Tumgik
#and um YIKES
lovebeatriceplz · 19 days
Note
hii idk if u take requests but if u do could i ask for more larry hcs please? i adore with all my heart the previous one you made im still crying i love him so much .💔😭
( so reall😭 he's hubby material)
My Larry headcanons pt. 2
General and dating
Tumblr media
(WOAH😍)
- He did all his piercings himself and actually did really well, they look professional.
- Loves those psychological thriller thingys, his favorite series is probably like black mirror idk.
-Pet names. Calls you sweetheart ( jokingly) and he also calls you dude (romantically).
- This is literally canon😭, but he has his hands in his pockets all the time. HORRIBLE, horrible posture. He probably suffers from back pain.
- He giggles, I'm telling you his laugh is the cutest thing ever.
- All of his paintings are centered around you. It might not be direct, or a painting of you specifically. It could have been something you said, or something reminded him of you. You're his muse.
- He really likes birds. Sings back to them if no one is watching.
- He's never disagreeable, once it's you. You could tell him to do anything and he'd do it.
- A theater kid at some point.
- That's the reason why he communicates in screams ( no just hear me out-". He screams as a response. Ask him something? He'll probably scream then answer afterwards.
- Smiles around you more because he loves when you gush over his lil tooth gap.
- What's the opposite of a picky? That's him. He'll eat anything that is provided, anything that's edible (and inedible, sometimes).
- Is up in your personal space 24/7
- He is also...a whimperer, take that however you want to (pls💀 I'm out of ideas)
116 notes · View notes
pocketramblr · 4 months
Note
Absolutely love your writing for all the AU/5 headcanons asks. Can I ask: AU where Rei cheats on Endeavor with All Might? It happens after AM's injury, so she doesn't recognize him, and he ofc doesn't know that she's married in the first place, much less to whom
you make this very difficult for me by giving me a window of 6 and half years for them to have an affair and for every single moment of that window, Rei is institutionalized. how am i supposed to get them to meet, much less take their clothes off. ok. think. there are other fic writers who specialize in this kind of thing, surely. what would they do....
1- ok so. The fire alarm at the hospital goes off. Rei doesn't know if it's a drill or not, but she's been there for seven years and generally does not need a lot of support during something like this like other patients do, so the nurses wave her out and she stands around outside a bit waiting for the fire alarm to stop and them to go back in. (It isn't a drill, they wouldn't have evacuated everyone if it was, but Rei is on the other side of the building and facing away from seeing any smoke) (This smoke is from a villain attack that All Might is taking care of, though he's only got seconds left of his power to use that day. he quickly rushes off, deflating and stumbling out on the other side of the hospital. Where Rei is.)
2- Rei is like "huh that guy doesnt seem to be in good shape" and kinda waves attention at him, and a nurse who's passing out water to patients and keeping an eye on the road gives Toshinori some too, getting more concerned when he dazedly answers that he's All Might and coughs up blood, but the nurse figures he's concussed since he smells of smoke and must have been closer to the fight, and is just reeling from being able to see the number one hero in person. Then they get distracted and wave Toshi to wait nearby, where Rei offers to chill his water and asks if he's alright, if he breathed in any smoke.
3- They chat and then go back into the hospital as it's un-evacuated together, Rei hanging out in the lobby where he sits as the hospital staff focus on getting everyone else back to their rooms. It pays to be low priority sometimes. Eventually she tells him her name is Rei and that she's in room K18, if he ever wants to visit or call. She doesn't get to talk to anyone except doctors, family visitors, or other paitients, and most of them don't stay nearly as long as she does. It's been seven years, and she's very lonely. Toshinori is lonely too, and when he's out of time for a day and feeling useless with nothing to do, he likes to talk to a friend.
4- Rei has been in the hospital for eight years when it gets physical. At that point, Toshinori knows a bit about her family. She has kids, mentions visits from a son and daughter, and then quietly mentioned when her son turned seventeen- her daughter's already twenty. She's been there for so much of their lives. He asks if she's married, and she admits she isn't sure how to file for divorce in a hospital like she is, if she even can, if she wants to because she'd lose custody, if it matters when she's not raising them anyway. He doesn't ask much more, knows there is a dead child and a baby she says isn't safe with her there. Toshinori never called Nana 'mom' to her face while she was alive, and had a reason for it, and has a similar reason for not asking more, not asking for the other names when he gets Fuyumi and Natsuo's. Yes, the doctors and nurses all know Rei has a boyfriend who visits. they don't say anything. who would they even tell, anyway. I debated the humor of reusing the bit from candlelight shoto that Toshi and Rei could have a kid with a fire quirk, but yeah here? Rei ain't getting pregnant, absolutely not.
