#and who took the most critical acclaim

[ohtobeleah]

Kink.com // Jake Seresin & Bradley Bradshaw

Part One Summary: You’re offered an opportunity you just can’t refuse ~ To shoot a kink .com video with Jake Seresin and Bradley Bradshaw, two of the worlds most renowned BDSM dominants.

Warnings: Jake Seresin x F!reader. Bradley Bradshaw x F!reader. SMUT!! BDSM type scenes. Unrealistic representation of the porn industry but it’s what you’re getting. Overstimulation, orgasm denial, anal, and double penetration.

Word Count: 6.6k

Author Note: This is strictly porn with a plot. There is no critically acclaimed literature here. But vibrators are encouraged!

The warmth of burnt oranges, bright yellows and deep amber reds cast a comforting ambience through your apartment. Cascading windows brought the natural beauty of central park into your living room. You held your phone held close to your ear as you sat wrapped in your bathrobe, hair masked up, drinking in the luxurious moisture of the organic hair mask your best friend had brought you for your birthday. A warm cup of tea cooling peacefully by your side, nestled on the coffee table as you tried not to bite your nails. Coming back into your own head as if you'd been off somewhere else at the sound of your manager's voice.

“kink’s offering $90,000, they really want you to sign on as the submissive in this video Y/n.” It was almost as if your manager knew by your deafening silence that you had your reservations. “At least think about it. Three of the top five porn stars in the world, working together? That’s a lot of revenue for the company and not to mention that 90k? besides! I wouldn’t throw shit your way.”

“I've just never worked with either of them before, I’ll definitely have to do some research, ask around, find out what the go is.” It was something your manager, Alex, agreed with, opting to let you do your research before accepting the deal you’d been offered by Kink and ask around the industry. Weigh up the pros and cons before making a commitment or passing up the opportunity to work with Jake Seresin and Bradley Bradshaw .

“At this stage.” Looking out across the park as trees blew leaves haphazardly across the pavement, you sighed. “I really need to do my research but I wanna say yes just because I know I won’t get this offer again anytime soon.” Alex agreed on his end. “Just keep that between us! It’s not in writing, but yeah, I guess it’s worth it.”

Jake Seresin and Bradley Bradshaw, two of the world's most renowned Dominants in the porn industry. A chance to work with them was a once in a lifetime opportunity, and surely one that doesn’t come around twice. You see, Jake and Bradley had a very unusual request, only one, and that request was–

They only ever work with a submissive once and once only.

So when Kink offered you the chance to work with two of the most well respected, very talented and downright jaw-dropping best friends how could you say no? Their careers as dominants had taken off around the same time you had started gaining recognition as one of the top female submissives in the BDSM community.

Although you were a switch at heart and could dish it out to both men and women just as much as you could take it – you could never resist the chance to be tied up and ‘tortured’ whenever the opportunity was handed your way. And what’s better than being denied an orgasm by a dominant? Being denied an orgasm by two incredibly handsome dominants. 

It took you, if you had to time it, a rough four hours to decide to take up the offer and work with Jake and Bradley. You rang around, asked the questions that needed to be asked. It really did settle your nerves asking those who had worked with Jake and Bradley in the past what they were like. It only took you so long to decide because the layout you received of the scenes looked pretty intense – maybe even the most intense video you’d ever shoot. Kink was trying to get you to branch out and they knew to offer you the gig with the duo would entice you even more, because, at the end of the day you were still human and there was not a doubt in your mind that you would let Jake Seresin and Bradley Bradshaw take you – with or without the money. 

***~***~***~***~***~***~**

As a professional, you did your research – well, by research I mean you sat at your desktop and binge watched any and all videos the dynamic duo had ever done. Especially for Kink, because they were brutal and you needed to know how they operated.

So you sat for hours, drinking your tea and teasing your sensitive bundle of nerves every now and again as you watched Jake fuck Rachel (Phoenix Trance, another very popular pornstar) with a dick stick as Bradley whipped her clamped tits. Oh, boy, did she look helpless tied up like that – hands tied with rope above her head as her toes just barely touched the ground. She was almost suspended. To the untrained eye, it really did look as if she was in pain, desperately trying to force her leg from Jake's shoulder as he thrust the dildo repeatedly into her soaking cunt.

But for you? a pro? You knew all the signs to look for and without a doubt in your mind – Phoenix was loving every second of the painful pleasure that was being inflicted on her body by Jake and Bradley.

At the same time as you were researching them, Jake was happily stroking his throbbing cock to videos of you being a submissive. 

“Ah fuck!” He sat on his bed, laptop just to the side of him, legs spread wide as he slowly pumped his throbbing length watching on as you took a paddling like a true champ. Your ass so raw as you bent over the bench, hands tied in true bondage style as you gaged around the cock that was face fucking you at the same time. “Such a good girl—“ Jake was thinking the same, you looked defenceless against the two burly men whose faces he couldn’t recognise. Unlike him and Bradley, most male dominants are off-screen as much as possible, whereas they like to show the whole world how they fuck their submissives. 

“You can’t take a lot can't you?” Jake was looking for signs of distress, looking for your tell-tale signs to ‘stop’ or ‘slow down’ and he only saw one. You would gag three consecutive times if you truly needed to breathe, not wanting to break character, the dominant would back away, slap your face with his cock a few times before going straight back to work.

Bradley was busy doing his own research, but unlike Jake? he was watching you be a dominant.

See when it came to being a dominant or dominatrix to be politically correct, you much preferred to work with women. Why? Because you knew how to work your way around a woman's body. And views were always ten times higher so with good revenue coming in for the company, meant a bigger paycheck for you. You enjoyed your job, truly you did but sometimes it was more about taking the biggest check so you could provide for yourself financially.

“Ohh fuck—“ Bradley watched as you held your submissive’s cheeks, her lips pressed out and puckered as you held what seemed to be a very high-speed vibrator to her sensitive bundle of nerves. With a hand wrapped around his length Bradley jutted his hips forward as he twitched in pure pleasure. “Such a tease.” 

You had her arms and legs tied together. Feet to wrist in some of the most professionally tied bondage Bradley had seen in a while. Almost as good as his own knotwork. Leaning over your submissive Bradley couldn’t help but noticed how much joy you took in pleasuring your submissive– Bradley was sure he’d fucked her once before but he couldn’t put a name to the fucked out face he was listening to scream for you to let her cum. It was safe to say Bradley was very much impressed with your abilities none the less but watching how you ‘torture’ your submissives just made him want to give you something to cry about. “Let’s see how you like your own medicine.”

***~***~***~***~***~***~

Nervous. That’s what you were when you entered the lobby of Kink’s headquarters in New York. Like a 5-star hotel lobby, it blew you away with its magnificent ability to be seemingly innocent in its disguise. Walking up to the ‘reception?’ you stuttered a bit before the lady typing away on the computer noticed who you were.

“Hi, um–I’m h-here to shoot a video for–”

“Y/n darling, we’ve been expecting you!” The lady confessed with a wide smile that was warm and welcoming. “I’ll show you to the room shall I?” Before you could even nod she was on her feet. Her pencil skirt was so unbelievably tight around her thighs and ass that you could clearly make out the thong underneath the thin fabric. Her red bottoms clicked against the marble flooring until you both reached the elevator. Stepping in, it felt awkward – so you prepared for the awkward silence. But to your surprise, she kept talking.

“This your first time working with us?”

“Hmm? Oh-oh yeah” You mumbled, pushing your hair behind your ear as you cleared your throat. “I’ve never shot in this building before, but I’m not a virgin to Kink – done maybe three or four soft bondage videos for you guys.” She smiled, generally intrigued by your conversation.

“I think I’ve watched a few of your videos actually, either that or I’ve mailed the check.” This time you both laughed, it made you feel really comfortable walking into such a compromising situation–but you figured that was a part of her job description. When the elevator dinged, signalling you had reached your final destination, she bid you a professional farewell.

“Well Y/n I hope you enjoy your day. Two doors down the hall to your right.” You nodded in response, still nervous but much more confident than you were just moments ago. As you walked down the hall, remembering the directions given, you stopped at the door that read “Seresin/Bradshaw x Lavender” on the front. It was common knowledge your last name wasn’t lavender, it was somewhat of a stage name, something to give you an extra boost of confidence. Your last name wasn’t public knowledge. 

Knocking three gentle times it wasn’t long before someone opened the door, and boy were you instantly smiling when you noticed it was Jake Seresin himself.

“Hi” Was all you said as he stepped to the side to welcome you inside.

“Hi? That’s all the guy who’s about to fuck your brains out gets?” You immediately knew Jake was joking by his tone of voice. You let out a sheepish laugh, biting your bottom lip as you tried to hide the smile growing on your somewhat nervous face. Jake turned, leaning against the door he’d just locked behind himself, arms folded over his chest as the black T he wore looked as if it was about to burst from his chest.

“Rumour has it you only want me for my body Seresin? Where’s your other half anyway?” Jake chuckled before running a hand through his hair, only to gesture over to Bradley who was helping the camera crew set up their stations and double checking they had all the toys the scenes required.

“He’s being pedantic, has to make sure everything’s perfect for every shoot we do.” Jake placed a hand on the small of your back as he walked you deeper into the dimly lit room. Blinds drawn and studio lights already shining. “Especially for such a highly anticipated collaboration - Who knows? Maybe if you’re as good as what I’ve seen we might have to see each other again?” You stood still, frozen in your tracks at the words that just escaped Jake Seresin’s mouth.

“You don’t work with people more than one time around? I know your rule, don’t be a tease.” You scoffed, somewhat flirting to ease your anxieties.

“Aren’t rules meant to be broken? M’not teasing Y/n, just letting you know that if you’re a good girl we might be able to come to a standing agreement.” Jake was smug in the way he spoke to you, clearly already very deep into his dominant character–a method actor for the camera. So you humoured him, trying hard to fight off the natural dominant within yourself as you would have to submit in less than half an hour.

“Well as long as you don’t break my rules Jake, I don’t think we’ll have a problem.” Confidence seeped from your pores, or maybe it was just the sweat beginning to build up from the heat being produced from the studio lights.

“And what would those rules be Y/n, hmm? does it have anything to do with the fact you gag three times in a very not so natural way if you can't take a dick down your throat?” Remember that confidence you thought you had? Yeah no, it was definitely just sweat.

“How did you kno—” Before you could finish your sentence, Jake spun you around so your back was against his chest, his hands pulling your arms behind your back, coming between the two of you as he leaned over to whisper in your ear.

“I do my research sweetheart, oh am I going to have fun with you today.” His hot breath fanned against your cool skin, causing goosebumps to rise wherever it fanned against. The heat between your legs already began to rise but maybe that was Jake’s objective to begin with, get you as naturally wet as he possibly could before filming commenced.

“Trust me I did my own, that stick thrust? weak at best.” You fired back, looking over your shoulder as Jake's grip around your wrist became tighter at the sound of your fiery voice.

“Oh yeah? We’ll have to see about that, won't we? God wait until Bradshaw gets a hold of those perky tits – you’ll be begging for a fucking orgasm.” Jake let you go as he stepped away. His pants had become increasingly tighter at the thought of what he was about to do to your perfect body. Your attitude just made it even better. He always loved a fight, loved some foreplay before really getting into it.

“Shall we?” Jake questioned, gesturing to the stool you would be sitting on momentarily, going through your safe words and restrictions.

“Only if you have something other than that belt hugging your waist to choke me with?” You teased, walking past him to the chair, smiling at Bradley who was waiting–arms crossed and smirking wildly as he watched you saunter over. You could hear Jake mumble under his breath but chose to ignore it so you could get the nitty gritty part out of the way so the three of you could truly have some fun.

“Trust me, the thing I'll be choking you with isn’t on my pants, it’s in them.” 

***~***~***~***~***~***~***

“Okay Y/n, are you over the age of eighteen?” Bradley asked as the camera’s focused themselves on you as you sat perfectly poised on the stool. Both Jake and Bradley sat just off camera for this section of the filming, just asking the necessary questions the audience would love to know when the video is finished and posted.

“I am.” You politely responded, crossing your legs as you held your hand over your knees. You were far too excited, probably more excited than you’d ever been to go to work. 

“Okay good.” Bradley was reading from a list of mandatory questions that needed to be asked, stuff Jake and himself had to know before they could even lay a finger on you – something Jake didn’t really consider before when he was making you cream your panties in the name of foreplay.

“what’s your safe word when not gaged?”

“Red.” You smiled, biting your bottom lip.

“And how about when you’re gagged?”

“Three consecutive uh uh uh’s, really quick, you’ll know it if you hear them.” Bradley nodded as Jake smiled, he already knew that.

“What do you say in response to a question asked if you are completely comfortable and enjoying yourself?”

“Yes sir.” You were getting squirmy, moving around the stool as your panties dampened, every question Bradley asked meant you were closer to getting fucked –and truthfully? You had never been so excited.

“How about if you need one or both of us to pull back but not break character or stop the scene?”

“Yes master.”

“Good, okay.” Bradley was checking off questions left and right, flying through the paperwork he had to fill out as he smirked at you, his eyes dark and full of lust.

“What are your restrictions?” Jake took over, eggar to know with a curious tone to his husky, deep voice. Giggling innocently, you looked at the two of them, the camera crew practically none existent in your mind at this point – you had done this too many times before to worry about a few extra men and women seeing you get fucked.

“I don’t like foot play and I really don’t care for electro stim –so don’t come at me with anything that shocks or zaps.”

“So overstimulation, orgasm denial, anal, and double penetration are okay? Just no prods or feet. Am I correct in my assumptions?” Jake was being more than professional for the camera, he knew exactly what to say and when to say it.

