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#and that's not enjoyable for anyone
desperate-baitmeat · 3 months
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Dad told me he had an extra special dessert for me tonight. Just come see him at night when Mom’s gone to bed and I can have it. After I hear the door to their room close, I know she’s in bed, and I sneak downstairs. I am so excited to see Dad waiting for me!
“I made us some Daddy-daughter brownies,” he says gently, “just for us to share tonight while we watch your favourite movie, sweetie.”
I thank him and take the biggest looking piece off the plate as we settle onto the couch and turn the tv on. After 30 minutes sitting together watching the movie, i start feeling kind of strange.
“Dad, my body feels weird and I can’t focus on the movie anymore,” I whine.
He tells me not to worry and how much he’s enjoying our movie night together. He brings the plate over and offers,
“Have another brownie, kiddo. That should help you feel better.”
While eating more, I vaguely notice Dad’s hand caressing my leg under the blanket. He probably just likes spending time with his daughter..nothing to worry about.
As the movie continues, he gently runs his fingers up my inner thigh, getting closer and closer to my pussy.
Now anxious and having a hard time gathering my thoughts, I ask him, “Dad, what are you doing?”
“Shhh sweetheart, I just want you to feel good,” he replies softly as his hand finds the top of my pjs and slips under the waistband.
His fingers reach my clit and he starts delicately playing with it under his fingertips. I don’t know what to do other than sit there and let his hands touch my body. Soon he grabs my hand and leads it under the blanket, reaching towards his legs. I feel his hard bulge under his pants as he uses my hand to rub himself.
“You’re such a good girl for me,” he praises while putting my hand inside his pants. “Show me how much you love me, sweetheart, rub Daddy’s cock for him.”
Frozen in place and feeling warm and fuzzy in my head from his fingers continuous stimulation, I wrap my delicate hand around his thick cock and start moving up and down. As soon as my hand starts in motion, his fingers move further into my pjs and find the entrance of my pussy. He feels how wet he’s made me and laughs softly.
“Is Dad making your little cunt feel nice?” He asks.
I barely know what’s happening anymore more. I’m just focused on doing what Dad says and getting through our movie night. My nod indicating a yes makes him smile.
“I’m not going to be able to sit still very long, kiddo. Don’t you feel how happy you’re making me?”
He pulls my hand away from him and gets up from the couch. He’s got a more serious look on his face as he says,
“This might not make your cunt feel as nice, sweetie, but I really can’t help myself right now. Lay back on the couch for me and just relax, okay?”
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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flakettie · 3 months
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@neonsharky's sketch that I coloured ♡ check out his part with my sketch hereee!
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temporarywoundz · 1 month
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thx 4 all the support on my last post.. especially towards my clay i love clay heres some more clay hi clay
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cashmere-caveman · 23 days
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some assorted rats plus a bonus goodsir (more terror text post memes)
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guiltypleasure-art · 1 year
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✶ Final artwork can be found here ✶
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hussyknee · 3 months
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I'm really not a villain enjoyer. I love anti-heroes and anti-villains. But I can't see fictional evil separate from real evil. As in not that enjoying dark fiction means you condone it, but that all fiction holds up some kind of mirror to the world as it is. Killing innocent people doesn't make you an iconic lesbian girlboss it just makes you part of the mundane and stultifying black rot of the universe.
"But characters struggling with honour and goodness and the egoism of being good are so boring." Cool well some of us actually struggle with that stuff on the daily because being a good person is complicated and harder than being an edgelord.
Sure you can use fiction to explore the darkness of human nature and learn empathy, but the world doesn't actually suffer from a deficit of empathy for powerful and privileged people who do heinous stuff. You could literally kill a thousand babies in broad daylight and they'll find a way to blame your childhood trauma for it as long as you're white, cisgender, abled and attractive, and you'll be their poor little meow meow by the end of the week. Don't act like you're advocating for Quasimodo when you're just making Elon Musk hot, smart and gay.
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royalarchivist · 6 months
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Quackity: Oh, it's gonna be so cool to see how this develops. I'm excited, I'm gonna try my best. I'm not the greatest at Minecraft whatsoever, I did nerf Green Team a little bit by accident on the second day. My bad! But, you know, I'm so ready to just grind out and see what we can do, and I just–
I wish everyone saw it with the same amount of, like, kind of enthusiasm. I think all of this and all the development and all the potential arcs, that's going to fcking allow for something absolutely incredible.
And if anyone ends up clipping any of this, something I do want to say is I implore people to view everything with a lot of enthusiasm. No stress, no anxiety, just a lot of enthusiasm. Because, again, this is going to allow for a lot of cool things in the server. Not just now, but in the future, too.
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furashuban · 3 months
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The Thing when it sees Astrid (she was born with blue hair and pronouns)
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pigeonwit · 4 months
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im just saying katherine as a famous if somewhat controversial author, jack as the photographer of a trashy gossip mag trying to get pictures of her and davey as her stressed manager who keeps thwarting him at every turn. discuss.
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gummi-ships · 4 months
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Kingdom Hearts II Official Strategy Guide (Source) Sora's Forms
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dacergirl369 · 1 year
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kokoasci · 6 months
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i just be drawing anything atp
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fudgecake-charlie · 7 months
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WOO MORE FINISHED ART FOR THE COSMIC HARBINGERS AU WOOOOOO
For people who don't know what this AU is, my tag about it is here! This may look like chapter art but I don't actually have any posted writing on it yet 😔
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bunkerblitz · 1 month
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Phil Lester would NOT survive this Doctor Who episode
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1percentcharge · 7 days
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don’t watch anime as much as I used to. I’m definitely a subtitles person though. “oh but the delivery is silly in Japanese too it’s just not as jarring to you” ok I understand but I do want it to be less jarring to me…. Also maybe this is another flawed perception along the same line of reasoning but it seems like in the Japanese audio they have men with deeper/older voices voicing more masculine/older characters and in American dubs i can always kind of tell it’s just some average build guy in his 20s or 30s doing his best attempt at sounding “gruff”
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