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#and... just for certain fictional characters
see-arcane · 2 days
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Our good friend Jonathan Harker is getting ready to leave for his business trip, Mina Murray is picking out a new journal, Lucy Westenra is charming a gaggle of smitten suitors, Abraham van Helsing is wrapping up his lectures, and Castle Dracula is prepping the guest room for a very long stay.
Which must mean that Dracula Season is here again!
 ‘Dracula Season’ being a catchall term for the voracious reading, memeing, writing, illustrating, analyzing, and general fun-having that’s ensued since Matt Kirkland’s project, Dracula Daily, caught on with us back in 2022. The Substack had already been running before then, but it sparked a conflagration as time went on and readers old and new to Bram Stoker’s Dracula—the actual novel, not Coppola’s fanfiction—devoured it in a way that scratched an itch none of us knew we had. Stoker wrote the book in epistolary fashion, clumping sections together as needed for the pacing without perfect adherence to chronological order. Matt went ahead and put all the events in order and proceeded to set up a lovely chain of emails that delivered entries on those correlating dates.
This style of organization and pacing turned out to not only make the virtual book club that much easier to engage with, but left space in-between to stew on the story and relate with the characters themselves. Every day of waiting in the book feels weightier when you have to pace and sweat and worry in tandem with poor Jonathan trapped in the castle or Lucy wasting away or Mina running out the clock before she loses the fight for her own humanity. And while we sat with the story or the lulls between Dracula Seasons, some of us found ourselves craving more of that ghastly gothic horror goodness to the point that we figured:
“Well. Why don’t I make something?”
And then we did! Tons of creative works have been churned out in the wake of Dracula Daily’s high. I figured that while we’ve still got a bit of time to wait for May 3rd, we should check out all this new stuff in the meantime. (Plus a handful of neat stuff that just clicks with the Dracula itch overall.)
So, in the interest of Dracula Season pregaming, let’s take a look at…
FICTION
Blood of My Blood – A recent addition to the Dracula Bad Ending AU pile, and definitely one of the most harrowing and addictive group-produced narratives I’ve ever come across, Blood of My Blood is the dramatically gothic currently-WIP work of @ibrithir-was-here and @animate-mush’s devious design. Give or take a heap of other fascinated folks (hello!) adding ideas to put more Horror into the Horrors that our cast has to face. The premise:
The Transylvanian climax went fatally sour and the Harkers were forced to shelter with Dracula himself, including their half-vampire son, Quincey. Cut to two decades later, and Quincey finds himself out in modern London, smitten with Lu, adopted daughter of Arthur and Jack, and diving into certain bloodstained old documents that detail the real history of how his parents came to live in the castle. Said revelations coming not a moment too soon, as a storm is coming for him straight from the Carpathians…
Dracula Daily Sketch Collection – An array of illustrations that captures every entry beat by beat, the Dracula Daily Sketch Collection by Georgia Cook, alias @georgiacooked was dished out over the course of the last Dracula Season. Some of the most fun character designs out there.
Fanfiction Spotlight: BlueCatWriter – With a whopping 99 works devoted to the novel Dracula (so far, the number may have gone up since I blinked), @bluecatwriter is one of the most prolific and talented fanfiction scribblers out there. Romances, nightmares, and overlaps between the two seem to crop up the most, give or take a crossover. Seems fitting that those blue paw prints have contributed to BoMB too.
The League of Extraordinary Gentlefolk – An ongoing comic in which all your favorite characters from the Classics section get together and tackle some perils ranging from the mundane to the monstrous. Started by the amazing @mayhemchicken and posted on @lxgentlefolkcomic, this series is a love letter to beloved Victorian era lit, with a spotlight on the two couples leading the League. Namely, the Harkers, ala Dracula, and the Nortons, ala Sherlock Holmes,’ “A Scandal in Bohemia.” Mina and Irene are the driving investigative and steering forces here, and still deeply in love with their likewise-infatuated husbands, just like in their canons! What a concept! Alan.