“More than okay.” It was the way Bradley coughed slightly to clear his throat, interrupting Jake before he could literally walk towards you right that second and start taking you as if you were all his to play with.

“Okay well, I think we have everything we need, I’ll have Jake quickly log this and I’ll help you get set up shall I?” Bradley stated as he smiled wildly, excited to finally get you out of your pretty sundress and into some restraints. He definitely hadn’t forgotten about the video he had watched of you ‘torturing’ you submissive – so he was very keen to have you screaming, begging to cum.

***~***~***~***~***~***~***~***~

Bradley was gentle with his hands as he hogtied you with the thick natural rope – talking to you naturally while off camera.

“This okay?” He asked as he tightened the rope, pulling your arms back the slightest bit more to meet your feet. Your stomach flat against the bench, exactly hip height to where Bradley stood beside you.

“Could be tighter if you want it for aesthetic but it’s okay Bradley.”

“I saw what Jake was doing before? Did it work?” He chuckled as he walked around the bench, making sure you were properly restrained on all angles.

“I don’t know, you tell me?” You teased, your legs spread and already bent – it would be so easy for Bradley to slide his hand down your ass cheek to see if his best friend really did get you nice and slick–which Jake had, but Bradley just groaned softly. He could wait, but the question on the tip of his tongue was could you?

“I would, but I’ve got something else planned for you first.” Placing a blindfold over your pretty eyes before giving you a quick and sharp slap to your ass before he left you hogtied and alone on the bench, retreating to get the camera crew and track down where Jake had wandered off to.

***~***~***~***~***~***~***~

It wasn’t long after Bradley left that you once again heard heavy footsteps in the room and you knew it was go time by the slow and steady way they walked. Your breathing became increasingly heavy with anticipation. Everything was quiet for a moment, the only thing that could be heard was your heavy breathing–until you felt a slight sting against your pussy.

“Ah!” You whimpered softly before you felt the sting again, it wasn’t a hand so it could only be what you assumed to be a soft whip one of the duo was working to flick against your slick, dripping pussy. You could feel a hand being twisted and interlaced in your hair, making a makeshift ponytail, pulling your head up from the bench.

“Open your mouth.” You heard the familiar voice of Bradley say – or maybe it was Jake? Without your visual to back you up, you weren’t entirely sure, but regardless of who it was you did as you were told when you felt the head of their cock glide against your soft bottom lip. Plump and ready.

“Good girl.” You heard him say before he slowly got himself familiar with the feeling out your mouth and throat. ‘Good girl’ You thought as you gaged around his shaft–definitely Jake. He didn’t give you much time at all to adjust to his size, beginning to face fuck you hard enough for your mouth to salivate like crazy, spit trailing from your lips to his tip whenever he would pull back to give the camera something nasty to film. 

“Do you like the way my cock feels in that dirty mouth or yours, slut?” Jake worked to slap your face softly with his wet, heavy cock as he asked you the first question of the day— testing to see if you remembered the responses. Starting with something mild.

“Yes s-sir.” You responded before his cock was being shoved firmly down your throat once again–thrust picking up speed and depth as Bradley continued his soft assault of whips against your pussy, tenderising the area so overstimulation would be quick and easy to obtain.

“Uh--!” You gagged around Jakes length, not only from him face fucking your mouth but from Bradley’s own whipping progressively getting harder–faster, not so soft against your sensitive clit that was beginning to throb from the sharp slaps it was receiving. Long strains of perfectly woven strings all working harmoniously to bring you pleasure in the hands of a master.

“Look at you.” You heard Bradley say from behind you as Jake never slowed his assault on your face. “Do you want me to make you cum?” You gagged, Jake only pulled out of your warm mouth to marvel at the sight of your swollen lips and chin glistening from your own saliva and his cock just covered– jerking himself off as he waited for you to answer.

“Y-yes sir!” You cried through gritted teeth, your breathing heavier than before as you tried catching your breath quickly before Jake shoved his cock straight back down your tight, contracting throat. With one last whip you whimpered around the length stilled in your throat before feeling a set of fingers spreading your lips apart.

“Look at how wet you are? I bet if I just blew on your throbbing clit right now you would cum instantly?” Bradley teased, a hand came down heavily on your left ass cheek – making you jump slightly before you felt something enter you. God, you wished you could see what they were doing to you.

It was the stick dildo, entering your tight fuck hole as Jake pulled away, finally letting your hair go as your head fell heavily to the bench.

“Oh fuck!” You moaned as Bradley pushed the dildo deep inside your pussy, so deep you swore it was in your gut.

“You want to cum?” Bradley asked as he began thrusting the dildo in and out of your slick cunt. Already making you a moaning mess. “Answer me, whore–” 

“Please! Please yes, make me cum sir!” You cried, begged as he fucked you so good with the dick stick, you couldn’t see but you had a feeling his face was right in front of your pussy, getting a front row seat as he kneeled behind you.

From the whipping stimulating your clit and the thrust filling you so good you were so close, so close to hitting your first high of the shoot.

“Please can I cum sir!” You cried, whimpering as you trembled, Bradley never slowed his pumps as he watched you take the dildo nearly as big as his own deep inside you.

“Hold it.” He ordered, a scream of pain leaving your lips as you tried so hard to stop yourself from releasing. “Beg for it you little whore.”

“Ah--! Sir p-please let me cum!” You begged, you were so close to not being able to hold back any longer, until you heard it, the words that made tears soak the blindfold wrapped tightly around your eyes.

“Not. A. Chance.” You felt the dildo leave your body, now empty you sobbed from the denial. Both Jake and Bradley left the room as you cooled down a bit– ready for the next intense scene to begin.

***~***~***~***~***~***~***~***~

It was pure torture—being denied of an orgasm. But you loved it, the feeling of being powerless yet having all the power at the same time. Because you see, it’s never really the dominant who’s in control. It’s always the submissive - especially during a bondage scene because, with one word, you have the power to completely shut it down. Being powerless in a controlled and safe environment is exactly what you were right now, having been tortured within an inch of an orgasm you didn’t think it could get worse. Oh, how mistaken you were.

Hands tied above your head with one leg planted firmly on the ground and another tied to a plank of wood. This time you could see and oh how thankful you were for such a blessing. You couldn’t just feel the clamps pinching at your sensitive nipples, but you could see the way your buds plumped under the pressure of the harsh clamps that brought you so much pleasure— slightly irritated from the pressure they found themselves under. Just enough but somewhat painful. If left to be still it felt as if nothing was there, move slightly and oh shit.

You heard the familiar sound of the duo’s footsteps creaking against the wooden floorboards—you could see them this time, both of them in all their glory. Right now you could only describe them as sex on legs, but you were sure you’d have to wait to feel them inside you another time, maybe being a good girl as Jake said could be your only chance at feeling his cock inside your cunt instead of just your mouth - but at a later date that would have to be discussed because right now they were both walking towards you dangerously slow. Jake holding a vibrator in his large hand and Bradley with his signature whip.

You tried to move, whimpering slightly as Bradley got close enough to pull on the nipple clamps that made themselves at home on your perky tits. The chain dropping between them.

“Miss us?” He asked with a cocky smirk, pulling your head to the side as you answered a simple “Yes sir” While he trailed harsh kisses down your neck.

“Maybe you’ll get lucky and Jake will let you cum? Do you want Jake to make you cum?” Bradley’s eyes never left your beautiful face as he moved to the side of you– allowing a smirking Jake to drop to his knees before you, placing the currently off vibrator against your very stimulated, very sensitive clit.

“Yes sir.” You whimpered only for Jake to slowly but surely turn on the vibrator one setting at a time. 

“Ooh—! aauurrggg—--Yes!” You cried aloud. Your leg instantly shaking from the feeling. Bradley pulled and teased at the nipple clamps, his hands gentle in compassion to when he started to whip the soft whip against your exposed chest.

You tried running, but you had absolutely nowhere to go. The coil in your stomach tightening quicker than ever before as Jake effortlessly brought you closer to your orgasm - hopefully Bradley was right, hopefully Jake would let you cum.

“Aah-! Please, sir can I cum!” You groaned through gritted teeth as Bradley continued his assault on your now very raw exposed chest. Jake shook his head no, looking up at the desperation in your eyes he felt his cock throbbing.

“Why should I let you cum? What do I, well we, get out of it?” You really couldn’t think, barely able to speak as you held onto your orgasm for as long as possible.

“Anything, please sir just let me c-cum! M’begging” you cried out, at this point it was just pathetic how much you were crying out, begging to feel any sort of release. Wet tears streamed down your cheeks but everything just felt so damn good, like you were floating. 

“Ahhhhhhh please, please I need to–I’m gonna– !” You cried again as Bradley tugged hard on the nipple clamps that were oh so tight on your nipples.

“You can cum but say what you are?” Jake turned the intensity up to the highest setting as he worked his fingers into your pussy, curling his fingers into your velvet walls as he manoeuvred the vibrator just right.

“Ahah- uhhh, I’m a fucking whore!” You whimpered. Your body trembling as your eyes rolled to the back of your head - squirting all over Jake’s hands as he finger fucked and teased your overstimulated clit through your orgasm–Bradley still working his magic on your exposed raw tits.

“Yes! Oh my fucking god yes! Mmmmm f-fuck!” You were sure your moans could be heard from outside the room but you didn’t care–you finally came, granted permission. Still coming down from you high as Bradley grabbed your face and pulled you towards him.

“We aren’t finished just yet, just one more thing before you're free to go.”

Jake slapped your clit three times after pulling the vibrator away–you were exhausted. Once again both men leaving you alone to recover for the next and final shoot of the day.

***~***~***~***~***~***~***~***

There was nothing normal about your line of work, however – what’s better than making money off the feeling of euphoria. That’s how you felt when you were about to start the next and final scene of the shoot today. Jake and Bradley going out of their way to make sure you had a good experience with them and considering they were already considering working with you again? You were more than happy to play along with whatever they had installed for you – already knowing it wouldn’t be anything to do with your only two restrictions.

This scene was different all together, you were kneeling on a double bed made to perfection. your hands tied behind your back while a ball gag was sitting comfortably between your lips. Silvia already making its way down your chin as you salivated at the thought of what was to come. 

When you caught the eyes of the two men, you were stunned to see them fully exposed and both rock hard. Their cocks bouncing freely as they sauntered over to you on the bed. Making sure to keep your cool so to not break character you eyed them both off as they sat softly on either side of you. Bradley must have had a fetish for your tits, because not only could he still see the lines his whip had left behind from the last scene, but he just wanted to feel his lips around your sensitive bud. So he did just that, diving head first into your chest to suck harshly on your nipple.

“Mmm–” You moaned as he sucked deep purple and red marks on sensitive buds – breaking some of your capillaries from the pressure. A pain you enjoyed and would marvel at the sight left behind in days to come.

Jake's hand diving straight for your entrance, making sure you were still slick as ever for him – and he wasn’t left disappointed. A smirk coming across his face when he saw you flinch from the overstimulation – so sensitive after being denied and tortured before. Jake grabbed at your face, his hand squashing your lips together as he came face to face with you.

“Are you going to take us both like the good girl you are?” Bradley finished his assault on your tits to come up and look at your face practically drained of all colour at the thought of having both their cocks buried deep inside you.

“Uhh huh” You moaned around the gag nodding your head with innocent eyes, Jake chuckled almost devilishly as Bradley rolled onto his back – bring you with him. pulling your chest down flat against his.

Bradley was quick to manoeuvre his cock to your entrance, unable to do so yourself considering your arms were bound behind your back in the same neutral rope used in both scenes before.

“Uhh-!” You cried out so beautifully in his ear, eyes rolling as he pushed himself further and further into your incredibly tight fuck hole. Bradley was biting his bottom lip as he lifted his hips just the slightest of bits to bottom out inside you, so snug and tight around his shaft–he could feel every pulse and shutter you made at the feeling of being so full, but not full enough.

As Bradley started a slow thrust into your pussy, Jake kneeled behind the two of you, stroking his own length with one of his hands and rubbing as much lube as he possibly could around your puckering tight ass hole. The feeling of Jake pressing his fingers around your ass made you want to cum then and there on the spot – but you knew what he was working up to, and you were so ready to feel so full. 

As soon as you felt Jake's hand come to rest on your bound arms and Bradley’s hands squeeze against your ass cheeks – you knew it was about to happen. Soon enough the feeling of Jake pressing his tip inside your ass flooded every part of your body and you let out the most pornographic moan you had ever done, even some of the crew who were filing were stunned to hear you moan so beautifully as Jake pressed his cock further inside your incredibly tight ass.

“UUHH--!” Tears of pleasure were now starting to roll down your cheeks and Bradley realised that he had achieved his goal in giving you something to cry about. Both Jake and Bradley now balls deep inside you, one cock inside your ass, another pressing against your cervix – it was a feeling like no other and you couldn’t control your moans and whimpers of pleasure.

Not being able to tell them how you felt due to the ball gag hindering you from speaking, you could only tell them through your cries of pleasure. And they could only say so much to you during the process as well, not able to take things to a personal level like calling your name. all Bradley wanted to do at the very moment he saw your eyes roll was tell you how pretty you looked and all Jake wanted to do when he felt himself bottom out was let you know how fucking amazing you are at taking two large cocks inside you at the same time – but they couldn’t, contractually. Because it's porn and there are no relations in BDSM.

“Do you like the way we feel?” Jake asked at the very moment Bradley spanked your ass.

“UHH!” You replied, spit dripping from your chin onto Bradley’s chest as they fucked you at different speeds. Jake slow and steady in your tight ass while Bradley went all in, thrusting mercilessly into your dripping cunt.

