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#another one I quote a lot
ruporas · 1 year
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studies from the finale
#nicholas d wolfwood#meryl stryfe#trigun#trigun stampede#honestly the grand highlight.#anyway i think i ... drained all my thoughts of ep12 on saturday. i was like... all day drawing stuff for that episode and then circling#those thoughts but mainly#im just excited for season 2. im so so excited for s2. AND IM EXCITED FOR.. all of the steady appearance of trimax stuff again#like when they recited quote to quote of vash and knives conversation when they were on their way up to space#the i'll keep running and after 150 years this is what you have to say godddddd#GODDDDDD i felt so much in that moment. GODDDDDDD#IM REALLY EXCITED... because i dont know what to necessarily expect from s2 too. there is a LOT of setup that happened in s1 and it#will fundamentally change how we view the characters and their relationships to one another i think? especially the main trio and#and and and and MILLLLYYYYYYYY GAHHHHHHHH IM SO EXCITED FOR HER!!! MILLY!!!!!! we all knew she was coming back. it was only natural.#i really hope they keep as Much as they can from the original design. ESPECIALLY HER PERSONALITY. god. do not take away her personality. and#do not take away her bigness i will CRY. but overall im happy the og 4 are going to be back and theyll be closer than before bc of all they#experienced together.... and ahhhh everything with knives... vash and his eriks arc....#im rambling again but there's obviously a lot of hype there...eughh eughehu i love trigun so much i love love love love trigun#ruporas art
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marvel-lous-guy · 1 year
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Tony: Wait, I'm confused. Why does baby Yoda have completely different eyes to adult Yoda...?
Harley: Puberty
Peter: you know how baby's teeth fall out?
Tony: ...thank you, both of you, for those equally terrifying answers.
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Lea… do you remember what a clear sky looks like at night?
Out in the countryside, no town or city nearby?
I hope one day you will…
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ryanthel0ser · 10 months
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Hey *puts hand on shoulder*
There is no "most faithful" version of TMNT, and that's okay
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uncanny-tranny · 6 months
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I'm so not normal about nursery songs like You Are My Sunshine... we are singing our loved ones (babies and young especially) that they are the sun in our hearts, that they warm us with their very presence and that they are so, so dear and loved. How could you hate humanity when we have this unadulterated love for each other?
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thepetesimp · 5 months
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Baptize me with new names so I can exist
Myrsini Gkana - I have other things I love too
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skitskatdacat63 · 7 months
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I also think about the Roman Empire every day 🤭
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potential future tattoo??? (but without words just bc a lot of my planned future tattoos have words and apparently it’s Not Cool to have a bunch of words on your body instead of images)
House MD enjoyers, what are ur thoughts?
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boygirltreehouse · 18 days
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I'll never be over the fact that being batman it GYAHHHH! so when bruce becomes batman and makes his vow to get justice for gotham, to make it so that no one else has to experience the devastation and loss he did the night he lost his parents- being batman means well his job, his mission requires overexposure to death crime and tragedy in order for him to prevent it, and like yeah he never truly ever left crime alley, but that wound is constantly being ripped open. Every person, every ally, every one of HIS KIDS especially that he loses in pursuit of this mission makes the injury new and fresh and red.
this isn't news of course but everytime it hits me that because batman is built on grief he's destined to do it forever I just ☹️☹️
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queenlucythevaliant · 1 month
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Northern Lights
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I heard a voice that cried, “Balder the Beautiful is dead, is dead!” 
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Who knows what to call the lonely exhilaration of gazing out into a bright Northern sky? Who can name it? 
Jill could.
It was the same feeling that came to her at the teetering edge of a cliff at the end of the world. The same feeling as when she said her goodbyes to Puddleglum and Scrubb before they freed the prince. It was the same feeling that engulfed her now, sitting in the professor’s library with a volume of poetry before her. 
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The wild northern wastes were well named: utterly wild, perfectly desolate, and terribly Northern. 
It was lonely there and often cold, but the sky was an endless whorl of gales and gray clouds. The stones were indigo under the pale winter sunlight, and at sunset they glowed a soft gold, as though lit from within. The gorges and moors lay before her, and Jill loved them for their vastness and their distance. Little grew in that country, but that which did was full of vigor. The grass was short and coarse. Every tree was victorious. 
