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#audrey bradford
fadedday · 10 months
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Audrey Bradford
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babydog27 · 10 months
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Audrey Bradford
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eroticawillsurvive · 1 year
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Audrey Bradford
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tammishouse · 14 days
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pennyorion · 8 months
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carharttme · 1 year
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jesuschristmessage · 1 year
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We ought always to thank God for you, brothers and sisters, and rightly so, because your faith is growing more and more, and the love all of you have for one another is increasing. (2 Thessalonians 1:3)
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gentlemanchoice1123 · 4 months
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Gentleman choice.... Audrey Bradford
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bestwaymedia · 2 years
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Audrey Bradford
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eroticawillsurvive · 1 year
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Audrey Bradford
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jackstanleyroberts · 6 months
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The Characters in the Extended Cut of Scream (2022) & Scream VI (2023) Part 2
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Hello everybody if you like the idea that I pulled out about the new characters of the Extended Cut of Scream (2022) & Scream VI (2023) here's more of the new & additional characters in the franchise:
Melissa Collazo as Isabella "Izzy" Yales
Hayden Byerly as Damian "Dame" Yales
Annalise Basso as Andrea Lewis
Jodelle Ferland as Joanna Thompson
Katherine Langford as Jennifer Annie "Jenny" Kincaid
Charlie Plummer as Samuel Jonathan "Sam" Kincaid
Karan Brar as Craig Karbar
Akiel Julien as Malik Hubar
Ed Speleers as Alexander "Alex" Miller
Jimmy Bennett as Andrew "Andy" Anderson
Odessa A'zion as Susan Winters
Logan Miller as Lincoln Jefferson
Madison Davenport as Gabrielle "Gabby" Stafford
Madison Iseman as Alexandra "Allie" Miller
Rachel Fox as Angela Stewart
Mackenzie Foy as Luna Stewart
Natalie Alyn Lind as Natasha Longwood
Emily Tennant as Cynthia Cooper
Tequan Richmond as Maurice Lakewood
Zac Godspeed as Tyler Ferguson
Daniel Sharman as Kurt Parker
Rachel Zegler as Emily Jones
Finn Wolfhard as Stanley Lance "Stan" Williams
Brianne Tju as June Dawson
Rachel Sennott as Theresa "Tree" Hicks
Holland Roden as Gloria Smith
Violett Beane as Eleanor "Ellie" Winters
Spencer Locke as Ellen Hoffman
Anjelica Bette Fellini as Dorothy Johnson
Ryan Lee as Marty McCreary
Lewis Pullman as Richard Jackson
Stella Maeve as Nicole Kennedy
Talitha Eliana Bateman as Yolanda Preston
Gabriel Bateman as Philip "Phil" Preston
Megan Stott as Kimberly "Kim" Watson
Addison Rae as Natalie Foster
Emily Alyn Lind as Audrey Owens
Sarah Bolger as Simone Martin
Elizabeth McLaughlin as Jessie Crane
Brandon Soo Hoo as Takahashi Bradford
Mickey Nguyen as Sylvester Bradford
Denyse Tontz as Laura Morris
Milo Manheim as Zachary "Zack" Feldman
Stefanie Scott as Caroline "Carol" Feldman
Anna Sawai as Alexis Williams
Mekai Curtis as Reginald "Reggie" Stark
Haley Lu Richardson as Bethany "Beth-Ann" Lewis
Jaeden Martell as Landon Andrews
Anthony Ramos as Nicholas "Nick" Rodriguez
That's it for the new & additional characters of the franchise.
More quality content for Extended Cut of Scream (2022) & Scream VI (2023) is coming soon.
Stay Tuned! & by the way:
What's your favorite scary movie?
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terrorpenned · 9 months
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DOSSIER : VICTORIA WINTERS
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Studies in: parasitic obsessions with the past, entanglements with old families, Jane Eyre and Mrs. de Winter, the genre-dysphoric protagonist, transmutable identity, hauntings by the women of the narrative.
