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#at least in 5a
camellcat · 8 months
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fuckin' hate this show I hate it so much who let this happen who fuck this show fuck it all fuck fuck fuck (<- crying hysterically and already planning a rewatch for said show later)
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cherryxblossxms · 11 months
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Masturbation May - Day 5a: Edging (Barbatos)
A/N: Barbatos was suggested for day 5, edging, by the lovely @yarnnerdally! Barbatos definitely seems like the master of controlling orgasms, either his own or his lover's. But once he's past the point of no return, that control is just gone. I love me some needy demon butler~ Had a small mental block so this is late whoops
Featuring: GN reader || Barbatos x reader
Warnings: masturbation, edging; use of his gloves and his tail; cumshot; just some stress relief for a hard-working butler; mentions of oral (Barbatos receiving) and bondage with reader
Word count: 1988
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The stress had been building up all week. Barbatos was used to a heavy schedule; he attended to the Crown Prince of the Devildom, after all, arranging and attending all sorts of meetings, handling paperwork, cleaning up the palace, and doing pest control of creatures both big and small. He was no stranger to a heavy workload, so it was rarely an issue. But for some reason, this week had been particularly grueling, barely giving him a chance to recuperate.
It also didn't help that during this week, you'd been busy with your own things, studying for an upcoming exam and thus unable to visit the castle like you usually did. Your presence was always a source of stress relief for Barbatos, a comforting and anchoring presence that helped him stay grounded through all sorts of trials and tribulations. But any time you found an opening in your schedule, he was already , and vice versa. It just wasn't in the stars for him to see his beloved's face, it seemed, and it left him feeling restless and unfulfilled.
One of his favorite forms of stress relief was acts of service with you, baking you new sweets and making you delicious tea, just getting the time to sit down with you and indulge in your aura. Sometimes, he simply needed your kisses and cuddles, sharing a soft moment in private to simply hold each other close.
However, when the tension levels were overwhelming, his methods of stress relief could be on the... rougher side. You'd been a little shocked, to say the least, to discover Barbatos' love of ropework. He enjoyed tying up a willing victim every now and then, not always for sexual reasons, and he was both glad and relieved when you seemed to take a liking to it. Something about seeing you wrapped up in pretty patterns of rope or ribbon satisfied him immensely, and you two had taken to doing a lengthy session every so often to blow off steam.
And when just the ropework wasn't enough, Barbatos liked to use your body for stress relief, too. He preferred taking his time in bed with you, working you up slowly, deeply, building up a massive wave of pleasure to crash over you in the most delicious mind-numbing, limb-shaking way when you finally peaked. He was a master at orgasm control, and it left your mind reeling after every session. But on occasion, he could play fast and rough, too, pounding you against the wall or over the coffee table if he was too worked up or you'd been riling him up all day. It was times like that that you were reminded he was a demon first, and a butler second. But he knew you enjoyed every second of it.
Today, the tension finally came to a head after dealing with a particularly troublesome noble, spending the better part of an hour arguing over a new policy during an important meeting. Although Barbatos rarely got angry, the noble had seemed determined to test his patience left and right. Once the meeting had ended, he left the room with a pounding headache and fists tightly clenched, using everything in his will to maintain his composure. Thankfully, Diavolo could tell something was going on and left him alone, going back to his paperwork without any prompting from his faithful butler.
Barbatos made his way to his room quickly, just wanting to be in a quiet safe space to work out his anger. Checking his D.D.D., there were no new messages from you, and he couldn't help but sigh. His usual source of comfort was missing and his body ached to let it all out, relieve all his stress into you in only the way you could handle. Now that his usual option was unavailable, as he'd be remiss to pull you away from your studies just to help his selfish desires, he could only think of one other thing to do.
He willed his mind to focus on more pleasurable memories, trying to replace his negative feelings with something better. If he couldn't have you in person, he could at least enjoy your presence in the form of his thoughts, conjuring memories of your last rope session with him, remembering the way the rope hugged your limbs as you hung suspended, the tie pattern he'd used complementing the shape of your body and keeping you immobilized and vulnerable to his skillful ways. It had been a particularly passionate session, the room air heavy with the scent of sex and sweat from how long you two had been at it.
As he recalled the lusty look in your eyes, he remembered the way your mouth had hung open in a silent scream as he brought you to climax several times, and he could feel himself harden, wanting to see those expressions on you once more. Barbatos let himself relax into his demon form, finally, slipping off his jacket and sitting at the edge of his bed. He knew he didn't have too long to dedicate to this, but it was either he explode in a pleasurable way, or a dangerous way, and figured the former would be best.
He started palming himself over his pants, the pressure providing a small bit of relief, and released himself from his pants before long. He kept his gloves on as he continued stroking himself, enjoying the feel of the fabric against his shaft. That was another thing you seemed to enjoy, when he kept his gloves on during sex, and he could see why you enjoyed it so much. The unfamiliarity of the sensation did bring a new level of pleasure to things, only serving to feed into his growing lust.
Perhaps because he was so pent up, Barbatos could already feel his climax approaching. But he could still feel the tendrils of anger and frustration from earlier, the whole reason he was trying to relieve himself now, and realized cumming now wouldn't be nearly as satisfying as he'd like. He started to stroke a finger beneath the head of his cock where it was most sensitive, shivering and twitching in need, and his climax grew ever closer the faster he stroked. But just as the pleasure began to crest, he pulled his hand off his cock, stopping his orgasm in its tracks.
He could see his shaft throb, signals thrown out of whack at the sudden loss of sensation. He gave himself a moment, waiting for the pleasure to retreat before restarting his ministrations. Now precum was leaking from his tip, a tiny river oozing down his shaft, and he pressed a finger to his head to see the glistening strand it made when he pulled away. The urge to taste himself was strong, but he simply continued his movements, now using his pre as lube as he stroked his shaft again.
His body was growing hot, and he could feel the last vestiges of anger leave his system, now able to focus solely on his pleasure. One of his favorite parts of sex with you was utilizing orgasm control in your pleasure, but it was just as effective on himself. He loved the way you grew desperate with him, rocking your hips as he toyed with your arousal until you were begging for relief. And especially when he had you bound, and no amount of wriggling was going to free you or get you any closer to your orgasm, your begging was music to his ears. Your eventual orgasm was made just that much better, and it affected him as well, a bright display of fireworks going off in his mind when he joined you at that pleasurable peak.
Speaking of orgasm, his own climax was quickly approaching once more, all ready to go from the first session. He continued pumping his hand, bringing his fingers over the sensitive head of his cock, chasing after that delicious feeling. But once more, as his pleasure rose up in front of him, he stopped his movements and instead squeezed the base of his cock hard, his orgasm cut off once more.
By now, two denied orgasms left him with a terrible ache in his balls, the head of his cock a deep red from all the blood flow and stimulation. Barbatos' whole body was thrumming, his heart pumping hard from the repeated excitement, and all his mind could think of now was finally cumming. He gave himself a calculated moment to just sit, letting his pleasure die down so he wouldn't ruin himself accidentally.
How he wished you were with him, providing him this relief instead. You always knew just how to touch him, learned how to stroke him just right or use your tongue in wicked ways. He imagined you now, kneeling between his legs and letting him use your mouth as he saw fit. He could envision the way your lips wrapped around his shaft, your hands pumping whatever you couldn't fit in your mouth or stroking his balls, and it made his cock twitch in need to just release down your throat.
Barbatos glanced at the clock and saw he didn't have much time left until he had to prepare dinner for the Young Lord. His tail flicked unconsciously at the edge of his vision, body still itching for relief, and an idea came to mind as to how to end his session.
He leaned over and opened the drawer to his bedside table, finding a small bottle of lube he kept on hand for you, and squirted some onto his cock, shivering at the cold feeling. Leaning back on his hands, he then lifted the end of his tail and let the two tendrils wrap around his shaft. He rarely used his tail to play with himself (on you was a different story), but much like wearing the gloves had done, the difference in sensation really brought new pleasure to the game.
He began moving his tail, stroking leisurely at first before increasing the pace, a wet squelching sound resounding in his room along with his quiet pants. The feeling was addicting, being able to have one end of the tendril wrapped around his base, squeezing and rubbing alternatively, while the other could focus on his head, rubbing up on his frenulum repeatedly. He reached a hand down and tugged on his full balls that were just aching to release already, urging his body on as he squeezed and played with them. The combination of sensations was honestly devastating and his orgasm rose again quickly. This time, Barbatos let the tidal wave of pleasure wash over him, his balls constricting before hot spurts of cum shot out, drawing a low moan from his throat.
His tail kept up its rhythm for a moment, making sure to draw out every drop of cum he could, before releasing and letting his spent shaft rest against his belly. Barbatos took a deep breath, feeling his heartbeat throb throughout his body, and was relieved to notice his tension was all gone. Of course, it didn't quite scratch the itch he'd developed to relieve his stress with you, but for now, it did wonders for his mood and would tide him over until you were eventually freed from your obligations.
