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thechekhov · 3 months

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Since you've covered a pretty big bit of the manga so far, can I ask what are your opinions on it? Deeper than just the quick reactions you've shared with us so far.

What are your opinions about the manga's characters? Its pacing? The mystery element? The magic system? What areas do you think it succeeds, and what areas do you think could be better?

I understand if you're reversing judgment until you finish, but you've also read quite a bit of the story so far. Idk, I'm just curious!

Especially seeing as you're a writer yourself, so I imagine you have a different perspective on how the story functions as, well, a story!

Oh, hmmm... that's an interesting question.

As of right now I'm on chapter 35-36 so I'm about a third through the story. The first major arc (find dragon, yoink falin out of its body, etc) has kinda happened, and we're hitting some larger world arcs.

As you mentioned, I DO want to withold judgement but for now... But I will say what I think thus far, with full awareness that my mind might be changed later depending on circumstances.

Comment 1: The manga is finished! Actually, just knowing that makes me feel like it's a more cohesive storyline.

Maybe I'm boring, but I'm not a huge fan of neverending storylines in general. Naruto, Bleach, etc. They have their place in the forever-young-monster-of-the-week genre, and I know why so many manga just keep... on... publishing....... but I feel like there's a lot of merit to being able to just wrap up a story and say 'there, that's how it ends'.

Comment 2: Laios is very well developed, even at this point of the story. Senshi remains a mystery. Marcille... speedran her arc?

I think this is the closest thing I have to a criticism. While I think Laios' character is well-paced in its revelations throughout the series (the slow ramp-up from 'oh this guy is weird' to 'oh, this guy is a freak club card carrying member' to 'oh, this guy is the freak club president' was great!) Marcille is.... a little more of a mystery to me.

Now, perhaps my memory is bad. But I did find her turnaround at the end of the Red Dragon arc a bit... out of the blue?

Don't get me wrong. I think it's entirely believable. But I wish there had been more hints - or rather, more visible progress of her studies of ancient magic. I know it's been mentioned, and there WAS that chapter of her and Falin during their school years... but watching episode 2 of the show on netflix when she goes 'I feel useless, my magic doesn't help anyone :(' and then reading the manga and seeing her straight up go from 0 to 100 as she decides "we're gonna rearrange falin's bones and then I'mma raise her using this ancient technique I've been studying all along that I didn't tell you about because it was sus" is... a little bit of a turn?

Maybe it's on purpose! Maybe, when I read further about her personal journey, the pieces will fall into place more neatly. But compared to the rest of the characters, which seem relatively steady in their reveals (Laios, Chillchuck, Senshi) Marcille took a bit of a turn.

Which, again, isn't bad! It just seems contrasted to the rest of the team.

Comment 3: The magic system is more like a magic ecology.

Actually, in the beginning, I found the magic system Marcille used very vague. It was just a 'do what needs to be done' type of power with very few apparent limits or power balances aside from 'sometimes you run out of mana'. But I think at this point, I'm beginning to assume that the details of the magic are closer to the functions of an ecosystem or an organism, and therefore WHAT the magic does is kind of moot point. Marcille is just a little bacteria inside of the great intestine labyrinth of the dungeon, and she is using its energy to survive, like a sort of microfauna.

Comment 4: Man, the worldbuilding is cool. It's so cool.

I don't think I've seen another story that goes so deeply into dungeon ecosystems before this one. Not only are the people who live there fleshed out in terms of individual cultures and traditions and norms, there are also monsters that serve as a natural fauna that inhabits the halls of what OUGHT to be a mindless 'turn left and fall into a trap' setting!

There's sticking monsters into your world, and then there's 'digging out a trench 1 meter deep, pre-soaking the soil, inserting monster's roots lovingly into the spot, and then covering it with fertilizer and spritzing the leaves'. I don't doubt that there ARE other works that go into this level of detail, but the dedication and the ideas Kui-san has for this very much makes the dungeon a living part of this entire tale. :)

I'll probably have more to say later but for now.. that's about it!

#chekhov answers #dungeon meshi #delicious in dungeon #chekhov reads dungeon meshi

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reginarubie · 3 months

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When HotD got out everyone was like Oh, Daemyra is the new, improved Jonerys with good storyline

And I didn’t give it too much attention, you know I stay mostly in my line and don’t mess around with shit that doesn’t interest me (like Jonerys) but now that I think of it…

I’ll do you all one better (and maybe I am late at the party as always, because I can’t be the only one noticing this)

Jonsa is the reversed, evolved, less entitled (both Jon and Sansa start as spoiled characters but have their entitlement beaten out of them pretty soon, and we love them for it), more duty-oriented (thank you Ned) Daemyra.

I mean all signs point in that direction and I see you 👀 GRRM pushing the Jonsa agenda further on!

And now I’ll tell you what sources I have to base my logic on (and maybe I am wrong ey, but I think it fits Jonsa more, as of now, though Martin could totally disprove me going the other way confronted to the way the show concluded knowing his ending).

So, at the beginning of the story, Robb becomes king in the North by popular demand.

In the first episode Viserys becomes heir (and later king) by popular demand.

Both Robb and Viserys inherit their position by their much beloved predecessor (Jaehaerys and Ned) and both are ‘named/appointed’ by a conclave of lords/ladies in the Riverlands ffs.

Both Viserys and Robb end up planting, with their own politics, the seeds of the shit storm that almost threatens to destroy their family after their death.

Robb marries Jeyne (Talisa in the show) instead of the Frey betrothed thus snubbing the Freys and going back on his word. He dies without an heir leaving the North in shambles when he had been a step from winning the war.

Viserys names Rhaenyra heir and then — instead of marrying the Velaryon girl — marries Alicent and has more children knowing that if they were male it could cause disrupt with the line of succession.

Both are idolised after their death — Viserys taking the name of The Peaceful thanks to the ruling and politics of his Queen and council and Robb by being sanctified by his siblings and lords even tho he was the one causing most of the problems who caused his death and almost destroyed the North — both Viserys and Robb loose their heirs.

Viserys loses his sons by Aemma

Robb dies childless and his heirs (Bran, Rickon, Sansa and Arya) are to his knowledge lost (Bran and Rickon presumed killed, Arya presumed dead and Sansa married to a Lannister).

The heir that remains them, their younger brother/sister (Daemon and Sansa) is not considered worthy of inheriting after them — Daemon for his character and Sansa because she has been married to a Lannister — so both do the same thing, they disinherit their lawful and rightful heir (yes Bran and Rickon and Arya are alive but Robb doesn’t know it; Viserys will have Aegon, Aemond, Daeron and Helaena but he doesn’t know nor care) to name another as heir someone who, by law, should pass after the rightful heir.

It seems to me like some pretty big parallels here.

Daemon = Sansa

Daemon and Sansa are the second born children of a couple who love each other and apparently their mother’ fav.

And you know what’s sick? Daemon and Sansa both supported their brother’ right to any extent.

Daemon readied men-at-arms and sworn swords to defend Viserys’ claim when people rumoured Corlys wanted to assemble a fleet to defend Laenor’ right after Rhaenys.

Sansa bled for the northern independence when in KL and then later — and this is only show for now — Sansa gathered the northern army and put KL under siege to defend her brother. Sansa is the one who decided to rally the lords of the North behind House Stark once again (Jon was done fighting) and she was the one to offer Bran the role of Lord of WF when he returned from Beyond the Wall.

Despite being loyal to their family in their own way, both Daemon and Sansa are disinherited by their king in favor of someone they love but that by law should have come after them.

By succession tradition and law the brother of a king becomes before the daughter of a king — unless women can inherit the throne which was not the case in Westeros at the time — so Daemon came before Rhaenyra in the line of succession, yet Viserys disinherited him to name Rhaenyra heir.

By law and tradition of succession Sansa as the trueborn eldest surviving daughter of Ned and Cat in the evenience of Robb dying without heirs (Bran and Rickon are both presumed dead) comes before Jon, the base born son of Ned Stark. (Jon himself says so “by law Winterfell belongs to my sister, Sansa”/“Winterfell belongs to my sister, Sansa”, even though Sansa is a Lannister, a murderess and apparently dissolved in thin air) yet Robb with his will disinherit Sansa to name Jon heir.

Everyone expected Daemon/Sansa to be angry at Jon/Rhaenyra because of it — Rhaenyra herself and the viewer when Jon was named KitN — instead what happened?

Daemon became Rhaenyra’ stauncher supporter and Sansa became Jon’s. Daemon supported Rhaenyra and Sansa supported Jon. When people expected Daemon to lash out when the terms of surrender were issued, he obeyed Rhaenyra order without issue; when the northern lords unsatisfied with Jon’ stay in Dragonstone offered the crown to Sansa, Sansa refused and defended Jon’s claim. All she did in s8 was to defend Jon’s claim to the North and the Realm.

And you know what else is incredible?

Daemon is suspected to have “caused” his first wife’ death and his second wife died in childbirth. Rhea Royce died after a fall from horseback — in the show Daemon kills her, but in the book she dies of the wounds later on, as the hit to the head might have caused her delayed death. Still Daemon is suspected to have caused it — the horse to unseat Rhea — and tried to inherit his wife’ keep.

Sansa “caused” her first betrothed, Joffrey’ death, by telling the truth to Olenna and Margaery which spurned them to have him killed at his own wedding feast. Sansa escapes and her first husband is almost killed for the crime — almost making her a widow.

Both Daemon and Sansa are more skilled than their counterpart in their competence. Daemon is the most skilled warrior of his time, Sansa has learned politics from the best and worst in it.

Daemon finds himself at odds with his brother with the war of the stepstones and Sansa finds herself at odds with her brother whilst in KL as she has to navigate and survive the southern court and Joffrey.

Yet both return to their brother in the end, Sansa by remaining true to her Stark identity (“I am not your daughter, I am the Lord Eddard and lady Catelyn’s daughter. The blood of Winterfell”/ “what if it is truth he wants and justice for his lady?”) and Daemon by winning and giving the crown to his brother.

Sansa wins the battle of bastards through her alliance with the Knights of the Vale and lets her brother take the crown.

Sansa and Daemon are both described as beautiful, charming and dashing. But Daemon is mercurial and Sansa is called a witch for her apparent part in Joffrey’ death.

Both Daemon and Sansa are advisors in their capacity to their brother/king though they have to clamor to be recognised any degree of validity. Sansa has to fight to gain the right to be Jon’s advisor even if he chooses Davos as chief advisor as Viserys chose Otto.

Daemon’s children are the one who inherit the Iron throne after the DotD. Sansa’s children will inherit WF and the North after asoiaf is done.

Jon = Rhaenyra

Jon and Rhaenyra are the odd ones out of this.

Rhaenyra knew her place, she prayed for a brother to inherit the Iron throne just like Jon would have died to defend Robb or any of his siblings (and in the book he does die for fakeArya). But both are ambitious.

Rhaenyra accepts she will be queen and makes of it her identity; Jon dreamed of become Lord of Winterfell before he knew what that entailed.

Both Rhaenyra and Jon expect that their orders — despite their intentions — will be followed, even when they go against hundreds of years of tradition. Rhaenyra as Queen and Jon believes the NW will follow to war against the Boltons when the NW has been neutral for thousand of years. And both pay the ultimate price for it. Death.

Jon is killed by his sworn brothers, Rhaenyra is killed by her brother’s dragon.

Both Rhaenyra and Jon have the temper of their family but they control it for the most part. It takes really big things for it to be spiked. Luke’s death for example.

Both Rhaenyra and Jon are intertwined with fake relationships. Both cause the death of their first lover/spouse.

Rhaenyra marries Laenor to keep the Velaryon in her corner, Laenor who is a gay man — in the book she is much less understanding of it btw — and their relationship is fake and her children aren’t his. In the show she loves him platonically, though I don’t remember that being the case in the book. In the end, whether his death is faked or not, Rhaenyra causes that. Either by having him killed — as they say in the book — or by having him fake his death to marry Daemon to strengthen her claim.

Jon has a “fake” relationship with Ygritte (you know what I think of her in the book) to make sure his undercover mission is accomplished. In the end Jon’ mission is accomplished and even though he “fell in love with her” he still left her and the war between them ended up claiming her life.

After the death of the heir — Balon and Bran and Rickon — Rhaenyra and Jon are both raised to the role of heir by their king with a decree that disinherited/snubbed the previous law-ful heir (Sansa/Daemon).

At the same time, Viserys/Robb have other heirs. Viserys marries and has sons (who have sons), Rickon and Bran are both alive though presumed dead who could end up threatening Jon’s claim once the will becomes active after Jon’ return from the dead.

They have sexual tension with the snubbed heir and value them as advisors though they don’t always agree with their politics.

Jon feels that Sansa’ opinion demeans him before the Lords — tho he names her regent — and Rhaenyra distrust Daemon not to declare war without her say-so.

And yet both Jon and Rhaenyra gain the ripe of Sansa and Daemon’ loyalty.

Even if Jon and Sansa don’t always see eye to eye, Sansa loyalty to Jon is what gets him out of KL alive, without Daemon’ skills as warrior Rhaenyra’ war would have ended long before it started.

Sansa and Daemon both are against Jon and Rhaenyra to surrender their crown, and work to keep the other half in their role.

And you know what? There’s more.

Gifts giving — belonging to a House

Daemon and Sansa both have something that defines their belonging to House Stark.

