#andrew bosley

[richardlearnsgames]

WHAT’S NEW Everdell SOLO MODE (“Year 1”)

Wanna see what it's like to play the solo mode that comes in Everdell's base box? Here's year 1!

#board game #explained #explanation #instructions #rules #tutorial #how to play #learn to play #watch it played #playthrough #play through #everdell #starling games #james a wilson #andrew bosley #solo #Youtube

[kwebtv]

The Bastard  -  Syndication -  May 22 - 23, 1978

Historical Drama (2 episodes)

Running Time:  240 minutes

Stars:

Andrew Stevens as Phillipe Charboneau/Philip Kent

Tom Bosley as Benjamin Franklin

Kim Cattrall as Anne Ware

Buddy Ebsen as Benjamin Edes

Lorne Greene as Bishop Francis

Olivia Hussey as Alicia

Cameron Mitchell as Captain Plummer

Harry Morgan as Captain Caleb

Patricia Neal as Marie Charboneau

Eleanor Parker as Lady Amberly

Donald Pleasance as Solomon Sholto

William Shatner as Paul Revere

 Barry Sullivan as Abraham Ware

Noah Berry Jr as Dan O’Brien

Peter Bonerz as Girard

John Colicos as Lord North

William Daniels as Samuel Adams

James Gregory as Will Daniels

Herbert Jefferson Jr as Lucas

Mark Neely as Roger Amberly

Keenan Wynn as Johnny Malcolm

Raymond Burr as Narrator

The first of 3 miniseries based on the Kent Chronicles.  The second was The Rebels which aired on May 13-14, 1979 and the third was The Seekers which aired on July 8-9, 1979.  

#The Bastard #TV #Drama #Miniseries #1970's #Syndicated #Andrew Stevens #Tom Bosley

[martaho-art]

In next two days I should finish this illustration 🎨

In background you can see my Everdell Artbook. Andrew Bosley is one of my biggest inspiration ❤

#artists on tumblr #art #digital art #drawing #digital illustration #illustration #digital artist #digital painting #digital #animal #bird #birb #birb art #bird art #forest #trees #nature #green

[teamseaslug]

I don’t know if anyone’s ever gotten it quite like Andrew Bosley making the art for Everdell.

#sydney talking

[autogynocrat]

As a man who went bald at 20, I can tell you that everything about Andrew Tate can be explained by the fact that he went bald at 20. It is like being in a POW camp with no escape. It is a violation of your soul and body unlike any other any human being can or will experience. It is being raped, but your rapist is the devil himself. There is no cure. Rogaine does not work. For Him does not work. Bosley does not work. I’ve never tried Keeps, but I can extrapolate. People will tell you to your face that you need hair transplants. Can you imagine the sort of disgusting loathsome creature who would say to a woman to her face “you need a nose job” or “you need breast implants”? Well, normal ordinary regular people, who are not disgusting loathsome creatures, will tell you straight to your ugly fucking face “hey man, just go to a third world country. Sketchy hair implants can be as cheap as $10,000 there!” like that’s not a completely fucked thing to say

To be clear, I’m not an Andrew Tate supporter or follower, I have not committed the same crimes as him, I just feel a lot of empathy for a man going through a struggle that a lot of people don’t seem to recognize. Poor guy

honestly li would probably become suicidal if i was balding so i get this

[pigeons-in-video-games]

Postal Pigeon from Everdell (2022) Dire Wolf Digital

Art by Andrew Bosley from ArtStation

#pigeon #card drafting #indie games #strategy #forest #trees #Dire Wolf

[lunamagicablu]

andrew-bosley-forestangel-

[audreyhepburninblackandwhite]

The New York Times' spread after the passing of Audrey Hepburn

January 21, 1993

AUDREY HEPBURN, ACTRESS, IS DEAD AT 63

By Caryn James

Audrey Hepburn, the actress who epitomized Hollywood chic in the 1950s and ‘60s, died yesterday at her home in Tolochenaz, near Lausanne, Switzerland. She was 63 years old and had undergone surgery for colon cancer in November.

