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#because uhhh why not
intotheelliwoods · 20 days
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Can someone please hold my hand and explain to me how I am supposed to draw them in nice outfits when I give them hump backs larger than camels
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captainkirkk · 1 year
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Everytime Batman and Red Hood see each other they end up shouting across the streets of Gotham emotional shit like JUST COME HOME SON and YOU'RE NOT IN CHARGE OF ME ANYMORE OLD MAN and it's just Not Subtle in the slightest
No one knows that Jason is an ex Robin so everyone comes to the very logical conclusion that the Red Hood is Batman's rebellious blood son that ran away from home to pursue a life of crime and they're not even fucking wrong
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scificrows · 8 months
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
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Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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tariah23 · 1 month
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One of the main reasons why I used to avoid Isekai’s, and fantasy works in general, like the plague is because of how over saturated they’d become with things that didn’t feel like they even belonged to the genre to begin with… it’s not too hard to find works that stand out but so much of those works have been pushed down and forgotten, it just sucks.
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The lone horseman and his noble steed Rosa have reached yet another town in need of help - Where will our heroes end up this week?
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pinkplatiploo · 6 months
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Idk they fell asleep watching TV or something but them bonding makes me happy
Image description: mixed traditional and digital art of Mabel and Ford from Gravity Falls. They're lying asleep in a sofa with dim lighting, and Mabel is curled up on Ford's chest, under a blanket. End description.
Edit: thank you @anistarrose for the id text :)
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lazycranberrydoodles · 10 months
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happy pride to them
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tvguts · 8 months
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really enjoyed Adam Conover's Defunctland interview and thought the animated 'sona was a cute idea to retain anonymity but honestly like. c'mon, man. give my man Kevin a proper Disney Adult fit instead of just a pair of mickey mouse pants
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spectrum-spectre · 11 days
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my brain is fucking Vibrating rn
YET ANOTHER STEDDIE AU IDEA!!!!!!!
There's this tv show called Chuck, right? Awkward nerdy dude (Eddie) working at an off-brand Best Buy with his even lamer, nerdier best friend (let's say Dustin). Eddie accidentally gets a super computer installed into his brain and suddenly knows a bunch of top secret government information (and is now the only person on the planet with access to said info, making him a liability asset). Super cool and drop-dead gorgeous CIA agent Steve Harrington is tasked with working alongside gruff, seasoned war veteran/FBI agent Jim Hopper to protect the asset.
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millennium-queen · 9 months
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No because I was so surprised at the amount of people who think Peeta would have pressured Katniss into having kids. Like did they not understand his character at all?? If anything the MOST he would have done is ask her over the years of she felt she was ready, and then backed off when she said no. It's more likely that Katniss could tell that he pined for children by watching him interact with the kids in the district, and others (possibly Haymitch) brought the topic up with her. But Peeta forcing her or guiltily her into it? Never!
HONESTLY!! HONESTLY!!
My personal headcannon is maybe a little controversial lmaoo but I actually think that Peeta wouldn’t be in a rush to have a baby post MJ anyway?
Just like how Katniss has her reservations about having kids because of the trauma that the games inflicted on every aspect of her life, (along with a very disjointed relationship with her own mother) Peeta has his own host of things to work through before I think he’d be ready enough to admit he wants to start a family.
Once he does tho I think he’d only bring it up the once, see she wasn’t on the same page, and then he’d leave it because hey!! he never even dreamed they’d get to where they are now!! Safe!! And in love!! He doesn’t need kids to be happy he just needs her!!
So in my head it’s Katniss who starts the first real conversation about having kids once she sees just how sweet and kind he is to the little ones coming into the bakery with their parents and even then I think he’d probably drive her insane just double and triple checking that she actually wants this?? And it’s real?? They can try for a baby??
This whole idea that he would pressure her is just Peeta slander!! plain and simple!! lmaoo
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fuumiku · 4 months
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Happy new year!!
Some doodles I did today to unwind + test a lineart brush
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braisedhoney · 2 years
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The end is never the end is never the end is never the end…
Brushes:
Jingsketch sketch round (for everything)!
(we interrupt your usually scheduled content to bring you… The Button.)
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bisexuallsokka · 2 months
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are the live action trio even friends. they keep saying it but i’m not seeing or feeling it.
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moeblob · 2 months
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So it occurs to me that I posted most of their lore on my OC blog (though a few posts on here have the story info) and honestly I think it's very important to note that the entire reason a guy from Florida is recruited to help defeat the demon lord isn't him as the hero. His younger brother (by about ten years younger) is the Chosen Hero and... not very good at it. So the goddess (Solei) who had selected the hero has to begrudgingly go back to earth and convince his older brother to help save her world.
(Also Reynold admits to Solei that "Sascha could never be a bad influence. He's the best impulse control I've ever had" and she really doesn't like to hear it. That's terrifying.)