Sansa’s wolf-bit and Daemon’ sword — which, do I have to go down the sexual metaphor about Sansa’ bosom and Daemon’ sword? — and both whilst speaking of heirs/reading to war to defend the claim to the crown gift the other half something that signifies their belonging to the House as well.

Rhaenyra’ necklace and Jon’s cloak. Both items which Rhaenyra and Jon puts on and basically keeps on for ever — like it was a fucking joke how long Jon kept the cloak on even on Dragonstone —also Rhaenyra necklace resembles a chain (chain of command) and same with Jon’s cloak stripes (which resemble a chain of command).

Rhaenyra confronts Daemon about her being named heir — and perhaps we’ll have something similar in the books for Jon and Sansa. Tho we have something akin to that when Arya confronts Sansa about Jon having the crown and Sansa liking the attention.

Yet both Sansa and Daemon stand strong in their loyalty to Jon above anyone else.

Protecting — destroying some of the earliest and greatest threats the other claim

Vaemond is one of the earliest threats to Rhaenyra rule, just as we know LF has been playing against Jon all along, yet both Sansa and Daemon defend the other half by killing the offender.

Arya and Bran serve as the Viserys in the comparison, because it’s Sansa who passes the sentence (as Arya herself points out) the same way as Daemon is the one who decided to kill Vaemond instead of letting Viserys order of having his tongue removed to be carried out.

Thus removing the earliest threat to the other one’.

Also, both Daemon and Sansa destroyed indirectly or directly another threat to Jon and Rhaenyra by killing Aemond and Daenerys who had the attitude (both of them) of destroying the Realm to take the Iron throne if needed. Aemond would not have taken Aegon’ claim from him but if Aegon had died of his wounds before Rhaenyra was executed, with Maelor and Jaehaerys dead Aemond stood the greatest threat to Rhaenyra. Daemon killed Aemond and Sansa plotted to have the truth about Daenerys uncovered and indirectly causing her death through Jon.

Supporting the other as ruler

Daemon becomes Rhaenyra supporter just as Sansa becomes Jon’s. Even as snubbed heirs they love the new heir and when the time comes they are there, by their side, defending them.

Also, never forget that Sansa/Daemon are always on the side of the consort when it comes to Jon/Rhaenyra whilst that is not true for other characters, who are always afforded place of importance, but not that of the consort.

When Corlys comments on Viserys lack of action in the Stepstones Daemon replies that he can speak of his brother how he well wishes but that is not the truth for others. Similarly Sansa defends Jon (“he’s our king, he’s doing what he thinks best”) even tho she shares the lords preoccupations.

Despite not always seeing eye to eye with Daemon, he is a trusted advisor to Rhaenyra who listens to him. In the same way, despite feeling the need of Sansa’ validation, Sansa is his trusted advisor to the point Jon entrusts the whole of the North to her.

So, yeah, I raise you the Daemyra is the Targaryen version of Jonsa, with Daemon and Rhaenyra being worse people than Jon and Sansa are combined. By ey, there’s a dark streak to the Starks not to be underestimated.

#Jonsa #Jonsa agenda #Jonsa fam #Jonsa parallels #daemon and Rhaenyra as the Targaryen version of Jon and Sansa #Jonsa vs Daemyra #reverse Daemon and Rhaenyra #daemon = Sansa #Rhaenyra = Jon #I mean it’s right there #I cannot be the only one to see this #Jonxsansa #Daemyra is serving Jonsa vibes #I mean… Jon killed his “lover” for Sansa (we know D was threatening Sansa) just like Rhaenyra killed/had killed her lover to be with Daemon #I mean Daemon used his skills to keep Rhaenyra on the throne and Sansa used her skill to keep Jon alive and safe #If that ain’t peak Jonsa vibe I don’t know what they’re supposed to be doing #And if I am right then Sansa’ children should be Jon’s — like Daemon’ sons who inherited the throne were with Rhaenyra

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zahri-melitor · 6 months

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Some more coherent thoughts about Gotham War, now it's settled on me.

(Spoilers below cut, for length and as it's still only Wednesday)

It's not a huge surprise, but Selina's whole 'train henches to steal from the rich non-violently!' ended up being a complete side issue that only existed to get the plot moving. Nobody's conception of this plot, in two years time, will really include this detail, despite the thousands of words spent arguing how ridiculous it was.

Yes it remains a poorly thought out plan on Selina's part (she's never heard of earning money legally) but the narrative also frames it as long term ineffective from the very first issue and knocks it down on multiple occasions.

DC editorial definitely tried to dress this up as a full family event, but realistically it was a Bruce, Selina and Jason event, written by their three current writers, with solid bit parts played by Tim and Dick.

Vandal Savage remains ridiculous and ready to sacrifice anyone and I appreciate that about him. As a villain he was just the right level of stakes for this event.

I enjoyed getting to see Scandal, even if her fans would say she got done dirty here. Scandal usually has enough sense not to believe anything Vandal says, and I admit I was somewhat waiting for some level of twist here as to why Scandal was all for immortality at this point in time, but it never came.

I still agree it felt a lot like three separate plotlines intersecting, but I think they managed to land the event successfully (while leaving some nice loose threads). I actually appreciate they didn't overreach in their goals.

It still finished out with two separate plotlines: Bruce and Selina and Jason; and Dick and Tim and the rest of the family. Structurally this again reminded me as much of Resurrection of Ra's Al Ghul as Batman #138 did; the main plot and then the far more interesting Dick & Tim sideplot which is what I go back to reread. (Chip Zdarsky is clearly also a fan)

Also promisingly for an event yes, it did actually shake up the status quo and push the participants off in new directions.

So Bruce is now doing the Loner Batman thing (in that he's locked out of the fam computers/comm lines), Selina is officially 'dead' (what is with all these fake dead people with titles, Penguin is too right now), and Jason has what's effectively permanent fear toxin response to stressful situations. Also, apparently, we are getting Dick and Barbara back 'running' the Batfam while Bruce is on the outs.

As far as Bruce goes, what has been really notable in this event is how much Chip Zdarsky loves early 2000s Bat comics and their dynamics, and particularly Joker's Last Laugh. There's a lot of structural things about how this event was shaped, what specific characters did, and emotional beats that feel very JLL as someone who's read it at least half a dozen times. It's not the only influence, but it's a pretty prominent one.

Bruce ending the event in a position where he's effectively not working with most of the other Bats actually tracks reasonably well over to Batman & Robin, to my surprise. It makes sense that it's just Bruce and Damian and they're focusing on homelife and domestic relationship details between the two. It gives Bruce an excuse for why he's closely focused on Damian there.

I will admit I have not been reading Catwoman, but from the event it seems they're spinning her off to keep moving her back into a more antihero position. Tini Howard clearly has a direction she wants to take Selina.

I actually think this has pretty interesting storytelling potential for Jason. It means that he has to stay calm, or has to overcome his own fear to achieve things. It gives him a goal? Matthew Rosenberg clearly seems interested in using it for his Jason storytelling and he's got Jason right now, so...

I'm personally delighted by how much Tim Zdarsky wrote into this storyline. He used the space more to show off Dick and Tim's brotherhood and what Tim is good at, rather than push the Tim side of the Zur story we're all expecting to occur (there's that waiting Zur-Robin costume). Means he's planning it for Batman as a title itself rather than getting it tangled up here.

"It was the only way to become the second-best Robin". Yes, this is Tim getting to show off his core competencies - he probably is the only Bat other than Bruce who would have extensively studied all the trophies. Dick would remember a lot of them simply because a lot of the trophies are from old adventures, but pretty much all the others are not particularly retrospective, respect the past sort of members of the group, while Tim has always been surrounded by the shadows of the past. I loved this note.

I haven't talked about Babs yet! She's in green, in glasses, sitting down at her computers with a novelty mug, directing everyone, answering to Oracle. That's her! That's my Oracle!

I do think Bruce expecting Dick to take over running the Batfam right now is a big ask, given he's also running the Titans as the main superhero team on the planet and handling Bludhaven, but Tom Taylor's writing both those books so I don't expect to see the stress catching up with Dick there. Benefits of writer choice right now, I guess. Also personally 'Babs and Dick organise everyone while Bruce has a breakdown elsewhere' is one of my favourite Batfam dynamics so you know, I'm pretty excited if we actually get to see this play out.

New Lazarus Pit in Gotham! This won't be a problem at all.

#z canon read throughs #gotham war #gotham war spoilers #tuesday spoilers #newish comics

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gendrie · 3 months

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curretly thinking how much Arya would have loved Arianne or Margaery, they would have really helped her be the person she wanted to be. Arya would have loved them so much and I'm sure if Arya had known them she would have wished they were her sister.

its a fun and interesting thing to consider on a lot of different levels (which i guess is why your ask inspired me to go off on some insane tangent)

margaery has quite a bit in common with arya: avid horseback riders, highly sociable, energetic, close with her brothers. its funny that sansa views one as her ideal sister while continuing to disparage her real sister's ghost as marg takes her on an active, outdoorsy date where they're hunting and riding (not unlike what arya wanted to do in sansa's 1st chapter) generally, arya was restricted from hunting type hobbies.......despite the fact it always been a common activity for highborn women.

which is a major flaw in grrm's early worldbuilding that marg and arianne (among MANY others) emphasize. in agot we get a glimpse into arya's upbringing and the expectation is an extremely narrow feminine ideal. sure, arya is given a lot of freedom to play but her (and sansa's) education is mostly left to an incompetent septa. they're clearly being molded for a mostly ornamental role and that is at odds with the rest of the text. ive complained about this before bc catelyn is not a vain character. she values practicality and duty. she was a teen bride and ran riverrun (+winterfell) from a young age. so why are her daughters being turned into dolls by an outsider? why werent practical skills prioritized?

for relevant context: in agot im fairly certain we get only one (1) adult northern born woman on page: maege mormont who is fierce, outspoken, and wields a weapon. (slightly ot note:) i hate the show as much as the next person but arya being a proficient archer from jump wasnt actually a half bad idea........precedent for that in canon too from rohanne webber to alysanne blackwood to ygritte. the wildlings are another notable example of northern women. so riddle me this: if 99% of the north's female characters break the feminine mold (lyanna, arya, wylla, the mormonts, the wildlings, meera, alys) why are they treated as the exception by the fandom? *syrio voice* i am wondering! (im not actually its bc tumblr dot com values the traditionally feminine ideal)

and i dont buy that its exclusively a north vs. south issue. when we meet the tyrell women we see that marg has been raised by olenna to be shrewd and capable. but catelyn is a deadbeat mother lol. neither arya or sansa think about her giving them guidance, advice, lessons, ect. arya was, apparently, just told to look pretty. catelyn's main memory of sansa is that she has nice hair. like.......ok. grrm is on record saying he regrets not developing the relationship between cat and her daughters, but unlike my next point this is something he never even tried to fix.

theres a real lack of female companions in general to start. now to grrms credit he clearly realized this oversight AND attempted to course correct with success imo. ie: arya's storyline in braavos features a lot of female characters (a trend i expect to only grow stronger in twow). as do most of the others.

arianne and her crew are an even more dramatic southron example. arya is treated like a freak for wanting basic autonomy; then we go to dorne and those girlies do whatever the hell they want for the most part: spears, studies, sex, ect. doran only draws the line at treason bc they were fucking up his own shit. but yeah needless to say arya wouldve flourished.

similarly, i love to think about arya being fostered on bear island or post series some of them joining arya's household. im genuinely desperate to see her interacting with the mormonts. i start shaking when i think about aly en route to braavos.

my point here is that i think the dynamic we're introduced to in winterfell, among the female characters, in agot looks very unusual in hindsight. and the worst part is that arya gets regarded by the fandom as a pariah who's only fate could be exile bc she doesnt meet an oppressive standard set by one annoying septa who made her feel bad about herself.

#ask #i didnt realize i had so many thoughts on this lol #some contradiction is natural btw #but i think a lot of it is just a symptom of first book world building being less developed

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theflyindutchwoman · 1 year

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The way Lucy has helped Tim get back the pieces of himself he'd lost is so incredible… But he's not the only one : the amazing influence she also had on Tamara is just as beautiful. The way Tam was trying to comfort Cosmo or went to confront the husband reminded me so much of Lucy. Don't get me wrong, she still has her own personality. But it showed how she has come a long way since she stumbled into Lucy's life. She has found a safe place and from there, she was able to blossom.

And yet, there's still this fear of abandonment… Which is understandable, considering everything she went through already. But the interesting thing is that, up until now, Tamara didn't really question her place in Lucy's life. Apparently this was not something that was of a particular concern to her when Chris was in the picture. But with Tim, there's no doubt in her mind where this is going and how serious this is. And there's something a bit heartbreaking that despite everything, Tamara still fears she is merely a placeholder until Lucy forms her own family. So I love that this episode highlighted how it was just that, a fear. Because not only Lucy considers her as family and is not going to leave her behind, but Tim also just naturally accepts her place in both of their lives. It didn't even cross his mind to not have her for movie night for instance. And it was pretty special to see Lucy so attuned to Tamara to know immediately that something was wrong and be able to reassure her. Lucy and Tamara's relationship is one of my favourite and the ease with which she was integrated into Chenford's storyline is so satisfying.

