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cruellaflim · 3 years

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Enfermez vos chiots: comment Cruella de Vil est devenue une icône de la mode

À l'ère du bien-être, du véganisme et de la consommation éthique, Cruella de Vil, avec sa fumée de cigarette verte toxique et sa soif de sang dalmate, est l'icône ultime du style transgressif.

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Passant ses journées à intriguer, à noyer des chatons et à rire de façon folle, Cruella est la plus grande méchante de la mode d’Hollywood depuis qu’elle a battu les 101 Dalmatiens dans le film original de 1961. Sa plus proche rivale, Miranda Priestly dans le diable s'habille en Prada, a peut-être donné à ses subordonnés des regards très flétris, mais elle n'a pas enlevé de chiots pour améliorer sa tenue.

Le look de Cruella en a fait une icône de style. Tout comme Karl Lagerfeld, Anna Wintour ou Suzy Menkes, elle a non seulement des cheveux affirmés, mais une esthétique caractéristique. Qu'elles soient représentées par les traits de crayon exigeants de Marc Davis ou interprétées par Glenn Close dans le film de 1996, ses vêtements sont extraordinaires. Son look le plus célèbre - un énorme manteau de fourrure crème avec une doublure rouge sang, des gants rouge sang assortis et des chaussures à talons hauts - reste horriblement glamour. Et tout en elle est tranchant et pointu: nez, pommettes, sourcils, menton.

Ce mois-ci, un nouveau film, qui se déroule dans les années 1970 à Londres, ouvre dans les cinémas. Dans Cruella, Emma Stone incarne Estella, une jeune créatrice de mode en herbe et en herbe dont la rivalité avec sa patronne (Emma Thompson) alimente sa métamorphose en un alter ego dérangé. Hors écran, le look de Cruella connaît également une résurgence improbable. L'industrie de la mode, qui sort d'une année meurtrière au cours de laquelle le glamour a été annulé, semble se tourner inconsciemment vers le méchant ultime du style pour un regain de confiance. Les panneaux sont partout sur les podiums et dans la grande rue, où le monochrome prend son envol, après plusieurs années où les couleurs vives ont dominé. La veste de costume monochrome de Balmain, par exemple, avec des épaulières surdimensionnées, est presque identique à celle portée par Close dans le film de 1996. Pendant ce temps, aux Grammys, en mars, Beyoncé portait des gants noirs Schiaparelli avec des ongles dorés en trompe l’œil qui ressemblaient étrangement aux accessoires griffes de Close’s Cruella. Aux Oscars, la tenue Gucci à franges de Celeste Waite - haut pied-de-poule rouge et noir avec pochette anatomique en forme de cœur - avait une grande énergie Cruella. Même la matriarche de Schitt’s Creek, Moira Rose, qui est devenue un phénomène de verrouillage Netflix, est Cruella-esque, avec ses perruques bicolores et son engagement pour un monochrome aux silhouettes agressives.

Désormais, une palette encore plus diabolique de rouge, noir et blanc domine les collections d'automne. Le dernier défilé de Michael Kors - des tailleurs-jupes à imprimé léopard et zèbre manteaux en fausse fourrure rouge rubis, crème et noir - ressemblaient au cosplay de Cruella de Vil. Burberry a également acheté la Cruellanaisance. La marque a tenté d'éloigner les clients des vestes matelassées qui sont devenues des couvertures de confort pendant les verrouillages, avec une procession d'énormes fausse fourrure crème, complétées par de fausses garnitures d'oreille de lapin d'aspect malicieux.

Même l'imprimé dalmate apparaît partout, des chaises d'appoint inégales aux papiers peints et aux murs décoratifs - le tout affiché sur Instagram. Il est porté par les stars de la télévision aux heures de grande écoute (Tess Daly lors de Strictly la saison dernière), la royauté de la génération Z (Kendall Jenner a acheté à Hailey Beiber une paire de curseurs imprimés dalmatiens moelleux pour son anniversaire), et certains qui sont peut-être aussi sans cœur que Cruella elle-même (Ivanka Trump ). La vraie fourrure, cependant, est notablement absente. Dans ses incarnations précédentes, 101 Dalmatiens n'était pas nécessairement une histoire anti-fourrure. C’est la voracité et la tendance de Cruella à kidnapper des chiots mignons qui sont jugées sans équivoque problématiques. Dans le film de 1961, le fleuret de De Vil, la blonde angélique Anita, dit qu’elle aussi aimerait un manteau de fourrure - la suggestion est seulement qu’elle est trop altruiste et modeste pour en acheter un. L'académique Chantal Nadeau lit même le film de 1996 comme «un morceau burlesque, voire provocateur de rhétorique pro-fourrure», à un moment de renaissance de la traite des fourrures, alors que sa suite de 2000 ne présente pas les manifestants anti-fourrure sous un jour flatteur. .

En 2021, cependant, apparemment, même les méchants ne portent pas de fourrure. En fait, Disney a du mal à souligner dans les notes de production que «dans notre film, le personnage Cruella ne fait aucun mal aux animaux… Cruella ne partage pas les mêmes motivations que son homologue animé». Dans la mode également, la fourrure est maintenant considérée comme si peu appétissante qu'elle est interdite par presque toutes les marques. Même Anna Wintour - une ancienne défenseure de la fourrure qui aurait déjà fait jeter un raton laveur mort dans sa soupe dans un restaurant de New York par un manifestant - porte la «fausse fourrure durable» de Stella McCartney.

Au lieu de cela, la garde-robe 2021 de Cruella est largement inspirée par Londres des années 1970 et 1980, y compris la chanteuse allemande de la nouvelle vague Nina Hagen, Vivienne Westwood et BodyMap, le favori des enfants du club post-punk: comprenant 47 costumes conçus par Jenny Beavan, dont une veste militaire avec des épaulettes dramatiques empilées de figurines et d'une gigantesque jupe cramoisie. Il y a aussi des combinaisons noires scintillantes et des Dr Martens. La créatrice de cheveux et de maquillage du film Nadia Stacey, quant à elle, s'est inspirée d'artistes qui ont utilisé leur esth��tique pour construire de toutes nouvelles identités, notamment David Bowie, le drag artiste David Hoyle et Alexander McQueen, ainsi que la photographie de style punk street - à un moment donné, Stone apparaît avec «le futur» écrit sur son visage dans la police Sex Pistols.

Stacey dit que le grand thème du film est «d’être qui vous êtes; il y a tout un récit selon lequel elle cache ses cheveux noirs et blancs et a ensuite la confiance nécessaire pour les embrasser ». Finalement, ce «défaut» est, bien sûr, ce qui rend Cruella emblématique - un arc très moderne qui pourrait provenir directement de RuPaul’s Drag Race.

En effet, si ce n’était pas pour la peau de chiot, Cruella aurait déjà été réclamée comme un héros féministe: ce personnage féminin plus âgé et rare avec ses propres intérêts, dirons-nous. Un psychopathe, oui, mais qui passe le test de Bechdel. (Le moment le plus daté du film de 1996 survient lorsque Anita de Joely Richardson dit à Cruella qu'elle arrêtera probablement de travailler si elle se marie.