“Do you want that gag out of your mouth? Bradley asked as he looked over your shoulder at Jake who was literal milliseconds away from blowing his load in your ass. You could only nod furiously – no noise escaping past your lips as you felt the familiar coil within you tighten as you enjoyed being used by two of the most renowned Dominants in the porn community.

Jake unclipped the gag, throwing it away and you couldn’t hold back any longer, screaming out how much you wanted to cum, how good it felt to be so full and stretched and how much you wanted them to flood you with everything they had.

“Please let me cum!” You cried looking down at Bradley as you felt Jake's hand come down on your right ass cheek.

“No” Bradley hissed as he slammed into you, his hand coming to wrap around your throat as Jake continuously spanked your ass–causing you to let out tiny “Ah’s” every time his slightly calloused hand made contact with your raw sensitive skin.

“Please, sir! C-can I cum!” You begged again, begging to feel the release, the pleasure, the euphoria.

Jake looked down at Bradley with a nod of approval and Bradley did the same, both about to shoot their thick hot spurts of cum deep inside you.

“You can cum but tell us what you are.” Bradley ordered and without a second to think you were creaming around his cock, pulsing like crazy around his shaft as you fell even more lifeless into his chest.

“I’m a f-fucking cum whore!”

As you came Jake felt your ass tighten around his shaft and that was enough to throw him overboard, spilling his hot creamy mess inside your deep stretched out ass hole. Bradley doing the same, only into your tight cunt, his load mixing around with yours as you trembled between the two of them – completely fucked out and exhausted.

***~***~***~***~***~***~***~***~

As you got ready, covered your body in the coconut scented moisturiser you liked so much, fixed your hair and makeup after an extensive shower, you exited the studio bathroom only to be greeted by Jake and Bradley who were once again – fully clothed and staring intensely at you. You could only raise an eyebrow in confusion at their weird behaviour.

“Do we need to redo a shot?” You couldn't for the life of you fathom doing a reshoot after how taxing today had been on your body, not that you hadnt enjoyed it. “I swear if that’s what you're asking me we’ll have to do it another time because–” 

“Take this” Jake Interrupted you, handing you a piece of paper that had both Bradley and Jake's personal numbers written down. “I’m a man of my word and you were a very good girl Y/n.” You couldn’t stop the smile from plastering itself across your face or the feeling of heat rising in the apples of your cheeks.

“I already have the company’s number? Why would you give me your personal numbers?” you asked, still confused – most likely from being exhausted and ever so sore.

“I never once said we wanted to work with you again – you made that assumption on your own, I just went along with it.” Jake explained, but you still didn’t get it and that’s where Bradley stepped in to clear things up.

“What Jake's trying to say is we’d love to see you again, maybe on a personal call next time – just us three and no sets?” You looked at Bradley, your jaw almost hitting the ground.

“Mouth closed Y/n, you’ll catch flies.” Jake chuckled at your reaction. You instantly turned to face him more as you answered.

“Oh bite me Seresin.” You hissed jokingly as you giggled.

“That a yes though?” Bradley asked inquisitively – waiting for your response as your mind pondered the potential ramifications of a personal relationship or whatever this could be outside of the professional environment.

“You don’t have to ask me twice.”

***~***~***~***~***~***~***~***~***~***~***~***~***

Part Two Coming Tomorrow

Tags: @phoenix1388 @avaleineandafryingpan @bradshawseresinbabe @cherrycola27 @bradshawbabes @desert-fern @jstarr86 @a-serene-place-to-be @sweetlittlegingy @teacupsandtopgun @marvelshauntedhouse @weirdothatwritess @darkheartcherry @elijahmikaelsonbitch @je-suis-prest-rachel @untoldshortsofthefandoms @chunkiwhunki @whatislovevavy @roosters-girl @endofdays56 @ccristata @emorychase @averyhotchner @xoxabs88xox @krismdavis @creativitybeware @afterglowsb-tch13 @hotch-meeeeeuppppp @ladscarlett @onlyheretowastetime @sometimesanalice

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[supercalifragipopculturevomit]

THE BEST OF DANIEL BRÜHL

It’s dumb, honestly.

You get this seemingly brilliant idea of turning to foreign films so you’re forced to read subtitles and focus—a problem you’ve been noticing of late—but in doing so, you end up with a more destructive distraction.

“Who’s that guy, again? The one in all those international productions?” That’s how I found myself on my Daniel Brühl marathon-turned-obsession.

It was his role as the cute Nazi in Inglorious Basterds that first put him on my radar. Over the years, I would see him in The Fifth Estate, Burnt, Woman in Gold, The Zookeeper’s Wife, and The King’s Man. Midway through All Quiet on the Western Front, I was like, “All this needs is that German actor…” and I had to chuckle when he later appeared on screen. I also checked out the first season of The Alienist because I was intrigued by what he and Dakota Fanning as leads would do with such a spooky-looking show.

Adorable as he was in his breakout role in Good Bye, Lenin!, it was his performance in the critically-acclaimed Rush that caused me to spiral. Similar to when Benedict Cumberbatch took on the modern version of Sherlock, it was like seeing Brühl with new eyes. His playful take on Helmut Zemo in The Falcon and the Winter Soldier was the final nail in the coffin. I don’t imagine it’s all too different from what Tom Hiddleston did to fans of Marvel as Loki.

I’m actually at the tail-end of this obsession now that I’ve seen everything I can get a hold of—around 39 films, two TV shows, a documentary, a music video, countless interviews, a bunch of ads, and a handful of fan cuts—but he has a lot of works worth recommending so I thought I would share them on here. This will mostly be a subjective list with priority on projects I found most interesting which showcase his range best. Like, I enjoyed The Bourne Ultimatum but he was on screen for a total of 2 minutes so I wouldn’t include that here.

RUSH (2013) This biographical sports film written by Peter Morgan—the man behind The Crown—centers on the rivalry between Formula One drivers James Hunt and Niki Lauda in the 70s. Not a fan of F1 or sports in general. I have nothing against either, just zero interest. But this character-driven film, much like Ford vs Ferrari, had me at the edge of my seat the entire ride. And it surprisingly has one of the best meet-cutes—and accidental wingmen—I’ve seen yet.

Brühl delivers an Oscar-worthy performance in this role. For someone who needed a lot of convincing he could do the character justice, he truly went above and beyond. For one, he befriended and studied Lauda, the iconic F1 figure he was portraying. No easy feat considering Lauda being, well… Lauda. In interviews, Brühl recounts the story of the memorable invite he got from Lauda to meet in Vienna. This would be their first meeting and Lauda told Brühl outright that he should only bring hand luggage so he can piss off if they don’t like each other.

He would end up staying a few days and buying additional clothes.

He also spent a month in Vienna to nail the accent, making sure to capture the arrogance and irony innate to it. And although he got driver training for the role, he also considered the tiniest details like which went on first: helmet or gloves? There was also the tricky business of looking graceful entering a tiny F1 car—a bigger challenge for Chris Hemsworth who plays Hunt—but an obstacle all the same.

All the hard work paid off. It was well-received by audiences, critics, and the F1 world. The first time Lauda saw the film he went, “Holy shit, that’s really me”. Lauda’s friends thought he did voiceover work for it. Director Ron Howard was so pleased with Brühl’s performance that he went out of his way to show an unfinished cut of the movie to the producers of The Fifth Estate (2013). This gracious act would land Brühl the co-lead role opposite Benedict Cumberbatch.

GOOD BYE, LENIN! (2003) Can't tell if it's just because the two films have the same composer and were created around the same time, but this tragicomedy set in East Germany reminded me so much of my beloved Amélie. This is definitely more dramatic and political but it has that same mix of whimsy, heart, and charm. With its budget, it was meant to be an indie film, but the story of a son who would recreate a faux-socialist world to keep his mother alive captured the heartstrings of audiences, not just in Germany but also worldwide. Brühl plays the son and his success with this film was a double-edged sword: although it would open doors for him internationally, he would also be typecast as the “nice guy” in his home country.

INGLORIOUS BASTERDS (2009) This has one of the best, most intense opening sequences in all of cinema… and one of the greatest villains. In this wild alternate universe from Quentin Tarantino, he rewrites the ending of World War II. It’s the right balance of dark, hilarious, and entertaining—my favorite from the auteur’s works. Here Brühl plays a cute and charming Nazi, which is very confusing to the senses.

Aside from Brühl, it was also my first introduction to Christoph Waltz, Michael Fassbender, and Melanie Laurent—all fantastic European actors who’ve crossed over to Hollywood after the success of this movie. “Crossing over” seems ubiquitous now but, at that time, giving most of the lead roles to then relatively unknown actors must have been a risk. But for this, it was necessary. Language plays a huge part in this trilingual film and casting native speakers grounded it in authenticity. Tarantino originally had Leonardo di Caprio in mind to play Hans Landa. Whether he meant for him to learn German or to speak English with a German accent, who knows. Either way, it’s safe to say that would have been a different film.

THE EDUKATORS / DIE FETTEN JAHRE SIND VORBEI (2004) This anti-capitalist film, which has become a cult classic, captures the spirit, idealism, recklessness, and angst of young revolutionaries who just want a better world. Where one stands on the measures taken, or even their sentiment, can be considered a litmus test. With or without reference to this quote from the movie—“Under 30 and not liberal, no heart. Over 30 and still liberal, no brain.”—is up to the viewer.

There needs to be a suspension of disbelief for the series of events that takes place but the setting is necessary for the clash of worlds to happen. It’s not a perfect movie but the issues they debate about in length… they’re still discussions we’re having nearly 20 years later.

p.s. this has my favorite behind-the-scenes of all of Brühl’s projects. Though he hasn’t lost his sense of humor, he seems to have become more reserved as he got older. HERE, at this period in his life, he’s a total goofball bordering on loose cannon.

THE FALCON AND THE WINTER SOLDIER (2021) Though I’ve enjoyed quite a few MCU movies, I’m not invested in the universe at all, so watching this wasn’t a priority. In fact, I was ready to settle on YouTube compilations made by devoted fans of all the scenes Brühl was in. Upon seeing clips, however, I got intrigued by his character so I still ended up watching the miniseries and also Captain America: Civil War (2016).

Both were better than I expected. Civil War is more serious, while TFATWS is more playful, but both face relevant issues along with formidable foes. Brühl’s villain in Helmut Zemo is fascinating because he tears the mighty Avengers apart with mere patience, fury, and intelligence… and his motivations are understandable. He lets his character loose in TFATWS—at one point, on the dance floor—and it’s magnificent. His mission is still the same, but this time he does it with a lot of charm, humor, and fabulous Sokovian style. A Turkish delight, personified.

ME AND KAMINSKI / ICH UND KAMINSKI (2015) Brühl’s Sebastian Zöllner is a repulsive and sleazy journalist who has greasy hair and wears too much cologne but I can’t get enough of his chaotic energy. His magnum opus is hitched on a legendary artist dying and his fantasy is to turn the orphaned daughter into a sugar mommy. It’s all kinds of messed up but he plays the hell out of the smarmy dirtbag so it’s a lot of fun. This is Brühl’s second collaboration with Wolfgang Becker, who directed Good Bye, Lenin! Daniel Kehlmann, the writer whose eponymous book this film was based on, would later write Brühl’s directorial debut, Nebenan.

NO REGRETS / NICHTS BEUREUEN (2001) This is reminiscent of the slightly problematic but highly enjoyable teen comedies and coming-of-age films of the 90s. It’s like an edgier Can’t Hardly Wait: boy goes through cringe-worthy measures to get the girl he’s long been pining for, his two closest pals have nothing but dumb advice to offer, yet he still ends up on the path to self-discovery. It’s awkward, chaotic, frustrating, and beautiful—but such is adolescence.

Brühl and his co-star Jessica Schwarz fall in love on the set of this film. And although they would break up years later, the tenderness between their scenes together is palpable and there’s something rather bittersweet about seeing that captured in perpetuity.

For a more straightforward rom-com, he has Lila, Lila (2009). It’s about a guy who passes off a manuscript as his own to impress a girl and the hilarity that follows. It’s on YouTube for those who need a fun and light watch.

THE ALIENIST (2018 – 2020) Based on the novel of the same name, this moody psychological thriller set in late 19th century New York follows a psychiatrist—then called an Alienist—who investigates a series of grisly murders with methods still considered new and controversial at that time, such as psychology and fingerprinting. He gets by with a little help from his friends, John Moore, an illustrator for the New York Times, and Sara Howard, a society woman who works in the NYPD.

In the lead role of Dr. Laszlo Kreizler, Brühl plays the dark, complex, and mysterious Alienist whose study of mental pathologies and deviant behaviors reveals much of himself and his past.

LESSONS OF A DREAM / DER GANZ GROßE TRAUM (2011) This film is loosely based on Konrad Koch, an educator and pioneer who brought football to Germany in the late 19th century. In the movie, the sport is used as a means to pique students’ interest in the English language and culture—both considered barbaric by the Germans at that time. A heartwarming tale of a teacher who overcomes insurmountable odds and inspires students along the way, it’s the German equivalent of Dead Poet’s Society.

ALL QUIET ON THE WESTERN FRONT (2022) This story, the third adaptation of the 1929 novel, “Im Westen nichts Neues”, conveys the futility of war like no other. There aren't as many films on World War I as there are on World War II, fewer ones that tell it from a German perspective, so this is doubly unique in that regard. Powerful watch but 10/10 not like to relive it again. Apart from producing it with his company, Amusement Park, Brühl plays Matthias Erzberger, the German State Secretary who pushes for armistice talks with the Allied forces.