Her death from cancer was announced by UNICEF, the United Nations Children’s Fund, for which she had been a special ambassador since 1988.

In recent years, she made few movies, but traveled the world raising money and awareness for the U.N. organization. Her last screen role, in 1989, was a cameo as an angel easing the hero toward death in Steven Spielberg’s “Always,” a role in which the character’s grace and serenity echoed the image Miss Hepburn had maintained throughout a 40-year career.

An Oscar for a Princess

Her first major film role made her a star. In the 1953 romance “Roman Holiday,” she played a princess who runs from her duties and falls in love with a journalist played by Gregory Peck. Audiences were enchanted by her combination of grace, elegance and high spirits, and she won an Academy Award as best actress.

The same year she won her Oscar, she won a Tony for her performance in the play “Ondine,” Bosley Crowther, The New York Times critic, described her in words that characterized her “a slender, elfin and wistful beauty, alternately regal and childlike.”

In a string of films that followed, she continued to play the lithe young thing with stars in her eyes and the ability to make Cinderella transformations. In “Sabrina” (1954), she was a chauffer’s daughter forced to choose between wealthy brothers, played by William Holden and Humphrey Bogart. In “Funny Face” (1957), opposite Fred Astaire, she played a bookstore clerk turned high-fashion model.

Descriptions of her beauty and appeal inevitable included the word “gamine.” She was boyishly slender, with an aristocratic bearing, the trace of a European accent and a hint of mischief.

Photograph: Audrey Hepburn in 1991 at a tribute organized by the Film Society of Lincoln Center.

A performer who epitomized an elegance that looked effortless.

‘A Wild-Eyed Doe’

Billy Wilder once recalled directing her in the 1957 film “Love in the Afternoon”: “You look around and suddenly there was this dazzling creature looking like a wild-eyed doe prancing in the forest. Everybody on the set was in love within five minutes.”

Among her most popular and acclaimed roles was that of Holly Golightly, the backwoods beauty turned New York sophisticate in “Breakfast at Tiffany’s” (1961).

At the height of her career, she worked with such directors as William Wyler and George Cukor and acted with the great male movie stars of her day, playing the younger woman opposite Gary Cooper (“Love in the Afternoon”), Cary Grant (“Charade,” 1963) and Rex Harrison in the 1964 movie version of “My Fair Lady.”

There was some grumbling from the theater world when she was cast as Eliza Doolittle in “My Fair Lady,” winning the role over Julie Andrews who had originated it on Broadway.

Miss Hepburn’s singing was dubbed in the film by Marni Nixon. The film won several Oscar nominations, but Miss Hepburn was not nominated.

A Blind Woman Terrorized

Throughout her career, she also took on dramatic roles. She won an Oscar nomination for the title role of a woman questioning her vocation in “A Nun’s Story” (1959). She played a woman enduring 20 years of an embattled marriage opposite Albert Finney in “Two for the Road” (1967). And she won her fifth Oscar nomination for her role as a blind woman terrorized in her own home in “Wait Until Dark” (1967). Other nominations were for “Sabrina” and “Breakfast at Tiffany’s.”

After “Wait Until Dark,” she left full-time acting and lived mostly in Switzerland.

Miss Hepburn returned to the screen occasionally. In “Robin and Marian” (1976) she played the middle-aged Maid Marian to Sean Connery’s Robin Hood. The role was considered the triumph of her later career and a reflection of the graceful way the actress herself had moved into middle age.

She also made some poorly received films, including “Bloodline” (1979) and “They All Laughed” (1981).

Miss Hepburn whose name originally was Edda van Heemstra Hepburn-Ruston, was born on May 4, 1929, near Brussels to a Dutch mother and an English father, and was educated largely in London. During World War II, she and her mother were caught vacationing in Holland when the Nazis invaded and her family endured much hardship during the occupation. During the war, one of her brothers was taken to a labor camp, and an uncle and cousin were executed. She once said the family was reduced to eating tulip bulbs.

