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Anthony Reeves
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famous-male-feet · 11 months
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Anthony Reeves
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flightlessloxe · 2 years
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wellgoslowly · 5 months
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WAIT FOR ME REPRISE LOCKLYLE EDIT
tags: @letsgetilluminaughty @losticaruss @oblivious-idiot @neewtmas @ikeasupremacy @tangledinlove @uku-lelevillain @yveni
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gaypast · 1 year
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Christopher Makos photography 1970s–1990s [x]
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c-schroed · 5 months
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Bram Stoker's Dracula (1992) Or Why The Probably Most Accurate Movie Adaptation Of Dracula Still Is Not Accurate Enough
I mentioned some time ago - while salivating over the marvellous razor scene of Francis Ford Coppola's Dracula adaptation - that there is quite some stuff to unpack here. And now I found some time to unpack. So let's begin. I'll start with the good stuff, firstly the good stuff that's not in the book (i.e., the Flourishes), than the good stuff that's true to the book (the Well-Conserved). Thirdly, I'll make note of things that were, unnervingly, changed (by which I mean They Came Back Wrong), and then I'll deal with what is unfortunately left out from the book (the Missing). And finally, finally I'll rant over that one bad thing that never was in the book in the first place (a section I'll call JUST WHY?).
So. A tragedy in five acts. Here we go.
Act I - The Flourishes
The razor scene. I think I dealt with this enough by now. It's perfection and I'll die on that hill.
The music. Obviously, Bram Stoker's gothic lil masterpiece is lacking some gorgeous score. But mourn no longer, because Wojciech Kilar cooked up some dashing, pushing tune for us, fitting perfectly to this dark tale of spreading darkness and deepening madness.
Some basic knowledge about blood groups. Yeah, Stoker can't be blamed for this, but still. It's a nice addition to remind us that we do indeed live in a world where blood groups exist.
The Westenra Estate. As much as I pity that the lovely town of Whitby did not make it into the movie, I do love Lucy Westenra's house. Because I'm a sucker for hedge mazes. Simple as that.
Those glasses. Those. Fucking. Nice. Glasses.
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Act II - The Well-Conserved
The plot in general. Yes, there are a lot of maddening differences, as we will see soon. But still, this movie at least makes the impression that most of the people working on it had indeed read the darn novel. Which is something that I can't say about many other Dracula adaptations I have seen.
The costumes, the sets, the atmosphere. Well done, everyone!
The Actors. The good thing about being not native in a language is that one is not very prone to dialects that seem off. And as I happen to not be a native speaker of English, I have little problems with Keanu Reeves and Winona Ryder adding some US touch to what should be very, very, v e r y British characters. I even find Reeves perfectly fitting for the oh so darn young Jonathan Harker. And the rest of the cast is marvellous, too (with the exception of Winona Ryder, see below for details). Especially Tom Waits, who is hard-wired to the name of Renfield in my brain ever since I first saw this movie. And Gary Oldman as Dracula… Well. I think I already made clear what opinion I have about that sexy bastard.
Some lucky few of lovely quotes made it over to the film. Dracula's welcome. The Fowl Bauble of Human Vanity, of course. And Qunincey almost making me faint when saying "Little girl" when I least expected it.
Act III - They Came Back Wrong
The dates. Goshdarnit, the dates! It's an epistolary novel, so why make the effort of making up completely new dates for events that already had a precise date in the novel? I just don't get it. And it unnerves me. Every. Fucking. Time.
Time in general. Watching the movie after Dracula Daily makes it feel so very, very hasty. Jonathan travels to Castle Dracula like it's no thing at all. And the first few days in Castle Dracula are condensed into one weird evening.
Dracula meeting Mina before Jonathan is back. I really, really loved the book for avoiding the most terrible tropes. And then comes this movie, and struts right into this terrible pitfall.
Mina. I'm sorry, usually I love the work of Winona Ryder, but here she was way too bland. Maybe it was because her character had quite a revamp (ha. ha.) and no one cared to tell her what new approach she should take. But whatever reason, the clever, adorable train fiend of the original did not deserve this!
Act IV - The Missing
The Voyage of the Demeter is way too short. Where is "But I am captain, and I must not leave my ship"? Where is the poor sea captain tying himself to the wheel? And where is his funeral? Oh, I really missed all that. And, I mean, I don't mind hearing Anthony Hopkins read the lines, but would it have been such an expense to at least hire an additional actor to voice the correspondent or the sea captain?
Jonathan Holding Mina By the Arm. That's really not an objectively big issue. That's just me who fell in love with JonMina after reading this chapter. And almost no one does it properly. They deserve justice!
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(Thanks a ton to @smieska for capturing my mood just perfectly!)
Act V - JUST WHY?
Elisabeta. Don't get me wrong here: All of the oh so tragic Drac backstory they invented for this movie is terribly unnecessary. But in this sea of uselessness, the tragically deceased wife of Vlad Țepeș that just so happens to perfectly resemble Mina Murray is an audience-insulting island of unoriginality. I mean, yeah, I guess someone wanted to add some romance to the story of Vlad the Fucking Impaler. Because, well, nineties or so. But Mina, of all women? Why not invent some new character that can be bothered with such stuff? Why ruin an all-nice JonMina ship? I don't get the whole new backstory, and I especially don't get this aspect.
Dracula raping Lucy in his shitty werewolf form. Everything about this is wrong. And it has no relevance for the plot. Just. Blergh.
Epilogue
It's cruel to watch Francis Ford Coppola's take on Dracula right after finishing @re-dracula. I know that now. Everything is still too fresh. It's a good movie, after all, but especially because it's quite good it is frustrating to be so terribly aware of all its shortcomings. In a few weeks or so, I would recommend it, again, I guess. As long as it's still Dracula Off-Season. 7 out of 10 points.
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tygerland · 7 months
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Bram Stoker's Dracula (1992)
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cinematicjourney · 1 year
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Bram Stoker's Dracula (1992) | dir. Francis Ford Coppola
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filmreveries · 1 year
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“There, in the presence of God, I understood at last how love could release us all from the power of darkness. Our love is stronger than death.”
Bram Stoker's Dracula (1992) dir. Francis Ford Coppola
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zachfett · 6 months
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Bram Stoker's Dracula (1992) Directed by Francis Ford Coppola Cinematography by Michael Ballhaus
Gorgeous film with tons of great shots, choosing only 5 screenshots to use here was very difficult.
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Anthony Reeves
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famous-male-feet · 2 years
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Anthony Reeves (luvanthony)
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flightlessloxe · 2 years
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wellgoslowly · 5 months
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the amount of locklyle edits i could’ve made to wait for me from hadestown
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thefilmvault · 6 months
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Bram Stoker's Dracula (1992) dir. Francis Ford Coppola
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