On a still, deep breathing winter night, Jill lay on her back beneath a covering sky. It seemed beautiful to her, rich and strong and glorious. Her eyes drank in the breadth of it until her tears began to blind her. Yet even then, she still couldn’t look away.
She felt bigger here in the wastes, like the landscape. Stronger, wider. The further she walked, the more she felt herself stretch out. One of these days, maybe, she would catch hold of herself at the edge and tug, and Jill Pole would open up clear as the Northern sky. 
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And through the misty air passed the mournful cry of sunward sailing cranes.
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The thing that surprised Jill most about the battle with the serpent was this: there wasn’t any yelling. Always, it seemed, whenever she read stories about people fighting with swords, the combatants would let loose some guttural yell before their blows fell. They would scream and writhe in pain as they died. They would shout instructions to their fellows, “Look out!” or “Hit him there!” But the whole affair with the serpent passed with very little noise. 
The poison-green coil constricted around the prince; he raised his arms and got clear, struck the serpent hard, and then Scrubb and Puddleglum dispatched the creature with heavy, hacking blows. The monster died writhing, but not screaming. And then it was over. 
The thing that surprised Jill most about the moments before battle was, of course, the noise. She could hear her own heartbeat in her ears. She couldn’t stop listening to her own breathing. Every footstep rang out like a gong, and any words exchanged rang with a kind of finality that made them sound louder than anything. 
“You are of high courage,” Rilian told her when it was over. 
Yet the thing in Jill’s chest just then didn’t feel like courage. It was a deep breath, a plunge, and a release. It was loud and quiet all at once, till she was standing, blinking in the night air as snowballs whizzed round her, and maybe that was something like courage after all. 
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And now, there was a stirring in her chest as she reread the words on the page. Sing no more / O ye bards of the North / Of Vikings and of Jarls! / Of the days of the Eld / preserve the freedom only / nor the deeds of blood! 
She thought of grief. Of freedom. 
The lonely ache in her belly grew stronger. She felt herself uplifted into the huge regions of sky that were just beyond those cliffs, weightless as the breath beneath her buoyed her up, further, further…
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When she saw Caspian up close, Jill thought that he looked like the sort of person who was meant to live in a castle. A silly thought, perhaps, since she knew he was a king– only she wasn’t thinking of Cair Paravel. No, Jill was picturing the ruins of an old British castle she’d visited once on holiday. She still remembered how the stonework had loomed over her, all towering arches and crumbling walls. That was where Caspian seemed to belong. He had an air of ancient tragedy about him. 
When Rilian disappeared, all things had wept but one. The serpent coiled beneath the earth and flicked its forked tongue, spewing poison. 
Now, the king half rose to bless his son. He whispered a few words as he caressed Rilian’s cheek, words meant only for those beloved ears. Jill saw Caspian’s lips move and wondered what a man like that could possibly say, when time ran so short. 
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They laid him in his ship, with horse and harness, as on a funeral pyre. Odin placed a ring upon his finger, and whispered in his ear.
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Jill furtively took Myths of the Northmen and held it up to the professor with a question in her eyes. She was still shy around him and Miss Plummer, though she wished she wasn’t. 
“Would you like to take that with you?”
“...Please.”
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It takes a certain kind of person to be exhilarated by the heights. You’ve got to love vastness more than you fear falling. 
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They walked to the train station with an autumn wind blowing hard, and though Jill couldn’t fathom why, she turned and saw Lucy grinning, fierce and joyful– grinning and reaching a hand out towards her friend.
Jill reached back and grabbed it. “What will you do, once we’re back in Narnia?” she asked. 
The wind blew harder. The feeling of anticipation grew and grew, until it felt so big that she couldn’t dream of containing it. And there was Lucy, holding Jill’s hand and laughing like it was easy.
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Preserve the freedom only, not the deeds of blood!
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The second time Jill went to Narnia, she found herself not at its edge, but at its end. 
The thing about the Norse apocalypse is: it feels believable. It doesn’t reach beyond earth’s horizon to pull down hope beyond hope. It’s only the kind of courage that hopeless humans have: you are going to die, so you might as well die bravely. 
They found the last king of Narnia bound to a tree. His eyes were faintly red from crying, and his wrists and ankles red from the coarseness of his fetters. 