#The rookie #Chenford #Lucy Chen #Tim Bradford #Tamara Colins #5.14 #Little notes on a piece of paper

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not-so-rosyyy · 9 months

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[TCR Episode 9]

had to check if this really was the second to the last episode of this show. because it felt like all hope is lost here, and if hope is gone, is there even anything worth looking forward to?

all those 50+ minutes of Episode 9 were devastating in its entirety. you spent the past eight episodes empathizing with this kid, learning about what broke him, who failed him--all in flashbacks. and at some point, you start thinking, at least it's not happenning to him now. he finally has people on his side and the chance to get the help he needs.

except you're wrong. and this time, you see it actually transpire: how everybody keeps failing him. again. and again. and again.

and you feel sick just thinking about how it must feel to be in his shoes. when everything and everyone has failed you, who would you even turn to for help?

anyway, I'm just very curious now about how they intend to wrap this up by Episode 10, especially how they'd pivot to a triumphant end. or will there even be any kind of triumph for Danny to begin with?

some random notes:

because the focus shifted away a bit from Danny, the other characters got to shine this episode. all A+ performances delivered by Emmy, Amanda, Christopher, Will and Carmen. WHAT. A. BRILLIANT. CAST.

which is why it's pretty disappointing that we only got to explore their characters now. I think the show could've benefited from expanded storylines for all of them (apart from Marlin, maybe). learning more about their backstories would've given us insight not only into their motivations but also into how they see and relate to or why they find it easy/hard to empathize with Danny. it could've also driven the "we're all responsible for each other" message further home.

for example, in that blink-and-you'll-miss-it frame showing Stan's fridge, we got to learn that he's apparently a veteran. which means he might've had PTSD, resulting in his failed marriage and his heavy reliance on alcohol and pills. the question is how does this affect his view of Danny and his condition? or his overall opinion on mental health? I think it's interesting to dive deeper into that.

with that said, I wish there were more episodes to do this. or at the very least, I wish the actual trial started at least 1-2 episodes before.

that montage of Candy, Stan and Danny coupled with Rya's monologue in the background about asking for help is a bit...contrived, ngl. the dialogue is a little...hnngg. although, I think it would've packed more emotional punch if, again, we'd already known and empathized with Candy and Stan a bit more before this episode.

the scene with Rya and Candy in that diner/bar was one of the highlights, imo. it was fucking heartbreaking, I literally had to pause because I was sobbing a little too hard. it was powerful in itself, but I think it got to me on a personal level because I'm also an only child born from a single mother who I'm very close with (much like Candy and Danny were when he was little, at least)

finally, I think talking about Candy's behavior especially what she did at the end should be more nuanced and should be treated with compassion. that is what the show is asking of the viewer, tbh. she was a victim, too. and I hope everyone who watches this episode remembers that.

#the crowded room #tcr #tcr spoilers #tom holland #amanda seyfriend #emmy rossum #post-episode brainfart

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zkoh001 · 9 months

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There are children who grew up on atla, still praising it's writing, animation, and emotional storylines.

And then there's children who grew up like me, with this shitshow. And you know what? Screw it-

I loved it.

This is me ranting about this horribly flawed show that's a relic of my childhood.

It was either incredibly predictable, or batshit crazy, was riddled with plotholes, and was about a bunch of twelve year olds playing matchmaker for badly animated chinese legends that looked more like burnt out balcanic couples.

The plot happens in episode 1-5 and then 25-26. Inbetween that, it's just tomfoolery. 19 episodes of literal nothing. The people who get close to ending them are literally never the main badguys. They fix up marriages, families, (it's kinda sweet in that sense i guess...) fight the baddies (one of whom they literally HAVE to befriend- but thats just another one of the ✨plotholes✨) and run after the dragons eye, which (guided by their fortune cookie of a master) leads them in a gigantic circle back to where they came from.

The plotholes are so ridiculous that my brain started to come up with explanations that I literally just made up in my head. I remembered there being an episode with an umbrella, and I was sure that it was either used by Flamo, since y'know fire... But no, the fire element is doing just fine in the rain (despite the water element not doing well in the desert but who cares amiright) Or maybe Jinhou since water corrodes metal. But no.The umbrella was Raindrops. The water element. I can't make this up I swear.

Then there is the biggest thing that stems from the premise of the story: They need the five elements to reunite, and become the golden dragon. So why doesn't General Bu just get rid of one or two of them? He captures them regularly, and he has one stapled to his hip at all times... Why does he insist on capturing all of them? (So the show may go on i guess) In my mind, I decided that if one dies or something, the rest can revive them, but that is never even implied in the show, I'm just trying to stop my brain from imploding...

The characters are... Not smart. The only characters arguably smart are Master Yun (debatable) and Shao Yen who is in the wrong show (and sometimes Niwa I guess). I mean, it explains a lot when you know these characters are all 12, and the backstories loosely fit their personalities (by sheer accident I'm sure). Niwa was a servant, and has the strongest powers so she's reserved and nut much of a leader, but still confident, Jinhou was raised and praised by monks who knew of his importance, so hes full of himself and a bit sheltered, Randrop is an objectively worse fighter and student than Shao Yen, so he has doubts, and she in turn has this responsible big sister attitude despite not leading. Flamo acts pretty accurate for a 12 year old with fire powers and a megalomaniac for a role model. ...Why is it that only he and Raindrop gets dumb ass names, while the others get... Like, normal ones?

Last point: This show brings up some interesting ideas (by accident I'm sure) and blatantly ignores them, going out of it's way to avoid anything even remotely surface deep. General Bu, evil mastermind (with gadgets I'm sure they made up while high on drugs) is the past student of Master Yun, teacher and father figure of two of the main characters. That never even matters. It gets mentioned in episode 1 and never again. Why is he even evil? Idk, who cares. Dragon taido. What even is it? How is it different from Tiger taido, and what even is that? Is it made up by General Bu, or are there other martial arts forms? When our characters scream dragon taido, they just start using their elemental powers, and there is no difference between how Raindrop fights and how Flamo fights despite them being dragon and tiger taido novices respectively. Hell, I'm pretty sure Flamo never even says Tiger taido in the whole series, only Bu does. Grub is apparently an experiment gone wrong, but I'm not even sure if I made that up, or was a detail of the show. Thats how important it is. There's this thing where they try to juxtapose Shao Yen and Raindrops semi-healthy sibling relationship (and to a lesser extent with the other two elements), to Grub and Flamos toxic one, but that never goes any further than Grub calling for him when locked in a cupboard, and Flamo being kinda sad for a moment when he "dies".

Also: The whole Avatar ripoff thing? I don't really see it? Yes, obviously thats what inspired it, and honestly, the intro is probably the big thing people point to when saying its a fipoff and you know what, thats fair. But story wise, I don't really see it: Face it people. Master Raindrop is way to off the rails to even try to liken it to Avatar. Outside of five man band, elemental powers, and fiery -eventually redeemed -bad guy, i don't really see it (and none of that was invented by avatar, might I add). Maybe that one talk with Master Yun in episode 5, but wise, cryptic guy is also not an Avatar thing. I even saw some people say Grub is supposedly Uncle Irohs stand in..? Flamo and Grub remind me more of the wet bandits from home alone than Uncle Iroh and Zuko, but suit yourself I guess :"D

Now after saying I love this show, shitting on it for 3 and a half pages, I have only one thing to say.

Its still better than the movie.

#master raindrop #raindrop #im not even surprised this isn't a tag #I was thinking of putting an atla tag in here #just to throw off the fans #and spread the word of this glorious monstrosity #but I decided against it #smh

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booasaur · 1 year

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Any new upcoming series with w/w?

Lol, I had a whole answer typed up and almost completed last night, I could only remember a few upcoming shows but added a bunch of ongoing and recent with descriptions and then the post editor hiccuped and removed most of it so I angrily went to sleep instead.

But maybe that was for the best, because this morning a video of upcoming f/f shows in April came out so now I can add a few more.

There's Dead Ringers, that show with Rachel Weisz playing twin gynecologists and since it's a genderbent adaptation of an existing movie we already know it's gonna be super messy. It would be pretty wild for Grease: Rise of the Pink Ladies to not have some wlw and luckily it does, the trailer itself reveals a couple. Tiny Beautiful Things, with Kathryn Hahn and Sarah Pidgeon (Leah in The Wilds) playing her younger self, apparently Kathryn Hahn's character's daughter is queer. Slip is a kinda scifi, where a bored wife cheats on her husband and realizes every time she has sex with someone, she wakes up married to them. The show's about her trying to get back to her original life, and there are a series of different husbands, but also a few wives (also, the first "replacement" husband is played by Boorman's actor from Willow!). There are also the upcoming Thai dramas Be Mine, Reverse 4 You, and 23.5, as previously mentioned.

In terms of returning series coming back, there's the Disney cartoon The Owl House, getting its final ep. Single Drunk Female's second season is returning soon. It has a bi lead, and she did have a female love interest but it was pretty temporary compared to the will they/won't she has with the main character male love interest. Her Alcoholics Anonymous sponsor, also a very main character, is a lesbian, and she's married but her wife's actress is a regular on another show now so I dunno if she'll be back.

Welcome to Eden, a Spanish thriller about people trapped on an island with a cult, ended the first season on a major cliffhanger so it'll be exciting to see what happens now, though it feels like anyone could die so that's a bit nerve-wracking. It has a lot of different kinds of rep, f/f, m/m, trans, one of the gay guys is deaf too and it's a plot point that his boyfriend won't learn sign even though his friends have.

The Epix series From is a pretty well done horror series about people trapped in a town and who get hunted at night, it's more ominous and suspenseful than outright gory. It actually has three wlw, though one is mostly with one guy, the one who's engaged to a woman outside the town seems to be about to start a romance with another guy, and one is a teen who's crushing on the first woman, feels unrequited. I didn't know about any of them when I started, so they're a bonus, the show itself is rather compelling.

As for current shows, The Power (lol, get it, current) started last night on Prime, it's nice that after the misreading of Class of '07, this new show about girls does immediately have a wlw. Gap's already finished but it made such a splash, if you haven't watched, I'll mention it again. The other Thai drama, Show Me Love, is still airing. Fantasy Island is honestly kind of sweet, it feels like one of those '90s shows, episodic, bright colors and optimism, and great guest stars. One of the two leads, I'd say, or at least the second billed main, is queer.

We got our three firefighter shows, 9-1-1 with a solid (now) established relationship, Fire Country, a lesbian character but not much screentime, and of course Station 19, which is honestly winning me back in a huge way with their current storyline (if they land it).

Cop wlw update (why are there so many of them!): NCIS Hawai'i remains super cute, especially when Lucy is on, looks like Ayanna on Law & Order: Organized Crime got herself a new gf with a super hot voice, The Rookie: Feds still has Niecy Nash playing a super likable and bi lead. I couldn't stand the egregious copaganda in FBI: Most Wanted, and like, imagine how bad it'd have to be, when I can still watch all the rest of these shows, but Sheryll's still there, so. Sin Huellas (No Traces) has already finished but gets another mention for being as funny as it was, with a cute, hot couple at the center. Rabbit Hole's just started, but the initial antagonist/probable grudging ally's an FBI lady who within the first 10 minutes of the first ep dropped that she had a wife. Van der Valk has started its third season and though I'm gonna keep hoping Lucienne's INCREDIBLY hot ex from 2x03 returns, Lucienne, second billed, is plenty hot by herself. Ariana Guerra, who played the novitiate in Helstrom, has joined the second season of CSI: Vegas. Her character's bi and has a main character boyfriend but he seems like he'll most likely end up with a different character.

I'm not really going through these in any particular order, except combining the above two types, but let me just blow through the rest of the ongoing shows: the Canadian family comedy Run the Burbs has been quite sweet in how it's written the teen daughter, How I Met Your Father comes across as an old fashioned sitcom, except one of the characters is a lesbian. It's kind of fun in its familiarity and low stakes. I didn't expect to be as drawn into The Watchful Eye as I did, the trailer felt quite soapy and it was, at times, but all the nannies were great, and I ended up quite liking the f/f side couple. It's amazing what actual personalities can do. :o A Million Little Things is winding down its final season and Grace Park's character is engaged to Cameron Esposito's character so it feels pretty endgame at this point.

If you didn't watch or stopped watching Carnival Row because the main m/f relationship seemed so especially trite, you maaaay want to give it another look. I'm not nearly caught up with Bel-Air, but in the first season they wrote Ashley's sexuality really well, especially since she's so young. I'm sure you can't have missed my Perry Mason gifsets by now, but I can only reiterate what a great character Della Street is. One of the kids in Gotham Knights is bi (and her brother is trans!) but I'm not sure it's worth getting invested before cancellation. Unless the CW is only going to keep projects involving the Supernatural trio?

At this point, hoping everyone who's into wlw has at least tried Yellowjackets or is aware enough of it to know they don't want to try it. Las Pelotaris 1926 is a Spanish language historical drama about female athletes playing--well, the sport is basque pelota but if you need a reference point, it's like squash or racquetball. If you haven't yet caught up with RWBY, now would be an okay time. Lastly, I've still never watched any of Riverdale or even Choni clips, but its final season has just started and you know, I gotta respect the longevity of whatever they've been doing with them, however up and down they seem to have been, and perhaps this final season will be an up. From what I've seen on SM, they seem to get endgame soulmatey treatment more than any of the other ships and I can respect that.