Spotted by Colette

But when she returned to London after the war, her life took the glamorous turn she would maintain for the rest of her life. She was a ballet student and model. On the Riviera, she was spotted by the author Colette, who insisted that Miss Hepburn star in the Broadway version of “Gigi,” which led to “Roman Holiday.”

She attributed her work with UNICEF to her childhood experience of hunger and fear during the war.

As Goodwill ambassador for UNICEF she traveled extensively in Africa and Latin America. She visited Ethiopia during the drought to call attention to the plight of starving children. In 1991 she described her UNICEF role as “talking my head off,” and said, “I just decided to do as much as possible in the time that I’m still up to it.”

Last year she visited Somalia. It was shortly after returning from that trip that her cancer was diagnosed.

Photograph: Audrey Hepburn in a scene from Roman Holiday (1953) with Gregory Peck

Photograph: Audrey Hepburn in a publicity photograph for Breakfast at Tiffany's (1961)

Sources:

New York Times OTD

#audrey hepburn #newspapers #vintage newspapers #vintage #classic #old hollywood

[mthguy]

Oscars Flashback

Julie Andrews (pictured with Audrey Hepburn) wins the Oscar for Best Actress for Mary Poppins at the 37th Academy Awards in 1965.

That same year, My Fair Lady won the Best Picture Oscar. Hepburn's casting in the role of Cockney flower girl Eliza Doolittle in My Fair Lady was a source of dispute. Julie Andrews, who had originated the role on stage, was not offered the part because producer Jack L. Warner thought Hepburn was a more "bankable" proposition. Hepburn initially asked Warner to give the role to Andrews but was eventually cast. Further friction was created when, although non-singer Hepburn had sung in Funny Face and had lengthy vocal preparation for the role in My Fair Lady, her vocals were dubbed by Marni Nixon, whose voice was considered more suitable to the role. Hepburn was initially upset and walked off the set when informed.

Critics applauded Hepburn's performance. Bosley Crowther wrote in The New York Times that, "The happiest thing about [My Fair Lady] is that Audrey Hepburn superbly justifies the decision of Jack Warner to get her to play the title role. Gene Ringgold of Soundstage also commented that, "Audrey Hepburn is magnificent. She is Eliza for the ages", while adding, "Everyone agreed that if Julie Andrews was not to be in the film, Audrey Hepburn was the perfect choice." The reviewer in Time magazine said her "graceful, glamorous performance" was "the best of her career". Still, Hepburn did not receive an Academy Award nomination for My Fair Lady.

#julie andrews #audrey hepburn #mary poppins #my fair lady #oscars #academy awards

[brookstonalmanac]

Birthdays 10.1

Beer Birthdays

John Courage (1761)

Valentine Blatz (1826)

Albert Fisher (1852)

Joseph Fallert Jr. (1867)

Jon Graber (1960)

Five Favorite Birthdays

Daniel J. Boorstin; historian (1914)

Jimmy Carter; 39th U.S. President (1924)

Paul Dukas; classical composer (1865)

Walter Matthau; actor (1920)

George Peppard; actor (1928)

Famous Birthdays

Julie Andrews; English actor (1935)

Faith Baldwin; writer (1893)

William Boeing; aircraft manufacturer (1881)

Tom Bosley; actor (1927)

Matt Cain; San Francisco Giants P (1984)

Rod Carew; Minnesota Twins 2B (1945)

Stephen Collins; actor (1947)

Herb Fame; pop singer (1942)

Zach Galifianakis; comedian, actor (1969)

Richard Harris; actor (1930)

Laurence Harvey; actor (1928)

Donny Hathaway; singer (1945)

Stanley Holloway; actor (1890)

Vladimir Horowitz; Russian classical pianist (1903)

Cindy Margolis; model, actor (1965)

Mark McGwire; Oakland A's/St. Louis Cardinals 1B (1963)

Esai Morales; actor (1962)

Peter Muhlenberg; Revolutionary War general, politician (1746)

Youssou N'Dour; Sengalese singer (1959)

Tim O'Brien; actor (1946)

Larry Poons; artist (1937)

Randy Quaid; actor (1950)

William Rehnquist; U.S. Supreme Court chief justice (1924)

Marc Savoy; Cajun accordion engineer (1940)

Stella Stevens; actor (1936)

Richard Stockton; signer of the Declaration of Independence (1730)

Christopher Titus; comedian (1964)

Louis Untermeyer; writer (1885)

James Whitmore; actor (1921)

Roger Williams; pianist (1924)

#Birthdays

[dliilb]

instagram | yours to make (campaign, 2021) from rubberband. on Vimeo.