Cruella est également l'icône de style dont nous avons besoin alors que nous sortons du verrouillage et que nous nous rappelons comment nous habiller. Elle refuse de se fondre dans l'arrière-plan. Elle sait faire une entrée: dans le dessin animé, nous voyons son imposante silhouette aux cheveux hérissés à travers une vitre, et entendons son air de thème, avant de balayer en disant: «Anita, chérie!», Se déclare «misérable comme d'habitude. Parfaitement misérable! et met sa cigarette dans un petit gâteau.

Comme le film n'a pas encore été projeté, il est impossible de savoir dans quelle mesure la nouvelle Cruella a été défangée et défrisée, mais elle se positionne comme un anti-héros, plutôt que comme un méchant pur et dur. Nous savons cependant que son air est rebelle. Ce sera forcément une amélioration par rapport aux princesses qui plaisent aux gens - et aux robes pastel associées - qui ont dominé Disney pendant des décennies. Car il y a quelque chose chez Cruella qui sera toujours cool, même si les fourrures sont déclassées. Le reste de son look et son ambiance sont classiques: une robe noire soignée, une paire de chaussures rouges et un engagement sans faille pour son propre plaisir et ses désirs. Cruella est dans les cinémas et sur Disney + avec un accès privilégié le 28 mai.

#cruella #emma stone #disney #emma thompson #movies #101 dalmatians

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ljgfyusd · 3 years

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supemecourttoplawyerslist · 4 years

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rebelsofshield · 4 years

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Panels Far, Far Away: A Week in Star Wars Comics 11/13-11/27/19

It’s certainly unfair for Lucasfilm to pick my first semester of grad school to start supplying us with more Star Wars content than at any other point in recorded history. Jerk move on their part. Anyways, as a result, here are three (!) weeks worth of Star Wars comics review in which: Marvel’s ongoing ends its seventy five issue run, Doctor Aphra gets her groove back, and Chewbacca knocks some heads. Hopefully I can be quicker about this in the future!

11/13/19

Star Wars #74 written by Greg Pak and art by Phil Noto

In its seventh chapter, “Rebels and Rogues” hurtles towards conclusion. The result may just be the strongest installment of an arc that has been chockfull of great ideas, but often struggled on just how to tell its sometimes overly scattered story. With the different teams now in open communication with one another and each fighting for their lives in desperate situations, writer Greg Pak’s take on the galaxy far, far away has never felt more a live and energetic.

We hop between narratives with surprising ease and elegance and the flow of the story is easy to follow, high energy, and positively fun. Han, Leia, and Dar Champion are flying for their lives in a defenseless ship against an Imperial star destroyer, Luke and Warba are in route to the planet’s rebels but with an Imperial patrol of Stormtroopers riding velociraptors right on their tale, and Threepio and Chewbacca are right in the center of a growing conflict between the rock people of K43 and Darth Vader himself.

Threepio’s arc here still remains the most fascinating stuff in “Rebels and Rogues.” For the first time in a long time, old goldenrod feels like he has an emotional story all his own and it culminates in a moment of self-sacrifice that capitalizes off all the themes of sentience and personhood that this surprisingly delightful subplot has been playing with since day one.

The promised Chewbacca/Darth Vader showdown on the cover doesn’t occur until the comics final pages but it sets up what should be a killer finale. Noto draws a suitably visceral encounter and no other panel in this creative team’s legacy will likely spark as much joy as Chewie spiking a boulder off of the Sith Lord’s ebony helmet.

Score: A-

Star Wars Jedi: Fallen Order: Dark Temple #4 written by Matthew Rosenberg and art by Paolo Villanelli

At the time of this writing, I’ve actually finished playing Star Wars Jedi: Fallen Order. The first single player Star Wars game in over a decade provides a very fun and rewarding experience that is populated with some truly outstanding characters. The game also shows that its tie-in comic, Dark Temple is surprisingly more consequential than one might have originally thought. Sure, Cere and Eno Cordova were known characters in the game from the start, but Dark Temple sees the two encountering numerous elements from Fallen Order for the first time.

Even outside the comic’s surprising consequence to the game it draws from, Dark Temple continues to be a very entertaining prequel era narrative. Even four issues in, writer Matthew Rosenberg is still providing us with new information and twists that upend our understanding of what exactly is going on. Cere and Cordova may have gotten involved in something bigger than they originally anticipated and there is more on the line than freedom for Fylar. Rosenberg has weaved a complex web and just what exactly lies within the titular temple is just as much a mystery now as when it started.

It also helps that this comic is arguably the best looking Star Wars comic on the stands now. Paolo Villanelli has always excelled at drawing dynamic and well choreographed action sequences and he truly shines here as the violent conflict between Flyar and the DAA corporation explodes into full blown war. Villanelli is great at creating a sense of motion and scale and these moments of larger conflict are filled to the brim with well designed characters and explosive energy. Colorist Arif Prianto makes the comic feel like it comes ablaze too with multicolored embers peppering each panel.

Between the surprisingly complex story and the killer art, Dark Temple has quickly evolved into one of the stronger tie-in comics that Star Wars has released in recent memory and a significant improvement on both creator’s previous works in the franchise. Its final issue may not stick the landing, but this is a comic that is well worth considering picking up.

Score: B+

Star Wars Target Vader #5 written by Robbie Thompson and art by Cris Bolson, Robert Di Salvo, and Marco Failla

So turns out the Hidden Hand isn’t the rebellion? I’m very lost at this point. The mysterious crime organization that has been at the center of Target Vader from its start has always been its biggest head scratcher. A last panel reveal at the end of the comic’s first issue heavily hinted that the Hidden Hand was actually just an organization used by the Alliance to work in the criminal underworld. Over the past few issues, we have been given to doubt this reading, until now, where this theory is thrown out the door. Turns out the Hidden Hand may have older and more mysterious origins, but now we are just as lost as ever.

It speaks to the overall aimlessness of Target Vader. Despite the violent thrills of last issue, this miniseries has still been a mostly confused and overly long affair. Beilert Valance is still a mostly dull protagonist and his quest to neutralize Vader feels even more muddled than ever before. Writer Robbie Thompson does some work to try to remedy this situation by giving us an issue that is split between retelling Valance’s past and maiming by the Imperial military and the present where he is now caught between the grip of the Empire and the Rebel Alliance. It creates an interesting scenario for our central anti-hero, but ultimately fails to reveal much enlightening about Valance as a person. We may know why he is a grumpy, angry loaner by this point, but it doesn’t make his relatively one-note behavior any more interesting.

It also doesn’t really help that we have three guest artists on board instead of Stefano Landini. Marco Failla’s pencils may do a good enough job of approximating Landini’s style, but as a whole the result is a bit jarring as the comic never establishes a clear visual consistency. Combined with the fact that we already lost Marc Laming after issue one, this just adds to the weirdly confused reading experience that Target Vader has maintained to this point.

We have seen this comic work. Last issue’s installment was a brutally realized explosion of violent chaos, but we only have one issue now to really bring it all together, and I’m worried that Target Vader may not be up to the task of making this long, strange voyage worth it.

Score: C+

11/20/19

Star Wars #75 written by Greg Pak and art by Phil Noto

All roads lead to K43. In its eighth and final chapter, “Rebels and Rogues” sees all our team members converge on the rocky moon for one climactic stand against Darth Vader and the Empire. In this extra sized finale, Greg Pak and Phil Noto try their best to pull the disparate threads of this arc together while also delivering a satisfying finale. The result proves fun, very strange, and ultimately forgettable. It ends with a summation of this run as a whole: filled with smart art and ideas, but lacking in standout storytelling beats to leave a lasting impression.

