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#as someone who doesn't believe in fate
graciousdragon · 2 months
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anyway. do y'all ever think about how Sona kept the gun 31 gave them even after it was no longer functional
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stromblessed · 4 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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tazmiilly · 2 months
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I've always found the end of Journal 3 a bit strange, but one of the specific things is ford throwing his journals into the bottomless pit. It's kinda cool as a concept, but it really doesn't make a whole lot of sense.
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The bottomless pit basically makes it so the fate is unknown of whatever goes in. it could come back, it could end up somewhere else, or it could continue falling for eternity.
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ford has attempted to hide his journals before, but they were all found. Gideon even dug up the 2nd one and used it to terrorize the town and even ford's own family.
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so I don't think ford would be blind to these outcomes, its happened before why wouldn't it happen again? I think the thought of the journals falling through the pit and wounding up in the hands of someone more powerful than an 8 year old would be enough to keep him up at night. the forever uncertainty would kill him.
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then I think, well maybe he would burn them with everything else?
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however, I think it's important to remember how much these journals meant to him. despite the memories they carry now, they were once his sole confidant in six years of solitude.
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even if ford felt any sort of connection to them now, he probably felt like he had to get rid of them.
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he probably felt that his work was a burden to those he cared about. that he would have to make the sacrifice to part with them.
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I think it would be a great dilemma for him. So I believe he gave them to someone. I think a lot of people would assume it would be Dipper, but to me what it comes down to is that it would have to be someone ford could fully trust.
it would be someone who could see the value in his work despite his mistakes. someone who could fully understand where his passion came from at the very start.
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so i believe he gave them to fiddleford
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I think fiddleford has had an interest in Ford's old journals ever since his memory started to recover. he remembers something new each time he reads them. fiddleford would be able to keep them safe, keeping ford's mind at ease knowing someone was keeping an eye on them.
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and I think that would be enough for him
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murdrdocs · 2 months
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repressed and desperately horny luke who has never seen a porn video vs new to camp reader who used to be able to watch it whenever they wanted but now can't even flick the bean in peace
oh and maybe reader who gives Luke a dirty polaroid or two they've been hiding before they leave camp for the fall
— 🦣
🦣 anon strikes again omg. this concept actually makes me all giddy i want it to be something Bigger hence the informal format but just follow me here okay.
just thinking about ya'll finding each other in a moment of need. fate, really, if either of you believed in the concept. you, grumpy and insatiable from lack of proper sexual satisfaction, and luke, knowing he's feeling something but he doesn't know how to expel the need. sure he jacks off sometime, but not nearly as much as a guy of his age usually would.
so there you are, grumbling about, eyes narrowed, mimicking the behavior of ares kids (your possible siblings but it's anyone's guess at this point) and luke just has to go and be the mediator, asking what's got you so down. of course, you're wound up so tight, and a little grateful that someone your age has asked the question because you can finally tell the truth.
out comes your dirty secrets. your longing for peace and quiet to get off. your slightly remorseful nature because you had no idea that you were that reliant on pornography to help you out. and luke is just standing there, ears reddening as he suddenly finds the trees behind you incredibly interesting.
but luke is a Problem Solver, so he awkwardly has a suggestion for you. "the showers right before the bonfire are usually pretty deserted. and for your ..." he scratches a nonexistent itch behind his ear. "other problem, my brothers have some old magazines i could lend to you."
you snort, arms folding as you pretend to be disinterested. but really anything would satiate you at this point. "what are they? women on motorcycles? maybe an old playboy mag?"
luke shrugs. "dunno. never seen 'em."
and it takes you a second. a really long, tense, and warm (for luke) second where you eye him up. noticing his stance, taking in his clipped words, how he said them. and it occurs to you that little demigod luke, having been at camp half blood since 14, has never seen what the world has to offer in the pornography department. or if he has, he hasn't seen the porn of today.
and unfortunately, it's impossible for you to fix his issue in naivety. there are no phones in camp and even if there were, you don't think the service out here would be all too good. which leaves you to improvise.
you do end up getting the mags from the hermes boys, critiquing their selection with a scrutinized glare at the pages, flicking through them with the edge of your shirt to avoid any remnants. and then you report back to luke, telling him to give them a look, prefacing it by telling him that things now are much more entertaining. slyly hinting at your ears being open if he wanted to give his opinion.
which, he does. standing awfully close to you at the bonfire one night, body turned just a little so he can speak lowly.
"there's ... things better than that out there?"
you nod, affirming his statement while attempting to hide a small smile. the magazines were barely pornography in your eyes, women in manufactured poses to appeal to men. skin artificially smoothed, their cunts shockingly dry, their poses so meticulous. it lacked the emotion and desire that you enjoyed to watch.
and poor luke didn't even know the half of it.
at least you do introduce him to what he could be consuming just before you leave camp that summer, sliding him two polaroids you'd managed to take.
one of you in the showers, body littered with clumps of suds. your skin shining from the overhead light which gleams from the water along your body. it's taken from a low angle, the side of your backside being the main focal point with your tits at the top just barely making the cut.
and then the other is much more lewd, showing luke what the magazines should have. you, on your back in a camp bed, wearing nothing but your standard issued shirt which is bunched up around the waist. your free hand is between your spread thighs, two fingers clearly singled out to spread your lips and reveal just how wet and shiny your cunt is. and after one of his many sessions of getting off over it, the post nut clarity manifests as hyper analyzing for luke.
he notices the familiar pair of shoes off to the corner, the pillowcase he had one of his brothers sneak in last summer, the stain he's never been able to get out of his fitted sheet.
and suddenly the picture has new meaning for him.
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winterspellsfrozenkit · 2 months
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Maomao's Dislike of Jinshi
So I've been watching Apothecary Diaries and I think people are missing out on the root cause of why Maomao doesn't like Jinshi's interactions with her. It's not because he's too pretty, of high standing, or because she thinks he's annoying/etc., as they're just parts that make up the actual root cause. It's because she knows he's being fake.
Jinshi, because of who he is, where he lives, and how he was raised, covers up his true intentions almost constantly. That was how he trapped Maomao and singled her out as the one who warned Concubine Gyokuyou, after all. The premise to get all the servants in the room, the note telling her to stay put, and making her come with him without telling her where they were going? He let her worry that she was in trouble, so to keep her off-balance when he introduced her to Gyokuyou and also had kept her note to keep her pinned in a corner so she would have to comply with what he and Gyokuyou wanted.
Maomao prefers working with honest people. It's why she never wanted to ascend into the ranks where court politics were a constant presence, because in court politics, you have to assume most people are lying to you on some level. That's why she likes Gyokuyou; Gyokuyou has a similar mentality about the importance of honesty in the people around her and she reciprocates that honesty with the select people she lets her walls down around. When Jinshi is flirting or being super sweet to someone, Maomao knows he's often not being sincere, so when he flirts or acts all sweet with her, she's not going to believe in the sincerity of it because it's dangerous for her if he's not being sincere.
In Maomao's world, a man who makes false promises will not have severe consequences for his actions, unlike the women who fall for them. Growing up where she did and doing the work she did, Maomao knows exactly what kind of damage someone else's lies can bring to someone else who got caught in them. Maomao is not blind to the ugly truths of the world around her, unlike many her age, so interacting with Jinshi, someone who is usually some level of false in almost every encounter with her, is frustrating to her and he won't leave her alone. Lies are a form of poison themselves as they deteriorate a person's life and relationships and if not caught, can lead someone to their death or a fate akin to death, but unlike physical toxins, Maomao can't fix any damage from that kind of societal poison. As someone who wants a lowkey and unremarkable life because it's more peaceful, Jinshi could damage her goals with his falsehoods if she falls for any of them.