5- When Natsuo turns eighteen, Rei does actually file for divorce, or at least tries to get the ball rolling on that. Toshinori's trusted her that her marriage is over in all but name, but he's more at ease with it ended fully. Fuyumi is crushed but burying it all deep inside. Natsuo is like 'what are you talking about. divorce is the most normal possible outcome here.' But anyway, Rei also begins to bring up being discharged- something she never bothered with earlier, when it seemed like she'd never be able to go home while Shoto was there, and never would want to go back anyway. (Her parents are absolutely not an option either so where would she go once discharged? the hospital was her only security.) Toshinori then tells her at this point about his diagnosis, that he's supposed to be terminal, in a way. He doesn't have a lot of time he can give her. Rei says that's ok, she'll take what she can get. She moves in. Fuyumi still goes out to eat with her once a week, though Rei doesn't say she's moved in with a boyfriend, just says she's in a safe place and it's not Fuyumi's job to worry about it, please, let her do that, relax, be her daughter instead of a mother. Natsuo adds her to his cellphone plan and gets her one. Rei doesn't tell Toshinori her ex's identity. Toshinori doesn't tell her about OfA, though she does know he's mentoring a student for heroics and is very proud of him. (Toshinori is a secretary at Might Tower, he's a great mentor. Oh huh, he got a job position at UA at the same time as All Might, she wonders if they carpool.)
+1- OK THE REVEAL so the reveal is. Toshinori gets home from the SF. And Rei almost knocks him out by the door, eyes wide and panicked, asking if he's ok, if Shoto's ok. Toshinori is like "... young todoroki? yeah he's alright? i know his fight with young bakugo looked bad but- Rei???" And that's when it all clicks for him, he's having dozens of horrible realizations at once, all while Rei weeps over her youngest. Toshinori's been a hero for a very, very long time. He's felt hopeless, before. But even then, he's known what needs to be done, he just isn't able to do it. But now? he's at a complete loss with no idea what he should do.
140 notes · View notes
gus-dix · 11 months
Photo
Tumblr media Tumblr media
2017 version of the little vampire was really boring but i enjoyed these two scenes, at least. yes those are direct redraws, the first scene really went like this, and they still had the gall to say those boys aren’t gay. sure...
do not erase the caption, use or rePOST my art (reblog ok)
230 notes · View notes
ruegarding · 2 months
Text
percy's treatment in hoo is especially frustrating bc in son reyna and hazel both make comments to/abt percy that are basically saying he's deceptively intelligent and take note not to underestimate him bc of his disability only for rick to turn around and start treating percy being stupid as a punchline beginning in moa. so not only is it ooc, it's ableist...in the disability representation series.
38 notes · View notes
angeldevilorprincess · 2 months
Text
*new follower*
Me: *checking out their blog* How old are you?
Their bio: I'm a minor.
Me: Aaaaahhhhhhhhhhh!! *immediate block*
20 notes · View notes
2aceofspades · 3 months
Note
do tornadoes occur in your fabricated time branch AU?
Um, I hadn't thought too hard about the weather patterns. I guess in my AU they wouldn't occur, no. How I usually portray the surface is very um...desert like? But, instead of sand and dirt, it's more like ash and rubble. I'm kind of lazy when it comes to backgrounds, so that's why it looks so vast and more like a desert. Kind of like a wasteland. I think storms would probably happen more often, but I don't know about tornadoes..
23 notes · View notes
moonfurthetemmie · 4 days
Text
That moment you realize the weird gritty dark Pinocchio game you got an ad for on YouTube isn’t a casual rpg but a goddam Soulslike and you’re bad at fighting in casual-er games already. But you already paid for it and your gamer mom wants to see what it’s deal is so she’s watching you play
10 notes · View notes
rachelsfav-queer · 3 months
Note
(Last one I swear)
Wends worshipping wolfed out Enid’s massive foot long canine cock with her mouth, giving it soft licks, kisses, and sucks till it shoot its massive load covered the goth in like a gallon of the wolf’s cum
Hnnng okie, this one is particularly hot like holy shittt
I actually have an idea for this one and it’s a bit unrealistic so engage suspension of belief!