He collected himself and glanced down, seeing one of his gloves had caught some of his spend, and he worked on redressing with a new set of gloves, slipping on his jacket and adjusting everything into tip-top shape. As he mentally prepped himself for going back to work, he made a note to himself to discuss some time off with Diavolo. This little session had helped him to work off some tension, but he knew the sooner he saw you, the sooner he would feel truly right as rain, and he couldn't wait until you were all his once more.
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leothil · 5 months
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fic recs: archive edition 11
Merry December everyone, I hope a good month lies ahead and wish the least amount of stress possible for everyone! We're slowly inching towards the end of the summer between S4 and S5, which makes me very excited because there are some good fics up ahead for the autumn of 5A!
As always, previous posts in this series can be found here!
always a space in my heart (for you) by @alasse9 While in the SEALs training, Buck meets Eddie at a special forces conference, and they stay friends and penpals through the years that follow, having each other's backs long before they both end up in LA. 28.9k words, rated T
I have not wanted syllables by iphigenias (@oatflatwhite) Five times Buck and Eddie don't say I love you out loud, and one time they do. Established relationship softness! 3.4k words, rated M
The Truth of Love (Amas Veritas) by allyasavedtheday (@littlespoonevan) When Buck was young, he cast a spell to make sure the person he'd fall in love would need to possess such a weird combination of traits that they don't exist. But weird things start happening when he meets the detective investigating Maddie's husband's disappearance. Do I have a special love for the book Practical Magic? Maybe. That won't stop me from recommending this AU regardless of whether you've read the book or seen the film or not! 20.4k words, rated T
keep your eyes on the road by iriswests (@fcntasmas) Glimpses into Buck and Eddie's relationship through scenes happening when they stop at a traffic light. 3.9k words, rated M
what you're looking for has been here the whole time by lecornergirl (@clusterbuck) In which Buck comes to the logical conclusion that the reason Eddie keeps looking annoyed when he talks about Taylor or looks longingly at him and Taylor together is because Eddie is in love with Taylor. I still crack up every time I think about this concept! 1.7k words, rated T
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evankinard · 1 year
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Okay actually after thinking about it for a couple days I have what might be called a hot take. I think what 615 did and the response to it is actually very similar to 510. I wasn't a part of the fandom when 510 aired but just from reading the fics that were written during that time in the post-5A hiatus I can tell that a lot of people were putting a very strong and misguided emphasis on Buck's reaction to Eddie leaving the 118. At least from what I read, it seemed like everyone expected Buck to be hurt and feel abandoned by Eddie's choice and, frankly, have a reaction that I would've hated, which is to make that decision that Eddie made as a clear trauma response about himself. Sure, I'm absolutely sure that Buck felt hurt by the fact that Eddie didn't talk to him about it and continued to push him away after the fact, and Oliver certainly played Buck as feeling wrong-footed by how Eddie was acting, but his main concern was never, ever about himself - it was about the fact that he could see that Eddie was struggling but couldn't figure out why or how to help until Eddie's breakdown.
That's exactly what's happening in the graveyard scene. Yes, Eddie is absolutely hurt by the fact that Buck, his best friend, his person, is talking as if a stranger he just met sees him better than Eddie does. But his main takeaway from that conversation isn't to hang his head and walk away with a sack tied to a stick like goddamn cartoon. It's because he knows Buck that he can tell whatever feelings he thinks he has for Natalia are completely misguided and stem from a far more serious issue, which is that Buck is more affected by his death than he previously realized. That realization and upset expression that you see on Eddie's face mostly and most likely isn't heartbreak for himself - it's almost exactly a parallel to the kitchen scene in 511, when Eddie tells Buck to move on and Buck looks devastated but also mystified. In both 615 and 511 it's Eddie and Buck going "Oh. Something is wrong. This is worse than I thought."
So what I'm trying to say is that while all the speculation about Eddie majorly pining and being heartbroken and this scene compounding his loneliness (which, Eddie's loneliness is a whole other thing that does exist on it's own I absolutely agree with that, I'm just saying this scene wasn't that big of a factor in it) is valid and probably at least partly based in truth, I don't think that's the direction the writers will take the story. Specifically this sentiment I've been seeing all over my dash about how Buck doesn't know he's hurting Eddie and when he finds out he's going to be so devastated and apologize and I just?no? That's simply not realistic or fair to me. Buck's trauma response to his death is the culmination of a lifetime of trauma and just like Buck supported Eddie through his breakdown, Eddie will continue to be Buck's pillar through his once he stops running from it and no apologies will be owed because they love and understand each other enough to know that any hurt caused is not intentional.
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tgmsunmontue · 2 months
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Come on baby light my fire… 2/2 (or 7/7?)
Hangster. 3k. Explicit. Apartment fire alarm at 1am featuring Jake in his underwear and Bradley with kittens.
All six potential endings are included in one post below. If you'd rather read them as separate chapters you can check out AO3 where I posted it first for once.
PART ONE (on Tumblr)
OPTION A
                Jake looks down at the sleeping man, so tempted to curl up back in bed with him. But he’s got to go and figure out how to get back into his own apartment. Most importantly though is he wants Bradley’s number, and he knows his own. He grabs Bradley’s phone, carefully grabs his hand and presses his finger to the fingerprint reader and sure enough it unlocks. There’s a photo of a couple as the background but he’s more interested in adding himself as a contact. He does so quickly, his name followed by a little flame, night cityscape, cat emoji, then an eggplant and some droplets because he’s hilarious and he’s pretty sure Bradley will think he’s funny.
                He sends himself a couple of messages, basically with all the details of where he’s gone and that he has no plans for the rest of the day and will come back to the apartment if he can’t locate Javy at the gym, or message him as soon as he’s in his apartment and has access to his phone again. He rifles through Bradley’s bag, a little perturbed by the number of Hawaiian shirts he finds, but pulls out a very worn US Navy t-shirt that has a very retro feel. None of it is what he’d usually wear, but all of it is better than being naked. It’s bad enough that he’s going to have to be barefoot and he wonders whether he could really chance taking what look like Bradley’s only pair of shoes. Screw it. He’ll be back soon enough.
                He laces up, the shoes a bit too big, then jogs the two blocks to where Javy prefers to go to the gym, glad it’s not further. It’s still at least another fifteen minutes before he usually starts, but Jake can’t risk him being early and missing him. But he is a man borne of military routine and walks up about a minute before Jake expected him.
                “Javy! Hey!”
                “Man! What are you wearing?!”
                “It’s a long story, well, actually, it’s not that long. My apartment building had a fire alarm, I left without my keys but I was only wearing my underwear. Hooked up with this guy who is fucking scorching hot –”
                “But has terrible taste in clothes.”
                “He’d make this work, trust me. Anyway, I need you to get my spare key.”
                “I’m not skipping my workout for you…”
                “Yes you are, in gratitude for me not waking you at two in the morning in my underwear to give me my spare…”
                “And I’m sure you were really suffering with the scorching hot guy. Your story is truly heart wrenching.”
                “Come on!”
                “Fine, here, take my keys, go and grab yours, then you can return your spare and my keys back to me. Deal?”
                “Yeah, good plan. I probably shouldn’t have both sets on me.”
                “You think?” Javy says dryly and Jake gives him the finger.
                After agreeing to take Jake’s car to make it all much faster he gets through the logistics of getting to Javy’s, grabbing his spare keys and then back to his apartment. Lets himself in with a sigh of relief and immediately goes to his phone, ignores all the other messages and clicks on the new messages and clicks Add Contact. He enters in Bradley, following it with a cat emoji and then three little flames. He’s not going to forget who Bradley is in a hurry. He doesn’t bother changing, needs to return Javy’s car and keys and then come back again. As he’s walking back he sends a message, nerves fluttering in his stomach.
>>I have keys, my phone and am heading back to my apartment. 5A. Want to come over?
>>On my way.
OPTION B
                Jake rolls his eyes, of course Bradley’s phone is dead. Ah well, he can go old school. There’s a pen and paper on the bench and he quickly writes down his name and number, along with his apartment number and a hope to see you soon. Leaves the piece of the paper smack center in the middle of the kitchen counter where it can’t be missed. He pulls on his underwear, then rifles through Bradley’s clothes and pulls out some sweat pants and a t-shirt. Okay, this is going to be a mortifying experience however slightly less mortifying than if he went out in just his underwear. Also less likely to result in any indecency charges.
…            …            …
                Bradley looks at the little pieces of paper and his heart sinks. He’s pretty sure that it’s a note, now ripped to shreds and missing pieces, the kittens having wrecked havoc on the little piece of paper, now scattered around like soggy confetti. He picks up one of the pieces and it’s definitely got a number on it. What number, he has no idea, it could be an apartment number for all he knows. He freezes, realizing that he’s not going to be thwarted by two baby cats. He knows Jake’s name and that he lives in this apartment building. Eight floors, six apartments on each floor. That’s forty-eight handwritten notes, minus six because he doesn’t need to do one for Hilary’s apartment or any of her neighbors, because surely Jake would have mentioned if he’d been on the same floor. That’s something you’d mention right?