Without spoiling the full character list, just know there are going to be a ton of familiar faces roaming around before you finish reading the first arc. Said arc having conveniently wrapped up just a few days ago! Give the comic and its bonus silliness a look if you’re in the mood for a new comfort-adventure epic.
Re: Dracula – Probably the most well-known and incredible thing to come out of the initial Dracula Daily wave. This podcast is a full audio drama that follows the same format as the Substack, with episodes coming out in time with the entries themselves. And it has an unfairly cool soundtrack. They have a Tumblr with @re-dracula, a site and a Patreon to check out before the series kicks up again on May 3rd. (Also, keep an eye out for their next work, an audio drama in the same style with Carmilla.)
The Soldier and the Solicitor – Another treat from @ibrithir-was-here, this one involves a bit of time travel trouble. Quincey Harker has stumbled out of World War I and into the same dark forest where his father once fled for his life…then runs into the man himself, on that same night. Jonathan Harker, young and starved and lost, who has no choice but to trust this stranger while the Weird Sisters are at his heels…despite said stranger having no shadow. It’s a tasty emotional trek, already complete on Tumblr, but now it’s turning into a Webtoon. While Ibrithir is juggling a number of other stories, she’ll be redrawing spruced up versions of the comic and adding a few new scenes as things unfold.
Substack Stack – You know what’s better than one emailed-out public domain book club? A mountain of them. Just. So, so many of them. You’ll see that a lot of these are finished, but some are still ticking along. Either way, they’re all great picks if you’re craving some more old school lit to fill the void between undead emails.
Frankenstein Weekly – Frankenstein
Jekyll and Hyde Weekly – The Strange Case of Dr. Jekyll and Mr. Hyde
Voyage of the Nautilus – Twenty-Thousand Leagues Under the Sea
Letters from Watson – Sherlock Holmes
The Invisible Mail – The Invisible Man
Letters from Bunny – E.W. Hornung’s short stories of the eponymous Bunny and Raffles
Letters Regarding Jeeves - P. G. Wodehouse’s Bertie Wooster short stories, including the novel, Right Ho, Jeeves
……
………
…The Beetle Weekly – The Beetle (NOTE: Do Not Read This.)
The Vampyres – A novella I finally wrenched through the gears of self-publication as of March this year. Starring a petite but powerful paranormal cast, The Vampyres, centers on an unscrupulous undead fellow who finds that the revenants of the world are being mowed down by an entity known only as ‘Quinn Morse.’ Between trying to save his neck and figure out where the shadowy bastard came from, the Vampyre in question crosses paths with a new paramour and handy human shield in the form of a grieving Good Samaritan. He’s even polite enough to invite the Vampyre into his home while he’s in dire straits! Surely this will end well. All the info is available here and a little author site is over here.
What Manner of Man – This is the one made for everyone who started out hoping there’d be a real love story with our good friend Jonathan Harker and the Count when he was at his most charismatic. Where that sea of wonders dried up into a mire of horror, What Manner of Man by @stjohnstarling keeps things firmly on the romantic tracks. This Substack stars the letter-writing priest Father Victor E. Ardelian as he finds himself meeting with one enigmatic Lord Alistair Vane. It isn’t long before interest turns into intrigue and intrigue into undead intimacies.
The entire novel has been completed—along with multiple epilogues in the author’s Patreon, allowing readers to choose for themselves just how the uncanny romance plays out in the end—and the Substack now has a number of other gothic goodies piling up in the meantime.  
NONFICTION
Dracula Daily: A Unique Reading Experience: This one comes courtesy of @realwomenofgaming. It’s a short and sweet piece that amounts to a fun snapshot of the entire Dracula Daily ride. A cozy couple-minute read.
‘Dracula Daily’ is the One Substack You Need a Subscription To: Features my favorite Matt Kirkland interview. @mattkirkland, if you’re still floating around on here, thank you for dispatching our vampire newsletter again this year.
