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#asian fiction
it-isbel · 10 months
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onibaba, 1964
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nerdishwrites · 1 year
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Hi, I’m Sanam! I’m a new writeblr. I usually write Fantasy, Romance, Sci-Fi, Historical Fiction and Asian inspired short stories. I’m hoping to use this year to get back into writing and work towards publishing my own short story collection or novel.
I also write fanfics on the side (TLC fics on my book blog as well as a Loki and Mass Effect fic on my Ko-Fi). If you write in the same genres or just love writing cute fictional characters in general, I would love to get to know you all!
Looking to make some writeblr friends! ❤️
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gozdziak · 11 months
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Yellowface just landed on my Kindle. Looking forward to reading it
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meirimerens · 7 months
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pathologic fest day 19
"In the Darkness"
where nobody dwells but the earth herself
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nerdslikeme · 2 years
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BOOK REC: Rich People Problems - Kevin Kwan
The final CRAZY RICH ASIANS book continues to be perfect holiday fodder, but brings in some history of the Young family to give us context to what we've seen until now.
Author: Kevin Kwan (twitter / website) UK Publisher: Corvus Genre: Contemporary fiction, satire See Also: Crazy Rich Asians | China Rich Girlfriend Nicholas Young’s grandmother Su Yi is on her deathbed. While he rushes to be by her bedside, he’s not the only one. The entire Shang-Young clan has convened from all corners of the globe to stake claim on their matriarch’s massive fortune. With…
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torbooks · 5 months
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Fetter was raised to kill, honed as a knife to cut down his sainted father. This gave him plenty to talk about in therapy.
WHAT’S IT ABOUT
As a child, Fetter walked among invisible powers: devils and anti-gods that mock the mortal form. He learned a lethal catechism, lost his shadow, and gained a habit for secrecy. After a blood-soaked childhood, Fetter escaped his rural hometown for the big city, and fell into a broader world where divine destinies are a dime a dozen.
Everything in Luriat is more than it seems. Group therapy is recruitment for a revolutionary cadre. Junk email hints at the arrival of a god. Every door is laden with potential, and once closed may never open again. The city is scattered with Bright Doors, looming portals through which a cold wind blows. In this unknowable metropolis, Fetter will discover what kind of man he is, and his discovery will rewrite the world.
The Saint of Bright Doors sets the high drama of divine revolutionaries and transcendent cults against the mundane struggles of modern life, resulting in a novel both revelatory and resonant.
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SUMMARY: Pinocchio 964, lobotomized cyborg sex slave, is thrown out onto the street by his owners because of his inability to maintain an erection. He is befriended by a criminally insane, memory-wiped, homeless girl. Meanwhile, the corporate entity who manufactured and sold him plots to kill him because of his malfunction.
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uwmspeccoll · 11 months
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Staff Pick of the Week
My staff pick this week is the trade edition of The Tale of the Shining Princess by Japanese-born writer Hisako Matsubara (b.1935) and Japanese-Canadian artist-printmaker Naoko Matsubara (b.1937), published by Kodansha International LTD. Tokyo, Japan in 1966. 
As a artist-printmaker and bookmaker who makes woodcuts, I am greatly inspired by Naoko’s prints. Naoko Matsubara’s work carries on traditions of Japanese printmaking while having its own contemporary flavor. Her woodcuts are ecstatic, they are vibrating with movement. Her use of bold shapes and the white line of the the carving tool makes the most of what woodcut has to offer. In the book form, the active images carry the reader’s eyes through the book space. Her use of negative space activates the page. Additionally, her woodcuts have translated beautifully to commercial printing. 
The Matsubara sisters are daughters of a senior Shinto priest, and were raised in Kyoto. Both studied, lived, and worked in the United States. Hisako received her Master of Arts degree from Pennsylvania State College, moving to Germany where she continued her studies and became a prominent writer, publishing her work in Japanese, English, and German. In the 1980s she moved back to the United States, this time to California where she worked at Stanford University. 