                He finds some paper, making sure it’s a decent size because the last thing he wants is for Jake to somehow miss his note in return, that just makes him look like an inept love interest in a romcom. He’s in charge of this. His hand starts cramping around the thirtieth message but he keeps on, then pulls on some clothes, not caring what he’s wearing. He takes the stairs down to the lobby, eyes up all the little mail slots and then just starts posting a handwritten note in each one. Stands back and looks. Right. Now all he has to do is wait for Jake to contact him.
                The entire day goes by and he refuses to panic. Not everyone checks their mail everyday, he might even have to wait a couple of days, although Hilary is returning tomorrow and he’s meant to be going and staying with Nat for a couple of nights before his next deployment. But Jake will still get his number. He just has to want to use it.
…            …            …
                He should have gotten Bradley’s number.
                It’s been hours and Bradley hasn’t sent him a single message.
                Would it be weird to go and knock on his door?
                Yes. That just seems a shade too desperate. He can act cool.
…            …            …
                Jake frowns at the piece of paper, the only thing in his mail slot and he’s only check it because he’s walking past. A note. A handwritten note.
                Hi, I’m looking for Jake. This is Bradley. Please contact me.
                And then a phone number and he grins at it, because he’s going to get some answer now, multiple answers he suspects, because his number of questions has just doubled. He enters the number into his phone as he walks, presses call and holds the phone to his ear.
                “Hello, Bradley here.”
                “Hi. It’s Jake.”
                “You called! Hi…”
                “Hi… any particular reason you’re leaving me a handwritten note and not just using the technology available to us?”
                “Because I didn’t have your number. The cats, they ripped it to shreds and I just… had to figure out a way of contacting you.”
                “Smart and good looking. If you knew which apartment was mine why didn’t you just come knock on my door. I would have let you in.”
                “Ah… I put a note in every apartments mail slot.”
                “Of course you did…”
                “Well, sitting around outside waiting for you to enter or exit the building seemed a little stalkerish.”
                “Yes. So… not playing hard to get.”
                “Definitely not.”
                “Good. So I can assume you’ll say yes if I ask you out to dinner?”
                “Why don’t you go ahead and ask.”
OPTION C
                He knocks on the door, a little disappointed that Bradley hasn’t sent him a message, is surprised because he’d kind of thought they’d connected on a level that was maybe, hopefully, more than just sexual. The door opens and it’s not Bradley answering, but a woman his age, looking very comfortable in too-big sweats and hoodie. His stomach starts souring, twisting into unpleasant tightness.
                “Hi. Uh…”
                “Are you looking for Bradley?”
                “Ah, yeah. Sorry to have bothered you. He just helped me out the other night,” he flushes, hopes whoever this woman is doesn’t read too much into the helped me out aspect of the sentence, because he hadn’t meant it as an innuendo.
                “Oh, yeah, he was just kitten sitting for me while I was out of town. Do you want his number?”
                He sucks in a sharp breath, the relief sharp and instant.
                “Do you have it?”
                “Of course I do, he’s a college friend. And I’m assuming you’re the hot neighbor who he was annoyed at me about not warning him about?”
                “Jake. My name’s Jake.”
                “Nice to meet you Jake. I expect an invite to the wedding…”
                “Well, he didn’t message me, so maybe don’t plan on that…”
                “Oh, yeah, I found little shreds of paper, so if you tried leaving a note that was a no-go…”
                “What?”
                “Orea and Cracker. They shred paper. I think I found a couple of pieces. Floated my theory past a very forlorn Brad Brad and he said it was maybe a possibility. Here, take his number and go put your man out of his misery…”
OPTION D (Version I – fits within TGM events)
                Pete frowns, because he hasn’t seen that shirt in years. Maybe literal decades, and now that’s a scary thought for other reasons. But he’d swear that that man is wearing Goose’s old Navy shirt, old sauce stain down the front and everything. Bradley had taken it when he’d left, had always used it as a pyjama top and it had always made Pete smile to see, the memories still bittersweet of the dinner shared with friends. He needs to know.
                “Ah, excuse me. This is going to be an odd question, but I just need to ask. Where did you get that shirt?”
                “This one? Ah, funny story actually… I ended up locked out of my apartment in the middle of the night due to a fire alarm and this guy helped me out. Said I could borrow anything, cause did I mention I was only in my underwear? Anyway, I left before he woke, and I’ve never been able to return it to him…”
                “You couldn’t go and knock on his door?” Pete asks, because something isn’t adding up.
                “Well, I almost did, but then I saw this woman leaving and decided it was maybe best not to rock any boats.”
                “Oh. Hmm. Well, I’m pretty sure he’d like that top back. It belonged to his father. He usually sleeps in it…”
                “You know him?”
                “Bradley? Yes. You want his number?”
                “I… sure.”
                “Okay. You just can’t ever tell him who gave it to you, okay?”
OPTION D (Version II – only ending where Mav and Bradley have a relationship)
                There’s a guy staring at him and it’s starting to annoy him a little. It’s even starting to border on a little creepy and he gives him the side eye. Instead of it putting the guy off it has the opposite effect and he’s now walking over, about to make fucking conversation of all things while Jake is just trying to work out.
                “Where did you get that t-shirt?”
                Okay, that wasn’t quite what Jake was expecting. Maybe a sly comment on his form, or body… not the almost threadbare shirt he borrowed from Bradley and has never been able to return. Also this guy is old enough to be his father, he’s not familiar enough with the brass on base to not give this man the potential respect he deserves.
                “Sir?”
                “Where did you get that t-shirt?” he repeats.
                “Uh…” Jake looks down at the shirt, and it’s the one he’d taken a couple of weeks ago from his night with Bradley. “From a guy.”
                “A guy.”
                “Yes sir.”
                “Sorry, I’m Captain Mitchell. I… Wait… your middle-of-the-night fire-alarm underwear-guy!”
                “Excuse me sir?”
                “I believe we have someone in common, and he’s going to want that t-shirt back. It belonged to his father.”
                “You know Bradley? I went looking for him, but there was this woman at the apartment.”
                “His friend Hilary, yes. He stays at her apartment whenever she’s out of town to look after her cats.”
                “Oreo and Cracker.”
                “Yes. Who I believe are to blame for shredding the note you left.”
                “What?”
                “They found tiny pieces, some of it chewed up. Not enough to make anything out of it. Trust me, I’ve heard this lamented to me far too many times in the last couple of weeks to not be very familiar with it all. Your first name is Jake isn’t it?”
                “Yes sir. Lieutenant Jake Seresin.”
                “Of course you are. I’m picking he has no idea you’re navy, because this would have gone a lot faster if he’d mentioned that.”
                “No sir, we didn’t exactly swap life stories.”
                That gets him a raised eyebrow and smirk and Jake flushes, not really sure who Captain Mitchell is to Bradley, but if what he says is true, then Bradley does want to see him again. That’s a swoop of positive feelings after a couple of weeks of feeling rejected.
                “Right. Stand just there. I’m going to take a picture and send it to Bradley, tell him I found his shirt… he was just as sad about the shirt as he was about you.”
                Jake blinks, the guy is taking his picture before he can even say anything, Jake doesn’t even know if he was smiling, probably looked like a stunned rabbit. He glances over the shoulder and the man, this Captain Mitchell, is cropping his face out of the picture completely, thumbing out I found something that I believe belongs to you, and pressing send before Jake has time to even think of asking for Bradley’s number.
                “Can I get his number?”
                “How about you come home with me and you ask him for yourself, hmm?”
OPTION E
                Jake wakes slower than usual, warmer, and he stetches and then freezes when something grabs his foot. His brain registers then, kitten and he smiles into the darkness, memories coming back and yeah… this is definitely a preferable way of waking up.
                “Mornin’…” Jake says, sliding his body over Bradley’s, naked skin sliding against his and he’s glad they’re both naked.
                “Mmm… Hi. Why are you waking me up so early?”
                “Well, I realized one of the few ways of getting my spare keys is to hunt down my friend who has them. And he goes to the gym early.”
                “Ugh. This early? Is there any way we can get your friend’s number which does not involve us getting up right now and doing a manhunt across the city?”
                “It’s not exactly the city, just two blocks.”
                “Is he listed anywhere as your emergency contact that we can ring and ask for it?”
                Jake opens his mouth and immediately shuts it. There is someplace he can ring which would maybe give him Javy’s number, or at the minimum pass a message on.
                “Actually, yeah. Well, they might not give me the number but they’d pass a message on for me.”
                “And can we ring them later?”
                “Yeah, we can definitely do that later…”
                Worst case, he can always try catching Javy at the gym tomorrow instead.
…            …            …
                Later, after another heavy make out session in bed, messy and leaving Jake wanting more, he takes Bradley’s offered phone and thumbs open the keypad. He’s going to ring the HR line for military service people, because there are surely people in worse positions than him that call up asking for weirder and wackier things than an emergency contact number. Even if Javy isn’t exactly his emergency contact, they can ring him and give him Bradley’s number. As he enters in the number he sees various contacts pop up and then;
                “Why is the number for the Military HR service line programmed into your phone?”
                “Because I'm a commissioned officer.”
                “Oh shit! Me too. Lieutenant Jake Seresin.”