And we see that when Jinshi is actually honest about himself and his feelings with her, she treats him better. When he gives her his hairpin, when he's hugging her and crying because of what happened with Ah-Duo, and when he's at the Verdigris House, drowning his sorrows over letting Maomao go from the Rear Palace, Maomao is kinder to him and doesn't look at him with the immediate disdain and suspicion she often throws his way. Maomao even states she prefers the Jinshi, who is more childlike and bratty, which is something we see Gaoshun constantly discourage when Jinshi has those moments where his mask breaks. But in those moments, he's being honest.
For the position of Maomao's love interest, Jinshi's already got one foot ahead of any other guy around Maomao, as he is willing to let Maomao have more freedom in her special interests and gives her things and access to areas that play into her interests, like her dad does, which is more than most men in her society would ever allow. The only reason he actively goes against her toying with poison is he knows exactly what she's going to do with the poisons. But his main hinderance to getting Maomao to like him back is the training of being two-faced that's been ingrained into him for his survival in court. If he was more honest with her, rather than hiding himself under the veneer of a pretty man who is sweet, gets along with everyone, and keeps his knowledge close to the chest, he'd do so much better in earning Maomao's respect and affection.
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torchwood-99 · 5 months
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There's a bit of a role reversal with Faramir and Eowyn, in terms of how their narratives include tropes and plot points that are often traditionally applied to characters of the other sex.
Eowyn goes to war because she refuses to be left behind to be burned inside the house when the battle is done, as is often the fate of women.
Faramir actually is nearly burned alive at the hands of the patriarch of his family when said patriarch believes the battle is over and hope is lost. While Eowyn is out on the battlefield, fighting, Faramir is stuck inside the home, burning.
Between the two, Eowyn is the one we see go on more of an inner journey. She changes more over the narrative, and has to deal more with her own flaws and personal demons, as well as the injustices inflicted upon her. The climax of her story comes with a great moment of heroism and courage in battle. She is rescued by a hobbit, but as an ally in battle, not as a damsel in distress.
Faramir in the books doesn't feel tempted by the ring, and is almost a paragon of virtue. About as much as a Man in Middle Earth can be. He's closer to Arwen and Galadriel than Eowyn is, in his near perfection, in how he inspires and guides others. He is also rescued by a hobbit, but in that moment he is helpless, a damsel in distress. He is rescued because others love him for his virtue and goodness.
So often it's the other way round. Not only is the woman usually the one trapped inside, in need of rescue, while the man is out there fighting, the woman's heroism traditionally comes from the list of virtues she possesses, while the man's heroism comes from his deeds and the things he accomplishes. The man fights, the woman inspires.
But during the Battle of Pelennor fields, it is Eowyn who fights, and while she does inspire Merry, she inspires him not as a paragorn, but as an example of courage that Merry finds himself compelled to live up to. He is inspired to fight by her side, instead of fighting for her.
Faramir is sick and unconscious. His agency is denied him by his father, who decides on his behalf there's nothing left for him to live for. And it is a rush for the heroes; Pippin and Beregond, to save Faramir, and it is explicitly stated that Beregond only broke the law because he was inspired to do so out of his great love for Faramir, which is shared by all. In that moment, Faramir's role is closer to the traditional fairy tale princess, whose goodness inspires the heroes into fighting for her during her peril.
And afterwards, it is Eowyn who has to fight to find meaning in life again, to choose joy and hope over despair, which Faramir, with his loving kindness, wisdom, and gentleness, inspires her to do.
I love that, and love thinking on how that affected their relationship going forward.
Eowyn must have liked that with Faramir, she's not being married to someone who will require her to take on every aspect of the so called "woman's role" (necessary, but limiting) which has been inflicted on her at her own expense by the men in her life, so they can be free to partake in the "man's role". Perhaps in turn, Eowyn's predisposition for more martial pursuits; even if she has embraced healing and gardening and no longer lives for battle, would also mean she can take on some of the certain necessary duties that Faramir finds taxing.
Between the two, there must have been a more equal division of labour and responsibilities, and therefore more freedom on both sides. Neither one of them fully suits the roles that society has assigned to them due to their gender, and in marrying each other, they no longer have to.
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rockman-x · 1 year
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alphys if you say you're trash one more time i'm gonna cry. do you wanna see me cry alphys. do you wanna see a cute human cry.
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a-hazbin-reader · 25 days
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Can you do an Alastor x fem!reader where Alastor confesses his love to her, but she doesn't believe him, thinking it's some kind of sick joke? She just laughs nervously, saying something like “yeah, yeah, I got it, very good joke, Al, your humor is getting better,” expecting that it will actually turn out to be some kind of prank
However, Alastor doesn't stop and tries to convey to her that he really loves her, but she still doesn't believe him because she doesn't trust him completely. Like, he's the radio demon, one of the most dangerous and powerful overlords who seemingly despised the idea of ​​getting close to someone, what if he just wants to trick her so he can maybe make a deal with her or something?? That's why at first she tries to avoid him in order to get rid of this awkwardness due to his confessions, but gradually in the end she begins to meet him halfway and considers the idea of ​​​​starting to date him after all. Not official yet, but the chances are great
WELP-
Alastor X Reader Headcanons
✅️Romantic
❌️Platonic
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TW: None?? I think??
Description: ☝️⬆️
You're used to expecting the worst-case scenario and protecting your heart first and foremost, it's just how you learned to survive
You've learned not to trust anyone, especially anybody down here in hell with you, everyone has an ulterior motive
Yet...by some weird twist of fate you found yourself a home at the hotel, Charlie somehow having convinced you to stay
Whether or not you believed in redemption, you couldn't deny that you didn't feel a sense of closeness with everyone there
Even Alastor was nice to hang around sometimes, though you didn't trust him in the slightest
How could you? The Radio Demon?? He's got plans for his plans and only sees people for their use, he doesn't care about anyone, especially not you
You're just amusing to him, which is fine, you can tolerate being amusing just not being used
You had a comfortable relationship with the overlord which was something that not many people could say
You two got along well enough, spent a good amount of time together and actually had decent conversations
He'a charming and handsome, a dangerous combination but you were far too addicted to his presence now to worry about it, you can still protect your heart
Or at least you did, until Alastor decided to toy with your feelings, how he found out about your budding crush was beyond you
You two were walking alone together at night, laughing at some couple you two had witnessed earlier, teasing them
"I just don't understand how any man could be that whipped for a woman! I can't wrap my head around it..!"
Instead of joining in your laughter, he hummed and looked over at you strangely before looking ahead
"Oh, I don't know... I find myself understanding men like that a little more these days."
It's like a bucket of ice water just fell on you, your laughter cutting off as you look at him in confusion
"What do you mean? Are you...seeing someone or something?"
He looks as uncomfortable as a man with a permanent smile can be, tapping his claws against his staff
"Heavens no, but that doesn't mean there isn't someone special in my life... someone I wouldn't mind courting."
He gives you a meaningful glance then looks away again, stopping suddenly and facing you
"Alastor-"
"I wouldn't mind being whipped for you."
Your stomach sours and you frown, pushing at his shoulder a little harder than you meant to
"Yeah, that's real funny, Alastor. Why don't you go try that joke on someone else next time?"
