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#and she seems very interesting from what little i have learned from her wiki page
ot3 · 3 years
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hey kinda heavy ace attorney question ig but I agree with you on many things about aa and feel like you have a good understanding of Phoenix and Trucy so I really wanna ask. How do you think the creation of the bloody ace was handled? I’ve seen the idea that Trucy took matters into her own hands and made it as a failsafe without his knowledge, and that he then covered for her, but if that were the case I wonder how he knew about it and planned around it at his trial. I’ve also seen the idea that he made it himself, but gave it to her for delivery to Apollo; which maybe seems the most apparent but I really dislike it because…. It means he uses her to deliver forged evidence. In much the same way he was given the diary page, really. it leaves a bad taste in my mouth. I’ve also seen some people suggest that he made it but only gave it to her for use at her discretion, which does give some agency back to her but I also question whether Phoenix would be right in placing that on her shoulders and making it her responsibility. Sorry this expanded into a ridiculously long ask but I really am curious about your take on it?
eoooh yes yes yes i love talking about phoenix and trucy lets goooooo. i actually have a scene from my (still pretty rough and probably never to be finished) wip longfic covering this scene, which ill sick below the cut, but i'll just give my generic thoughts here first.
i think phoenix asked her to do it. trucy having enough detailed knowledge of the crime scene and the events leading up to it and the actual mechanical operation of trials that would be required in order to come up with this plan just doesn't make any sense to me. phoenix is really the only one who could have theoretically concocted this particular move. but since he was presumably held in the detention center until trial, trucy is from there really the only person who could have actually done the thing.
phoenix and trucy are pretty notoriously codependent; i'm headachey and melting from the heat today so rather than doing what i normally do and trawling the wiki to find the quotes that back me up on broadstrokes statements like these so i'm just gonna pull a 'dude just trust me' moment here. the fact that she helps take care of her daddy is a point of pride for her. i don't think it strips trucy of any agency for this to be phoenix's decision because it's not like trucy spends her whole life (or even the entire game) blindly following other peoples orders. her (and phoenix's ) priority at the beginning of aa4 is each other and their own wellbeing, and the decisions they have to make in turnabout trump are indicative of that.
yes, it echoes her bringing the forged evidence to phoenix 7 years ago, but it's more of an inversion/reversal (one might even say a turnabout) than a repetition of past mistakes. in the past she was an unwilling pawn in someone else's plan where her life was collateral, now she's an active and conscious participant in the plan of someone she cares about that she's doing to protect the life she and phoenix have built for themselves. She's not being forced to do it, but i don't think there's any world where she would have said no either. she and phoenix are the most important thing in the world to each other. in their own words, if one of them falls, they both fall.
was it right of phoenix to ask this of her? was it okay for him to do this to apollo, too? obviously it's not a good thing. but it was his only option at that moment. phoenix found himself in a very difficult situation. as an attorney he promised himself to the truth, and that was the principle he lived by, but as a father what he lives by is the promise he made to trucy to never disappear on her. at that moment phoenix did what he had to do to make sure the trial ended the way he needed it to. truth had to take a backseat. his priorities have shifted.
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i've also spoken before at length about how i don't think phoenix was plotting against kristoph in the longterm, at least not to the degree which popular fanon seems to agree upon. so really everything he did in turnabout trump was phoenix being backed into a corner using every tool at his disposal to try and snatch victory out of the jaws of defeat. was it right of him to get trucy involved? it's no worse than bringing 8 year old pearl along to crime scenes because he needed her channeling skills. phoenix cares about people deeply but he isn't capable of shielding them from all the harm the world has to offer, and he knows he isn't. half of his capability comes from his shrewdness and willingness and ability to take help when he can get it because he knows, even if its a strain in a short term, he's fighting battles that need to be won at any cost. if that makes any sense
anyway heres the little scene i wrote below the cut.
---------- APRIL 17TH, 2026 DETENTION CENTER VISITOR’S ROOM ----------
Trucy shows up on the dot as visiting hours begin. It’s funny, she thinks. The last time she did this she had a different daddy altogether. Only it really isn’t particularly funny at all, is the thing about it, and she’s going to have quite a few stern words for the man when he gets home.
She picks up the phone on one side of the pane of bulletproof glass and he grabs the other.
“Daddy,” she huffs. “You promised me you’d stay out of trouble.”
“I know, I know, I’m so sorry, Truce.” He puts on an easy smile as he says it, and he uses the same affected tone of voice she had used to start the conversation off. Affected. Cautious, in the sense that it’s levity is entirely manufactured. A performance.
It had been like that between them for real at the beginning, both of them still unsure of each other, pantomiming something resembling a sitcom and playing the real feeling filled in as it went. Thankfully, it did, but the theatrics still lend themselves better to specific conversation.
“Well, if you’re sorry, I suppose I can forgive you! But this isn’t going to look good on your employee review, y’know. I’ll have to bring it up with HR.”
“I’m sure Charley can find it in his heart to forgive me, too.”
“He’s a gentle soul.” She nods.
“You should come watch the trial on Monday, I think it’d be good for you to see.”