In the Norse myths, Loki broke free of his fetters at the end of the world. He escaped to the helm of a ship made from the fingernails of the dead.
The last king of Narnia fell forward onto the ground when Eustace cut his bonds. Jill crouched down beside him and watched as he rubbed feeling back into his legs. He wasn’t so much older than her, she thought. Jill was sixteen years old; the last king of Narnia could not be older than twenty-two. 
In the myths, the gods were ancient, hewn from the bodies of giants old as the earth. 
Jill put out a hand and helped the last king of Narnia to his feet. Not for the last time, she shivered. Something deep inside her (deeper than her chest, than her heart, than the marrow of her bones, deep as her soul, deeper) was singing an elegy and she didn’t know why, or how, or where it had come from. The king clutching her hand, who could have been her older brother, would have no heir.
Yet when he asked, “Will you come with me?” Jill could only smile. 
“Of course,” she said. “It’s you we’ve come to help.”
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And the voice forever cried, "Balder the Beautiful is dead, is dead!"
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“This really is Narnia at last,” murmured Jill. The springtime wood had little in common with the wintry lands she had traveled the last time she was here– but it awakened the same feelings of Northernness in her chest. 
Their party may as well have been the only people in the world, for how isolated their little wooden path seemed. Yet it wasn’t lonely, really, cocooned in all that green with the wind in the leaves and the primroses nodding and blue of the sky peeking through above. 
Jewel told stories about what ordinary life was like when there was peace here. As he spoke, Jill could almost hear the trees' voices speaking out of the living past, whispering, stay, stay. She was caught up to a great height, looking down across a rich, lovely plain full of woods and waters and cornfields, which spread away and away till it got thin and misty from distance. 
“Oh Jewel–” Jill said with a dreamy sigh, “wouldn’t it be lovely if Narnia just went on and on– like what you say it has been?”
She needn’t be a queen, as Susan and Lucy had been, but Jill would’ve liked to stay. She would've liked it all to stay, if it could. She might have been a woodmaid in a place like this: with the turn of the seasons, the swaying trees, swords into plowshares. Oh, if only she could stay!
Ahead, the last king of Narnia was softly singing a marching song. Jill tilted her head back and let warm shafts of sun caress her face. 
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I saw the pallid corpse of the dead sun borne through the Northern sky.
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“So,” said the last king of Narnia, “Narnia is no more.”
He tried to send them back. Jill shook her head. It was very loud and very quiet. “No, no, no, we won’t. I don’t care what you say. We’re going to stick by you whatever happens, aren’t we Eustace?”
They couldn’t go back anyway. Neither would they flee, not south across the mountains nor North into the great wide wastes. No, they would stay. They slept in a holly grove on the edge of ruin, waiting for the bonfires to light.
Jill slept fitfully, but in between she dreamed. She was high up in the air, buffeted by clouds and pierced by shafts of silver sunlight. 
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They all died, in the myths. Jill knew that. It seemed beautiful and brave when she read it in her book, tucked away safe in the Professor’s library. It was terrifying now– and yet it was beautiful and brave still.
The dogs came bounding up, every one of them, running up to the king and his men with their tails wagging. One of them leapt at Jill and licked her face, tongue roughly lapping up the sweat and tears that had dried on her cheeks. 
“Show us how to help, show us how, how, how!” the dogs were barking, almost ebullient in their enthusiasm. Jill bit back a sob. How lovely, she thought. How terribly beautiful. How dreadfully brave. 
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So perish the old Gods!
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The white rock gleamed like a moon in the darkness when Jill finally reached it. She ran back to it alone, her hands shaking, while her friends stayed forward with their gleaming swords and Jewel’s indigo horn.
The while rock gleamed like the moon. Jill’s first shot flew wide and landed in the soft grass. But she had another arrow on her string the next instant. It was speed that mattered, not aim. Speed, and turning aside when she cried, so as not to drip tears on her bowstring.
The white rock gleamed. In the myths, a wolf devoured the moon. Peter’s wolf, slain many thousand years ago in this world, opened his jaw wide and darkness fell over everything.
Her next arrow found its mark. After that, she lost track. She pulled, and she prayed that her hands kept still another minute. 
