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#and the plot in season one was actually decent
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Saw this somewhere and wanted to throw it your way, sorry if you’ve been asked this before but what do you think of the concept of Noah always having been an assistant (even before the first season)/never playing as a contestant would look like?
The thing about Noah as a contestant is that he's, for all intents and purposes, kind of useless. And by that I mean Noah as a character isn't important to the plot at all in the grand scheme of things. He's barely important from an episodic point of view either; Noah does very little throughout Total Drama in terms of story relevance, and just in general. (Lazy king 👑.)
So taking him out of the equation wouldn't really affect too much in the grand scheme of things, save for probably preventing his friendship with Owen and, from a fanon standpoint, the rest of team E-scope. He'd be pretty much the same person, just behind the camera instead of on it.
But that's kind of a boring answer, and not at all what you were looking for, right?
So, let's say that Noah lands himself a job working as the personal assistant for some hot-shot A-list celebrity through one of his many siblings' various contacts; is it nepotism? Probably. But who's Noah to look a gift horse in the mouth? A fairly easy job following some pretentious asshole around all day and grabbing him the occasional coffee sounds like a pretty sweet gig, especially with the salary and various benefits that come with the job description. So Noah takes the job without question.
And that's how he finds himself stuck in the middle of nowhere, Muskoka, on an undisclosed island owned by said A-lister whilst he films the first season of his new Reality TV show, Total Drama Island.
Being Chris' personal assistant was supposed to be an easy pay check. "Supposed to be" being the point of interest there; Noah didn't anticipate Chris being as sadistic or as childishly needy as he was. If he wasn't running around like a headless chicken trying to accommodate for Chris' oftentimes outlandish whims and fancies, he was stuck answering to the producers in the host's stead- and the producers were pissed with Chris more often than not for his frivolous use of the show's budget. Something about having a genius level IQ and enough snark to make grown men cry apparently made him qualified enough to deal with the industry big-wigs. Noah was far too overworked to question it.
So much for an easy pay check.
Noah's not bad at his job by any means. In his professional opinion, the whole show and Chris' career would be in the dumps without his personal input keeping everything afloat. That doesn't mean he doesn't loathe his job with every sleep-deprived inch of his being.
And, inevitably, Noah ends up spending a lot of time around the campers themselves. Mostly as a consequence of always having to remain "on set" so to speak, since Noah's pretty much contractually obligated to linger around Chris' vicinity and wait for his boss to assign him some menial task to do. Most of the campers are just as egocentric and insufferable as he'd first assumed- and honestly, what else would he expect from people who singed up for a Reality TV show?- but a select few turn out to be decent company; namely Owen and Eva (and Izzy, but Noah refuses to admit that the "Psycho Hose Beast" is actually bearable to be around).
He'd even go so far as to claim they were friends good acquaintances.
Of course, his job takes precedent over frivolous things like relationships, platonic or otherwise, so Noah doesn't exactly have the free time to hang out with them. Which is probably for the best considering if he did spend a lot of time around his friends acquaintances, the other contestants would have a solid enough foundation for accusations of foul play in the competition, and that's a headache Noah really doesn't want to deal with.
Consequently, Noah floats through the filming of Island, and later on Action, maintaining cordiality with his little group and cold indifference towards pretty much the rest of the cast. Not that he doesn't keep close tabs on the campers; of course he does, not only is Noah incredibly observant by nature, but he's also the one in charge of accommodating for these weirdos... plus, Chris is oddly invested in his "prize cast of ratings jewels", whatever that means. So Noah knows these people, probably more than some of them know themselves, thanks to a combined sixteen-ish weeks of observation and forced proximity.
In turn, the competitors know of Noah, though for the most part he's regarded as little more than a spectre on set- Chris' elusive personal assistant who the cast will occasionally see the barest glimpse of, usually hidden behind an impassive pair of mirrored sunglasses and, more often than not, rushing off to do whatever it is a PA does. Chris does get a little lazy in Action and on a few occasions does get Noah to make a "guest appearances" on screen- mostly just to deliver him a coffee and a gluten free muffin during the downtime of that day's challenge- but he's still practically non-existent to he majority of the cast.
Which is fine by him.
What isn't fine by him is the surprise addition of two people he knows nothing about, come the third season.
One of those contestants happens to know a lot about the cast, and a concerning amount of information about him. It's uncanny, just how much Sierra seems to know about everyone around her, even more so because of the way she practically worships the ground they walk on. Sure, Noah's encountered the odd super fan here and there- not fans of himself, of course, but in this time as Chris' assistant he's had to chase off more than enough rabid fans from trying to sneak their way onto the set of whatever show Chris was working on (or more accurately sic the on-scene security on them)- but Sierra's brand of crazy takes it to a whole new level. Noah doesn't like her on principle and is both incredibly vindicated and incredibly concerned when her stalkerish behaviour rears its ugly head. Not that he's allowed to do anything about it; the producers are adamant that Sierra's outlandish behaviour is entertaining enough for the audience to ignore the immorality, and given how much Chris has been allowed tog et away with in the past Noah's inclined to begrudgingly agree.
And the other new contestant? The one who qualified for the apparently non-existent Total Drama Dirtbags (and Noah totally isn't salty about that show being an elaborate ruse that he spent countless sleepless nights working on)? Noah's just as concerned about his friends acquaintances ignorance to Alejandro's inherent sliminess as he is about Sierra's blatant disregard for others' privacy, but again it's not like he can do anything about it. He's not even supposed to be on the show, so any sort of interference would be a big no-no.
Oh, what's that? They want him on the show?
Fuck.
Turns out, Noah's brief appearances during Action (characterised by his usual level of sass and snide comments) really resonated with their audience; they like him for some inexplicable reason, and want to see more of "Noah, Chris McLean's mysterious personal assistant".
So he's pretty much forced into acting as a co-host of sorts, much like Chef had done for the first two seasons, all whilst carrying out his usual tasks. Is he happy about this? Not a chance in hell, and he lets the producers know exactly how he feels about the sudden change in his contract. Not that it changes anything.
And the best part? World Tour is a musical themed season. If they expect him to sing, they've got another thing coming.
But, as a small part of him chimes in, spending more time on camera would give Noah plenty of opportunities to spend time with his friends acquaintances. There's a non-zero chance that he could have fun, even if it's at the expense of his valued privacy.
His new status as part of the show does allow Noah some opportunities to skew the competition in the favour of his friends acquaint- no, screw it, his friends. That's one silver lining of the whole situation.
Better yet, he can tilt things out of Alejandro's favour, since the former Dirtbag seems to have a knack for manipulating the competition anyway- Noah might as well make things more challenging for him, as it seems this game is too easy for him thus far.
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beatcroc · 6 months
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Oh yeah I watched the digital circus thing. It was alright
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roobylavender · 2 years
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omg I wanna watch Winx saga, but the Winx fans are turning me off it😭 BCS apparently it's not good?? Help.
it vastly errs on the side of guilty pleasure television as opposed to anything worth winning an emmy award for like i would recognize it as equivalent to a cw show and the fact that i like it is a rarity driven largely by nostalgia
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ittsybittsybunny · 2 months
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ATLA Live Action Series Review:
The Good
Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!
Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.
Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!
Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.
Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.
Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!
Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.
Is the show perfect, no - but I wouldn't mind a season 2.
The Bad
Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?
Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.
Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.
Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.
Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.
Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.
Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.
Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.
Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.
Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.
Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.
The Ugly
Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.
Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!
The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.
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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.
Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.
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Hazbin fans, you do realize that simply saying that "So and so plot point actually makes sense if you read the fan wiki" isn't a good defense of the show's writing, right?
Fan wikis are fine if you need a refresher on a certain character or story line, but they shouldn't be used to fill in the blanks.
The story is clearly rushed and the world building is awful. Season one's story felt like a condensed version of a thirteen episode season.
Telling me to "Go read the wiki" whenever I point out something that doesn't make sense from a narrative stand point doesn't fix the show's problems. If anything, it makes them even worse because Viv didn't put that much effort into fleshing any of the story elements out when it came to the writing.
Viv just wants to see her favorite characters make out with each other or fuck, that is literally the only thing she cares about.
It's funny how all the female centered episodes weren't written by her, even though this is the quote and quote "Female focused show."
And notice how Angel Dust is a lot more tolerable when he isn't written to be a sex obsessed twink.
Is Hazbin Hotel the worst animated show I've watched recently? No, there are plenty of other terrible shows that a way worse than this. And if I'm being brutally honest, I do think that this show can be decent if Viv didn't oversee everything. But as it stands right now, it's another show that squandered what little potential it had.
Still, if I was given a choice between binge watching the entirety of Hazbin Hotel season one or rewatching both seasons of Helluva Boss, I'd pick Hazbin Hotel without hesitation.
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gilverrwrites · 3 months
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“If you will have me, I am yours.” 
Pairing: Human!Castiel/Fem!Reader (Season 9)
Reader has AFAB body parts & feminine pronouns' are used.
Plot: The reader is a retired hunter, who develops feeling for Cas after he moves in with her. After living in domestic bliss for a while, its only a matter of time feelings are confessed, and sex is had.
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Please remember: to keep going, and keep growing.
Content: Rough/Kissing, blowjob, rough blowjob/face-fucking, vaginal fingering, p in v sex, dirty talk (Cas doesnt really have a filter) rough sex, swearing, accidental cuddling, intentional cuddling.
Rating: M/18+
Words: 3,377
Notice: The follow up: Takeout Tuesday is now available here.
Excerpt: You vaguely recall falling asleep around 40 minutes into a Capra film, but when and how you’d nestled yourself against your flatmate was a mystery. Despite your instinct to jerk away, you remain still when you feel his fingers brushing against your bare shoulder. Between the warmth of his skin on yours, and the soothing beat of his heart, you are soon lulled close to sleep once again. Until the sound of Cas’ low voice in your ear rouses you. “Are you awake?”  When you nod, he continues, “Is this okay?” You nod again, and quietly add, “This is wonderful.”
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Having Castiel around was pleasant, if a little surreal. You’d always considered him a friend, but it wasn’t the same. Previously you’d only really been around each other on the hunt. Or if Cas was involved, more like stopping an apocalypse. Your relationship had been entirely based on proximity, and necessity. There was never really time to bond beyond that. Until now. 
You’d decided to attempt retirement a while ago. You’d found a job and started subletting a decent apartment from a friend of a friend, on the preface that they could still crash on the couch when travelling across country. The hunting trade was a small world after all. 
In fact, your new landlord was exactly who you’d expected to see when someone came knocking on your door in the middle of the night. Not a tired, bloodied, and bruised Angel. Confused, you’d let him in, patched his wounds, cleaned him up, and let him sleep it off in your bed. After almost 48 hours of continuous sleep, he’d explained everything to you, thanked you for your hospitality, and told you he’d be out of your hair soon. You’d assertively informed him that the only place he would be going is from your bed, to your couch. 
From there you easily fell into a routine together, effortlessly bonded over shared experiences, old and new. It was nice, seeing his toothbrush next to yours, bringing home his favourite takeout every Tuesday. When he worked the early shift, he’d always make you a coffee before he left, on the late shifts he’d bring home a bottle of your favourite. He did the dishes, and you did the laundry. You were a secure little domestic team.
The surrealness came when you realised just how much you enjoyed it. You welled up with pride whenever he complimented something you’d cooked him from scratch. Starting your morning in his presence calmed any nerves, and on stressful days, coming home to dinner and a film with Cas was your respite. 
You were confused by the bitterness you felt when he called you one night to say he would be home late, citing a date with his boss, Nora. You were truly sad, but relieved when he informed you he had misread the invitation. That he was actually there to babysit. That’s when it hit you. Somewhere along the way, in between all the household chores, and the late-night Hulu binging, you’d fallen for him. 