Some of the disappointment comes from the fact that much of this issue comes down to our various cast members beating up on Darth Vader. We open with the final blows of Chewbacca and Vader’s brawl which Noto clearly enjoyed bringing to life, but much of the rest of the issue resorts to the extended ensemble blasting away at him in various set pieces. It plays out like a miniature version of 2016’s Vader Down, but lacking in the edge and thrills of that original crossover.

There’s also some strange choices made with the rock people of K43 that don’t entirely gel with what came before. Part of what made these characters so refreshing throughout this story arc has been how Pak used their existence to challenge our characters’ concepts of sentience and to allow C-3PO to bond with another group of non organic life that is similarly overlooked. This fun play continues, but the conflict of it all is handwaved away in a manner that feels unusually flippant. Given the amount of effort put into finding a way around murdering this race, Pak introduces a last minute plot detail that makes it all feel unnecessary and that’s before the giant planet sized stone giant appears.

Yes, this comic gets very weird and it’s certainly fun, but it feels more than a little scattered and chaotic in a comic that already feels all over the place.

With that, we bid goodbye to this short but enjoyable era of Marvel’s Star Wars ongoing. While Empire Ascendant will presumably be the final issue of the main series, with it being rebooted for a new post Empire Strikes Back ongoing headed by Charles Soule and Jesus Saiz sometime in January, there is a sense of finality to this creative team’s last chapter aboard. Pak and Noto prove a fun bunch and had a great sense of playfulness and scope to this ongoing during its final days even if the execution wasn’t always immaculate. I’m glad to hear that Pak will be staying around to write the next volume of Darth Vader. He has some big shoes to fill, but if the heights of this comic are any indication, he is capable of the same spectacle and intrigue as past creators.

Score: B

11/27/19

Star Wars Adventures #28 written by John Barber and Michael Moreci and art by Derek Charm and Tony Fleecs

Chewbacca’s adventures with his porg sidekick, Terbus, are pretty much perfect fodder for an all-ages Star Wars comic. Given how strong Adventures’ visual storytelling has been since day one, having two protagonists who speak through grunts, squawks, and body language is right up this teams’ alley. Yes, it’s cutesy and yes it is a bit simple, but there is undeniable charm in the way Derek Charm draws us through the liberation of Kashyyyk. It may not be as visually inventive as last issue, but the way that Chewbacca hops through the forest and takes on First Order baddies is still illustrated with the same energy and personality.

There is a bit of tonal whiplash here though. While it’s hard not to be won over by Porg salutes and Wookiees knocking heads, there are moments where the enslavement of the Wookiee population is presented as an all too real possibility. The lighter, more playful execution of this issue may do a lot to make this subject matter more palatable for younger readers, but one wonders if this should have been the direction that the story went with at all.

Michael Moreci’s droid adventure is more tonally cohesive and certainly also a fun time, but it lacks the standout visuals and heart of the Chewbacca section. Last issue succeeded by pairing the under appreciated droids with another outcast that also was invisible to the First Order, but the events here are less concerned with character and theme and more so with the fun action of their plan. All the same, it’s still a decent read and sure to delight younger readers.

Score: B

Star Wars Doctor Aphra #39 written by Simon Spurrier and art by Caspar Wijngaard

With just one issue left before the end of their tenure, Simon Spurrier and Caspar Wijngaard are pulling out all the stops for the end of Doctor Aphra. After the misstep that was “Unspeakable Rebel Superweapon,” it has been nice to see Spurrier get back in the swing of things with “A Rogue’s End” as each issue improves upon the last. Wijngaard and colorist Lee Loughridge feel more in sync here than ever before and Spurrier twists the knife as Aphra digs herself further and further into a disaster of her own making.

While she was first introduced in Kieron Gillen’s run on the title, Magna Tolvan and her relationship with Aphra have been staples of Spurrier’s run since he first stepped into the title. Here as we hurtle towards the big finish, it seems only fitting that the tortured and complex romance between these two very different souls take center stage. “A Rogue’s End” isn’t afraid to really dig into what it is about these two broken and confused women that drives their attraction to one another and just how deadly and ill advised their love, if it can be called that, is. It’s antagonistic, violent, but ultimately brimming with the sort of affection and tension that makes a good Star Wars romance sing. There is one image in particular here that is beautifully realized by Wijngaard and Loughridge and may rival the two’s first kiss for the iconography of this pairing.

It’s not all two woman coming to terms with one another under extreme circumstances, Aphra is still full speed ahead on her own mission survival. We hurtle towards a series of decisions at the issue’s end that may just cross the line into Aphra’s biggest moral slippage to date. Spurrier seems poised to deliver final judgement on what kind of person our dear rogue archaeologist may be, but knowing her and this series, the final thematic resting point is anyone’s guess. It’s a good thing that Spurrier makes the whole thing so damn fun to read and Wijngaard creates such beautiful imagery.

Score: A-

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theliberaltony · 5 years

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via Politics – FiveThirtyEight

Former special counsel Robert Mueller gave short, clipped answers in front of two House committees last Wednesday, and he provided almost no new information about his investigation into the 2016 election and Russian interference during his testimony. But his appearance nonetheless seems to have bolstered the movement on Capitol Hill to impeach President Trump. Since Mueller testified, more than a dozen additional Democratic House members have come out in support of at least beginning a formal impeachment investigation. The total number of House Democrats favoring impeachment has reached about 109, according to lists from The New York Times and The Washington Post — nearly half of the 235-person Democratic caucus.1

In fact, it’s likely that there will soon be a pro-impeachment majority among House Democrats. A Democratic majority for impeachment is potentially (more on this in a moment) an important milestone in the months-long debate over exactly how Democrats should react to the Mueller’ Report, which included descriptions of a number of actions by Trump that could constitute obstruction of justice.

Why is a pro-impeachment majority likely? Because there are plenty of Democrats who have yet to come out for impeachment but who face similar political pressures to those who already have. The 109 Democrats who currently favor impeachment, not surprisingly, mostly represent very liberal districts; on average, Trump lost those districts in 2016 by about 38 percentage points. (Trump lost the average Democratic-held House district by 28 percentage points, and he lost the average district with a member not supporting impeachment yet by 20 points.) Of the 126 Democrats who are not yet on board with impeachment, 29 represent districts where Trump lost by at least 38 points. If just nine of those 29 embraced impeachment, the pro-impeachment wing of House Democrats would have a majority.

