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tapeworrmart · 5 months

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Disappointment 💥💥

#I'm hyperfocusing on this pathetic little blonde bitch with mummy issues so much rn #It's my birthday today and this is what I choose to draw?? Fine #I just want to pull him apart #Homelander #The boys #The boys homelander #fan art #art #sketch #character art #horror #John gillman #the boys amazon

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maskednerd · 6 months

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#happy birthday to my little bro!#(and my older brother cus their birthdays are both one day apart funny enough)#anywho i tried to work on this penstagram template for memes and i think it turned out decent enough hehe #the owl house #toh #incorrect quotes #emperor belos #darius deamonne #hunter toh

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spicyclematis · 2 months

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weekend with namjoon (13/?)

#posting early than usual because this weekend i'm probably busy #to prepare for ramadan #namjoon #bts #mygifs #btsedit #btsgif #bangtan #usersky #userdimple #raplineuser #annietrack #cyphernet #OH ALSO YOONGI'S BIRTHDAY TOO???#i almost forget his and my dad's is only two days apart

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canon-gabriel-quotes · 3 months

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Gabriel trying to entertain an iPad baby as his confidence rapidly declines - A Compilation

Not going to transcribe these as its just songs being "sung" if you can call it that.

Anyway.

Chug Jug With You Audio Source

Happy Birthday Audio Source

Under the Sea Audio Source

Chug Jug (again) Audio Source

#ultrakill #gabriel ultrakill #*he pronounces the name wrong cause it was directed @ someone in chat named gabriel #alternative title was 'karaoke with gabriel' but i think its really funny that its just like. kids songs?? these are all months apart too??#i left the laugh in just cause the timing of chat redeeming 'oh brother this guy stinks' was perfect #uh the weird bg sounds during the birthday part. it was a vineboom..... i tried my best to get rid of it lol #aka the 'when tf am i ever going to have need for these clips. whatever ill just upload em all at once' compilation #that is like. half of the clips i have. im like. when do i even post this. what do i call this #if i had the time to make dumb pics like i did that one time it'd be a lot easier to just force context onto the clips lol

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blyszczopies · 27 days

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i will be now taking commissions for this kind of animated pagedolls ^___^

Edit: you can now get a pagedoll like this!! heres the commission info post!!

#sparklecat #sparkleanimal #these two are from my now abandoned amv project. which is basically about śmierdziel (the black one) taking advantage of #tak's (the pink one) crush on her. and its very much warrior cats inspired #my art #2024 #26/03/2024 #okay im gonna one more example as a birthday gift for my bestie and then i will officially open commissions for these #gif #tear you apart

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dryemiddi · 8 months

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HAPPY 5TH ACCIDENTVERSARY!

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celluloidbroomcloset · 5 months

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I came across a few posts noting that Ed should not have told Stede not to kill Ned Low, which got me thinking...

I don't really agree with that. That entire scene, both Ed's decision and Stede's decision, is complicated with a lot of different things, but none of them quite so much as the shared knowledge, and pain, of both men. (Yeah, I'm not capable of not writing an essay.)

Stede is the only one who knows about Ed's father. Ed tells himself-as-Hornigold that he never told anyone about killing his father, and Hornigold reminds him: "But you did, though, didn't you? And he left you." Stede is also the only one who knows Ed really doesn't kill - that he, by his own admission, outsources the killing to others. The murder of his father is the center of Ed's self-loathing, and is the thing that he relates, in his conversation with Hornigold, most directly to Stede leaving him.

Low's insults don't affect Ed much; he's heard them before, he knows what's behind them. But Stede has been watching Low hurt people and things he loves - Ed, the crew, the ship itself - without being able to do anything about it. He successfully uses his "people positive management style" to get Low's crew to turn on him, but the problem of Low himself remains and cannot be eliminated in the same way.

Low calling Ed a "lowborn dirtbag" is what finally makes Stede snap, and one could argue that his response is more or less automatic. It's certainly emotional. There's nothing he could say to Low to put him in his place, as he did with the aristocrats in "Dressing Well." It wouldn't work; he cannot meet Low on a level playing field and use the same weapons against him, because Low's whole thing is being a bully and Stede is not a bully. Everyone, including Ed, is surprised when Stede actually draws his sword. But by the time he's done it, there's no going back.