Naoko received her Master of Fine Arts from Carnegie Institute of Technology in Pittsburgh, now Carnegie Mellon University. After her studies she traveled across Europe and Asia. She returned to the United States and became the personal assistant to the artist and wood engraver Fritz Eichenberg, an artist who has been featured many times on our blog. Naoko taught at Pratt University in New York and at the University of Rohde Island. She also lived in Cambridge, Massachusetts for a time. Naoko is currently living and working in Canada in Oakville, Ontario, where she continues to work and exhibit nationally. 
The work of both Hisako and Naoko have had great influence inside the United States and around the world. So lets celebrate their accomplishments! 
This book has end sheets of mulberry paper with inclusions of Bamboo leaves, the cover is a red textured paper with a gold stamped design by Naoko. 
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View some of our other AAPI selections for this month.
View our other Staff Picks.
- Teddy, Special Collections Graduate Intern
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scholar-of-yemdresh · 4 months
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The TERF brigade in the BES fandom makes my skin itch. God forbid you interpret Mizu as transmasc. Like having a different interpretation of the character is somehow taking anything away from cis women. Musty asses already castigated any HCing Mulan as transmasc are you not tired of harassing asian transmascs by now???
Anyway instead of getting cis "people" in your mentions crying about the "evil [white*] transes taking away wombmyn stories". Protect your peace and stan a book series that's got a transmasc asian(fantasy Korean not Japanese) swordsman as one of the main characters, his name is Keun-ju and he's so pookie ☺.
It's called The Crimson Empire trilogy by Alex Marshall. It's a batshit heavy metal dark fantasy trilogy with pretty much every queer imaginable. Also If you can handle the gore/violence of BES then this shouldn't be an issue. The Main character(there are a lot of important characters) is a scarred up brawny bi woman who's in her late 50s/early 60s.
Oh and all those ot3 Mizu/Akemi/Taigen shippers I see you...so Keun-ju is bi and gets into a throuple with a feisty(Low key a dumbass tbh 💀) princess(who's his childhood friend and he's her bodyguard because I know yall eat up that shi) AND a cis guy who he starts out with a pseudo antagonistic/rivalry relationship.
Caveat unlike BES these three do start off the series as teens (16-17/18) but by the end they're all firmly adults.
*Totally ignoring the trans POC specifically the East asian trans people because "transness is a taint forced by white people" or some other bullshit. And it make it easier for the TERFs to pretend they're fighting the "oppressor" if they act like trans poc calling them out on their shit don't exist.
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makapatag · 9 months
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friendly reminder that i have a high fantasy southeast asian-inspired web serial named PRINCESS MURDERS THE HERO that is also an examination of the Hero's Journey and a meandering joyful exploration of Southeast Asian folklore and violence
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princessmurdersthehero.com and yeah its set in Gubat Banwa! check it out im getting to finishing the outline for the next arc and im getting all one piece experimental with it (its also a university arc lmao)
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keystonepublishing · 26 days
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The House of Aunts by Zen Cho
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Well, it's been a while since I updated, and not for nothing. The fasting month has arrived and much of my weekend energy is preoccupied elsewhere. Also, there are several longfics that are currently WIP, full completion uncertain.
So imagine my feelings as they got slammed against the wall by this: The House of Aunts by the Malaysian-born Zen Cho. An original vampire fiction that is set in Malaysia, uses traditional Malaysian monsters die Dracula, and deals with issues that hit close to home for anyone living in this part of the world, such as overbearing parental figures, unspoken religious and ethnic boundaries, and familial shame.
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Since the story is Malaysian at heart, I decided to use Malaysian pictures and themes.
The book cover is actually made from drawing paper, printed with the image of a rubber plantation to evoke the story's setting. The front side has a glued-on image of a frangipani flower - the flower of the undead in Malaysian stories — surrounded by Baba Nyonya tilework — the Baba being Chinese Malaysians who settled and intermarried with locals.