You’d always thought he was hot, ever since he’d introduced himself as ‘Castiel, an Angel of the Lord’ all those years ago. However, you no longer needed to accidentally catch him leaving the shower, or bending under a table to feel flushed. Ever since the figurative penny dropped, all it took was a smile, or the brush of your chests in a tight hall to make you blush. 
Thoughts of Castiel and your myriad of complex feelings now plagued you, particularly as you lay in bed at night, knowing he was only feet away from you, just on the other side of your paper-thin walls. Paper-thin walls that did nothing to protect you from the sudden and deafeningly loud sound of the TV at 2AM. 
Not bothering to throw on bottoms, you stumble to your bedroom door in just a camisole and panties. The sight of Cas sitting on the couch, clad in nothing but boxers, desperately fiddling with the remote in an attempt to turn down the volume greeted you upon entry to the living room. 
Upon noticing you, Cas drops the remote and hastily reaches for his discarded comforter to cover himself with. In turn you rotated your entire body, averting your gaze in favour of the wall, primarily to respect his privacy, secondarily to hide the blush creeping up your cheeks. 
“I’m so sorry!” You blurt.
“It’s okay.” He responds quietly. “I’m sorry for the noise. I couldn’t sleep, I didn’t mean to wake you.” 
“It’s okay.” You repeat back to him. “I was awake, I couldn’t sleep either. You just made me jump.” 
“You can look now.” He informs you. Hoping the dim light from the TV doesn’t reveal too much of the colour in your face, you spin back. He was now covered from the waist down, but you couldn’t help noticing his bare chest, particularly the definition between his pecs, and the sharpness of his collarbones.
“I guess I’ll leave you to it.” You say, trying to re-direct your eyes to any other part of the room. 
“Unless…” He gestures to the television. “Would you care to join me?” 
“Sure.” You answer hesitantly. You weren’t sleeping anyway, what was the worst that could happen?
Castiel smiles amiably at you before returning his attention to the remote. You linger in your spot as he begins flicking through the different apps. When he makes no effort to locate and put on trousers you slowly settle down next to him, careful to leave enough distance to prevent any accidental skin-on-skin contact. 
“So, what are we watching?” 
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You vaguely recall falling asleep around 40 minutes into a Capra film, but when and how you’d nestled yourself against your flatmate was a mystery. Despite your instinct to jerk away, you remain still when you feel his fingers brushing against your bare shoulder. Between the warmth of his skin on yours, and the soothing beat of his heart, you are soon lulled close to sleep once again. Until the sound of Cas’ low voice in your ear rouses you. “Are you awake?” 
When you nod, he continues, “Is this okay?”
You nod again, and quietly add, “This is wonderful.”
You can’t see his expression from your current position, but he exhales, and you think he sounds relieved. 
It could be the scarcity of sleep, a ‘mind after midnight’ mirage, but this is when it occurred to you that maybe, just maybe, he could be interested in you too. Why else would be lying beneath you, half-naked and seemingly completely at ease? Doubtful that you’d ever have this courage again you tilt your head up to look at him and ask; “Do you ever think about us?”
“I do.” He responds, he looks perplexed, which admittedly was his default expression.
“Do you ever think about us, as more than this?” When he doesn’t immediately answer, you resume. “You know, like romantically? Or even intimately?” 
“I frequently think of you amorously.” He speaks tentatively, each word spoken very deliberately. “When Metatron took my grace from me, I never imagined that this was how my life would go. Of course, I never thought that my grace would be taken, or that I would live among humans as one of them in the first place.”
He seems to take a moment to compile his thoughts, sucking his bottom lip in concentration. You remain silent. Hoping he can’t feel the rapid thrum of your heart.
“I thought at first that I was broken. The fall, losing my wings was bad enough, but now, without my angelic abilities, I can’t do anything. Well, nothing of merit, at least where the needs of humankind are concerned.”
“That’s not true.” You interject, you move to sit up, to be at eye level with him, but due to your already precarious position, the only way to do so is by shifting a leg over his lap, thus straddling him.
“I know that now.” He says as he grips your wrists and brings them to his shoulders, offering you extra support. “Without meaning to overstep, or make you uncomfortable, but living with- existing beside you has been a far more fulfilling experience than most of the things I have accomplished in the many billions of years I have existed.
I have very little practice in the ways of human sexuality, and even less so with courtship. However, I would be honoured, and extremely happy if you would allow me to explore such things, with you.”
“Are you saying what I think you’re saying?”
“If you will have me, I am yours.” 
There's a tense moment of silence between you both in which neither of you dare to break eye contact before you surge to him. You instigate the kiss, but Cas is fast to take control, his arms pull your body to him, driving your lips to press hard against his. When he rocks his hips up, kneading his semi-hard cock against your clothed core, you gasp. Cas immediately slips his tongue between your lips. You can’t hold back the groan that escapes you. His mouth tastes like coffee and artificial grape. You savour the feel and aroma of his lips before pulling back momentarily. 
“Only if I can be yours too.” You finally respond before he’s on you again. You freely open up for him, allowing him to explore your mouth once more. His tongue eagerly swirls against yours, exploring every crevice. His hands drop to clutch your waist, holding you in place as he ruts against you from below. 
It was you who broke the kiss again, locking your eyes with him as you climb off his lap. 
“Let me take care of you.” You chime as you drop to your knees on the floor below him. Cas quickly follows, sitting up straight, and planting his legs on either side of you. The comforter banished to the other end of the sofa.  
“You… You look so beautiful like that. On your knees.” He smiles down at you and reaches out to cup your face, strong fingers gently brush along your jaw before his thumb extends up to your lips. You press a kiss to its pad before parting your lips and taking him in. His skin tastes clean, with a hint of salt, and something florally. 
“Let me suck your cock.” You state, voice muffled by the pressure on your tongue.
His cheeks are tinted pink. You’re unsure if it's from arousal or nerves but he stands to pull off his boxers and settles back down. You can’t help but lick your lips when his cock is revealed, it's long and already hard. 
You don’t waste any time, immediately situating your tongue on the underside of his shaft and running it from tip to hilt. You stop momentarily to plant a kiss on his balls, before running back up his length. When you look back up Cas is watching you intensely, brow furrowed, lids heavy, lips between his teeth. You smile before wrapping your mouth around his cock. Pausing only slightly when you feel Cas cup the back of your head. 
You inch yourself down his length slowly, getting a feel for him, his thickness, and how much you can take at once. When you feel his tip hit the back of your throat, you pull back, before bobbing back down. The sound of Castiel’s’ hitched breathing drives you until you’re relaxed enough to take him completely. His thickness stretches your throat, making your eyes water, his pubic hair tickles your nose, and the look of bliss on his face makes your pussy drip. 
After a few seconds, you come back up for air, but the relief in your lungs only lasts a second before you feel Cas’ fists tighten against your scalp. 
“You look even better with my cock in your mouth.” He grunts as he pushes you back down. “You feel so good.”
Unable to respond, you hum your affirmation, drool escaping the corners of your mouth. Cas moans his approval, eyes and head lolling back for a moment before he plants his other hand firmly on the back of your head, holding you in place as he shifts to the edge of the couch and begins bucking his hips into your mouth. 
You plant your hands around his calves to steady yourself, and keep them out of the way as he continues to use your mouth. His thrusts grow heavier, his moans raspier, as you fight your need for air. Your cunt growing hotter, wetter every second, while your throat closes, and your head grows dizzy from the lack of air.
When he finally lets you go, your lungs are burning. You lean back, unable to control the wild rise and fall of your chest as you pant for air. Your lips feel sore, swollen, but your pussy aches. 
“I’m sorry.” Cas reaches over to cradle your face, tentatively brushing the tears from your eyes. “Was that too much?” 
“No! No not at all.” You whisper between breaths. You reach out for his hand, and he takes it. His head tilts to one side as he looks down at you sceptically. You smile back as you guide him between your legs. You brush his fingers against your panties, encouraging him to feel the wetness soaking through the fabric.
“I did that? I made you this wet?” He asks. When you nod his mouth cracks into a smile.
Within seconds he drops to his knees before you, pulling you in for another hot, open-mouthed kiss. Your tongues meet in another fierce, uncontrolled kiss. You cry out into his mouth when you feel his fingers press firmly against your clit, rubbing you through the thin fabric of your underwear.
Without warning Cas clutches onto your panties and pulls until the elastic snaps. He releases the offending article and quickly returns to your wetness. He strokes your clit repeatedly, swallowing your moans, holding you to his chest to prevent you from involuntarily withering away.
You break your lips away from his just long enough to plead; “Fuck me Cas, please fuck me with your fingers.”
He doesn’t hesitate to do as asked, immediately delving two fingers into your pussy. Once situated inside, he massages them against your walls, feeling you out and making you sputter. You grip his shoulders for support, digging your nails into his skin as he starts to thrust in and out of you.
“Like this?” He questions, you’re not sure if he’s being coy, if he’s teasing. Or if he truly is curious. Either way, you’re too gone to really answer. You open your mouth but all that comes out are a series of strangled whimpers. The feel of his thumb returning to your clit, gently brushing just the right spot, pushes you to breaking point. 
“I’m- I – ahhh.” You cry, trying to warn him. When you jerk your head back there is resistance. Cas releases his hold on your back, to grips your head forward. You peek up at him through half-lidded eyes, Cas stares, his blue eyes bare down on you, unblinking. If you weren’t already cumming, that would have been enough. 
You lean into Castiel’s body as you come back down, limp, and incoherent. A low hum escapes you as Cas languidly removes his fingers from inside you and brings them to his lips. You watch lazily as he gives them a tentative sniff before placing them in his mouth. His face seems to melt, and he closes his eyes, visibly savouring the taste. 
When he’s done, he grins at you and ponders aloud; “I’m not sure which is better.”
Still unable to string two words together you watch him, waiting for him to continue.
“The way you look when you reach orgasm, or the way you taste.” 
Instantly your cheeks begin to burn, and heat pools between your legs again. Without a second thought you reach down, grabbing your cami by the hem and lifting it over your head, your entire body now exposed to Castiel. 
He’s on you again in an instant. His mouth latches to one of your nipples, rapidly but lightly his tongue darts over the sensitive nip. Both hands come up to cup each breast. His fingers pinch and roll at your other exposed nipple. When you feel his teeth grazing the sensitive skin you flinch, fisting your hands into his hair. 
“Cas, please!” You gasp.
“Please what?” He responds, speech distorted by his refusal to remove his mouth from your body. 
“Please take me to bed.” You whine, needlessly pulling at his hair to garner his attention. “Please Castiel, take me to bed-”
You’re interrupted by the jolt of your body being lifted. Cas continues his oral assault, kissing, sucking, nipping at your neck as he carries you back to your bed. He sits himself on the edge of your bed and positions you to straddle him once again. You pull his attention back from your neck, sinking your lips onto his as you guide him down, until he’s lying face up.
You lean back and he sucks in a breath as you wrap your hand around the base of his cock. You line him up at your entrance and he begins gradually rocking into you. You steadily sink down, the feel of his cock stretching you out making you shudder. Cas’s head rolls back, he bites his lip and grips your hips, barely fighting not to slam you down onto him.
When his cock is fully inside, you pull back up until only the tip remains inside before you drop back onto him.
With a loud moan, Cas engulfs your body with his own and flips you over. He holds you beneath him with the weight of his own body as he gives a few shallow, testing thrusts. Satisfied he begins building pace and force, until the sound of skin slapping against skin can be heard between ragged breaths and moans. You raise your lower body, trying to match his rhythm but his hands lock onto your hips and push them down, pinning you to the bed.
His lips are tight between his teeth, his brow furrowed, and his skin glows with a sheen of sweat. You can’t help but paw at his shoulders, bringing him down so you can plant kisses on his face and neck.