Low obviously reads people quite well, and like many bullies he can suss out the places that will hurt others the most - he knows that torturing Stede will hurt Ed more than torturing Ed. He knows that insulting Ed will hurt Stede more than anything he could say to Stede himself. And he hits on Stede's fears about his masculinity and especially Ed's feelings about him. Low is another in a long line of bullies (Nigel, Chauncey, his father) from Stede's class, and he manages to hit exactly the sore spot, the fear that Ed only loves Stede because of his "bumbling amateur status."

Stede absolutely believes the things that others say about him. In the moment, Stede reads Ed's statement not to kill Low in exactly the way that Low wants him to - as a desire to keep him docile, pure, a pet. Not a real pirate, not a real man. He struggles with it - having gone so far as to hold Low at swordpoint and to force him onto the plank, it's hard to back down. His crew egg him on - Low does indeed deserve to die for what he's done. But when Stede kills Low, to the cheers of the crew, no one but the audience can see his face - the horror and shock at what he's done, as the memories of his childhood shoot across his mind.

As soon as Stede's actually committed the murder, he realizes the true meaning behind Ed's words, and it's this, combined with the shock of having truly, directly, and deliberately killed a man, that sends him running back to his cabin. Stede sees himself as a child, the boy who just wanted to pick flowers, splattered with blood from "men's work." He cannot go back now; he's made a choice, and he murdered a man. He does exactly what he's done each time his own shame has become too much for him, and hides himself.

But when Ed comes to his room, he directly relates it to his own trauma - "I was a wreck after my first kill as well. Well, it was my dad..." He's there not to shame Stede either for his violence or for his self-perceived weakness, but to be present for him.

That traumatic past is part of what unites them. Stede was forced to witness death and was told it was what men do; Ed committed murder, and has been haunted by it ever since. Ed sees the potential of the same thing happening to Stede - being so overcome with guilt and shame at actively committing murder that he suppresses and remakes his self to avoid coping with the horror of what he has done. It doesn't matter that Stede is a grown man and Ed was a child; Ed knows how badly it can warp someone, and Ed knows better than anyone how the abused child becomes the traumatized man. He tries to warn Stede first, recalling their past, and then he shows up for Stede in a way that no one did, or could, for him - not until Stede himself extended his hand and said, "I'm your friend." Ed is there at the door within minutes, asking if Stede is OK, offering his support, not letting him hide alone if he needs someone to hold him.

I've said a lot about the progress from the moment Ed appears at the door to the moment Stede closes the curtain here, but again I don't think it should be read as Stede proving his masculinity or Ed feeling sorry for him. Sex is not being treated frivolously here, either by the show or by the characters. It is an outpouring of pain and grief and deep, intense love between two men who understand each other's suffering at a fundamental level, who have shared things with each other that no one else knows, and who see all of each other, the darkness as well as the light.

#ofmd season 2 #ofmd #our flag means death #gif #stede bonnet #ed teach #edward teach #rhys darby #taika waititi #calypso's birthday #gentlebeard #ned low #ofmd meta #blackbonnet #ofmd stede #ed x stede #yes i included the kiss again because whatever i do what i want #someone pay me to write a book about how this show picks apart toxic masculinity and male trauma and i'll do it

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aroaceleovaldez · 1 year

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Hazel and Nico being born almost exactly one month apart is so funny to me, especially since they both have winter birthdays, cause it implies Hades just had one very rough spring of missing Persephone really bad

#pjo #hazel levesque #nico di angelo #i like to think Bianca also has a winter birthday and this is just a recurring theme for their family #the next person who tries to tell me nico and hazel are three years apart owes me lunch #im so sick of it

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aardvaark · 7 days

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i was thinking about how i wished leverage had a birthday episode for some of the characters cause that would be sweet, but then i realised something and basically…. okay here’s my thoughts in quotes form, just for fun

hardison: so when’s your birthday? i could plan something for us and the team to do and-

parker: i dont know

hardison: you don’t know… your own birthday?

parker: no, how would i know? pshh, cmon, you’re telling me you remember EXACTLY when you were born? watch this - hey, eliot, do you know your exact birth date?

eliot, innocently passing by, who was canonically anonymously dropped off at a hospital as an infant: no, how would i know?

parker: that’s what i said!

hardison: excuse me?? what is going on right now

sophie, walking into the apartment: whats wrong?

hardison: parker and eliot- well, okay, when’s your birthday? i just have to prove something.

sophie: …….july 12th

hardison: why did you pause? wait, is that your birthday or sophie devereaux’s birthday?

sophie: ………… (guilty silence)

parker: see, no one knows their real birthday! haha you’re so weird sometimes, hardison

hardison:

hardison: what the fuck guys