Director: rubberband. @_rubberband Production Company: SMUGGLER @smugglersite Executive Producers: Patrick John Milling-Smith @patrickmillingsmith, Brian Carmody, Sue Yeon Ahn @ahn_off COO: Andrew Colon @andrewbriancolon Head of Production: Alex Hughes @alchughes Producer: Carmen Bosley @queen_carmenita Director of Photography: Oliver Millar @oli_millar Production Designer: Miranda Lorenz @mirandalorenz Stylist: Eric Mcneal @ericjmcneal Hair Stylist: Jayson Medina @jaysonmedinahair Makeup Artist: Jenn Hanching @jennartist

Client: Instagram @instagram Agency: Johannes Leonardo @johannesleonardo Group Creative Directors: Jeph Burton @jephedrin, Hunter Hampton @herelieshunter Art Director: Austin Haas @lofiamericana Copywriter: Joshua Lampley @joshualampley Design Director: Joseph Dasaro @dasarosmith Senior Designer: @shaunggy Executive Producer: Tina Diep @doublediep Senior Producer: Siobhan Spence-Edwards @vonnyedwards Associate Producer: Andrea Jacob @andreajacobofficial GAD: @hmazza & @domndalton Account Supervisor: Stephanie Loucas @Stephanieloucas Account Manager: Shanice Greene Senior BA Manager: Susan Spight @swirl79 BA Manager: @eumxi

Head of Creative, CX: @suemaryanderson Creative Director: Erica Fahr Campbell @ericafahr Designer: Tony Loftus @tonyloftus Program Manager: Rosie Breen @rosiebreen Program Manager: Priya Singh @priyasingh7 IG: VP of Marketing: Melissa Waters @melissahw Integrated Marketing Manager: Chloe Bower @chloembower Integrated Marketing Manager EMEA: Jason Miller @jaymil1981 Integrated Marketing Manager: Chadni Shah @_cshah Production Strategist: Julian Katz @juliankatz

CASTING // SHAY NIELSON Shay Nielsen Casting @shaynielsencasting Casting Director: Shay Neilson @shay_all_the_way Casting Agency: Erika Angel @erikaangel_

EDIT // CABIN Cabin Edit:@cabinedit Main/Brand Editor: Robert Lopuski @robertlopuski Assistant Editor: Katie Pehowski @anniemall Senior Producer: Joanna Hall @joannarosehall Executive Producer: Adam Becht @cheze

VFX // BLACKSMITH Blacksmith VFX: @blacksmithvfx

VFX Supervisor: Iwan Zwarts (@iwanzwarts) Lead Compositor(s): Iwan Zwarts, Marco Barrato (@marco.baratto.vfx)

2D Team: Ben Kwok (@kwokoclock), Hannah Wilk (@linkisur), Jacob Slutsky

[richardlearnsgames]

WHAT’S NEW Everdell SOLO MODE (“Year 3”)

My year 3 of Everdell's solo mode

#board game #explained #explanation #instructions #rules #tutorial #how to play #learn to play #watch it played #play through #playthrough #james a wilson #andrew bosley #everdell #solo #solomode #starling games #Youtube

[kwebtv]

The Rebels - Syndicated - May 13 - 14, 1979

Historical Drama (2 episodes)

Running Time:  240 minutes

Stars:

Andrew Stevens as Philip Kent

Don Johnson as Judson Fletcher

William Conrad as Narrator

Doug McClure as Elph Tait

Jim Backus as John Hancock

Richard Basehart as Duke of Kentland

Joan Blondell as Mrs. Brumple

Tom Bosley as Benjamin Franklin

Rory Calhoun as Breen

Macdonald Carey as Dr. Benjamin Church

Kim Cattrall as Anne Kent

John Chappell as Henry Knox

William Daniels as John Adams

Anne Francis as Mrs. Harris

Peter Graves as George Washington

Pamela Hensley as Charlotte Waverly

Gwen Humble as Peggy McLean

Wilfrid Hyde-White as General Howe

Nehemiah Persoff as General Baron Von Steuben

William Smith as John Waverly

Warren Stevens as Ambrose Waverly

Kevin Tighe as Thomas Jefferson

Bobby Troup as Sam Gill

Forrest Tucker as Angus Fletcher

Tanya Tucker as Rachel

Marc Vahanian as Marquis DeLaFayette

Robert Vaughn as Seth McLean

#The Rebels #TV #Syndicated #Historical Drama #1970's #Andrew Stevens #Don Johnson #Doug McClure

[byneddiedingo]

Carole Lombard and Jack Benny in To Be or Not to Be (Ernst Lubitsch, 1942) Cast: Carole Lombard, Jack Benny, Robert Stack, Sig Ruman, Felix Bressart, Lionel Atwill, Stanley Ridges. Screenplay: Melchior Lengyel, Edwin Justus Mayer. Cinematography: Rudolph Maté. Production design: Vincent Korda. Film editing: Dorothy Spencer. Music: Werner R. Heymann. Topical humor and satire has always been a risky business. When a joke about current events offends rather than amuses an audience, producing stunned silence or at best nervous laughter, comedians usually try to defuse the situation by asking, "Too soon?" For Ernst Lubitsch's To Be or Not to Be, it was "too soon" for a very long time. Begun before Pearl Harbor and completed after the United States had declared war on Nazi Germany, To Be or Not to Be had the further misfortune to be released shortly after the death of its star, Carole Lombard, in a plane crash while on a tour selling war bonds. The unavoidable bad timing resulted in a critical and commercial failure, with many critics echoing the reaction of the New York Times's Bosley Crowther, a man not known for his lively sense of humor, that To Be or Not to Be was a "callous and macabre" treatment of "a subject which is far from the realm of fun." Even the father of the film's star, Jack Benny, walked out of the picture when he saw his son wearing a Nazi uniform. (He was later persuaded to sit through the movie and liked it.) Critical nervousness about To Be or Not to Be lingered for a very long time, especially among the generation that fought in or grew up during the war. Andrew Sarris, who placed Lubitsch in his "Pantheon" of great directors in his 1968 book The American Cinema, took notice of the film's reputation as "an inappropriately farcical treatment of Nazi terror," and rather oddly commented, "For Lubitsch, it was sufficient to say that Hitler had bad manners, and no evil was then inconceivable." As late as 1982, in her collection of short reviews, 5001 Night at the Movies, Pauline Kael said that "the burlesque of the Nazis ... is so crudely gleeful that we don't find it funny." That last is, incidentally, a prime example of the Kaelian "we," her tendency to include the reader in her own experience of films. As Sam Goldwyn reportedly said, "Include me out." I'll admit that the first time I saw To Be or Not to Be, I was a little shocked by its tone, and especially its portrayal of the Gestapo as a gaggle of brainless schnooks, epitomized by Sig Ruman's easily duped Col. Ehrhardt. Yes, the Gestapo was a formidable instrument of terror, to the point that they remain emblematic of the utmost viciousness of Nazism, especially when countless movies made after the entrance into the war freed Hollywood filmmakers from their obligation to remain neutral. On the other hand, the Spanish Inquisition was an equally formidable instrument of terror, and is anyone really offended when they turn up as a gag line -- "Nobody expects the Spanish Inquisition" -- in Monty Python sketches? Time allows us to distance ourselves from horror, so today most people acknowledge and admire the skill and wit of Lubitsch's satiric farce, which is also a pretty good spy thriller, with genuinely suspenseful moments. Lombard is at her most poised and glamorous, as well as a surprisingly effective foil for Benny, who as the "great, great Polish actor Joseph Tura" for once in his rather undistinguished career in movies -- which never showcased him as well as radio or TV did -- has a chance to display his perfect comic timing. Tura's reaction -- an indignant slow burn -- when the start of his "To be or not to be" soliloquy cues Lt. Sobinski (Robert Stack) to leave his seat for an assignation with Mrs. Tura is Benny at his best. But the film is also laced with moments of real awareness of the horrors beneath, an awareness that is not really compromised by being made part of a comedy. The most famous line of the film is probably Ehrhardt's observation, in response to the disguised Tura's request for an evaluation of his work on the stage, "What he did to Shakespeare we are now doing to Poland." How this double entendre made it past the Production Code censors, I don't know, but it's evidence that Lubitsch was certainly aware of the reality and not just being "inappropriately farcical."

