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#anti steve's ending
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hi guys, can I ask a favour? if you have any links to marvel meta about how badly the mcu treats bucky, about how endgame sucked (and his ending), civil war critics, tfatws critics, peggy critics, and tony stark critics could you please reply with them? I'm trying to explain to a friend and I suck at explaining it, so I'd like to send her the links. anyone 🙏🙏
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levelofyoureye · 8 months
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lmao so i was just going through my camera roll and clearing some photos out, when i stumbled across this screenshot i took in january of 2020 and…
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i’m in shock. i literally don’t know how i forgot this happened, like i was actually astounded when i found this. NEVER forget when steve rogers’ ending was so horrifically out-of character that SEBASTIAN STAN HIMSELF posted a screenshot to instagram of a tweet dogging on his ending. it’s been years and i still haven’t forgiven marvel. i don’t think i ever will.
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faeriecap · 5 days
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mcu releasing cacw like: “sorry mackie ur character who is actually a crucial part of the cap storyline historically can’t get any significant screentime in cap 3 yeah we know it’s the final movie sorry we had to have an endless fucking montage of maria stark trauma porn bc it actually wasn’t already clear tony was emotionally unstable and had mommy and daddy issues followed by the wandavision cooking special for,,,,,, reasons,,,,,,,,,,,, and oh yeah did we forget to mention this is actually another avengers movie and the first spiderman??? best we can do is a scene where sam’s mean to bucky lol …… what about steve rogers??? wait whose that uhhhh is he even in this script?”
(it’s bc they didn’t care about developing sam at all until he was their “only” option for cap and could safely not be shipped with steve if they ever actually interacted wait what huh who said that)
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rogersstevie · 2 months
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really and truly unless it's a discussion about why peggy/steggy fans shouldn't like endgame, at this point idk why people feel the need to continually make the argument about her having a family as if that's the biggest problem about the ending especially when i figure most people are of the belief that it was another timeline or whatever idk what the current consensus on that is in the mcu and i don't care
but what about the fact that it destroyed steve's family? does that not matter because it's not the standard spouse and children but is instead a family he built for himself with sam and nat and bucky? because it's easier to decide steve is a selfish asshole and always has been instead of acknowledging that that storyline did more of a disservice to him than to anyone else? like oh maybe peggy's family was erased and that's horrible but it doesn't matter that steve's family was abandoned in the midst of the kind of trauma he knows very well?
i've said it before but it makes me so sad that so many people just turned on steve and decided a decade of movies don't matter in the face of one shitty desperate attempt of a movie to make him look like a pathetic creep just so they could justify their heterosexual nonsense ending
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cringengl · 1 year
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The two van scenes- Steve's self centered 'love' versus Will's selfless love.
The thing that I've only realised upon rewatch is the similarities between Steve's love confession to Nancy in 4x08 and Will's love confession to Mike, also in 4x08 (aka the van scene). Although we usually use parallels to show how similar the ships are, suggesting that they may have similar fates (such as jancy & byler parallels and mleven & stncy parallels), I think these two scenes are similar to show how different stncy and byler are.
So what are the similarities???
First off we have the fact that they take place in the same episode (roughly 25 mins apart) and exsist in a van. There's other similarities such as they both have a "Yeah?" "Yeah." scene:
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Which really draws the parallels. Furthermore, both Mike and Nancy feel like they're losing El and Jonathan.
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Although Mike confirms these fears more explicitly than Nancy, it's clear that her and Jonathan are drifting apart when neither of them go to visit eachother over spring break, which clearly upsets Nancy. Jonathan's college plans only confirm for the audience that they are drifting apart.
Finally, both Steve and Will give a 'gift' of sorts: Will's painting, and Steve's vision of his future (that he implies he wants Nancy to be a part of).
Will's love for Mike is selfless and generous.
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The whole point of the van scene is that Will sacrifices and disregards his happiness as he believes that Mike would be happier with someone else- El, and so he uses his love confession to strengthen their (mleven's) relationship.