Dracula Daily is Tumblr’s hottest new book club: Alright, the ‘new’ part is worn out by now, but this one is still a delightful article to swing back around to. Two years on, this Polygon piece is a time capsule of those early months when people outside our bookworm bubble realized we were all happily receiving letters from our favorite classic gothic horror blorbos.  
“How Mina Murray Became Dracula’s Girlfriend” – Princess Weekes, if you ever read this, thank you, thank you, thank you. I am sending oceans of love and millions of rewatches to your video essay. If you haven’t seen it yet, “How Mina Murray Became Dracula’s Girlfriend” is one of the most refreshing and well-made breakdowns of both the title subject and numerous other issues that have proliferated in the public view of Dracula’s cast and plot as adaptations endlessly warp or outright bastardize the actual novel. An incredibly cathartic watch.  
Literary play gone viral: delight, intertextuality, and challenges to normative interpretations through the digital serialization of Dracula: A mouthful of a title for an even more elaborate article about the Dracula Daily phenomenon. This one is a full-on study that analyzes just what happened within the big bloodsucker book club surge and how its ‘wandering reading practices’ enriched the experience for participants.
 “The Undying Undead: An analysis of the Dracula Daily community for a theory of online community formation and interaction” – We have a thesis on here! Look at that! @sirangelothebestest’s MA thesis used our vampiric book club as the bones for a massive brick of an academic piece that definitely deserves a look.
…And I think I’ll go ahead and cap things here.
This isn’t everything I got recommended, but if I had squashed all of it in here, I think folks’ eyes would start to fall out of their head. I hope you can find something cool to comb through here. Or, if there’s something great I overlooked, tack it onto the list! We’ve got just two weeks to go until we’re off with Mr. Harker. Let’s enjoy our respite before those castle doors close behind us.
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andreal831 · 2 days
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TVDU and Morality
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I've recently said, a few times, that the morality debates in the TVDU fandom are boring, and some people have gotten offended so I thought I would explain.
First, this idea of hypocrisy in the fandom is laughable. The amount of times I've been called a hypocrite because I've called out problematic behavior, while also liking a problematic character. The gut reaction for so many in this fandom when their favorite character is being criticized is to shift the conversation onto a completely different character and even to the commenter themselves. This is boring and even downright offensive at times. Every single character has been a hypocrite at times. It doesn't inherently mean someone is bad. It means they are "human" and life can make hypocrites of all of us at times. Also, just to clarify, I am not a hypocrite for merely liking a problematic character. I promise I have never nor will I ever commit the acts that I criticize these characters for, which would be the definition of hypocrisy. I have also never told anyone they can't like certain characters.
We have these complicated characters and none of them are "good" people because, guess what, people aren't just one or the other. Everyone has the capability to be "bad" or "good." Trying to put a character firmly on one side is a generalization and ignores so much nuance. Some of their actions may be completely bad or completely good, but typically even that is an oversimplification. Are there characters that seem to do more bad things or more good things, definitely. Are their some characters that cross certain, unnecessary lines, absolutely. Are we allowed to criticize and question every character, please do! That's literally what media literacy is about.
Every single one of these characters has had completely selfish moments (except maybe Bonnie) and every single one of them has had moments of selflessness. These acts don't inherently demonize a character or automatically redeem one. This is what it means to have interesting, complex debates about characters. Looking at the characters as a whole and having open discussions of what it means. We can still love the character and acknowledge the good and the bad of the character.
Another annoying point that is always brought up is, "they weren't born evil, they were made that way." Yes, we get it. No one is born evil. Whether it is mental illness or life events that shape a person, they still have to take responsibility for their own actions. Obviously certain mental illnesses didn't have treatments for a very long time, but that doesn't just allow people to be serial killers.