Aside from the Thai dramas that might air after April and a few of the other shows that ended their seasons in March (or February in Gap's case), all of these have eps airing this month. After this year of cancellations, I think it's worth enjoying what we can, even as we acknowledge how much lead/main character rep and longevity we're losing. :o

#replies #femslash related stuff #sent on 20230329 #Anonymous #5 #the power prime spoilers #thai drama #spoilers #I don't even know where to begin with tagging #also when I say last night I mean thursday night #by the time I finished this actually last night (friday) it was so late I didn't have the energy to proof

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tw-episodereactions · 8 months

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Teen Wolf 1x12

Ah, yes, Chris honking at Scott instead of aiming a weapon at him is totally in character. We shall honk to warn this creature off, despite the fact that we’ve been stalking him for eleven episodes.

Lol, Peter just walks off like Stiles will do exactly as he’s told. Please don’t have Stiles do exactly as he’s told. Have him text Jackson and Danny to track down Scott’s cell and then tell Scott about it.

See? The woods are like two steps away from the school and it would have been a lot harder for the police and Argent’s to track Derek in the woods than on the streets in that one episode.

Allison’s reaction after Scott runs is approximately forty seconds long, some slow motion, mostly in close up with one long shot.

Scott’s reaction is approximately forty seconds long, some slow motion, mostly in long shot with one close up that almost immediately dollies back to a long shot.

And the one close up is on the scream instead of the sobbing.

Why do they keep making these choices to de-emphasize Scott’s pain/anguish/trauma? Like, it’s weird, right? It’s not just me?

Like, from the beginning they’ve been telling this story about how being treated like a monster doesn’t make you one. Pretty much every character, with the exceptions of Allison, Melissa, and Deaton have treated Scott like a monster, a pawn, a tool, a thing to be used. Some to more extent than others, but even Stiles has treated Scott like that on several occasions.

And the story seems to be trying to show us at every turn how Scott refuses to be used. Refuses at every turn to cast aside his humanity and descend into a mindless, angry thing that the Hales want him to be and the Argents expect him to be. The storyline, the dialogue, the acting all support this. But half the time the shots don’t, and it’s driving me nuts, honestly.

Does Jackson actually care about Lydia now too? My headcanon where he got empathic bleed from Scott is holding up, I see.

Oh. Menstruation jokes about a teenage girl from a grown man is definitely not gross and creepy and demeaning. I guess that’s one characterization they haven’t screwed up yet.

Okay, so, 1) it’s interesting that Chris recognized what Kate was doing but didn’t stop it, 2) it’s interesting that Kate was the one to volunteer to come instead of Chris bringing her in like I thought, and 3) Chris, buddy. You fucking chose to try to run Scott over and have him turn in front of your daughter, Kate wasn’t even there. Take ownership of your own fucking actions, my dude.

Lol, Kate, you’re usually a better liar than that. ALSO, I still haven’t heard how the school janitor was connected so until we do he’s an innocent victim.

And now we also know that Kate’s actions with the fire either weren’t sanctioned by Chris - most likely - or weren’t sanctioned within the hunting community at all. I’m still trying to figure out the hierarchy of the hunters, and how big the family/network is.

Now that Allison is in the know maybe we’ll learn more, but even with two born werewolves we’ve learned shit about that culture so I’m not holding my breath.

It makes no sense that he’s sending Kate with Allison unless he just wants Kate out of the way. Mrs. Argent would seem like a better choice in several respects, not the least of which she hasn’t been going behind Chris’ back with Allison already. Also, bro, Kate ain’t exactly the comforting type and your kid needs comfort right now.

Okay, so her mother clearly isn’t the comforting type either. Are we saying that Allison get her compassion from Chris? Oh boy.

They keep mentioning the ‘moral code’ they have, but not giving us details. I mean, it’s apparent that Kate doesn’t follow it, and clearly others are willing to bend it. But even the “good” ones like Chris still try to rile up werewolves into going past a specific line in the sand.

Hunters are just a bunch of cops, huh? No accountability, protect their own over anyone else, instigate werewolves to violence so that they can feel justified in killing them.

So I guess he did steal Jennifer’s car. Still doesn’t make sense how he and Derek got to the school before Stiles when they presumably left at least ten minutes after him, but whatever. Also, did Derek kill the nurse when he hit her in the face? There was definitely a lot of blood. And this now makes (at least) two people not associated with the fire that got murdered.

Scott going to the vet is a good fucking call and he should have done it sooner. He should, perhaps, actually call Deaton though because he’s like the only one who’s been both compassionate enough and capable enough to help you.

So, like, Allison doesn’t know who to believe, and I get that. Her family says they love her, but they’ve been lying to her. Scott says he loves her but he’s been lying to her. It’s hard to figure out who to trust.

Out of curiosity, though. How is Scott able to get past the Mountain Ash? Is it just because he’s got a key to the back, and never goes out the front? Did it only get added after Deaton was kidnapped by Derek or maybe it only works on Alphas? So many questions!

Hey, look, we actually got close up on Scott’s grief that actually lasted about the same amount of time as someone else’s! It can be done!

Well, I see the family resemblance between Derek and Peter now.

Oh. Hey. A cop being shitty? Weird. Like, fuck, dude, Jackson’s a goddamn asshole, but a) you don’t know anything about that, b) he’s a fucking minor, and c) you have no idea what the fuck happened or how traumatized he might have been. And, like, none of the other cops with him are pulling him back? Jesus Christ.

Aside from how it makes sense cause cops are just generally shitty, why the fuck would he act like that about two kids we’ve never really seen him interact with? Either he’s got something against Jackson or he’s weirdly protective over Lydia and both of those options creep me out a little.

No, no, don’t bother apologizing to the kid you manhandled for no reason.

“Only the responsible ones,” Peter says, ignoring the dead body literally underneath where Stiles is typing. And the janitor. Can’t forget that guy.

Stiles trying to protect Scott is nice, if futile.

Scott gets his terrible security protocols from his mother. But at least his was passively bad, while hers was actively bad. I still can’t believe she just let Jackson use her computer like that.

Also, his is not, you know, illegal criminally or civilly with criminal consequences that could include termination, up to $50,000 in fines, and a prison sentence.

I’m sorry, but did this fucking show give us a guy who not only knows about werewolves but feels totally secure standing up to one and subsequently getting the werewolf to stand down, which our main character witnessed, and then not have the main character, like, go to him for help? Just have him go there for refuge?

I DO NOT UNDERSTAND, GIVE ME DEATON.

Oh, hey. Scott howling again. I hope this time works better than last time. I can kind of understand why this was not his first choice of things to try given his previous experience.

But, uh, are you telling me Peter didn’t hear that and won’t also come running? Or that Peter didn’t think to try that instead of the whole phone thing? Or, like, now that apparently Derek is his beta, Peter can’t track him that way like he’s basically done to Scott during this whole show?

I feel like the phone thing was put in there specifically as a way to make Stiles useful. Especially since we haven’t seen this skill set from him before.

FYI, that longitude/latitude puts you in Antarctica.

Lol, so we specifically made a comment about how the service might not work in a parking garage and popped out the mifi, but we’re totally able to bypass that same issue to get the gps coordinates from a phone that’s underground. Sure, Jan.

Okay, so at least Peter did hear the howl. And you know what? I’ll accept that Scott outsmarted him because he’s done it several times already. The weird part is that you’d think Peter would be the one more in touch with the werewolf instinct and Scott would be the one more apt to use technology, but we’re getting the reverse.

If I had any faith in these folks, I’d have to wonder if that was on purpose. Like, has modern werewolf culture lost itself to the violence and lost all connection to its proto culture? Not all werewolf myths cast them as monstrous and bad, particularly Irish and Scottish folklore have them as helpful protectors. Scott McCall.

Ummm, why is Allison at the hospital? Did she hear Jackson’s voicemail and insist on coming? Did Kate just dump her somewhere and then she heard what happened to Lydia?

I actually really like the super quick flashes of the bloody room and Lydia writhing. That was very effective.

Okay, so Kate’s using this to manipulate Allison some more. Gotcha. Chris, you’re dumb for letting her be under Kate’s influence some more.

Stiles, why would you even ask that?

Oh. Okay. So we’re good with biting people of color and women and turning them without asking, but you’re gonna ask the white kid if he wants it. Why do I, once again, feel like that’s social commentary that they didn’t actually intend to make, but is so spot on it’s painful?

Also, is this the first episode where they’ve explained that the bite doesn’t always take, and that it’s not due to the intent of the one biting, but the biology (?) of the one being bitten?

That still doesn’t explain why Peter didn’t bite more people when Scott balked. Peter clearly doesn’t mind sacrificing people when convenient.

Peter is really much better at manipulation than Derek was. He and Kate are cut from the same cloth.

Part of me thinks that Stiles was lying because we’ve seen him be envious of Scott. The other part of me knows that Peter’s a lying liar who lies and no one should ever trust him.

The stark fucking difference between how the Sheriff treated Jackson versus how he’s treating Stiles.

I feel like that phone battery would have died by now. I have zero memory of how good phone batteries were 13 years ago though.

Wait, did this fucking bozo not hear Derek roaring? Dumbass.

Why does the lighting on the walls of this place always look like the light is reflecting off water but there’s no sound of water when they walk. I noticed it in the last episode too. Very distracting.

Why the fuck did Stiles bring up Derek? First of all, he knows his dad knows that because he got his dad drunk and his dad told him he knows that. Second, unless he’s planning on confessing everything and getting the police to roll up to Derek’s place, then saying that right now is incredibly dumb.

Holy shit! They did it to someone other than Scott this time! Made him look dumb so that someone else could have a snappy comeback! Why is this thing that these writers do? I mean, other than them being bad at their jobs.

I honestly can’t remember, does Stiles know that Allison got the necklace from her aunt? Also, like, he doesn’t even describe it, but Stiles somehow puts it together, lol.

“You really want to talk about this right now?” Says the guy who has, of course, been super forthcoming with Scott about werewolves this whole time. Who literally didn’t just switch sides to help Peter in a way that left Scott traumatized and writhing half naked on a locker room floor. This guy who has totally never made Scott’s life actively worse or hurt him almost every single time they met.

Yeah, Fuckface, he wants to talk about this now and with good reason.

Derek’s practically his own movie theater with how much he’s projecting on all these kids.

Btw, I am taking this as confirmation that Derek had, in fact, switched sides and was not actually playing along to still try to stop Peter. Which means that he’s a trash fire of a human being who has currently done only two good things. Possibly ever.

Weren’t there just police all over the hospital? I feel like someone should maybe notice a group of armed men terrorizing two high school kids after what happened to Lydia.

Scott’s sad little, “Just say you’ll help and I’ll unlock your other…” is so funny because, like, even if Derek said it Scott was resigned to the fact that he wouldn’t be telling the truth, but would unlock him anyway.

Chris’ friend tried to kill him, huh? Was it because he was surrounded by people he knew wanted to kill him? Was it because he was hurt and in pain and just needed to learn how to control it? Like, I feel like there were other ways you could have handled that, Chris. If all you’ve got is a gun, every problem looks like a target, I guess.

I don’t buy that Kate and Allison got there before Peter. He’s there somewhere.

Why didn’t they shoot the flashbulb one first? It’s unnecessarily cruel, which is Kate’s M.O. but it still feels weird that Allison would go along with it.

Thank you, I guess for at least saying that Allison wasn’t willing to go along with killing. But, like, she knows Derek was being tortured. What did she think was going to happen if they did just capture Scott?

Lol. Okay, sure. Kate and Allison and Chris all got there before Peter.

“I did what I was told to do.”

Huh. I’m going to be real with you, I assumed that Kate would bust out with her warped views on why they need to die and that’s it’s a good thing and they’re just animals. I wasn’t expecting someone pulling her strings. I mean, I guess she could be lying, but why?

It makes way more sense that Chris is a naive idiot, honestly, than to think there wasn’t corruption in the hunters, they’re cops.

Lol, Chris, you fucking shot that same kid three months ago with no proof he’d spilled human blood. Bud, leg to stand on? You ain’t really got one.

Although good to know at least part of their code.

Wait, are these bullets even wolfsbane? Will normal bullets even kill werewolves? Derek was basically fisted through his chest and survived, so I guess I assumed they were more lethal than regular bullets.

We hunt those who hunt us. Well that’s definitely not the truth. Not if they were there the when Laura Hale died because she was the first victim and clearly a werewolf.

Peter did you have to succumb to the drama of the creaking door? Really? You couldn’t have just quietly launched yourself at Kate and dragged her off before anyone could get off a shot?

Also, where the fuck are Chris’ men who were at the hospital with them? Why did Chris not call for backup en route since apparently Stiles gave him the location. Sloppy work.

I understand that you’ve loved her your whole life Allison, but you just found out that she killed a bunch of innocent people including children and she almost killed the boy you said you loved right in front of you. I feel like running after her is the wrong choice.

Perhaps checking on your father or grabbing back the weapon you lost are better first choices.

You know what? I’m fine with that. Kate dying in that house by Peter’s hand works for me.

I am shocked, shocked to find that gambling is going on here.

The shaky cam, the low light, and the fact that all three of them are wearing black leather jackets is not helping me figure out what’s happening in this fight.

Like, I don’t want to be reductionist and go for the simple metaphors, but for symmetry Scott should be in the red hoodie, Derek should only be wearing his light gray/dirty white shirt to show how he’s nominally fighting the good fight here even if he’s still not a good guy, and Peter should be in dark or colors indistinguishable from black.

Or they could have just used some more damn lighting, that’s an option too, I guess.