Steve literally does the opposite of this.
Steve's love confession is all about him. What he wants. He wants 6 little nuggets and a massive camper van for holidays and that's great for him, but it's not what Nancy wants. Steve is not considering what Nancy wants. It has been shown multiple times throughout the show that Nancy is ambitious and wants a career in journalism. It's what drives her to the trailer park where she learns about Victor Creel and it's why she wants to go to Emerson. I'm not saying that you can't be ambitious and have children, but children is clearly not a priority for Nancy. She literally says it right here:
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Showing the difference in Steve and Will's love for their respective Wheeler. Whilst Steve is enforcing unwanted expectation onto Nancy, Will is doing the opposite- "ripping off the bandaid".
Even when Will envisions a future with Mike and tells him, it involves things that they have bonded over and enjoyed in the past together:
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Will also gets Mike to talk to him, and share his insecurities. They have several other heart to hearts throughout the season where both Mike and Will talk honestly with eachother, whether that's about Mike's issues with El, being different and how scary it can be to tell other people and working together against Vecna.
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Stncy at best has Steve talking about how he is crawling forward and working to be a better person, but not only is that in an effort to somewhat win Nancy back, Nancy never divulges her insecurities with Steve, their 'heart to heart' isn't mutal.
If we go back to the "Yeah?" "Yeah." parallel, you can see that's it's less of a parallel than you may originally think. The person who's asking "Yeah?" Is reversed in these situations, with stncy, it's the 'confessor', Steve, trying to see if Nancy agrees with him, but with byler, Will is instead the "Yeah.", and is helping Mike overcome his insecurities with El, and reaffirming Mike's new found confidence through Will's painting. Steve is again revolving the conversation around himself, where as Will is being as selfless as you can get.
Although it can be argued that maybe stncy isn't having as many heart to hearts and that the reason Nancy isn't responding similarly to Steve being vulnerable just yet is because they're exes, it's awkward, and Nancy is dating Jonathan.
But at the start of season 4, we see that byler are also in a rocky position in terms of their relarionship and Mike is literally dating El.
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And yet, time and time again, we as the audience are shown how strong their relationship is and how much they care about repairing it, whereas stncy has had no such thing.
So what is the point of paralleling these van/confession scenes in the first place??
Personally, I think it's to show how pure and selfless Will's love for Mike is compared to Steve's, and what it's like for a confession to fall flat.
The byler van scene is full of beautiful cinematography, rising music, gorgeous lighting and powerful emotion, whereas in the stncy van scene, you can still here the rumbling of the van and the song 'Fire And Rain' by James Taylor, which presumably is from the radio, in the background whilst Nancy hesitantly agrees with what Steve is saying, making it feel less important and almost anti climatic.
Therefore, despite the initial, surface level similarities, these scenes show how vastly different byler and stncy are. Stncy will never be endgame because Steve's love is presented as self centered, whereas Will's love is beautiful and selfless. Byler is endgame as both Will's confession and Mike's reaction are telling of how strong their connection is and how deeply they love each other.
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fotibrit · 5 months
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post endgame! tony, who studies everything he can get his hands on, EXCEPT philosophy. He is scared he will begin to understand his own moral reasoning, and he is scared he will once again realize he is a monster.
post endgame! steve, who goes back to school to study philosophy. he wants to know why, he NEEDS to know why all this happened. Why did he do everything he did. what world has he saves. He has to know, or else it all feels meaningless.
