's-
12K notes · View notes
seagiri · 7 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
drawpile with the gang
Tumblr media Tumblr media
i think the three of them should kiss
4K notes · View notes
arabella-s-arts · 2 months
Text
Scenes/Things in Supernatural that genuinely don't make sense to me if Dean was straight:
The confession booth scene.
Sam just rolling with the fact that Dean's siren is a guy while still thinking sirens infect people through sex.
Dean being flustered by several men: Gunner Lawless, Aaron, Doctor Sexy, etc.
All the parallels between Destiel and other couples. (A big one being "last night on Earth" bc how do you do that accidentally.)
Having all the gay jokes be on Dean instead of Sam.
Paralleling Sam meeting his childhood celebrity crush with Dean meeting Gunner Lawless.
The boner Dean got when Cas cleaned up.
Dean gulping after Cas does an impression from a Western movie.
Charlie, a lesbian, calling Castiel "dreamy."
The way Mary looks at Dean and Cas when they hug.
Dean wondering why everyone assumes he's gay, while Sam not caring.
The logic that Charlie can't flirt with guys because she's only attracted to women, but then having Dean flirt with the guy for her.
Dean seeming disappointed when learning that Aaron's flirting was fake.
The amount of time Dean and Cas spend staring at each other.
Dean canonically having an orgy with Crowley.
A woman saying that she knows when someone's pining for someone else to Dean, just for us to learn that Dean was never in love with Amara.
The set design and script choices that lead to a cross in the background while Dean said "I do." to Cas after he came back to life.
4K notes · View notes
stoopidstapler · 9 months
Text
Tumblr media
SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.
10K notes · View notes
birthclod · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
42K notes · View notes
whetstonefires · 11 months
Text
You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
15K notes · View notes
visenyaism · 4 months
Text
Tumblr media
an OUNCE of fucking decorum wyll?????
7K notes · View notes
haley-lana · 27 days
Text
Tumblr media
duolingo. WHAT THE FUCK
3K notes · View notes
candlebel · 3 months
Text
Tumblr media
Amo al robopayaso. xd
4K notes · View notes
guinevereslancelot · 1 year
Text
first base is wound tending second base is hand touching
37K notes · View notes
Text
IMPORTANT: TUMBLR HAS MADE A DEAL WITH MIDJOURNEY/OPENAI.
YOUR ART AND IMAGES ON TUMBLR ARE BEING USED TO TRAIN AI MODELS.
The opt-in is automatic, but you can turn it off in settings.
Go to "Blog Settings" -> "Visibility" -> "Third-Party Sharing" and turn on "Prevent third-party sharing for [blog]". (This post shows how to do it on browser and on mobile.) You need to do this with every sideblog. (Note: The option in settings might not appear if your app hasn't updated yet. You can still opt out via browser.)
Spread the word. Everyone on Tumblr needs to know about this.
5K notes · View notes
dogin8 · 1 year
Text
Tumblr media Tumblr media
39K notes · View notes
cherrybeetle · 5 months
Text
I need you all to understand how insane it is that Mizu literally almost dying and being overpowered by hundreds of men is placed adjacent to when she let herself be intimate with the man who would eventually betray her. The way those scenes were cut was intentional in the way that yeah, Mizu was just reminiscing of her old life in how she became the ‘monster’ she thinks she is, but it’s also how it implies that IT FELT THE SAME TO HER. Being vulnerable has ALWAYS led to life or death ultimatums, so much so that now she associates them all together. Revenge or love, what’s the difference? Are they not the same? She doesn’t have the luxury of allowing herself that intimacy, because the love has always been tainted by betrayal and that betrayal has always led to bloodshed; her or them.
4K notes · View notes