Impeachment holdouts in very blue districts

Democratic members who don’t support impeachment in districts that Hillary Clinton won by more than her margin in the average pro-impeachment district*

Name District Clinton’s Margin Nancy Pelosi CA-12 +78 John Lewis GA-5 +73 Gregory W. Meeks NY-5 +73 Hakeem Jeffries NY-8 +71 Frederica Wilson FL-24 +68 Alcee L. Hastings FL-20 +62 Eddie Bernice Johnson TX-30 +61 Jerrold Nadler NY-10 +60 Anthony Brown MD-4 +58 Elijah Cummings MD-7 +56 Albio Sires NJ-8 +54 Anna G. Eshoo CA-18 +53 Ro Khanna CA-17 +53 Hank Johnson GA-4 +53 Eliot Engel NY-16 +53 Zoe Lofgren CA-19 +51 Adam Schiff CA-28 +50 Marc Veasey TX-33 +49 Jimmy Panetta CA-20 +47 Sylvia R. Garcia TX-29 +46 Mike Thompson CA-5 +45 David Scott GA-13 +44 Brad Sherman CA-30 +43 Terri A. Sewell AL-7 +41 David Price NC-4 +40 Linda Sánchez CA-38 +40 Gerald E. Connolly VA-11 +39 J. Luis Correa CA-46 +38 Judy Chu CA-27 +38

*Clinton won pro-impeachment districts with an average of 37.6 percentage points.

Sources: The New York Times, the Washington Post

Those 29 members, representing such liberal districts, are likely to face some pressure to get on board. Polling suggests that while a majority of Americans oppose impeachment, a clear majority of Democrats favor it. In a congressional district where Trump lost by 38 percentage points, the sentiment is likely to be heavily in favor of impeachment.

It’s not that these House members will necessarily face primary challenges if they don’t join the impeachment push. But with the House now on a six-week recess, it’s likely that many of these members will be asked about impeachment by their constituents in their home districts, and I suspect few of them want to defend Trump’s conduct on the merits. So they are likely to suggest that impeachment will be both divisive to the country and relatively useless, since the Senate almost certainly will not remove Trump from office.

Some of these members can probably sustain an anti-impeachment position along those lines. But others will likely buckle and join the pro-impeachment push.

For now, though, those 29 members in heavily-Democratic districts who have not yet supported impeachment comprise an interesting group. Nearly all have at least one of three characteristics: They are black; they are from California; they are in Democratic leadership.

That members in leadership are holding out makes sense. As long as House Speaker Nancy Pelosi maintains that impeachment isn’t the best course, her leadership team is likely to hold that position. (Incidentally, Pelosi is the Democratic holdout in the most anti-Trump district — Trump lost there by 78 points.)

The California and black blocs present a more nuanced case. I suspect the California members, in particular, both respect Pelosi’s judgment that impeachment is politically unwise and may be holding off support for impeachment in deference to her. Many of the black members are close to Pelosi, as well. But I wonder if we are also seeing the same practical streak (Trump is not actually going to be removed) among Congressional Black Caucus members that we are seeing among black voters, who are embracing Joe Biden in part because they perceive other Democratic presidential candidates as less safe bets against Trump in a general election. Maybe a CBC member can convince his or her constituents, who are likely extremely opposed to Trump, that a failed impeachment process could help the president win a second term.

Whatever their rationales, I don’t think nearly all of these people can hold off on embracing impeachment. And there is another bloc of more than two dozen Democrats who are not yet in support of impeachment and represent slightly less blue districts where Clinton still won by at least 20 percentage points in 2016. These members don’t face any real electoral danger and are also in strongly liberal districts, so their constituents may push them to embrace impeachment.

What about the rest of the Democrats — those who aren’t in very liberal districts? Their behavior gives ammunition to both the anti- and pro-impeachment forces in the party. Broadly, this bloc is wary of impeachment, reinforcing the stance of Pelosi and the anti-impeachment group. Of the 64 Democrats who represent districts where Clinton won by 10 points or less (including districts won by Trump) just 14 members support impeachment. Only one (New Hampshire’s Chris Pappas) of the 31 House Democrats in districts won by Trump in 2016 supports starting the impeachment process.

Where Democrats in purple and red districts stand

Democratic House members in districts that Hillary Clinton either won by 10 percentage points or less or lost

Name District Supports Impeachment Clinton’s Margin Kathleen Rice NY-4 ✓ +10 Jennifer Wexton VA-10 +10 Dean Phillips MN-3 +9 Raul Ruiz CA-36 +9 Gil Cisneros CA-39 +9 Jason Crow CO-6 +9 Chrissy Houlahan PA-6 +9 Mike Levin CA-49 ✓ +8 Andy Levin MI-9 ✓ +8 Sean Casten IL-6 ✓ +7 Tim Ryan OH-13 ✓ +7 Jim Langevin RI-2 +7 Stephanie Murphy FL-7 +7 Katie Hill CA-25 +7 Thomas Suozzi NY-3 +6 Ann Kirkpatrick AZ-2 ✓ +5 Katie Porter CA-45 ✓ +5 Steven A. Horsford NV-4 +5 Daniel Kildee MI-5 ✓ +4 Jahana Hayes CT-5 +4 Kurt Schrader OR-5 +4 Kim Schrier WA-8 ✓ +3 Joe Courtney CT-2 +3 Charlie Crist FL-13 +3 Josh Harder CA-10 +3 Ann Kuster NH-2 ✓ +2 Harley Rouda CA-48 ✓ +2 Colin Allred TX-32 +2 Tom Malinowski NJ-7 ✓ +1 Sharice Davids KS-3 +1 Lizzie Pannill Fletcher TX-7 +1 Susan Wild PA-7 +1 Peter DeFazio OR-4 ✓ 0 Angie Craig MN-2 -1 Josh Gottheimer NJ-5 -1 Susie Lee NV-3 -1 Mikie Sherrill NJ-11 -1 Cheri Bustos IL-17 -1 Tom O’Halleran AZ-1 -1 Chris Pappas NH-1 ✓ -2 Lucy McBath GA-6 -2 Sean Patrick Maloney NY-18 -2 Conor Lamb PA-17 -3 Elaine Luria VA-2 -3 Haley Stevens MI-11 -4 Cindy Axne IA-3 -4 Abby Finkenauer IA-1 -4 David Loebsack IA-2 -4 Lauren Underwood IL-14 -4 Jeff Van Drew NJ-2 -5 Ron Kind WI-3 -5 Andy Kim NJ-3 -6 Elissa Slotkin MI-8 -7 Abigail Spanberger VA-7 -7 Antonio Delgado NY-19 -7 Ben McAdams UT-4 -7 Matt Cartwright PA-8 -10 Jared Golden ME-2 -10 Max N. Rose NY-11 -10 Xochitl Torres Small NM-2 -10 Joe Cunningham SC-1 -13 Kendra Horn OK-5 -13 Anthony Brindisi NY-22 -16 Collin C. Peterson MN-7 -31

Sources: New York Times, Washington Post

Democrats, in theory, should be concerned about protecting the members who are most essential to the party having a majority in the House. Their opposition to impeachment sends a strong signal about how they’re reading the politics in their home districts. Also, an impeachment resolution would not get the necessary 218 votes to pass without most of the 31 Democrats in Trump districts voting “yes” on it, assuming all Republicans stand with the president. A failed impeachment vote in the House, never mind the Senate, would be quite embarrassing for Democrats.

On the other hand, pro-impeachment members like New Jersey’s Tom Malinowski and California’s Katie Porter, who both won GOP-held districts in November, give the pro-impeachment forces in the party a valuable talking point: If Malinowski (Clinton won his district by just 1 percentage point) supports impeachment, why is New York’s Gregory Meeks (Clinton won by 73 points in his district) not on board? The pro-impeachment stance of members like Porter is part of the reason why I think more members in “safe” districts will be effectively forced to join her.