You walk off as quickly as you can, leaving a baffled looking Alastor in your dust
Do you have any idea how hard it was for him to confess!? He grits his teeth and rubs his hand over his face as he watches you run away from him
You don't talk to him the next day, or the day after that, in fact... Alastor is pretty sure you're avoiding him because any time he tries to talk to you-
You find an excuse to run off, your relationship with him awkward and nervously hanging on by a thread
He ruined it and all your walls came right back up
You should've known he would exploit your weakness like that, should've seen that he was only being so good to you because he wanted to use everything he learned against you
You don't know what he gets out of it or what his goal is, but you're sure he's got an angle
Even now, he's trying to mess with your feelings, bringing you flowers, pushing little notes under your door, one time he even tried to serenade you
He keeps trying to tell you that he cares about you, that he feels for you, that he wants you, and you just don't want to hear it
It hurts to be toyed with
Everyone else at the hotel can see what's happening between you two which makes everything that much more embarrassing
"Come on, Husk! I know you know something! Why is he targeting me!? What do I have that he wants?"
Husk looks visibly uncomfortable, looking over your body before looking away, suddenly interested in a smudge on a glass
"I don't know anything so quit asking me! Why don't you just sit down and talk with him, huh?"
Oh, he knows something
Angel smirks and nudges your leg with his own, invading your personal space to further tease you
"You're tellin' me that you ain't flattered by all this attention he's givin' you? I've seen the way he's been mooning over you lately, and let me tell you~ That shit ain't fake~"
You huff and shake your head, mostly to hide the blush on your face from them
"He has an angle, everyone always does."
"Look if you wanna be a blind bitch then be my guest but at least promise me you'll hit that and tell me the details~?"
"ANGEL!"
You can't avoid Alastor forever no matter how hard you try, eventually running into him late one night when everyone else is in bed
You should've known better than to get that late night snack, but you had skipped dinner earlier, and you were hungry
You're washing your plate off when you hear Alastor walk in, stiffening once you realize you have no real excuse to run away anymore
"Alastor-"
He sucks in a breath and stays still as if scared he'll chase you away, which he might actually be worried about due to your actions lately
"I know you think I confessed to you in order to get something from you but that's far from the truth. I do genuinely find myself attached to you."
You feel your lip wobble a little, hugging yourself as you look away from him
"Don't. Don't you dare mess with me like this or I'll never forgive you, Alastor."
He takes another step closer to you, cautious as if trying not to scare you away
"I'm being entirely honest with you, I've fallen for you in ways I can't even begin to understand or convey to you. These last few weeks have been torture for me."
He's gripping your arms gently to stop you from turning away, the simple touch spreading warmth throughout your body
You have missed him a lot...
"I'm not asking that you confess your love to me, I only want a chance to show you I'm being genuine with you..."
You glance up at him before taking a step back, blushing furiously at the pathetic puppy eyes he's giving you
You can't believe you're going to agree to this, he better not make you regret it later or you'll make him suffer for it
You sigh and point at him, doing your best to remain calm and not let your emotions show
"I'll think about it, okay? Just...give me time to think."
He visibly relaxes and sighs in relief, giving you a warm smile as if you had just said yes
"That's more than I could ask for, I'll wait hundreds of years for you if that's what you want."
You blush more and have to cover your mouth to stop an excited squeal from escaping your lips
"Q-quit flirting with me! I already said I'd think about it..!"
He chuckles softly and reaches out to rub your cheek before pulling away and turning to leave
"Okay okay~ I'll wait for you...~"
He leaves you there in the dark, blushing and fuming to yourself
Having a handsome overlord on your arm wouldn't be the worst thing that could happen to you
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I HOPE YOU LIKE IT!!
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ozzgin · 2 months
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“Do you mean it in the sense that Reader goes through monster boyfriends and is quick to dump them for the next catch”
Yep. Just a vile reader who’s breaking hearts left and right. I think you’ll write it beautifully if you channel your evil side like when you play the sims! ☺️
-👘
Yandere! Monsters x Heartbreaker! Reader
You've always been a free spirit, unable to settle on a single partner. Even after being abruptly transported into a different dimension where you are the only human surrounded by monsters, this habit of yours has persisted. Except monsters, as you will see, are harder to discard than humans. They aren't as willing to accept rejection.
Content: female reader, reader is a player, monster smut
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Ah, how troublesome. He won't stop calling. You lazily pick up the phone and look for the options to block the number, clicking your tongue in irritation. You'd specifically told him you're not interested in anything serious. "Who's calling?" The man shuffles under the sheets, still half-asleep. "No one." You respond curtly, glaring at the intruder. "It's morning already, by the way. When are you leaving?"
You slam the door shut before the overnight guest can bring up the classic "Will I see you again", and exhale theatrically in relief. Finally alone again. You look up and shake your fist menacingly, as if whichever entity governing this world is responsible for your bad luck. You've always been utterly indifferent towards committed relationships, and yet most fuck buddies end up head over heels for you, dragging themselves at your feet like pitiful beggars. Pathetic and a pain in the ass to deal with.
Well, someone must be up there, because your situation feels too much like a sassy answer to your complaint. You've just rushed out of your apartment a moment ago and last time you checked, the concierge office wasn't on a rocky hill covered in deep cracks erupting with lava, stretching out into the seemingly unending horizon. Where the hell are you? You turn on your heels, reaching for the door, only to find out - who would've expected? - that it's gone. Great. Your immediate explanation is that the guy you've mistakenly brought home last night must've slipped something in your drinks. All this for a sloppy, clumsy eating out.
The worry of being drugged vanishes quickly once the first creatures of the realm appear. Hard to believe anything on the market could cause such detailed hallucinations that can sniff and touch you: Some alligator-looking minions with eyes popping out of their backs slid out of a nearby crevice to investigate the newcomer. Ironically enough, they seem to be the ones shocked by your appearance. Once they've hesitantly assessed your presence, they scurry aside to discuss their findings. "What could it be?" You hear one mumble, completely baffled. For whatever reason you can understand their language, so you decide to speed up their detective work. "Ever heard of human?" You shout, with a hint of sarcasm in your voice. The beasts gasp in unison. "Nonsense! Straight out of a children's tale!"
Eventually, after a lot of confusion and pointed fingers, you manage to figure out your predicament. You've somehow landed in a world of monsters, where humans are more of a fictional, mythical existence. Thankfully they don't seem to consider your potential as food, though you're not sure if the sudden, massive ambush of creatures is any better. The alligator-like quadrupeds brought you to the nearest settlement and had to form a barrier to stop the curious beasts from almost trampling you in their frenzy to see "the human". You've garnered ridiculous amounts of attention, yet such reaction is to be expected; how often would an earthling wander into their world? It could very well be a lifetime singularity for many.
As the days pass and you become more accustomed to your fate, you begin to feel that familiar calling. It doesn't look like you'll be going home anytime soon and a lady has her needs. Additionally, whatever popularity you had back in the human world is a minuscule fraction of what you're currently experiencing here. In the eyes of the monsters, you're an exotic treat that cannot be refused. It shouldn't be too hard to find yourself a partner, or two. Or three. Who keeps count nowadays?
You remember stumbling upon a postcard print of "The Dream of the Fisherman's Wife" at some museum shop. You immediately picked up the thick cardboard, eyeing the artwork in amusement. A woman enveloped in the limbs of two octopuses and very obviously enjoying herself. Who even came up with the pairing, you wondered at the time. Whatever the artist was thinking, you can certainly see his point now. The first one to receive your indecent proposal was an eldritch creature of sorts, something straight out of Lovecraft's lucid dreams. Dark, long tendrils sprawling out of an amorphous core - which you assume is its head based on the bulging, glistening orbs hungrily staring at you. Your whole body is throbbing under the tight hold of the slippery tentacles, wrapping around you in masterful intricacy. You could see the result featured in a bondage magazine, though you don't...can't ponder much on it given the fact you're, well, stuffed with monstrous appendages. You doubt any genital variation back home could compare. The monster is even polite enough to occasionally wipe away the continuous stream of drool spilling out of your whining mouth. Towards the end you barely have a voice anymore, throat sore from the loud moans and merciless constriction. Your muscles contract all at once, overwhelmed by the sensations. Whatever sensitive areas you might have are presently aching under the needy fondling of the creature.