An ideal companion watch to this would be Joyeux Noël / Merry Christmas (2005), another WWI movie Brühl stars in, which depicts the unbelievable Christmas truce between French, German, and Scottish soldiers in 1914. His linguistic ability shines here as he shifts between German, French, and English effortlessly. (Half German, half Spanish, Brühl speaks a total of five languages: those three plus Spanish and Catalan.)

The Zookeeper’s Wife (2017) and Alone in Berlin (2016) also recognize the bravery of defiance at the height of tyrannical regimes. Although between the two, I would skip the latter.

JOHN RABE (2009) This biographical film set in China tells the incredible true story of a German businessman who uses his Nazi Party membership to create an International Safety Zone in Nanking. This was in the late 1930s, during the Rape of Nanjing. In this six-week carnage by the Imperial Japanese Army—which includes sexual assault, mutilations, and killing contests—upwards of 200,000 Chinese are brutally murdered. The protective zone manages to save around the same number of civilians.

Brühl doesn’t play the titular Rabe, but his character, Dr. Georg Rosen, is one of few Westerners who decides to remain and protect Nanking even as conflict escalates. Dr. Rosen was a German Diplomat instrumental in the creation of the safety zone.

p.s. with all these heroic roles in his catalog, I’m convinced Brühl would be a frontrunner to play President Volodymyr Zelenskyy, should a movie be made about him and Ukraine’s conflict with Russia. You heard it here first.

NEXT DOOR / NEBENAN (2021) This is Brühl’s directorial debut. Here he plays a darker, fictionalized version of himself. Definitely not for everyone but quite enjoyable if you’re familiar with his major works and public persona, appreciate the ingenuity of one-location movies, and delight in British-style meta humor.

Pre-requisite viewing for maximum enjoyment: Good Bye, Lenin!, Captain America: Civil War, and The Falcon and the Winter Soldier.

#daniel brühl #rush #niki lauda #good bye lenin! #alexander kerner #inglorious basterds #quentin tarantino #christoph waltz #fredrick zoller #the edukators #Die fetten Jahre sind vorbei #the falcon and the winter soldier #helmut zemo #baron zemo #captain america civil war #zemo #marvel #MCU #me and kaminski #ich und kaminski #Sebastian Zöllner #wolfgang becker #daniel kehlmann #no regrets #Nichts bereuen #jessica shwarz #lila lila #the alienist #dr laszlo kreizler #laszlo kreizler

[justenjoythegossip]

Would it be more “acceptable” if Chris & Abba were exclusively PR?

Chris’ performative political activism

Whether Chris and Abba are a real legitimate couple with a PR spin or exclusively PR, Chris’ political activism has proved to be totally performative. It’s one thing to fight for equality and injustice when it is beneficial to your image, it’s another to do it when voicing that opinion can be costly. Look at Melissa Barrera who expressed her opinion, stuck to her guts and lost the role she is most famous for. Look at Brendan Fraser who refused to stay silent and paid such a heavy price after speaking out on his being sexually assaulted. It took him years to come back and finally take home a much deserved Oscar for his acclaimed performance in the Whale. 

Chris’ persona and brand were utterly destroyed when he was linked to that fat-shaming racist antisemitic Nazi sympathizing girl. The most aggravating part of this PR shitshow is that by accepting to be officially in a “RS” and then be “married” to her, he has helped put her in the spotlight, which was his first mistake. Look at Dylan O’Brien who is in a real relationship with someone extremely problematic as well. They are rather discreet. If Chris and Abba had behaved like a real private couple, if Abba would have stayed in the shadow, then the backlash would have been kept to a minimum. Also by agreeing to this, Chris helped clean her image. Knowing what she has shown to the world publicly, it’s all the more egregious to see the media portraying her as this smart talented great humanitarian who speaks 5 languages and who has perfect eyebrows. The gaslighting is unbearable. 

Of course, Chris has famously said that the industry makes you do things that you don’t want to do. But it is an excuse. It’s a rationalization. The truth is that he had a choice. For sure the two options he was offered probably sucked but he still had a choice. Nobody forced this on him. And he knew the optics were terrible. That’s why he didn’t come back to Twitter, that’s why he took so much distance from his political project ASP. It would have been too hypocritical to be vocal and to be lecturing people when he, himself, was connected to someone that represents what he is allegedly fighting against. 

When he did that infamous asp chat about racism and antisemitism, it wasn’t random. It was very likely a test to monitor the reaction of his fans. This is probably why they left all those negative comments. They wanted to know if Chris had been forgiven...

If their “RS/marriage” was exclusively PR, would that absolve him somehow?  

Certain mods have expressed the opinion that if Chris and Abba were a real legitimate couple, it would be much worse and then they couldn’t support Chris anymore. I don’t mean to judge or criticize anyone’s opinion by the way, especially since I think some of those mods are good, well-intentioned people and I love reading their take on things but I am just trying to ask questions here. 

What is implied here is that it’s ok and preferable to compromise yourself if it’s meant for your career.  And it’s true that we are taught from the earliest age that we have to succeed. Whatever the cost may be. We must have friends, have a career, have money, have a family, have a house… So much emphasis on having and so little on being. This is the darker side of the American dream, it puts way too much importance on money and success. And if you can’t achieve those goals then you are considered to be worthless. Nihilism starts right there. If you are nothing, it’s a lot easier to give up on your morals and ethics… 

To get back to Chris. Yes he’s had an amazing career, the kind of career most actors would kill for. But it’s easy to relate to being terrified to lose what you have and what you have always wanted. I guess the desperation must be unbearable if you have defined yourself by your professional success and you see that things start slipping away from you. And by his looks and demeanor, people can tell he has struggled with it. Although it might be an act of course. But I choose to believe that it’s genuine and that he really feels guilty about it.   

But wouldn’t love make this situation more “acceptable”?

If Chris and Abba were exclusively PR, then it would signify that Chris compromised himself and his beliefs for his career, for roles, for money and for power. 

But wouldn’t it be actually “preferable” and “more acceptable” to compromise yourself out of love? 

Love can be so powerful and nonsensical that certain people have lost their ways because of it. People have betrayed their partners or spouses, some have abandoned their own children because of it. Heck, people have even killed out of passion. And we sometimes free those people in a court of law when a jury decides that the criminal was so blinded by love and passion that they were unable to distinguish right from wrong. We call it temporary insanity! 

If Chris had genuinely fallen in love with Abba (I don’t believe it by the way) to the point of being blind to her problematic stuff, would that be really worse or wouldn’t that serve as more mitigating circumstances? I am merely asking a question: compromising yourself for money and roles is it better than compromising yourself out of love? Did we actually become too cynical? Too materialistic? 

Chris and his treatment of Abba and how it is reflective of our society…

Regardless of what we might think of Abba (and for sure we don’t have a good opinion of her), Chris has treated her very poorly. And this doesn’t reflect well on him. 

Indeed he has done the absolute bare minimum to sell this, has never even said her name once, he has acted all ashamed most times she was nearby, has thrown shade (see the GQ interview where he implied she was judgmental), he has kept repeating how much he likes to be alone and how his dog is his true soulmate. He even said while allegedly being with her that he was looking for a partner to spend the rest of his life with. Ouch!

Of course, people who know about her problematic stuff will have trouble having any kind of empathy for her but that doesn’t make it ok. 

Chris has agreed to this PR shitshow so tacitly he has accepted that Abba is good enough for these PR games and he has accepted to use her. So he should treat her with a minimum of respect. Otherwise he shouldn’t have gone through with it in the first place.  

And it’s very symptomatic of our society these days. With the propaganda pushed by the mass media, we are taught that it’s ok to hate on people as long as they are horrible human beings. And similarly we have seen so many mods troll and comment on Abba‘s appearance as if it was even relevant. Just because someone is horrible, it doesn’t give you a license to behave the same way. Otherwise you become the very same thing you are criticizing. 

[agentnico]

Dune: Part Two (2024) review

I’m fully aware that the Dune sequel has been hit by acclaim from both critics and audiences, and I shall share my own thoughts in due course, but also whilst presenting itself as a serious and sophisticated piece of artsy science fiction tackling challenging themes of religion and politics, from a marketing standpoint this film has been a major farcical meme. From the popcorn buckets shaped like suggestive sand worms (or more so accurately as deformed buttholes) to the viral TikTok video of an unnamed man riding a makeshift sand worm around a cinema lobby on his way to Arrakis, or more likely to one of the gazillion screenings of Dune: Part Two. But yes, absolutely mad bonkers advertising techniques, and not at all reflective of how seriously and straight faced the actual film plays. Anyway, let’s talk Duuuuuuuuuuuuuuuneee…..

Plot: Paul Atreides unites with Chani and the Fremen while seeking revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the universe, he must prevent a terrible future only he can foresee.

Controversial opinion - I was not a fan of the first Dune. I thought it was all spectacle and no substance, and even then in regards to said spectacle, it was just sand. Lots of sand and bland dark visuals. I understand that the first movie acts as a massive exposition piece with lots of world building and introductions of all the characters and various political families and the spice trade and all that sweet jazz, but honestly it all felt so dragged out. Also a lot of narrative choices felt really immature and I did not buy it. In fact, the only memorable part for me was that female voice screaming on the music score every time something crazy happened, and my does that woman have some strong vocal pipe work! Like damn, her screams…. I really felt them!

Going into Dune: Part Two, I was very much of two mindsets. One was more so a feeling of obligation to watch it, as I wasted 3 hours of my life watching the first one that I felt I deserved some kind of closure for my efforts. The other being Denis Villeneuve. Aside from the first Dune, he’s a director that has constantly impressed me with his unique vision and style. Simply look at his past filmography! Prisoners. Enemy. Arrival. Sicario. All impressive pieces of genre filmmaking. Then there’s Blade Runner 2049, that took the classic Ridley Scott movie and managed to improve on it and become one of the most thrilling science fiction epics of the last decade. Also the trailers looked appropriately exciting, and it seemed like the second movie was actually gonna deal with some serious shit finally. Again, my problem with the first Dune wasn’t that it was slow. I mean, I can happily watch Paris, Texas any day of the week and be mesmerised by the empty yet beautiful takes of the American desert. It’s more-so that the first Dune felt aimless and messy. As for Dune: Part Two?

Well, if we’re going to use The Lord of the Rings terminology, and boy am I happy to refer to the dear-to-my-heart Middle Earth whenever I have the chance, then Dune: Part Two holds the scale of The Two Towers. I may not agree with all of it, and there are still some moments that drag, though The Two Towers is also guilty of that - I’m looking at you Treebeard! But overall this is one hell of a cinematic experience and achievement. Visually for one this is eye-candy. And yes, yet again there’s lots of sand, but this time around Villeneuve manages to find very creative ways to add/take away colour to make many sequences truly impressive. There’s an early scene where the Fremen are fighting Harkonnen goons in the desert and the entire thing is seeped in this blood orange palette, reminiscent of the Martian Chronicles, and then there’s the part where we are introduced to the Harkonnen home planet where the entire screen is drenched in hardcore intense black-and-white due to their sun only giving out white and black light, and instead of fireworks there are these watercolour stroked exploding in the sky, to of course the much talked about eye-dropping sand worm riding into battle scene that had the feel of the giant elephants appearing in The Return of the King, and yes that was another most delightful reference to Lord of the Rings! As I was saying though, the entire movie visually is certainly something to be in awe of.

Also Hans Zimmer’s score!! Of course the man’s a genius, having composed so many of cinema’s greatest musical compositions. I can recommend his Live in Prague performance! Hit after hit, and I find myself spinning it on my record player a good few times. Hans Zimmer’s Dune: Part Two soundtrack feels like a thunderously bombastic continuation and expansion of the first film’s more quiet and moody opener, and that shift in tone allows for some truly spectacular weaving of the composer’s thematic tapestry for Dune – with the finest new thread being the absolutely gorgeous love theme for Paul and Chani. A truly beautiful piece that echoes the heartbreaking tragic nature of the central romance of the film. Needless to say I’ve already pre-ordered the limited edition coloured vinyl of Dune 2’s soundtrack from Mutant (the new Mondo).

As for the narrative, as that is where I felt the first film faltered the most in my humble opinion (which I share so publicly online). I really do feel like the sequel is a major set up, for since the first one focused more on the endless word building and set-ups, this movie is all about the character developments. The scope is still big with the various political and religious elements that are tackled and explored throughout, however at the same time Dune: Part Two manages to feel more intimate compared to its predecessor, with the unravelling of the romance between Paul and Chani, but more so the inner struggles of Paul Atreides, as he tries to balance his emotions of revenge with the feeling of wanting to belong somewhere, as well as his denial of being called the so-called Messiah to the Fremen people. Look, the idea of the chosen one has been a concept that has been done over and over again, however I felt here they managed to really make it feel unique and different, with Paul choosing not to take this major responsibility due to visions of the future where he sees this choice result in darkness and dread, yet at the same time realising he has no choice but to follow his destiny and calling. It’s powerful stuff.