“Cas, fuck. Castiel that feels so good.” You praise.
In response, he catches your lips in a desperate kiss, all tongues and teeth and jumbled sounds that may once have been words. Your toes begin to curl, as your climax grows near. You lock your fingers in Castiel's hair, pulling his face away as you arch your back. Your eyes close tight as you chant his name.
“I love it when you moan my name.” He murmurs in your ear. He releases your hips, and grips your face, forcing it back up. Your eyes peek open as growls his next words. “Look at me, and don’t stop saying my name.”
At that, the tension in your cunt snaps. Your body jerks and your walls clench around him as you hit your climax. Castiel rides you through it, his strides slowing, but he continues fucking into you at a steady pace until he’s seemingly overcome by his own orgasm. His movements becoming laboured and erratic, he pants your name through gritted teeth as he spills his cum inside you.
You remain wrapped up in your position as you come down from your highs, the warmth of his breath tickles your neck, and your chests collide as you fight to catch your breath. Your mind races, trying to find the right thing to say next, not wanting to spoil your post-orgasm bliss. Eventually, you nudge his shoulder, and he moved away, allowing you to sit up. His cum seeps out of you as you do. Before you can make a move to clean it up Cas attains the tissues from your dresser and begins delicately wiping you down.
“Thank you.” You smile at him as he finishes and begins to clean himself up.
“I… ah.” He smiles back at you, still flushed from your activities. “I feel I should be the one thanking you.”
You laugh at the absurdity of his statement, especially after the performance he’d just given. Cas soon reciprocates your laughter. You stretch your arms out, inviting him back in for an embrace and he eagerly obliges, wrapping his arms around you and falling back against your mattress.
“Will you sleep in here, with me tonight?” Your eyes catch the clock on your bedside, and you note that it is almost sunrise. “Or, for the rest of the morning?”
He kisses your forehead and pulls you in close. “I would enjoy that very much.”
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genericpuff · 6 months
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The Mishandling of LO’s S3 Mi(n)season Hiatus - Part 3 1/2
Here we go, Part 3 of my analysis of the current FP episodes - a three-parter episode set leading up to the midseason finale of LO.
Part 1
Part 2
Truth is, I had actually forgotten a lot of the weird (and very stupid) shit that happened in this episode, that I thought Episodes 251 and 252 had already offered up the worst that this three parter set could dish out. Boy, was I wrong, because when I went back to check out Episode 253, I was reminded of a reality that my brain had wiped out in an attempt to protect my withering psyche-
I also forgot just how long this episode is. It's so long that I frankly can't even fit it all into this post, so this is gonna be part 3 1/2.
Anyways, let's just get on with it. This is the final stop on our trip into absolute nonsense.
CAUTION: THIS IS PART 3 OF A 3 PART SERIES IN WHICH I WILL BE SPOILING MUCH OF EPISODES 251-253. THIS WILL BE A LONG POST. BRACE YOURSELF.
Well, it's the midseason finale, and what better way to open it up than with the final title card-
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Typo and all. It wouldn't be an LO episode without one. Granted, IIRC this typo has been edited out, but the version of the screenshots I have from it feature it in all its original unedited glory. So enjoy that.
And yes, just like the last two times, the title itself only applies to the final cliffhanger, which is an absolute doozy especially for those who were there to experience it in real time.
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This is already a bit of a wild opening compared to the last two episodes, but it's quickly revealed that this is laying the foundation for the prophecy that Psyche gave to Apollo back in Episode 252. In true LO fashion, the story can't actually be linear in any regard, we're always segmented from pieces of information at a time. Loyal fans will call this a "writing style", I call it Rachel just trying to get another 70 cents out of me.
That said, I will say the art here is fairly decent, but I think that just goes to show that LO's one of worst features these days - ironically enough - is its coloring. What began as its strongest feature has now become one of its biggest weaknesses due to the sheer laziness in its rendering and the colors become more and more saturated into the grotesque over time. So at this point, you pretty much have to rob these characters of their colors to make them look decent, and of course at that point it just further highlights Rachel's same-face problems. She definitely tried to make them look distinguishable here, at least, with Hestia and Poseidon being the most unique.
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Now, this isn't the first time that we've heard of this herb being referenced - it was stated by Hades that Hera was the one to originally poison Kronos with the herb after gaining his trust - but to see it suddenly just pop up and play a role again out of nowhere already gives me a bad feeling in my stomach. It feels like yet another plot device - especially when presented in this type of format - that Rachel is suddenly using to try and seem "unique" in her writing, much like the strange narration we got back during the "Run For Your Life" sequence. It's just once again LO lacking any specific identity, it's always trying to be a million other things at once.
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I will say, much of this in and of itself is panel filler. Why? Because the location of the herb doesn't matter. You'll see what I mean in a moment, but the mentioning of Anthedon plays no role here, it's just yet another obligatory "see, I know how to Google things!" lip service moment from Rachel "self-proclaimed folklorist" Smythe.
Anyways, Eros is perplexed by this but Psyche immediately catches on, knowing right away that Apollo is going for Zeus. And this is where we get yet another one of the dumbest sequences in this comic.
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(see what I mean that the location of the herb doesn't matter? Because Apollo already got it and laced it into the cupcake).
Now, first of all, the fact that Eros and Psyche believe Kassandra's prophecy is already hilarious in and of itself, because ... well, because it literally defeats the point of her establishing it as a curse in the previous episode. Unless it only works on mortals? It never stated as such, so we literally just have to go with it and pretend not to notice that.
But most of all, of course LO had to play this off as some joke. Like, "hahaha how awkward! I've already eaten the cupcake!" and he still doesn't seem to really be in shock. Zeus has seen what this herb has done to gods before him, and yet his reaction to this is akin to a dad getting upset that he stepped LEGO's that he asked his kid 20 times to pick up off the floor. The whole "record scratch" style formatting of this followed by Zeus' lack of reaction just really makes me not care about any of this, because clearly the story doesn't care either.
But we don't see who he makes these calls to because the comic, of course, can't spend any longer than 10 panels on a single scene, so we cut to Hades and Persephone.
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Again, I don't know what the point was of having Hera relay this information to Persephone for her to relay to Hades, aside from the fact that Rachel needed to act smart with Therapy Speak that didn't even apply to Hera's situation (as we talked about in the last part). They gotta make Persephone the center of everyone's world though, so it's Persephone who's delivering this info and trying to come up with the solution.
Hades, though, wants to focus on his wife's birthday the commemoration of spring.
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SIR. THE WOMAN YOU WERE IN AN AFFAIR WITH SINCE BEFORE YOUR WIFE WAS BORN IS CURRENTLY GRAPPLING WITH YOUR FATHER WHO ABUSED HER AND IS NOW HAUNTING HER. THIS IS NOT THE TIME FOR FLUFFY ROMANCE TIME. THERE IS A CHILD BEING HELD CAPTIVE IN TARTARUS AND LITERALLY NO ONE SEEMS TO CARE.
Anyways, apparently (for some reason) Hades is the one who has to go meet Demeter out front. Even though Hades has literally NOTHING to do with this ceremony, it's not his domain, but Persephone literally says "yep, that's correct" when he asks if he needs to go out to meet Demeter.
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This just feels like such a pointless conversation and I don't get what the point of this exact exchange is. Again, this isn't Hades' domain, so I don't see why he needs to be the one to go meet with Demeter.
But then, of course, to make matters worse, this man has the absolute audacity to pretend like he's never done anything wrong to Demeter. As if she should be obligated to be cool with sharing a bench with this man who literally terrorized her for years and then essentially groomed her daughter.
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I hate him so fucking much and I can't believe we're supposed to be rooting for him. He has not undergone ANY of the character development necessary for me to want to care about him.
Anyways, Hades has a seat with Demeter, and the conversation is very brief before Hades says that he has a gift for her. And what is it, exactly?
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Oh great, Hades. Sure wish you would have had this consideration hundreds of years ago. I fail to see what good this does for her now because it doesn't change the fact that he still cost her the role of Queen of the Mortal Realm and treated her like shit for hundreds of years. This comes across as such a shallow and empty "apology" because it's barely even a "gift", rather something she was OWED back then that he didn't want to hand over for his own selfish reasons. He still comes out the winner here because he's gotten to spend thousands of years being a rich slave-driving oligarch while Demeter has had to maintain the Mortal Realm on her own even without the glory of having a title.
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I especially detest this "twist" because it's less of a twist and Rachel finally accepting the fact she couldn't come up with anything better than what her fans had to come up with for her. If this had been the fact the whole time, we would have seen it established back when we first got those flashbacks showing Hades being a total prick to her over the volcanoes. Instead, Rachel dragged it out for weeks and weeks until finally dumping this "twist" that her fans had been talking about all that time. This is yet another one of those "Rachel used her fanbase to come up with her ideas" moments. I know that that seems a little mean and presumptuous, but the fact of the matter is that the writing in this story is such an absolute mess that you just know Rachel's writing by the seat of her pants and has to rely on her audience's headcanons to actually fill in the gaps of her story. Most of the time when people commend her for the "great storytelling" in LO, what they're referring to are things they came up with entirely on their own because of how easy it is to just make assumptions about LO's storyline. Rachel benefits off the story being as vague as possible because then her fanbase will fill in the gaps with their own assumptions and give her all the credit for an idea they came up with.
By the way, to the "self-proclaimed folklorist" who wrote this, the volcanoes were really just entrances into the Underworld. Hades did not own them. They were owned by Hephaestus. And I would argue that the volcanoes were only seen as "entrances" into the Underworld because, fun fact - if you jump into a volcano, you die!
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Hades frames his reasoning as feeling like Demeter was pushing him out of the Mortal Realm, but this makes no sense because none of that is on her. He claims that he felt like an "outsider" but the reality is that he made himself that way. He resigned himself to being King of the Underworld, he ate the pomegranate and made the deal with Erebus, and even he stated that he could still actually leave the Underworld, just not for long periods of time. So he was the only one keeping himself away from the Mortal Realm, not Demeter. We even see that in the VHS tape flashbacks where Hades stumbles onto Demeter's property and she lets him sleep it off in her home. So this whole sob story about how he felt "pushed out" by Demeter is such a bad take from someone who's routinely known to make himself out to be the victim. Because Hades can't have an actual reputation for a reason, no, this is a "retelling" told by someone who got all their Greek myth info off Tumblr circa 2016 and the front page of Google, so Hades has to be the misunderstood uwu sad underdog. Even though he routinely does things that reinforce the reputation he has within the comic, like being a slave driver, abusing lower class nymphs, and grooming teenagers.
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Minthe showing up for a split second in the background is the best this comic has been since S2. We stan our girl Minthe, fucking run girl, do what Persephone couldn't do. She's the real hero of this story (。・∀・)ノ゙
And honestly, I'm sorry, but Demeter really SHOULDN'T be taking the high ground on this. She has more than enough reason to be upset. For a comic that tries to celebrate feminism and holding abusive men accountable, it sure is willing to make the women - often victims of the men - the real villains who have to "do better". Except for Persephone of course. Persephone is married into the system now, she doesn't have to "do better", she's a "boss babe" for being abusive and petty and undeserving of her status because she's the self-insert Y/N character.
So the ceremony for commencing Spring begins. I gotta say, for the final major scene of the mi(n)season finale, the art is severely underwhelming. You can really tell the difference between S3 and S1 art here, there's barely anything extra done to make this scene even half as impactful as the most basic of scenes from S1.
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Like, it's fine, but it still feels so half-baked and rushed to attempt to replicate the kind of art that's been gone from the series for years now. The full sequence itself is actually quite lengthy, with a lot of nymph hands just moving around and playing instruments, but it's about as bland as any other panel, so it makes the sequence itself feel dragged out and boring.