FULL NAME: Victoria Winters  AGE: early 20's BIRTH DATE: March 4th, 1946 ETHNICITY: white, American GENDER: cis woman ROMANTIC ORIENTATION: biromantic SEXUAL ORIENTATION: bisexual   RELIGION: Protestant, but not devout   SPOKEN LANGUAGE: English  CURRENT LIVING CONDITIONS: in a room at Collinwood OCCUPATION: governess, tutor  
RELATIONSHIPS
PARENTS: unknown (Betty Hanscombe and Danny Taylor) SIBLINGS: none SIGNIFICANT OTHER: Burke Devlin (present, presumed deceased), Peter Bradford (1795)/Jeff Clark (present), Barnabas Collins (ish, present) CHILDREN: none
PHYSICAL TRAITS
EYE COLOUR: blue HAIR COLOUR: brunette HEIGHT: 5'6″  BODY BUILD: thin TATTOOS + PIERCINGS: no tattoos, ear piercings NOTABLE PHYSICAL TRAITS: hair often tied back into a half-up ponytail with ends flipped. favors comfortable clothing like loose cardigans and jackets. captivating, haunted-looking eyes : sometimes more like a spirit, than a girl.
PERSONALITY
INTELLIGENCE: mixed bag, definitely not the brightest. very book smart, especially when it comes to history, which is a fixated interest of hers ––  to the point it is regarded as an unhealthy obsession by everyone else. she can name every president in US history in order, one of her only party tricks. once she begins working for the Collins family, she undertakes study of their own family history as well, especially the story of Josette Collins. quite decent at mathematics, geography, and basic science, as well as teaching them, and overall makes David a fine tutor: his aptitude and questions help her learn more too. socially, though, she struggles with a lot of social cues, and very frequently gets herself into a lot of trouble by oversharing with the wrong person, or misreading situations with those she's close with, or misreading situations period; in a modern era, she might be diagnosed on the autism spectrum. the intensity of her obsession with the past tends to put people off. while she’s often oblivious, she’s not completely helpless, and has successfully solved some complicated supernatural mysteries and managed to save David’s life, but she also stays on at Collinwood after repeated kidnappings so… not the sharpest tool in the shed.
LIKES: fresh coffee (hot and iced), sherry, soda, the smell of the sea and sounds of the waves, old books, family stories and oral histories (including ghost stories), antique stores - old jewelry and paintings, knitted cardigans, pop music: (including The Beatles, the Monkees, Lesley Gore, the Everly Brothers), some classical music, namely for piano, and jazz (she doesn’t have a large record collection of her own, so usually ends up either listening to the radio or borrowing Roger’s) , music boxes, movies of old Hollywood - Gene Tierney, Marilyn Monroe, Rita Hayworth, Jane Russel, Audrey Hepburn - equally noir (Rebecca, Wuthering Heights, Niagara, The Phantom of the Opera, The Bride of Frankenstein, The Invisible Man) and technicolor musicals (The Court Jester, Gentlemen Prefer Blondes, Mary Poppins). The writings of Austen and the Brontë sisters, radio dramas. She doesn’t watch much television, but she does enjoy The Twilight Zone. Museums: art or history, it doesn’t matter. she tends to prefer older art to modern art in general, but she does like photography and surrealism
DISLIKES: any hard liquor and for the most part, drinking in general, though she’ll occasionally have some champagne or a glass of sherry out on a date; the smell of cigarette smoke (cigars and pipes are better, though she doesn’t smoke herself and generally dislikes the habit), canned food - especially fish, she’s quite sick of it by now, and she doesn’t care much for crab, shrimp, or oysters; the cubist movement, most non objective art (though she has a secret soft spot for Rothko). I wouldn’t call it an outright dislike, as she appreciates it in other women, but she doesn’t have much interest in keeping up with fashion or hair/makeup and she hates shopping for her own clothes (though she’ll happily shop for David, or accompany Carolyn out on a shopping trip). any horror film with a lot of gore and on-screen violence. the only history she’s not much interested in is military history. and she tends to be uncomfortable around firearms and the thought of war in general: though she’s never going to be a passionate political activist, she is staunchly against the war in Vietnam, and opposes the draft.