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irondad-defensesquad · 3 months
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i think mcu steve is extremely idealized.
first, he becomes a super human, and apparently all his disabilities and medical problems disappear. which is honestly not a good message to actual disabled people, imo.
second, his backstory is mostly mentioned. we don't see a lot from steve's childhood or anything on screen. i think they detail it more in the comics, the same way they do for tony's childhood, but the fact that it's almost absent from the movies is a problem. they only mention his mother's name as far as i remember. nothing else. (please correct me if i'm wrong, of course)
mcu steve doesn't feel like a flawed character that has to change, the same way others are, like tony. mcu tony is clearly a flawed human being with several issues and a traumatic childhood (even if the mcu tries to paint howard in a good light, it still explains why tony deals with so much self-hatred and relies on unhealthy coping mechanisms, such as drinking). we don't see steve developing as a character. they might joke in that one scene of endgame where present steve rolls his eyes at past steve, but honestly? to me they feel like the same character. steve never changes. even when he's clearly wrong, the narrative insists that he's right.
steve betrays tony and gives him a half-assed "apology" letter. steve does not mourn sam and bucky at all in endgame, instead focusing on that one girl he kissed ONCE. and steve not only abandoned bucky, he took away peggy's agency and her happy ending. she already had a loving husband and children. not to mention the implications here. steve went back to a very flawed and bigoted period of time, and it's implied that he did not try to intervene in tragedies such as bucky being turned into the winter soldier, or tony's parents tragically dying. steve just stayed home. why couldn't he fucking do that in the present? he could've retired without changing someone else's life for his own gain.
it doesn't make SENSE. the winter soldier was a great film and it showed steve that he has to move on from the past and do what he can in the present. but no, steve never leaves the past behind, he literally goes back to it. and even then, it's all about peggy. it's not about his family. nor his mother, sarah, who's probably the person who inspires steve the most. but where the fuck is she? why does she only get ONE mention?
and by the way, i used to love steve. the first avenger and the winter soldier are still solid movies to me. that's why his ending sucks ass. and i've seen many steve fans who agree with me. he's such an important character in the marvel universe, and perhaps a lot more enjoyable and human in other media (like comics and cartoons). mcu steve is... nothing. he's just a walking propaganda for hypermasculinity.
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queerextremity · 1 year
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thinking about how important steve's storyline was for people who feel out of place/like they don't belong/like the world's moving too fast for them to follow (which are my own common reactions to trauma/depression) and how endgame just straight-up tells that the greatest way to escape is to go back to times that still feel familiar, which is something a regular person will never be able to afford and which just takes the hope away. they could've done so much with it and showed a great resolution to a long journey of building new life and new meanings, but they completely missed the point of the story. it was so awful to people who saw themselves in this character and that's something we rarely mention when we criticize steve's ending. in this essay, i will
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unfinishedslurs · 11 months
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do u love the colors of the comphet
When it’s over, when Henry Creel is dead and dust and they’ve emerged battered and triumphant. When she and Jonathan have ended things. When there is no more fighting to be done, she and Steve give it another go. 
She knows he’s going to ask the same way she knew in ‘83. There’s no waiting this time, no need to wonder if Jonathan might want her too. They gave it the old college try (He lied to her. He was lying to her for months, and she knew something was wrong before that. She thought they could work it out. She’s so fucking sick of lying to herself being lied to). 
He asks with wide, hopeful eyes, running a nervous hand through his hair. He doesn’t have anything to be nervous about. She made up her mind before he even asked. 
She can do it right this time. She can love this boy the way she wants to. The way he wants her to. They’ve both grown in the years since. She’s going to do this right. 
That’s the mantra she keeps in her head when he picks her up and spins her. I can do this. 
She can’t do this. 
It’s somehow the same and different from when they dated the first time. They’re going through the same motions, but there’s something lacking. They’re both older, more jaded. They’re not kids anymore, and it shows. 
They rarely kiss. He hesitates now in a way he didn’t before. Sex is something they don’t bring up at all. Eddie makes a crude joke once, something or other about what Nancy is like in bed, and she and Steve make eye contact. There’s something there, something like mutual understanding, before Robin smacks Eddie upside the back of the head and the moment breaks. She keeps thinking about it long after. Whatever it is that they shared, they don’t talk about it. 
