The rap singer Valtònyc (wearing dark green in the first photo) has returned from exile. It's the first time he steps in his homeland Mallorca in almost 6 years.
He was sentenced to 3.5 years of prison because when he was 18 years old he wrote a song where he criticized the Spanish monarchy and uploaded it to YouTube. He wasn't famous and his most listened song on YouTube had 8,000 views, but in Spain it's a crime to say "injuries against the crown", and the laws are often applied more harshly against national minorities (Valtònyc is from the Catalan Countries). His song was found and he had to go to trial over it, and was sentenced guilty of the crimes of injuries against the monarchy, praising terrorism, and threats.
Valtònyc refused to accept the so-called "justice" of the Spanish judicial system, so he decided to escape. He managed to sneak to France unnoticed by the police, and went to Belgium, where there was already a community of Catalan people on exile for their political involvement in the Catalan independence process. He has lived on exile in Belgium these last 5 years and a half.
Had he come back to any Spanish territory, Valtònyc (same as the other exiles) would have immediately been jailed. In fact, Spain issued an international order of extradition, demanding Belgium arrest him and send him to Spain to be imprisoned. But the Belgian courts found that these kind of cases should be allowed under freedom of speech and, instead of sending Valtònyc to Spain, Belgium got rid of their own law that punished "injuries against the crown" as a crime. With no Belgian law to punish him, he was allowed to stay in Belgium. This is a similar process that had happened with other Catalan exiles, who Spain has demanded be extradited multiple times but Belgian law has protected for human rights and freedom of speech reasons.
By the way, the song that got him sentenced to prison had been a commission from the Spanish politician Pablo Iglesias (leader of Podemos, the left Spanish party) for his TV show La Tuerka. Valtònyc has explained that Iglesias never called him, never showed any solidarity nor interest in his case. Iglesias was vice-president of Spain during Valtònyc's exile.
The crimes expired six months ago, meaning he can no longer be imprisoned for it. However, the Spanish courts did not notify him of it (as they should have done), so his lawyer and him just found out.
After saying goodbye to other Catalan people on exile in Belgium, who are not allowed to come back yet (in the photos, shared by Valtònyc on his Twitter, he is saying goodbye to the politicians Lluís Puig and Carles Puigdemont), he has come back home.
He was welcomed by 200 people in his hometown. He has thanked all the people who helped him and showed solidarity. He also reminded that Pablo Hasél (a rap singer from Catalonia) is still in prison for the lyrics of his songs and the contents of his Tweets, sentenced guilty of injuries against the crown and praising terrorism. You can read more about Pablo Hasél's arrest in this post, and an explanation of the tweets and lyrics that got him sentenced in this post.
As we celebrate Valtònyc's return, we cannot forget that Spain has repeatedly ranked number 1 in the whole world for country that sent the most musicians to jail for the content of their music, in 2018 and 2020. By the way all the 14 rap singers condemned to prison for their lyrics were Catalan (Pablo Hasél and the 12 members of the band La Insurgencia from Catalonia, and Valtònyc from the Balearic islands), not one of any other culture group or from any other area. Curious, 100% of the sentenced, when the population of the Catalan Countries is less than 29% of the population of Spain. Wonder why!
416 notes
·
View notes
Every official that comes in
Cripples us leaves us maimed
Silent and tamed
And with our flesh and bones
He builds his homes
Southern fist
Rise through the jungle mist
Clenched to smash power so cancerous
A black flag and a red star
A rising sun loomin' over Los Angeles
Yes for raza livin in la la
Is like gaza on to the dawn of intifada
Reach for the lessons the masked pass on
And seize the metropolis
It's you that it's built on
[...] Their existence is a crime
Their seat their robe their tie
Their land deeds
Their hired guns
They're the crime
Shots heard underground round the rapture
The world's eye captured
At last in a Mexican pasture
The masked screaming land or death
Within a breath
A war from the depth of time
Who shot four puppet governors in a line
Who shook all the world bankers
Who think they can rhyme
Shot the landlords who knew it was mine
Yes, it's a war from the depth of time
Rage Against the Machine "War Within A Breath" The Battle of Düsseldorf, Germany (2000)
~ Happy New Year! ~
174 notes
·
View notes
𝐑𝐀𝐍𝐓 #𝟓: The Hyper-sexualization, Masculinization & Dehumanization of Megan Thee Stallion
𝗗𝗜𝗦𝗖𝗟𝗔𝗜𝗠𝗘𝗥: These rant blog posts are really just reflective of my thoughts at the time that I make them and are posted here because I need an outlet to release all of this shit I have going on in my busy ass mind. That’s it and that’s all. Now let’s get into it..
As someone who has been an avid supporter of Megan thee Stallion since her Houston cypher went viral back in 2016, it’s nearly impossible for me for not be proud of the three time Grammy-Award winning artist she’s manifested herself to be. However, being an OG Hottie has not been the easiest task either. From her mother passing away abruptly from cancer, her having a nasty feud with her label, to her being physically assaulted by a Canadian leprechaun that shall remain nameless, it’s been a tough journey.
Being that I pride myself in being one of the few people who followed Megan back when she used to upload freestyles from her college campus, it’s beyond disheartening to witness the same people, who rooted for her as an underdog, taking every opportunity to break her down. How did we even get here? I honestly can’t provide a definite answer to that but I can pin-point to moments when things began to take an ugly turn.