                “Ha. Lieutenant Bradley Bradshaw.”
                “Wait… Bradley Bradshaw. You know Javy. Coyote. He flew with you.”
                “Coyote is your emergency contact?”
                “Well, he’s the guy that has my spare keys…”
                “Well, I already have his number. I was planning on meeting up with him later actually.”
                “Of course you were. Bradshaw. He was right.”
                “What?”
                “You are exactly my type.”
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buckybarnesss · 8 months
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“Scott’s awareness of the Stiles and Derek thing is interesting to dissect” hi yes please do!
I find him a bit hard to read when it comes to this tbh. Scott seems aware that Something is going on throughout season 3. He always seems shocked to realize that they get along better, even though Scott is usually faster at trusting people than Stiles. (I wouldn’t be surprised if Derek/Scott’s issues early on are the source of this bewilderment.)
I genuinely can’t tell if/when Scott might have realized that their bond was more than platonic. Like he has so much “right in front of my salad?” energy that he must have noticed Stiles’s attraction at the very least, right? Was it Derek’s leaving in the s4 finale that made Scott realize that Stiles’s feelings were actually romantic? He seems very aware in s5 that Derek is a Sore Spot for Stiles.
Jeffrey-boy seems to have taken the whole “show, don’t tell” thing a little too literally here.
the thing about scott is he's really, really good at denial. especially self-denial. combining his world class levels of denial he also has multiple hang up about derek that he has a hard time letting go of and he has a specific way he perceives stiles (which is part of the mess in s5).
like he sees but he's also stuffing his fingers in his ears about it because derek and stiles being derek-n-stiles doesn't line up with what he expects from either of them.
scott also has the dubious privilege of being there from the beginning. it was just the three of them at the start of this whole fiasco.
there's hints but scott doesn't really get to see the big stiles and derek development in season 1so while he seems to kind of pick up on stiles possibly being attracted to derek because i mean look at this.
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he's mostly seeing stiles being annoyed and angry but he isn't necessarily reading the deeper reasons for it because he's not privy to it.
than season 3 happens.
things shift in s3 when he realizes that he and stiles are not at all on the same page about derek. stiles has been spending time with derek outside of his knowledge for months and they're friendly.
Top 10 Anime Betrayals in Tattoo.
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and than his reaction to derek and stiles messing around in the next episode. peter's entirely unsurprised and amused by this which just hints at stiles getting derek to be playful isn't new to him but for scott this is Huge. This is world altering for scott.
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stiles becoming friendly with derek is one of the reasons scott's perception and trust of derek begins to shift into moving past his anger and resentment that was present in s1 and 2.
i know people say scott doesn't trust stiles and that's a whole thing to unpack and i'd have to rewatch 5a to parse it entirely but scott does trust stiles. while stiles is often right he also as often doesn't have the proof to back up his intuition in the moment.
scott is also way more scared that stiles isn't himself after the nogitune. he can see stiles spiraling and after derek leaves stiles becomes even more paranoid and irritable. almost as if stiles lost an anchor. which scott just went through himself with allison's death.
at the end of s4 this look is layered
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he's terrified of losing stiles the same way stiles is afraid of losing him. it creates a weird feedback loop where that very thing happens because of their fears are exploited by theo. stiles and scott are so scared to lose each other and depend on seeing each other a particular way because of the roles they've assigned themselves they don't communicate properly.
stiles and scott are incredibly dysfunctional kids from different kinds of broken homes. it's important to remember that when dissecting their friendship.
the benefit of a doubt scene in season 5 says scott fucking noticed because his starting overture at trying to convince stiles about giving theo the benefit of a doubt is derek.
(theo is a hybrid peter-derek which is funny but he's also a dark mirror of stiles in a lot of ways. it's partly why scott is drawn to him.)
it's a calculated move on scott's part to bring up derek to appeal to stiles's emotions over his logic but he also is aware that he needs to tread fucking lightly here. the subject of derek is a double edged sword.
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also scott witnessed derek's whole ass everything in 3B even if he was distracted. he knew derek would help look for stiles and protect him without a question.
i think scott figured out there was something going on in 3A and by 5A he knew it was something stiles was incredibly fucked up over but he wasn't the one that could fix it.
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1918 01 30 SE5 McCudden victories 45 and 46 - Mark Postlethwaite
On 30 January 1918 - a bright winter's morning - No 56 Sqn ace Capt James McCudden took off alone at 0945 hrs. The previous day the engine of his SE 5a had been fitted with high compression pistons, and McCudden hoped that they would sufficiently increase the power of his Hispano-Suiza 8B motor to enable him to catch and engage the enemy's high-flying. Maybach-powered, Rumpler Cs. After two unsuccessful engagements involving a Hannover C over Bullecourt and five Albatros scouts south of Vendhuille. McCudden saw five more German fighters climbing for height above Anneux. Determined as ever to follow his own dictum 'to destroy as many as possible of the enemy at the least risk and casualties to one's own side', the veteran ace waited until the aircraft had reached 14,000 ft before using a 5000-ft height advantage to dive on them; 'Down I went, and very quickly got behind the leader, into whom I fired a burst at very close range. He at once went down vertically, with pieces of three-ply wood falling off his fuselage. and he was seen to strike the ground by our "Archie" gunners. I hadn't time to watch him, as I was fighting four more scouts now and had my attention fully occupied. However, I got into position behind a Plalz, and after a short burst from the good old Vickers he went down in a spiral dive and crashed also.' The remaining three enemy scouts, in McCudden's own words 'now evinced signs of alarm'. He fired at another Albatros. which spun away, but was then attacked by a second machine from behind. McCudden quickly reversed the positions. got onto the tail of the Albatros and opened fire. but after only a short burst both guns stopped - his Lewis gun was out of ammunition, and the the belt of his Vickers had broken. McCudden now felt 'awfully brave'·, and realising the remaining Albatros and Plalz were 'awfully dud', stayed to fight them, chasing the scouts south of Cambrai before heading home. The leader of the formation. Vfw Adam Barth of Jasta 10. flying Albatros D V 4565/17 was killed, whilst the pilot of the Plalz- McCudden's second victory of the day, and his 46th overall - survived the crash
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princeescaluswords · 5 months
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Self-Reflection
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Of all the slanders delivered against Scott McCall -- and trust me, if there is a bottom to the barrel that holds them I haven't found it yet -- the ones that drive me to distraction the most are the ones that are so easy to disprove. For example, I recently encountered a story where the author argued that Scott was a "good friend but secretly a bad friend" because he is judgemental about other people's morals, ethics, and actions while never examining his own.
I know, I know, that what they mean is that they see Scott working against Derek or ignoring Stiles because Derek's and Stiles's solution to every problem is to 'kill it before it kills you' as him being judgmental while sometimes making bad decisions himself. You see, white male characters with trauma are to be forgiven if they lie to others, be cruel to others, or hurt others, but a Hero of Color loses the right to criticize those behaviors if they make any mistake ... ever.
But, even so, the idea that Scott didn't think about the consequences of his acts is ridiculous, as much as believing he always thought he was right. I can point out at least one scene every season where Scott reflects upon the morality of his actions. I'll give examples, with the understanding that this isn't even exhaustive.
Season 1: It would absolutely have been easier for Scott to let the Argents use Derek to kill Peter, even though Derek would have died as well. He also consider the actions of the entire season.
Scott: Yeah, but that was - I mean - Would you just stop? Please? What happened the other night, Stiles' dad getting hurt, that was my fault. I should have been there to do something. I need you to teach me how to control this.
Season 2: Scott won't give in to Gerard's blackmail even though his own mother tells him to. (Notice how all anti-Scott people miss this scene.)
Melissa: Oh, I don't know what's happening. I don't know what that thing was or even what you are, but whatever he wants, just give it to him. Scott: Mom, it's not that easy. Melissa: Do what he wants. Just give him what he wants. Scott: I don't know if I can.
Season 3A: Scott is so consumed with guilt over Derek's apparent death that he nearly allows himself to die and realizes he's not always right.
Allison: You know, if he's really dead, it's not your fault. Scott: Maybe. But remember that whole thing that we talked about where I wasn't accusing you of being there, and if you were there you shouldn't be? Thanks for not listening.
Season 3B: Scott has to confront the reality that he lead Allison to her death.
Scott: It happened so fast. Argent: That's right. Say it again. Scott! Say it again. Scott: How are you doing this? Argent: It's what we do. It's what we do
Season 4: Scott, in the middle of allowing himself to be bait for the Benefactor, struggles with the possibility that he'll need to kill.
Scott: I can't do that. I can't kill them. Liam: Someone has to. Scott: Why me? Liam: Because you're the Alpha. Scott: I'm not a murderer. Liam: But you are a predator. Scott: No. We're predators... But we don't have to... We don't have to...
Season 5A: After being betrayed by his pack, Scott wonders if he even has the right to be the leader anymore.
Scott: But this time, I lost everyone. Melissa: You'll get them back. You have to. Scott: Why would they come back? Melissa: Because you're their leader.
Season 5B: Scott rejects the idea that he has a "Code Against Killing."