Sooo, imagine for just a second, Wednesday getting tied down to the bed, all four limbs attached to the bed so she’s spread eagle and face up. And Enid using all three of her holes while wolfed out.
She starts with Wednesday’s mouth, crouching over her and just pounding away relentlessly. Then she moves on to the seers pussy, just barely giving her enough time to get used to her enormous size before absolutely pounding into her. The same goes for Wednesday’s asshole. And right before the werewolf comes, she pulls out her tight (not so much now actually) hole and quickly moves to shove her cock down Wednesday’s throat and cums absolute buckets into her. Then Enid spends maybe a minute or so getting herself back to the edge and then shifts down to shove the foot long red rocket into the raven’s sore pussy and unloads just as much in there too. Enid repeats this process one more time and cums inside Wednesday’s butthole.
But she’s not done yet. Sure, Wednesday already looks so pretty leaking her cum out of every hole, but how much prettier will she look when her whole body is covered? Enid, still in wolf form, jerks herself off while leaning over her girlfriend’s spent body and Wednesday watches with glazed eyes as Enid once again approaches her peak and eventually begins absolutely painting every inch of her body with her seed.
Only then is Enid finally worn out and she slowly shifts back to human form. And because she’s so nice, she licks up ALL of the cum from her girlfriend’s body🥰
Oh, okay. I may have gone a bit overboard with this one…
15 notes · View notes
sesamestreep · 4 months
Note
New Taylor Swift prompts! 16, Matt/Foggy
16. I’ve missed you all this time (from this prompt list) I don't know what this is, but it's technically set in the 60s, even though I did not make that explicitly clear anywhere in the text and it serves no purpose beyond just...vibes. I mostly just wanted to write silly new year’s fic, don’t worry about historical accuracy or world-building, everyone be cool! happy 2024, you silly and sultry geese! on ao3 here 🥂✨
Matt can still hear the noise of the party, barely dampened even when he's several rooms removed. He’d be able to hear it from the lobby of the building, truth be told, but here he can still make out conversations without having to focus that hard. He tries to direct his senses somewhere else—somewhere with less overlapping chatter and clinking glasses and shuffling feet over plush carpets—and breathe deep, so that maybe he can regain some equilibrium and hopefully go back to the party in a few minutes and act normal. It’s almost midnight, after all, and who goes to a New Year’s Eve party just to ditch out before midnight?
“Matthew Augustus Murdock,” a voice calls out from the far end of the paneled hallway.
“Not my middle name,” Matt says, smiling, “as you already know.”
“But wouldn’t it be better if it was?” Foggy asks, as he slides down to sit next to Matt. 
“Yes, I imagine I’d have lived a much easier and more successful life, if only my middle name was…what was it again?”
“Albert,” Foggy says, “or something. Who cares?”
“Good point,” Matt says, pressing his shoulder into Foggy’s happily. “How’d you find me?”
“I used the one and only superpower God graced me with: I’m like a homing pigeon for you specifically. I always know where to find you. It’s eerie, frankly, and damned useless, but—“
“Not to me,” Matt interjects, too readily. “I mean, for what it’s worth.”
Foggy nods, his overly long hair that he keeps meaning to get cut rasping over his shirt's stiff collar as he does. “That’s a good point.”
“I make those occasionally.”
“Occasionally,” Foggy repeats in a comically shrill, tiny voice, like he’s doing an impression of a cartoon mouse, for whatever reason. He’s a little drunk, clearly, which Matt could tell from the way he’s talking and the way he’s moving and the way he smells and, well, that’s probably enough evidence. 
“If I’m ever in trouble, I know who to call,” Matt says, which is maybe too honest, but Foggy doesn’t have to know that.
“You wouldn’t even have to call, Matt,” Foggy replies, solemnly grasping his shoulder. “If you’re ever in trouble, I’ll know and I’ll come running.”
“I would pay real money to see you actually run anywhere.”
“You’d have to, my man. I imagine it would take a massive breakthrough in science for you to see anything at all, and those things tend to cost a pretty penny,” Foggy says, grandly. “And also, on a much more serious note, go fuck yourself.”
Matt laughs and collapses against Foggy’s shoulder. “I’m sorry, I just know how much you hate running.”
