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#and the horror stories of that
faery-wizard · 1 year
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holy hell
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emma roberts’ street style ⋆ ˚。⋆୨୧˚
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teathattast · 1 year
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parlapina · 6 months
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I love middle age gays
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goryhorroor · 7 months
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art of stephen gammell
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exilley · 3 months
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I do sort of wish western anime fans would analyze anime and manga from a framework of japanese historical and cultural context. Specifically a lot of works from the 90s being influenced by the general aimlessness and ennui that a lot of people were experiencing due to the burst in the bubble economy and the national trauma caused by the sarin terrorist attack. I think in interacting with media that’s not local to our sociocultural/sociopolitical sphere it’s easy to forget that it’s influenced and shaped by the same kinds of factors that influence media within our own cultural dome and there ends up being this baseline misalignment of perception between the causative elements of a narrative and viewer interpretation of those elements. It’s a form of death of the author that i think, in some measure, hinders our ability to fully understand/come to terms with creator intent and the full scope of a work’s merits
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alectology-archive · 1 year
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most annoying breed of author is actually someone who doesn’t respect a genre and sets out to subvert it.
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nerdpoe · 4 months
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Dick is waiting for a bus when he notices the guy next to him staring intently at the glass wall of the stop.
"Uh...how many teeth do humans have again?" The guy mumbles.
"Thirty-two," Dick says helpfully.
The guy shifts his jaw, there's a cracking sound, he spits something into his hand, and he finally turns to face Dick.
"Thanks," the guy smiles, Lazarus water smearing down his chin like blood as his eyes glow the same color.
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carm3n-carm3n · 9 months
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so excited!!
🝮 made by me 🝮
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kedreeva · 1 year
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uh, okay. i'm very scared to ask but : rabbit that's not really a rabbit...?
yeah, there's, like. a small god, shaped like a rabbit, that lives in my yard. I would say it's a normal rabbit except it's not. It won't move from my driveway if I'm trying to drive out and it was there first. I can walk up within a few feet of it, and it will turn and just look at me like what do you want? It's the only rabbit that freaks the hell out of all my birds, they CANNOT be directed or communicated with when this rabbit comes around, they will do nothing but stand on alert and stare at it making a soft warning call. I've caught it SEVERAL times now standing nose to nose with one of my peacocks, and it just looks at me and walks away when I catch them. hawks and falcons and eagles and owls constantly pass over my yard, and it is full of rabbits that do not hide from them, and I've never seen evidence of one being taken. You know the moment you walk into a very dark room and maybe it's a room you've been in before and maybe you don't believe in ghosts, but also it's still dark and your little leftover lizard hindbrain goes "anything could be inside of here waiting for me" the second before you turn on the light? It's like that feeling, except in the shape of a rabbit. i didn't ask for any of that.
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animentality · 11 months
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thestuffedalligator · 5 months
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I read Fat Face by Michael Shea last month and it was. Fine? It was a Cthulhu Mythos story written in the 80s, it was very edgy and it had a lot of tropes I’m not a fan of, I don’t really recommend it, but I have to talk about one detail I have not stopped thinking about since I read it.
So. I knew Fat Face through reputation because it was the story that inspired Shoggoth Lords from the Call of Cthulhu TTRPG, shoggoths that can control their cellular makeup to look like humans. And the twist in Fat Face is that shoggoths have been hiding amongst humans in Los Angeles, and at the end of the story one of them eats the protagonist.
The tone of the story is grit. It’s grime. It’s sleaze and sexual violence and drug abuse on top of cosmic horror. It wants to be taken seriously so bad.
But here’s the thing about the shoggoths: they have a business.
They have two businesses they run out of an office building in downtown Los Angeles. A shoggoth is a primordial blob of eyes and mouths and flesh and hunger, and the idea of one of them at the LA Office of Finance registering an LLC is already. Great. Perfect. No notes.
The business is a front — and again, that’s great, a shoggoth went, “I want to do some nefarious deeds and not get caught by humans; I know, I’ll register a fake business that’ll be a front, and no human will ever suspect” — because the actual interior of this office is a room of pools of water made from black and ancient Antarctic rocks so that shoggoths can relax in their original blobby forms and eat stray animals that they’ve caught.
So it’s basically just. A place for shoggoths to unwind after a long day of pretending to be human. It’s portrayed as cosmic horror, but it’s shoggoth Cheers. Sometimes you wanna go where nobody knows your shape.
Here’s the kicker. The front of the business is a hydrotherapy clinic and stray pet rescue.
When they decided to make a front for their secret lair in an LA office building where they hang out in pools of water and eat stray animals — the front they prominently display and advertise — they decided to go with a hydrotherapy clinic and stray pet rescue.
That is Goosebumps shit. The rest of the story reads like a tone poem about the sleaze and violence of Los Angeles, and the main twist of the story reads like R.L. Stine.
But that’s not even the detail I can’t stop thinking about. Because the story reveals that this business — which again, is a front made by alien blobs to eat stray animals like an ALF-themed buffet and hang out in jacuzzi tubs of Antarctic rocks in an LA office — has a flyer.
Which means there’s a shoggoth with a passion for graphic design
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teathattast · 9 months
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stil-lindigo · 1 year
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patchwork canary.
a comic about two girls, fate, and a powerful man who felt entitled to something that wasn’t his to own.
support me on patreon (if you’d like to see more comics like this one)
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weirdlookindog · 1 month
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"Un de ces longs bras glissa par l’ouverture"
Alphonse de Neuville (1835-1885) - Long Arm Glided
Illustration from Jules Verne's "Twenty thousand leagues under the sea", 1870
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