Scott: Deucalion? You shouldn't trust him. Theo: And you're the one who let him live. Scott: I'm not a murderer. Theo: You still think you're gonna get through all this without killing anyone? Scott: I didn't say that.
Season 6A: Scott accepts that Liam has the right to mistakes.
Liam: This might be a mistake. But you don't know that yet. And you made mistakes when you were learning to be an Alpha. Scott: Yeah, I made a lot. But we don't have time for mistakes. I can't lose Stiles. Liam: So we should try anything we can to save him. Right? Even Theo. Scott: Convince me.
Season 6B: Scott changes his tactics when he realizes that he is not going to be able to find a peaceful solution.
Malia: Hey. What do we do? Scott: No more peace summits. No more running. No more half measures. Malia: What's the plan? Scott: We fight back.
But fandom clings to the idea (proposed by that most reliable of sources, Peter Hale) that Scott sees the world in black and white, so if he does things wrong or chooses a questionable path, he must see it as absolutely correct, even though he never ever said that ! It's amazing to me how they're able to agree with the moral evaluations of a serial killer, yet can't extend an infinitesimal fraction of agreement with someone who had every right to act ten times worse than he did.
Because that's true. There's a reason they can excuse Stiles plotting Derek's death and Derek sending children to kill an innocent girl as being due to stress and trauma, but find it impossible to recognize that Scott is making decisions under the same duress.
BUT IT'S NOT RACISM.
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idkthisisjustforfanfic · 11 months
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TEMPORARY THINGS, chapter 1
March 2022
The seatbelt chime dinged, signaling your arrival at Gate 43--at least that’s the number the pilot had mumbled through his headset upon your departure for Heathrow. 
Six hours overnight, not terrible overall. But the crappy neck pillow you bought back at JFK wasn’t much of a sleep aid, and neither was the weed gummy you’d popped and swallowed in the backseat of the car that arrived to whisk you to the airport. 
A flight attendant reaches for your carryon overhead, you smile and trail behind others onto the jetway. Warmer than New York, you could already tell, but only by a little. 
It dawns on you, as you read the overhead signs and weave through crowds of passengers, that your sleepless red-eye was likely due to the nerves that had been keeping you up all week. 
Had you made a terrible mistake?
No. Probably not, right? 
Carousel 21 is already littered with familiar faces when you get there--the guy from 3F that asked for headphones a whole ten seconds before take off, the woman in 5A who downed about four gin and tonics before the flight was even halfway across the Atlantic. 
You find a spot to stand and try to breathe in through your nose, out through your mouth. Maybe it was the time change, or maybe it was the fact that both of your feet were now firmly planted on London soil, a whole 3 weeks after this idea had been broached over burrata and Barolo. 
Not the amount of time you usually put into giant, possibly life-changing decisions to move to a new country and start over.
Maggie promised you’d be okay. She swore up and down and back and forth that if you’d handled this type of celebrity before, you could do it again. Hell, you’d handled bigger celebrities, so this should be a cake walk!, she said. And she was someone you could trust. She knew the ins and outs of this world and she knew you well enough to know that this type of chaos was enough to jolt some happiness back into your bitter soul.
An unforeseen break up after six years together will do that to someone. 
So here you are, startled by the aggressive sound of the buzzer when the belt starts moving. 3F grabs his suitcase and makes a beeline for the door. At least you’re not the only one desperate to get out of the stuffy airport. 
And that’s when you hear her yell your name--way too loud for barely 7am in Heathrow and way too loud if either of you had any hopes of blending in. Two Americans were bad enough. Two noisy Americans? 
She trots over to you with excitement, her arms wrap around your neck before you can even mutter a greeting in response. 
“Your mom texted my mom already and I promised photographic evidence,” she pulls away and you smile, being in Maggie’s presence is immediately calming, analgesic to the unease that set in once you reached thirty thousand feet. 
You force a dramatic smile, throw up a peace sign and pose for the camera. She giggles to herself and presses send, stuffing her phone in her pocket in the exact moment that your suitcase appears from the underbelly of the airport. 
“I’ve got it,” she calls again, still too loud. She runs and tugs it off with a grunt, and you laugh again, too, thankful for the distraction of your oldest friend. 
Maggie’s mom and your mom went to college together. Then they married each of your dads and then the two of you came along (Maggie in ‘92 and you in ‘93) and the rest is history. Your early childhood was spent building forts in her basement and by middle school, your favorite pastime was tricking your little sister and her little brother into makeovers. 
She brushes her hair out of her face, stands upright, and takes one look at you. “Okay, tell me everything.”
So you climb in the back of an Uber, Maggie nods and listens intently to details that you hadn’t shared before over facetime. Like the fight you had on your birthday last year, the way he slowly started telling you less and less about work, then friends, the way you should have seen it coming.
Maggie knew your ex, obviously. They got along overall but now she let her lip curl into an expression of disgust, her usual attempt to turn a shitty situation into something to laugh about. 
“What a dumb fucking asshole, Y/N, seriously. I never liked his stupid job or that stupid name,” she turns up the theatrics, a roll of her eyes when she commits to the bit. 
You smile a little, thankful for the 8 weeks that have since passed and the thousands of miles that now stood between you and him, literally. Both of those things made it easier to ignore the stinging in your eyes when his name came up. 
“He’s dumb,” you agree, a swift nod before you take another glance out the window. The London suburbs turn more urban, flats and parks and people on the sidewalks when she reaches over to squeeze your knee with force.
“But now you’re single and in London and your best friend in the whole world got you an amazing temp gig,” she flattered herself and grinned, a text illuminated her screen before she opened it. 
“Which, by the way, I have to be on set around 9am, so I’m dropping you off and then I have to go. But you’ll swing by? I told Jason you’d come for lunch--you know, meet everyone you need to meet.”
“Sure,” you nod, the casual mention of your new boss makes your pulse quicken slightly, you swallow and ignore it. Not your first rodeo. In fact, your lengthy resume that listed all the previous rodeos was surely part of the reason you landed this slightly nepotistic arrangement in the first place.
That and the fact that Maggie was a mid-level producer on the show, had known one of the head writers from a different project, and once upon a time dated one of Jason’s close friends. 
Pair that with your life and career practically exploding when you got dumped with no notice and within only a few weeks you had a first class ticket to London. Maggie called it magic. You called it an impulsive--and possibly irrational--decision.
But whatever. You needed work and a fresh start and hanging out at your parents’ house was getting boring, anyway. 
The car pulls to a stop and the driver helps you out onto the gray sidewalk. Maggie keys in for you and says she came to see the place with a friend to scope it out, you know, since she hadn’t done enough for you recently. 
“Okay, so obviously I got you the best thing I could find in his price limit. This location is great. Same neighborhood as moi,” she flutters her lashes. “A nine minute walk, a four minute jog.”
“Same neighborhood as my boss?” You ask, the real reason your location matters.
It was common practice for assistants to live within a 10-minute radius of their boss. Late night snack? Scheduling emergency? Your job was to meet those needs. Your job was also to handle his schedule, and to--you know--assist in whatever way he asks. 
You’d climbed the latter a bit after starting out in LA in 2012. Previous clientele included one of the Real Housewives, Reese Witherspoon, and, most recently: the famous wife of a Los Angeles Laker. 
You like this job. You liked most of the people. You loved the friends you made and the places you got to travel. And since finally crossing the Executive Assistant threshold in 2019, the pay was killer, the perks were better, and no longer spent most of your time fetching coffees or doing grunt work. 
“Of course,” Maggie rolls her eyes before checking a text message. “And I told him you’re the greatest EA he’ll ever have, he lives on the street behind this one, number 82. You can practically see into his house from your bedroom window.”
You shoot Maggie a glare, glance out the window when she throws a thumb in that direction and mentions his house. “Great.”
She holds your gaze for a second, like she’s reading your mind or something. “Wasn’t the whole point of you coming to London so you’d stop being depressed?”
You mock her childishly, voice high and annoying, “wasn’t the whole point--”
“Okay,” she holds up a hand. “Insensitive on my part,” she admits. “But you know I just want you to be okay?”
She watches you for a moment, her features soften and she blinks a few times, almost like she was unsure if you were broken altogether, with your life stuffed into the suitcase between you. 
You force a smile and open your arms. “When shit hits the fan there’s no place I’d rather be than in a foreign country with you.”
She bounces over and hugs you again, “that’s what I thought!”
**
The March air is cold, the sky’s gotten gloomier with each passing hour and eventually you had to force yourself to leave the house when you tried on your third consecutive outfit. Is there a right or wrong thing to wear on the set of a TV show? You have no clue.
Maggie met you outside a giant building at 1 o’clock sharp--one on the outskirts of town with giant parking lots and film trailers. She used a keycard to swipe in and said your first stop would be the security desk to obtain your own.
Once that was handled she led you down a maze of hallways, pointing out rooms and departments and providing information you knew you’d never retain. But that was fine, because when she pushes open the door to the main sound stage, your eyes go wide.
She watches you take it in, a smile on her face. “Pretty dope, right?”