“Which means you’ve entirely missed the inherent capital-R romanticism of me offering to do it for you! Classic Murdock. Absolute philistine behavior. I should expect it by now.”
“Your gallantry is wasted on me,” Matt agrees, still doing that thing of being too honest.
“I know,” Foggy sighs, theatrically, “and yet, here I am.”
“Why are you here, anyway?”
“Missed you, came looking. Same as ever.”
“Aw,” Matt says, leaning into his side even more. “You’re right, I really don’t deserve you.”
“I never said that. You said that,” Foggy says, poking him. “But anyway, I lied and the real answer to your question is that I got tired of girls coming up to me and asking where my handsome friend had got to.”
Matt knows two things with a decent degree of certainty: Foggy hadn’t been lying when he gave his first answer (Matt would have heard it in his heartbeat and likely noticed any other number of tells that Foggy has when he does lie, besides) and that no one would have had to ask him to go looking for Matt after he disappeared. His joke about homing pigeon-like tendencies is more truthful than either of them would like to acknowledge. When Matt goes missing—as he very frequently does at these types of things—Foggy always comes to find him. Matt’s been doing this since way before he met Foggy—having overly heightened senses does not make crowded social functions more manageable in general—but he can probably admit that he does it more now that he knows someone will come looking for him.
He also knows that girls like Foggy a lot more than Foggy thinks they do. He’s always talking about how girls seek him out to get in with Matt, but Matt doesn’t really believe that. There have been a few girls, here and there, certainly enough that Foggy’s right to be a little paranoid about it, who have turned their sights from Foggy to Matt, which on top of being unkind is just bad business sense. Anyone with a brain in their head would see that Foggy’s the better option of the two of them. And Matt’s got plenty of flaws, but he’d certainly never take up with anyone who hurt his best friend, so it doesn’t work out the way anyone hopes it will, anyway, when they do. Still, he's sure Foggy could have found a nice girl to keep him entertained until Matt got back to the party, if he put his mind to it, and that maybe he'd just been looking for an excuse to duck out himself when someone asked about Matt.
“This is where I got to,” Matt says, with a slightly pathetic shrug.
“Who says I meant you?” Foggy asks, absently. “I have other friends that are handsomer than you!”
“Not only do you not have a single handsomer friend in all the world,” Matt says, belatedly unsure if ‘handsomer’ is even a word, but otherwise too confident to turn back, “you don’t even have another friend at this party.”
“I’m exceedingly charming, Matthew,” Foggy over-enunciates. “Everyone at this party is my new best friend.”
Matt loops his arm through Foggy’s and leans his head back against the wall. “Sounds like I’ve got a lot of competition.”
“You’re not having fun?” Foggy asks, the change of topic so sudden and his tone so unexpectedly serious that Matt has a brief moment of confusion that he means with this joke they’ve got going. It takes a second to realize he means at the party in general.
“It’s fancy.”
“Too fancy, you mean…”
“You know I don’t go in for all this stuff,” Matt says, shrugging. 
“Like I do, you mean?” Foggy asks, lightly, even though Matt can feel him warming with embarrassment. 
“Like I used to,” Matt clarifies, and trusts his meaning to be clear.
“Right,” Foggy says, and the tone in his voice is the one he uses exclusively when he refers to Matt’s ex-girlfriend from junior year who almost caused him to drop out. “Fair enough, I suppose.”
“You can head back. Really, I don’t mind. I just need a few more minutes.”
“No, you’re right. It’s…a bit stuffy, isn’t it?” Foggy muses. “I mean, I didn’t even know people still had apartments like this, outside of, well, the Rockefellers.” 
The apartment belongs to the parents of one of their friends from law school and the only reason they have free rein over the place is because the parents are vacationing in Aspen with friends. Even without being able to see it, Matt can tell it’s a swanky place. The rug he’s currently sitting on is so plush that he can basically sink his entire hand into it. Every table he passed on his way to this hiding place smelled so strongly of Pine-Sol that there has to be a maid on staff, if not a team of them. He’s fairly certain this random hallway he discovered is actually a back passage to the kitchens, so the servants don’t have to be seen coming and going. He's not sure if he asked their host about it that they'd even know it existed. And Matt’s shoes, as well as most of his clothes, are secondhand.
“You were having fun until I made you feel bad,” Matt says, tucking his chin onto Foggy’s shoulder and trying to look contrite.