Every single character has dealt with trauma, and how you react says a lot about a person's character. Separating out characters to say well "x" didn't deserve it but when they became "x" they did. No one deserves good or bad things. I know I say it all the time, they deserved better, but when I do, I'm being facetious. I'm saying I wanted better for that character, better writing, better storylines, a better ending, etc. That phrasing implies that some people deserve better lives than others and I just morally don't agree. No one deserves trauma or abuse. That logic only furthers the cycle of abuse. Now, that being said, people are responsible for their own actions. Spend centuries creating enemies, and guess what, a lot of bad things are going to happen to you.
But the real debates I enjoy having, and have been fortunate to find so many people to engage in these debates, is the morality of the decisions in context of the characters. I like to apply similar logic from the Trolley Problem. If you don't know what that is, enjoy this tik tok I made of Cami teaching the Mikaelsons.
Essentially, many of the characters weight their options, like Jeremy killing Kol and thousands of vampires with it in order to find the cure. Kol is a thousand year old serial killer and is attempting to kill Jeremy, but again Kol is attempting to stop Silas from rising. Neither side is inherently right or wrong. There is a debate to be had.
In the majority of situations in the show there is a debate to be had. The only exceptions being any SA. I will never debate the morality of these actions. Even for immoral characters, there is a line to be drawn.
These debates get even more complex in TO because we move into a world where nearly every character has done absolutely horrendous things. It's okay to sit down and say, "This thing that x did was awful, but I can see their reasoning." It is not justifying their actions, but allowing the characters to be the complex morally corrupt characters that they all are.
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theotterpenguin · 3 days
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I really like the nuanced take about Zutara and why it makes some people uncomfortable and I can see both sides of it. I ship Zutara now but at first I didn’t and it made me really uncomfortable but I think it was just because of certain fan content I was coming across. Some people do portray Zutara in an extremely fetishized & creepy Stockholm syndrome way that makes Katara come off like some helpless damsel stereotype. It made me feel really gross thinking about as a young WOC but rewatching the show and seeing the true dynamic of these characters made me fall in love with them again. So I guess my feeling is that in canon i really love the dynamic but I hate the way *certain fans* twist it and refuse to acknowledge the racism & misogyny in what they’re doing
this is a complicated topic with many layers to it but first - i am sorry if you have ever felt unwelcome in the zutara fandom due to experiences with racism/misogyny.
it would be ignorant to claim that the zutara fandom is somehow uniquely unaffected by systemic racism or sexism, but it would also be disingenuous to claim that these issues only exist in certain parts of the atla fandom. racism, sexism, and general bigotry exist in every fandom due to institutionalized inequality in social structures. and to make it clear, i'm not directing this criticism towards you, anon, you are entitled to your own personal experiences, but i have seen a broader trend of people attempting to use fandom racism to moralize their position in ship wars, which is diminishing from the actual problem - the focus should be on acknowledging the existence of fandom racism/sexism, combatting implicit biases, and creating spaces that can uplift marginalized voices, rather than focusing only on optics in an attempt to gain moral high ground in a silly *fictional* ship war.
however, given all this, the reason that i am still in the zutara fandom is because i appreciate how many people in the fandom are dedicated to unpacking issues of racism and sexism and cultural insensitivity in atla's source material, which i personally haven't seen in many other sides of the fandom (that often sanitize what actually happened in the text to avoid acknowledging these issues in their favorite show). of course this is a broad generalization, but that's generally why i stick with the non-canon shipping side of the fandom because fans that are willing to stray away from canon are often less afraid to engage in critical analysis.
i also do think the zutara fandom has come a long way from the early 2000s when the show first aired. for example, when i first joined the fandom i had mixed feelings on fire lady katara, but i have since read some fanfics that have done an excellent job deconstructing some of the problematic ways that this trope could be interpreted and balancing respect for katara's cultural heritage and autonomy with the political and personal difficulties of being involved with an imperialist/colonialist nation. the fire lady katara trope, capture!fic, and other complicated topics/tropes are almost never inherently racist/sexist, but rather, their execution is what matters. and all this is not to say that issues of systemic racism/sexism do not still exist in this fandom, but it personally has not significantly negatively impacted my experience in the zutara fandom due to the wonderful content that so many other fantastic people produce, though everyone's mileage may differ with what they are comfortable with. anon, i hope that you are able to find a place in the zutara fandom for you! but i also know many people that have stepped back from other fandoms due to experiences with racism/misogyny, so i understand that decision as well.