The unique thing–maybe the appealing thing–about the Norse myths, was that they told men to serve gods who were admittedly fighting with their backs to the wall and would certainly be defeated in the end. Jill let loose another arrow, felt the white rock at her back, and she knew that the clawing fear–beauty–bravery deep in her gut was the same feeling that she felt on the heights. The same feeling, but a different face. You’ve got to love vastness more than you fear falling. 
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“I feel in my bones,” said Poggin, “that we shall all, one by one, pass through that dark door before morning. I can think of a hundred deaths that I would rather have died.”
“It is indeed a grim door,” said Tirian. “It is more like a mouth.” 
“Oh, can’t we do anything to stop it,” said Jill. Better to be dashed to the ground than it was to be devoured. 
“Nay, fair friend,” said Jewel. “It may be for us the door to Aslan’s country and we sup at his table tonight.”
A hand tangled itself in her hair and started to pull. Jill braced herself hard, for a moment, until her strength gave out. She was standing on the edge of a high, Northern cliff. She took another step, and fell.
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Perhaps when the moment comes, our bite will prove better than our howls. If not, we shall have to confess that two millennia of Christianity have not yet brought us to the level of the Stoics and Vikings. For the worst (according to the flesh) that a Christian need face is to die in Christ and rise in Christ; some were content to die, and not to rise, with Father Odin.
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The world inside the stable was beautiful. It made Jill’s chest ache in all the loveliest ways. 
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Build it again, O ye bards, fairer than before!
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homo-house · 4 months
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re:hbomberguy, on the topic of citing sources, i want to say:
it is insane how many people on here don't even click the sources op links on their own post to learn more and just hit reblog saying "oh my i didn't know about this thank you for teaching me!". like guys CLICK THE LINK!! CHECK THE NOTES!!! CHECK THE SOURCE!.... i swear half the time the link is dead or takes you to a nonsense page (i see this a lot with art specifically???? and excerpts from magazines??) and some times the linked source disproves a claim the very post that linked it made and people just. don't bother to check, no one bothers to even reblog saying "hey that link is dead! here's a new, working link!" or "hey that link doesn't work, can you link the source again?" and when it comes to misinformation people just share without checking or looking at the notes where numerous people will (in the best case scenario) already be pointing out the misinformation
"OH BUT I CAN'T CHECK EVERYTHING I SEE ON THE INTERNET" there is a surefire way to prevent spreading this kind of stuff even if you don't have the time to fact check immediately. just accept it's fine to save a post for later if you can't look deeper into it right now!!!!! literally just reblog it in private or save the post as a draft so you can come back to it later and check. it won't kill you and in fact it will actually make your life a lot better lol
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birdricks · 3 months
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just remembered the pheonixperson fight [walking into the ocean]
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tenshi-agerasia · 2 months
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ensemble stars characters as things i experienced on a cruise to mexico
i'm waiting for a flight that i'm ten hours early for so here's some rare 鬼畜 text content . incorrect quotes and imagined scenarios, long post under the cut
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starting off with some incorrect quotes
rei: can you walk?
eichi: i think so, i'm much more energetic nowadays-
rei: no you're not. shiratori-kun, get him a wheelchair, we're skipping all the lines at the airport‎‎
‎-
eichi, getting physically patted down by tsa in a small dark room because his wheelchair couldn't go through the full-body scanner and it was too much physical effort to stand up: this is all sakuma-kun's fault
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aira: tenshouin-senpai! you almost left your louis vuitton designer scarf at the security checkpoint! what if someone had stolen it?!
eichi: thank you, shiratori-kun! but it's fake
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akatsuki in the elevator with a group of strangers
stranger, in a thick southern accent: so what're y'all up to t'night?
silence
souma stares straight ahead. he thinks the stranger isn't talking to them.
stranger, feeling slightly awkward: so, y'all stayin' in your room?
kuro: um... yeah
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afterwards
keito: how did he know that our room doesn't have a window
kuro: ???
keito: ??? he said something about our stateroom not having a window like his
kuro: you mean when he asked if we were staying in our room?