“I mean, I knew it had to be a good gig if you got you to leave LA,” you tease. 
The room is buzzing with energy. People with headsets carry out missions, walkie-talkies beep and a woman with short brown hair smiles when she sees Maggie. 
“Mag—Brett wanted to talk about a re-write for scene 4, he was over near catering with Brendan.”
“Do you know where Jason is?” Maggie asks the woman, not bothering to introduce the two of you yet. 
“Upstairs, I think--”
“In his office,” a man clarifies when he walks by—in a rush. 
You look up at Maggie, unsure what the right move is.
She looks at the woman with short brown hair and then back at you. “Brave enough to go up there alone since I’m needed for script?”
Yes, of course, fine. You nod quickly and hope Maggie can’t see the fear in your eyes. Something told you she did, but soon she bounces off with Short Brown Hair behind her. 
It takes only a few seconds for you to realize that standing by the door alone looks more awkward than if you, too, move around this giant room like you knew where you were going or what you were doing. You saw another door in the corner, took off in that direction when someone else opened it and you caught a glimpse of stairs. 
That was a start. 
You make your way up one flight and open the door, windows in the hallway look down onto the stage, a better view of the overall set: a locker room, offices, a hallway, a tiny and fictional world with no roof that was born from someone’s imagination. 
You’d watched as a proud friend, never finished the first season after a busy week and an overall disinterest in new TV shows. 
A name plate on the door to your right confirms you’re getting warmer. A few dark offices, then the sound of humming pulls you down the hall to the only room with an open door. 
His name on a piece of paper taped to the wall in bold font, you hold your breath for a second and knock, stepping into view when you hear his voice. 
“What are your thoughts on flowers? Is that, like, too weird?” he looks up, eyebrows lifted when he realizes you’re not the person he expects. 
Standing in front of him suddenly makes you nervous, mostly because you don’t have Maggie by your side to smooth over this awkward moment. You roll with it, your best at your service smile.
“Assuming you’re talking as a gift…thoughtful, somewhat overdone,” you offer an apologetic grimace, “but simple and shows you care. Who are they for?”
He smiles at your answer, leans back in his chair and nods. You were killing it, right? Assisting before a formal introduction? You’re already excited to brag about it to Maggie tonight over a glass of Merlot. 
A tingle down your spine when he laughs a little. “A welcome gift, yeah…for my new assistant.”
“Oh,” you nod, a tiny smirk in surprise when you realize you know something he doesn’t. “Then I’d do tulips.”
Now he leans forward and puts his elbows on his desk. A smirk that he tries to hide when he lets his eyes settle on yours. Is he…flirting? “What makes you say that?”
You shrug casually, “they’re my favorite flowers…and I’m Y/N.” 
“Fuck, hi, sorry—“ he stands from his chair quickly, awkward and embarrassed as he tries to hide his surprise with a smile and extended hand. “I’m Jason. You’re Y/N,” he nods, saying it more to himself than to you. 
“I am,” you smile, watching as he rounds the corner of his desk to shake on it. “Nice to meet you--the set down there is really awesome.”
He smiles, the release of his shoulders tells you he’s glad to move past whatever just happened. His eyes follow your gesture out into the hallway and onto the stage floor. A nod, a quick glance in your direction. “Thank you, yeah—can’t believe we’re already filming again.”
“Hiiii,” Maggie’s voice sounds from the door, a cheerful grin on her face when you both turn to see her. “I see I’m not needed for an introduction,” she waves her hands around and flits her fingers in your direction.
“No, yeah, Maggie--come in,” Jason moves back to sit at his desk, which, you now realize, is just a folding chair at a folding table with a laptop. A couch along the side wall, a mini fridge in the corner and papers and red pens strewn about the table. 
Got it, a makeshift office up here since he was the guy in charge. You wondered where Maggie’s main post was, and you notice that she now has a headset around her neck and a clipboard in hand. 
“Jason, I’m very glad you get to meet my oldest friend, Y/N L/N,” she comes to put her arms around your neck, sloppy kisses to your hairline to show the unbreakable bond. “She’s the reason I work in this field to begin with and I expect that the two of you will be thick as thieves in no time.”
He smiles at that a little, lets his eyes meet yours briefly when Maggie reaches up to pinch your cheek. You swat her away, skin still prickling from the way he smiles at you. 
Maggie was obviously comfortable with him, which you gather when she flops down on the couch and a voice comes through the headset. She pushes it into her ear to get a better listen.
“Few things for you,” Jason points in your direction and searches for something on the table. A three-ring binder after he shuffles through papers, tiny black font that reads Exec. Asst stares back at you when he hands it over. 
“Jessie made this…before her maternity leave,” he informs. “Briony’s here somewhere and she’ll go through it with you, but--based on everything Maggie’s said, I’m sure you’ll jump right in.”
Right, Jessie. The woman whose job you were filling for the filming of this season due to the baby that was about to pop out of her. Briony--no idea who that was--but you make a mental note to bug Maggie for details later. 
A sound buzzes from the hallway, an alarm or something of the sort. Both Maggie and Jason perk up at the sound, you recognize it as some sort of cue that the set will soon be an active filming zone. Maggie stands from her casual position and smiles, “I can bring you around downstairs and introduce you to people, since he’s about to be busy.”
“Perfect,” you nod, a quick glance at Jason to see if that kind of thing is allowed. He doesn’t seem to notice that you’re looking for permission, he smiles when your eyes meet again but then reaches for his phone. 
“Oh, wait--here,” he hands it over, an open new contact page on the screen. You type in your name and number and figure that this will be your main form of communication, instead of the emails with Jessie and Maggie and his manager. 
You hand it back when you’re done, he glances down at the screen--was he checking to make sure you really put it in? Maggie’s nose is in her walkie-talkie again, replying to some kind of garbled request.
“She will report back when I am done with her, Sir!” Maggie salutes in jest and Jason cracks a laugh, a sliver of anxiety melting once her elbow links with yours and she tugs you out of the room. 
You meet set designers and the props team and then hair and make up. You meet the Brett you’d already heard about and get an intro to Briony when she shows up with coffee around 2pm.
Maggie eventually relented to your incessant reminders: Monday was your real first day. For now you had every right to sleep and try to get your body and brain to remember they were on the same continent. Which is why, and probably the only reason why, she eventually let you dip out.
The uber ride home is longer thanks to afternoon traffic, your head is pounding and the king sized bed in your new flat is calling your name before you can even twist the knob. But your nap gets delayed by a knock on the door when you’re rummaging for a sweatshirt in your suitcase. 
You pull it open, sure that whoever is on the other side has the wrong apartment or wrong person altogether. You’re way too new for visitors. 
But it’s not a human, not at first. Instead, a vase of yellow tulips--and a delivery man who smiles from behind them in greeting, happy Friday!, before he leaves you to open the card taped to the side. 
I heard these are overdone. Oh well. Welcome to London - JS
table of contents | talk to me
AN: Hi friends! I've been sitting on the start of this story for a few months and have been v excited to start sharing what I have so far! I do not have a post schedule for this, nor do I know how long it will be, nor is it finished at this time. As I've mentioned recently, I'm focusing a lot more on writing for FUN, so your patience and general kindness is appreciated as I share my writing for free with everyone! There also will not be a tag list for this story but it's table of contents will be pinned on my blog! My inbox is (usually) always open!
But also, I'm so fucking pumped to share this and be able to chat with all of my internet pals about our favorite middle aged man.
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christinesficrecs · 3 months
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Hi i’m so so sorry in advance, huge trigger warnings for this fic find
i’ve been looking for this fic where derek and stiles are kidnapped, and i don’t remember much else but stiles was SA’d with a baseball bat. this fic made me cry so so hard and im needing those feels
I think you mean this one. No kidding on the huge trigger warnings. I'm still traumatized years later.
Fixer Upper by Arsenic | 39.1K | Explicit | ANGST
After the events of 5a, Stiles is estranged from Scott–and by association, the pack. Derek is off finding himself, or, at least, Germany and some other places. There’s a lot of texting and post cards and then Derek comes back to find Stiles missing. Worse, nobody seems to remember Stiles existing.
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adrianfridge · 1 year
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Teen Wolf is a werewolf soap opera horror that gradually changes into a gritty horror thriller. And I’d like to explore that in terms of its campiness.
For me, the campiness is determined by the personality of the villain. I’m going to focus on their theoretical willingness to put on the most flamboyant outfits, but that’s merely an illustration of their vibes.