The printed endapapers threw me off. I wanted to have a tilework or frangipani motif, but none of the free internet sources came up with anything distinctive. I did eventually find a peculiar color gradient that reminds me of twilight, considered the time when Malaysian monsters strike the most.
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The Malaysian motifs continue at the title page, where I used Baba Nyonya tilework and Malay woodcraft motifs to frame the title. Same thing too with the copyright page — believe it or not, I actually intended that part to be minimalist! But one curious placement of images led to another and soon, I was looking up different websites to find the right Malaysian decorative features to bedight the logos!
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The story is divided into three parts, and I also wanted the headers to be minimalist. Something of that won out here more, as I decided to use plumerias to highlight the 'undead' parts of the story and the greyscale tilework/woodwork to highlight the human connections of the main character, whether they were broken or not.
This bind took me less than a week and it was actually refreshing to get my hands busy again. Full rights to the story goes to Zen Cho, who really deserves all the awards for writing a monster tale that hits at so many themes, it's quintessentially Malaysian!
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hamcus
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beckyts · 6 months
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Wherever you go, go with all of your heart.
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superlintball · 1 year
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Okay so a friend of mine was getting rid of some books and she offered up a book called The Jasmine Throne by Tasha Suri
I had never heard of it, so I looked it up, and discovered that it was a fantasy book written by an Indian author which heavily draws from South Asia for its worldbuilding
Needless to say, as an Indian, my interest was piqued, so I told my friend I would indeed like to have it
When I picked it up from her, she mentioned that it wasn't all that great of a book but that she really liked the worldbuilding, and so I went into it with pretty low expectations
What I didn't consider was that my friend is white.
To be fair, I'm not saying she doesn't have a point. Maybe this isn't the most beautiful prose or most intricate plot I've ever read
To be perfectly honest, I don't really care
You see, to her, the cool worldbuilding that she liked was just that: worldbuilding. (No hate to her whatsoever I adore her)
But this is my culture. I didn't even know how much it meant to me to see my culture in my favorite genre of book until it was right in front of me
I couldn't get enough of it
At every chance I got, I was reading
I was in the middle of a vacation and all I wanted to do was keep reading
And then
This happened (mild spoilers for the book):
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And I was like ",,, oh??"
I read it again
Then I kept reading
And then a few pages later, this:
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OH??????
I just kind of sat there and I processed what I'd just read
And then I took pictures
And then I read it again
And again
And again and again and again
And now I'm just sitting here
I can't
I can't handle this
I'm just sitting here, in the middle of a hotel room, unable to read another page of this book or look away or do anything at all other than stare in wonder
Because it's GAY
I can't handle this
I don't know what to do
I want to cry
I want to scream
I want to curl up into a ball
I want to track down the author and,,, I don't know? Hug her? Kiss her? Thank her? Ask for her autograph? Stand there grinning like an idiot? Offer her my services as a court jester? Kneel at her feet and swear fealty? Those last two probably go hand in hand tbh
Regardless, it doesn't matter what I want to do
Because I can't do anything at all
It's not just South Asian fantasy
It's GAY South Asian fantasy
This,,,
This means so much to me
Thank you, Tasha Suri.
From the bottom of my heart,
Thank you.
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strangestcase · 6 months
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Okay I’ve noticed that in the tumblr gothic lit fandom discussions about racism (be it in-text or fandom racism) never go too far because if it’s a white person pointing something out (usually something blatant everyone can see) they’re accused of white saviorism and speaking over the people of color who are really affected by that racism- but if those people of color do it and call the racism out, they’re ignored. the only people of color that are listened to are the ones that say “it’s not that bad”, “I’m fine with it”, “I don’t mind it” as if they’re a monolith and other POC aren’t uncomfortable with the fandom’s behavior. and, listen, I don’t know if I -as a white person- am 100% right in this assessment, but it kind of… smells of tokenism?
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