But here’s the thing: A majority of House Democrats being for impeachment doesn’t inherently mean anything. Even after that majority is reached, maybe Pelosi still keeps impeachment proceedings on ice. Maybe some of the pro-impeachment members know that they are taking a stand with no consequences, because Pelosi has assured them privately that she will stop impeachment from going forward no matter what.

At the same time, pro-impeachment sentiment, at least among Democrats, seems to be building. It’s easy to imagine that the dam has broken and that House Democrats, particularly those representing very liberal areas, feel like they can simply no longer defend their opposition to impeachment. If, say, 150 Democrats are for impeachment a month from now, watch out. Pelosi may not be able to sideline that big a pro-impeachment bloc.

#IFTTT #Politics – FiveThirtyEight #politics #538 #Perry Bacon Jr.

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eddycurrents · 5 years

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For the week of 1 July 2019

Quick Bits:

Aero #1 is an impressive solo debut for the Chinese original heroine spinning out of War of the Realms: New Agents of Atlas in North America and her original stories published in China. The first story is an English adaptation of one originally published in Chinese from Zhou Liefen and Keng, with the adaptation by Greg Pak, letters by Joe Caramagna. The artwork from Keng is stunning. There’s also an original back-up from Pak, Pop Mhan, Federico Blee, and Caramagna that ties in more directly to New Agents of Atlas with Aero learning more about Wave’s origin.

| Published by Marvel

Age of X-Man: Prisoner X #5 concludes another of these minis setting up for the finale in Age of X-Man: Omega. Vita Ayala, Germán Peralta, Matt Horak, Mike Spicer, and Joe Sabino deliver an entertaining story here of Bishop and his crew fighting back against their captor and figuring out who put them in this mess. Gorgeous artwork from Peralta, Horak, and Spicer.

| Published by Marvel

Analog #6 returns from the break with this action-packed start to the new arc. Great art from David O’Sullivan and Mike Spicer. Also, an interesting reveal of what people still do post-Internet.

| Published by Image

Crowded #7 kicks off the second arc as Charlie and Vita try to make their way to Las Vegas. Tons of humour, Charlie continues to be someone that you want to strangle, and Dog may just be the best part of the entire series. I love the art from Ro Stein, Ted Brandt, Tríona Farrell, Katie O’Meara, and Holly McKend.

| Published by Image

Deathstroke #45 begins “Deathstroke RIP” from Priest, Fernando Pasarin, Jason Paz, Wade von Grawbadger, Jeromy Cox, and Willie Schubert. This one deals with the legacy of Slade Wilson in a fascinating manner as Rose tries to fulfill her father’s last contract. There’s also a tie-in to the “Year of the Villain” event with someone here listening to Luthor’s offer. Should be an interesting road ahead.

| Published by DC Comics

Doom Patrol: Weight of the Worlds #1 is very much a continuation of the previous volume of Doom Patrol (with this first issue even including a “Thirteen” chapter heading), but it’s both inclusive and weird enough that it doesn’t overly matter if you’ve read the previous stuff. It helps, but this isn’t a bad place to jump in at the deep end. Gerard Way, Jeremy Lambert, James Harvey, Sajan Rai, and a seemingly uncredited letterer deliver an excellent story here, featuring a weird story on a fitness planet and Cliff dealing poorly with being flesh and blood again.

| Published by DC Comics / Young Animal

Giant Days #52 seems to be setting up how the series may see its exit as Esther travels to London for a job interview. It’s going to be sad to see it end, but John Allison, Max Sarin, Whitney Cogar, and Jim Campbell are ensuring that these final stories contain all of the humour and rich character interaction that has been a hallmark for the book.

| Published by Boom Entertainment / BOOM! Box

The Green Lantern #9 is another excellent issue with stunning artwork from Liam Sharp and Steve Oliff. This one sets up a new multiversal threat while also giving us a fun adventure on an otherwise forgotten corner of the DC Universe in Athmoora.

| Published by DC Comics

Harley Quinn #63 is another “Year of the Villain” tie-in, with the offer being heard on the last two pages of the book. That pretty much seems to be the theme of these tie-ins, so if you’re not normally reading the books, you might otherwise want to skip them if you’re only interested in Year of the Villain. Apart from that, this is an entertaining story of Harley dealing with her mother’s cancer diagnosis from Sam Humphries, Otto Schmidt, and Dave Sharpe.

| Published by DC Comics

Immortal Hulk #20 continues to build on the confrontation between Hulk, Betty, and the new Abomination adding General Fortean’s forces to the mix directly. It’s fairly explosive, while more horrible and horrifying things seem to be happening on the other side of the Green Door and elsewhere. Al Ewing, Joe Bennett, Ruy José, Belardino Brabo, Marc Deering, Paul Mounts, and Cory Petit continue to deliver Marvel’s best title. Also, there’s an Absolute Carnage teaser from Ewing, Brian Level, Mounts, and Clayton Cowles that gives us a missing body of General Ross and hints at possibly a more nightmarish Red Hulk.

| Published by Marvel

Justice League #27 continues “Apex Predator” from James Tynion IV, Javier Fernandez, Bruno Redondo, Hi-Fi, and Tom Napolitano. It builds further on the new history of Luthor and Martian Manhunter, while the rest of the team continues to try to track down the Monitor and Anti-Monitor.

| Published by DC Comics

Lois Lane #1 is an excellent debut from Greg Rucka, Mike Perkins, Paul Mounts, and Simon Bowland. It focuses well on Lois’ day job, building up on what makes her a creditable threat to shady organizations and the US government alike as she pushes forward to find the truth. A very welcome reappearance of a Questionable character, some topical story threads of the camps at the southern US border, and gorgeous artwork from Perkins and Mounts.

| Published by DC Comics

Red Sonja #6 is the penultimate chapter of this arc with the finale spinning off in the Lord of Fools special. Some interesting developments here as the Zamoran Emperor tries to end the war by offering Sonja a marriage proposal.

| Published by Dynamite

Savage Avengers #3 fully unites the team as Electra and Punisher join the others, complete with an interesting merging for the Venom symbiote. Gerry Duggan tosses out some really great funny lines for this one amidst all of the bloody action.

| Published by Marvel

Sea of Stars #1 is a heartbreaking debut from Jason Aaron, Dennis Hallum, Stephen Green, Rico Renzi, and Jared K. Fletcher. Heartbreaking because it tells the story of a kid and his father, struggling to get by in cruel world through space shipping, and the attack of a weird space creature that tears them apart. Great set-up, beautiful art, and some bizarre events for what happens to the kid.

| Published by Image

Space Bandits #1 is worth it just for the incredible artwork from Matteo Scalera and Marcelo Maiolo. Like Scalera’s work on Black Science, the inventiveness of his art knows no limits and he explores some rich and detailed alien landscapes and characters, with a neat pastel colour palette from Maiolo. This first issue sets up two criminals screwed over by their respective crews.

| Published by Image

Star Wars: Target Vader #1 is a compelling debut that sets up a plot to kill Darth Vader from Robbie Thompson, Marc Laming, Chris Bolson, Neeraj Menon, Jordan Boyd, Andres Mossa, Federico Blee, Erick Arciniega, and Clayton Cowles. This one’s largely a gathering of the team set-up as we follow Valance from Han Solo: Imperial Cadet and learn of an organization running guns against the Empire.