Season 1 has Peter and Kate, who, if we’re being honest, would both go on stage wearing just the most glitter, feathers, and wig to have an epic lip syncing battle. There would be surprise outfit reveals and at least one would do a split. It would go down in history. 10/10 perfection
Season 2 has Matt and Gerard. Matt would only reluctantly put on an outfit, and it’d be something spandex to emulate the superhero comics he reads. Meanwhile Gerard would be eating up the frenzy that Kate and Peter left behind. His outfit would be more grand than both of them combined. He only pretends he’s retired while being the Final Boss of Drag Race. 9/10 some hesitation to cheer for an incel but grandpa can work those high heels
Season 3A has Jennifer and Deucalion. Jennifer is gothic rock opera chic. She’ll flip her hair while singing soprano in an obsidian gown. And Deucalion? He’s gone mad from losing to Gerard at Drag Race, and now he’s back for a rematch, this time with a BDSM-kink themed outfit to display he’s gone darkside. 8/10 trying a little hard but I can get behind it
Season 3B is the Nogitsune. It’s here when the show begins to get more serious, which I think is the wrong lesson the writing room took from its popularity. The Nogitsune has multiple outfit changes. It is kabuki theater. It is a troll dressed as Stiles while wearing the most bombastic display of practical special effects. There’s a smoke machine running underneath the robe that lights up with each step while a soundtrack plays. 100/10 Megamind would be proud
Season 4 is a mixed bag. It promises a rematch of Peter and Kate, but it doesn’t do either of them justice. Instead they’re pushed to the sideline in favor of a more traditional thriller Benefactor arc. The one highlight is the episode 4x07, Weaponized, which has The Chemist bringing back the pizazz (highly recommended; the episode is practically a one shot with everything you love from the early seasons). 5/10 averages to meh
Seasons 5-6 are entirely dedicated to seriousness.
Season 5A is Theo and the Dread Doctors. Theo is like if you took Matt and then squeezed out any joy. He’d refuse to dress up because he’d feel it’s beneath him. Meanwhile the Dread Doctors, who are already in full Steampunk attire, are doing nothing with it. As stiff as mannequins. All business, no play. They’re just here to get the job done and leave. 3/10 but has the potential
In season 5B we get Valack and the Beast, aka Sebastien. Valack, whose power is to disguise himself as other people, is the type to hate costumes. He’s going to wear an accurate reproduction of a medical professional, and he’s going to be annoying about it. Sebastien tries to be camp but it comes off like a parent incorrectly using lingo to try to be hip around their child. No one wants to see it. 1/10 please stop
Season 6A has… a literal Nazi. And the Ghost Riders, who only know how to walk a cat walk. They’d make great supermodels if their job wasn’t to make people forget they exist. 0/10 I want my money back
Season 6B is just straight up trying to be an allegory for modern day political discourse. There’s also the Anuk-Ite, a creepy-pasta knock-off of the greatest hits. You can’t even look at it without being turned to stone. -100/10 I’d rather fight a muskrat on twatter
Ultimately, my point is you lose much of the dramatic flair after season 3B. For many people, such as myself, it’s a disservice to why I started the show. But for other people it’s a good turn since they prefer the gritty realness. It ends up being one of the many reasons for the split in fandom over the direction of the show. And I can bet money that the movie is going to suck all the glamor out of the Nogitsune in favor of the same sort of straight-laced horror the later seasons embodied. Which is to say some people will love it, and it’s not going to be me or Megamind.
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captain-hen · 9 months
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Hi! So uhhh from the Blorbo Bingo you answered "most fandom takes are incorrect" about Eddie. Now. I've certainly read some takes that make me go ????? But what are some takes you've seen and don't agree with that you don't mind sharing with that class? 👀
okay well i'm just warning you in advance that you've probably opened up a pandora's box by asking me this, but. here are my many, many thoughts on the subject:
the take that eddie has 'anger issues' because of the fight club arc annoys me SO much, because it is: a) racist as hell given that eddie and chimney are the only characters who are treated like this even though bobby has been demonstrated to lash out (violently) in anger on multiple occasions, no one ever tries to say he has anger issues or that his loved ones would be at risk because of him. the fight club arc was more about self-destruction rather than anything else; and eddie wasn't, like. beating up random people in the street. all of the people he was fighting were there for the same reason he was and it was all 100% consensual until it got out of hand in 3x08—at which point he immediately stopped.
the trope that eddie is 'bad with words' or bad at expressing his feelings, is sooo inaccurate, like my man has some of the most heartfelt quotes filled with devotion to his loved ones, put some respect on his name! he's bad with allowing himself to have these feelings, sure, but he's never had a problem with telling his loved ones what they really need to hear when the time comes.
'eddie's panic attacks were only because of ana/comp-het' god. please stop. there were a large number of factors, the most pressing being the fact that he nearly died four months ago. the thing with ana was merely a catalyst and he had at least 2-3 moments like that that had absolutely nothing to do with her. pls rewatch 5A i am begging.
this one was particularly strong in the weeks after 6x10: eddie verbally expressed his fear for buck's life loudly, which means he obviously cares about him more than shannon. fucking hell. please stop. not only is it a weird-ass comparison to make, the way a normal human being might verbally/physically express their grief is in no way proportionate to the actual grief they might feel for someone they deeply love. eddie has been an extremely private person when it comes to his emotions and canonically has a tendency to compartmentalize. his ability to hold it together while shannon was dying is no way indicative of him loving her less. and i'm SO glad 6B emphasized how fondly he thinks of her still asjkdkd
there are definitely loads more but these are the ones that annoy me the most, so. hope you agree with me sjdkdk
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im-not-a-l0ser · 5 months
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Hi! I do have a question or two about the American public school system (as a Canadian). First of all, are football and cheerleading really that big? No school I’ve gone to has ever had football. I don’t think I’ve ever played football. Second, how many periods are in a day and how long? For us it’s four 1h20m blocks, two in the morning and two in the afternoon. And what is a passing period? And are your bells really like the brrriiing! that we see? ok thanks :)
Firstly- I mean, sort of? At my school, we have numerous sports posters in the hallways, and then we have banners of senior (final year) athletes there too, but those are for all sports, and the marching band. And usually the jags in class are football players. Cheerleading is a bit more neutral. I know people on the cheer squad who I get along with and others who I really don't. In reality, the athletes generally are the worst. I guess that's not really what you were asking, uhhh. Okay, in regards to NPMD specifically, the big game, people being very into that? It's very likely. While my school doesn't have like 'rivals,' in the soap operatic universe, it makes perfect sense to me that they'd get more into the Clivesdale game than into the HoCo game, which we don't even get to see the prior of. Most schools have pep rallies for the HoCo and final games, I believe. I'd say the first game too, but I actually think football games start before a lot of school years. The biggest sports, at least at my school, are Football and Basketball. I hear a little bit about soccer and swim too, but barely. I believe that Football, Basketball and Soccer are generally the only ones with cheerleaders, while Football and Basketball usually have both cheerleaders and the band.
Secondly, the periods here are about 45 minutes. At both of my high schools, we've had three different lunch periods, A, B and C. So, for example, I had A lunch for my freshman year at my homeschool, and my junior year at my vocational school. At my home school, during my B and C periods, I'd spend the entire time, and hour and a half, in a single class. At my vocational school, you just keep switching classes like normal. I believe that both my home and vocational school have 9 periods, although it's technically 8 at my home school since it goest 1, 2, 3, 4, 5A, 5B, 5C, 6, 7, 8, while at my vocational school it's 1, 2, 3, 4, 5, 6, 7, 8, 9.
Third, Passing Period. This one is quite simple. Most schools have 3-5 minutes to move from class to class. A bell goes off signifying the end of your current period, and then after a few minutes, a second bell goes off signifying the beginning of the next class. That's when teachers take attendance, and that bell it what let's teachers know when a student is tardy. This is a special case, so I don't think it's super common, but during my freshman year, the pandemic was still a pretty big concern, so we technically had a 6 minute passing period. Bell one: Freshmen and Sophomores (9-10) would go to their next class; Bell two: that's when 9 and 10 classes should be in their next period, and when Juniors and Seniors (11-12) left the classroom. Bell three signified the end of passing period, and when Juniors and Seniors had to be in class. It was to avoid so many people in the halls at once.
Fourth, the school bell: it depends on the school to every degree. At my elementary school (kindergarten-6th grade) there was no bell at all. In my middle school (7-8), it literally sounded like a hockey buzzer when I went, but is much more calm now, just a prolonged key. At my home high school (9-10) it is like four or five quarter notes of the same key. At my vocational school (11-12), it's much more... inconsistent? The building is quite new, so things are still shifting. Last year it was just a prolonged key as well, but most days this year it's been like a bunch of sixteenth notes? It sounds like you shoved the speaker for the bell underwater and it's just bubbling out in chunks. I am very sure that there are still schools with the classic briiing bell sound. My first couple visits to the high school in my town (my home high school) there were still the bells on the wall, they just weren't active.
(PS: A vocational school is a school that you attend specifically to study a specific career path during your high school years, usually to avoid the need for college.)
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andavs · 1 year
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Genuine Beer in 9-1-1
There’s been a lot of talk about the Genuine beer that Buck and Eddie keep drinking, so I thought I’d make a post about it! But if we're talking about Genuine beer, I think it's only fair that we look at all of the other beer they use in the show too.
Just a quick note before we start: I don't think their prop department makes any of these. There are vendors that specialize in making props like this, and at least five of these come from the same company.
9-1-1 has a lot of commonly recurring brands of prop beer. They tend to use multiple brands at a time for variety, peaking at six used throughout 3b. There's also a bunch of one-offs they've only used once or twice that I didn't bother including here, and there's some that they've only used in the backgrounds, but I couldn't really read the labels.