on a final note, i think it's important to acknowledge that fandom doesn't exist in a vacuum and broader issues of racism and sexism are rooted in the media, the entertainment industry, and mainstream societal norms. while i do sometimes focus on fandom dynamics/discourse in my criticisms, i think it is equally as important to acknowledge how issues of prejudice and inequality are perpetuated through larger social structures, which is why it frustrates me when the atla fandom refuses to acknowledge the flaws of the original show, which has far more influence and social power over the general public than discourse over fandom tropes ever will. personally, i don't understand the phenomenon of holding fan-made material to a higher standard than mainstream media.
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themotherofhorses · 2 days
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Hi guys, it's Vic! Also known as:
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Round TWO at addressing the extreme racism in the CoD fandom!
So it’s both odd and funny that my Indigenous fem!OC has pissed off so many random people, especially with the fact that I created her to ship with Ghost.
(A fictional character that has NO canon love interest, FYI. Sorry to bust y'all's little bubble. Well, there's Mara and Urban Tracker....)
Anyways, I really don't care if this post sounds bitchy in nature. I really don't, not anymore. Some of y'all need a damn wakeup call. Several months ago, in December of 2023, I made a post (here) regarding the sudden influx of hate I began receiving following the posting of my OC, SilentDove Reyes. For around two weeks after that post, the hate died down, and I felt motivated to create more content involving Dove and Ghost.
Until the hate picked up again with every little thing I posted that related to my OC x Ghost.
However....this new hate incorporated the MMIW. A bold ass move, in my opinion.
If you are not aware, the MMIW stands for "Missing and Murdered Indigenous Women." Alternate spellings include the MMIWG & MMIWGTS (Missing and Murdered Indigenous Women, Girls, and Two-Spirits). As of 2023, statistics indicate that Indigenous women face a 10x murder rate than any other race/ethnicity. I have made a previous post regarding the issue, seen here. The unfortunate truth is that young Indigenous girls are more likely to be SA'd and murdered than to attend college. Let that sink in for a moment.
Now, I am an Indigenous woman. That is no surprise there; I fashioned my OC to provide myself (and, by extension, others) with Native representation in a franchise I greatly enjoy. What IS surprising, however, is that me doing so has pissed off so many people. I'm very certain some of y'all must descend from Andrew Jackson, or John Wayne cause, christ on a bike driven by a pike.
Here is a screenshot of a hate anon I recently received:
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Listen, I don't care who you ship Ghost with. I really don't. I've blocked numerous shipping tags, remained mindful of the content I'm interacting with, and surrounded myself with fellow mutuals who also have personal OCs. It is really that easy.
What I do care about is the fact that some of you CANNOT separate fanon headcanons from canon material.
Exhibit A:
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So let’s clear some stuff up!
Soap x Ghost is NOT canon.
Ghost being queer is NOT canon.
And, most definitely, Ghost being a woman abuser who would harm/abuse/murder a woman (either physically, emotionally, psychologically) is NOT canon.
What IS canon is his and Soap's strong bond. In my eyes, that is a brotherly bond, reminding me of a big brother/little brother relationship; in my fanfiction, Soap is Ghost's children's uncle. In fact, his son (second-born child) is named after him.
You are, of course, free to view them as romantic; what you are not free to do is attack OC creators/non-shippers for not perceiving them like that.
That is just fucking weird and delusional behavior. Knock it off. You're giving your fellow normal shippers a bad name.
ALSO! Let’s clear things up!
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1. I’m not straight — I’m bisexual and demisexual.