Maybe they’re lying to themselves, both of them. Puppets going through the motions, too stubborn to admit they’re play acting as real people. Still, she can’t give this up. She can’t make the same mistakes all over again. 
Robin corners her two months into the relationship. Part of Nancy is surprised it took her this long. The rest of her is angry she brings it up at all. 
Saying she’s cornered might be doing her a disservice. They’re having a sleepover, painting their nails and talking about boys. Everything a girl is supposed to do. Except Robin is awkward and fumbling, and every name she brings up sounds like a question. Nancy only has Steve to talk about, and barely talks about him at all. 
Finally Robin sighs and puts down the nail polish. “I feel like this subject is making us both miserable,” she declares. “I don’t want to talk about boys, I was just doing it because I thought that’s what you’re supposed to do at girl sleepovers. I haven’t actually been to a sleepover since I was in middle school and the other girls decided I was weird, but I’m pretty sure the point is to have fun. This is not fun. This is agonizing. We should talk about something else.”
“Steve isn’t making me miserable!” She snaps, before realizing she sounds way too defensive. 
Robin peers at her. “Yeah, see, that’s not what I said. That’s not even a little bit close to what I said. Maybe we should talk about this instead. What’s the deal with you and Steve?”
“What deal? There’s no deal.” She turns around and rummages through the nail polish selection. Robin doesn’t exactly have a variety. Her options are red, dark red, and black. She chooses the brighter red with the absent thought that the black would look good on Robin, with her long fingers and dark eyeliner. Then she banishes that thought away. 
“There’s definitely some kind of deal.”
“There isn’t.”
“Nance.” 
She can’t help but turn around then, drawn in by the tone of her voice. There’s a glass wall inside of her, and someone is pounding on it, trying to get out. She wants Robin to see it. She wants someone to see behind the glass. There’s something in her trying to get out. 
“Nancy,” she says again, eyes searing into her soul, “are you happy?”
She smiles, fake and fixed on her face. The glass stays firmly in place.  “Of course I am,” she replies. “Why wouldn’t I be?”
The next time Robin wants to hang out, she’s busy with college preparations. 
It’s not just Robin. She thinks everyone can tell something’s wrong with her. Eddie gives her these looks every time she and Steve are in front of him, like he’s putting together a puzzle. Her mom keeps trying to talk to her. Jonathan keeps trying to talk to her. 
They know, she thinks wildly, every time. She doesn’t know what it is they know. She doesn’t want to find out. 
She avoids them all. 
When she and Steve go to dinner, the waitress captivates her. 
Long, dark hair in braids. Long fingers tapping against the notepad. Dark eyes in a dark face. She’s always loved brown eyes. Nancy has never been one to be jealous of other girls (lie, lie, lie), but suddenly heat floods her body. She wants to be as gorgeous as this woman. She wants her full lips, popping gum. She wants the woman’s swaying hips as she turns and leaves their table. She wants— she wants—
She tears her gaze away to find Steve already looking at her. 
The heat is dosed by the ice that fills her veins. All her senses go on high alert until she realizes he’s actually staring past her. She turns around to see the bartender. He’s handsome, she thinks, tall with tan skin and brown hair carefully styled. He’s talking to a customer, teeth shining as he laughs. 
When she turns back, Steve has firmly fixed his eyes on her. She could almost believe he’d never been staring at the bartender at all. 
There’s something there. Something just out of reach, something she could put a finger out and touch if she were braver. She doesn’t. There’s no gun in her hand here, no adrenaline to keep her going after it all falls apart. 
“What did your dumb boyfriend do this time?” Mike demands, storming in her room. Nancy has half a mind to yell at him to knock first before she registers his words. 
“Steve is- Steve is fine,” she says, startled. “He’s great, actually. Nothings wrong.“
“Then why are you so miserable all the time?” Mike accuses. 
“I am not miserable!”