Well, I guess the cgi werewolf will theoretically make it a little easier to tell who’s who.

Hey, Stiles and Jackson. Good of you guys to show up. What kept you?

Wow, the practical effects for the Alpha are jarringly better than the cgi. Should’ve gone with as many practical effects as possible. Which is honestly so true for most things.

Oh. I guess they stopped by the chemistry room first. Lol.

Well. This is actually a very good strategy, Stiles. I can’t imagine anyone would react well to being lit on fire, but Peter’s going to react worse than most. Out of idle curiosity, why did you only make two?

I feel like, keep shooting is also an option here?

Look, Allison, girl. I get that you understandably believe Scott was telling the truth now, but, uh. If I were Scott I’d push you away until we could talk shit over because you totally let your aunt almost kill me in cold blood.

I get it’s a teen show, which means kissing instead of talking, but still. Not really appropriate after you watched your aunt get murdered and all y’all tried to burn a man to death.

“Because I love you,” is a bad answer.

How about because both you and my family lied to me and I didn’t know who to trust, so I trusted them because they’re my family and I’ve only known you for three months. But Kate showed that my trust in her was misplaced, and you showed that my trust in you wasn’t, and I’m sorry I almost got you killed.

Oh. Hey, Peter wasn’t all the way dead. We were all just letting him suffer and possibly heal up then? That’s a choice, I guess.

Now, big question time. Is Derek going to let Scott try to kill Peter to see if it will actually reverse the change or is he going to take his revenge for Peter killing Laura and screw Scott over forever? Hmmm, based on almost all of Derek’s previous behavior, I’m stumped.

I wonder if the Argent’s knew about that possible cure. I wonder if a hunter getting turned and killing their Alpha is how they found out that it was a possibility in the first place. Or maybe a hunter started it as a rumor to try to get betas to kill their Alphas.

This just in, Derek Hale remains a garbage fire of a human being. This is my shocked face.

The Sheriff just out here touching evidence with his bare hands.

I love how in the episode where they specifically say that you either turn or die from the bite that immediately gets disproven. Hey, quick question: does anyone actually know anything about werewolves? Maybe that’s why we’re not getting any details. None of the writers fucking know anything either.

Ugh, Jackson’s back again. If Derek turns him, he’ll be the stupidest goddamn man alive. Which means he’s going to.

Any bets that Jackson being turned will somehow make him more scared than less?

Aaaand we’ve got more hunters coming. Is it like a tribunal because the Argent’s fucked up? Is it the person pulling Kate’s strings, who knows!

Okay, so, here’s the thing. The story structure is killing me here. Too much is happening after the climax. We didn’t need the Sheriff finding Kate, that should’ve been cut. It gave us no knew information and that storyline was wrapped up again with the newspaper article like 30 seconds later.

We didn’t actually need to find out about Lydia not being a werewolf and possibly being something else. There was already a cliffhanger about her, we didn’t need to resolve that cliffhanger only to immediately have a new one but with less tension.

This should have ended with just the Jackson & Derek scene to theoretically wrap up that storyline, and the Argent scene - which gave us new information - transitioning to Scott and Allison cuddling under the moon - which is the resolution.

Season One Thoughts

This is a story about not becoming a monster. Kate was monstrous because she was ‘just following orders.’ Peter and Derek and even Jackson to an extent were monstrous because they let their pain selfishly consume them and then took it out on everyone else. Chris is perhaps the least monstrous because while he clearly refused to see what was in front of him for years, when there was nothing else to see but the truth, he did step up. Scott is, of course, the monster who refused to be monstrous.

I think Scott is a refreshing character. He’s a lead of color in a teen show, which is incredibly rare. He’s a teenager who does dumb teenager things and makes mistakes, but tries so hard to do the right thing. He’s stubborn and kind, and those are shown as both strengths and weaknesses, which I like. He clearly takes after his mother a whole bunch, and they have a sweet relationship.

I thought Allison and Stiles were good, complex characters, but there were certainly some iffy fucking characterizations choices for Stiles at the beginning of the season and some iffy fucking mischaracterizations with Allison at the end.

And finally, with my whole chest, DEATON IS MY FAVORITE. I want to know literally everything about him and I hope so very much that he gets a chance to be the mentor that Scott deserves.

#teen wolf #scott mccall #allison argent #derek hale #episode reaction #stiles stilinski #jackson whittemore #lydia martin #chris argent #alan deaton #peter hale #1x12 #kate argent

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maddy-ferguson · 10 months

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controversial opinion but i dont think the duffers set up byler well, lets be real most of the fandom outside of our echo chamber doesn't think byler is going to become canon. and like idk but i agree that they should have at least broken up mlvn and resolved the monologue issue (preferably not include it even) if they were going for the byler route. same for will's importance or even mike's importance for the plot. removing them from the show's main narrative doesn't make a good case for their importance in the story in the penultimate, esp when they received minimum screentime in this season. it's not the audience's fault to think mlvn is endgame or will or mike are unimportant when the way they've been handled were lackluster and when cali plot.... Was Like That. plus they gave it all to el's character lol. ofc ppl gonna think she's the protagonist when she was the one who opened the gate and created vecna and when mike spends the entire season talking about her. redpill but it's not making much sense here when the narrative is criticized in the byler fandom, acting like the writers did a perfect job in terms of setup is just being wilfully blind atp.

i think people not expecting it is the point though. like yeah it's obvious because when they did the same thing on a smaller scale with nancy's love triangle at the end of season 1 (her spending most of the season with jonathan them bonding and her and steve fighting but then still being together in the epilogue) most people could see that jonathan and nancy were gonna be together and not one person was called delusional for thinking that. but i really think the juxtaposition is the point, it's a queer couple so even with a similar storyline people don't expect it because of heteronormativity etc which is kind of depressing but it's also what's gonna make it happening even better...#imho

for the monologue, obviously i don't ENJOY IT but i don't hate it because i think it's interesting for el? whether you think she believed him or not, whether or not you think she was gonna break up with him at sbp, i think having him tell her he loves her makes it so no one can be like "but if mike had said he loved her everything would've been fine!" i like them going all the way in that sense. i think it's good for us as an audience to have that, this way there's no what ifs. it makes it apparent that their relationship couldn't be fixed by mike saying i love you and also that their fight in lenora wasn't only about mike and about their relationship, like mike never thought she was a monster that was all el, and him telling her that she's not a monster won't fix that internal struggle for her. and it also won't help her grow beyond the monster/superhero dichotomy.

i don't like will and mike being away from the supernatural plot either but yk i do think it's because they're important for the resolution of that storyline and that that's also supposed to come as a surprise. for mike well i don't actually know that he is, but i certainly know will is and i think they did set that up pretty well. he's not in episode 7 but they reveal that the upside down is frozen on the day he disappeared, he's in hawkins for five minutes but the season ends with him talking about his connection to vecna and everyone and their mother is reminded of the fact that will is a vital part of the supernatural plot. people don't necessarily think he's gonna be the key to resolving the upside down and vecna thing for good (no matter what that looks like, i'm expecting it to be both el and will because it kind of is the el show + we'll fix it together + lucas and erica (siblings) being the mvps of the basketball game and the dnd game that has a lot of foreshadowing in episode 1 etc) because el's the one who's always done it pretty much by herself...but it's also never worked. not for long anyway. i would say that like byler (but not as shocking because it's not someone assumed to be straight turning out to be gay) it's supposed to make people go oh why have i never thought of that of course will would be an integral part of the ud resolution this makes so much sense!!! when it happens. and characters also always expect el to be the one to fix it just like they don't expect byler to happen. meta.

and again i don't LOVE mike and will's thing being the conversational roadtrip only in season 4, but i get why they did it like i see the vision. i see where you're coming from and i agree that most people not seeing byler coming isn't necessarily their fault (even though i said it's similar to nancy's s1 triangle and everyone expected it then. nancy never gave steve an i love you i've loved you forever i'll love you forever speech, major difference), i really think it's NOT supposed to be that obvious. even though it is kind of. i get wishing they had broken up mlvn in volume 2 and i certainly would've liked not having to see bylers be called delusional 24/7 but i think mlvn breaking up would've made byler endgame wayy too obvious and if they wanted it to be obvious to the girls that get it only i think they've accomplished that. same with will and the supernatural plot. and everyone is free to not like it still, i just don't think that means the set up isn't good.

very last paragraph. i don't think everything they've ever written is perfect. i don't even think every decision that's been made by the st team regarding WILL's queerness is perfect like (this is another conversation) having noah deny the gay allegations on will's behalf a month before having him say oh yeah he is gay it's obvious is crazy to me it's no surprise that people feel like it's an afterthought and like byler is never gonna happen. even though i obviously disagree with them. fin.

#parenthesis inception #obviously i think the monologue is also interesting for mike and for byler and for will depending on how they deal with it in s5 (can you #imagine hearing your bff that you happen to be in love with tell your new sister who saved your life a bunch of times that he's in love #with her that's bad enough but also that his life started the day he met her which also happens to be about 24 hours after your life change #4ever in the worst possible way like you were fighting for your life in the ud and he makes it sound like #he was having a great time and falling in love and yeah he was #looking for you but also finding himself a girlfriend and that's the thing he'll remember for the rest of his life. you're being mean stop #it wouldn't even be enough in this situation like i would have a very hard time believing that my bff i'm in love with loves me back or #even cares about me at all. but yk i'm not the duffer brothers' oc who knows what they'll do)#el fixing it and it not lasting long is also true of everyone trying to fight the ud with guns btw like yeah nancy is very badass and it's #great that she...likes firearms? idk. idk how to say it but i get that it's a positive thing for her character but at the end of the day #vecna literally walked away lmao like that was not a win #ask

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hollygl125 · 15 days

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yo umm i was wondering and couldn't find on google so i think you could help me

the shifts in csi (like day shift, graveyard shift etc) are around which times?

Hello, lovely anon,

First of all, my sincere apologies for not having responded to your query in a timely (or, you know, remotely helpful) manner. Not as an excuse, but as an attempt at an explanation, I will tell you that I have been kind of a disaster person lately (much more so than indicated in the linked post, and even much more so this past fall than now) and don’t always have a ton of control over where my mind chooses to focus.

I should also acknowledge that, while I carried out my fall 2021 CSI rewatch (when I didn’t realize I was subsequently going to care about any of these details) with sort of rapt attention, in my (yes, many) subsequent rewatches I have often skipped scenes or storylines that don’t really interest me (e.g., where neither Sara Sidle nor Gil Grissom is anywhere to be found), and I am almost always doing two or three things at once while watching. So it’s certainly more than possible I have missed some non-GSR details in there.

In response to your question, the two things I can tell you with certainty are these:

The CSIs of CSI have three shifts: day shift, swing shift, and night/graveyard shift (this last being what the lead characters of CSI are generally working). Logic would dictate that, with three shifts and 24 hours in a day, the shifts most likely start (and end) eight hours apart. (I will not, however, state that logic necessarily dictates that the shifts each be eight hours, and I will discuss that more below.)

At the end of “Mea Culpa” (05x09), after Warrick, Nick, and Catherine are transferred from night/graveyard shift to swing shift, Warrick tells Grissom, “Well, I got to get some rest. Swing shift starts at four in the afternoon. That’s a big change.”

Based on the above (and what I will discuss below), the best answer I can give is that the shifts should start at the following times (and end approximately, though not necessarily exactly, eight hours later):

Day shift: 8:00 a.m.

Swing shift: 4:00 p.m.

Night/graveyard shift: 12:00 a.m. (midnight).

(I will also note some contradictory information below the cut, although I don’t know the source of that information.)

But the other thing I will note (and for which I will give some possibly excessive examples below the cut) is that CSI does a pretty terrible job of keeping track of these kind of workplace logistics. You might have thought the writers and showrunners of what was for a time the most popular scripted TV show in the world (or something like that) would have added a few notes to their show bible about workplace logistics (shift times, scheduling, etc.) but . . . nope, not in any way that is apparent to me! (I find wanting to write a story that is compatible with the internal logic of the show and finding there really is no internal logic of the show to be terribly frustrating.)

Shift times:

Okay, to be honest, the first place I looked for an answer to your query was in @addictedtostorytelling’s wonderful meta, both because she is an expert in (among many other things!) these finer details (e.g., dates on documents shown in the show) and because I was pretty sure I had seen a post from her that addressed shift times.

The only post I could find on the topic was this one, in which the asker states that “we know there are 3 csi shifts: day (7am to 3pm), swing (3pm to 11pm) and night (11pm to 7am).” I don’t know the source of information for that statement. (If anyone else knows, I’d be most grateful if you shared in the comments, so I can update this post!) Honestly, it’s more than possible that CSI has given contradictory information on this subject. But the one place I personally know of a shift start time being given in the show is in Warrick’s statement quoted above.

I also did a general google search on shift times (not specific to CSI or even real-world CSI-type employees). The most common answers I saw were days = 8:00 (or 7:00) a.m. to 4:00 (or 3:00) p.m., swing = 4:00 (or 3:00) p.m. to 12:00 a.m. (or 11:00 p.m.), night/graveyard = 12:00 a.m. (or 11:00 p.m.) to 8:00 (or 7:00) a.m.