2. I’m only half white (Spanish, with Mexican heritage). I’m QUITE LITERALLY an enrolled Native, so I guess the best way to describe me is “biracial.”
3. It’s y’all ruining the canon gay representation by shipping Laswell—a GAY woman—with Price, despite the fact that she canonically has a wife.
4. My OC does not have a “dumb fucking name.” Her name is an Indigenous name with a specific backstory to it; it’ll be explored further in future fanfics once I find the motivation to return to writing.
Anyways, I highly doubt this will be the last post I create regarding this problem; apparently, a nice chunk of the fandom has this intense animosity towards fem!OCs, fem!Y/Ns, and BIPOC!OC creators. Alright. With that being said, I invite anyone who has similar experiences to share yours, either in the reblogs or in separate posts.
As sometimes we say during pow wows:
“The floor is all yours.”
Thank you!
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greenerteacups · 3 days
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Hello GT! I almost never comment on anything online, but (after binge-reading Lionheart in about three days) I'm overcome with a desperate need to confess that I've developed an enormous intellectual crush on you as an author. I've never been particularly drawn to Dramione as a pairing before now - or even the HP universe in general as more than a very casual fan - but after reading nearly 600 thousand of your words, I'd be craving more even if that number was 600 million. Thank you very much for sharing Lionheart with the world.
It's a rare pleasure to read something where an immense thoughtfulness shines through so brightly not simply in bits and pieces here and there, but consistently throughout every line and every subplot you stitch together. There are other works of fiction out there that I love, but very, very few of them have been carefully crafted enough to allow me as a reader to sit back and have unshakeable confidence in the depth of the author's vision. Everything you write, from the smallest descriptive details to the grander puzzle pieces tying together each book, is delivered with such intentionality. Sometimes when reading other fiction I'll find myself impatiently wondering "okay, fantastic build-up, but when are we getting to the *really good* part"; with you, every part is the good part. The oft-cited slow-burn mantra of "it's not the destination, it's the journey" doesn't even ring true for me with Lionheart - because in your capable hands, you hurl us straight at that destination with every chapter. All of this to say that my starstruck inner writer is currently pinning a hypothetical pin-up poster of you to my hypothetical writer-ly bedroom wall as someone to look up to.
One of my favourite aspects of your work is how utterly hilarious you are both in your character dialogue and your prose. You've made me laugh more than you've made me cry - and you're guilty of making me cry a lot, especially in Book Four. You balance us between hysterical (funny) and hysterical (dirty, raw feelings) without a trace of whiplash, quite often imparting both simultaneously. Is interweaving humour with Everything Else something that comes naturally to you while writing or is it a process you're consciously juggling?
I've brooded and preened over this message for entirely far too long, and it's not fair to you. Suffice it to say you're kinder than I deserve and this made me want to cry. Any and all pin-up posters of me should render me looking like a deer in headlights, as is the appropriate reaction to this kind of honor.
I'm especially delighted by the hysteria (plural)! In general, it's easier for me to write humor than it is for me to write drama. Not that either one is easy as such, but I think drama requires more architecture. You don't have to explain if a joke is funny; it just is funny, and the audience knows why the characters are laughing/amused/happy. In drama, you have to achieve a certain level of technical character work to set up the punch of a moment; there's stakes, plotting, resonance, etc., and then you have to actually deliver it in a way that isn't either flippant, ironic, or Narm. Basically, there are more axes of failure. And the stakes of a joke failing are pretty low, too: worst case, your audience is like "eh, not that funny" and they move on. If a dramatic moment fails, it can take the legs out from under a whole arc.
One of my tests for whether a moment is ripe for comedy is the question of what the comedy is doing. Is it a realistic reflection of the character's voice in that situation? And, perhaps more importantly: why am I feeling the need to put comedy in this scene? Do I want it because it's natural and tone-appropriate, or am I trying to disguise my own insecurity about the dramatic content of the scene? If the latter, I tend to cut. You can't write from fear, you know?