The cast list is stacked in this one. Timothee Chalamet is a rising star, having previously excelled his dramatic chops in Call Me by Your Name and his charismatic whimsy in last year’s Wonka, but this is by far his most impressive acting feat. You truly feel his character turning from boy to man, and it’s a real and raw performance. Zendaya shares great chemistry with him, but also in her own right gives a strong turn as a warrior Fremen conflicted with what she sees and thinks. Javier Bardem’s Stilgar adds a slice of surprising humour to the mix, being so obsessed with Paul being part of the prophecy that anything he’d do, Stilgar would find that to be part of what has been foretold. Paul Atreides could literally fart and Stilgar would observe in wonder proclaiming “as it was written”. There’s also a tiny No Country for Old Men reunion with Bardem being joined by Josh Brolin, who’s alright by the way, though it’s a typical Brolin brute role. Charlotte Rampling as the Reverend Mother continues being truly despicable and honestly that wench deserves to be put in her place - the movie’s ending is very satisfying in this regard. There’s also some newcomers to the Dune world too. Florence Pugh as the Princess reminded me a lot of Padme from Star Wars, and Christopher Walken I felt was tad miscast as the Emperor. Don’t get me wrong, Walken is a great actor, but his way of speech has been impersonated and overdone so many times that it is difficult to take him seriously in a role like this. Minus a couple of strong deliveries Walken felt really lazy here. You know who wasn’t lazy though? Austin Butler! This guy understood the assignment, playing the psychotic nutter Feyd-Rautha and he’s truly unrecognisable. Even his voice is different. Gone is Elvis and in cometh his Skarsgard impression! He’s brutal and maniacal and was honestly superb, and I wish there was more of him in this movie.

Again, it’s far from a perfect movie. There are parts still that drag, and certain times where things feel surprisingly rushed, but overall this is an experience through and through, and unlike my feelings after the first film, here I find myself really looking forward to the inevitable third part. In fact f*ck it, who am I kidding - this movie is bloody incredible!! Like I can’t even - it’s abso-fricking-lutely spectacular!! And by the way I read a bit about the Frank Herbert Dune books now and the future sequels are gonna be mad, just saying. Paul’s son becomes this half-man half-worm known as the God Emperor! Things are gonna get weird! Anyway, Dune: Part Two - go see it if you haven’t already. And in Austin Butler’s voice: “may thy knife chip and shatter”.

Overall score: 9/10

#dune part 2 #dune #dune part two #dune movie #denis villeneuve #timothée chalamet #zendaya #movie #movie reviews #film #film reviews #drama #science fiction #cinema #2024 #javier bardem #frank herbert #dune part two review #hans zimmer #josh brolin #christopher walken #austin butler #florence pugh #rebecca ferguson #stellan skarsgard #charlotte rampling #sand worm

[just-barrow]

Interview below the cut:

‘I learned on the job’: Ben Mendelsohn’s new look

By Michael Idato

FEBRUARY 16, 2024

Captured by the lens of cinematographer Jaime Reynoso, Ben Mendelsohn’s Christian Dior cuts a slender, stylish figure in Apple TV’s The New Look. Mendelsohn delivers a luminous performance, played with nuance and subcutaneous emotion. What is not immediately apparent is that it all started in the most unpretentious of places: footy games and pizza nights.

Behind the new series sits an important friendship between Mendelsohn and writer/director Todd A. Kessler, formed in 2015 when Kessler cast Mendelsohn as family black sheep Danny Rayburn in his critically acclaimed Netflix thriller Bloodlines. Since then, the 54-year-old Melbourne-born actor says, an enduring friendship has formed.

“Todd is the easiest person, the most unstressed, unpretentious sort of person to be around,” Mendelsohn says. “I’ve taken him to meet everyone. I’ve taken him to the footy with all my mates. He’s one of those kind of guys. It was definitely the Roosters, but I can’t remember who they were playing,” adding with a grin: “I wish it was a Storm game because obviously, we’re better.”

The New Look sprang into being one night when Kessler “was at my joint, and he was knocking up a pizza from scratch,” Mendelsohn says. Kessler, who is a passionate reader of biographies, had started talking about the renowned French fashion designer Christian Dior, and about Dior’s “personal self, like an authentic self, if you like, and this other self, which he hates. He hates himself for not being able to be his authentic self while he conducts his business.”

“I just turned to him and said, well, when can we do this? Because I didn’t need any more than that,” Mendelsohn adds. “That’s such a universal kind of starting place. And I just went, well, when can we do it? Because after Bloodline, I’d do anything to try and work with him again on something where we’ve got a shot.”

In its final form, The New Look has more than a shot. It comes with a brilliant cast: Mendelsohn as Dior, French star Juliette Binoche as designer Coco Chanel, John Malkovich as Lucien Lelong, the French couturier in whose workroom Dior’s career began, and Game of Thrones star Maisie Williams as Dior’s sister Catherine, a French resistance fighter.

Written by Kessler with Jason and David Rabe, Amanda Coe, Carter Harris, Dani Vetere and Ning Zhou, the series explores the rise of Dior, his creation of “the New Look”, which revolutionised French fashion, his rivalry with Chanel and his close connection to his sister Catherine. Featured among the supporting cast: Cristobal Balenciaga, Hubert de Givenchy, Pierre Cardin and others. In terms of modern fashion history, it is an A-list lineup.

That “the New Look” was transformational for the Christian Dior brand speaks for itself. Founded in 1947, it took just seven years for Dior to account for half of Paris’s fashion export industry. It is owned today by the luxury conglomerate LVMH Moët Hennessy Louis Vuitton, headed by Bernard Arnault.

For Ben Mendelsohn, a boy who was raised on the outskirts of Melbourne, however, that’s a lot of haute couture history to take in. What does the starting point for researching a role like this look like? I ask Mendelsohn. “It looks bare,” he replies, smiling.

As an actor, he explains, he began with the man more than the world he inhabited. “When you’re coming at it, from my point of view, it looks like you want to build a frame, just a frame, and you don’t want to concern yourself where everything’s going to go and get all wound up in that because that’s not where the action is,” he says. “The action is this little field where you can try and surf.”

Mendelsohn took in “a sense of curiosity, unsureness, and I wanted to make sure I could hear the other person. That’s what I wanted to do. To try to get the mechanics of the accent, a sense of what the fabric world is like, what this is like, the family life, that kind of stuff. And that’s it. That’s it.”

Why? “Because I got taught by [Anthony] Hopkins something very, very important, and it changed the way I worked,” he says, declining to go into the details of what was contained in Hopkins’ acting tutorial. [The pair worked together on Spotswood in 1991, when Mendelsohn was just 22.] “I learned along the way,” he adds. “I learned on the job, talking to people.”

Perhaps the most striking revelation in the scripts themselves is not so much that life in World War II-era Paris was complicated – it was, as the history books attest to – but that not everyone’s loyalties lay where you might assume. Louis Vuitton, for example, had ties to the French [pro-Nazi] Vichy regime. Hugo Boss designed Nazi uniforms. Chanel was, for all intents and purposes, a Nazi spy. Cristobal Balenciaga was close to Spain’s Hitler-ally, General Franco. The list goes on.

Mendelsohn refrains from weighing in with an opinion except to say, essentially, that the historical record is there for examination. “I think as Aussies, we have a really strong sense of certainty about certain things; we have a high barrier for what’s good and what’s not,” he says.

What is in the series, he adds, is “the journey of that and the journey of how do you be in the world when you have this self that you don’t necessarily feel an overwhelming greatness about? How do you interact with it with values, integrity that meets reality and [situations where] you must adjust or fall off the side″⁣.

“In the modern world, that’s got a really beautiful message because [Dior] is a very sensitive person, he’s a person with a lot of insecurities, a lot of doubt. He doesn’t feel good about himself in many, many ways,” Mendelsohn says. “And yet he steps forward.”

Kessler, speaking in a separate conversation, attributes what many might feel is a free pass for a brand like Chanel, to the slow exposure of the extent of Coco Chanel’s interactions with the Nazis. Much of the detail was kept in government archives which were not released until years after the war, “and by then, many of the people spoken about had passed away, and it didn’t make much news at the time”, Kessler says.

A few days before our interview, speaking at a press event, Mendelsohn articulated the struggle to position the work of artists in the wider spectrum of both their personal politics and, in Chanel’s case, events taking place around her.

“I think that you can admire the work, you can be moved by the creation, and you can have a sense of that person behind it or not,” Mendelsohn said. “It doesn’t stop the power of the creation and as to how one feels about the person, well, that’s dependent on any number of things.

“We’re not trying to paint sort of a moral story here, we’re just really trying to look at the circumstances and people that are trying to find their way through it and how they do it, coming from where they come from,” Mendelsohn added.

To some extent, Dior himself comes out of The New Look historically unscathed. At the same time, Caroline Bongrand, the fashion historian and former editor-in-chief of the fashion magazine L’Officiel, has described Dior as a man who suffered a lifetime of heartbreaks, including the painful secret of his sexuality.

That secret, coupled with his professional commitment to the creation of objects of beauty, created a kind of binary, the idea of a man divided by his pain and his joy. As an actor, I ask Mendelsohn, does he understand that conflict, as an authentic self himself with a library of performed false selves; as a man of a thousand faces, does he understand a man with two?

“I would think that Christian had a lot more than two,” Mendelsohn replies, with a wry smile. “I think I’m more interested in trying to just bring to life a sense of this particular narrative about him. In terms of the stuff about sexuality, I just felt like culturally we’d already won that space.

“Going back into that would be diverting what we were hoping to do,” Mendelsohn says. “I don’t think the same in such a binary sense, but I don’t know as much as [Caroline Bongrand] does, and that’s a very deliberate choice. I want to know enough that I can get a resonant sense, a vibe if you like, and then I want to dream into whatever it is to do the scene in the moment.”

The series’ costume designer Karen Muller Serreau was another critical relationship, not just because she dressed Mendelsohn in duplicates of Dior’s clothes, but because she also created the duplicate Dior collections that feature in the series. To be clear, the series used no vintage pieces; Muller Serreau was granted access to Dior’s heritage archives, where the original collections are stored, in order to create the duplicates.

“She’s incredible, and it’s an incredible achievement,” Mendelsohn says. Muller Serreau’s knowledge, he says, was critical in filling the gaps in his own. “I try as much as I can to swim in my lane and [depend on] those who are expert to tell me what it’s going to be. I approach it much more like a kelpie, than I do as a guy that stands at the top with a sense of solid knowing.

“And when I go and do it on the floor, I’m not giving you a certainty, I’m just giving a proposition,” Mendelsohn adds. “It’s just a proposition every time. And I’m standing well beneath an audience, trying to offer it up, imagining you as much more able to read and understand things than I am, but giving it my best and trying to do so with sort of a love letter vibe.”

In one sense, Mendelsohn doesn’t give himself enough credit. His performance in The New Look is remarkable, the confirmation of an actor whose career has taken him from Danny Clarke in The Big Steal (1990) and Dazey in Metal Skin (1994), to Pope in Animal Kingdom (2010) and Henry IV in David Michod’s The King (2019), with a thrilling stopover in Rogue One, as Orson Krennic, in an unforgettable face-to-mask meeting with Darth Vader.

“They are all there, [but] it’s very easy to confuse the piece that an audience takes to be the thing that it was [because] what you carry with you is the whole history of working those long, long days in those long, long things.” Mendelsohn adds that much of the time he was “not necessarily feeling very confident about anything, or while demonstrating this sort of pose of like, yeah, I can do it all.”

When he looks in the mirror, even in costume, he still sees himself, not the character he is playing. “When I was younger, it bothered me a lot more; the real thing I lament about [the face] is its pathways are very, very set. I used to wish that I could somehow train the face to do completely different things, But what happened is that I’ve become less concerned with trying to control it or trying to manoeuvre it for effect.”

But, he adds, there are echoes of all them – Danny, Dazey, Pope, Orson Krennic and Henry IV – still with him. “They’re all there. And the ones that are the most important end up being the ones that people love, and Babyteeth, for instance, will remain incredibly important, whether or not it’s taken up,” he says.

“When people love them, they stay in you,” he says. “Danny, Trevor [from 1987’s The Year My Voice Broke], there’s a lot of them ... just moments, moments and moments. And I’ve got 40 years of them, mate. I wasn’t looking to become an actor. I really wasn’t. I wouldn’t have dreamed of it. I wouldn’t have dreamed of it.”

The New Look is on Apple TV.

#ben mendelsohn #the new look

[penguinmichael]

Analyzing Arcane: A Critique of Classism and Bureaucratic Corruption

Part 1/2

SPOILERS FOR ARCANE SEASON 1

In 2021, the indie studio Fortiche released an animated series called Arcane in collaboration with the video game company known as Riot Games. The game utilized the characters and world of their most popular game franchise, League of Legends. The show was critically acclaimed by both new audiences and fans of the game it was inspired by. The 9 episode animated series was revered for it's incredibly stylized art style, fast paced writing, and dynamic world building. However, a particularly interesting element of the show was the way it tackled various socio-economic issues. The show takes place in the fictional nation of Piltover, where various high society inventors would get together and create fantastical inventions. Below the nation lies a place known as the Undercity, where those of lower wealth reside and are forced to endure treacherous plights while the people in Piltover hoards all of it's resources. Through this simple setting, conflict occurs. There is a distinct antagonistic relationship between upper and lower class citizens, which forces many of the characters to challenge their predetermined notions and biases. These situations can easily be compared to real life instances, and the television acknowledges the underlying roots that cause these problems to fester in the first place. This problem is addressed through the overarching worldbuilding, the characters, and the supernatural aspects of the show.

SECTION 1: A WORLD OF CONFLICT

Classism: Prejudice or favor of people belonging to a particular social class.