In this post on Talk CSI, you can see people trying to answer your question way back in 2006, when the show was airing. One board member there noted that their (forensic, as I understand it) agency had three ten-hour shifts (with two hours of overlap at each end). Another noted that, where they worked (also apparently in the forensic context), the shifts were “12:30 to 8:30, 8:30 to 4:30 and 4:30 to 12:30 working 8 hour shifts.” @figsr kindly advised me that in her (non-forensic) experience shifts would have a half-hour overlap for handover.

I have no personal experience with this, but to me also just logically it would make sense for these shifts to have some sort of overlap for handover—so that, e.g., one team can be dealing with their beginning of shift housekeeping (shifts, assignments, memos from upper management, etc.) while the other is still primarily responsible for calls to the field.

Anyway, based on the above, I can’t give a conclusion on exactly how long the shifts are/when they end. But, as for when the shifts start, my best answer is as given at the top.

The other thing I should probably note here is that the CSIs of CSI do not stop working just because their shifts have ended; when they are in the middle of something that needs to be addressed in a timely manner, they tend to keep going, and they seem to work a lot of double shifts. They also apparently help out other shifts sometimes when necessary. (You’ll note that we see them working during the day a lot, but I don’t know how much of that can be attributed to the issue I discuss below.)

Shift times + scheduling + lack of internal logic (i.e., WTF, CSI?!):

As @addictedtostorytelling discusses in the meta I linked above (which I highly recommend reading, if you’re interested in this topic!), CSI doesn’t make much effort to depict the characters’ work schedules in any sort of realistic way, and drawing inferences about the logistics of the their work schedules is kind of a crapshoot.

Here are a few examples of CSI seeming to ignore its own shift times:

In 01x10, Sara’s asleep with her head on the table in the break room. It’s daylight (looks like morning). She wakes up as the kettle starts whistling. Grissom asks, “Did you sleep here?” Sara responds, “I was working till 4:00 a.m.” —> 4:00 a.m. should be their lunch time. None of this makes any sense.

In 07x08, Sara spends her day waiting to testify in court; they never get to her. Afterwards she goes to talk to Grissom in his office; based on the foregoing it must be late afternoon (maybe around 4:30-5:00 p.m.). Grissom has been working on that episode’s case and must have been on shift since at least the night before. He’s now sitting there reading Thoreau, and she tells him, “I won’t wait up.” —> I know he’s traditionally been a workaholic, and maybe they both have the night off, but it always strikes me as odd (and maybe a bit irresponsible?) that he’s still not heading home, given how long he must have been up and the fact that their usual shift time is in probably close to seven hours (and I always imagine him, as supervisor, arriving early).

At the end of 07x18, the TV reporter says that the suspect confessed earlier that day to the murders of the six showgirls. (The TV newscast is supposedly live, and it’s dark outside where the reporter is. He also states, “The families have organized a candlelight vigil that will begin here tonight.”) Grissom brushes a tear off Sara’s cheek then walks her out of the lab with his arm around her/hand on her back. The hallway has dim lighting and is empty aside from someone (not Natalie Davis!) mopping the floors. It’s giving very “end of the day so the lab’s deserted” vibes. —> But it’s literally never the end of the day there! They work the night shift, and the lab is always humming!

Similarly, in CSIV 1x05, Sara and then Grissom as well (“the matched set”) run into their suspect (Martin Kline) while leaving what is very specifically (i.e., with several establishing shots) shown to be a dark and empty lab. (Like, it’s clearly supposed to feel creepy when Kline first confronts Sara and she’s all alone.) —> But, again, the original CSI showed us that place was never dark and empty! It was always humming!

In 08x01, the security guard at the parking lot from which Sara was abducted says that Sara “eats at the veggie place downstairs a couple times a week.” When Catherine asks when she was there that night, he says, “I don’t know, like 7:30, maybe. That’s when she usually comes.” —> Sara eating at 7:30 p.m. is like someone who works a 9-5 job eating at about 4:30 a.m. (I also feel like their working hours are so erratic that, if she were able to pull off anything regular a couple times per week, it would be something regular she could do with Grissom—like maybe sitting down to a nice relaxed home-cooked rather than take-out meal twice per week.)

Shift times aren’t the only issue, though.

In 02x15, for example, Sara’s “Request for Leave of Absence” form states that her work week is “Tue - Sat grave.” Now, I don’t pay much heed to the CSI props department. (They did give us these nonsensical ID cards, after all.) But this would make a lot of sense to me—the CSIs all having a staggered work week, with two regular, consecutive scheduled days off each. Only . . . we don’t ever really see anything like that?

At the end of 03x22, Sara notes that the schedule says Grissom has the night off, and, when he confirms, she then adds, “Me, too.” It certainly doesn’t sound like this is a regular (weekly) occurrence. But in truth I can’t remember ever actually seeing two of our CSIs have the night off together. We almost never see them having a night off at all. Even in 03x03, when we are told Sara had the night off, it’s in the context of Grissom having called her in to work.

(I think there are a very small number of examples of one of the CSIs actually having a night off—e.g., in 03x09, Catherine has a couple days off but stops by the lab to pick something up for Lindsey’s birthday.)

Admittedly, I get this one, because of course the showrunners want for the most part for the whole cast (especially its major players, the CSIs) to be onscreen throughout every episode. So the subject of days off would have to be fudged. But it strikes me as funny that, in 04x12, when Nick is absent for the entire episode, they don’t take the opportunity to show someone having their regular days off; instead, Sara tells us he’s at the “American Academy of Forensic Science convention” (even though it’s about a month early for the AAFS conference).

Another matter that makes no logistical sense to me is the staffing changes that go on during and immediately after season 05.

In the pilot, the graveyard shift is five CSIs (including Holly Gribbs) plus Brass, who presumably does a lot of paperwork. Then Sara takes Holly’s spot and Brass is transferred out, so it’s just five very qualified CSIs (and no wonder Grissom is always behind on his paperwork, with Brass gone).

By season 5, graveyard shift is up to five and a half CSIs, basically, with Greg’s inclusion as a CSI-in-training. Then Ecklie decides to mix things up (i.e., punish Grissom and his pals), and he splits them into two shifts, adding only Sofia (to the graveyard shift). So then graveyard has three and a half CSIs (four once Greg makes CSI I), and swing shift has three CSIs. In 05x11, Ecklie acknowledges swing shift is short a couple bodies and blames budget constraints. But, if swing shift is short a couple bodies, graveyard shift must be short a body, too, even once Greg makes CSI I. How can budget constraints suddenly necessitate them being down that many bodies—especially when by season six Ecklie can somehow justify letting them now have six full CSIs on graveyard shift? Also, we know the swing shift supervisor was transferred to days to replace Ecklie, but what happened to the rest of the previous swing shift?

Now, my petty headcanon would be that the entire day shift save for Sofia quits when Ecklie gets promoted because the thought of him as assistant lab director is unbearable to them, as a result of which he moves the entire swing shift to days and pretends the staff shortages are due to budget cuts. But I find it kind of funny (again!) that, during the fifth season, when CSI really was on top of the world (e.g., ratings, cast winning the SAG award, Tarantino directing “Grave Danger”), the showrunners couldn’t at least have found a couple warm bodies to show up occasionally to round out the swing shift (even if Ecklie was punishing Grissom and his shift by leaving the graveyard shift understaffed). (In 05x16, Catherine is shown talking to three randoms in “forensics” coveralls, one of whom calls her “boss,” but no explanation is given as to who they are, and I think that’s the most we ever see in that regard.)

Anyway, thank you so much for your question, and my apologies for rambling with some of my CSI logistics grievances. My best answer to your question is as given at the top. If you should have another question, please feel free to send it my way—barring any acts of God, etc. (unforeseeable future events), I will most almost certainly be able to manage a more prompt response!

#asked and answered #anon #my thoughts and feelings on the two lovely science nerds #i mean not really so much but that is the only meta tag i have #csi logistics #csi meta #meta: csi

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vermillion71401 · 4 months

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MY REVIEW ON PSYCHO PASS PROVIDENCE

Disclaimer: I’ve been Psycho Pass fans since (roughly) 9 years ago. I’ve never want to write any reviews on the series until now because I NEED THIS TO GET OUT OFF MY HEAD, and there’s some things I don’t understand. Still, I’m just a fan, this review is based on my opinion only. After I finish this so called essay, I found more question than answer, so if you don’t want extra headache, don’t read it. Also if you’re not Kouaka shipper, pass it, you’ll find me annoying.

Apologize beforehand if there’s any typo or any missed info. I hope you understand my write (English isn’t my first language, so I struggled a lot.)

This post consist on four part; review, my opinion on character, relationship, and my irregular thoughts throughout scene.

BEWARE OF THE SPOILERS.

STORY, CHARACTER

PPP occur after Kougami’s return to Japan. Shorty after, Peacebreaker make their way to steal Stronskaya Paper for their gain, terrorize everyone that blocked their plan. Akane can’t stay still after witnessing horrible acts of this group and their leader, determine to arrest them along with division 1 and SAD team.

Overall story is pretty straightforward, which I like. They make a new storyline and new interesting character and villain, makes it compelling. A new system like General is a fresh idea, rather than just stick with Sybil System. We actually can relate to villain, learn through his trauma and backstory, eventually we feel sympathy for him. Not to mention some cool stunt and action.

Aside from storyline, what makes this more interesting is we get to see relationship development between Kougami, Akane and Ginoza before S3. The three OG character since s1, and how they see each other now.

Akane, as a main character can finally have some development also in the end of the movie. I wish they explore it more.

MUSIC, VISUAL & ANIMATON

The music director did a good job on this. The music match with the atmosphere of the scene so well, so we, as an audience totally immerse in the story. Some soundtrack even take samples from season 1, create nostalgic feeling into it.

Production I.G did it again for visual animation! Texture detail, smooth animation and background image is top tier. I have no right to complain anything.

OVERALL CONCLUSION (7.5/10)

This is what movie should be. Action, good plot, good character development. I had so much fun than I expected to be and recommend to every anime fan to watch it.

MY OPINION ON CHARACTERS:

Kougami

Kougami being Kougami again. Ever since SS3, I think we truly knows what kind of person he is, and he’s never change. That might be the reason why he didn’t regret what he’s done. Some people care for his well being though, like Prof. Saiga and Akane, she’s concern he might be used as violence tool only, that’s why she actually wanted to bring him back to CID.

In this movie, aside from being agent, it’s refreshing to see him being a detective mode even for a little moment, like the scene he had with Shion, because apparently he has brain too :/

2. Akane

Some thing never change, Akane and her unshakeable trust to the system. Like I mention before, I wish they explore more the moment before she took the action.

Throughout the film, she seems more emotional than usual. Her explosive anger remind me of s2 Akane so much.

After the incident, I was speechless of how brave she is to let it all go. Imagine your flawless, peaceful, secure life suddenly take turns and now all people will label you as unhinged. She earn my respect.

3. Ginoza

He’s truly MVP, along with Sugo. He basically carried everyone, especially how he help Sugo and Frederica.

His interaction with Kougami at first is amusing and predictable. He only mad for awhile, before he finally accept him again. At the end, his face shown frustrated for Akane’s decision, leaving everything that she achieve so far. I wonder if he feel failed again to ‘save’ his friend.

4. Frederica

She’s the perfect example of good subordinate, I think. She’s the type who obedient to her boss, not judging or question Yabuki’s decision. The contrast between her and Akane in this aspect made me laugh and make me realize that Akane is such a rebel, (lol). But she wouldn’t rebel if Sybil wasn’t an asshole.

5. Akira

Sad tool to Yabuki and Shindo :’( Seriously, he remind me so much of Kougami. Akira is selfless, willing to sacrifice himself as undercover agent for MoFA. Not to mention he even beat Kougami and Sugo in close fight, state how strong he is. If it’s not because of his kindness to spare Kougami on that scene with Tonami possessing Yabuki, Kougami would be dead by now. I think that’s why Kougami make frustrated face when he die. Seriously, his death is such a shame. He also makes me think that Kougami wouldn’t end up like Tonami, but more like him, because until PP3, the man doesn’t have ambition.

RELATIONSHIP OPINION:

Kougami and Akane

Idk if some people see this relationship is sink, or whatever. For me it’s actually the opposite. Akane FINALLY understand Kougami a little more. Even inspired by him. I don’t know exactly what she see in Kougami that inspire her to shot Kasei, is it because despite his CC, he actually have conscience, and ‘certain’ reason to commit crime, thus leads to make people questions (and debate) his justice?

(I’m an idiot to not know this, lol).

Akane care for him. I know the official denied romance between them, but she clearly care for him. She doesn’t want him to work like a bloodthirst hound, and value his life. At the same time I can also see what writers planning to do with him since Desmond Rutaganda address him in PP movie.

I also notice they cut down their screen time together, even some scene that usually involve in face zooming, now they don’t. They could make their reunion so much more friendly, but they choose not to. (My guess is because they’re main characters, they can’t become lovers, that could potentially mislead the genre.) Honestly, this is so sad. If they can’t make them canon, why bother making such a great dynamic between them. Male and female can’t be friends, if you ask me. It’s too late for sudden change between them.

It’s a shame because I miss them being a partner again. Fight side by side.

Anyway, probably the only person who support her deeds is just Kougami. Regarding the convo these 2 have after he shot Tonami will address later.

2. Ginoza and Akane

Ginoza intention to become shield for her is honestly so pure. His reasoning sounds like personal feelings rather than fulfilling his duty as enforcer. Other than that, I’m more curious about his feelings after the incident. From what I see through his frustrated face and kind of ‘resentment’ face in PP3, my guess he’s somewhat angry to her for sacrifice her life (and angry at himself). I wonder what kind of face he’d make if he knew Kougami inspired her (lol, rip Kougami.)