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envy-of-the-apple · 2 days
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i really appreciate you having some fics where reader is older than the love interest! im not even older than some of the characters you've written for like gojo and geto but i've definitely aged out of certain concepts where the reader is like just starting to be an adult or something and ideas where reader is actually way more mature or has more life experience and still gets caught up is just very refreshing and fascinating! it helps that you're a very skilled writer too!
no, thank you for liking it! I will now use your comment to rant for five minutes.
I've just gotten so sick of fics that mainly portray the MC as 'FrESHLY 18' or in their early twenties. OR OR my personal favorite...some writers are terrified to make their characters 30 ('no y/n isn't almost thirty, she's 29 and a half'). Like bestie, it's okay. You are ALLOWED to have older female characters. it's not a crime.
(I know you're probably talking about monsoon, but I probably shouldn't call gojo a 'love interest' considering its not really a romance....uhhh 'dark interest'???? idk but in Heart Infection (my konigxreader fic) the mc IS older than him so ig we can use the term 'love interest'!!!!)
Yeah, I'm starting to write more older reader because there's literally no content for that type of stuff. I know i shouldn't confuse fiction with reality, but with all this content starring young female mcs....it kind of feels like women arent deserving of love and affection when they're in their mid-twenties, thirties, forties. Its lowkey kinda depressing:(
Anyway here are some characters who i think would prefer older women!
Gojo Satoru, Geto Suguru, Mammon, Kurapika, Steve Rogers, Hawks, Mirko, Rengoku, that one guy from aot who everyone thought was suddenly hot right he was on the brink of death
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bloodypulse666 · 3 days
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People get so sensitive about your personal headcanons. I’d rather someone dislike something and block it than make a big stink about it. Maybe I’m just built different idk. I guess I’m doing that same thing now, complaining when I could just ignore it, but I no no wanna :(
For context, people are mad I posted on another site calling Midas an “abusive older boyfriend”
Specifically, people are mad that I am making a villain character, a villain. Like yes, a bad guy is going to have BAD GUY qualities. Duh. But the part that people don’t understand is the concept of redemption, recovery, and displaying real life traits into fiction and how it can be applicable to let’s just say, me for example. This is how I cope with things/my past and current situations, and I’m sorry if that really grinds peoples gears but it won’t stop me from talking about it or indulging in it. Being unlikable isn’t the end of the world, I guess? I expected to be looked at weird but it’s just funny that a seemingly tame version of what I’m actually thinking about and drawing/writing is what got quite a few people angry.
Everything is so much more complicated than what people generally assume when they first see something they don’t understand, and I genuinely don’t get that mentality. I have a lot of thoughts but just for right now I will shut up and think about it some more because it does bother me to a certain extent to be framed as someone just doing this to fetishize things when that isn’t my intention. I do see how it comes off that way but I guess with lots of time and effort it’ll all circle back around to being explained just through the content alone.
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dead-teef · 10 hours
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A bit of a rant
okay so I've recently got back into Slenderverse and honestly? as much as I love the videos and lore, I loathe the fandom with every fiber of my existence
on one end, you got people who will attack you for liking HABIT or any other different character who's the true definition of a fictional villain, accusing people of condoning a character's actions just by simply enjoying them as a fictional character.
and on the other you have the hardcore canon purists that bully others for writing new AUs/Headcanons/Fluff and what have you, calling it cringe and weird because someone finds comfort in said character, regardless if they're a villain or not. it's not that serious, if you don't like what someone writes, simply ignore or block, it ain't that hard
then you have the ones who condone certain people behind the shows and pretend they didn't do anything wrong (You know who I'm talking about.) and even attack those who disagree, some who even send weird creepy asks to different HABIT blogs Fictive/DID or Roleplay type and weirding people out (Looking at you, Necro anon)
I just don't understand, Slenderverse is a FICTIONAL universe and these are characters, HABIT is fictional, every other character is fictional, fiction is supposed to be enjoyed and not taken seriously, if you don't like a character that's fine, but don't be an asshole to people who enjoy the character. because in the end we're all nerds enjoying a good spooky horror series.
also P.S. , Leave the actors tf alone, they are trying to live normal lives after the series ended, being a weirdo towards them is really gross
Rant over.