| Published by Marvel

Superman: Up in the Sky #1 begins to collect the original Superman story that was published in those Walmart-exclusive 100-page anthologies from Tom King, Andy Kubert, Sandra Hope, Brad Anderson, and Clayton Cowles. It’s not a bad start, even if it seems a bit weird as to how obsessive Superman seems to be over a missing child stolen from the planet. Some of the best art from Andy Kubert I’ve seen in a while.

| Published by DC Comics

Test #1 is another highly unique and entertaining debut for Vault. Christopher Sebela, Jen Hickman, Harry Saxon, and Hassan Otsmane-Elhaou introduce us to Aleph, a test subject in some sort of corporate experiment that seems to have some sort of unique powers. Or maybe not. That’s the interesting thing, there are hints that it could all be in Aleph’s mind. Wonderful art from Hickman and Saxon.

| Published by Vault

Thumbs #2 continues this excellent series from Sean Lewis and Hayden Sherman. The world-building in this series is incredible, especially considering how immensely personal it happens to be in regards to being seen through Thumbs’ eyes. The colour scheme in this series of blue-grey washes and hot pink just makes this look and feel wonderfully unique. Also, how the back-up story is presented with spot illustrations and dialogue is a neat use of format.

| Published by Image

Other Highlights: Batgirl #36, Batman/TMNT III #3, Birthright #37, Black Hammer: Age of Doom #11, Captain America and the Invaders: Bahama’s Triangle #1, Charlie’s Angels vs. The Bionic Woman #1, Buffy the Vampire Slayer #6, DCeased #3, Dead Man Logan #9, Descendent #3, The Dreaming #11, Fantastic Four: Prodigal Sun #1, Female Furies #6, Hashtag: Danger #3, Heathen #7, Jim Henson’s Tale of Sand, KINO #17, The Long Con #10, Ms. Marvel Annual #1, No One Left to Fight #1, Old Man Quill #7, Postal: Deliverance #1, The Punisher #13, Secret Warps: Soldier Supreme Annual #1, Section Zero #4, She Said Destroy #2, Spider-Gwen: Ghost Spider #10, Star Trek: Year Five #3, Star Wars: Age of Resistance - Finn #1, Star Wars Adventures #23, TMNT #95, Transformers #8, The Unbeatable Squirrel Girl #46, Uncanny X-Men #21, The World of Black Hammer Encyclopedia

Recommended Collections: Conan the Barbarian - Volume 1: Life and Death of Conan Book One, Conan: The Jewels of Gwahlur & Other Stories, Crimson Lotus, Gasolina - Volume 3, Go Go Power Rangers - Volume 4, Hellboy: 25 Years of Covers, Monstress - Book One

d. emerson eddy thinks that it’s a crime against nature to not bake homemade mac and cheese.

#This Week in Comics

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cinemamovie2 · 3 years

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Titel: Cruella

Genre: Komödie, Krimi

Land: United States of America

Studio: Walt Disney Pictures

Besetzung: Emma Stone, Emma Thompson, Joel Fry, Paul Walter Hauser, Mark Strong, Tipper Seifert-Cleveland

Besatzung: Glenn Close (Executive Producer), Tatiana S. Riegel (Editor), Aline Brosh McKenna (Story), Jenny Beavan (Costume Design), Marc Platt (Producer), Steve Zissis (Story)

Stichwort: 1970s, anti hero, villain, punk rock, fashion designer, fashion, origin story

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biggoonie · 6 years

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X-MEN GOLD VOL. 6: ‘TIL DEATH DO US PART TPB

Written by MARC GUGGENHEIM, KELLY THOMPSON & CHRIS CLAREMONT Penciled by Michele BANDINI, GERALDO BORGES, DAVID MARQUEZ, GREG LAND, MARIKA CRESTA & Todd Nauck Cover by PHIL NOTO It’s the X-Men wedding of the century — and you’re invited! But after years of will-they-won’t-they, of triumph and tragedy, of romantic rivals and untimely demises, can Kitty Pryde and Piotr Rasputin finally make it down the aisle? Not if anti-mutant lobbyist Lydia Nance and 0101, the most advanced Sentinel on the planet, have their way. Their goal? Kill the X-Men — starting with Colossus! As the X-Men come under attack from all sides, Kitty and her team must race to safety — or die in the cold vacuum of space! Cross your fingers for the hopefully happy couple, dearly beloved, as guest stars galore gather for a history-making mutant union! Plus: Attend the unforgettable bachelor and bachelorette parties! And legendary X-Men scribe Chris Claremont returns for an all-new tale of Kitty and Colossus! Collecting X-MEN GOLD #26-30 and X-MEN WEDDING SPECIAL 160 PGS./Rated T+ …$17.99 ISBN: 978-1-302-90976-5

#XMen

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michaelpatrickhicks · 6 years

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Review: Star Wars: Last Shot by Daniel José Older [audiobook]

My rating: 4 of 5 stars Set in the month's following Chuck Wendig's Aftermath trilogy, Daniel José Older explores the rise of a singular threat in a post-Imperial galaxy. In the book's opening moments, Lando Calrissian is attacked in his home on Cloud City by a mysterious hooded figure demanding the Phylanx Redux Transmitter, a mouthful of a galaxy-changing MacGuffin if ever there was one. While Lando doesn't possess this transmitter, he learns that its last known whereabouts were aboard the Millennium Falcon, leading him straight to his ol' buddy Han. Soon enough, the two scoundrels have assembled a new team to help them as they rocket across the galaxy in search of this mysterious device and a rouge evil scientist, Fyzen Gor, who Han encountered ten years previously. The big draw behind Star Wars: Last Shot, of course, is Han and Lando themselves. Older does a remarkable job bringing Lando to life here, capturing the sleek, cool style of Billy Dee Williams, with a particular eye towards the character's penchant for fashion. Knowing that the clothes make the man, Lando's always been the best-dressed smuggler in the galaxy, and Older pays particular attention to that, as well, describing the man's careful deliberation when it comes to selecting his clothing for events and encounters, as well as a closet full of stylish and colorful capes. Lando, of course, is off-set by his partner in crime, and Han is as rumpled and grumpy as ever as he tries to cope with fatherhood. With the Imperial Empire run off to the Outer Rim, Han is struggling with his place in life and the oftentimes stationary requirements of being a husband and father. He wants to roam free among the stars, and instead finds himself dealing with a screaming two-year-old whose sleep has been interrupted by noisome droids and urgent late-night calls for Leia. Of course, once free of familial commitments, Han longs to return. As a father of a two-year-old myself, I could sympathize with Han and his emotional and psychological state pretty well here, particularly as he attempts to soothe his distraught son and steps on a bunch of Lucasfilm's Lego-equivalent blocks. While Older gives us plenty of insight into Han and Lando, and injects a handful of new diverse characters into the Star Wars universe (an Ewok hacker, an agender pilot [as with Wendig's Aftermath trilogy, you can expect lots and lots and lots of pearl-clutching from the anti-diversity, cultural homogeneity-only crowd for this book, too!], a Twi'lek love interest for Lando), he's also sure to pack in plenty of action that help wrinkle the plot and stymie the search for the transmitter. There's also some intriguing looks at the results of Gor's Frankensteinian experiments and the cult that has formed around them. The story itself is unraveled across three time-lines, with the events of the present-day story informed by Lando's and Han's individual, and unwitting, encounters with Fyzen Gor and Phylanx Redux Transmitter in the previous decades. For the audio edition, Random House has brought in three narrators to tackle the various story threads. Marc Thompson handles the bulk of the novel, with Older narrating Han's story from ten years ago, and January LaVoy reading Lando's segments set twenty years prior. While Last Story probably didn't need three narrators to get the job done, the various performances help shake things up a bit. Thompson, a Star Wars audiobook staple, does a fantastic job as expected. His performances are consistently excellent, and Last Shot is no exception. His performance of Lando is exceptional, and he does a solidly gruff Han Solo, too. If I have any quibble at all, it's in his performance as Taka Jamoreesa, a twenty-something hotshot pilot, who Thompson reads with an annoyingly Jack Black-esque inflection. LaVoy taps into Lando's vocal mannerisms with a cool, entertaining reading. Older does a solid job, although his presentation is not as professionally refined as his co-narrators. Rounding it all out is the usual high-level production quality of a Star Wars audiobook, with the narration enhanced with sound effects, music, and voice digitization for droid characters. All in all, Last Shot makes for an easy, captivating listen that's a heck of a lot of fun. Readers looking for a solid bit of entertainment fueled by two of the most popular characters in Star Wars should find a lot to enjoy in Last Shot. I'm always game for more Han and Lando adventures, though, so I'm hoping Older is able to return to this galaxy far, far away for at least one more outing. It'd be a shame if this were his last and only shot with these characters. View all my reviews