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This is about as pretty as the sequence gets and it's still not even as good as the original Dread Queen transformation. There's barely any rendering in the skin, and they couldn't even be bothered to make the hands look normal. It's like it's trying so hard to be "original LO" but is fundamentally missing the point of what made the original LO so captivating.
But oh noooo, looks like Persephone did a bad!
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Are they actually gonna give her some kind of flaw? Are we gonna FINALLY gonna find out what she traded to Erebus?
No. We're just gonna make her the cause of winter.
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Spaghettios.
And that's where I'm leaving this review for now because, as mentioned in the beginning, this episode is a LOT longer than I remember it being. There's still a whole ass segment with Apollo that we need to cover and I don't want to leave it out but I also don't want to do it entirely in text format and I've hit that pesky image limit. So I'll be posting that second part as soon as I can!
That said, I really can't stand this "subversion" by making Persephone the reason for winter.
First of all, because this is a common problem in a lot of H x P "retellings", as many of them fundamentally miss the point of why Persephone is the "Goddess of Spring".
Persephone was not born the "Goddess of Spring". She was born Kore (Κόρη), a maiden born from Demeter. It wasn't until after she was taken by Hades that Demeter, in her grief, took away the harvest and created winter. It was the return of Persephone every six months that brought about the spring, hence, she earned the name, "Goddess of Spring". What these retellings COMPLETELY MISUNDERSTAND is that the gods aren't 'born' with their titles, they're granted these titles by the mortals who comprehend them and write of them as harbingers of their respective elements, stories, and messages. Zeus wasn't "born" the God of the Sky and Heavens, he was granted that title after he overthrew Kronos and took the Heavens for himself. Hades wasn't "born" the God of the Underworld and the Dead, he was granted that title after he became the ruler of the domain of death.
Where these retellings really fuck up is constantly trying to "subvert" the H x P myth in an attempt to romanticize it, thus undoing the point of why Persephone is called "The Goddess of Spring". A Touch of Darkness also made this mistake by putting a "twist" on Persephone's character by having her start out as someone who couldn't make things grow. But if she sucks at making things grow, then why is she still referred to as The Goddess of Spring? In LO, Hades is referred to as "Grandpa Winter" and the seasons already seem to exist as we saw in this episode through the ceremony, so why has she been called "The Goddess of Spring" this whole time?
But I also can't stand this "subversion" because it fundamentally misunderstands the very myth it's trying to "retell". By giving Persephone the "curse" of creating winter, it further robs Demeter of her own agency in this story, more than it already has. It wasn't enough to make Demeter a helicopter mom, it wasn't enough to drive an actual rift between her and her daughter, they had to take away Demeter's entire role in the story and the creation of the seasons and give it to Persephone.
And this is, surprisingly enough, NOT the first time the comic has done this. There are many traits associated with different gods that have been given to Persephone and Hades. The volcanoes belong to Hades rather than Hephaestus, Persephone is "more beautiful than Aphrodite", Thanatos' and Psyche's butterfly symbolism is given to both Hades and Persephone, Aphrodite's symbolism of roses is given to Persephone, the list goes on. Every single plotline has to involve Persephone as the hero, and every single attribute that's commonly associated with other gods has to be granted to H x P in some way to make them better and more interesting than every other cast member in the comic, and yet they still come across as vapid and boring protagonists with nothing to show for themselves.
So to give the ONE thing from the source material that made LO what it is, it comes across as so unbearably cruel.
But then again, we should have seen this coming. After all, Rachel does not cite this as a retelling of The Hymn to Demeter. She simply refers to it as its more unofficial name: The Taking of Persephone.
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Look, I get it, the story is meant to be told from Persephone's POV (or at least through the lens of her being the main character) so I can understand why Rachel may have chosen to reword this to make it more clear. But it's really depressing that she went to such an extent with making it about Persephone that she had to rob one of the most integral character of her moment and retribution. Especially when one of the only books in her cited "research" that's primarily about Persephone is, shocked, The Hymn to Demeter, which is listed at the very bottom of every "research" list you can find in LO's history.
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LO should have just stayed as self-indulgent fluff. This isn't "subversion", this isn't a "twist", it's just yet another item on the list of making Persephone the most Important One of all. Even when it attempts to be a 'flaw', it fails tremendously by acting as yet another aspect of her being a Mary Sue, because her 'flaw' has come at the cost of another character's story, identity, and strengths. What was originally a tale of grief, retribution, and standing up against a patriarchal system, has now been warped into a consequence of a muddied plot that doesn't have anywhere left to go. For a story that claims to be "feminist", it has ironically missed the original point of its source material entirely, and completely robbed itself of the feminine strength it could have had if it hadn't tried to be "subversive".
I don't really have anything much more to say than that. I could leave it here for good, but we do still have that extra segment to talk about that covers the actual final cliffhanger in this episode, so... we'll see you on the other side.
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only-lonely-stars · 11 days
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just watched Dragons Rising S2... I am not okay and have many thoughts (SPOILER WARNING)
Please pardon how disorganized these are... :)
Nya and Jay's eventual reunion is going to crush my soullllll
All of the cool shots with Cole fighting have reignited my Man Crush Monday, and I'm not mad
Where are all the ladies? Pixal, Skylor, Vania, Akita? And what about side characters like Benthomaar, the Keepers, Scott, Unagami??? I desperately want to see them
The sorceress (Gandalaria?) is pretty funny, I loved the whole bit with the magic storeroom -- especially the mimic
Did Euphrasia achieve her True Potential when she stabilized the Cloud Kingdom island?
Ras floating into the sky for his interdimensional Zoom meetings has got to be pretty odd in-person...
What happened to Ash? If we've got Cinder now, did Ash die? Or did he retire? Some secret third option?
SOMEONE HELP MY BOI KAI
Seriously. Kai was wearing a wolf mask and yet he still went through the portal without any issues. How? Is it a plot hole? I thought I'd hit on a plot twist and then I was proven wrong, so... not sure...
Lloyd's whole panic attack plot line was... decent, but feels like it needs a little work in the writing department. Overall I love the idea!
What the heck is a Source Dragon Tournament?
Every single one of the Administration jokes landed. Solid 10/10. I was cackling at Cole's joke about a permit in triplicate.
THE DOG!!!! THE DOG!!!!! TOO CUTE!!!
Are the rest of the Ninja going to learn Rising Dragon Technique soon? Will Riyu and Sora get it together?
Will Arin ever actually figure out his object thingie (without bringing it up unsuccessfully another thirty times) before I get bored of watching him try? I hope so.
RIYU BABY YOU'VE GOTTEN SO BIG, I'M SO PROUD OF YOU!!! Now go eat your vegetables so you keep growing.
It took me a while to find somewhere to watch it (I don't have Netflix), but it was worth it. I'll watch Season 2 Part 2 (season 2B?) when it's out! I'm starting to warm up to the idea of a spinoff show, especially with the overarching plot pulling it together.
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themaclean · 7 days
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We Don't Have To Be Friends (1/2) Characters: Cooper Howard/Lucy MacLean. Summary: 3,507 words, Post Season One -- character study that was meant to be PWP, but then ended up being entirely plot. Part two will be smut or I will krill myself. Warnings: Nothing you wouldn't see in the show. ( Ao3 ) > Part One | Part Two <
Cooper never thought much about Hollywood anymore.
He had no reason to and no time either— but the thoughts bubbled up when he saw how the gold thread of his shirt dulled and familiar street signs melted into slack arches. Sometimes, he’d catch sight of a tattered newspaper with names he recognized or faces of people long since dead.
But nothing made him think of Hollywood the way Lucy did.
It hit him one afternoon with a nasty churn, that flash of the old world that locked his knees mid-stride. It was pathetic, really, when he thought about it now.
It was the flash of Lucy's Vault-Tec-sponsored smile over her shoulder, her thin hand with a necrotized finger pointing ahead of them at some landmark she’d heard of. With her head turned at just the right angle, and the sun was low as it caught the edges of her cheeks and lashes…
She had the sort of face girls in the movies had: clear skin, big eyes, and neat hair. Pretty — beautiful, actually, but not as a matter of compliment. Beautiful in the way she’d make a good price at any given market if he was inclined to sell her. Beautiful in the way people loved to exploit.
That’s the lifeblood of Hollywood—that churning mass of young talent desperate to prove they had what it takes. They’d sweet talk whoever they needed to, go to the parties, and chat his ear off about how amazing he’d been in whatever movie had come out lately, about the sponsorships they’d been offered, and about the dresses they got sent. They’d slip him their number and hold his bicep too long like they’d been taught to by managers and mothers alike.
Dozens of pretty women rushed to audition for the role of arm candy. They’d audition to play the mayor's daughter, the farmer's daughter, or so-and-so’s daughter. They’d always been the damsel. Then, whatever cowboy he’d been hired to play would toss the pretty woman onto the back of Sugarfoot and ride off into the sunset. The sort of girl who'd be gone by the next movie or end up married to a director, so she'd quit acting.
And, much like all the girls in Hollywood Cooper had spent time with, Lucy had changed. She had the same optimism, but it’d dulled; her marketable face now held tired, empty eyes. It was like she finally caught onto the world’s current: no sunset and no next movie.
Cooper couldn’t fault her. It's a strange journey to discover what to do to survive.
“Hey Cooper — is that it?” Lucy asked, repeating herself. The sprawl of buildings ahead was dotted with torches and candles.
Cooper nodded, his hand firm on Dogmeat’s collar.
A short strip of buildings stood out against the expanse of desert and dry shrubs. Each building leaned towards another, with sheet metal fastened with unskilled welding. Several turrets puttered away, seeking whatever wasn’t humanoid enough. Strips of fabric and tin cans garlands peppered the buildings' front. The smaller buildings on either side were your standard fare: a repair shop, a medic, a trader with a little diner area.
But the one Cooper was after stood out for its neon sign—Hell’s Oasis.
Hell’s Oasis served its purpose—it was a decent place to get information, and the people minded their business. They weren’t too bothered with ghouls or mutants as long as you had caps. The place often served as a meeting ground for bounty hunters and their contractors. It was also one of the more upscale places, as they wouldn’t harvest organs unless you died of natural causes.
And, if you couldn’t fight or forage for survival, you could fuck for it.
(Not that Cooper ever wasted caps on the whores who took residence within Hell’s Oasis. He’d sooner pay people to fuck off than spend the night with him.)
Cooper grabbed Lucy by the nape of her neck to yank her close and keep her firmly by his side. Most people he brought here, he left here — call it a force of habit to handle her so roughly.
“I can walk, y’know,” Lucy hissed.
“Stick close,” Cooper clicked his tongue at her, and a slight hiss followed. His grip flexed to further the message that she’d do well to follow his guidance.
They made their way through the hotel lobby, the moldy carpet slick against the floor with dirt and grease from the world outside. A few people chattered away in the attached bar, laughing at jokes Cooper couldn’t make out. Casino chips clattered on the table as they played made-up card games.
Long dead plants clung to arid dirt, the sticks of old ferns wilting against one another. Metal crates were lashed together in each corner of the alcove where the front desk sat, providing a makeshift cage between the staff and the patrons. Several girls rushed past Cooper and Lucy, jeering and cackling as they approached the bar. They were clad in lacy nightgowns. He couldn’t tell if they knew they were lingerie rather than clothes or if they’d even care.
“It’s so lively here,” Lucy said, a pang of something in her face.
“It happens in pockets,” Cooper said with a shrug of his shoulder. Little uh… spots of life.”
“Must be why they call it an oasis.”
Cooper rolled his eyes as they reached the front desk. Magazines sat in thick stacks with information about local tours in the area and a guide to the national parks. An abandoned handbag was tucked against the desk, which Lucy eyed with curiosity.