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orcelito · 5 months
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showing off the commission i got from @ruporas for my fic, In the Next Life!
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i'm still so incredibly excited about this. it's been some months since the story event that caused these scars, but i wanted SO BADLY to be able to see what they'd actually Look like... & Here They Are.
ruporas rendered the scars So Well, i just cant stop Looking at them... there's a Fresh & a Healed version, which ruporas was kind enough to give me without additional charge (Thank U Again😭😭) so i get to see what it looks like at different stages.
Lichtenberg Figures. in terms of actual scarring, lightning strikes that people survive don't tend to leave permanent scars, but the lichtenberg figures that they (usually temporarily) leave behind are just So Cool... Now, what happens when you get someone who can survive an amount of electricity/lightning that would be Frankly Lethal to any normal human person?
This :]
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captain-astors · 8 months
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Creature. (The rendered ones are referenced from manga panels)
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skinnypaleangryperson · 3 months
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noa-ciharu · 10 months
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People are acting like it's the shipping that ruined modern fandoms (like shipping and fanfics weren't a thing before ffnet and ao3 even existed) when in reality it couldn't be more obvious it's actually lack of tolerance for opinions you disagree with
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more historical fiction needs to be set in ww1. bonus points if you fag it up
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romanticatheartt · 2 months
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I can't believe there are people in this fandom who say Mor lied about what happened at Autumn Court and led Azriel on for centuries. We have people say Gwyn, an SA survivor, has manipulate everyone with her lightsinger power and she wasn't actually SA'ed and undermine her strength in Blood Rite. We have people say Feyre overreacted and minimise her trauma and depression to nothing after UTM and calling her ungrateful...
All of these over another man's action...
While Eris didn't try to help her, y'all make a hero out of him for not touching her. I know why he did it but the fact that you all try to find an excuse for his actions and go as far as calling Mor a liar. (don't forget he slut shamed her in front of all the high lords...)
While Azriel is the one who's been panting after Mor for centuries while Mor couldn't be more obvious about how she doesn't want to do anything with him and you didn't even consider how she might not trust him enough to tell him the truth but somehow... Mor is at fault. Somehow Azriel, not even trying to talk to her once and discuss their situation and create a safe space for her and try to be her real friend instead of trying to be in a relationship with her and waiting for a mate bond to snap, is the victim here... you all don't find his actions creepy at all because he's a "shadow daddy". While Azriel still couldn't say he's over Mor to Rhysand and at the same time tried to fck Elain without thinking anything more about her (no future whatsoever), but somehow... somehow is Gwyn's fault, who used her lightsinger power to prevent it to happen and manipulate Azriel all the same... all of this is being said because of Azriel's own actions and you don't want to blame him and hold him accountable for his doings, so you find (create) these disgusting excuses.
While Tamlin only sat there for 3 months and didn't even try to help Feyre and y'all excuse his lack of action for protecting, but he could get her alone right before the night of her last trial... While he sat there begged on his knees and didn't even try to stop Amarantha, and in the main time each bones in Feyre's body was breaking. And you still find an excuse for him locking Feyre and not listening to her about how she's suffering, how she's drowning, for him being "traumatised"... but Feyre died for him and saved his court and people and the whole Prythian and destroyed herself in the process but you all don't even see it... and go as far as calling Feyre a coward for hesitating to kill those faeries...
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remus-poopin · 8 months
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In a modern muggle au James and Sirius would be one of those left leaning debate bro-esque streamers who spend their time yelling at bigots online but then says some real off the wall shit after talking incessantly for a couple of hours during a stream because they don’t want to actually investigate/interrogate their own prejudices and learned biases/behaviors because they think just because they identify as progressives they therefore can do no wrong.
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