Tumgik
#because the families (and as Maria said yesterday even the Prince!!!) have been steeped in violence so long
itspileofgoodthings · 3 years
Text
Today I am thinking about the fact that when Romeo receives the news of Juliet’s death (“death”) he just shuts down. The words on the page almost seem cold and empty; they have none of his usual flair or fire. And you’re almost tempted to ask “does he even . . . care?” and then you realize that he can’t hold a thought in his head to its conclusion, that he can’t focus on one thing at a time, that he speaks in short fits and starts because he’s utterly wrapped in a dark fog of despair, the likes of which he’s never known before. He can’t be dramatic because he’s ALWAYS dramatic; this hits and hurts him so much more profoundly than anything he’s ever known and words are truly not enough to express the depths of his sorrow or despair. And so he clings to blind and violent action as his instant recourse.
And it’s masterful (and gutting) the way that Shakespeare turns his usual eloquence on its head like that and takes away his ability to put into words what he’s losing. It’s transformative, and not for the better or the more beautiful. In an awful way, Juliet’s death hardens Romeo instantly into a man not a boy: a man of action, violence, and despair. Grief alone has been able to transform him into the kind of man Verona and this feud have expected him and pressured and raised him to be: a man whose only response is violence. He uses all his remaining wits and strength and purpose to go to her tomb. And there is something about his journey to her that is that of the bird flying home to its nest because there is still something about Romeo that is a boy (only the love twisting into grief in his heart) but there is also something about his journey that is that of a man running straight off a cliff into a pit of snakes, into the arms of violent destruction, because love itself has finally died and nothing else remains.
459 notes · View notes