Cooper slapped the front desk bell a few times, a gargling growl low in his throat.
They needed this break after a couple of weeks on the road together. Water was getting sparse, and he wanted to be ready to meet with whoever the fuck Hank had run off to. And in such an open desert, there’s no sense traveling at night, and all manner of dumb shit came up along the way.
It was always something. People needed help or some dumb cunt trying to pick a fight, resupplies, rest… He didn’t like helping people much, but Lucy argued with him whenever they tried to go on without at least trying. And whether the people lived or died, at least they tried. That was her argument.
But Lucy listened to him a little more now, and he was as patient as he could be with her.
Cooper rang the bell again. He wanted a room, and the chattering laughter in the bar was only making his aches worse.
Priscilla appeared from behind a moth-eaten velvet curtain. Her hairline was hidden beneath a thick headscarf with puffy blond curls bouncing beneath it. The last time he’d been here, her hair had begun to rot out of her skull. He guessed it’d only gotten worse. She’s still pretty, mirroring that old-world red lip with pin curls.
“Oh my God, is that you, Coop? I haven’t seen you in a long time,” Priscilla said in a slow, low voice. She had a rasp to it, always had, though he wasn’t sure if it was from the radiation or a smoking habit.
“Was underground,” Cooper said with a lazy smile. He wouldn’t mention that he’d been underground in a literal sense, trapped in a coffin.
“Well, it’s nice for you to come to see us and…” Priscilla’s gaze slid to Lucy, that usual surprise swelling up at the sight of a genuine Vault Dweller. They weren’t hard to spot. “Ah, you turning her in for a bounty?”
Lucy’s head snapped towards him, a mixture of shock and disgust.
“No,” Cooper shook his head, his grip firm on Lucy’s neck to turn her head away from him. His fingers tensed before they dropped away altogether, brushing across Lucy’s shoulder. “Tag-along. Helpin’ her uh…” He picked through the words that came to mind, cautious not to share too much. “Adjust to the surface.”
Priscilla’s jaw squared as she stared Lucy down.
“We’re just lookin’ for a room, some food,” Cooper said before she could pry further. “Usual fare.”
“Please,” Lucy said, like Cooper had forgotten, and it was important to say. “The usual fare, please.”
“She speaks,” Priscilla said in a purr.
Cooper had to give Lucy credit. She’d stayed quiet much longer than he’d expected.
“Oh, we’ll also need water,” Lucy said, looking up at Cooper. “For cleaning and drinking. I’m not sure if you separate it that way or if you reuse it unless you have showers.”
Priscilla narrowed her eyes. “Running water? We can get you a bucket of water, sweetness. That alright with you?”
“It works great for me. Big fan of buckets. They’re the backbone of agriculture and cleaning, really, if you think about it…” Lucy agreed, her smile as bright as the neon sign by the front window.
Priscilla looked at Cooper and then at Lucy, repeating the loop before she sauntered behind a moth-eaten velvet curtain strung up with zip ties. The distant hum of a generator underscored the silence as Cooper picked over the board of caricatures. Plenty of people were banned from the premises or with a bounty on their heads — no one stood out on the board, at least.
“She was giving us a weird look,” Lucy leaned closer to Cooper, feigning a swipe of her hand through her hair. The floor creaked as she shifted her weight closer to him. “Is it the bucket thing? I panicked.”
Cooper scoffed from the back of his throat.
“It is safe here, right? You trust her?”
“It’s safe,” Cooper bared his teeth at Lucy, begging her to return to the docile silence she’d thrived in.
“Then why — ”
Cooper hissed for her to shh through clenched teeth.
Priscilla pushed past the curtain. She gripped a little blue card with faded gold edges. A key with a golden ball chain was attached to the edge. It felt strangely archaic to be so formal about lodgings, but it was why he liked this place.
“I guess it makes sense,” Priscilla said as she slid the key to Cooper. She nodded to Lucy. “You wanting a girl who’s more… Old—world flavor. It reminds you of the golden years, hm?”
“Six, right?” Cooper ignored her question, his gaze fixed to the card.
“Six,” Priscilla repeated, her gaze on Lucy.
Cooper tossed a few caps onto the front desk, the clatter of metal their own punctuation. He notched his head towards the stairs, and Dogmeat and Lucy followed in stride. He was eager for the simple things — water, food, and a moment to let his bags rest.
“Wanting a girl…” Lucy smiled, mumbling more of Priscilla’s words under her breath.
After several flights of stairs and a few hours, Cooper felt all the better. He’d eaten his fill and enjoyed the peace of an enclosed room. He didn’t often allow himself such a luxury, as being in a settlement put a target on your back for any larger groups. But it’d been two weeks since they’d had proper rest out of the elements.
Tracking Hank wasn’t easy, either. That suit meant he could skip over all the pocked landscape and roaming threats. What would take him an hour to travel by air was a day for them sometimes, a fact that spurred Cooper on. But they couldn’t rush, as rushing would only get them killed.
One wrong step and you were deathclaw chow.
“God, more, please!”
And there went the silence. Cooper’s eye twitched; his lipless mouth sneered at the screeches.
Whoever had taken up residence in room five was making the most of their money — an hour straight of screams and moans, an hour straight of Lucy pretending to read. She’d picked up a holotape at the last outpost they’d stopped at; something about a sequel she’d always wanted to continue reading.
By the second hour, it wasn’t so much that room five stopped fucking. But they at least got a lot quieter about it. The occasional shriek or moan rattled through the air vents, but it was far and few between.
Lucy lay across the double bed, her boots discarded beside the door. Her vault suit hung from the defunct radiator. Her washing was all done, and she’d freshened up, the usual Lucy shit. She’d helped herself to the water and changed into some pajama set she’d pilfered from a house a few days back.
“I think it’s nice,” Lucy said into the open air of the hotel room.
Cooper looked up from his shotgun, teeth bared like he was trying to smile. “The quiet?”
“No,” Lucy smiled at the wall between them and room five. “That people can find love, even now.”
Cooper couldn’t stop himself from laughing at that. The cackles shook from low in his lungs and caught him so off-guard he hacked up some foul muck into his palm. He hissed through a wheezed breath as he fumbled with his RadAway puffer.
“I mean it! It’s not funny!”
“That ain’t love, Vaultie,” Cooper coughed out, his eyes narrowed as drool and tears mingled on his cheeks. He wiped his face, fine skin catching against the scarred, leathery mess. “That…” He pointed to the wall. “S’probably a whore and her John making the most of the caps.”
Lucy’s eyes darted as she picked apart what he’d said. “John..?”
“John’s a term for uh…” Cooper’s jaw strained against a smile, though it was far too cruel to be kind. “A guy who pays for sex.”
“Ah, wasteland slang,” she said with a solemn nod, as if it made sense she hadn’t caught on immediately.
“Old world slang,” Cooper corrected.
Lucy looked around the hotel room anew, like she’d finally caught on to what this place really was. She scooted to the edge of the bed, to sit with her legs angled towards him. “That woman at the front desk said you’d want a girl who’s old world — she thought I was a prostitute. ”
“Maybe.”
Lucy crossed her arms as if she had more to say on the matter. But then she remained quiet, uncharacteristically so.
“S’waste of caps.”
“Hiring me to have sex with you? Actually, I know all about sexual gratification, so I think it’d be a great use of money — caps.”
Cooper stared Lucy down as if he couldn’t parse what she’d just said. “Paying anyone money to fuck you is a waste.” Cooper tongued his lips apart. “Bullets. Meds. There’s shit worth paying for. Sex is — ”
“Important.”
“Sex ain’t worth much.”
“To you, maybe,” Lucy frowned. “It’s an act of love and intimacy, and… It’s how humanity continues, and it’s — fun if done well.”
“You wanna waste your caps on some cock?” Cooper snapped, his hand flapping at the door. “Be my guest.”
“No,” Lucy shook her head. “I don’t want to, but I’m saying that I… I think killing people is probably worse than sleeping with people for caps. If it’s to survive, I think it makes sense. Morally speaking.”
“Don’t,” Cooper snarled.
Cooper didn’t like how Lucy spoke to him most days, but this was a new, worse permutation. Her Vault-addled morality was sickening enough on its own, as she embodied whatever bullshit had been drip-fed to her by the company who’d bought her vault. Not that he was without sin, given the shit he’d done to survive this long.
But sex and love and all that shit was not front of mind. He needed to find his family and to know what happened to them. He didn’t need a two-cap blowjob from a stranger in the dim light of some bar. Though, in all honesty, his drug habit mixed with the amount of alcohol he’d drowned himself in, some nights got hazy.
There’s that animalistic, self-destructive part of him that won on his worst nights. The same part of him that kept him alive, the same part that let him do all the miserable shit he needed to do to survive.
But it’s certainly never been love. Not since Barb.
Never again, he’d wager.
"I had sex once," Lucy said this like it was a point of pride, now on her feet. She idled beside the bed, her gaze settled onto the empty space she’d been lying. "With my husband, but…" Her face twisted with this delayed amusement. She turned towards him, closing the gap between them.
Lucy’s eyes remained unfocused as she stared at the marked table between them, where his shotgun lay across a dirty cloth. "Does that make us both widows..? You said you have a family, right? So, you were probably married and had at least one kid. Not trying to presume, so tell me if I’m wrong, but… You said that in the observatory. That’s what you’re after."
Cooper parted his lips, a nasty tilt to his hairless brow.
Lucy gave a tight smile. "I was married. Only for a few hours, but… It was an arranged marriage, I didn’t meet him until the wedding. It turned out he was a raider from the surface posing as my match from Vault 32 and…" At this point, Lucy caught herself. “I feel for you, if you lost someone. That’s all.”
“You ain’t a widow.”
“Technically — ”
Cooper stood up, unable to stay seated. “You say you’re a widow like it’s a fact outta some book. The shit you went through — you’re an experiment gone wrong, not a damn widow,” Cooper said, his voice flat.
Lucy’s face twitched at his words as if she struggled to keep her smile. “Well, guess what? We’re all an experiment gone wrong, whether you’re in a vault or not.”
Cooper’s eyes twitched, narrowing in the dark of their hotel room. Room five was quiet, which made this moment all the worse. He didn’t like how she spoke about him, as if she knew what was happening in his mind. He wasn’t some wounded man looking for sympathy.
He wasn’t anything.
“Go back to your holotapes,” Cooper said with a jut of his chin. “You’ve been up here a few weeks, acting like you know how it is.”
“Well, I know we’ve all been screwed over by people hundreds of years ago, and I’m sorry if I’m not as beaten down by it as you, but — I’m just trying to share things with you, to…” Lucy struggled through her words, her arms crossed protectively over her chest. “We don’t have to be friends, but we have to be — something.”
The couple in room five screeched. Cooper tensed out of habit but relaxed again when he reasoned what the noise was. It didn’t solve the fierce look on Lucy’s face as she stared him down, her fists clenched by her pajama-clad thighs.
“I don’t want to fight with you,” Lucy said, shaking her damp hair out of her face. She stood idle by the table as if she had just realized she had stepped towards him in their argument. There was a bird-like shake to her chest, her heart and lungs quick beneath bone.
It was moments like this that made his nature crystalline to him — that thin line she couldn’t perceive of how easy it’d be to string her up by the ankles and bleed her dry. Of how easy it’d be to slide into that ache for warm flesh between his teeth and blood down his throat.
Ghouls aren’t welcome in most settlements for a reason, and Lucy is too damn optimistic to learn that lesson.
Cooper tongued the inside of his cheek, and his teeth gnashed at the frayed edge of his lip. “We have to be something, huh?”
Lucy’s brow twitched, and her jaw strained as she tried to stand taller. She nodded as something like hope softened her stern expression.
