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#another angsty trans poem sorry all
davyjoneslockr · 12 days
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Yes yes I'm sending more playlist related questions because these are fun. So The Rain The Park And The Other Things on the Fugio playlist caught my eye..ear? And it reminded me of the song Send me no flowers by Doris Day and I like that a lot.
Everybody says that Strawberry Blonde is very them coded but nobody explains why. I'm curious about your interpretation :D
Also does the Naramis playlist tackle the sad side of their relationship? How, you know, Narancia isn't there anymore. I appreciate that a lot about this ship- losing someone you love but still needing to move on. I think that's very realistic and I hope Mista finds peace again.
HI I'M SO SORRY I MISSED THIS sorry for the wait!!
Just listened to Send Me No Flowers and it's really lovely, I think I could also see it being Fugio-y in a way? Specifically postcanon pre-PHF from Giorno's POV. Something something he has all the tangible things he wants but not Fugo. But maybe that's just because my brain loves to make songs about wanting someone back + flowers about Fugio lol.
I won't lie, Strawberry Blond is a holdover from when I started making this playlist four years ago, when Strawberry Blond was considered the Fugio song and was on everyone's playlists lol. But listening to it now, I actually think it aligns with my Fugio vision more than I initially thought.
I think a lot of people take it as a Fugo -> Giorno song, but I much prefer imagining it the other way around. Again, imagery of someone leaving and the other aching over it, and the line "I love everybody because I love you" makes me think of Giorno basically getting his whole worldview tossed up because of Fugo, who's so completely different from him in every way. But also, I really really like to imagine that Giorno's feelings are unrequited at first. I think I've explained the Fugonara -> Fugio pipeline before, but Fugio during canon to me is more like. Giorno is very infatuated with Fugo, and Fugo doesn't notice because he's still hung up over his own one-sided feelings for Narancia. So the second verse kinda fits that, too, I think. The thing with "all I ever wanted was a life in your shape" also could have a lot of different connotations with them, too - Fugo had, and still has, a lot of privilege Giorno doesn't (Fugo grew up rich, never had to face xenophobia/racism, had a strong and well-funded education that is clearly shown to still give him a huge advantage even after he's disowned), and on the headcanon side of things, I do usually hc Giorno as trans and Fugo as cis, so there's that, too. But it could also be how Giorno has always repressed emotions/feelings, and Fugo isn't really able to, but also derives power from those emotions (even if they're harmful) - maybe a tiny bit of subconscious envy that Fugo's able to feel, to cry, so on and so forth? Idk. Something like that.
As for the Naramis playlist, I actually don't have a ton of angsty stuff on there, because I did originally envision it as a happier vibes sort of playlist (even I need a break from Naramis angst sometimes hehe). But I did start including a few sadder ones as of late!!
This song is super postcanon Mista to me and that's why I used it as the title for the second part of my fic :] "Once my heart was filled with the love of a girl/I held her close, but she faded in the night/Like a poem I meant to write" specifically.
Another postcanon one. The airplane metaphors really sell it for me. I think Mista sometimes plays this one on his guitar and thinks of Narancia :)))
And slightly different, but I actually think of this one from Narancia's POV!! He's been let down and betrayed a lot in his life, he can't envision a better life for himself than being a criminal, and his best friend ends up leaving him out of cowardice, so he hopes that he can at least have one person he can trust and rely on - ie Mista.
Thank you again for the ask, I love talking about my tunes (and Fugio and Naramis) ^_^
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courting-jesters · 3 years
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The Body - poem
when you were thirteen they called it a crying shame,  that your beauty would never grace the eyes of some other.  that the femininity they bestowed upon you  like a gift was being returned without the receipt.  the tragedy of your hypothetical barrenness drowned out the joy of self discovery,  your rebirth fell on deaf ears. 
the Body doesn’t care what you want.
your scars would be the making of a monster, your body would scare away any future lovers,  bright red letters spelling “WARNING: FREAK OF NATURE”.  you’d become a killer, a nightmare, a terror to behold. keep your misery, they don’t care as long as it’s pretty.  how can a body carved with a chisel of your own making possibly be commodified for the masses?  no, better to keep it quiet, keep the pretty face and the tiny waist. keep the long hair and the longing stares, wouldn’t want them to go to waste. 
the Body doesn’t care who you are. 
but listen to me now,  there’s an act of divinity in creation,  but beauty doesn’t exist solely in the creation of another. in the making of your own identity, in the carving of your own space,  in the clawing tooth and nail, there lies a gift of your own unique and holy artistry. 
the Body welcomes you home. 
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