“No, I mean—I like having you around, Matt. You keep me honest,” Foggy laughs. “Two and a half years of law school, four years at an Ivy before that, I think I’ve just made peace with having to go to parties in uncomfortable clothes and to make conversation with people I don’t really like. I don’t think I’d call it fun, but it’s a social life of some kind, I suppose.”
“We should have gone to Josie’s,” Matt says, holding onto him too tightly, even with the excuse of a few drinks.
Foggy snorts, thinking of the beloved dive bar they sneak off to in Hell’s Kitchen whenever they can, whenever they’re home. It’s only a matter of blocks to get there, but sometimes, at school, it feels farther away than all that.
“I don’t dare imagine the caliber of our prospects for a kiss at midnight there,” Foggy says, with an exaggerated shudder.
“Can’t be any worse than our prospects here,” Matt replies. 
Foggy whistles, low, under his breath. “You’re going to be disappointing a lot of nice girls with that kind of talk, Murdock!”
“Better to disappoint them now than later,” Matt says, fully burying his face in Foggy’s shoulder now. He gets like this when he drinks. Foggy's used to it.
“Oh, that’s right. You don’t do the whole ‘going steady’ thing anymore,” Foggy says, leaning in conspiratorially. “You’re too damaged and that means you’re never going to get married, so you’d rather not lead anyone on.”
“You say that like it’s not true,” Matt whispers back.
“It isn’t true, you moron!” Foggy laughs. “One day, some beautiful girl is going to turn your head so quick, you’ll have neck problems for the rest of your life!”
“Sounds uncomfortable,” Matt says.
“And I’ll be there,” Foggy continues, like Matt didn’t even speak, “laughing.”
“Well, as long as you’ll be there, Foggy.”
“Did I mention you’re a moron?”
“Yes. A few times now, in fact.”
“Then, I’ve done my duty.”
“And what about you?” Matt asks. “When’s somebody going to turn your head?”
“Somebody turns my head every goddamn day, it feels like,” Foggy grumbles. “The problem isn’t my head. It’s everybody else’s.”
“There’s plenty of girls who’d be more than happy to trap you in matrimony.”
“Hmm, well, I’m sure that’s true enough,” Foggy replies, thoughtfully. “I guess it’s more about finding someone you wouldn’t mind being trapped with.”
“And you haven’t found her yet, I take it?”
“No,” Foggy says, sadly. The girl he dated for most of their sophomore year—the one everyone had been certain Foggy was going to end up marrying—had just gotten engaged last month. Foggy still wasn’t entirely over it, Matt was pretty sure.
“And you’re certain she’s not here?” Matt asks, encouragingly.
“Unlikely,” Foggy says. “None of the girls here would be caught dead with me in the daylight. One of them might be unscrupulous enough to let me kiss her at midnight, though.”
“So, go back,” Matt replies. “Find the girl in that room with the lowest standards and lay one on her!”
“I will if you will.”
“I don’t know this for sure, but I do have serious doubts that any girl in the room will let the both of us kiss her at midnight.”
“I meant, you should—you know what I meant!” Foggy exclaims, embarrassed again. 
“I was trying to be funny!”
“‘Trying’ being the operative word there…”
Matt sighs. “What’s the point of kissing someone at midnight when there’s almost no chance of seeing them ever again after tonight?”
“You’ve just described the point yourself! It’s just for fun, to start the year off right! There’s no pressure!” Foggy says, disbelieving. "What’s gotten into you? I thought zero expectations romance was your specialty!”
“Maybe I’m just not a New Year's kind of guy.”
Foggy hums thoughtfully. “Can I tell you my theory?”
“Your theory? About what?”
“About you, and New Year's, and all of that.”
“Oh. Sure. Go ahead.”
“I think you’re afraid,” Foggy says.
“Afraid?” Matt asks. “Of…New Year’s Eve?”
“You don’t want to participate in these silly little rituals, like kissing someone at midnight, because you’re secretly terrified that something good is going to happen to you, and then you won’t know what to do with yourself.”
“Really, Foggy. Be serious!”
“I am serious,” Foggy replies, casually. “You’re scared of being hit over the head with it again.”
“Hit over the head with what?”
“Love,” Foggy says, simply. “You felt it once and it nearly derailed your whole life, so now you avoid any situation where you might accidentally meet someone interesting or have more feelings than you’ve carefully rationed out for yourself for that particular day.”