“Oh? And why’s that?” Trucy doesn’t like the courthouse. Daddy knows that. She never comes when he goes to use the library there. She also hates, hates the idea of watching her daddy sit in the defendant’s chair not knowing if he’s ever going to come home again. He knows that too.
“Well, there are always interesting things to learn during a court trial. Plus, having you there would help me out a lot!” I need you to do something for me. She reads through the tone into his words’ real meaning. Her stomach clenches. A favor he can’t just outright ask for, not over the phone in the detention center, where every word would be recorded.
“Oh, daddy, no! I’m a magician, not a lawyer, although I understand the confusion.” She drapes a hand over her eyes in faux anguish. “I simply couldn’t, it isn’t my stage.”
“I disagree. I think it’s a perfect stage. Lawyers need cheering up too, you know! Back when I was a lawyer, I used to get really stressed out during cases like these. I bet one of your tricks would do the job.”
“Well what sort of trick do you want me to do?”
“Do you remember the first trick you ever did for me? It was the day we met, at the courthouse. You pulled a piece of paper out of your hat and gave it to me.”
“Yes,” she chirps, forcing a vibrant bubble into her voice. It feels like a pile of rocks in her gut and her pulse starts to quicken. “Of course I remember!”
“I bet if you did that trick again, it’d cheer up the whole courtroom! I bet I’d win my case in a heartbeat.”
----------
Her legs feel like jelly by the time the bus drops her off at the stop near the office. Daddy had kept on like that, loaded phrasing and a lopsided smile as he laced vapid banter with instructions. With warnings. She walks into the storage closet and grabs a deck of cards - one of his, the same style they use at the club, not hers for her tricks. Abruptly, she has a moment of panic as she realizes she’s not even sure what color she’s supposed to use, but then, just as fast, she forces her head clear and just grabs one of each.
They’re unopened. This makes it a cinch to find the card she’s looking for. Her stomach flips.
The worst part isn’t even what she’s doing. The worst part is that she’s doing it at all. Daddy knows well what this situation is making her feel and he’s asking her to do it anyway.
The only explanation left: he’s completely out of options.
She pulls her gloves off and grabs a needle from her sewing supplies. She pricks her finger, and lets a drop fall onto each ace.
----------
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sineala · 3 years
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Tony Stark and Arthuriana
Coming to you by special request, a very long post about 616 Tony's interest in Arthuriana, with a focus on all of Tony's run-ins with Morgan le Fay!
I feel like I should disclaim the extent of my knowledge here, which is that I still haven't managed to read anywhere near every issue of Iron Man -- at least, not yet, anyway -- so I'm just going by the things I know I've read, and Morgan le Fay's Marvel wiki entry is frustratingly under-cited, so it's very possible I've missed something relevant, but I'm pretty sure I've got the big stuff down. My other disclaimer here is that I'm not as big an Arthurian nerd as Tony is, which is to say that most of my familiarity comes from modern retellings -- T. H. White's The Once and Future King, Marion Zimmer Bradley's The Mists of Avalon, Mary Stewart's The Crystal Cave, Rosemary Sutcliff's Sword at Sunset -- and not so much the usual classic sources on the Matter of Britain, though I've read bits and pieces of them.
(This is because I wanted to read versions of them that were as close to the original as possible but so far have not ended up finishing any of them because, well, that's hard. So I've never read the Mabinogion because I do not know Welsh. I've got the Norton Critical Edition of Malory's Le Morte d'Arthur, which is probably the best student edition if you're looking for something without modernized spellings, as I was. I've also got -- well, okay, it's my wife's but I'm borrowing it -- a relatively recent Boydell & Brewer edition (ed. Reeve, tr. Wright) of Geoffrey of Monmouth's Historia Regum Britanniae (History of the Kings of Britain), which is, you guessed it, in Latin with a facing English translation. I haven't gotten very far in it because, in case you didn't know this about Latin texts, the beginning is pretty much always the hardest, so I gave up and read some Plautus adaptations instead. Anyway, if for some reason you too want to read Geoffrey of Monmouth in the original Latin I'd recommend that one, but I can't recommend any particular English translations because I've never read one by itself. I bet you didn't think you'd be getting Latin prose recommendations in this post. I mean, maybe you did; it is me, after all.)
Okay. Right. King Arthur. Here we go.
We've got:
Flashbacks to Tony's childhood in late Iron Man volume 1
A brief discussion of Morgan's origin story and Avengers #187
Iron Man vol 1 #149-150: Doomquest
What If vol 1 #33: What if Iron Man was trapped in the time of King Arthur?
Iron Man vol 1 #249-250: Recurring Knightmare
Iron Man: Legacy of Doom #1-4
Avengers vol 3 #1-4: The Morgan Conquest
Civil War: The Confession
Mighty Avengers vol 1 #9-11: Time Is On No One's Side
In terms of universe-internal chronology, we know from Iron Man #287, from 1992, that Tony has been a fan of King Arthur since childhood. This is an issue of a fandom-favorite arc which features Tony having a lot of childhood flashbacks, including the famous "Stark men are made of iron" line (in #286) that for some reason MCU fandom decided it loved; I mean, seriously, I've seen that quoted in way more MCU fic than 616 fic. But slightly later, in #287, we get an entire page devoted to Tony's love of King Arthur.