The television series Arcane contains varying levels of conflict that dramatically affect the characters and the fundamental system within the two cities. The main conflict resides in the consistent mistreatment of the denizens within the Undercity, and how one particular incident ended up with high tensions between the two groups. Years before the first events of the show, there was a riot that occurred at the bridge that would connect the Undercity and Piltover. Piltover's enforcers, who are the equivalence of police investigators in the city, were sent to shut down the riot. The riot quickly became violent, and the entire bridge was quickly engulfed in flames. Many people died at the hands of the enforcers, and both sides had people who wanted to ensure that it never happened again. This event is a trigger for much of the upset within the Undercity. Many characters in the show would talk about how the enforcers would abuse them, and how no matter how hard they worked, they would always end up with the scraps while Piltover profited off of them. This event possesses many parallels to real world riots. For example, the Haymarket Riot that occurred on May 4th, 1886. The riot began peacefully as a demonstration of workers rights during an 8 hour work day.

The violence at the riot quickly escalated when dynamite was thrown a the police, which ensued random gunfire by the police into the crowd of rioters. This lead to the deaths of at least 8 people, and left 40 others injured. Writer Hartmut Keil discussed the historical ramifications of this massacre, stating, "U.S. historians have attributed to Haymarket local as well as national significance; they have viewed it as a conspiracy by the ruling elite against the labor movement, as a death-blow to anarchism in the United States, as an attempt at weakening the eight-hour movement, and as a critical watershed for the organization of American labor at large." (Heil, Hatmut) It is also noteworthy to mention how this riot took place on the tail end of the Industrial Revolution, there was an increasingly bigger gap of technology between the upper and lower classes. This draws from a more minor conflict within the show, and that is the dirtiness of the Undercity due to the lack of better technology. One major character, Viktor, becomes terminally ill due to inhaling an overabundance of chemicals in the air. Meanwhile, Piltover not only has clean air, but is seen as a wealthy pillar of innovation. The Haymarket riot is only one example of how Arcane draws from real world events to tell a story and form a complete message.

An additional conflict that occurs throughout the story is the constant negotiation and corruption that exists between the Enforcers from the Upper City and the business owners of the Undercity. In the beginning half of the show, this negotiating occurred between the characters Vander and Grayson. Vander is a well liked bartender in the Undercity, and everyone in Zaun respects Vander. He was also the leader of the initial riot at the bridge, and deeply regrets his decision to fight as it lead to the death of many of his friends. Grayson, on the other hand, is the Chief Enforcer. She is also well aware of the damage that another riot will bring, and tries everything in her power to prevent it. The two strike a deal.

(Grayson and Vander privately discussing the terms of their deal.)

Grayson agrees to keep her Enforcers out of the Undercity as much as possible, as long as Vander agrees to prevent people from the Undercity to cause trouble in Piltover. The deal, however, is not an equal one. Vander is forced into a corner as he does not contain nearly as much military power as Grayson does. And although Grayson does not want violence, she does not have much of say over her troops if Piltover's governing council feels threatened. A special report by David Bayley and Robert Perito identifies this particular form of corruption, "The notion of “noble-cause corruption,” that is, illegal actions undertaken to achieve laudable ends, is a contradiction in terms in relation to the narrow definition. Noble misbehavior by police refers to actions undertaken on the presumption that they achieve a larger social good, such as the extrajudicial killing of vicious criminals or dropping of malicious prosecutions." (Bayley, David)

This deal keeps the peace for a while, however, as the issues in the Undercity are repeatedly ignored, the people of Zaun become restless. These leads to an internal discourse between the people of the Undercity. One side wants to fight the Enforcers while the other wants to prevent more bloodshed. What do the Enforcers do about this? Nothing. They instead cause more problems as they mindlessly barge into the Undercity, looking for the thieves who robbed an inventor's workshop. This conflict coalesces into a massive power shift. Both Vander and Grayson perish from this battle, and two new sides are created. Marcus, who was Grayson's assistant, becomes the Chief Enforcer and works out a deal with Silco, a notorious crime lord in the Undercity and the main antagonist of the series. This deal is marginally worse, for reasons that will be better explained later on.* The concept of police making bribes with business owners is not a stretch of the imagination by any means. The special report also referenced, "The reports of the thirty-two police commissions on the police identified thirty-five forms of corruption, which can be grouped into four categories: scale and organization, predatory forms, subversion of justice, and gifts and discounts." (Bayley, David) There is a massive amount of corruption and bias that exists within the police system, and Arcane emphasizes this through the interactions within it's world.

SECTION 2: THE DIFFERENCES OF PERSPECTIVES

Arcane also utilizes it's characters as a mouthpiece of it's core themes and messages. The story revolves around at least 10 major characters. Each with their own backstories and perspectives that interact with one another. Each choice a character decides to make drastically effects the course of events that happen throughout the narrative. These choices come from predisposed beliefs that each character contains. For example, a character from Topside may automatically distrust a character from the Undercity. Below is a description of some of the key majors characters, and their ideologies that are a direct result of the hierarchical system of Piltover and Zaun.

(Character name from left -> right: Viktor, Heimerdinger, Mel, Jayce, Caitlyn, Vi, Vander, Silco, Jinx/Powder)

Vander: Known as the "Hound of the Underground," Vander is a large, bulky man who prioritizes keeping the peace above everything else. He runs his bar "The Last Drop" and takes in the orphans Vi, Powder, Mylo, and Claggor. He is haunted by his past misdeeds, and is partially responsible for Silco's resentment. Vander represents a misguided complacency, and his faults lie in his avoidance to conduct any change in the unjust status quo.

Silco: Another resident of the Undercity, Silco is a deceitful, calculative crime lord whose main goal is seperate the Undercity into a seperate nation of Zaun. He plans to do this by using Shimmer, an addictive substance that grants temporary super strength to those who consume it. He is the archnemesis of Vander, whom left him to die after a fight on whether or not they should launch an attack on Piltover. Silco represents the highest form of radicalization against the monopolistic hierarchy of Piltover. He possesses an end justify the means' mentality by using his criminal organization to topple the power of Piltover's government. Because of this, he is seen as an unethical monster to most of the other characters.

Vi: The oldest of the orphans that Vander adopted, she is a tough and rebellious thief that wants to fight for the Undercity that she grew up in. Her parents were killed during the riot on the bridge. She is the biological sister to Powder. Vi represents a younger, more naive perspective of fighting for what you believe in no matter what. Towards the beginning of the show, she does not fully understand the cost of what a full revolution would truly have. Despite this, she follows Vander out of a familial bond.

Jayce: Jayce is a young inventor from Piltover who experienced first hand the power of magic. He wants to combine magic and technology to bring forth a new era of progress in Piltover. He succeeds in this endeavor, and creates what is known as hextech. Hextech is the combination of science and magic to create new inventions. but becomes so swept up in politics that he begins to lose sight of why he wanted to do these things in the first place.

Viktor: Viktor is a young scientist who moved from the Undercity to Piltover in order to attend a prestigious academy. He meets Jayce, and assists him in his invention of hextech. Viktor, unlike Jayce, does not get too involved with the politics of Piltover, and becomes increasingly frustrated at Jayce's hesitance to push newer inventions to the public. This impatience is exemplified by the fact that Viktor is dying, and wants to progress hextech to a point where it can potentially heal his disease.

Jinx/Powder: The youngest orphan that Vander takes in, and is seen as helpless by most other characters. In order to prove herself, Powder uses a force she does not fully understand and incurs a tragedy that leads to the death of those close to her. She is then taken in by Silco, who becomes an adopted father to her. However, as she becomes more violent and impulsive. She, like Silco, becomes a major antagonist towards the second half of the show.

Jinx is an important character due to her development throughout the series. Her relationship between her sister Vi and Silco very much resembles the relationship between the upper and lower cities. While she wants to depend on Vi, and have her sister there to look out for her, she cannot deny the damage she both endured/ inflicted. Much like Zaun, Powder reaches her breaking point and decided to become the villainous Jinx by the end of the first season.

Each of these characters interact in a way that advances the concept of these barriers that exist between the upper class and lower class.

The above clip is an example of how societal differences can affect how a character may perceive a different "group" of people. In this scene, Jayce reaches a limit and lets his internal biases control his advice to Viktor. The show does an excellent job at avoiding focalization- and provides other counter views in the story so the audience can immediately come to the conclusion that Jayce is clearly in the wrong for saying something like that. This comes to an emotional point in the show, where Viktor explains how he is FROM the Undercity, and Jayce realizes the impact of his words.

This is absolutely true outside of fiction. The article "The Dangerous Separation of the American Upper Middle Class" describes the disconnect as, "An upper middle class status is likely to be both a cause and consequence of a high degree of self- confidence and ability to navigate the complexities of the world." (Reeves, Richard)

The graph above compares the proportion of those believing things are changing too face and the amount of income they have. Interestingly, those of higher income are more comfortable with change than those of lower income. These complex viewpoints are shown in Arcane, particularly with Silco. Silco fears the development of hextech, because that means Piltover can create a better defense for itself against Silco's shimmer. He desperately wants to delay it's progression because he believes that the Undercity will not stand a chance against it.

SECTION 3: MIXING THE FANTASTICAL WITH THE POLITICAL

The central story of Arcane revolves around the development of two technologies: Shimmer and Hextech. Shimmer is a purple liquid substance that puts it's consumer into a manic bloodlust. The consumer possesses supernatural strength, however will return to normal after the effects wear off. This substance is extremely addictive, and spreads rapidly throughout the Undercity. This is executed by Silco, who creates multiple Shimmer factories in the Undercity.

(A vial of Shimmer being held by it's creator, Singed)

The fictional substance of Shimmer is a clear symbol for real-life drugs that have created an epidemic in society. It closely resembles steroids or hallucinogens. Steroids can give temporary muscle growth, however, there is an extremely large risk on a unhealthy dependency. The Journal article Drug Legislation and the Minority Poor mentions, "Minority communities have been hardest hit by addictive drug epidemics over past decades and the sentiments of their representatives will of necessity carry great weight in legislative debates. The violence associated with the sale and use of drugs is found primarily in the minority communities of large and medium-sized cities." (Kornblum, William) The correlation of drug usage and low income has been an issue throughout American history. But why is Shimmer most popular in the Undercity? It is because of the lack of power the citizens feel like they have. Many Undercity residents are forced to defend themselves against criminals, and this desperation has them clamoring for any form of power they can get. The St. Joseph Institute states that drug abuse can come from, "Feeling as though you are powerless over your own future..." (St. Joseph Institute). Poverty increases vulnerability and fear, and that fear is covered up through drug addiction. Arcane shows how this feeling of helplessness stems from the lack of proper protection from those who are supposed to protect them.

The other primary invention throughout the show is called Hextech. It was developed by Jayce and Viktor. It is the combination of magic and technology, which was originally a taboo within the community. Hextech is used to create incredible inventions. One example being a way to teleport an entire flying ship to other nations. This granted huge benefits to international trade, and Jayce was seen as an icon by Piltover.

(A Hexgate, which transports airships across the world instantly.)

As tensions build between Topside and the Undercity, the ruling council of Piltover approach Jayce and Viktor with ideas of using hextech as a means of defense. Both Jayce and Viktor are opposed to this, because it went against what Hextech was designed to do in the first place. They created it in order to help people only. But, due to the divide between the two sides of the nation, it was being used to harm others. A Pandora's Box was opened. The story turns from an attempt to create something new to an arms race. Hextech was kept from Undercity in order to prevent Undercity denizens from using it to revolt. Historically, there has always been a level of inaccessibility of new technologies for lower class citizens. In modern times, the technology of a school possesses greatly impacts the effectiveness of educating it's students. The article Is Technology Widening Opportunity Between Rich and Poor Kids? references sociologists Keith E. Stannovich and Anne E. Cunningham, who says, "'The very tool designed to level the playing field is, in fact, un-leveling it. The not-so-small disparities in skills for children of affluence and children of poverty are about to get even larger.'" (Paul, Annie) While educational technology and weaponry are very forms of innovation, they mark a similar precedent. Arcane highlights how something that may seem beneficial for all may only create a bigger divide.

The series Arcane does an effective using it's story to commentate how there is a fundamental disconnect between the upper and lower gaps. Additionally, those who govern this society will inevitably abuse the system they control in order to make themselves feel safer or wealthier. While violence is not an answer to these issues, allowing them to sit and fester will make the gap worse. If class equality is to be achievable, those who are not given a platform must be given it. And the higher class must do their part to adequately assist in reform.

#arcane #arcane league of legends #arcane netflix #silco #caitlyn kiramman #this is for class #vi #jinx arcane #jinx league of legends #school project #isn't this crazy I'm writing about this show for a class #Youtube

[scotianostra]

Happy Birthday David Tennant born April 18th 1971.

Born David McDonald, David was brought up in Bathgate and Ralston and he knew from an early age he wanted to be an actor, at the age of three, Tennant told his parents that he wanted to become an actor because he was a fan of Doctor Who. His parents were very religious people and tried to discourage him but he himself admits to being “absurdly single minded” in his ambitions, educated at Ralston Primary and Paisley Grammar School. He acted in school productions throughout primary and secondary school

At aged only 11 the respected Scottish actress Edith MacArthur told his parents he would become a successful stage actor, David attended the Royal Scottish Academy of Music and Drama on saturdays and passed an audition age 16 to enter the academy as one of its youngest students. From there he took several stage roles at Dundee Repertory Theatre.

His first big break came in 1994 when he was cast in a lead role in the Scottish drama ‘Takin’ Over the Asylum’. He then moved to London where his career thrived and, most notably, he spent several years as a member of the Royal Shakespeare Company, and took lead roles in the critically acclaimed TV dramas ‘Blackpool’ and 'Casanova’ and of course the role which catapulted him into “stardom” as Doctor Who.