#Star Wars #Last Shot #Daniel José Older #Del Rey #Random House Audio #book reviews #audiobook reviews #science fiction #scifi

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commoningculture · 4 years

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The commons

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Benkler, Yochai. 2004. Intellectual property. Commons-based strategies and the problems of patents. Science, 305(5687), 1110–1111.

Benkler, Yochai. 2004. Sharing Nicely: On Shareable Goods and the Emergence of Sharing as a Modality of Economic Production. The Yale Law Journal, 114(2), 273–358.

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justthegoods · 4 years

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#blacklivesmatter #decolonize ✊🏽 . George Floyd Breonna Taylor Ahmaud Arbery Tony McDade Regis Korchinski Paquet Jason Collins Eishia Hudson D'Andre Campbell Randy Cochrane Sean Thompson Machaur Madut Greg Ritchie Chad Williams Jaskamal Singh Lail Nicolas Gibbs Orlando Brown Josephine Pelletier Brydon Whitstone Pierre Coriolan Abdirahman Abdi Bony Jean-Pierre Kwasi Skene-Peters Andrew Loku Abdirahman Ibrahim Hassan René Gallant Marc Ekamba-Boekwa Phuong Na (Tony) Du Jermaine Carby Nicholas Thorne-Belance (5 yrs old) Alain Magloire Ian Pryce Sammy Yatim . List of BIPOC victims of police violence in Canada complied by @pyriscencemagazine . Image by @maxine.sarah.art, which reads: “In a racist society it is not enough to be non-racist. We must be anti-racist.” - Angela Davis (at Turtle Island) https://www.instagram.com/p/CA0t7UOA2_o/?igshid=ku9eekhaptke

#blacklivesmatter #decolonize

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sportsv · 5 years

Text

從細節到細節，Lonzo Ball跟Draymond Green的籃球之道

文/ 耗BOX

Green就是籃球專家，他看待籃球像是在不同次元上，他能夠記得四年前比賽全部的狀況，並且詳細解析狀況裡的細節。他不僅記得隊上的戰術和跑位連對手的都能記得，也因此當對手想發動戰術時，他都能第一時間破解。

這是Iguodala在採訪時，對於Draymond Green的評價。

可以說從沒人關注的第2輪第35順位的球員，到現今勇士隊攻防核心，一切都奠基在他極高的籃球智商。不像Curry跟Thompson的籃球世家，Green從小到大一直作為underdog必須不斷地去證明自己。跳的既不是最高，跑的也不是最快，只能用腦袋和拚勁去彌補，造就他強硬又充滿智慧的球風。雖然硬派的打法在場上經常使人受傷的爭議不斷，撇除掉不管是有意還是無意，Green在場上展現的求勝努力態度是有目共睹的。

在勇士第一年奪冠後，聯盟各隊才開始意識到Green的價值，能夠拉開空間延伸4號的重要性。原本不3不4的球員在NBA中非常容易遭到淘汰，因為這樣的球員雖然甚麼都做得到，外線、籃板、助攻、阻攻都能來一手，但也容易變成全不能球員像2013狀元Anthony Bennett一樣很快就從NBA消失了(最近再度與火箭隊簽約)，因此這類的球員只有少數能留在NBA。自從Green的出現，各隊為了對抗勇士隊，對於什麼都能來一手的球員有更大的需求，可以說Green的出現間接給予這些球員生存的舞台。類似的情形像2000年各隊也為了對付O’neal所囤積肉柱為了對付這個靈活大胖子一樣(雖然還是各種花式被輾)。

為了能將Curry跟Thompson還有之後加入的KD的進攻破壞力盡其所能地發揮，勇士隊必須要有人去卡位、爭搶籃板之類的工作，這也就是Green的作用。但要像Green一樣做的出類拔萃的球員人數微乎其微，類似Green的球員像三連霸的公牛王朝的小蟲Rodman跟湖人王朝的大心臟Horry也都是屬於當中的佼佼者，但Green最特殊的地方在於他甚至是勇士戰術的發起點，基本上你很常看到勇士隊發球帶過半場後再交由Green去發動。勇士隊在KD加入後，KD單打太過可靠反而讓勇士越來越少用他們原本透過不斷跑位利用off ball screen製造一系列漂亮play的勝利方程式。

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Ball在被湖人選進前，在UCLA的第一年就完全顯現驚人的天賦，6呎6吋的身高包含quarter-back精準長傳視野，後衛中算上乘的體能，好的籃板能力跟組織能力，最重要的則是為了勝利可以付出一切的無私。Lonzo無與倫比的高球商跟很棒的體能，建立起全洛杉磯籃球迷對這麥克風頭小夥子的期待，全世界的湖人迷也期盼著這位救世主的到來。

他能夠提升場上隊友的表現。湖人擁有這種天分的人自從Magic Johnson之後就沒出現過了。

湖人名宿James Worthy給予Ball的極高肯定。

隨著Lebron的到來，湖人趁Lebron最後的幾年勢必得將追求奪冠為首要目標。隊上新秀眾多，大部分都還需要時間成長，然而湖人沒有時間繼續等待，當初作為救世主的Ball也被當作交易籌碼離開了湖人。其實綜觀Ball在湖人這兩年，就算加上Lebron到來後，Ball依然是湖人裡的影子核心，可以說如果Lebron是發動機，Ball則是轉動各個部件的大齒輪。雖說如此，但Ball在數據上生涯場均10分、6.2籃板、6.4助攻、1.6抄截、0.6火鍋，若作為核心看待其實並非出色，基於貧弱的進攻從數據上也難以看出影響比賽的能力，且有時候Ball過於無私的情況下，也常造成extra pass跟多餘的失誤。

