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#and suddenly everything makes sense
oceanwithouthermoon · 7 months
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terusai is my beloved and all but i do think its really funny that teruhashi never once considers that saiki might not be interested in her because hes gay.. it never once crosses her mind i dont think ????
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theguffbin · 7 months
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I did the thing
the horrible wretched thing
it breathes out of spite for god and smells of diseased moss and I hope it brings nothing but suffering and eight crazy nights bon appetit dork @akanemnon
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xbraveheartx · 5 months
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Suddenly smacked in the face by the implication of Romeo's message where he says "I remember you, so there's no reason for us to fight. I suppose."
I always thought the wording was weird, but didn't think too much on it... Until recently after we discussed some datamined stuff in the Carmeo/Promeo server. There's a scrapped line (where P was supposed to speak) that says "I may not remember, but I'm still your son" during the NP fight, and while the scrapped lines are their own can of worms, let's focus on the memory parts.
I had always thought that once a puppet woke up, they would just get their memories back. But the fact seems to be this: There are select memories that come back to give bits and pieces of their past that "wake" them up-- cause them to change, as we see with P and the necklace; As we see from the spliced memories at the Black Seaside. However, it might not be all one's memories that come back. Whether those spaces stay blank or come back over time, who knows.
What I'm trying to get at here is...
Romeo's memories might only consist of Carlo at the time of waking. Carlo was what woke Romeo-- "I remember you"-- He had the necklace, he knew from who it was; He recognized the face P was modeled after. "So there's no reason for us to fight, I suppose"-- there's a lack of confidence in the wording here. Friends aren't supposed to fight, right? That's what his memory tells him, at least.
And the only memories P tends to get in regards to his past? Those in relation to Romeo, his aspirations, and of his own death. Seemingly, these are the things most important to him.
They were the most important people to each other; They remembered each other, just one too late than the other.
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Wait. Hold on. I just finished my second watch of season two and I have a theory…
I think Aziraphale knew he fucked up before he ever got on that elevator.
HEAR ME OUT!
I think the moment that he heard that his big project would be the Second Coming, he instantly realized Crowley was right. As soon as the Metatron mentions the Second Coming, Aziraphale looks directly to Crowley with what I think is very-well-concealed panic. I don’t think that was a wistful gaze at what-might’ve-been. I think that was an instinctive entreaty for help from the person he trusts most in the world, followed by the immediate realization that he can’t ask for Crowley for help without letting the Metatron know something’s wrong.
Because Aziraphale KNOWS that the Second Coming is just a different flavor of Armageddon, it’s literally the rapture. There’s no planet where our boy has changed so much that he’d be willing to bring about the end of humanity, and the fact that he didn’t object to the idea instantly is important. To me, it means that Aziraphale must’ve made a split-second decision to play along. He didn’t have time to tell Crowley what was wrong, and even if he could’ve, he didn’t have enough information to put a stop to it.
Basically, I think that in the moments after the Metatron mentioned the Second Coming Aziraphale realized several things in quick succession
Crowley was right.
He and Crowley were going to have to save the world again.
If they were going to stop another apocalypse, they needed to know what they were up against.
The only way to know was to have a man on the inside.
There wasn’t time to tell Crowley any of it.
Now the question is, how does Aziraphale let Crowley know what’s going on?? Because he can’t stop Armageddon 2 (Electric Bugaloo) by himself.
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drenched-in-sunlight · 8 months
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i like ghostflower (hell I draw fanarts for them) but I’ve decided I like the version of them in my head more and will just stay away from the fandom in general cuz I’ve seen some discussion and they just make me go “what on earth are y’all on” 💀💀💀💀
#“miles will immediately forgive gwen when he sees she’s gathered a whole team to save him WHAT#he’ll save himself first then befriend Miles G. and Miles G. will start hissing like the cats when that team comes and Miles looks upset#like I firmly believe miles will only talk to Hobie and Margo after all that cuz they r the two that stand by his side thru whole that#like that take is so insane when Hobie is the reason Miles can run away in the first place and Margo risks everything to allow Miles leaving#AND HE KNOWS#u don’t even need a scale to see who Miles will associate with safety and protection more after atsv#also “miles keep getting up after he’s beaten down cuz that what Gwen told him to do in itsv is ALSO insane cuz WHAT#the thing she said when she and others were berating and crowding Miles for not knowing how to be Spider-Man just FEW DAYS after he’s bitten#??????#THAT THING????#not his mom’s words or his uncle’s or idk THAT’S HOW HE IS???#*walk in the tag* *walk out immediately*#u don’t have to make them the only person in each other’s life to prop the ship up especially in this case cuz it makes no sense 😭#actually the first point srl piss me off cuz that team was only possible in the first place cuz of Hobie and Margo and Miles laying#the groundwork by just being a sweetheart he is#charming and inspiring ppl so ofc these kids will rally behind him and team up to save him#ykno LIKE IN THE COMIC TOO???#ppl just have to take the only thing I don’t like in the movie (miles suddenly obsessed over Gwen when they didn’t even interact that much#in itsv) and magnify it x100 in fandom#if she ain’t a gremlin girl that is trying her best to regain Miles’ trust but it’s a slow process and Miles needs space and time first then#I don’t want it
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gelphiegifs · 9 months
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"Come with me!"