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hokuto: how much money have you spent at the arcade
makoto: uhhhh... i don't know, i'm not good at math
mao: how much did each of the figurine blind bags cost you
makoto: four plays is $4.50 and i get an average of 87 tickets at the piano game. the gachapon is 750 tickets each, and 750 / 87 = around 8.62 plays, and 8.62 x 4.50 / 4 = $9.6975
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wataru: iiiiiit's..... showtiiiiiime....
yuta: can we leave
hinata: the waiters are dancing now, we can't just leave
one minute later
yuta: can we leave
hinata: i'd love to see you try to leave in this situation
three minutes later
yuta: can we leave
hinata: QUICK THEY STOPPED MAKE A RUN FOR IT
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jun: i don't like my new haircut
jin, shaking his head knowingly: yeah you shouldn't have cut it on a cruise
jun: i lied. i love my new haircut it means the world to me
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jun, still struggling to come to terms with his new haircut: now i kind of look like the scaramouche guy from genshin
hiyori: i was thinking more like edna from the incredibles
some people that i encountered!
kaoru as the guy that (successfully) invited one of the waitresses to dance
yuzuru as the sweet lady who asked me how to swipe her room card for the arcade because her son (tori) wanted to play a game
ritsu as my mom who spent most of the time sleeping
rinne as the tour guide that would add "rawr" to the end of his jokes
tsumugi as the poor woman who got stuck in a hammock and had to ask me for help
yuta as my brother who i forced to go on a rusty cable sliding thing you could only hold on to by hand, only for it to get stuck before it reached the middle
hinata as me who dragged the rope attached to the handle and tried to run (on sand) to pull yuta/my brother on the cable slide, only for him to fall (on sand)
rei as the people who watched and laughed
yuzuru as me playing the discord golf game with my friends on vc, only to get screwed over by the lag from cruise wifi
anzu as my friends who were still at home and took this chance to win by miles
makoto as my brother and i when we made one of the arcade machines run out of tickets to dispense three times
makoto as my brother who dominated the entire leaderboard of a piano game with his high scores
tomoya as my mom who was upset that she didn't get to see any flamingos up close
mao as the guest services guy who kept getting interrupted by phone calls that lasted less than 50 seconds
tsumugi as the worker who asked me "do you speak mandarin or chinese?"
adonis as my dad who would only eat meat because "it's more worth it that way"
hiyori as the hair stylist that gave me the scaramouche/edna haircut and kept calling me "madame" and insisted that i trust his vision (he was a lovely guy, i just wanted it more short :()
anzu as my aunts that were constantly trying to video call my mom on wechat, only for the call to disconnect because cruise wifi sucks
mayoi as the dinner waiter that jumpscared my mom on the lunch buffet line
midori as the buffet worker who kept sorting the lettuce leaves by size and color
rinne as the guy at the casino who told a worker he wanted to "have a gambling addiction responsibly"
tori and tsukasa as the little girls who tried to convince their mom to let them eat only cake for lunch
kaoru as the white guy who tried to engage in a conversation with me in the elevator but only made the situation more awkward
souma as the guy who got into an argument with someone (kaoru) over whether the fish he ate was bass or salmon (it was salmon with some bass)
shinobu as the boy who ran up and down the stairs yelling that he was looking for ducks (?)