“You are! You both are, and neither of you will tell anyone what’s wrong, or why-“
“I don’t know why!” She shrieks. Mike falls silent, eyes wide, and Nancy suddenly realizes she’s crying. 
“I don’t know why,” she repeats. “Everything is fine. He’s like, the perfect fucking boyfriend. It’s me, I’m the problem. There’s something wrong with me. There’s a beautiful boy who loves me, and I’m- I’m trying. I’m trying so hard to love him back, but I can’t. I can’t. There’s something wrong with me.” She’s desperate now, wiping away tears as she curls into a ball. She feels pathetic, crying in front of her little brother. She’s the oldest, she should be keeping it together, she shouldn’t let him see her like this. But she can’t help it. There’s something in her screaming to get out. 
Mike, with all the grace and bewilderment of a newborn deer, gingerly pats her shoulder. 
“Have you…talked to Steve about it?”
She gives him a cutting look. It’s probably not as effective as she wants it to be, with her red eyes and tear streaked face. Mike holds his hands up. 
“I’m just saying! He’s your boyfriend, you should talk to him. And if you don’t want him to be your boyfriend, you should really talk to him.”
“I want him to be my boyfriend, I just need to get past whatever this is—“
“Nancy,” Mike says. “It’s not just you. He’s miserable too.”
“Because of me. I just need to—“
Mike shakes his head. “I don’t think it is. If it were because of you, he’d be acting different. More…kicked puppy, or whatever. He’s just being weird,  and won’t tell anyone why. Dustin said he asked Robin, and she doesn’t even know.”
Nancy doesn’t have anything to say to that. 
“I think you need to talk to him,” he says again. “I think you need to talk to each other.”
“When did you get so smart?” She asks, instead of crying again. 
“I’ve always been smarter than you.”
She kicks him for that blatant lie.
“Are we holding onto a dead thing?” She asks out loud. 
He rolls over and looks at her. She’s worried she’s hurt his feelings, broken his heart again, killed any chance they have at a relationship, romantic or not. Then he snorts. 
“Robin got to you too, huh?” He asks, flopping back onto his back to look up at the sky. 
“Mike, actually.”
“Mike? That shithead? What does he know about relationship problems?”
“Are we having relationship problems?”
“I mean,” he says, wry twist to his mouth, “we haven’t had any arguments.”
“Nope.”
“Or general drama.”
“That might be debatable.”
“There’s no need to spice up our sex life.”
She snacks him for that one, and he laughs. She props herself up to look him in the eye. His face is more open than she’s seen it the entire time they’ve been dating. 
“I think you have to be in a relationship to have ‘relationship problems,’” she tells him. “Are we in a relationship?”
He visibly considers this. “I mean, I asked you out, and you said yes. And we never broke up.”
“We haven’t kissed in at least two weeks.”
“Did you want to?”
She takes a moment to think about it. “Not really,” she admits, and his face splits into a grin. 
“Not that you’re not still wonderful, Nancy Wheeler,” he says, teeth shining, “but I don’t think I want to kiss you either. Isn’t that weird?”
When they dated in high school, it was like he couldn’t stand being away from her. He spent every moment he could kissing her, wherever he could. Sometimes it felt almost like a performance he put on for the people around them, lifting her up and spinning her just so everyone would know how in love they were. It was stifling at times, feeling like something to prove. Still, it was how he was, so in love he could burst with it. 
Now, she wonders if it was always a performance. Maybe they’ve both been on a stage, and neither of them noticed the lights blinding them until now. 
“It is a little weird,” she says finally.
“Right?!”
He holds out a hand to shake, the other one firmly in his pocket. God, she wishes she could love him. “Good go, eh Wheeler?” He asks, smile crooked and shaky. 
She snorts. “We made ourselves and everyone around us miserable,” she points out. But she takes his hand. 
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findafight · 11 months
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tell us the ship, explain your thoughts 👀
Me trying to be vague and everyone immediately perking up like prairie dogs ready for tea alskfnkdkd. Idk I don't think it'll surprise anyone on my blog I've spoken about it in the past. Just got annoyed at it always being there for no reason and not making sense to me one too many times, I guess.