DISPOSITION: quiet, naive, goody-two-shoes. can occasionally be too blunt and too honest (to her own harm). “this may as well happen.” extreme fortitude in the face of continual Shenanigans that would rival Marcus Aurelius.
Biography:
“Because she’s lost and lonely. Because she looks in shadows.”
For eighteen years of her life, Victoria Winters lived in the Hammond Foundling Home in New York City. At a few months old, she was dropped at the freezing doorstep with nothing but a note: “Her name is Victoria. I cannot take care of her,” and she was given the name Winters in honor of the season. Though she waited for her birth parents to come back and take her into the fold, no one did; neither did anyone have any clues about her past, and her family, or any place where she might belong, despite her desperation in the search. Her one link was the anonymous gift of $50 every month, postmarked Bangor, Maine, that came regularly until she turned 16 years old. Once she turned 16, she took a job at the foundling home helping to take care of and tutor the younger children, and she became a favorite of her students and staff alike.
Her work at the orphanage continued for two years. Shortly after her eighteenth birthday, Victoria received a letter from Elizabeth Collins Stoddard requesting her to the great old house of Collinwood, in Collinsport, Maine, to serve as governess. No one at the foundling home was able to give her any answers as to why she was thus requested: no one knew the Collins family. Victoria seized on the job eagerly as an opportunity to learn more about herself, and her past, convinced that the answers lay in the bay of the old fishing town. She took a train from New York to Bangor, and never looked back (despite everyone begging her to)
With the Collinses, Victoria found the home, and the family she had longed for in the howling old house. Once used to sleeping in iron cots, Vicki is given Mrs. Stoddard’s former childhood bedroom, and treated much as one of their own within weeks of her arrival. Carolyn, the heiress beating at the walls of her ivory tower, became a proto-sister and her fastest friend. Elizabeth, the matriarch and ghost in a house of ghosts, treated her much like her own daughter. Roger, Elizabeth's wayward brother, though initially hostile, became immensely fond of his son’s governess … probably more than he should have been. David, her student, proved more trouble than she expected, and was the source of some of her earliest severe trials in the house, both threatened and realized: including aiding and abetting her kidnapper, as well as locking her away in abandoned rooms at Collinwood himself. After sustained effort, she was able to finally befriend David, a little worse for wear but staunchly resolved.
Though not for Roger's lack of trying, the man that captures her attention is Burke Devlin, a handsome, well-travelled and wealthy businessman, whom she was soon to learn was an avowed enemy of the entire Collins family. Wrongly convicted of vehicular manslaughter ten years ago, Devlin had returned to Collinsport to take his revenge out on the man who had gone free in his stead (and who had married the woman he loved), Roger Collins. Burke doted on the pretty, doe-eyed governess and though her loyalties were technically with her employer… she wasn’t long to resist his charm. The two of them became engaged, initially despite the Collins wishes, but eventually with their blessing, and even intended to buy a house on the Collins property: a beautiful old house called Seaview.
"What am I?" "It's a toss-up between a chocolate malt and champagne."