Let’s start with the most obvious:
I. The hyper-sexualization of Megan’s public persona.
Contrary to popular belief, Megan shaking her tail-feather on stage and sticking her tongue out was not a recurring theme within her brand until she started to attain mainstream success. DJ Chose did an interview with AllHipHop back in January 2021 discussing how Meg was NOT a heavy drinker at all and actually prided herself on being the “best rapper without having to twerk.”
I’m not the type of person to chastise another adult for engaging in some fun and drinking booze but it’s not by mere coincidence that the frequent ‘driving the boat’ and twerk videos began surfacing almost immediately after Ms. Holly (May she rest in peace) was no longer in the picture. The focus became more about how her ass moves rather than her rapping ability. Every viral video of Megan on the Twitter & IG timelines was one revealing her backside. We get it! Megan’s natural physique, without a doubt, lives up to the name she was given at 10: THEE Stallion. However, Meg is more than a pretty face and a coke bottle shaped figure. She’s a person with feelings, emotions, interests and most importantly, talent.
The sexual exploitation came with men fawning over her and giving her open invitations to their bedrooms. While I highly doubt Meg slept with every single man she was photographed with, it didn’t stop many from speculating. Quickly, she gained the reputation of being an industry pass-around to the point she felt the need to prove she wasn’t on numerous Twitter tirades and interviews (including the infamous Sway in the Morning interview she did about ‘not adding bodies’). The irony of it all is the same male gaze she was working overtime to appeal to already decided she was not deserving respect. Not because she raps about playing niggas the same way they play her or because she twerks but simply because she is a woman thriving in a male-dominated genre.
Misogyny is a constant losing battle especially in an industry that has been constructed to kick women back down a few notches every time they manage to climb up the ladder since its development. With the help of a certain crazed fanbase(s) and urban media publications, Meg was completely stripped from her humanity. By the time DaBoogeyMan and Tori Lamez started playing a game of Whack-A-Mole on Meg’s perception in the eyes of public opinion, the damage was already done.
Which brings me to the next part…
II. The subsequent masculinization & dehumanization of Megan thee Stallion
Meg has been called “Marcus”, “Michael”, and just about every male name that began with an M as well as been accused of being transgendered since she first emerged on the scene in 2019. These insults only grew to become more vitriolic overtime, notably after she took to her Instagram to confirm she was shot [by the Keebler elf himself].
Rapper Cam’ron’s post in response to Megan confirming she was shot via Instagram
Normally, this is the part where I’d go on a full tangent about how this meme alone further perpetuates transphobia and promotes femicide against trans-women but I will reserve it for another rant separate from this one. Anywho, it’s beyond disturbing to see fully grown men excuse gun violence committed against women. The amount of times I’ve heard both people use Megan’s height in comparison to the 5-foot-tall lollipop guild as a valid explanation for why he sh*t her has made me wish to lose all my senses just to escape the stupidity.
Howbeit, I am not surprised. History once again repeats itself and yet another black woman’s voice is being silenced to protect the sanctity of another black male. A black male who seized the opportunity to throw her under the bus even though she initially lied to the authorities to protect HIM. A black male who has continued to physically assault other people since he’s been awaiting trial and a black male who has used this woman’s former work-husband to help in conducting her most recent smear campaign. Peanut Head clearly does not value his own character enough to not jeopardize his current pending case let alone even thoroughly explain away his [alleged] actions. Yet Megan’s account of events and trauma responses is always up for questioning. Why?
I’ll tell you why: Because Megan was never valued as a human being.
It was all fun & games when Meg was just a sexual toy that men could wind up to do all the gyrating and dancing their lustful hearts desired. The minute she demanded respect was the minute she became disposable. She suddenly became every woman she tried her hardest to disassociate herself from and the backlash of it all came down like a ton of bricks. Her sexual history has been more of a talking point than the actual incident itself. To say it’s humiliating and invasive would be an understatement.
Let this be a cautionary tale to all the young ladies internationally of what male validation to be weary of. Growing up, we’ve been conditioned to think that if men/boys are giving us attention then it means that we’re doing something right but we’re never warned about the dangerous consequences that ‘attention’ can bring. Even when we are, we get told that men/boys causing pain is just a funny way of them showing they ‘like’ us. In no way, shape, or form, am I ever blaming any woman for the harm that can be inflicted on her but I just want us as (black) women to understand the power we truly possess. Being that we’re still living in a culture that’s driven by sexism, it’s important we learn from the past mistakes of the women before us and also be a helping hand to those who need it. This is beyond Meg at this point. We are the only support we have and even that support is not much.
Last but not least, if you’ve recently suffered a loss in your family, I send my greatest condolences. I know these past couple years have been rough for many including myself so I just want to let you know, everything will get better in due time. I also highly recommend finding a safe & healthy way to cope whether it be writing in a diary or going to a therapist. I wish you nothing but peace & prosperity during this troubling time. I love us for real.
- 𝙼𝙸𝚂𝚂 𝙴𝙳𝙶𝙰𝚁 𝙰𝙻𝙻𝙴𝙽 𝙷𝙾𝙴. 💋
83 notes
·
View notes