Since leaving Doctor Who in 2010 his career has gone from strength to strength, with lead roles in films such as Fright Night, Harry Potter and the Goblet of Fire and St. Trinian’s 2: The Legend Of Fritton’s Gold and in TV series including Spies of Warsaw and the very popular Broadchurch which has just finished it’s third run on ITV. Tennant still treads the board regularly, as well as being in demand for films and TV work, he is married to Georgia Moffett who he met when they co-starred in Doctor Who, her father is actor Peter Davison who took was also Doctor Who in the 70’s!

David’s career has gone from strength to strength, with lead roles in films such as Fright Night, Harry Potter and the Goblet of Fire and St. Trinian’s 2: The Legend Of Fritton’s Gold and in TV series including Spies of Warsaw and the very popular Broadchurch which was remade in the U.S as Gracepoint, which showed his ability to adapt his accent to a different audience.

During the pandemic over the past couple of years David has kept himself busy withthe likes of Ducktales, which as an animated series he has not had to break restrictions.

We saw him in the thriller Livtenko, about the Russian dissident poisoned in London, he was also in the drama series Inside Man, which, in my opinion was just a bit silly, although well acted silliness.

David has recently been filming the second season of Good Omens with Michael Sheen in Edinburgh, it should hit the small screens on Amazon Prime this summer. He has no less than seven projects on the go according to Imdb, so is as popular as ever.

#scotland #scottish #dr who #actor #theate #cinema #television #happy birthday

[seosejun]

Soloist SEO SEJUN debuted at the beginning of last year with the critically acclaimed mini-album, NEW GAME, which achieved immediate success. The album sold nearly half a million copies, and his debut song, MELODY, took home seven music show wins. He followed this up a few months later with another EP, to much of the same success. His meteoric rise to fame and fortune is an obvious by-product of the little over a year he spent in 1V1, a fan-formed group from survival show Last Act. By the end of their fifteen-month temporary contract, 1V1 was on even ground with the show’s winners, ENCORE, having sold over a million copies with their first and last full-length album.

The ten months since his last music release have come as a surprise. While it was obvious he wouldn’t maintain the breakneck pace of 1V1’s releases, the quick turnaround between his first two albums seemed like a promising sign. Now, it looks like those signs were misplaced.

That isn’t to say Sejun has spent the last ten months in radio silence. He’s active as a model and an influencer, gracing the covers of Vogue and Elle Korea to name some examples. He also co-wrote the debut album of former group member KIM CHAN late last year. When it comes to his own music career, he seems to have become completely inept.

With each passing day, it becomes increasingly evident he’s moved on to greener pastures: his streaming career. Sejun’s Twitch and personal YouTube channels 세유화 (SEYUHWA)—a portmanteau of his name and Kim Sowol’s poem “산유화”—made their debuts last summer. Since then, he’s streamed almost every day, sometimes for ten to twelve hours at a time. He spends most of that time playing video games—namely Overwatch 2—and occasionally engaging in the usual parasocial conversations with fans. Given that his appearance on Last Act and 1V1’s entire concept both revolved around video games, it was only a matter of time before his solo career did the same. Inheriting the group concept is not enough, Sejun needs to wholly embody it.

From an outside perspective, C Entertainment appears to support his new ventures. His streams sometimes features his manager, KWON INSOO, as a gaming partner rather than a supervisor. Sejun has yet to speak out or complain about his new management. Knowing his propensity for talking shit, his complaints would be known if he had complaints to make. Viewers were also quick to notice that he seems to be happier and more animated streaming than in either of his solo promotional periods, leading fans to wonder if he still wants to be an idol.

Not everyone is as enthusiastic as he is for his new career. He gained notoriety during Last Act after a recording of him flaming his League of Legends teammates in voice chat surfaced. Although tame by gaming standards, it was not the best look for an idol hopeful. Similar controversies would continue to plague him throughout his time in 1V1, though they did nothing to hinder the group’s success. With his freedom to apparently do whatever he chooses, Sejun has once again found himself the target of those who dislike his disregard for an idol image. Some of his streams also feature former 1V1 member ALEX KANG, who retired from the entertainment industry after the group’s disbandment. Though these collaborations were once celebrated by casual kpop fans and die-hard Supports—1V1’s fandom name—alike, Alex’s insistence on distancing himself from the kpop industry and his tendency to ban people in his Twitch chat who ask too many questions about his idol experience have furthered soured some netizens’ opinion of Sejun.

When asked about the state of his music career or if he’s preparing for a comeback, Sejun is uncharacteristically vague. In responses to comments on his Instagram posts of his latest brand deals, he's “working on it” and hopes fans will “wait a little longer.” He elaborated a bit further on streams, assuring fans it isn’t the fault of his management like many of them assume, but rather his own choices. He doesn’t say much more on the topic.

For now, there's nothing for fans to do but wait as he's asked.

#( ⌖ ) CURRENT OBJECTIVE : MEDIA. #kpop oc #fictional idol community #kpop fanfic #idol oc #bts addition

[authorchu]

Letters to Pugh

A/N: Being a successful scriptwriter must create so many opportunities to meet some pretty famous actors. I took this idea and made a little story out of it! Enjoy :)

You're a script writer, working tirelessly day in and day out to bring your ideas to life. You've been in the industry for years, and you've written some of the most critically acclaimed films of the last decade. But there's one person who has captured your heart and your imagination more than any character you've ever created: Florence Pugh.

You've admired her from afar for years, ever since you first saw her on the big screen. But it wasn't until you met her in person at a film festival that you knew you were in trouble. You couldn't stop thinking about her, dreaming about her, wanting her. And so you started writing anonymous letters to her, pouring your heart out on the page in a way you never could in person.

You wrote about how her performances had inspired you, how you couldn't stop thinking about her smile, how you wished you could be the one to make her laugh. You wrote about how you admired her strength and her talent, and how you knew that you could never be worthy of her love.

For weeks, you wrote these letters, pouring your soul into every word, and then sending them off anonymously to her publicist. You never expected her to read them, let alone respond. But then one day, a letter arrived on your doorstep, addressed to you, in Florence's distinctive handwriting.

Inside was a note, thanking you for your letters, and telling you that she had read every word. She confessed that she was touched by your words, and that she wanted to know more about you. And so you started a correspondence, sharing your hopes and fears, your dreams and desires.

As time went on, your letters became more intimate, more revealing. You wrote about your past, your insecurities, your deepest longings. And Florence responded in kind, sharing her own secrets, her own vulnerabilities.

But as much as you loved her, you knew that you could never tell her the truth about who you were. You couldn't risk losing her, and so you kept your identity a secret, always signing your letters "Your Secret Admirer."

And then one day, everything changed. Florence was in town for a press tour, and she asked to meet you in person. You were over the moon with excitement, but also terrified of what might happen when she discovered your true identity.

You met at a café, and as soon as you saw her, you knew that you were in trouble. She was even more beautiful in person, and her smile lit up the room. You talked for hours, sharing stories and laughs, and before you knew it, it was time to go.

As you said your goodbyes, Florence reached out and took your hand. "I have something to tell you," she said. "I know who you are. I've known all along."

You were stunned, and you could feel your heart racing. "How...how did you know?" you asked, barely able to speak.

Florence smiled. "I recognized your voice, from the way you write. And I realized that I've been falling in love with you, too."

And then she leaned in, and kissed you, softly, gently, but with a passion that left you breathless. It was the kiss you had been dreaming of, for months, for years.

From that moment on, you were inseparable. You wrote scripts together, acted out scenes, and made love under the stars. You traveled the world, hand in hand, sharing adventures and stories. And every night, you fell asleep in each other's arms, knowing that you had found your soulmate.

But there were still moments of heartbreak, too. Times when you doubted yourself, when you wondered if you were truly worthy of her love. Times when Florence had to travel for work, leaving you behind, and you felt the ache of her absence. And then there were the moments when the media discovered your relationship, and the scrutiny and judgement that came with it.

But through it all, you had each other, and that was enough. You continued to write letters to each other, even after you moved in together, as a way of expressing the things you couldn't say out loud.

One night, as you were sitting in bed together, Florence pulled out a stack of letters from her bedside table. "I've been keeping these," she said, handing them to you. "I want you to read them."

You took the letters, and as you read them, tears filled your eyes. They were the letters you had written to her, all those months ago, pouring out your heart and soul. You couldn't believe that she had kept them, treasured them, just as you had treasured every word she had ever written to you.

And then you noticed something else. In the margins of each letter, Florence had written her own responses, little notes and doodles, expressing her love and her longing.

You looked up at her, and she smiled, tears in her own eyes. And then she leaned in, and kissed you again, with a love that transcended words, a slow burn that had been building for months, for years, for a lifetime.

You knew that there would be more heartbreaks to come, more challenges and struggles. But as long as you had each other, as long as you had your words and your love, you knew that you could overcome anything. And so you held her close, and whispered the words that had been on your heart for so long.

"I love you, Florence Pugh," you said. "More than anything in this world." And then you kissed her again, sealing your love and your fate, in a slow burn romance that would last a lifetime.

#Florence Pugh #florence pugh x reader #fluff #romance #anonymous letters #fanfiction

[gerardpilled]

i feel like one of the reasons why the black parade may feel kind of underrated to some degree is because there was just an astronomical amount of truly groundbreaking and dare i say genre defying music being released in the 2000s that maybe overshadowed any critical acclaim that mcr might’ve otherwise received? like just from the period of 2005-2010 there was a massive influx of extremely talented artists that had just debuted (kanye, nicki, gaga, m.i.a., kendrick lamar, sufjan stevens) who can 100% be considered pioneers of their individual genres, styles, and musical subcultures. i think the attention was just all on them (and for good reason) + not many people really took “emo” music super seriously/thought of it as just a teenage-phase thing. it’s interesting to think about what kind of reaction mcr would’ve received had they released all their music say in the mid 2010s instead of the mid 2000s!

I think that could be part of it, but I do think a larger part was how the band was being “sold” to the public. They were a boy band that were in the same conversations and magazines as shit like all time low and 30 seconds to mars despite making music that I personally think was light years ahead of most of their “emo” and “pop punk” “peers”. The band and their label didn’t necessarily help themselves in this way, and I think they kinda sold themselves short by doing the festivals and tours they did. But then again, they weren’t really musically like any other acts that were being taken seriously so maybe they did fit, aesthetically, with blink182 more than queens of the stone age 🤷

[joker-daughter]

alright let me add my two cents because clearly you aren’t allowed to be frustrated in this fandom…

who the hell blamed Tomdayas for Tom’s career choices? like where the fuck did that happen? how does that even make sense? like do you all really think we’re that dumb to think that you guys (or we) have some power over his career or are you all being dense on purpose? we can have opinions and discussions about it though (because what else is there left to do? lmao) and someone pointed out the hypocrisy behind not wanting Zendaya to claim that she owes everything to Euphoria (which is valid and I remember not just Tomdayas, but their stans, meaning the ones who claim to stan one or the other or both, criticizing that at the time) to not questioning when Tom straight up says that about Spider-Man, which again, is an attitude not just shared among (some) Tomdayas, this is not an attack on them for being Tomdayas or on Zendaya, so stop interpreting it that way too ffs

also about “catastrophizing” stuff or whatever because of what he said about his future projects, we heard him say the exact same thing years ago and we’ve gotten one project since then, like you can’t blame his fans for pointing that out, and we’re not saying that we should have gotten these projects by now, we know that he was burned out, we know that he took a break, we know that there was a strike, we know, we’re not stupid, all we want is to know what these are because we keep hearing about it…also about the script reading, I don’t have much of an opinion on it but Tom tends to exaggerate so again, you can’t blame anyone if they want to be cautious in that regard, some of you all are acting like people aren’t allowed to be critical like sorry, we don’t look through rose colored glasses at everything he does and says ffs (also looking at those who clearly weren’t thrilled about that challengers script when it came out) but again, if we didn’t look forward to all of it still (even if we don’t know what it is) we wouldn’t be here wasting our time, that’s for damn sure

and about us wanting “to win stan wars”…what stan war? on tumblr? most of the very few Tom blogs moved from twitter to here because they’re tired of these so called stan wars, but why is it that when we say want to see him work with acclaimed directors, actors or whatever and be in a good and acclaimed project that you all jump to that conclusion? are we not allowed to want success for him outside of the box office? especially after how people (and I’m not talking about fucking stans) have been coming down on him in the past couple years when it comes to his career? and don’t you dare and twist my words into us forcing him into anything, again neither you nor I have the power for that and if he was to come out tomorrow and say yeah, nope, I’m retiring and I don’t want to do this anymore or I don’t care how my stuff is perceived* then fine but clearly he wants to keep working and seems excited about it so why can’t we wish for him to be successful across all fronts with that??? lord

and yes, I know at the end of the day what matters most is what we personally think about his projects, especially as his fans, but you can’t deny that it’s nice to see when they’re more universally celebrated and he gets his flowers for his work and talent…

*which btw he never did but some act like he did, not saying that he’s focused on that but he was clearly thrilled about that CCA nomination so do what you want with that

anyways, crucify me now, Idc

#tom holland

[beyourselfchulanmaria]

Six Facts About Henry David Thoreau's Walden

By Matt Reimann. Aug 9, 2016.

On August 9, 1854, Henry David Thoreau published his book, Walden; or, Life in the Woods. It narrates—with an ample serving of artistic intervention—its author’s experiment to live divorced from society, in an effort to uncover better ways of living. “I wanted to live deep and suck out all the marrow of life,” he writes in a manifesto-like paragraph of Walden, “to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms.” Even in such a brief passage, one can observe the rapturous prose and vigor of perception that Thoreau imbues his writing with. Let’s take the book’s anniversary as occasion to reflect on a few details you might not know about this transcendentalist classic.