#my characters#sascha is The demon lord and there is truly only one at a time#solei however is simply a goddess - not the only one of divinity#i dont actually know if thats been mentioned on either art blog lmao#also its not pictured here but reynold is recruited and only asks for one favor when in the other world (from solei)#he wants to be a woman while he helps his brother#she thinks its a weird flex but ok whatever buddy you can be a woman#and the logic is not him actually wanting to be one its just you see his younger brother finds it weird#to have a guy cling to him and dote on him like reynold does and said One Time WHY COULDNT YOU BE A SISTER THIS IS WEIRD#and so reynold is briefly rey for about a month before being held hostage by sascha and hes like... super polite#and asks her if she was cursed and so shes like uhhh what and he mentions looking at her gives him a headache#because the core and the outer appearance arent the same and he can revert her back to her original form if she wants#and she does so rey goes back to reynold which is very nice and reynold appreciates it#because honestly looking at rey in a mirror gives HIM a headache cause solei designed his appearance#and it was so bright thank you demon lord for giving the florida man his natural boring look back#also reynold will always carry sunglasses because solei can just appear and she is way too bright to deal with without eye protection#solei is not amused and thinks its basically slander against her godly appearance and reynold just smiles at her and tells her tough luck#he wants his vision for his new hot husband she can deal with a little insubordination#florida man begs for torture bc he can handle that and he knows it#is instead handed courtesy and manners and doesnt know what to do with it - quickly developing what he claims is NOT stockholm syndrome#solei and sascha quietly muttering about what that could possibly mean cause they dont know what this guy is talking about
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dailykugisaki · 4 months
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Day sixty-three | id in alt
A puppet and a witch.
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orchidbreezefc · 4 months
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edgar woe.begone: low empathy, high masking
THESIS: my reading of edgar woe.begone is that he's a low empathy autistic who has no innate intuition for social cues and has had to teach himself everything about social interaction from scratch, which is an interpretation that i think explains a lot about him.
now, i am very critical of edgar as a person. i think he's a less than good person and a bad boyfriend. but let me be VERY clear right off the bat: these symptoms don't make anyone a bad person. these symptoms aren't even bad per se. theyre all disabling symptoms that make social interaction more difficult for the person who has them. like any symptom, they have to be managed and compensated for.
some people under the neurodivergent/mentally ill umbrella, as with any group of people, are bad people. being a bad person flavors one's approach to their mental illness, and mental illness in turn flavors the manner in which they're a bad person. the mental illness isn't what makes you bad, but it does affect how your shittiness manifests.
disclaimers done, a good place to start is the way edgar speaks, especially with jeremy's performance. edgar always sounds very reasonable, approachable, and agreeable, and there is never an ounce of genuine emotion in his voice. he talks like an autistic person with zero innate intuition for social interaction who has taught himself to speak in the way that he's learned will get the best response.
edgar's customer service voice is the only one we hear and likely the only one he uses if he can help it. we know edgar's a tactician, a persuader. why use any other voice than the one he's carefully fine-tuned to make people like him and be receptive to what he's saying? this isn't even necessarily cynical: what do you want him to do, talk in a more uncontrolled, emotional way--that he's not used to managing--that will make people like him less?? what good would that do?
edgar likes control. he's more comfortable when things are in his hands, and only his. propagation definitely factors in here--if [link: my theory] that propagation is what solidified the certainty of edgar's death is true, it's no wonder he wants to control and limit the spread of information. edgar prefers to be in charge of making the plans, ideally alone.
this is part of why mike is perpetually out of the loop, even regarding decisions that concern him--which is pretty damn paternalistic. but there's a more wholesome aspect as well: edgar genuinely thinks he's doing mike a favor.
edgar knows mike has undergone and is undergoing a lot, and that he's terrible with plans and a major blabbermouth. if edgar can take care of a problem without mike having to worry his pretty head and perfect eyebrows about what to do, without knowing it ever existed, isn't that so much better? that's edgar being a good boyfriend, actually. he's helping!
it probably doesn't even occur to edgar how much this limits mike's agency, how much it hurts mike that edgar refuses to let him in, how this puts them on unequal footing, how fucking patronizing it is to not let your boyfriend make his own decisions about his own life. oh, how the tables have tabled since him originally telling mike that keeping the story of woe.begone from him didn't protect him, it impeded his ability to make informed choices.
here's where the low empathy creates problems--edgar doesn't have that innate intuition for how mike's feeling, and he doesn't (effectively) manage or compensate for it, and he definitely doesn't communicate with mike enough to know how he's affected by this shit (avoiding too much information sharing is good, remember?)
and mike certainly isn't going to tell him! mike is a goddamn simp. he's not going to establish boundaries. he's not going to put his foot down and demand better treatment. as if he fucking deserves that in the first place, pshaw. the only time he pushes back is in season 10 when he doesn't remember their relationship, and edgar is deeply shaken.
edgar is devastated to learn he hurt mikey, because he does genuinely adore that man. he would get lasso lessons from michael and rope him the moon if he could. his low empathy and efforts to manage everything himself keep him from realizing that mikey, a hyperempathetic mess who gets sentimental about pens, seriously suffers from being shut out like this.
edgar's thought process must be equally inscrutable to mikey, who just figures it would be asking too much to be an active and equal participant in his own relationship and life. edgar's perfect and great, so if mikey deserved that, he would already be giving it to him. if mikey's unhappy with any part of their relationship, no he isn't. he's lucky he has edgar at all. he's lucky he has anyone.
recall michael's agonized admission that "everything is about rugby, dammit" 10(++++) years and edgar's literal death later. we can only guess at how bad his rugby was, but we do know michael never talked it through with edgar. he tells mike this was him 'letting it go' actually, when the fact that theyre having this conversation at all is proof that he extremely hasn't. this is what 'letting it go' looks like to michael: burying an issue forever and giving up on ever getting closure.
so yes, edgar does authentically deeply love his mikey-bear. unfortunately, if you never establish the communication to bridge the differences between your own methods of operating and that of your partner, love will only get you so far. and the first time around, where it got them was michael fighting back tears in an apartment in latvia over a wound from edgar that he suffered in silence until the day he died.
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