#To Be or Not to Be #Ernst Lubitsch #Carole Lombard #Jack Benny

[teamseaslug]

Also I lied I'm not done board game posting anyway its crazy how Andrew Bosley is good at drawing really charming anthro but he's also very good at drawing people and he apparently had his kid (under the age of 10) help him with ideas for Everdell critters so I've become very fond of his work

#sydney talking

[emzeciorrr]

Instagram | Yours to make from Jeph Burton on Vimeo.

Instagram | Yours to Make

Let’s see who we can be.

An enormous amount of gratitude to the friends who made this possible.

Client: Instagram Agency: Johannes Leonardo Group Creative Directors: Jeph Burton, Hunter Hampton Art Director: Austin Haas Copywriter: Joshua Lampley Design Director: Joseph Dasaro Senior Designer: Shaung Wan Executive Producer: Tina Diep Senior Producer: Siobhan Spence-Edwards Associate Producer: Andrea Jacob GAD: Haley Mazza & Dom Dalton Account Supervisor: Stephanie Loucas Account Manager: Shanice Greene Senior BA Manager: Susan Spight BA Manager: Emilly Tan

Production: Smuggler Director: rubberband. Executive Producers: Patrick John Milling-Smith & Brian Carmody Executive Producer: Sue Yeon Ahn - @ahn_off COO: Andrew Colon - @andrewbriancolon Head of Production: Alex Hughes @alchughes Producer: Carmen Bosley- @queen_carmenita Director of Photography: Oliver Millar - @oli_millar Production Designer: Miranda Lorenz - @mirandalorenz Stylist: Eric Mcneal @ericjmcneal Hair Stylist: Jayson Medina @jaysonmedinahair Makeup Artist: Jenn Hanching - @jennartist

Head of Creative, CX: Sue Anderson Creative Director: Erica Fahr Campbell Designer: Tony Loftus Program Manager: Rosie Breen Program Manager: Priya Singh VP of Marketing: Melissa Waters Integrated Marketing Lead: Jen Garcia Integrated Marketing Manager: Chloe Bowers Integrated Marketing Manager EMEA: Jason Miller Integrated Marketing Manager: @_cshah Production Strategist: Julian Katz Production Strategy: Betsy

CASTING // SHAY NIELSON Shay Nielsen Casting - @shaynielsencasting Casting Director: Shay Neilson - @shay_all_the_way Casting Agency: Erika Angel - @erikaangel_

EDIT // CABIN Cabin Edit:@cabinedit Main/Brand Editor: Rob - Robert Lopuski @robertlopuski Assistant Editor: Katie Pehowski - @anniemall Senior Producer -Joanna Hall - @joannarosehall Executive Producer -Adam Becht @cheze

VFX // BLACKSMITH Blacksmith VFX: @blacksmithvfx

VFX Supervisor: Iwan Zwarts (@iwanzwarts) Lead Compositor(s): Iwan Zwarts, Marco Barrato (@marco.baratto.vfx)

2D Team: Ben Kwok (@kwokoclock), Hannah Wilk (@linkisur), Jacob Slutsky (does not want to be tagged), Molly Intersimone (@i_am_mint