Mind-blowing. The memory is enough to have you wet and squirming with desire. Even more so when you consider the other varieties of monsters ready to fuck you senseless. Soon enough you're surveying the neighborhood for the ideal suitors and thankfully you don't have to worry about making wrong choices, as there's always a next target. Thus the following weeks fill you with a particular kind of nostalgia (among other things and fluids), reminding you of the bed-hopping in the human realm. From werewolves drowning out your whimpers with their desperate howling, to hooved legs of hybrids violently thrusting into you until you're a dripping mess. "Look at me" is what one of the beasts demanded in a low growl, turning you on with its ragged voice and clawed hand encircling your frail neck. Although you had to ask it where exactly to look, given it was covered entirely in eyes.
You yawn and stare at the ceiling, reminiscing about the depraved fuckfest you're currently recovering from. You might've overdone it with the last one. Alas, you came enough times to make up for it. Just as you turn around to readjust the ice pack, you hear a loud thud coming from the entrance. You (carefully) sit up and rub your eyes, trying to focus on the shadow figure approaching your bed. It's one of the lizard monsters, swiftly slithering across the wall and landing over you with an angered expression. "Where the fuck is that dog?" it inquires with a hiss. "What? Who're you talking about?" you mumble, wildly confused. "The one that dared to touch you."
Oh, not this crap again. You almost roll your eyes. "You never said anything about us being together." Is your annoyed reply. "What? I thought it'd be obvious you belong to me!" You're about to question the strange logic, but your couple's quarrel is interrupted by the sound of shattered glass. The many-eyed monster crawls its way in with fluid, uncanny movements, releasing a deafening screech once it notices the lizard in your bed. "Off! Get off my human now!" is what it finally manages to verbalize in its fury. Okay, it seems to be the common belief. To clear off any shred of doubt remaining, the ceiling gives in and crumbles like putty under the weight of an enormous tentacle. You scream and cover your face from the bits of rubble flying everywhere, but you're quickly sheltered by another thick appendage looping itself around you, against the wrathful protests of the lizard. You did not anticipate the eldritch creature could expand to this gargantuan size.
For the first time since arriving here, you feel homesick. At least back home you could get rid of your annoying admirers with the slide of a button. Is there a larger scale alternative for cosmic blasphemies? You shake your fist (up? down? you can't tell in the darkness of the tentacle shield) towards the entity once more. Damn it, you've learned your lesson. Several steps must’ve been skipped before reaching a pack of angry, possessive monsters fighting over your ownership.
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bumblequinn · 5 months
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hi @sourpatchsquids! thank you for your question.
as an artist with ADHD, i know this struggle very well. unfortunately offering advice on this kind of thing can be tricky, because what works for me may not work for you (and vice versa!). nonetheless, i can try; take whatever works for you, forget the rest, or reshape any part of it as you see fit. :)
but before i offer any actual tools, i have one caveat. i want you to take a moment to reflect and consider if you should be:
changing expectations
the timing of this question seems fated, because just the other day i had a therapy session wherein i expressed my grief and frustration over struggling to work lately due to my seasonal depression. it's not fair that i'm struggling just because it got a little darker outside! i just want the spark i had in the summer! i was so much more consistent!
my therapist's response: nothing about human beings is consistent. we get sick, we get tired, we get hungry and thirsty (and thirsty) and sad and lonely and restless and stressed and overwhelmed. this all gets amplified for folks who are atypical in some way or another.
when my therapist compared our seasonal cycles to those of plants and other animals, who wilt and slow down and hibernate, i protested aloud that i wanted to be a perennial instead. at this she said: even perennials change with the seasons. rose bushes have to be pruned, sometimes down to half their height! it was a dose of perspective i didn't particularly want, but really needed.
so when you're struggling to work through executive dysfunction, burnout, or brain fog, it can help to first check in with yourself about a few things. what do you have the capacity for right now? do you need any accommodation? and if so, what changes you might make to accommodate yourself?
with practice and self reflection, i've learned a handful of specific routines that help me when i'm struggling with creative work, which i'll detail next. note that while your question is specifically about music and i am specifically a musician, i believe that all of these suggestions can apply to most any form of digital creative work.
with that in mind:
#1: work slower
when i'm at the top of my game, i can get a LOT done in a day. but when i'm depressed, fatigued, or distracted, i just can't go full steam. sometimes i'll try to convince myself that i can if i just push harder, but what actually ends up happening is that i'm just fiddling with settings and going in circles rather than moving forward.
instead of that, when i want to work a lot but can't, i try to work slow. how slow? however slow i need to. take four hours to figure out the melody for a single verse. take all day to figure out that drum groove. yeah, i take a lot of breaks in between. who says i have to be my Absolute Most Productive Every Day Or Else? that's the puritan work ethic talking. kill it. be kind to yourself.
i'm reminded of advice i once read about some super successful and prolific author (gaiman? king? pratchett?) who said they wrote only four hundred words every weekday. that's already less than the word count of this post, and i'm only—[travels into the future to check my final word count]... 22.8% of the way through writing it!
now, i don't think i could function that way, because ADHD means some days i'm hyperfocused like crazy, and other days i just have no steam at all (more on that in #4-6). but it seems to me that if even someone highly respected in their profession can achieve what they have with only a little bit of work on a regular basis, maybe i don't have to punish myself for not pumping out a finished work every single week.
doing less work per day means you're much less likely to burn out, which does a lot for working more consistently. if that consistency still doesn't look like a five-day work week, that's okay! as long as it helps you work even a little more often when you want to, it's something worth doing.
however, if you're still feeling truly stuck, all hope isn't lost. you can still try:
#2: switch projects
sometimes the reason i'm moving slow is because of a bad brain day, but sometimes the reason is that i just cannot muster the motivation to do the specific task i'm trying to do right now. ADHD is fueled by novelty and interest, and if i'm not interested in what i'm doing, or it's feeling stale, that's a sign that i need to switch gears.
this is why first it's helpful for me to have more than one project going at a time. this might mean completely unrelated works, or it might just mean related tracks as with the music for a game like SLARPG or susan taxpayer.
the idea here is not to start a dozen different projects and bounce around them like i'm playing whac-a-mole—though i have done that. (i don't recommend it.) the idea here is to have a manageable number of different projects i can be working on so that if i get bored or stuck on something, i have fallback options.
what that number of projects is depends entirely on the week. maybe right now it's two, maybe another time it's three. i would probably be getting carried away if i tried more than that, but that's just my own limit. maybe yours is different. that's something for you to think about.
but it doesn't have to stop there.