It was published under one of history’s least inventive pseudonyms

Henry David Thoreau was actually born David Henry Thoreau. See the distinction? It’s not certain why the name-change made much of a difference to him, and all we’re left to do is make inferences based on character. (Perhaps his priority for self-reliance compelled him to have control over his name, but that, like anything, is guesswork.)

The land was owned by Ralph Waldo Emerson

Thoreau’s friend and mentor owned the woodland on Walden Pond where the author was to live and write for over two years. The pair arranged a sort of friendly trade: Thoreau was permitted to build his house on the property, and Emerson was repaid by Thoreau’s labor in efforts like clearing the land. Thoreau, who was not financially well-off at the time, benefited from the aid of friends and family during his tenure at Walden Pond.

Thoreau wasn’t exactly “roughing it”

As is a favorite point of Thoreau’s critics, the wild life he lived was rather tame. His mother famously helped him out with laundry and food over the two years, and he had guests over regularly. And the land itself was not the rugged frontier. “In reality,” writes Kathryn Schulz in the New Yorker, “Walden Pond in 1845 was scarcely more off the grid, relative to contemporaneous society, than Prospect Park is today. The commuter train to Boston ran along its southwest side; in summer the place swarmed with picnickers and swimmers, while in winter it was frequented by ice cutters and skaters.” She adds that it would take Thoreau but twenty minutes to walk from his cabin to his family home, were we to confuse the writer with Robinson Crusoe.

Writing the book took longer than his stay at the cabin

In the book, Thoreau presents the narrative within the time frame of a year. His actual stay, however, was a little over two years and two months. It took nearly ten years to write and to publish Walden, which was written and still reads like a collection of essays, on subjects as varying as “Economy,” “Sounds,” and working in a bean field.

Walden was published to a mild reception.

The book had a print run of 2,000 copies, which took five years to sell out. His friends, like Emerson, advocated for his work, which helped his book become the classic it is today. While not impressive, such a sales figure was by no means unusual in the American nineteenth century, which had a way of being rather unreliable to the writer. By comparison, Leaves of Grass’ first print run sold only about 795 copies, while great writers like Herman Melville died with heavy debts and little acclaim.

Its author is having a hot moment right now

Spurred by an anti-Thoreau essay* in the New Yorker about nine months back, the author of Walden has been having his legacy and reputation vigorously argued over. Kathryn Shulz, writer of the New Yorker piece, considers Thoreau’s writing adolescent, misanthropic, presumptuous, and selfish. She frames her argument like a voice of radical dissent, but readers have been leveling against Thoreau’s value for a while. It was Garrison Keillor who said Thoreau was:

A sorehead and loner whose clunky line about marching to your own drummer has found its way into a million graduation speeches. Thoreau tried to make a virtue out of lack of rhythm. He said that the mass of men lead lives of quiet desperation. Okay, but how did he know? He didn’t talk to that many people. He wrote elegantly about independence and forgot to thank his mom for doing his laundry.

Indeed, Thoreau’s legacy is not at its strongest. His name is eroding from classroom syllabi, and while his influences encompass the likes of Tolstoy, Proust, and Dickinson, his partisans seem much rarer today.

Many, such as Donovan Hohn**, argue that we have gone far enough in resisting and lampooning Thoreau. Instead, we should return to him (both sides, pro and contra, agree that Thoreau is sooner evaluated than read) and appreciate his first-rate prose, his questions about a life well-lived, and his reflections on nature and the environment, which in the era of climate change, are as vital to us now as they have ever been.

#梭羅 #湖濱散記 #henry david thoreau #walden #💗 #matt reimann

[gunterfan1992]

Pre-Order an Updated version of “Exploring the Land of Ooo”!

In 2020, I released Exploring the Land of Ooo, which took a behind-the-scenes approach to Adventure Time by detailing its complex production history. The book was (at least for me!) a smash success, and the University Press of Mississippi soon agreed to re-release it. And so, I whipped up some more content, conducted more interviews, and produced an updated version.

I’m excited to announce that this version is finally available for pre-order! Here’s the cover:

Here’s the description:       

Exploring the Land of Ooo: An Unofficial Overview and Production History of Cartoon Network’s "Adventure Time" is a guide through the colorful and exuberant animated television series that initially aired from 2010 to 2018. Created by visionary artist Pendleton Ward, the series was groundbreaking and is credited by many with heralding in a new golden age of animation. Known for its distinct sense of humor, bold aesthetic choices, and memorable characters, Adventure Time has amassed a fan-following of teenagers and young adults in addition to children. Popularly and critically acclaimed, the show netted three Annie awards, eight Emmys, and a coveted Peabody.

In this thorough overview, author Paul A. Thomas explores the nuances of Adventure Time’s characters, production history, ancillary media, and vibrant fandom. Based in part on interviews with dozens of the creative individuals who made the show possible, the volume comprises a captivating mix of oral history and primary source analysis. With fresh insight, the book considers the show’s guest-directed episodes, outlines its most famous songs, and explores how its characters were created and cast. Written for fans and scholars alike, Exploring the Land of Ooo ensures that, when it comes to Adventure Time, the fun truly will never end.

And here’s what some cool people have said about it:

As thorough and comprehensive an account of Adventure Time as one could possibly hope for. I’m grateful for and flattered by all the care that Paul A. Thomas put into this work.—Tom Herpich

"Pen Ward’s Adventure Time is just the sort of bellwether series that deserves the thorough and thoughtful historical accounting Thomas has given us here. I love it (but I still freaking hate Trudy).—Eric Homan

Exploring the Land of Ooo is a wonderful book offering an extremely engaging and thorough production history of the popular show Adventure Time.—Paul Booth

Fascinating revelations from the world’s foremost scholar of Ooo.—Casey James Basichis

Pre-order a copy today through UP Mississippi’s website here: https://www.upress.state.ms.us/Books/E/Exploring-the-Land-of-Ooo

#adventure time #atimers #up mississippi #exploring the land of ooo #finn the human #jake the dog #marceline the vampire queen #marceline #princess bubblegum #tom herpich #eric homan #paul booth #casey james basichis #pendleton ward #adam muto #pen ward

[rel312]

I’m not commenting on the actual post cause I don’t want to start an argument with someone who clearly can’t handle it, but I’m genuinely upset that people are this mad that Tom Felton made a joke that was, essentially, about his dying his hair blond again for a role.

He was a kid when he took the role and had it for 10 years, I don’t think he’s ever said that he agrees with rowlings statements. If you started something when you were a kid and it was your entire life growing up, of course you were gonna still talk about it as an adult. Yes, most of the other cast have tried to separate themselves from it, but it was because they didn’t want to be type casted for something they started as kids and they always talk about it fondly when it comes up.

One person said that he hasn’t found critical acclaim outside of hp and still needs it, unlike the others, but a) who said he’s looking for critical acclaim? The others distanced themselves from it so they could be taken more seriously as actors but maybe Tom Felton doesn’t want that? We don’t know what he wants, and b) the others still needed hp in their lives, it opened them up to possibilities that never would’ve happened otherwise, they never would’ve gotten the roles they did without it, and while rowling is a horrible person with horrible ideals, Tom Felton and the rest of them managed to be a part of and create something amazing.

I’m not trying to advocate for hp, and it’s perfectly valid to have mixed and/or negative feelings about the series, but it’s wrong to tell others how to feel about the series, especially when the series had such a big impact on their life. As long as that person recognizes the harm that rowling is doing, there isn’t necessarily anything wrong with enjoying the series for what it is. Tom Felton has a special connection to it and it’s so sad that people make fun of him and put him down for loving the movies he grew up creating.

Also the fact that the person who posted this put him down so much, both with his acting and with calling him humiliating multiple times, one of which being for “failing” an audition (which isn’t even how it works) that we don’t know he actually did, it’s so obviously a joke and I can’t believe someone would put him down over something so stupid

#I’m just so upset that someone would put down another human being over this #there were multiple people who got angry at him #and it’s so upsetting #barbie #barbie movie #tom felton

[world-cinema-research]

Superbad, 2007

a personal favorite film

The film that I have decided to rediscover is the movie Superbad starring Jonah Hill, Michael Cera, and Christopher Mintz-Plasse. They star alongside Seth Rogan who happens to be one of the three writers who created the screenplay for the film. Seth and his childhood friend, Evan Goldberg, decided to write this film together as it reflected on the high school experience they had with each other, along with some dramatics added for entertainment. Something I found to be very interesting about the movie was that it took around 12 years to fully make from writing to filming all together. Seth Rogen had even possibly thought about playing the role of himself in it, which. ended up being given to Jonah Hill It depicts a somewhat coming of age moment in life as well as showing adolescence and the beauty of friendship in a way. When I first saw the movie, I believe I was around 15 or 16, and I had watched it with my best friend at the time on a movie website called Watch Party in which you can watch the same movie at the same exact time as someone and you are able to chat about it as you are watching it. I think the combination of watching it with my best friend and us being able to comment on it together and experiencing high school at the same time, it kind of felt really just fun and entertaining. Looking back on it now, it really just feels nostalgic. I tend to rewatch it whenever I want a pick me up or a good laugh, and it always takes me back to a point in life when I was in high school and the nostalgia is something I will carry with me with each rewatch. It seems weird that a silly movie like Superbad would leave a strong impact on me, but I love it. I have also introduced the movie to more friends who haven't already seen it, and they always end up loving it, which makes me happy as well. 

The movie seemed to have been met with great critical acclaim. It was almost an outright hit as a film and did very well. When it comes to numbers, the film had a domestic opening of $33,052,411 and ended up grossing $121,463,226 overall, according to Box Office Mojo. Seth Rogan being a big name already is somewhat what drew people's attention toward the film as he had been previously partaking in other movies that did well. A mix of actors was also intriguing to viewers, as Emma Stone is also a supporting actor throughout the movie. Something that assisted the return of investment was simply by the genre of the movie, comedy. The film was primarily a comedy, relying on its witty dialogue, raunchy humor, and absurd situations to entertain audiences. This comedic approach appealed to a wide demographic, particularly younger audiences. I feel like nowadays the film industry is heavily lacking in comedies, unless I am simply missing them. In the early to mid 2000’s, I feel as though comedy was so much more apparent and frequent and I hope it can make a return. "Superbad" blends conventional comedy elements with unconventional humor and character dynamics. While it follows a typical narrative structure and features familiar high school archetypes, its raunchy humor and realistic portrayal of teenage life set it apart. The film's unique tone and fresh character interactions contribute to its unconventional appeal within the comedy genre. The only real limiting factor I would say that possibly prevented bringing in more viewers was the R-rating that this movie holds. The movie is pretty raunchy and the language that is used very clearly depicts a movie that would be rated-r. Something interesting I discovered was that Spider-Man 3 premiered this year as well and it had become the top grossing movie of 2007, with Superbad a bit down the list at 21. 

Upon rewatching, I find myself with the same feelings as before, in the most positive way. I simply love the movie, and it definitely stands as one of my most watched movies ever and a comfort movie I always turn to. Like stated previously, it now holds a lot of nostalgia for my own adolescence and it feels really cool to watch it again and somehow feel like how I did when I was 15 watching it for the first time on a random day. Something I noticed this time when watching it was how much I enjoyed how the movie timeline was only one day, and it felt like I was going through the whole day with them as a viewer, and I just love when movies do that. 

#Youtube

[flu-szn-archived]

“  ✼    .     UR SO SICK : THE RECAP !    ㅤ ╱ ㅤ. ㅤ

a huge part of so s!ck's identity from their start in 2011 until 2016 was their independence. repeatedly refusing to sign with major north american labels slowly became part of what made the band so attractive to its core fanbase.

as their fanbase and prominence grew, however, the band found itself placing too much time and energy into the management of their careers rather than the artistic experiences they were most interested in.

the final straw for the quartet came in late 2015 during their first national tour. between the creation of what would later become their breakthrough album, closed captions, tour logistics, and each of their own personal responsibilities, the band found themselves at an impasse where they could no longer sustain their momentum as a purely independent act.

with encouragement from their manager, denver owens, and his connections at kayak72, so s!ck secured a contract with the label's parent company, apricus culture, in 2016. the decision was met with adverse backlash from the fanbase, however, as they grew concerned with a potential dilution of the band's beloved candidness and personal artistry.

in response, the band released a video titled, "why we signed with a record label" as part of their ongoing vlog series, 'from, so s!ck'. the video addresses rumors and speculations surrounding their signing with a major label, especially those who were concerned the band would lose their increasing american relevancy.

since the signing, so s!ck has continued to maintain their artistic imprint on their releases, frequently experimenting with different sounds, concepts, and visions. emery has specifically been the most outspoken on the band's transition from independent to label artists. she's previously stated that waiting for the right contract allowed the band to expand on their own terms attracting only labels who were fully committed to elevating the band's image.

evidently, so s!ck's signing has proven to be the basis for their rapid rise to international recognition. most evidenced by their record-breaking first release after the signing closed captions, which became the best-selling rock album of 2016. subsequent releases such as the pop-punk/rock excellence of blister blues and the critical acclaim of oh, romeo.

having wrapped up their third world tour this past june, the band took to social media to hint at their next upcoming project. though specific details have not been confirmed, fans are anxiously awaiting the band's next steps.

ㅤ —    ㅤ BILLBOARD MAGAZINE, 2023

#✼⠀.⠀[⠀⠀DEVELOPMENT⠀⠀]⠀⠀...⠀/⠀... #fake kpop band #fictional idol group #fake kpop group #fictional idol oc #idol!oc #idol au #idol oc #fictional kpop community #fictional idol community #fictional kpop idol #kpop!oc #kpop oc #kpop au #kpop idol