It wasn’t hard to close the gap. It was even easier to grab that ponytail she always wore and yank her head close, fist tight in her hair as he brought her close. Her hand scrabbled against the table, and nails dug into the wood as their eyes met.
“Don’t you ever talk about my family again,” Cooper said, his voice level. “We clear?”
Lucy’s breathing redoubled, but she nodded. Her nostrils flared as he let her go with a firm shove. There was a real sense of satisfaction as he felt her perception of him shift as if she’d forgotten she was dealing with a monster rather than a man. As if the rotted skin and exposed tensions, or the gaping hole where his nose had once been, weren’t enough warning.
Pretty girls in Hollywood were overlooked as much in his time — all in the name of survival in a race that no one really won. You took your part and played it until the work dried up. Then, you prayed for sponsorships, deals, and other things to spare you from the real world.
He watched it with co-stars, time and again. It wasn’t much different now, just less rhinestones and more rads.
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indigostudies · 2 months
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a very incomplete list of cdramas (plus a few chinese films) i've watched and my rating for hsk proficiencies for them below the cut!
i've watched some shows that aren't included on this list, but i didn't watch enough of them to get a good sense for the level of challenge they pose, so they're omitted from the list. i've also included links to the mydramalist pages, if you want to get a sense of the plot.
i had to remove the list format, since tumblr decided i had too many characters per block of text, so i apologise for that. a number of these can be watched on youtube with english fansubs, but if you can't find something, you can always dm me and i'll get you a link!
沙海/tomb of the sea: this fits into the extended daomu biji/grave robbers' chronicles/lost tomb franchise, but you don't have to have seen the other shows or read the books to watch it, and the pov character is an outsider who also doesn't understand what's going on 90% of the time. this show is contemporary, and you could probably start watching it at a fairly low hsk level because it doesn't have a ton of complicated technical or genre-specific terms. the subbing in english decent, since it came out a while ago, but there are some errors that crop up with names and nicknames. if you wanted to watch it without subtitles, i'd say you could probably get the gist of what's being said at around an hsk 4 or hsk 5 level. it has 52 episodes, each around 45 minutes long. (mdl link)
双镜/couple of mirrors: set in the republican era, so some of the terms used are a bit outdated in terms of colloquialism, and it also has a mystery/detective element to it, so that could pose a bit of a struggle. that said, the show isn't actually too challenging in terms of vocab—i would say you could watch it without english subtitles at an hsk 3 level with some struggle, and with a fair amount of ease at hsk 4. 12 episodes, at 46 minutes each. (mdl link)
云泽传/legend of yunze: wuxia/xianxia, which makes the amount of unfamiliar terms higher if you aren't used to the genre, but the episodes are all very short, and the plot itself isn't overly complicated, which makes it easy to sit down and watch in one go. on a level of difficulty, as long as you're familiar with wuxia/xianxia terms, you could probably watch this at an hsk 2 level without too much issue, and the subbing in english is very thorough. has multiple seasons, but the first season is 12 episodes, between 3-7 minutes each. (mdl link)
神探/detective l: this is a procedural detective show, and it's set in the 1930s republican shanghai, so there's a combination of more formal/outdated language and specialised detective/case-related phrases. the english subs are decent, though, and the actors all enunciate clearly, which helps if you need to look up words. i would say this would probably be a bit of a struggle below the hsk 5 level, but you'll pick up a lot of new, crime-related phrases. 24 episodes, 40 minutes each. (mdl link)
不良执念清除师/oh no! here comes trouble!: i'll be honest, this one was a struggle for me because of the taiwanese accent. i can understand what they're saying, it just sounds like the auditory equivalent of someone coming into my house and moving everything a few centimetres to the left. this is also a procedural show, but contemporary, so not quite as challenging in terms of vocab to detective l, in my opinion..........but it's also got a heavy supernatural element, which does come with specific vocab. the subbing is good, but if you're going to watch it, this one probably requires a higher hsk level to keep up—hsk 5, at a minimum, in my opinion. 12 episodes, 52 minutes each. (mdl link)
s.c.i谜案集/sci mystery/sci: another contemporary procedural mystery show, but from the mainland, so there's no elements of supernatural. surprisingly simple vocabulary; you could watch this at an hsk 2 level and get the gist, and an hsk 3 or hsk 4 level would let you watch it just fine. has fairly good english subs, and i believe they set the show in hk, which accounts for the higher than usual amount of english usage, up to and including in dialogue. the only bit that might make it challenging is the heavy lean into the psychology, but it's all largely explained directly, since most of the characters aren't familiar with the terms either. 24 episodes, 45 minutes each. (mdl link)
成化十四年/sleuth of the ming dynasty: ming dynasty (mid 1400s, under the chenghua emperor) setting, but a fairly colloquial vocabulary. there are some specialised titles used, but those are fairly self-evident by the way the show is shot, and easy enough to look up. the english subs are good, and i would put this at an hsk 4 level—but even at an hsk 3 level you probably won't struggle too badly. my hangup here was, again, one of the leads being played by an actor with a taiwanese accent, though it's not too heavy. 48 episodes, 45 minutes each. (mdl link)
老九门/the mystic nine: dmbj prequel, set in the tail end of the republican era (1939, if i remember correctly?). has a lot of tomb- and tomb-robbing specific vocabulary, alongside the more dated modes of speech, so i would put this up at an hsk 5 or hsk 6 level, but there's decent subs, so you could watch it at lower levels, it would just be a bit of a challenge. 48 episodes, 42 minutes each. (mdl link)
猎罪图鉴/under the skin: contemporary procedural show; there's a lot of emotion- and motive-specific words used, and the fact that it's a procedural makes it a bit more challenging, in my opinion. i would recommend that don't start with this show, just because of the fact that it's pretty easy to get lost if you don't grasp some of the vocabulary. i'd put it at an hsk 6 level, but that said, the subs are good and you can watch it at an hsk 5 level with some effort, i think. 20 episodes, 45 minutes each. (mdl link)
春风沉醉的夜晚/spring fever: honestly not as challenging in terms of vocabulary as a lot of things on this list, and fairly contemporary (set in the 2000s). i would say if you're at an hsk 4 level, you will probably do alright with it. 116 minutes in total. (mdl link)
关于我和鬼变成家人的那件事/marry my dead body: another case of struggling to acclimate to the taiwanese accent; otherwise, not too complicated in terms of vocab, though there are some spirit/marriage-specific terms used. overall, though, i'd put this at an hsk 4 level as well. 130 minutes in total. (mdl link)
陈情令/the untamed: heavy on the wuxia/xianxia elements, so unless you're familiar with that, you might struggle a lot to get through it. this is a lot of peoples' entry into cdramas, though, so it's not utterly inaccessible, and has decent english subs. i would put this around an hsk 5, if you want to watch it without subs, though you'll probably still have to pause and look up some words here and there even then. 50 episodes, 45 minutes each, making it the longest on this list. (mdl link)
山河令/word of honour: arguably the hardest on this list, i would say, because it's so plot-heavy. i, as a native speaker, struggle to follow along with this for extended amounts of time because there's a combination of 1. a lot happening, 2. a lot of wuxia terms, and 3. a lot of references to literature/art/etc. i would put this up at an hsk 7 level, honestly. that said, the subs for this are very good. 36 official episodes with a 37th mini-episode, 45 minutes each for the regular ones. (mdl link)
天官赐福/heaven official's blessing: one of the easier shows on this list; i would put this at an hsk 3 or hsk 4 level; there's some words you probably won't know, but while it does fall under xianxia, it doesn't go into that as much in terms of vocabulary as cql/the untamed does. i believe both seasons have both official subbing and official dubbing into english available, but that's not how i watched it, and i've only seen the first season, which is 11 episodes and about 20 minutes per episode. (mal link)
致命游戏/the spirealm: not particularly challenging in terms of actual vocab, but as of yet, only the first few episodes are subbed, since it came out literally this month, and the other subs are all auto-generated and.............very lacking. that said, it's a contemporary setting, and i would put this at an hsk 5 level, give or take; there are some references to folklore, but the characters research and explain or deduce the explanations of what is happening as it occurs, and you aren't left to struggle to figure it out yourself. 78 episodes, but each one is a bit under 20 minutes long, so it actually isn't that much content in total. (mdl link)
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absolutebl · 7 months
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This Week in BL - Korea drops my favorite cameo ever & gives KISSES
Entirely subjective yadda yadda. Organized sorta by favs in each category.
Sept 2023 Wk 1
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Ongoing Series - Thai
I Feel You Linger in the Air (Fri grey) ep 4 of 12 - Well that’s one way to find out if he’s gay, see how he reacts to reading a het sex scene out loud. Yai is flirting so hard it’s like he knows everything. 
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Dangerous Romance (Fri YT) ep 4 of 12 - Oh no! I love them. Also cohabitation trope! Also ALL the other ones: hair dry, meet in childhood... GMMTV going no frills with this one.
Hidden Agenda (Sun YT) ep 9 of 12 - Zo’s drama over Pat helping Joke flirt seems awfully manufactured. I’m losing faith in this show. Could GMMTV PLEASE hand JoongDunk a decent script? 
Only Friends (Sat YT) ep 5 of 10 - Sand & Ray are the only interesting couple, and I’m pretty much only watching for them. They gonna go south fast, tho, and they're already ruined by persistent singing. Ooo. When Sand said Top "stole his ex" did he mean Boston? How gay. 
Naughty Babe (Sat YT) ep 2 of 8 - The pronoun conversation had a bonkers translation but I enjoyed the actuality of it. The reasons for Yi's trickery are very convoluted soap opera. But I suppose that is the amnesia trope for you. 
Be Mine Super Star (Mon Viki) ep 10 of 12 - Boys. We discussed this already. No sex in onsens! I found this one dull, until the end when LLS showed up. Happy to just have him in everything. Thank you Thailand. Looks like it is a classic ep 11 DOOM next week. Who cares? 
Venus in the Sky (Tues iQIYI) 1-2 of 10 eps - The usual Thai pulp claptrap this time a reunion romances in and around a convenience store between a boy who recently quit his job and his former bestie who is now a doctor. Mostly not great acting, plot, or production but the sound is okay and no bad effects or singing (so far), so that’s something. The gay brothers have a fun relationship. It’s vampy and campy but fun. I like it but not sure anyone else would.
Love in Translation (Sat iQIYI) ep 4 of 10 - The date was cute but I still don’t like the lead or the premise (we moved into Cyrano de Bergerac territory). It’s moving slowly but it seems like we might be over the crush/stalker part of the narrative, so that’s a relief. 
Crazy Handsome Rich (Sun Gaga) ep 2 of 10 - I just can’t. The sound is too weird. With punch down humor and other issues incoming I may DNF this. You’ve been warned. This ep we got to see LLS with his shirt off. Did anything else happen? 
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Ongoing Series - Not Thai
Jun & Jun (Korea Thur Viki) ep 8fin - No wonder he is everyone’s favorite hyung, boy can read the room like no one else. I love that we got to see exactly how clingy and demanding Choi Jun was always going to be. Only Lee Jun is easy-going enough to put up with him. Also I’ve never watched a KBL with more innuendo. For Korea this was… raunchy. I gotta say had Laws of Attraction not come along, Simon might have been my favorite character of 2023.
Final thoughts on Jun and Jun:
A delightful office romance about an ex-idol who joins cubical life only to find his new boss is his first love. Others boys are sniffing around too. Operative word being "sniffing" as much of this romance involves smell. With a snappy script, enjoyable sides, a pretty as peaches cast, and descent chemistry this show made up for in style what it lacked in substance. I like fluff. I loved this. I smiled every moment I was watching. With tons of rewatch potential (especially the last few eps), my only caution is this is for fans of the BL genre only, I don’t think it’ll work for anyone else. A solid 9/10 from me. HIGHLY RECOMMENDED
I like that Korea is trying high heat, but Taiwan and Thailand are leaps and bounds better at it.