#3: switch focus
maybe there is this one project that i just HAVE to work on, but the task i'm trying to do at this stage just isn't coming to me. okay, well, why don't i try working on a different task?
let's say i can't figure out what i want to do with the melody in one part of the song:
what if i try jumping ahead to a different part of the melody? ...no, i'm stumped on melodies today. okay, how about working on the drums instead? ...hmm no, i think i'm just completely tapped out on writing parts right now. alright, what if i organized my tracks, making sure they're all grouped and named in a way that i can work with easily? what if i did a rough volume balance for the mix?
and so on. if that's not enough to shake the off stuckness, i might consider: what can i do to make this project more interesting to me?
what happens if i try using an instrument or effect that i almost never reach for? what if i try sampling something obscure? what if i bang out the drums using my midi keyboard instead of drawing it in on the piano roll?
any approach that breaks me out of my usual habits is bound to get that feeling of novelty and fun back when i need it.
or maybe i can't do any of that right now, and so i take the time to answer a question from a fellow musician instead. i consider that part of my work, too, in a broader sense. check in with yourself and figure out what you can do right now. the rest will still be there later.
but okay, let's say you try switching gears, and switching again, and again, and nothing is moving. you try new approaches, but that wall of awful is insurmountable in this moment. it happens! the next thing you might try is:
#4: learn something new
when you aren't able to make progress on your projects, you can still make progress on your knowledge and craft. i often find this stokes a flame of inspiration in me where there wasn't one before. and even when it doesn't, it still gets my brain out of that feeling of stuckness and dread and into one of thought and action. learning also benefits in the long term because it adds to the well of knowledge from which you draw for all your future works.
for all the awfulness that exists on the internet, it remains an absolute treasure trove of teaching. there's an endless ocean of videos, blog posts, and articles from which you might learn something about your craft. (and if you sail the seven seas, plenty of book PDFs as well. 🦜🏴‍☠️)
it's true that the quality and depth of information out there can vary wildly, but in my experience most resources get at least some things right. and the more you research, practice, and figure out what works for you, the better you will learn to differentiate between the advice worth keeping, and the advice to forget. (that goes for all of what i'm saying here, too!)
that said, since our shared focus is music, a few resources i would highly recommend are:
music theory and composition music matters, 12tone, charles cornell, music with myles, 8-bit music theory, and this introduction by andrew huang
mixing and production dan worrall (especially this series for fabfilter), kush after hours, red means recording, andrew huang, alice yalcin efe, in the mix
general inspiration nahre sol, ben levin, david hilowitz, game score fanfare, posy, jerobeam fenderson, open reel ensemble, and ELECTRONICOS FANTASTICOS!
(if any readers have their own helpful resources for creating music or any other media, feel free to share in the replies & reblogs! 💓)
of course, on an especially bad day, it might be a challenge to seek out information, let alone retain it. that can feel pretty bad, but remember: be kind to yourself. the next thing you might consider trying is:
#5: consume art you love
not just music. books. shows. movies. games. illustration. animation. whatever moves and inspires you.
but do it intentionally. don't just pull up some random thing the algorithm suggested! check in with yourself about what you want (or are able) to engage with right now. choose accordingly. if you get a little way into it and realize it's not scratching that itch, hit the bricks. check in with yourself again. wash, rinse, repeat, until you find whatever it is that speaks to you right now.
and do it actively, if you can. don't just let it go in one eye and out the other! really pay attention to the work. what do you like about it? what are its themes and motifs? what makes it work so well? what are its flaws, and how much do they matter? what might you do differently? you can write notes as you do this if it helps, but even simply noticing and thinking goes a long way.
what you don't want to do is come at this with a lens of shame or envy. you're not here just to say to yourself, "ugh, if only i could do THAT." it's okay if it happens. use that thought as a springboard for curiosity: "well okay, how DID they do that? do i have the resources for it? if so, how could i apply that to my own work? if not, how can i adapt it, or what do i need to learn?" keep your mind open and approach the work with a sense of wonder.
as a creative person, it's very easy to think, "i should be making something right now, not watching a movie!" but that thought forgets something vital: your art is a response in a conversation. of course the "language" you use is your own, and maybe if you're lucky you'll invent a new word. but most of the words you use have been around long before you were born. you're just one voice in a dialogue that spans continents and generations, and that's okay. it's even the whole point.
none of us is an island. we are profoundly social animals. just as we can't live without eating, we can't make without learning. so half of making art is consuming it. consider this part of the process as well.
and finally,
#6: rest, and live your life
let's say you're in really dire straits. you've tried working slower. you tried changing focus, you tried changing projects. you want to take in new information or actively engage with your favorite art, but you're not in the headspace for it. what now?
take a nap. take a walk. take a shower. eat a nice meal, or an okay one. talk to a friend. maybe even do that chore you've been putting off (you know the one).
it's human to always crave making, but you're not a machine—and even if you were, machines need regular maintenance, too! you wouldn't drive a car that's completely out of gas, and you won't do yourself any favors treating your body that way either.
i know that when you take a break it feels as though you're not accomplishing anything, but you are: you're taking care of your animal self. and while you do that, your creative brain doesn't stop working! much like windows, it has countless background processes running at any given moment, with inscrutable names like "cbdhsvc_692da" or "Microsoft Edge Update Service." it's true, i checked.
when you're stuck on a project and you step away to rest, your brain is still chipping away at your ideas unconsciously. i like to tell people, "it's percolating." much like waiting for a pot of water to boil, that idea is still heating up, even when you take a step away. just be sure to check in on it once in a while. the time will pass, and it'll be boiling again before long. :)
before i go, i'll leave you with one last thing to keep in mind as you try all of these strategies:
be kind to yourself.
being human is just about one of the hardest things you can do. let alone being a human trying to survive capitalism while living with disabilities! the last thing you need on top of that is to overwork yourself, talk to yourself negatively, or treat yourself harshly. there are plenty of other people in the world who do that to you—don't be one of them.
i'm not saying that you shouldn't try to challenge yourself, to test your limits and go above and beyond your ambitions, if that's what you want to do. just remember that hard work and self compassion are not mutually exclusive. so be careful not to bully yourself. take pride in the progress you make, even when it seems small. encourage yourself like you would a friend who's going through a hard time. and when you challenge yourself, be your own cheerleader.
i hope you find this advice helpful! remember, this is just what helps me, so don't feel like you have to follow any of it exactly. maybe taking time to learn new information helps break you out of your rut more than working slowly, so you reach for that tool first. maybe having multiple projects going at once is too distracting for you, so you prefer to stick to one at a time. whatever your needs are, feel free to alter and adapt these ideas to fit you.
thank you for reading, and i wish you the best of luck in your creating.
with care, bee 🐦
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ladyrijus · 10 months
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Skyward Sword Zelda is such a tragic figure in my opinion. Just put yourself in her shoes and imagine this.
It's the best day of your life. Your dearest friend, dork that he is, has finally become a knight. It's what every kid on Skyloft works towards and he finally did it. You're so proud of him. When you fly together, you muster up the courage to tell him you love him.
You never get the chance.
Instead you're whisked away into a world you believed was left behind, and saved by a woman who declares that she is your guardian, chosen by you. You have never met her before. You didn't even know there were people like you who lived down here, in the Surface.
"You must purify yourself if you are to transcend time and hold the seal," the mysterious woman with the painted tear remarks as she shepherds you through strange destinations unlike anything your books have ever taught you, "it was your will." No matter how many times she tells you this, in every iteration the language could allow, it doesn't make sense. Why would a goddess need to turn human? What could you do, that she could not?
Where does divinity and humanity diverge?
Connection.
A goddess is revered by her people who pray, in spite of her silence, for her benevolence and guidance. She is their unwavering stone, a higher power to rely on. But a girl? A girl is loved. She is someone tangible, a figure who people will see, and know, and care about, and fight for.
And that's when it clicks. Your friend isn't really your friend at all, but a hero, a pawn, who was intended to be used against an enemy of yours you no longer recognize.
You're using him. You've been using him all this time. It's sickening.
With each prayer, with each goddess damned spring you rush to, you are faced with your own marbled reflection, a testament to the fact your humanity is only a pretense, carefully timed to ensnare your friend into a hero's fate.