Eventually, the ghosts of the Collinwood estate and the wailing of the widows materialize themselves into tangible spirits, overshadowing Roger’s legal troubles and ten-year-old wounds. First, it is the ghost of the murdered Bill Malloy, covered in sea weed and dripping salt water onto the basement floor. Then, the ghostly bride of Jeremiah Collins, Josette, who makes herself Victoria’s spectral protectress when she is once again kidnapped and locked away on the Collinwood grounds. Then, Roger’s estranged wife, Laura, who reveals herself to be far more than an unfit mother, but a reincarnated phoenix, who attempts –– unsuccessfully, due to Victoria’s intervention –– to kill David. And then there is Barnabas. The Collins ancestor, lately returned from his coffin, who adores the past and scorns all modern amenities, charms Victoria, and she never suspects that the young women dying all over town might result from his gentleman’s hand. Conveniently, Burke Devlin’s plane goes down over the jungle right before they are to be married, making way for Barnabas to hypnotize his way into Victoria’s heart.
The defining event of her stay at Collinwood –– more than the murders, the many, many kidnappings, and the rotating circle of suitors –– is her travel back to the year 1795 in the midst of a séance, where she is able to pay witness to the early Collins family history herself and the earlier existence of Angélique Bouchard ( though, importantly, missing the evidence of Barnabas’s monstrous transformation ). Victoria is tried and hanged as a witch, which jerks her back to the present, after which she becomes obsessed with finding her lost love from the past, Peter Bradford, and miraculously succeeds, though Barnabas, as per usual, regards this engagement as just another inconvenience.
A note on Vicki’s parents: even though it’s the dominant theory, I won’t be following Liz as Vicki’s mother, at least on this blog, for these purposes (unless written as an au!). Instead: Vicki is the daughter of Betty Hanscombe, a former servant at Collinwood who was a lover of Elizabeth’s. Her father was Betty’s husband: a loveless, normative marriage. As the Collins family hushed the affair, Betty was institutionalized at Windcliff for homosexuality, a victim of American hysteria in the Lavender Scare. The intensity of the aversion therapy and other “treatment” received worsens her mental health, and though she is released before Vicki’s birth, Betty commits suicide only six months later at Widow’s Hill. Betty’s husband absconds to New York and abandons Vicki at the foundling home, leaving her with the note. Elizabeth, through the use of private investigators, is able to locate Vicki and send her regular payments, and later, to bring her to Collinwood under her personal protection. She feels an immense connection to Vicki both out of her love for her mother, as well as her tremendous guilt for her part in her fate. She’s also willing to let her suspect she is her mother, because it distracts from other secrets she’s not ready to disclose; nor is the town at large (including Sam Evans) willing to discuss what exactly happened to Betty, so it’s simply said she went away and died soon after.
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christinataft · 9 months
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Audrey Hepburn -- Actresses are not given the same Services as actors are given... Moreover - they’re not taught business principles.
Before removing the distinction and understood difference over many decades, the Same Services and Opportunities need to be given. 
SABRINA | "Seen You Before" Clip | Paramount Movies --
This Scene shows the large difference if seen the same in part if an actress or female model received the same services as actors, mdirectors, producers. 
It was too early for actresses to be called actors. Similarly, it’s as different as a hostess can be treated in comparison.
Different standards, opportunities, and services... Watching some Audrey Hepburn and Marilyn Monroe movies lately. Norma Jean could have had more support in her time...
I’m not just saying this hypothetically, it’s an intuitive sense, as my mother’s family were in “The business” since the 1950s...Film-Arts
Marian Bradford Taft was a model, Victoria Taft/Vicki Debaun was a socialite model/small actress and in public relations at one point, Larry Debaun was a cameraman for multiple studios for television, Everett Debaun was a screenwriter. Vicki’s friends included socialites, models, fashion buyers etc... It gives a perspective others may not have on the outside.
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When defining ‘services’ I take a broad, wide view of it, not a distinctive agent-principle relationship.
Actresses and female models are not given the same Resources. There is absolutely no comparison of the resources -- there is practically nothing and nearly nothing allowed in terms of competition.
From my entrepreneur training and experience, I am keenly aware when a ‘niche’ is not filled -- and this is one of them.
Is there the difference of having No help at all or told millions? Is there something in between? People wanted to create services, but out-competed. 
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Introducing The $1.8 Million Bugatti Super Yacht
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