Love Class Season 2 (Korea Fri Viki) eps 9-10fin -
Omg they so cute as flirty bf. Eeeeeeee! CAMEO!!!!! My fav guest couple ever! So exciting!!!! I love that they intersected with MY Strongberry couple (Private Lessons). I’m not used to this but Holy innuendo Korea, what with Jun & Jun and now this show? It’s a bit much for my gay little heart. The final episode was entirely unnecessary, but it was fun to see them being all domestic and stuff. Maru with his dumb lettuce leaves was hilarious. I feel like I need to rewatch this one to really understand it properly, so I will likely do that soon.
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Summary of Love Class 2:
3 couples form within a semester of university: 1. a hyung romance reunion of exes, one of whom has a dangerous past, 2. a friends to lovers romance, and 3. a mature student and TA one night stand + complexities (many aspects of which had me laughing). I enjoyed the characters and dialogue of this show immensely. It was a little bit more breezy and friendly than I was expecting after the first installment, Love Class. I’m not entirely sure Korea can handle multiple couples like this because it definitely felt disjointed, especially the 3rd more mature couple (also my favorite) who probably should’ve had their own series. But it was definitely fun and something different from Korea. 8/10 RECOMMENDED
Also, Korea tried to give us higher heat... that was... interesting. I mean, you tried hon...?
Kisseki: Dear to Me (Taiwan Tues Viki & iQIYI) ep 4 of 13(?) - Everyone is a sad sack this ep. Ooooo. Teach/student my favorite. We never get this one. It’s messy. I’m not sure if there is a plot. I’m not sure they’re sure if there is a plot. But I am still enjoying it.
Why R U? (Korea Wed iQIYI) eps 5-6 of 8 - Why is the Fighter character always so frustrating regardless of name or country? Ji Oh stalking his crush via IG is so relatable. He’s very first crush awkward, unsure, and sweet. They also gave a nice kiss - I love the backpack drop (kiss version of a mic drop?) I still hold that if you haven’t seen the original this might not make much sense. But I am enjoying it. 
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My Personal Weatherman AKA Taikan Yoho (Japan Sat Gaga) ep 4 of 8 - Oh goody, another JBL where we have to pay attention solely to what they do and not what they say. 
Minato's Laundromat Season 2 AKA Minato Shouji Coin Laundry Season 2 (Japan Thu Gaga) ep 9 of 12 - Big fat sigh. 
It's Airing But...
My Universe (Sun iQIYI) ep 3 of 24 eps - I couldn't get hold of it and I'm not mad. I'm putting it on hold until distribution gets sorted, or icky get their shizz in order (like that'll happen).
Next Week Looks Like This:
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Starting
9/15 You Are Mine (Taiwan Gaga) Secretary has to deal with grumpy boss.
9/15 Bump Up Business AKA Bump Up Project (Korea movie) suspected cinema release? I don't know much about what's going on. Last status update. Love story between a trainee who is about to debut and a celebrity from the same agency. Kpop boy group OnlyOneOf has signed up to star in this idol-based BL (based on a webtoon). They’ve been auditioning for this since Libido IMHO. You can watch me chronicle their BL MV series in this post. It’s from Idol Romance who will do sad but can do good kisses (Wish You, Nobleman Ryu, Once Again, Kissable Lips, Poongduck 304, Tasty Florida, Tinted With You).
Still To Come In September
9/26 I Cannot Reach You AKA I Can't Reach You AKA Kimi ni wa Todokanai (Japan ????) - Adapted from the manga, childhood best friends: The cool, smart one who’s good at everything, and his average, dorky friend who struggles. Always by the other’s side, but not together in the way they truly want to be. No matter how hard they try, their hearts cannot reach each other.
9/27 Absolute Zero (Thai iQIYI) - from 2021, Studio Wabi Sabi and New Siwaj finally bring us this “time loop to prevent tragedy” romance. We don’t always get HEAs from them, so I'm on my guard.
9/27 Bon Appetit (Korea iQIYI) - from 2022, 8 eps from GoGo Studio, romance between an office worker who lives off junk food and the man next door who cooks well.
9/? Mr Cinderella 2 (Vietnam YouTube?)
2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED).
THIS WEEK’S BEST MOMENTS
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I love him. And I love his version of this character better than Jimmy's.
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I also love it when a show gets meta. (Both Why R U? Korea) Why they didn't just go for YRU? the world may never know.)
(Last week) 
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theskysungqueen · 2 months
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to make things brief cause I suck at organizing what I have to say, the live action was definitely Something™.
Cast: 10/10 kinda biased personally but yall can't take this from me
Gordon as Aang and Dallas as Zuko were the standouts imo. Gordon needs some direction on line delivery and the angstier scenes but overall he's very charming and I'm so proud of him for getting so much exposure!
Ian as Sokka was great, I just wish he was allowed to be more...messy? like Sokka pretends to be chill and all that but he's actually dramatic so I hope that gets improved in the next season if there is one
speaking of improvement, Kiawentiio as Katara brought out a softer side to the character but sadly diminished her spark and passion. I like that Katara now actually feels like a younger sister, it makes sense within the context of the story that Sokka and Gran Gran would shelter her after what happened, but as someone said, her anger is so central to her character and I just wish that got shown more. It's more of a script and direction problem tbh, if you look at Kia's interviews she has the sass and feistiness Katara needs
Lizzy as Azula is great, the writing is a bit clunky though so she did the best she could with it. Can't really comment on Mai and Ty Lee yet because they're kinda just there but it's a nice setup
Maria as Suki? perfection show stopping never the same she is a queen and I love the tidbit of Suki backstory which she never really had in the og show. I love her being such a loser around her crush we love to see girlfailures girlfailing. I wish the writers didn't make them KISS though 😭 slowburn ftw
the adults were great
Writing: 6.5/10
There were genuinely good moments and I love the concept of mixing up certain plot points to condense the story
But they just suffered from too much Telling instead of Showing WRITERS PLEASE LISTEN TO THE CRITICISM YOU HAVE TIME TO IMPROVE PLEASE
Omashu, mechanist, and Jet plot mixing as a concept was fine, but it dragged on and my friends and I got bored of it. I like it in theory but if it was going to take THAT long couldn't they have just separated one of those storylines for a different episode?
I appreciate that they tried to develop the water siblings' relationship by making them the stars of the Secret Tunnels, but I would've changed the way they "conquered" the problem (really? badgermoles respond to love? cute in theory but like why). If anyone's watched Barbie: A Fairy Secret there's a part where Barbie and her frenemy accuse each other of why their friendship failed, and it helps them make up and breaks the curse put on them. So that's what I would've done, force them in a life or death situation in which they have to say the unsaid things, maybe hug it out and boom
The way they handled Koh and the Spirit World was a Mess™ but the effects were decent
Zhao meeting horrible ends in every incarnation is so deserved
Yue having more agency was a welcome change AND I LOVE THAT SHE WATERBENDS. Then waterbends even when the moon is gone. It's such a nice visual nod to the fact that she has the moon spirit within her
That said, the show could definitely use more visual storytelling, less weird dialogue. Like it's so strangely common for shows or adaptations these days to exposition dump. Like they did not have to make Yue say that the ocean spirit was angry, literally just show me the dead moon fish and I'll get the idea. Then Iroh says "That's Wrath" that's just redundant now isn't it
I like that they saved Katara bringing Aang out of the Avatar State until last even if it could've been done better
HOW DARE THEY MAKE ME LIKE HAHN HE WAS A JERK IN THE SHOW BUT THEY MADE HIM A GENUINELY GOOD CHARACTER. Yes to brown men not being portrayed as jerks but also in the original it was a nice contrast to how far Sokka had come because Hahn reflected who he used to be. But live action Hahn </3
I like that they showed the deaths and blood. I wanted a live action that was both lighthearted but more realistic when it came to the injuries and death, and that'd kind of what I got
Other thoughts + overall
You can tell they put so much heart into this show, watching the bts, the bending boot camp with the correct martial arts, the easter eggs, the nods to the comics, the beautiful adaptations of Cabbage Merchant and Secret Tunnel nomads, there's so much passion behind the show it's a shame it suffered in its writing
which is why if they read reviews and criticism from the bigger name fans (TheAvatarist, HelloFutureMe, etc.) it would really help them improve for future seasons! The cast is stunning already and they have great chemistry (hopefully gets improved too!)
The live action is just a different angle to the show. And I'm saying this as an Avatar fan–the original wasn't perfect, either. I had some problems w it but the overall show was genuinely so good and heartfelt, those problems weren't glaring enough to put me off (unlike The Dragon Prince, sorry). The live action definitely wasn't perfect, but it tried to give us a new look into Avatar. Again, no adaptation will ever be a 1:1 remake and none should be. Where's the fun in that? But while the show is so full of heart and with actual fans working behind the scenes, I doubt if they listen to any criticism that they can't pull this off better next season.
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oneatlatime · 3 months
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Let's look back at my season 2 predictions!
When I got to the halfway point of season 2, I made a post detailing my predictions for where the rest of the season was going. They were delightfully subjective and conformed more to my hopes than to any legitimate foreshadowing.
I made 9 predictions (one per main character), and then I predicted three ways that the finale could go. I went into some detail in some of my predictions, so I'd recommend checking out the linked post. Keep in mind that I made these predictions before the Ba Sing Se arc started, and it shows.
For Azula, I predicted that she would be the finale's big bad, that she would be defeated, and that the Fire Lord would be introduced as next season's big bad. I'm giving myself one third of a point for this one. Azula was indeed the big bad.
For Toph, I predicted that she would get a subplot that revolved around either something she excelled at being challenged by an external force like those wrestling idiots, or something that she needed to work on that tied into her noble background. Once again giving myself a third of a point, because those wrestling idiots were involved and she did meet an obstacle that she beat by inventing metalbending. I correctly predicted the pieces involved but I got them in completely the wrong configuration.
For Appa, I predicted that he would come back after having many adventures and running into other sky bison. (What's the plural of sky bison? Devastated to say that I've never had to use it) I was right that Appa came back; I was wrong that he ran into remnants of sky bison(s?), but he did end up running into remnants of the Air Nomads, and dreaming about other sky bison(s?), so I'm giving myself three quarters of a point.
For Zuko, I predicted that he would be coaxed/dragged into being decent via a swordbending girlfriend, and that he would be redeemed by the end of Season 2. Hilariously, my prediction smashed Jin and Jet together, which breaks my brain a little. Also, he did the polar opposite of being redeemed by the end of the season. I'm going to give myself a quarter point, for getting the sword bit and the girl bit.
I predicted that Sokka would split from the rest of the Gaang and go on a multi-episode Appa hunting arc that focused heavily on his ties to his family. I was 100% wrong with this one. No point for me. Which is too bad, because I really liked the idea I came up with.
I predicted that Momo would do aerial reconnaissance for the Appa hunt with Sokka. I'm giving myself a full point for this one, because what was he doing in the Tale of Momo? Flying around looking for Appa. Admittedly Sokka wasn't there, but whatever, I need this point.
For Katara, I predicted some sort of moral crisis. Something to add some nuance to her world view. A good yet unapologetically patriotic firebender, or a downright evil waterbender. I was completely wrong on this one too, unless you count being talked into listening to Jet. No points for me.
I predicted that Aang would have to do some type of Avataring that involved delegating tasks to his friends, or putting his status as avatar first, probably due to unrest in the spirit world. This was by far my most broad prediction ("hey maybe the avatar will have to avatar it up" is a very safe statement), so no points for that. I was wrong about spirit world involvement, although I was right that his Avatar duties would conflict with his personal convictions. I'll give myself one quarter point.