He doesn't seem to understand that though. He keeps running after you like the fool he is, hoping to save Zelda, his precious Zelda, that you no longer are. The smile you wear becomes harder to hold. You were Hylia first, and that is all you will ever be.
You play into the charade anyways. After all, Zelda was the reason why he went through his trials. To tell him now that she was gone would mean to destroy everything you had worked for. So you tell him everything he wants to hear: that you're your father's daughter, that you're his friend, that you're his Zelda.
And when you close your eyes, smiling from within the amber and ignoring the dull thuds of his fist against its surface, you wonder if you look anything like the statue you and your love had stood upon on the best day of your life.
"Maybe all of this is a dream," you wonder while drifting in between millennia. Time passes like the waterfalls in Skyloft, rapid, yet everlasting. Maybe you'd wake up in your bed in the Academy again. Your love would have been sleeping in (again) and everything would be how it used to be. You could be Zelda once more. And most importantly, Hylia would be nothing beyond a giant statue for you to ignore for the rest of your days.
... There's something to be said about how you fall again once you wake up.
"What kind of goddess am I," you think crudely, "to sever my own wings?"
But this time, your love is there to catch you. And he does. In that moment you pray, in your own name, he doesn't let you go.
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selarina · 3 months
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continuation to this
so, that night gojo satoru leaves with no jacket and half a broken heart and for the first time since he was 12 years old, he takes a sip of alcohol as he slouches against his home bar.
it's bitter, and it tastes a bit too much like soy sauce for his liking but he sips and sips until he sees the engraved "S.G" inscription at the bottom of his glass.
"hello, husband," a voice comes from behind him, interrupting his sob fest.
and for a moment, for dumb little moment, he thinks it's you. the voice sounds nothing like you though, it's far too high-pitched, but he's dreamt of this far too much for him to imagine someone else calling him husband.
aya tsukino materialises next to him, and seats herself on a seat beside him. she moves with a certain a quiet sleekness that he barely caught her moving from behind him. or maybe, he's finally out of it. "excited for the wedding, then?" she deadpans as she pours herself a drink.
"thrilled," he parrots back, merely a barren echo of emotions.
there's more truth in this room than there's been in your shared room for weeks. because it's simple really— gojo doesn't want to marry her, and aya couldn't care less as long as she got the money his family had.
before they had even exchanged any words, it was clear that they had this silent agreement that the two of them had little to do with love and everything to do with societal expectations and status.
as gojo attempts to take another sip from his empty company, he can't help but replay the events of the evening in his mind. your anger, and the way you stood up for the love you believed in. it'll haunt him for the rest of his life.
he wonders if you'll genuinely come to understand that he did have you in mind when he left you. he doesn't want you to be a mistress, a dirty little secret. he's seen how it broke his mother apart. how could he wish the same fate upon you knowing how his mother's life ended?
you're strong, and he believes you will persist and he will see at the end of his life sleeping grey and old in his bed as he stares at the way the sunlight hits your laugh lines.
but he also remembers the way you cried in secret. he never brought it up, he never brings it up. he was just waiting for the day you'd be comfortable enough to cry in front of him but for now, he settles for meaningless presents he brings afterwards to wipe off the blue from your face.
he places his glass down with a clink, and he hears a resembling clink from aya. "i'll ask you this only once, gojo satoru," she speaks up. "do you want this marriage?"
"i never wanted this marriage," his reply is immediate.
"of course not," she says. "i meant, do you still want to go through with this?"
he doesn't respond. the both of them know the answer to that, it's written all too clearly on his soppy little face.
"what if i don't," he finally speaks. "what about your money? your status?"
"my money..." she feigns to ponder. "as someone who's always sought out money, i can tell you one thing about it. money, it comes and it goes. i'll find another way as i always do," she says. "i will be fine."
"your father—"
"—is a terrible man, who will go on his pissy campaign against me but i hope it's not presumptuous of me to expect you to come to defence when needed. you know, for all the trouble?"
he chuckles with no mirth. seems trouble is all he's capable of causing the past few days. "of course," he responds.
aya smiles, she supposes there's one benefit of having the strongest sorcerer as her ex-fiancé. she stands up, as she pulls her coat snug against her body as she prepares to leave. "besides, you're not the only rich high-status man in town, you know?"
"well, they're not all me," he replies. his smug demeanour returning to him like it's breathing a new life into him.
"wow, a bonus too," she chuckles.
"and who was that handsome man with you on friday? blonde, glasses, chiselled like a—"
"nanami kento," he replies with a grin.
"nanami kento. is he rich?"
"not as rich as you," he replies. it's true. he's rich, he worked on wall street after all and nanami is a smart man, he has so much in his savings account, it's enough to feed an entire nuclear family. why he saves up is something that's beyond gojo.
"well, he's handsome. tell mr. kento i said hello," she smiles facetiously.
"tsk, fine." he grins again. "get out of here."
-
it's been a week since you heard about the wedding falling apart. and since, you've been hearing about it daily, almost hourly if you're being honest. after all, you're at the centre of it. it only makes sense.
there's a whole slew of narratives running around, cheating, money laundering, even murder. but the most popular one was about how aya was the rosaline to your romeo and juliet. gojo's as romeo as he comes — handsome, influential and maybe a bit endearingly dumb but you fail to see how you're juliet. she was rich, influential, beautiful — everything you've been starkly reminded that you are not.
but everyone's talking about the romance of it all and you haven't heard from gojo himself so it's strange to take their words to mind or heart. you ignore them, forming a ready-made response sheet in your head to every possible question you encounter across the week. they become white noise, as you go through your day like a pre-programmed robot.
but that changes on a hot, dusty afternoon as you're sitting in a cafe, awaiting a man you were advised against seeing, and he's late. of course, he's fucking late. he broke up with you and he has the audac—
he walks in. he looks exhausted, lankier than usual, and there's a cruel part of you that likes it. to know he looks as miserable as you've been seeing. there's the other, familiar part of you that wants to run your fingers against his sensitive eyes as you feed him with the warmth of the diner's food.
but you do neither, you neither smile nor frown. you sit in place as you wait for him to come and sit opposite you.
"hey," his voice sounds gravelly. "i'm sorry i'm late."
"nothing i'm not used to," you reply with a glare as you cross your arms.
his hands reach for the menu as he plays with the edges of the paper. he always orders the same breakfast meal from this place. he must be nervous.
"i... i wanted to talk to you," he starts. "i want you back."
"excuse me? you can't just—"
"i'm willing to do anything. anything. if you want to take it slow, i understand. if you want to take your time, i understand. if you want me to get down on my knees and beg, i understa—"
"do it."
his eyes widen, you can tell — even though the black glasses are blocking his eyes, you can tell. it only lasts for a split second, because you blink with contempt and he's beside you. on his knees, as he stares up at you. he barely stares up at you — he's so tall, he's almost eye-to-eye with you. but even so he hunches his back, makes himself small.
"i'm sorry," he says again, as he takes off his glasses placing it onto the table in front of you. his eyes are alarmingly blood-red, and it takes every muscle in your body to hold back from running your fingers over his. "like i said, i'll do anything. just pleas— take me back."
you stare, and he stares back at you. you're too lost in the way he looks at you — at your mercy — that you miss the strange and baffled looks from people around you. and when you finally do, your cheeks flush with heat.
"okay," you say. " please, get up now."
"no, let me— let me stay," he says. pleads. "just let me stay until you take me back."
"fine," you sigh, as if there was any real objection from your side. "get up now."
"really?" his blood-red eyes gleam, you could almost see a tinge of the vibrant blue coming back to life.