It's r0nance. I simply do not vibe with it at all. I think, if given a sterile au where there's nothing and no one connecting them and no homophobia to worry about, it might be interesting to possibly explore them being attracted to each other but realizing their personalities and goals and priorities clash too much to work out. A bright first fling into maybe-love that fizzled quickly. I've sort of done this in my post o66 sto bin au for them, but I'm probably not going to actually explore it there. (As it's already in the past even during the war for that au)
But in fics that try to be more or less canon/fix it type deal, it really doesn't make sense to me without even mentioning the hairsprayed elephant in the room. Robin and Nancy's personalities don't seem to mesh well, what with Robin's rambling tangents and Nancy's need to focus.
Robin would probably want to do something specific with her life, but she also wants to wander! Her parents are hippies and she wants to visit Paris. She wants to travel in Europe, and probably stay at sketchy hostels and backpack in the mountains, talking to locals that she doesn't have to worry about ever seeing again. Nancy is planning on immediately going to her dream school after highschool and likely pursuing a career right out the gate. She's very driven and focused, wants to go out and seize opportunities that can assist in reaching her goals, and I don't see Robin's dreamier personality traits fitting with that.
I think @thestobingirlie mentioned that while Robin and Nancy both experience the sexism and misogyny of the 80's, Nancy doesn't experience ableism as Robin does. And she doesn't try to understand where Robin is coming from, only openly appreciating her efforts after she ranted at the hospital director.
Robin rambles! We see her either ramble or give clipped answers ("I'm Robin I work with Steve!") When she's nervous or under stress or excited! We see both Nancy and Steve react to these rambles in different ways. When Robin goes off topic in the library with the conspiracy paper, or talks a bit too much about how much she talks a bit too much, Nancy's annoyed. She's initially dismissive of the national Enquirer esq newspaper Robin brings up that helps solve the case (go Robin!). Robin babbles at Steve a lot, and he never makes her feel bad about it. She rambles about rambling to Vickie and the Muppet joke and he adds little commentary as needed, letting her go, or he cuts her off with a little joke during her rabies freak out. He lets her ramble or lets her know she should stop without being actually annoyed and letting her know that by not telling her outright to stop. (She knows immediately that it's a joke, and she jokes back, although understandably nervously. I love them.)
Them being a background pairing so often is annoying, though to varying degrees. If it's just as Robin's gf mentioned I, like others, just kinda...change it to Vickie's name in my brain lol. But other times it's not and it just. Doesn't make sense why Nancy would be such close friends with Steve (her messy breakup ex!) and Robin and Eddie. That girl has big city dreams, she's getting the hell out of her tiny hometown and not looking back. Let her be free!!
I mean obviously the bit I hate about it is that Robin holds a grudge and Nancy broke Steve's heart, which I don't see as compatible, even if we take into account that it's likely Steve and Robin have no idea Nancy cheated on him, and that Steve is an unreliable narrator and blames himself for the breakup. Steve and his relationships with both Nancy and Robin are so pivotal to all three of their characters that ignoring the history there seems a disservice to the complexities of their relationships with each other.
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hannaxjo · 1 year
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Sometimes I think to myself that, maybe Steve's ending wasn't that bad, at least he's happy and gets to finally take a break.
Then I remember that it was Peggy, who made Steve look like this.
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And then i'm pissed af again.
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emblazons · 1 year
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Taking a break from my lil International Women's Day gifset to talk about how I have so many thoughts about this moment I'm finding it hard to articulate them...and I know its because this is the moment that holds the key to understanding Nancy as a character across the entirety of the narrative of this show.