They didn't really use prop beer bottles until Hen Begins (2.09), halfway through season 2. Most of the characters are shown drinking wine until Buck, Actually (2.08), and aside from one scene at the end of 1.10, those who do drink beer use a glass.
So without further ado: the beers of 9-1-1.
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Blind Fox Ale is used mostly in seasons 2 and 3. As of 6.15, it's tied with Genuine for most uses, with main characters drinking it nine times. It's shown on screen even more in the background, and pops up in 5a when Michael's drinking one.
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Alexander’s Famous Ale was used in a two episodes during season 2: Chim drinks it twice in Chimney Begins (2.12) and Athena and Hen drink it in Ocean's 9-1-1 (2.15). Red was drinking it at the bar in The One that Got Away (3.16). It's frequently used in the background by extras.
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Grand Ale first popped up in Kids Today (3.01) and stayed through season 3. Chim drank it twice, Michael had it at a Grant-Nash family dinner, and Buck also drank it in Fools (3.12).
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Cerveza Extra was used mostly in season three. Chimney was drinking one at the party for Buck in Kids Today (3.01), Buck had one sitting in front of him at the end of The Searchers (3.03), Chimney was making his way through several in Seize the Day (3.11) and Buck has one in front of him during the party at Eddie's later that episode. Buck also served it to Connor in Peru in Buck Begins (4.05).
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Mendoza Lager was added in season 5 and these are the three times we've seen it: Buck drinks it in Outside Looking In (5.11) while the team is at the bar, he drinks it again on the balcony with Maddie in Starting Over (5.18), and in Tomorrow (6.06), Hen was drinking it when she first met Karen.
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Rio Negro has been used a few times, and so far, Eddie’s the only main character who drinks it. Lena had one with him at the junkyard fight in Rage (3.05), he had one or two at the bar in Seize the Day (3.11) (and extras were also holding it during the party at his house later that episode), and he also drank it in Texas with his family in Hero Complex (5.17). As far as I can tell, this is the only beer that's this character-specific.
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Tux’s Red Ribbon was used once in season 1 at the very end of A Whole New You (1.10), when Chim was hosting a party. I didn't notice it again until In Another Life (6.11), where it was the only brand of beer anyone drank in Buck's coma dream. I'm wondering if they used it in the coma dream because they don't normally use it, to subtly emphasize that things are wrong, or if we're going to see it again sometime soon.
Which brings me to Genuine.
The first time I found Genuine being used is back in Hen Begins (2.09). It’s in the scene where she goes out with Athena, Bethanne (the female cop), and Casey (the gay firefighter). She’s the only one at their table drinking Genuine, though Casey also has a beer in a pint glass. That extra behind her looks like they might have it too.
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Note: this isn't the only brand to be used once earlier and then resurrected later; Tux's was used once in season one, and then again in season 6.
After that the show used other brands and I didn’t see it again until Fear-a-Phobia (5.13) when Chim and Hen drink it during their reunion.
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Buck and Eddie drink it in Let the Games Begin (6.01).
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The guy who blew up his cheating neighbor in Crash & Learn (6.02) was drinking Genuine.
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Buck gave one to Connor in Recovery (6.12). It wasn’t in his fridge a few scenes before when Maddie was stocking it for him (meaningful or continuity error?).
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Eddie had it in his fridge later in Recovery and grabbed two for him and Buck, but drank both himself when Buck fell asleep.
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Buck and Eddie were both drinking one while helping Chris with homework in Mixed Feelings (6.13).
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And Eddie had it again at the poker game. (Many of the extras around them were also drinking Genuine.)
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Eddie also had it in his fridge while on the phone with his mom in 6.15, and it's still there when he calls her again at the end.
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It's shown in Maddie and Chimney's fridge at the end of 6.16.
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All that kind of makes it seem like we're seeing it a lot more often lately, like maybe it's a sign of something building. Of the three beer brands we've seen the main characters drink in season 6, Genuine shows up the most by a wide margin. Mendoza Lager has only been in one scene, and Tux's in two (both in the coma dream).
So is it a sign of something being genuine? Uncovering something genuine? Their prop beer budget got cut and they can only afford one brand? Just the latest favorite in their rotation of prop beers and it doesn't mean anything at all? You be the judge!
(It seems like they try to cycle through brands for the core seven characters to drink every season or two. The ones that were most prevalent in seasons 2 and 3 still occasionally pop up in the background in later seasons, especially in bar scenes, or for characters like Michael and Red. And once you notice them, then you too might find yourself pointing excitedly when you spot a rogue Alexander's Famous Ale on a passing server's tray for the first time in two seasons.)
Bonus unrelated discovery from my search: Back in Hen Begins, Hen had the frog sponge holder first.
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liliaeth · 2 months
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@wickedacefae what I don't get is why you believe that making Scott the bad friend is switching it up? Due to racism in teen wolf fandom, it's unfortunately far too common to find 'bad friend Scott McCall fic' no matter how little sense it makes with canon.
Look up the numbers, if you want to 'switch it up' then the best way to get drama would be to make Stiles the 'bad friend', who needs to make it up to Scott
Because those kind of fics are incredibly rare, and with how little character growth Stiles got in canon, it would be nice to see a fic, where he actually grows up and matures for a change.
You know, where Stiles is actually held accountable for his actions and behavior, and has to learn from it. It's the one thing most missing from the show, since imho Stiles was the most static character with the least character growth of all the main cast of the show.
Everyone else got to grow up, mature, learn from their mistakes. Characters like Scott, Lydia, Derek, Allison, Malia, Liam... all of them got to grow up and mature. They got their mistakes acknowledged and then had to come to face with them, and learn from them. Almost all of Teen Wolf's characters got that growth. All except for Stiles. (Well Peter too, but Peter's a villain, so his lack of growth is part of what made him a villain in the first place)
Big part of the problem is that Stiles' fans already reacted badly when they dared to give him even some minor growth in s4 by having him get over Lydia and move on.
Imagine how much better his story arc would have been if after 5a he'd been called out on his treatment of Scott, and how he betrayed the pack to Theo. If his insecurity and lack of faith in Scott and the others love for him had actually been dealt with.
But because Stiles was the fanfave, and his fans didn't want him to change, Stiles never got that. And for me personally, that just made him less interesting as a character.
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outrunningthedark · 5 months
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Why do you think Natalia is unlikely to be back? From past experience (looking at Taykay), I thought any LI of Buck would be a sure thing to return, no matter how shitty it’s written. As for Marisol, if she’s not fired for her transphobic speech, we are looking at Ana 2.0…
Before the strike, I thought Natalia could be back to at least test the waters re: audience reception. Fandom may not have found her engaging, but (IMO) the GA's opinion could have been swayed had they seen her some more (and assuming Tim & Kristen put actual thought into giving her a personality and a purpose). Buck and a pretty lady? Particularly a pretty lady that comes off nicer than the last? Not a hard sell.
But the more I thought about it, the more I started wondering how a death doula is going to fit into Buck's life now that we've seen him work through his feelings about the possibility of dying on the job, and regardless of how people felt, story-wise, her career matched up with where he was (mentally) at in 6B. We just didn't see any of that connection. (More off screen development at the hands of Kristen...let's hope that gets better next year.) If Natalia were to come back, she'd be getting the Ali and Ana treatment, I think - an appearance every few weeks so you remember she's there - because there's truly nothing for her and Buck to do together that matches the other pairings. No kids right now. That makes her different from Michael and Karen, the two longtime non-first responder spouses. And Shannon. And even Ana, who Eddie first became interested in at a parent-teacher conference. No history of reporting or crime solving. They're no Bathena. Or even BT. She's not a firefighter. They won't be BL. She's not a dispatcher. There goes the Madney angle. (Natalia getting close to her boyfriend's sister, having double dates). And there *also* goes the potential for communication over radio or one showing concern over the other's safety (y'no, the thing we assume should be happening more with Madney). So much of Buck's story line has been about his personal relationships and desire for love/a family of his own. A girlfriend that he interacts with two times in half a season (all things being equal aka not 5A) doesn't seem like the way this is gonna go considering how his previous two "relationships" (counting Lucy) were with women who had a reason to regularly interact with him. The effort IS being made now, but it's not enough to win the audience over because of choices that were made early on. (The Lucy intro was just. Completely avoidable. Cheating is not how you get the moms on board, duh.) I expect that to change with Tim in the driver's seat critiquing more closely than before.
& regarding Marisol, yeah, the Ana detail is why I'm not as sure of or concerned with the character's status. The show has yet to write a LI for Eddie that has a presence. (I know people have their feelings about Shannon, but strictly speaking appearances, her first two set up her arrival and stay in LA and then the next "big" episode didn't come until she was supposed to die.) I don't know that I'll believe that's a priority in the writers' room until I actually see it for myself. :/ (And as for the transphobia...the ones in charge stayed silent and so much of the GA must not have a clue it happened, so I wouldn't even count on *that* being a deciding factor. If it's anything, it's her delivery and lack of chemistry with Ryan. So basically, Gabrielle 2.0.)
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