"yes," you groan as your hand grip his elbow. "i was willing to be your fucking mistress. did you really thin— i would say— mmpph"
and just like that he's up, sliding next to you on your seat, as he kisses you. you're ashamed to admit that your first thought was the idea of getting kicked out for public indecency but your second thought was about how you think you could stay like this forever. despite the public gawking at you through mean and baffled stares.
"i'm serious about doing whatever it takes," he says, sincerity laced in his voice. "you shouldn't let me get away with this lightly."
you smile. "I hope you mean it," you reply. "and i won't. i’ll make you work for it, just a little."
he nods with a smile, "anything. i'll make it up to you."
"you have to do the chicken dance," you say, seriously and firmly.
"what?"
"you have to do the chicken dance. right now in the middle of the diner and i'm taking a video," you pull out your phone. "and... i'm sending it to nobara."
his eyes widen, almost like he's feeling actual fear. "not nobara," he gasps. "but she's so mean, baby."
"well, you said anything."
he sighs. gojo looks around the crowded diner, his tall frame rigid and tense. he glances at you, then at your phone, and finally resigns himself to the absurd request.
"fine," he mutters, standing up from the seat as he begins flapping his arms and doing a clumsy version of the chicken dance in the middle of the diner.
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hannibaldjarin · 8 months
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Before the Upside Down, Steve Harrington could sleep like the dead. Once he laid his head on the checkered pattern pillow, Steve would be oblivious to anything happening in the world around him as he found solace in his dreams.
Steve would never admit it to Tommy H or Carol, but his dreams were his only safe place. In Steve's dream world, he wasn't the son to absent parents or the perfect King Steve; he was whatever version of himself that would've never been allowed around the Harringtons or the population at Hawkins High. Steve was comforted by the anonymity that was created as he slept till an alarm or the sunlight peeking through his curtains woke him.
Before the Upside Down, Eddie Munson would laugh as he told the rest of Corroded Coffin about how much he slept during the weekend. But, groan when Uncle Wayne stomped into his bedroom at 4pm wondering, "Boy, since when did you become a vampire?"
Basically, Eddie found it hilarious that he could sleep 16 hours a day and still go to bed at 9pm every night. One thing about Eddie Munson before that fated afternoon with Chrissy Cunningham, he could sleep like a corpse and never worry about sleep avoiding his clutches. Because as Uncle Wayne or a member of Corroded Coffin could tell anyone, Eddie loved to sleep and would theoretically kill anyone who tried to disrupt his slumber.
After the Upside Down, Eddie Munson and Steve Harrington found solace in one another as they struggled to remember who they were before circumstances led them to emotional, mental, and physical scars. Steve could no longer find comfort in his dream world as it replayed his most traumatizing moments from the last couple of years. Eddie could no longer sleep like the dead since he actually knew what it felt like to lay limp and face death.
Eddie and Steve stare into one another's eyes as they share a pillow in Steve's massive bed. Eddie whispers to Steve about how envious he is of his past self as he dramatically recounts Uncle Wayne's stomps or Corroded Coffin's scoffs. As Eddie spoke, Steve wonders if Eddie could be trusted with his deepest secrets about who he wishes he could be.
As Eddie's giggles fade into the dark of the night, Steve clears in throat and begins to tell Eddie about the lack of safety he has felt since turning 12 and being handed bundles of money that were to be budgeted until his parents came back home from whatever business trip Jonathan Harrington needed to attend. Steve mumbles about Tommy and Carol, or anyone else, never being able to fill the hollow space that was this mausoleum of a house until Dustin Henderson hijacked Nancy's roses and forced Steve to go on a wild demo dog chase. With a smile that actually reaches Steve's eyes, he tells Eddie how he finally knew what a mutual love felt like when Robin refused to get a new job without Steve.
Eddie desperately wants to read between the lines and believe himself to be someone who brought something into Steve's life. The begging words he sends up to whatever universal force doesn't want to continue fucking his life are interrupted as Steve looks Eddie in the eyes and admits, "Eddie Munson, you brought light and noise into my life."
Steve Harrington never understood how significant it was to feel the sun on his skin until Eddie woke up from his coma after his encounter with the bats, and begged for the blinds in his hospital room to be opened. Eddie's smile changed as he adjusted to the new scars on his skin, but Steve has never seen something so beautiful in his life.
Steve flinched in noisy environments when he remembers how angry his father would get if Steve existed too loudly. But, since Eddie took Steve to the middle of nowhere and convinced him to just scream, Steve has found himself seeking out music that taught him to release his emotions instead of pushing them further and further down.
Steve Harrington finally found safety in the real world when Eddie Munson whispers, "Stevie, please let me kiss you."
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shanieveh · 9 months
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HAUNTED BY THE GHOST OF YOU *ੈ✩‧₊˚
no matter what he does, he can never deny that you were the greatest love of his life
KAMISATO AYATO who scarcely shows real emotion, who puts on a facade of masks and fake gestures was now charming his new bride to gain her favour. He can describe his new bride with just one word. Perfect. Unlike you, who messily eats the sweets that he stole from the tea house, or laughs crazily when you tease him so. The life he now lives was one from paintings and models, standards and perfection. But it was all fake, a charade, and only in the nights in the place where you said your goodbye, can the cowardly man finally put off his mask and reveal what he truly was. A lie.
SCARAMOUCHE who did everything to have a heart, even if it meant to discard you, to never see you ever again. And now he did, but the feeling of emptiness had never been so obvious. He was now a God, just what he wanted, but he no longer can be with you even if that's what he needed. To be with a person that actually cared, that never abandoned him. Not when he was the one who left, and he always denied that he was the reason why you're gone. That you were the reason his heart now restored, had never felt this empty. But deep down he knew, that a life with you was better than this.
KAEYA who spends all his time in the tavern, doing everything to erase the pain, to escape reality. His once carefree and seemingly sly like nature was now reduced to tatters who hoped that everything that has happened was only a dream. You didn't leave him, but you did. Who wouldn't leave a loser, a coward and inferior to his brother? He couldn't even face his past nor future, he couldn't even be the man you deserve. It was so clear as to why you left, but you never knew how he would risk all for you. His identity, his titles, his very life. You didn't know how he will leave it all behind, just to see your smile again. Just for you to break his heart again.
DILUC was someone that everybody knew, and everybody was scared of.. But when you gave him that look of fear, that look of judgment, he can't help but be jealous of the ordinary townsfolk that just run up to you and be with you. But sometimes he believed it was right to scare you off. To make you think that he didn't love you. At the very least you won't be tied into the danger that comes with being with him. Even if every corner of his mansion was filled with your memories, he will survive this pain. The pain of seeing you so happy with another man, and the consequence of knowing that the both of you can never be together.
KAVEH who made you his muse. His very existence was dedicated for you. His dreams, his passions, his love it was all for you. And now he orders two ice creams, remembering how you weren't there to eat the other once. Making a portrait for the wedding you both will never have. Maybe just like last time, it was all his fault. Maybe his fate lies in always being alone, in being a failure to everyone he loves. To always say the wrong words, and doing the wrong things. And he will act like nothing happened, that nothing bad was there. Because he doesn't deserve to grieve when it is his own undoing.
ALHAITHAM believed that dreams are never real, that they are just a gist of imagination by childish youngsters. But being with you finally made him realize the beauty of it all, and losing you made him see how it can make him crazy. Seeing you there, but never touch nor feel. Loving you from afar, but never up close or near. He stands as a lone man, that had his life all planned out, who knows what he wants to do and don't. But he never planned to love you, but he did, he never planned to lose you. Easy they come, easy they go a wise man said but never added how hard it is to let go.
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respectthepetty · 5 months
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Waiting for a Choice?