3. Kougami and Frederica

Not so much thought, beside Kougami actually look angry at her when he lied to the team and professor. Though only angry for a second, he quickly being professional again when Akane mad at Frederica. (and look at Akane face, she’s shock and somewhat feel distance because her ex-enforcer standing up to his new boss.) Poor choice of words, Kougami.

My thoughts and issues will have another post.

#psycho pass #mypsychopassthought #shinkane #kouaka #kougami shinya #tsunemori akane #ginoza nobuchika #ppp #psycho pass providence

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primal-slayer · 2 months

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Charmed drama Mega-Post

Mid 2000: Per Jason Priestley

Shannen talks Charmed and the joy she gets from working with Holly/Alyssa:

2001:

2.6.01 - Wanda at E!Online reports that there is definitely something a-brewin' regarding the rumors about Alyssa Milano leaving the show. A source close to the set has told her that there is some not-so-charming tension between Alyssa and her onscreen sibs. Apparently it's stemming from jealousy over better storylines and Shannen's more expensive wardrobe, which is full of Chloe and Versace and has created a few budget problems. Link

2.28.01 - E! Online's Wanda reports that things are getting really ugly on the set of "Charmed." Doherty acts like a primadonna all the time, demanding the best clothes and to be in the middle of all the publicity shots, and Milano is sick of it and threatening to leave. Meanwhile, Combs has managed to pretty much stay out of it.

5.10.01 - This week's Soap Opera Weekly interviews Executive Producer Brad Kern in an effort to confirm the rumors behind Alyssa's said departure from the series in her on-the-set battles with co-star Shannen Doherty. "Nothing I've been told from the people that I work for indicates whatsoever that anybody's leaving the show," Kern says of the rumor that Milano wants off and that her character will be killed. "Alyssa and Shannen are professionals. Are they best friends? No. Do they have to be? No. Do they work well together? Yeah. They're sisters in character only. They come in and do their job well. That's all that matters to us."

TVGO: After all the rumors about why you leftCharmed— including backstage feuding with covenmateAlyssa Milano— would you like to take this chance to clarify things for the record? Doherty: You know, I don't really want to be given the opportunity to clear the record. I have absolutely nothing to say. Details magazine will be out in August — that's probably the most honest interview that you'll ever read with me. I picked one magazine to tell the true story in and... if somebody wants to read it, then great. My opinion is, it really doesn't matter. I moved on, they moved on and who cares? You know, everything gets so blown out of proportion by the press that after awhile, you just gotta bury your head in the sand and go, 'I'm done talkin' about it.' TVGO: Any parting advice for your replacement, Rose McGowan? Doherty: [grinning mischievously] No, I think Rose will do a fine job, actually. I think Rose can hold her own and she's very sexy and beautiful — and I think it's actually going to make for a very interesting show, to be honest with you. I wish them all the luck.

"I think my passion for my work was too overwhelming," says Doherty of the fur-fly that became the Charmed set. Doherty claims the issue was one colleague's work ethic. "I mean, what do we do?" she continues. "Say a few lines, sit in our trailers, and get paid a fortune. That's really rough. And yet there was a person there that bitched about her job, day in, day out." According to Doherty, a "mediator" was brought in to diffuse all the poisonous estrogen. To this diplomat she said, "Are you supposed to be my shrink? Because I've already got one." Exchanges like these apparently so riled Milano, Doherty says, that the comely newcomer announced that she would not return to the show if Doherty stayed on. Doherty insists that she was the more politic star; to settle things, she took the matter up with the serge suits at Paramount, threatening to quit unless "changes" were made, though she says she wanted Milano to stay. "I would never wish another actor out of a job," she adds. "I think it's terrible karma." (Milano's reps did not return phone calls.) Six months later, at the end of the season, came a frilly pink slip. Though Doherty claims that she actually wanted to leave the show, she remains bitter that she's yet to hear from Spelling and that no one sat down with her to explain what happened. "You know what?" she says. "The lack of appreciation he's showing for me as a human being and as an actor is overwhelming." (Spelling's office issued a terse "No comment.") Others believe Doherty has her charms. "I worked with her for three years," says Charmed witch No.3, Holly Marie Combs. "I don't think she's difficult at all."

But trouble was undeniably brewing between Doherty and Milano by the time production started on the third season last summer. The fawning quotes to the press had stopped, as had the costars' time together away from the set. As Milano puts it, "I wasn't going to call [Shannen] on the weekend to go hand out." Rumors quickly swirled that Doherty was resentful of Milano's growing popularity, which had translated into several endorsement deals, including one with MCI. But those close to the situation claim it was more complicated than that. "There were no angels," Combs says. "We all had our bad days. We all [got] stressed out."

That's hardly surprising, says executive producer Kern. "People on a TV set work together 12 to 14 hours a day, five days a week. Rarely have I seen cast members stay, or even become, best friends." Adding to the friction, says Combs, was the stars' growing frustration with the show's direction. "We were in [a] rut, where we felt like we were doing the same episodes over and over again," she says. Doherty, in particular, "wanted to make the show bigger and better and stretch her boundaries," says Combs, who has been friends with the actress for eight years, and still speaks frequently with her. "I'd see her in the morning and she'd be like, 'OK, how are we going to fix this scene?' She was really dedicated and she didn't have a lot of patience for anyone [she felt] wasn't."

Whatever broke the spell, "we definitely didn't get along," admits Milano. "Shannen and I are very different people, and I think it's almost like a roommate. If you spend that much time with someone and there are differences anyway, you're not always going to get along.

Both Milano and Combs deny tabloid reports that Doherty would only speak to them when the cameras were rolling. But Milano acknowledges that she and her former costar could get downright witchy: "There were times when I'd come in and say 'Good morning, Shannen,' and she didn't say anything to me. And there wer times when she'd come in and say 'Good morning, Ayssa,' and I wouldn't say anything to her."

"The problems we had weren't things some big company mediator could fix," Combs adds quietly. "They needed to be fixed between us [by] going into [each other's] trailers and saying, 'All right, I don't like it when you do this.' Or 'I didn't like it when you said this.'"

That apparently never happened. Doherty has contended that Milano eventually got fed up and issued producers an ultimatum--either Doherty walked or she would--but Milano insists that isn't truel "I never even thought about doing that," she says. "I couldn't sleep knowing I backed out of something I'd committed to."

Doherty's eventual dismissal, then, came as a surprise. And the form Combs says it took--a phone call to Doherty's lawyer after the embattled actress had flown to Winnipeg, Canada, to start shooting Another Day, USA's upcoming Francis Ford Coppola TV-movie--still clearly angers her. "How do you go from directing the season finale to being [given] a pink slip over the phone, when [you're] in another country, at eight at night?" Combs says. "it was really a tacky way to go about it.

While no one's officially saying why doherty was ultimately cut loose, a series insider says, "It eventually became clear that [either Doherty or Milano] had to go." And Doherty may have been the safer choice, according to Stacey Lynn Koerner, an industry analyst with Initiative Media: "Alyssa is just as popular, if no more so, than Shannen. And when Shannen left 90210, the series did just fine."

While answering questions at the TCA press gathering in Los Angeles, a number of WB's own addressed what happened this last year on CHARMED regarding Shannen Doherty's exit. The network's Jordan Levin spoke of the matter, saying, "We knew last year that there were some decisions that probably had to be made in the best interest of Aaron Spelling and his company, our company and Shannen. And everybody came to the decision that they felt was mutually beneficial for all parties involved." When asked if the season finale was geared crafted in order to set up the entrance of a replacement for Doherty, Levin says, "We had an idea that we wanted to give ourselves some flexibility." More specifically regarding the addition of Rose McGowan to the cast, Levin adds, "There's a history within the mythology that there could be another sister because of the Lighter. We're still sort of hammering that out, and we haven't heard the full pitch yet and how that's going to work. But we're looking to bring in someone who could provide some conflict within the group and someone who could bring a younger audience into the show. We feel like Rose does that for us."

”I think it’s hard when you put…[long pause]…two very different people together. I’m very laid-back and passive. I have my Buddha,” Milano says, gesturing to a small shrine at the back of her trailer. ”I come in here and meditate. [Shannen’s] got a lot of energy, she’s very headstrong, she wants to get the job done…. I think it’s unfortunate that she left, and that she needed to bad-mouth everyone involved and the audience,” continues Milano, alluding to the former 90210 star’s recent dismissal of Charmed as ”a show for 12-year-olds.” (Doherty declined to comment for this story.) ”She sounds really angry. I just hope I didn’t contribute to that anger.”Shannen’s not the only one who’s miffed. ”It was done very poorly, in my opinion,” says Holly Marie Combs (Piper) of the producers’ postseason decision to allow Doherty to leave the coven. ”We should have had an opportunity to have her character, Prue, make a graceful exit and have our story writers properly plan for that.” Instead, writers were compelled to turn last season’s standard-issue cliff-hanger — Prue and Piper get thrown through a wall by a cranky demon — into a makeshift tragic send-off. ”Now,” adds Combs, ”we’re scrambling to explain why I live and she doesn’t.”

That stuff's hard to wash out. You're even more famous for those MCI commercials. Oh, yeah. Little kids only know me from those spots. They don't know from Who's the Boss? and aren't allowed to watch Charmed. It's a great night job, especially if Charmed doesn't last. Speaking of which... Shannen Doherty? You know, if you remember the way Shannen left Beverly Hills, 90210, it's almost exactly the way it happened on Charmed. She left for personal reasons, then it started coming out that she didn;t get along with the other cast members. It seemed she was so angry and upset over leaving another hit show that she had to lash out at me. Suddenly it's my fault. I think she did the right thing by leaving, but once she left she attacked many people—not only me, our audience, too, and almost everyone on the show. She lost credibility. She was like a bad roommate. There was a lot of tension on the set. I have a fear of confrontation, and she can be aggressive, so I was afraid of her. Shannen doesn't hate you—she hates herself. I haven't been able to figure it out, and I might die not knowing. And that's OK. OK. You and Shannen Doherty in a celebrity death match: Who wins? Sarah Michelle Gellar. 2021:

While Milano said she's still so very proud of Charmed, she didn't always have the easiest time on set, especially when it came to her co-star, Beverly Hills, 90210 alum Shannen Doherty. After years of tension between the two during the show's eight seasons, Milano said she and Doherty are now "cordial." "I would say we are cordial," she shared. "You know, I could take responsibility for a lot of our tension that we had. I think a lot of our struggle came from feeling that I was in competition rather than it being that sisterhood that the show was so much about. And I have some guilt about my part in that." While the 48-year-old actress admitted that she still has some guilt for her part in their feud, their decades-old spat didn't stop her from reaching out to Doherty when she was first diagnosed with breast cancer in 2015. 2022/2023: Shannen speaks: https://www.youtube.com/watch?v=bHisM0QLPEw&t=85s&ab_channel=Let%27sBeClearwithShannenDohertyPods

So it was interesting that when I had a problem after this all transpired and I wanted to discuss leaving the show and all my reasons why they put me in a room with Jonathan Levin, which I don't know that I had seen since we went to network, and you had told me about your background with him, which is varied and interesting, and he obviously has a very fond spot, shall we say, for you, And I don't know why they chose him to do this meeting, but I can tell you that during the meeting where I said this is not the show I signed on to do, I hear that you're looking for other people. And it's not about the list of names. It's about this was not a show that I wanted to do without Shannon. She didn't want to do it without me. Therefore I don't want to do it without her, and that should be fairly clear. And he hadars in his eyes already because he could see I was getting upset. As you can hear me getting upset, And I said, why would you hire her again just to fire her? And he said, we didn't mean to, And he said, but we've been backed into this corner. He said, you know, we're basically in a position where it's one or the other. We were told that it's her me and Alyssa has threatened to sue us for a hostile workplace environment, which because she went to the therapist or the mediator or the corporate mediator, whatever the heck his title is, she built a case for herself where she was documenting every time she felt uncomfortable on set and for whatever reason, whereas you and I refused to speak to him. So that's where the deck was stacked There was no either even like harsh words exchanged. It was all behind the scenes, it was all in the trailer. It was nothing that anybody or any of our guest stars ever noticed or noted. And you know, there's not a director that would not work with you. Again, there's not any one of our crew members that did not have a great time working with you. So by today's standards, it wouldn't fucking fly, right, And I don't think being laid as a teenager on a set called nine O two one zero would fly for being fired either. Like it's just it's just doesn't make any sense anymore. There are people that actually behave badly and get away with it, and there are men that you know, abuse people, throw things, screaming fits and get away with it. Alyssa/Holly Speak:

Guest stars speak throughout the years:

Michael Bailey Smith aka Belthazor/Shax/Grimlock I did 14 episodes on “Charmed” and had a great time. Whenever I showed up to the set as Belthazor, Alyssa Milano would always give me a kiss on the cheek and say, “You’re not scary.” Holly was really nice too, really down to earth. And I know the rumors about Shannen Doherty, but for me, she was always nice and very professional. I would always see her doing extra work off the set with the stunt people just to make sure her fight scenes looked good. I remember one time when we were preparing for a scene, she got a box of roses from someone. When she opened them, they were dead roses. People can be so cruel. https://www.facebook.com/photo.php?fbid=10157836541399125&set=a.404883944124&type=3&theater

Brian Krause (leo)“ I can just tell you that she was the hardest working person on the set. Yes, she could be terse and abrupt, but she wasn’t always wrong, I’ll tell you that.”“She had everybody’s back, she was part of the family, she was the family. And when she left, we all wondered how the show was gonna last, and it’s honestly a miracle that we did and kudos to Holly and Alyssa and Rose [McGowan] that we did, they kept it together. But I have nothing but love for Shannen Doherty.”“Most of those comments come from guys, men in power with money who don’t like to be told what to do by a woman, especially a strong opinionated woman,” he said, adding: “She wasn’t always right, but she stood her ground.”https://www.pedestrian.tv/entertainment/brian-krause-interview/

James L Conway (producer)"Shannen was nice to almost everyday, she had script problems, always nice to the cast, she was the HEART AND SOUL OF CHARMED" That really says it all doesn't it? She viewed Charmed as her baby.Source: Charmed blu ray special feature

Christine Rose (Claire)"It was all with Shannen, and I thought she was absolutely darling. I had worked with her years before on Life Goes on. That was about a boy with a Down’s syndrome, and I was guest-starring as the boy’s teacher. Shannen was on that episode, too, and I was setting them up to be married, for what that might be like. I was new to L.A. then because I’d mostly been on the stage, and I was relatively new to being on camera. And I remember thinking, «This girl is a pro”. So I was aware of how good Shannen was, and she was very nice when I did Charmed. I enjoyed working with her, Holly Marie Combs, I had played her biological mother on Picket Fences. We didn’t get to work together on Charmed, but it was fun just getting to see her again. Otherwise my experience was pretty straightforward.