For Iroh, I predicted that he would call on old resources to get himself and Zuko into a better situation. I got this one almost completely right, except two bits: I thought he would use blackmail or intimidation, when he actually used something more like the power of friendship, and I also thought that particular plot point would last longer than a single B-plot in a single episode. But what the hell, I'm giving myself the point.
All three of my predictions for how the finale was going to go were incorrect. There was no strike against the Fire Nation, there was no immediate dismissal of the eclipse as a possible time of attack, and there was no relegation of the eclipse to a single episode plot point. No point for me.
So, out of a grand total of 12 predictions, I scored:
3.91!
Ouch.
I'm going to be generous and round it up to 4, which is a third correct. Still ouch. I am less reliable than a coin toss.
But! I actually had a lot of fun both coming up with predictions and reviewing them. So I'm still counting this exercise as a win.
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scribbledpage · 9 months
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"Fictional...?"
you're part of a fictional series the tmnt2k12 turtles watch
(THIS IS INSPIRED BY THAT ONE LMK POST WITH THE SAME CONECPT AS THIS!! CREDITS TO THE ORIGINAL CREATOR!!)
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[Leo]
this boy here is a space heroes fan (a super fan), and he's very open about it, so it would be no surprise that he'd be open to being a fan of your show.
he would binge watch the episodes that have you in it, or a you-centric episode constantly or whenever he's feeling down or demotivated.
no matter if it's an action series or a slice-of life series, you inspire him to become a better leader and example to his brothers.
you know that random feeling of motivation when you watch a study vlog or anything inspiring? he'd get that random burst of motivation to train while watching some episodes (in secret, of course).
his brothers, mainly raph, tease him for liking your show and talk about how childish it is(when in reality, they think its a decent series to watch).
no doubt this boy secretly makes 'x reader' fanfiction.
even if you're a side character or comdic relief, he still enjoys the scenes you're in and hyper analyze your traits and makes headcannons.
he'd sometimes use the episodes where there'd be mental health awareness as a guide to look out for signs in his brothers and friends so he can make sure they're okay ♡
he'll rant about your charcater the moment he hears anything related to you(or his headcannons), for example: your favorite colour, a word/phrase you use often, the style of clothing you wear etc.
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[Donnie]
he is obsessed with your character.
considering with how obsessed he got with april (within seasons 1-3, i think), he'd have a chart or a notebook dedicated to you.
like, he'd have one whole notebook or chart listing the things you like, dislike, in between, headcannons, things the fandom agrees with, your style, etc.
he can't go about his day without thinking what you would do with him if you were real.
he loves your sass, jokes, and character development in the series (even if most watchers dont see the development at all).
this guy will drop everything at a second he sees merch of your character or a new season release.
he definitely thinks you're underrated in your own show and relates to some of the episodes a bit.
he definitely stayed up late to binge watch episodes instead of working on projects that can help them defeat the kraang.
if you can speak languages other than english, he'd go out of his way to learn said language because of you.
if you dont speak other languages, then he would try out (and love) your hobbies that he found boring at first.
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[Raph]
casey had introduced your show to him and he'd rather die than admit that he liked it.
he'd secretly quote some of your underrated lines, and no one would notice (to his relief).
like leo, he'd get random bursts of motivation watching the episodes you're in.
he actually watches the whole series instead of skipping to the part you're in.
he enjoys the plot and your character, and he'd get giddy whenever he sees your character merch or your show's poster if he's patrolling.
he develops some of your habits yet no one pointed it out, until casey.
casey knew raph liked the show, and he'd never stopped teasing raph about it, occasionally ending up with bruises.
thankfully, casey keeps quiet about it.
he doesn't do things all out like donnie but enjoys your character.
his anger issues actually decrease when watching your show
he reacts very heavily to some of the plots like some arguments you had in the show, a betrayal by your trusted ones, you falling in love
like he'll want to scream at each of them(in a good and bad way)
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[Mikey]
this man is obsessed.
any reference from your show, he's ranting to the first person he sees (leo is often a victim of this).
he doodles ur character on whatever space he can find. walls, tables, donnie's papers, receipts from april. that's right, he's doodling u
he daydreams. literally.
he'll create little fantasies (no nsfw stuff tho, that's gross) like what it'll be like when ur here in the real world or when u try his homemade pizza for the first time.
like raph, he is bound to squeal or grin whenever there are funny scenes
i feel like he's the type to go crazy whenever a single thought of u or ur show comes to his mind. he's on another level of hyper fixated
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petitprincess1 · 2 months
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What critiques do you have of Hazbin? I'm wondering because I keep seeing a lot of criticism and hate towards it and I don't Wana get into something that's possible waste of time. Srry if thats rude
Dude, you're perfectly fine. I'm gonna keep it to like five points bc some things that I have problems with are mainly nitpicks. None of this, imo, is a dealbreaker for me. However, if it is for you, fair.
This is one that everyone has talked about and I fully agree with. The pacing is whiplash-inducing. I still do believe it's better than HB S1, but there is just so much information being thrown around that it's mind-boggling. The songs definitely help to slow things down a bit and introduce more info in an engaging, catchy way. However, I feel like there were some eps that either needed to come sooner or later in the series. I get they were fighting the clock, but still.
Lucifer and Charlie's relationship needed better explaining. Without going into spoilers, from what it felt like in the Pilot, it seemed like they were building up to something a bit more confrontational. I always figured Charlie possibly embellished Lucifer's words, but now it makes it feel like Charlie was talking to a completely different man. Someone that isn't even her father. Lu acts so much like Charlie, or vice versa, that it seems almost impossible to misinterpret his words.
NO FILLERS! The closest episode to a filler is the 3 ep, but even that brings up information and moves the plot along with key points. Now, that's not a bad thing entirely. It keeps you engaged. But this show very much lacks any breathing room. There's so much being thrown your way. Either things get overly talked about or not talked about enough. Which brings me to my next point-
The world-building is both fulfilling and empty. You do get a good sense of Heaven and Hell in this universe, especially Hell. You get an idea of the hierarchy and even some hypocrisy. However, we also don't really know how Heaven nor Hell operates. Like Lucifer appeared to be a shut-in. Yes, Lilith was the one inspiring demonkind, but what about when she disappeared? Is that why everything is garbage now? How much does Lucifer influence Hell? Where are the archangels? Was this conflict not important? Is there a "God" even in this show? What is Heaven's hierarchal system? There's so much being said, while also nothing being explained.
This one is the lowest for me bc I'm a bit torn on it. I've seen a few people complain about how the main characters are introduced as if you're supposed to know them. I didn't get this feeling, but I'm also a fan of Hazbin. I try to go in with a fairly "empty mind" so that I can view the material without rose-tinted glasses. However, it felt like some of the characters were given decent introductions at times. Idk. I'd like to know other's opinions on that.
Another one that I want to add is probably more diversity in the body sizes in the show. I'm not too worried about it bc Helluva Boss does a great job with body diversity, but Hazbin seems to be fairly stick and slender. But, again, I'm not too worried about it.
All in all, those are my biggest issues with the show. Like I said, none of these are dealbreakers, especially since we'll be getting a S2. Vivzie seems to listen to criticism, judging by the differences with HB S1 vs S2. So, I'm really hoping that we finally get to relax and actually get to know the characters more. Like, Adam shows the 7 Deadly Sins, while Charlie shows the 7 Virtues. I hope Adam isn't permanently dead bc I feel like this would be a good wake-up for him. He'll become the being that they were exterminating. But only time will tell.
Majority of this can be blamed on Prime and A24 for only giving them 8 episodes. I feel like either a longer run-time or more eps would've helped the show. Hopefully, they'll have learned from their mistakes in the next season.
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Ok, finals are over, so now I can FINALLY post my Pepe Sylvia theory about Porter actually being evil that has been ruminating in my head ever since I saw season 2! (spoilers for s2 of fantasy high, obviously)
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(sorry if someone’s talked about it before and I couldn’t find it, but like WE NEED TO DISCUSS THIS BEFORE S3!)
Ok, so I noticed something when Ragh talked about the first time he saw Kalina in episode 4 of season 2 (“Heartache on the Celestine Sea”). He says that he saw Jace talking to some elven woman (who is revealed to be Adaine’s mom, Arianwen) and to “someone he couldn’t see. I just assumed somebody was invisible.” This is most likely Kalina, as Arianwen was there to get the Nightmare King’s crown and Kalina could have been helping her do that. However, this is important because, since Ragh could obviously see Kalina later on, this is a point in time when he couldn’t see Kalina.
Then Ragh says that after he saw that, Jace and Porter came to talk to him, and “Porter did some barbarian healing with me.” This seems normal enough, as Ragh had just been in a huge fight, but Ragh stipulates that “I didn’t feel that injured, honestly.” So this line already makes it seem as though Porter may have had some ulterior motive for healing Ragh.
Then, Ragh says that as he was walking home after this, he was approached by Kalina, who threatened to kill his mom if he said anything about seeing Arianwen at the school.
(the clip of the scene is here, if you wanna watch it, edited slightly for clarity)
So this makes me think that Jace and Porter knew Ragh saw Arianwen at the school, knew he would probably tell the Bad Kids about it, and Porter intentionally passed Kalina to Ragh through healing in order to ensure his silence.
AND if you’re thinking this may be a bit far-fetched, I’ll remind you that Landren Leir, the cleric of the unnamed goddess who infiltrated the elven Galicaean church after the fall of the unnamed goddess, also passed on Kalina via healing of the high-elven clergy, which she was then murdered for.
But in order to pass it on to Ragh at all, Porter must have been infected with Kalina as well, so here are some of my theories of what that could mean;
1. Porter had no idea he was infected and was just trying to heal a student.
I mean, totally possible, right? From most of the other angles, Porter seems like a decent guy; he supports Fig in barbarian class, he’s part of a community at his local gym, and he did get sucked into a palimpsest when Kalvaxis/Goldenhoard was trying to take over the school — why would that happen if Porter wouldn’t have been opposed to what Kalvaxis/Goldenhoard was doing? And there are plenty of people who are infected with Kalina and never show any symptoms, and therefore never know. It could have been totally innocent. BUT it’s just a little too convenient, isn’t it? Ragh sees Arianwen at the school, and then right after he’s “randomly” infected with Kalina? It just doesn’t seem like a coincidence.
2. Porter knew he was passing Kalina onto Ragh, but wasn’t aware of the full plot to steal the Nightmare King’s crown.
I mean, also possible, right? Maybe Jace put Porter up to it, maybe he knew more than Porter did about the whole situation? Porter wasn’t initially mentioned as talking to Arianwen, maybe Jace just manipulated Porter because he knew that Ragh would trust Porter as his teacher. BUT I think that it would be kind of weird for Porter to be in the school, be infected, be around all of these other people who are in on this wider plot, but they don’t get him involved. Maybe they thought he wouldn’t go for it, thought he was too nice, but I’m not sure. I mean, I think this theory has more merit than the first one, like it’s possible, just would be a little weird.
3. Porter was in on the plot to bring back the Nightmare King.
I mean. Like I know this may not be another Loose Duke situation. But it’s possible! Like, he’s in the right positions! He works at the school. He has the trust of some of the bad kids. He didn’t openly support Kalvaxis or anything he did. Maybe their larger organization (which they do hint that there are more people throughout the world that want to bring back the nightmare king throughout the campaign) thought that he should lay low and hold onto the trust of the bad kids, just wait until the right time to strike. Again, the fact that he would knowingly put a student, one of HIS barbarian students, in such serious danger, in order to protect the larger interest of bringing back the Nightmare King, does not stack up well against him.
So, do I think that Porter will end up being the big bad of season 3, or even the elusive season 4? No, probably not. BUT I do think that he’s sus as fuck and we need to stay on our toes, because he could turn out to be more of a threat with the right opportunities.
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