Nobody talks with Day. All of the interviewees talk about him but none of them actually speak to him. Mork was the first one to go back-and-forth with Day by asking him questions, and Mork looks at Day too. When he entered the room, his comments are at Day. Before that, everyone treated Day like a ghost merely haunting the room.
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And even though this game of 21-questions is horrible, Mork says the silent part loudly.
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Because to Mork, this is all about choices. He believes his sister chose her fate and abandoned him in the end. To him, he had no choice in the matter. She decided their futures for both of them. Even though she is dead, he has spent an entire year not living.
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Day's family does this too. Night tells Day they are at the Society when they are already there. It's an afterthought to tell Day where they are going, and he doesn't ask Day if he wants to go in either. It is "where will you wait?" Where will you wait while everyone else goes about their lives? Will you wait here or there? Those are his options. To wait. He is allowed to wait while everyone else lives, but he can't participate.
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This is a place for the Blind, yet Day can't go in, and when he does, the receptionist pities him, and his brother gets upset.
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By all means, this place should be THE place for Day with its "Go confidently in the direction of your dreams. Live the life you've always wanted" inspirational word vomit, yet all the people stare at him.
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Then, on the way home, Day's mother tells Night to speak to Day about the documents even though Day is sitting right there hearing the entire conversation.
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Being a caregiver to a family member is extremely difficult. Mostly if animosity already exists.
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And even though it's an English translation, the use of "have" is the subtle shift in a family relationship to a caregiver dynamic. A brother has to take care of his younger sibling. A brother now has to rely on his older sibling. Regardless if Night wants to help, he has to. Regardless if Day wants Night's help, he has to take it. They don't have a choice.
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When Day exits his car, a point he made to Night, Night hesitates to go after him because they are in the middle of traffic and in the middle of a fight. Yet Mork runs into traffic to get Day, and for the first time in the episode, Day gets asked questions: "Are you okay?" and "Where are you going?"
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It hasn't mattered if Day is okay up until now. It hasn't mattered where Day is going because he has to go where he is told. He doesn't have a choice. According to everyone else, he is a living ghost. He has been stuck for a year regardless of what he wants, so even when he gets home, his mother asks him one question without waiting for a response before immediately asking Night what happened.
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So Day returns the small gesture of conversation to Mork by asking another living ghost if he has anywhere else to be.
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Which jump starts their second game of 21-questions.
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Because neither is telling the other what to do. Similar to their first conversation, it's a shit show, but they are both engaged in this shit show. They are not being told to participate. They are not being told what to do. They are being asked questions and they can decide to answer or not. They get to choose. And they chose each other.
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Which leads to the mom finally asking Day a question.
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Mork is going to be crap at taking care of Day at first, but Day doesn't need someone to take care of him. He needs someone to see him. Day isn't a ghost of his past. He isn't haunting his own story. And he isn't okay. He is unhappy because he has nowhere to go and nothing to look forward to . . . according to the people with lives. He is waiting.
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So the guy who is also stuck with ghosts from his past haunting him simply asking questions is enough of a reminder that they are both very much alive, so they must make a choice to actually live.
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Which is why Mork asking Day, not his mother or brother, but Day when he starts is very important.
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Because these two are stuck in the present with pasts that haunt them. But now they have a future of endless choices.
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They just have to ask the right questions.
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No, not that!
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Much better.
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thesirencult · 6 months
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PAC READING : WHO HAS A CRUSH ON YOU?
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1---2
3---4
PILE 1
The Tower, The Fool
This is someone you would never expect to have feelings for you. You view them as distant, private an cold towards you and others. There is something magnetic to them and, at times, they let their cold façade go. Then, you get to experience a different side of them. They may have played with children in front of you or taken care of an elderly person, assisting them to cross the street. This person loves animals and has a soft spot for them. This reminds me of a strong, tall man who build a sanctuary for chihuahuas after his wife left him. Now he takes care of them and encourages other men to break the stereotype and adopt a smaller dog.
So, this person could also be tall and either lanky or lean-muscular. Others see them as intimidating and may try to avoid them in social situations (like coworkers not inviting them out for a drink after work).
I don't think they'll express themselves. They feel very ashamed of their feelings for you and believe that you see them as "not good enough". This has nothing to do with the way you treat them and has everything to do about their own perception of themselves.
They are very innocent at heart and get hurt when people exclude them. This tells me that you must have treated them like your "chihuahua". You are the one who encourages them and offers help or a few kind words. They love your kind and sweet nature but it's hard for them to show their true emotions. You will notice them get shy and anxious around you, like a little kid. Give them a chance by letting them get closer to you.
PILE 2
Judgement, The Magician, 5 Of Wands
This person is very fair and just. They will love every single inch of you and they won't shy away from telling you that. You see yourself as "not being good enough" and the person who has a crush on you will pick up on how you feel immediately. They will try to get you to see your beauty and will get sad when you talk bad about yourself. They just don't understand how someone as perfect and beautiful as you doesn't realise their own strength and beauty.
This person is a master manifestor. They just know how to alchemize energy and change their physical reality. They will see that you have this ability too and they will admire how you are trying to forge your own path. They have probably manifested you into their lives and they'll idolize you a lot.
If there is an age gap (5+), this person will try to hold back and act as a mentor towards you but, they are very competitive with others and possessive. Their feelings will shine through when they sense someone else trying to get with you. You'll notice their absurd behaviour, call them out and they will just kiss you.
"I'll show you why I'm acting this way." And then smooch 💋.
PILE 3
Queen Of Cups, 7 Of Pentacles, 5 Of Pentacles
Okey-dokey! My sweet Pile 3, if you are not into girls or feminines, I would advise you to choose another pile. Otherwise, if you choose to stay, this energy could resonate with your personal journey towards love and abundance.
I'm seeing a very sweet soul waiting for you. This energy is very light and free-flowing. You may not have met this person yet, because of divine timing. I'm getting that when you meet them it will be "love at first sight". You'll catch them doing something random, like picking up a dumbbell at the gym or petting a dog, or even voting (?).
This "exchange" from afar will drive you crazy cause you will know nothing about this person and you'll think you will never see them again. I see that fate has other plans for you.
This feminine is your future spouse and she is very into personal development at the moment. They will be preoccupied with finances and they are trying to clear up "abundance blocks".
At first, they will seem reserved and preoccupied with other things. You'll exchange a few looks and sparks will be flying, so this is a case of a reciprocated crush.
They are quite happy with being by themselves and working on their coins and foundations for their future. I bet you'll hear them talk about that and you'll think "Baby don't worry, I'm your future 💋."
Slowly you'll start talking and I hope you make the next step otherwise they'll never ever let you in.
But, after you get closer to them, you'll realize that they are a very deep and wise person and not just sunny all the time. Actually you'll think of them as darker and lunar. You will love their passion and mysterious disposition. Be their fearless protector and their rock to climb up to and watch the sunrise.
PILE 4
The Hierophant, 9 Of Cups, Queen Of Pentacles
Right now you are going through a "level up" phase. I don't even know why you are waisting your time here. Lol. You are quite independent, fierce and unstoppable. You are also trying to manifest someone like you.
The person who will soon come towards and confess their crush on you is not someone overly "hard". They are quite dreamy and soft. They like ice-cream and long walks. They will take you on romantic dates and worry that you don't like the scenery because you are not talking that much.
This person sees you as a boos b*tch. They admire you and have put you in a pedestal. I'm hearing "Let me service you Queen.". They like "ice-cream" ! Oh my! This person really wants you and they would jump through hoops to get to you.
They'll pass all your tests with flying colours and you will keep wondering how they are such a good match for you. Let them feel like you are in control and they'll submit to you.
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