Actually, one other thing I remember was being at a table and another guest star was having a hard time. In between takes Shannen said something very encouraging and nurturing to her, and I thought she was very nice. So those are my memories, as sparse as they are"Source Unknown via: https://thecharmedcafe.proboards.com/thread/11658/guest-stars-working-shannen-doherty

TW King (andy) I think some of it is rumor, but a lot of it is based on truth because she was young when success hit her. The great thing about Shannen is that she is a total professional and is always prepared, and she expects everyone around her to be at the same level - and I like to think I am the same way, so I respect the way she is around the set. We get things done, things rapidly and according to the script, so I certainly can't complain.Source Unknown via: https://thecharmedcafe.proboards.com/thread/11658/guest-stars-working-shannen-doherty

Scott Steiner (Wrestling W/Demons demon) Steiner is asked about appearing on the TV show "Charmed" while working in WCW. He said that while explaining to Shannen Doherty's stunt double that he would have to put his hand in her crotch to perform a press slam, Shannen came up to him and said that she would do that and when Steiner told her that he would have to put his hand in her crotch, Shannen told him that is why she asked. Steiner says that she was cool and gets a lot of bad press.https://www.rspwfaq.net/2014/05/rf-video-shoot-interview-with-scott.html

Armin Shimerman (The Wizard) "I hated the ladies on "Bewitched"...um...uh..."Charmed!" "Charmed!" And there's a reason they were cast as witches. I...of all the shows I've ever worked, that was by far the ugliest." https://www.youtube.com/watch?v=_zl24cHSS-w (8:10)

Danielle Harris (Aviva) First AC guy was talking to me - Shannen kept walking by, she wasn't very nice to me anyway but she kept getting mad. Wasn't sure what was going on. Wasn't a fun experience. A lot of fighting between the girls. If I pick Shannen, Holly would be mean. If I picked Holly, Shannen would be mean. Alyssa kept telling me what to do as if I didn't know anything. The AC was using me to get back at Shannen. He had been her boyfriend for 1.5 years. Thats why I was getting stink eye.

Scout Compton (Thistle the fairy) I did 7 or 8 episodes and it was interesting. I wasnt on (when Rose was on NOTE: She was only on 1 episode with Shannen. The rest with Rose)The women were always fighting in the makeup trailer.

https://talkscarytome.podbean.com/e/talk-scary-to-me-e9/ (22:00)

Geoffrey Blake (Four horseman) Alyssa was very welcoming. Most of them were except one that wasnt so nice**. (Shannen was largely absent this episode)** https://podcasts.apple.com/be/podcast/geoffrey-blake-podcast-apocalypse-not-part-2/id1573860155?i=1000526963557

Elisabeth Hernois ( Brooke in the season 3 episode "Magic Hour"):

The dynamic on set was “interesting,” she said, as she “hadn’t really ever witnessed anything like that on a set — where people really aren’t hiding not liking each other.”

“Definitely as a young person, I sensed the tension on the set,” Harnois, 44, said, noting that her overall experience was “actually really good” as she shouted out Alyssa Milano, who she said “was a sweetheart to me.”

“She really took me under her wing, and a lot of my stuff was with her too, so that was helpful,” she recalled.

Shannen Doherty and Holly Marie Combs, who made up the other ⅔ of the sister witches who led the show, “were nice to me but not as effusively kind as Alyssa was,” Harnois said.

“And they were always off in their own space and [Alyssa] would sit all the way on the other side of the set by herself," she continued. “There was a major divide on that set, even back then, and I don’t think that was that long into the show.” https://people.com/charmed-guest-star-recalls-major-divide-on-set-shannen-doherty-alyssa-milano-8604809

#Charmed #Charmed season 1 #charmed season 2 #charmed season 3 #Shannen Doherty #alyssa milano #holly marie combs #prue halliwell #piper halliwell #phoebe halliwell #celebrity feuds #thewb

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snotsloth · 1 day

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10 Characters/10 Fandoms/10 Tags

Tagged by @icehearts

Tagging, but don't feel pressured! (Also you do not have to make pretty pictures. Graphic Designer brain just took over and this happened.) @physicalvocalist, @sarenraegalpaladin, @vorpalbun, @captainqster, @leagor-majere, @sundered-souls, @ardberts, @hinganskies, @lilbittymonster, @janzoo

1. Harrowhark Nonagesimus - The Locked Tomb Trilogy

Harrow has true scrungly wet cat energy. I want to put her in one of those little backpacks with a window and carry her around in it for her enrichment. She's an absolute bitch. She is a pathetic little meow meow. She lobotomized herself to save the soul of the woman she refuses to admit she's in love with. She tried to kill a saint with soup made from her own bone marrow. She is a war crime. I like her so much!

2. Magneto - X-Men

He is the platonic ideal of my favorite trope, "Does all the wrong things for all the right reasons." Magneto has gone through the polar opposite of villain decay. The longer he exists, the longer the universe has to prove him increasingly correct on most things. All I can really say is, "Magneto was right."

3. Wei Wuxian - Mo Dao Zu Shi

Truly the most blorbo of all time. Are you also an ADHD burned out gifted and talented submissive brat with a praise kink? Boy howdy, do I have a character that you are going to imprint on like a baby goose! Wei Wuxian also has a hearty dose of, "Does all the wrong things for all the right reasons." Also like who multiclasses in wizard (specifically necromancer) and bard? This fucking guy apparently.

4. Hythlodaeus - Final Fantasy 14

I am so normal about Hythlodaeus, I made an entire AU around him. That is a reasonable thing to do about a character that you like a normal amount, right? The idealized lost love, trapped in amber, untouchable but also incorruptible by the sands of time that keep eroding the edges of your soul. And then they gave him lavender dead anime mom hair!

5. Varric Tethras - Dragon Age

I literally have a semi-viral post about how much this character has consumed my thoughts. Rule Number 1 of Dragon Age: Varric lies. He's a charming scoundrel. He's loyal to a fault. He knows everything worth knowing about Kirkwall. And he's a dirty fucking liar. The only reason Varric isn't romanceable in DA2 is that no other romantic interest would get any attention if Varric was on the table. I desire him carnally.

6. Temeraire - Temeraire

My most precious and smartest boy! I adore Temeraire so much. Swear to god, I did not read the Temeraire books before creating Orion as a character, but the parallels are so strong, you would think I had! He's a bookworm, a little awkward but full of opinions, and he has an unwavering moral compass. Temeraire will forever be one of my favorite dragon characters.

7. Jaina Solo - Star Wars Legends

I will never forget what Disney took from me. As a weird, nerdy girl who was also kind of a guy growing up, Jaina meant so much to me. She was an active participant in the stories she was in. She was an ace pilot, a skilled mechanic, and a Jedi to boot. She had her dad's sense of humor and her mom's moral certainty. I thought she was the coolest. Still do.

8. Ansur - Baldur's Gate 3

Ansur! My beloved! If you had told me that the character I would be most obsessed with from BG3 would be an undead bronze dragon who you don't even know about until the third act -- actually, no that checks out. He was so in love, and so loyal, and so bitter at Balduron for embracing his corruption! And that reveal! All the build-up, only to find his bones and then wham! the entire narrative of the Emperor gets turned on its head. I still get chills. Also, they were absolutely fucking.

9. Viktor - Arcane

Listen, as a disabled, obsessive nerd with too much to do and not enough time to do it all in, Viktor is my gender. I love just about everything about Arcane, but Viktor's storyline is my favorite part. I, for one, am very excited to watch his fall from grace and further corruption. I have already forgiven all of his atrocities. I do not care. He's babygirl.

10. Clark Kent - DC

You thought I was going to say Jason or Dick for a DC character didn't you? (Or even Roy!) Those would all have been very reasonable expectations. I am pretty obsessed with all of them. However, Clark Kent is a very special character to me, and yes I specifically am focusing on the Clark persona and not the Supes persona. Yeah, they are ultimately the same guy, but I much prefer Superman stories grounded in his Clark Kent identity. Superman is at his best when he is attached to the mundane world by things like his job, his family, and his love for Lois. (Lois/Clark is the ultimate het ship. I will not be taking questions on this. It just is.) Clark is essentially a demigod, and yet he chooses to spend his time loving people and living as one of them, and I think that's really fucking cool.

#PS: do not ask me how long this took to make #The brainworms took over

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eliza-makepeace · 4 months

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murtagh book thoughts

okay, it's been a while since i finished the murtagh book, and i've managed to figure out in coherent thoughts what it made me feel. it's coherent thoughts but it's not a coherent exposition, so you're warned.

in terms of the story, how its divided and all of that -- i liked the first half of the book very much. very enjoyable, murtagh's dealing with his past and his issues, trying to find where the stone comes from, we see his and thorn's bond... fun stuff. some parts are heartwrenching, but in general, it's interesting and enjoyable. still, it feels a bit like a videogame, where you have to get to point a, to point b, to point c in order to get your objective. and as much as i appreciate the new depths of worldbuilding paolini takes us into in "murtagh", i still feel like it's not "proper" worldbuilding.

by that i mean it feels like one of those old western movies where you know the characters can't walk too far away because what you think is a long field is actually a painted wall. the concepts are there: lyreth, the girl who fancied him at court... but you try to look a bit further into them and they're hollow.

the second half of the book, when they meet bachel and chaos ensues... not really my cup of tea. and it's not because i don't like storylines like that, where there's an interesting and fucked-up female character, cults and so forth. that's actually a pretty interesting idea, if only it had been properly executed. personally, my biggest issue with it is that murtagh already had gone through this. he'd already gone through having his agency taken from him, having to do horrible deeds because he can't help it, feeling hopeless and used... and i'm not complaining about this decision because murtagh is my poor little meow meow (although he is). i'm complaining because i feel like it reduces his experiences with galbatorix to nothing. back in inheritance, him being galby's name slave was the worst thing that could and had happened to him. now? bachel's worse. but it's the same principle. and i still think galby had more reason to be worse mentally and in terms of identity, for murtagh, than bachel was.

it also erases all of the healing and character development he'd gone through in the first half of the book. you could argue "oh, now that he's experienced freedom he can deal with bachel better than he could with galby" but i don't really agree and i don't really care. what's the point in destroying him in the ic, putting him relatively back together in the first half, and then obliterating him again (and worse, apparently) in the latter half. and then he's sad, and tired and devastated, but less so than in inheritance (which doesn't make sense if bachel was worse for him than galby), when he sees nasuada again.

the irony that murtagh's bond with alín feels more organic and natural than his with nasuada.... not in terms of characters being alike, just in the way it's written. paolini could've bothered with showing scenes of m and n at farthen dur, bonding, "courting" as he put it, so that the rest of their relationship actually has a strong base for the rest of the ic (giving a proper explanation which originally isn't there because the ic is in eragon's pov and not murtagh's), and so that their reunion is far more meaningful because it shows nasuada and him knew each other, actually bonded with each other before murtagh was kidnapped in eldest, to the point of developing romantic feelings for each other. if paolini hadn't put murtagh in random side quests throughout the book, he could've shown this and it would've worked better imo.

personally i think we didn't get enough tornac, or selena. i think murtagh should've pondered more about what it meant that eragon was brom's kid. what it meant about selena, how that changed murtagh's perception of her as a person. i'm a bit tired she gets reduced to just being his and eragon's mom, and it seems like that's the only way paolini wants them to see her too. murtagh seeing his mom like an individual, a person with her lights and shadows, with her depth, might have been an interesting thing and a new way to see himself as her son. every time paolini is about to reach something interesting with his characters, he changes course and i think that's a shame.

#i haven't finished with this yet btw #i'm posting it bc i have nothing else to add rn but i will come back to this #murtagh book #murtagh spoilers #christopher paolini

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