Matt swallows, feeling utterly exposed. It’s not something he would have been able to say for himself an hour ago, but the words feel true to him coming from someone else. He doesn’t like anybody knowing him well enough to know all of that, though, and if it wouldn’t be so utterly obvious, he’d pull away from Foggy right now just to be safe. Like that would even help, he thinks reluctantly.
“You missed your calling not going into psychiatry, Foggy,” he says, stiffly, once he’s gathered his wits enough to form sentences.
Foggy’s hand, warm and a little damp, closes over Matt’s where it’s still resting on his arm. Matt wants nothing more than to flinch away from it, but he controls the urge in the interest of saving face.
“Don’t be mad at me,” Foggy says, quietly, like there’s a chance they might be overheard somehow and he wants Matt to be the only one who hears this. “I’m just trying to tell you that, in avoiding fun and frivolous things, you are not sparing yourself from being hit over the head. If you’re meant to get hit over the head, it’ll happen whenever and wherever Cupid so chooses. It’ll happen at the deli or the bank or while you’re waiting for the bus. Which means that the only thing you’re ultimately sparing yourself from is fun and frivolity, and that’s a stupid way to live your life. That’s all.”
“I think you just called me a moron again,” Matt says, weakly. He doesn’t know what else to say. The rest of it is...too much to consider.
“I called you stupid, actually, but I see your point.”
In the distance, Matt hears the noise of a crowd of people all simultaneously trying to shush each other, with limited success. He imagines even Foggy can hear it too a moment later when they all begin counting aloud.
“Last chance…” Matt says, tipping his head backwards in the direction of the room where everyone’s gathered.
“It doesn’t matter,” Foggy says, apropos of nothing, as far as Matt can tell. He’s about to ask what he means when Foggy continues, anyway. “I have someone who meets your criteria.”
“My criteria?”
“Yeah. You’ll only accept a kiss from someone you’ll see again after tonight, right?”
“Uh, I don’t think I said ‘only’, I just meant—”
“Too bad,” Foggy says, as the countdown reaches its conclusion. “Happy New Year.”
Matt’s halfway through formulating a question or an objection of some kind, which is the only reason he turns in Foggy’s direction at that moment. It’s clear from the noise of surprise Foggy makes that he absolutely had no intention of kissing Matt right on the mouth and was probably, in fact, aiming for his cheek, trying to be funny and charming after Matt was such a spoilsport about the whole kissing at midnight thing. If Matt hadn’t moved, there’s no doubt in his mind that that’s what Foggy would have done and then it would have been over and they’d already be laughing about it and moving on. But Matt did move and, even awkwardly off center, Foggy is kissing him on the mouth right now and they’re both just frozen like that, shocked and useless.
Matt doesn’t give himself much credit for genius. He’s reasonably smart, and can be even smarter if he applies himself to a subject and really studies up on it, but there’s plenty of people in any given room smarter than he is, most of the time. He has his moments, though, and this is one of them. He sees very clearly the two paths available to them. Down one, this moment stretches awkwardly and they allow it to become a source of discomfort and then outright pain that they'll avoid talking about for years, or maybe possibly forever. Regardless, it has the power to ruin their friendship and Matt simply can't abide that. Down the other, they don’t flinch from it and they don’t make it any stranger than it has to be and it becomes one weird but not fully objectionable moment in their long and storied relationship. They’re not going to trot it out as an anecdote at parties, sure, but they’re not going to become crazy about denying it happened either. If Matt can steer them in the direction of the latter, he thinks maybe it will all be okay, but it’s going to require him not to make matters worse. For whatever reason, the only way he can think to not do that is by kissing Foggy back.
It’s immediately apparent that, momentary genius or no, while it does not technically make things worse, it also does not make them better. Then again, Foggy makes a sort of interested noise as he feels Matt return the kiss, which Matt is infinitely better off for knowing about and having heard and being able to think about some other time when he’s alone preferably. 
They don’t take it any farther than just that. They’re not necking in some random person’s hallway or doing anything truly objectionable. They just stay there, mouths pressed together so that Matt can smell (and sort of taste) the champagne Foggy’s had and the last cigarette he smoked and a hint of that sugary gum he always chews, even though he hasn’t had a piece since before they came to the party. It mostly feels, more than anything else, like they’re breathing together and it’s not sexy the way wild, passionate groping in the dark can be, but it’s intimate in its own unique way. Matt, against his own better judgment, puts a hand on Foggy’s cheek, and he doesn't really know why beyond just really wanting to and that seems to be reason enough.