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#buddy daddies#kazuki kurusu#miri unasaka#buddy daddies 1x10#for the better right?#just had to get this off my chest#as a child who prized access to my beloved people and routines and familiar places more than anything#i would have been absolutely DEVASTATED to find out that not only could I suddenly not go back to the place I had been living#but I would never see my parental figures who had been raising me for almost a year again#and not only that but they LIED TO MIRI about it being a SLEEPOVER to get her to go!#yeah four-year-olds wouldn't necessarily understand everything that makes that situation necessary#but they deserve to know in the larger sense that they're leaving so they have a chance to say goodbye#considering that Miri has already been sent away and rejected by one parent and that we've seen her abandonment issues before#I hate that they chose to spare the feelings of the adults by concealing the truth from Miri#it WON'T be 'easier on her' to hear that her papas told her she would have a sleepover and they will never come to get her#and she will never see her room or her clothes or eat Kazuki's cooking or play games with Rei again#it's not even a clean break! Misaki said she was going to keep Miri at the same daycare!#in worrying about Miri's safety and avoiding public meltdowns the adults are hurting her ability to trust in them#it never feels good to be manipulated like that no matter what the reason#but enough about me projecting#in which I babble to the world#memes
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tiredguyswag · 15 days
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for those who did not know this i am providing a service: acme, like vile, is an actual word meaning the point at which something is at its best
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samsaster · 1 year
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watching ep 10 was like looking both ways before crossing the street and then being hit by an airplane
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rose-void-789 · 3 months
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I know everyone has said it but man you really can just get everything to make sense by putting it in Kacchan terms.
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zarlev · 1 year
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behold. i managed to make things move pretty
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dykevanny · 4 months
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Can i talk abt cassie’s dad protag or would y’all crucify me,
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howtotrainyouragents · 2 months
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I don't know if anyone's brought up this critique of the pjo show yet, so I wanted to:
Look, I get where the writers' problem came from. As the pjoverse goes on, the more and more you realize just how shitty the gods are. And it's hard to justify why we ought to be on their side at all. So when writing this tv series, they wanted to make it clear they know and we know that the gods are shitty (also probably bc they don't want to be endorsing their behavior to kids? idk).
But the problem is that the original Percy Jackson series is about Percy becoming a hero, and not just any kind of a hero, but a hero of Greek mythology (see my posts about this). The entire story is him learning what it means to be a Greek hero, rejecting the paths of those before him, and becoming his own kind of hero. By not giving us a reason to root for the gods, you're also taking away Percy's character arc. Look, it's not Percy Jackson the regular guy who's too good for all this who saves the day. It's Percy Jackson the fucking hero who belongs to this world and is still brave enough to change it who saves the day
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fictionadventurer · 4 months
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By the Shores of Silver Lake was my least favorite Little House book as a kid, and upon starting the reread, I could see why. Earlier books had Laura as a child observer--not engaging in or totally understanding the wider world of the adults, but still engrossed in the simple joys of childhood. In this book, Laura is neither child nor adult--she's too old to play like a child, but she's too young to take an active part in adult life, so she's stuck in this awkward middle ground.
Yet as the book went on, I started to see that that was the point. This book is about growing up, about being on the brink of adulthood and trying to hold onto childhood while also becoming someone new. Laura's growing-up is paralleled with the "growing up" of the country around her. Both the old and the new ways of life have their benefits and their downsides, and Laura has to figure out how to hold onto the best of both.
The prairie is beautiful, wondrous, free. Laura would love to just roam forever, always traveling west, always seeing new places. She doesn't want to marry, doesn't want to teach school, doesn't want anything to change about her way of life. But one can't stay a child forever. Eventually, the infinite possibility of childhood has to turn into the definite identity of adulthood. She has to take responsibility and settle down. The arrival of the town brings that adult life to the prairie, and in doing so, it destroys the innocent wonders of nature--the majestic wolves lose their home, the buffalo are gone, and the ducks no longer land at Silver Lake. Laura has to wrestle with this--is childhood, for herself and the prairie, gone forever? Does she have to let go of childlike wonder and embrace the mundane responsibility of adult life?
This theme is resolved when Laura finds Grace in the buffalo wallow. It's a place of impossible magic and beauty, a carpet of fragrant violets hidden away from the world with butterflies flying overhead, so perfect it seems like a fairyland. Of course Grace, the innocent child, is the one who was able to find it. When Laura asks Pa about it later, he explains that the "fairies" that made this magical ring were buffalo. There's a mundane explanation for the phenomenon, but that doesn't destroy the wonder and beauty of the place--adult knowledge enhances, rather than destroys childlike wonder. The buffalo might be gone, but there's still beauty left behind. Laura can move forward into the future and know that there are still wonders to find. She can be an adult and still maintain a childlike wonder, can take responsibility and still find comfort in the safety of home and family.
This thematic resonance made so much about the book so much deeper. It's the message of the entire series distilled into story form. Remember the past, children, but go forth boldly into the future. It's a message much easier to see with an adult's eyes, so I'm so glad I gave this book another chance.
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queerofthedagger · 1 month
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i'm about to finish rotk on friday (am working 24 hours tomorrow 😔) which means i'll have read the entire trilogy in like. 10 days. i can't remember when i breathed through something this quickly and joyfully, and I don't want it to end, and the real question now is if i can read the entire silm in one week before I'll be on vacation or if i should take a lil break because man. man
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warlordfelwinter · 8 months
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i need a second
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