I'm thinking about how this is one of the first moments we hear what Nancy's relationship is to the core themes of "forced conformity" that gets pulled on in season 4—and how we learn that her primary battle is between desiring more for herself and her relationships and complacency, because she doesn't want the life her mother has (which she told Jonathan the scene before this one) but also still feels comfortable in the space that middle class suburbia allots her as an attractive and intelligent young woman.
Thinking about the way it's Jonathan who pulls on this war within her, and is the one who encourages her to step outside of what is easy and into what she wants—and how a lot of the reason we see her regress in S4 is because Jonathan isn't there to challenge the "easy way" that comes naturally to her, even though its not necessarily what she desires...in much the same way her brother is influenced by Will to challenge his own sense of "what he wants."
Thinking about how, no matter how the show ends for Jancy, Nancy will never end up with Steve because he has always represented caving to "normalcy" and social order complacency—even to the point where he talks about being "normal" in much the way Finn talks about Mike trying to be, which anyone who understands the themes of the show (aka championing the outcasts & weirdos) knows is not the winning hand in Stranger Things.
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Thinking about how the only reason we even had a Steve revival was to bring Nancy to her own "narrative low" we saw for every character in Season 4, where she falls back into the comfortable familiarity of Steve because its easy and familiar (much like her home life)...and about how Nancy is currently at the crux of deciding whether or not her pursuit of more for herself as a woman and her relationships is just a phase or something inherent to her.
Thinking about how Nancy is a fascinating character because she, even moreso than Mike, has every single bit of what would make it easy to cave to what is "normal" in her world—and is now being presented with the choice between leaving the "phase" of rebellion with Jonathan to get with that one-time jock who wants 6 nuggets and a Winnebago...or pushing forward with someone who its not as easy to do life with, but who embraces and challenges the part of her that wants more.
....I just. These goddamn Wheelers and their ongoing battle with the familiarity of "normalcy" (and the Byers who always ends up challenging them enough to get them out of it) are killing me. Even down to the way both of them "backslid" in S4 to hit the "you feel like you lost" feeling with the PARALLEL MONOLOGUES of love confessions...only to end up standing next to their true love interest / the one who aligns with their (correctly) fulfilled characters in the end oh be serious
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liesyousoldme · 6 months
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literally the only thing that matters to me in s5 of stranger things is that steve ends up happy. idc if that’s single or if that’s with nancy or some random new girl they decide to bring in. when it comes to actual canon material i literally just want him to have a happy ending.
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buckymilf · 2 years
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a better and deserving ending for steve's character? just him retiring, IN THE PRESENT, probably going full artist or/and doing volunteer work, helping people without needing super strength, buying a nice cabin in the woods away from stress, also adopting a dog, marrying buck-
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we don’t talk enough about steve and his betrayal being the reason tony relapsed
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cavinginhisfvce · 1 year
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i saw a post on twt that said
"They never want to discuss what triggered you. Just how you reacted."
and immediately i thought of billy and all the antis that use his fight with steve as a way to paint him as villain or act like his anger was unjustified. he didn't just beat steve's ass bc he felt like it. y'all ignore the red flags steve was just flaunting and acting as if billy was wrong for reacting the way he did.
billy is clearly a person whose been hurt by adults, in more ways than the show let on, and he thought he was saving max from forcibly growing up in the same ways he had to.
he thought he was protecting her, and instead max was added to the list of people who have done billy wrong and failed to care about what their actions would do to an already messed up kid. (she too, thought she was doing the right thing in the moment, but nobody ever focuses on how max could've easily killed him with sedatives meant for an otherworldly being.)
it's always "he's violent and racist!" and never "he's violent and intolerant from years of abuse and forced ideals"
if you are born of a bad environment, and you're forced to stay in that environment, guess what happens? you are more likely to become a victim of circumstances and your upbringing than to stop the cycle forced onto you.
billy never stood a fighting chance because no one ever bothered to find out why he acted the way he did, they just called him a bad guy and moved on with their lives like he didn't matter.
and to them, and all the characters in the show, billy truly didn't matter.
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