wataru as the russian lady in charge of the dining room who would loudly whisper "iiiiiit's...... showtiiiiiiime" into a microphone every evening
tomoya as the waiter with a tired, dead inside expression who still had to dance for the russian lady's "showtime"
adonis as the guy that woke up at six in the morning to run laps around the deck for some unknown reason
wataru as the guy who posed for a picture like he was pinching the setting sun
hokuto as the guy taking the picture, but from an angle that made wataru look like he was pinching nothing and standing there stupidly
promo time ~ preorders for the niki's cookbook fanzine are open until march 12! i made some recipes for it, go check it out :)
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wikipedie · 1 year
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grief is like a really ugly couch
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I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it. ― Jodi Picoult, Leaving Time
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#the mentalist#quotes#patrick jane#i would say web weaving but there's not a lot of web weaving happening#initially I also had a bit of an essay accompanying this but it disappeared because of a tumblr glitch + my own stupidity#and i'm too tired to write it prettily but i still wanna write it so it'll be in the tags#a cute little fun surprise for whoever cares about and reads tags#so i made a different post talking about jane's grief but i was upset i didn't have enough space for the couch (pun unintended)#and i was thinking this morning about this quote and jane's couch and how it could be interpreted as a physical manifestation of his grief#as well as his willingness to open up to people#1. i love grief; grief is important to me. grief is permanent and i have been aware of grief in a form of another (in my own personal life)#for a very very very long time. so to see it in this show is...significant to me. i cherish this#now onto the actual analyzing. of course they never intended the couch to be a symbol for grief; but it becomes so.#he leans on the couch when he opens the Red John files; for support most likely - and it's a beginning of the process of dealing with grief#he is the only one who uses the couch. everyone knows it as jane's couch#in S4E23 Cho uses it briefly to rest and Rigsby asks him if Jane knows he's using his couch#Erica tries briefly (also in S4) to sit on the couch but he doesn't allow her the space#in fact the only two people we see that use the couch are Teresa Lisbon and Dennis Abbott#and this is the part about emotional availability. he only shares the couch with people whom he trusts#With Lisbon twice even#the couch is grief and the couch is love; the couch is support#there's nostalgia for the CBI times but there's also more to it#and that quote makes me go absolutely feral because#'eventually you learn to live with it' 😭 eventually you learn to live with grief and eventually you learn to accept it as part from yself#andand he is happy to see the couch; he missed the couch#-> you are not free from your grief but in healing you learn that it's okay; you cherish your grief; it was there with you and for you#yea anyways i will never not go mad about grief and trauma and how it's portrayed and handled.#and i already have 2 more sorta-proper essays that i want to write on the topic asdgfhdhjk. yea i'm literally not gonna stop
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markedbyindecision · 1 year
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@otpsource’s Valentine’s Day Event
↳ Day 4: Shules + quotes
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wonder-worker · 5 days
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I've been thinking about the tragedy of Elizabeth Woodville living to see the death of her family name.
I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.
Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.
All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:
“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”
Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.
#(the quote is by Richard Woodville in his deathbed will; he was the last of the Woodville brothers to die)#elizabeth woodville#woodvilles#my post#to be clear I am not arguing that the death of an English gentry family name is some kind of giant tragedy (it absolutely the fuck is not)#I'm trying to put it into perspective with regards to what Elizabeth may have felt because we know her family DID feel this way#writing this kinda reminded me of how I am just not fond at all about the way Elizabeth's experiences in 1483-85 are written about#and the way lots so many of the unprecedentedly horrifying aspects are overlooked or treated so casually:#the seizure and murder of two MINOR sons and the illegal execution of another;#her sheer vulnerability in every way compared to all her queenly predecessors; how she was harassed by 'dire threats' for months;#how she had 5 very young daughters with her to look after at the time (Bridget and Katherine were literally 3 and 4 years old);#how unprecedented Richard's treatment of her was: EW was the first queen of england to be officially declared an adulteress;#and the first and ONLY queen to be officially accused of witchcraft#(Joan of Navarre was accused of her treason; she was never explicitly accused of witchcraft on an official level like EW was)#the first crowned queen of england to have her marriage annulled; and the first queen to have her children officially bastardized#what former queens endured through rumors* were turned into horrifying realities for her.#(I'm not trying to downplay the nightmare of that but this was fundamentally on a different level altogether)#nor did Elizabeth get a trial or appeal to the church. like I cannot emphasize this enough: this was not normal for queens#and not normal for depositions. ultimately what Richard did *was* unprecedented#and of course let's not forget that Elizabeth had literally just been unexpectedly widowed like 20 days before everything happened#I really don't feel like any of this is emphasized as much as it should be?#apart from the horrifying death of her sons - but most modern books never call it murder they just write that they 'disappeared'#and emphasize that ACTUALLY we don't know what happened to them (this includes Arlene Okerlund)#rather than allowing her to have that grief (at the very least)#more time is spent dealing with accusations that she was a heartless bitch or inconsistent intriguer for making a deal with Richard instead#it also feels like a waste because there's a lot that can be analyzed about queenship and R3's usurpation if this is ever explored properly#anyway - it's kinda sad that even after Henry won and her daughter became queen EW didn't really get a break#her family kept dying one by one and the Woodville name was extinguished. and she lived to see it#it's kinda heartbreaking - it was such a dramatic rise and such a slow haunting fall#makes for a great story tho
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