去年賽季湖人在Ball受傷之前打出47戰25勝的戰績(這是加上Lebron受傷不在的狀況下)，然而Ball因左腳踝的傷勢休戰之後，之後的比賽湖人完全攻守失據，從競爭季後賽席次直接掉到坦克球隊區。撇除掉Walton看不懂的實驗性調度跟Magic神奇的交易外，在Lebron受傷後回歸的狀況下不應該崩潰的如此誇張(假設他的鼠蹊部傷勢沒問題)，要說Lebron年紀大無法撐起球隊，場均27.4分、8.5籃板、8.3助攻也依然維持他過去的水準，但很明顯能看出沒有了Ball在場上，進攻不但變得僵化流於單打，面對快攻跟機遇戰球的處理也變得沒有那麼順暢，就算靠已經有年紀的Lebron跟Ingram的蜘蛛切入去突破重圍也無法阻止戰績電梯一路向下，隊上除了Ingram的防守較為可靠外，其餘沒有人能像Ball一樣在優秀的第一線防守壓迫跟高水準的靈活補位去cover各種東漏西漏的空檔，更是重創湖人的最後一根稻草。

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糟糕的進攻

Green在15年首度奪冠時，無論是在防守上或是在進攻上都有很好的表現，但接下來幾年防守上雖然還是一樣穩定但三分把握度一年比一年差，從16年38.8%命中率掉到今年的28.5%，今年季後賽22.8%低到快兩成出頭而已。Green職責不在於得分，但當他在場上弱邊無法提供威脅性時，Curry和Thompsom還有KD所受到的防守壓力會增加，負擔變得更沉重，其中負擔最重的就屬於KD，勇士陷入焦土戰時通常都需要KD跳出來單打，尤其今年季後賽板凳戰力薄弱，系列戰都靠KD七進七出，這樣不斷來回之下最後KD不幸的傷了阿基里斯腱，可能明年需要休息一季來復原。

Ball原本進入NBA前被稱為有三分能力的Jason Kidd，果然進入NBA後，Ball的打法數據，在各方面都非常有名人堂前輩的影子，但在大學時出色的三分能力消失一大半，甚至目前生涯罰球命中率僅僅43.7%，完全可以跟各家罰球慘烈的中鋒競逐最差的罰球手，然而不只外線連上籃的穩定性也極其糟糕，至今為止也才50.4%的命中率，如果以未來明星球員角度來看是不及格的。

頂尖的比賽閱讀

比賽中我可以很輕易判斷哪個球員很會得分、哪個球員火鍋很多，我們在判斷球員是否擁有對於閱讀比賽的能力很大一個部份是從助攻來看，但說跟助攻有關卻並不是全然直接相關，當然像Rubio、Magic、Penny Hardway天生擁有對比賽良好的嗅覺及空間感當然不在話下，然而大部分球員都是透過龐大的歷練累積才能夠了解比賽的運作，這也是老將擁有的價值所在。

要說Ball的模板到底是誰，說像Kidd也不盡然，切入運球沒有Kidd那麼好，預期的外線現在看來也還沒轉換上NBA。但，Ball完全就是自成一格的門派，作為控球後衛他的特點不只是有球，連無球都能發揮地非常好，因為他永遠都從比賽的細節去著手，基本的幫隊友卡位掩護、弱邊視時機沉底或跟進，比賽中也常看到Ball總是神出鬼沒出現在籃底撿到二波籃板，再瞬間點給更有優勢的內線，這種很溜的操作。

很多被作為核心培養的球員大部分常會忽視掉或根本不會去意識到比賽最基本的東西，這些卻是Ball最擅長的，因此打無球時他能融入各種體系，打有球時也能讓隊友進入他的體系運作，這就是Ball最獨樹一幟的地方。

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同樣地Green所做的就是cover一切小細節，勇士的短板都要靠Green來彌補，很類似Ball在湖人的作用。現在很多內線的檔人都做得不太好，常常變相將防守者帶到持球者那邊讓持球者受到包夾，雖然Green掩護能夠做得很扎實，但他也是能把這種假擋玩的很高超的人。Two-man game中真的掩護中參雜假擋讓防守者很難去判斷該不該換防，這招可以說是勇士的萬靈丹。

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智商壓制的防守

Green的空間感非常好，對於球員相對位置非常清楚，因此判斷協防、補防的時機拿捏得相當準確，單防也是非常出色尤其他臂展有7呎1吋，讓他截斷很多傳球或運球，點球也非常出色。尤其只要被Green截斷後節奏被勇士搶走，勇士的快攻三分雨會越下越大。

Ball在後衛中的身材極為吃香，他防守的也大多都比他矮半顆頭。原本Ball的防守在進入NBA之前是不被看好的，但進入NBA後比起落漆的外線，防守反而才是亮點。大學比賽中Ball防守腳步踩得不夠好的關係蠻容易被過掉，且第一線被過了之後就也常放棄追防，防守速度快的後衛也拿不了辦法。但這種防守消極的狀況在進入NBA後就消失了，且這些缺點在經歷十幾場比賽後，大部分都被修正且做得更好，菜鳥年就在NBA後衛防守排名19，且還沒扣掉上場時間不足的球員。面對聯盟中明星後衛也能看出初生之犢不畏虎的氣勢，甚至還能有效壓制他們的進攻，John Wall就是苦主之一。

第二年的Ball在防守上又更進步，在身材變得更厚實之下防守對抗性變得更好，原本身高就不錯Ball在換防之下也不會吃虧，另外在擋拆的部分也懂得利用腳步去繞開掩護，球線的判斷也更出色，防守籃板可以說Ball的防守完成度已經非常高了但這才只是Ball的第二年而已，相信他之後將會最佳防守球員、最佳防守隊伍上榜的常客。

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後記

雖然身為anti-勇士的一員不想再看到勇士奪冠，但看到勇士的比賽總會讓人驚呼他們漂亮的配合，尤其做為樞紐Green的驚人視野和表現，進攻空間也拉的很舒服，擋拆、給小球、高低位配合都做的恰到好處，舊時代的強硬防守也讓人看得很血脈噴張，激動的求勝慾望也很能激起球迷的心情，身為球迷相信都會很愛隊上有這種球員。最近Green與勇士簽下4年100M的延長合約，以Green的身手跟年紀，未來勇士還是需要他的貢獻，再度登頂奪冠也是很有機會。跟Green在隊上的功用很像的Ball，個性看似低調，其實他求勝慾望也非常強，在菜鳥年面對金塊的Murray輸球後的嘲諷，第二年就用場上表現打回來。

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※影片1分20秒處

Ball進攻上還有很長一段路需要走，投籃姿勢、上籃穩定度都還需要鵜鶘隊好好幫他調整，原本就蠻老練的球風加上也越來越懂得Vocal與隊友交流，配合Ingram和Zion外線還有Reddick和Holiday，鵜鶘在第一年說不定就會有本錢能夠競爭季後賽，Zion跟Green的球風也很類似相信與Ball的搭配會讓球賽變得很有趣。Green跟Ball的求勝意志跟無私搭配他們的高球商讓他們能夠在完成多種工作，比起Green的上限Ball更是有光明的未來，期望他能夠再自私一點，能夠不只在擅長的防守組織上能夠有所貢獻，還能多負擔進攻責任，未來會是MVP等級的身手。

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#NBA #YAHOO #Lonzo Ball #Draymond Green #運動視界

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