Foggy doesn’t try to slip his tongue into Matt’s mouth—despite the alarming reality that the moment Matt realizes that’s not what he’s doing, he also realizes he’d let him—or try to escalate matters one bit. His hand is still grasping Matt’s collar from when he first pulled him in, but his other one doesn’t roam. His lips, still pressed to Matt’s, only move to exert a little more pressure and to alter the angle at which they meet slightly. He takes precisely zero liberties and makes no effort to get fresh with him at all. It’s very gentlemanly, and Matt doesn’t know what to do with himself because it doesn’t feel awkward or fumbling at all. It feels like restraint, and once he knows that, everything is different.
The tune of ‘Auld Lang Syne’ reaches him from the other room, but it’s drowned out almost entirely by the sound of Foggy’s heartbeat in Matt’s ears. Foggy must hear it too, though, because he breaks their kiss with the worst sort of gentleness, pulling back only enough for them both to have space to breathe but not far enough that Matt can’t feel that breath on his face.
Matt traces his thumb over the curve of Foggy’s cheek before dropping his hand back down into his own lap and licks his lips as he slowly turns away. 
“Happy New Year,” he says, aiming for calm and unaffected and likely missing it by a lot.
“You too,” Foggy says, even though he already said it first. His heart is still beating too fast and too close and too loud for Matt to read his tone, which is too bad, because he’d really like to know how Foggy feels right now and if he feels anything like Matt does.
Because Matt feels like he’s been hit over the head.
18 notes · View notes
majimassqueaktoy · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
306 notes · View notes
satorisoup · 2 months
Text
Tumblr media Tumblr media
7 notes · View notes
Text
no one told me viktor fuckin frankenstein was basically a six-year-old girl on the playground at recess doing the “light as a feather stiff as a board” thing he saw in The Craft with all his little friends because he wants to be a witch.
62 notes · View notes
creekfiend · 1 year
Text
Wow I just caught up on the "culturally christian" "discourse" due to being the type of jew who is allergic to being Part Of Jumblr and uh
Confused
I would be more than willing to have some good faith discussions w non-Jewish atheists about their feelings about the imprecise use of this term; with people who have Christianity Trauma who politely request to not be Called Christians even if that is part of their cultural background or upbringing (I am happy to not do this & always try to say ppl from culturally christian backgrounds because like... identity and Christianity are complex and I know and love a lot of people who have been horribly hurt by Christianity and I don't think it is productive or kind to insist to those people that they be aligned in some way identitywise with the institutions that have hurt them! As a jew I understand trauma very well and a lot of interacting with people and groups who have a lot of trauma is meeting them where they are, imo. I think it's important to do that.
But (you knew the but was coming)
I am UTTERLY BEWILDERED that even the people who are on the side of "this term is useless and you are stupid for using it" who seem to have like, interesting philosophical perspectives and mostly seem to not be engaged in outright antisemitism themselves ARE NEVERTHELESS happily rubbing shoulders w people who call jews and anyone who believes in anything "unscientific" 'fairytale cultists' and who happily assert that the very act of believing stuff that cannot be Obejctively Proven is like, oppressive and harmful
And if ppl are on your post saying antisemitic things and you do not block them or go "hey whoa uhhh let's not do that" then I don't trust you!
And like also
A lot of the jews participating in this discussion are getting violent anons calling them kikes and saying they should die in horrible ways!
WOW. THIS IS WILD AND UM. KIND OF DEEPLY ALARMING. TO ME. HI. WHAT THE FUCK.
117 notes · View notes
sickmachete · 5 months
Text
something just shattered downstairs. it's been swell everybody
9 notes · View notes
scificrows · 8 months
Text
Me: *always getting the The Murderbot Diaries titles mixed up and not being able to remember which one is which* Also Me: Well, Artificial Condition is obviously the one with ART in it!! 😌😌😌
16 notes · View notes
gothhabiba · 1 year
Note
🔥
any time people try to lay out what is an "essential" part of the "human" experience it is always bad and pointless. even if the thing they're claiming is essential is relatively uncontroversial
33 notes · View notes