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The narration reads: "Over the next few years, I learned as my father intended. Discipline of body. Strength of character. But in what free time I was allowed, I worked my way through the school's library. At thirteen, I discovered Mallory [sic], who showed me a whole new world. A world of dedication to a cause greater than oneself. Of chivalry and honor. And the fantastic deeds -- of armored heroes."
The art shows Tony as a child sitting under a tree, reading a book labeled Mort D'Arthur by Mallory [sic] -- no, don't ask me why nobody at Marvel checked how to spell either the name of the book or its author -- and daydreaming of King Arthur, the Sword in the Stone, knights, et cetera. Just in case you somehow missed the extremely blatant hint that we are meant to understand that Tony's knight obsession heavily influenced him becoming Iron Man as an adult, we see one of his armors mixed in with all the drawings of knights. So, yes, canonically Tony is Iron Man at least partly because he's a giant King Arthur nerd, which I think is so very sweet. I love him. He's such a dork!
(This issue is currently in print in the Iron Man Epic Collection War Machine, should you need your own copy.)
This isn't actually the only reference to Tony as a King Arthur fanboy in this era of canon, either; a little later, in IM #298, we see that one of Tony's passwords is actually "Mallory." (Yeah, no, they still couldn't spell. But it's cute.)
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But in terms of actual publication order, this is definitely not the first time we have seen in canon that Tony is into Arthuriana, as I'm sure you all know. I would assume, in fact, that giving Tony a childhood interest in Arthuriana is because Doomquest is one of the most beloved Iron Man story arcs of all time, and that all started at least a decade before IM #287 here was published.
The villain of Doomquest -- the one who isn't Doctor Doom, at least -- is Morgan le Fay. Yes, that Morgan le Fay. Yes, Arthur's evil half-sister Morgan le Fay. Yes, all of this King Arthur stuff is canonically real history on Earth-616. Morgan's first appearance in Marvel, per the wiki, was in Black Knight #1 (1955), which I have not read, and judging by the summary I feel like this is probably just supposed to be a straight-up comic retelling of Arthurian legends for kids; I don't think Marvel really had the whole Marvel Universe in mind as a concept in 1955, so I'm not sure this was meant to connect to anything else. I feel like this is another one of those instances of Marvel discovering that they can write comics about characters in the public domain for free -- like, I'm pretty sure that's how we also ended up with, like, Norse, Greek, and Roman mythology wedged into 616.
As far as I can tell from the wiki, the first time Morgan tangled with the Avengers (or indeed the larger 616 universe) in any way actually predated Doomquest -- it was in an early arc in Spider-Woman (#2-6) and then Avengers #187, which came out in 1979, actually right when Demon in a Bottle was happening over in Iron Man comics. If you read #187, Iron Man is not in it because he's off the team due to his drinking problem and also his accidentally murdering the Carnelian ambassador problem. So Wonder Man's filling in instead. This issue is part of Michelinie's rather sporadic Avengers run, which makes sense, I guess, considering where we see Morgan next.
Anyway, Avengers #187 is the classic issue where Wanda is possessed by Chthon, but what you may not remember from Chthon's backstory (I sure didn't!) is that he was summoned by Morgan le Fay because she was the first person who tried to wield the Darkhold to summon him. As you can imagine, this did not work out especially well for her and her followers and they had to seal Chthon away in Wundagore Mountain, which was where Wanda found him. (The Spider-Woman stuff is only slightly earlier and also appears to be about Morgan and the Darkhold; the Darkhold is not one of the areas of 616 canon I am especially conversant with, alas. It's on my to-read list.)
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Doomquest, as you probably know, was a classic Iron Man two-parter in Layton & Michelinie's first Iron Man run that set up Tony and Doom as rivals; Doomquest itself was IM #149-150, in 1981, and then in their second IM run they came back and did a sequel in 1989, Recurring Knightmare (IM #249-250), and then the much later four-part sequel to that was the 2008 miniseries Iron Man: Legacy of Doom, which was also by Layton & Michelinie but generally does not seem to be as popular as the first two parts. They've all been reprinted, if you're looking for copies; I have a Doomquest hardcover that collects the first four issues and then a separate Legacy of Doom hardcover. Currently in the Iron Man Epic Collection line there's a volume called Doom, which confusingly only collects the 249-250 part of the storyline (as well as surrounding issues), because for some reason the first Layton & Michelinie run isn't in Epics yet but the second one is. So the beginning of Doomquest isn't currently in print, as far as I can tell. I'm sure you can find it anyway.
So what's Doomquest about? Okay, so you remember how Doctor Doom's mother's soul is stuck in hell for all eternity? Well, Doom's obviously interested in getting her back, and the strategy he has embarked on is to try to team up with other powerful magicians who can help him out, and he thinks Morgan le Fay would be a good choice, for, uh, his quest. Doom's quest. A Doomquest, if you will. (If you've ever read Doctor Strange & Doctor Doom: Triumph & Torment, you're familiar with the part where he later ends up waylaying Strange for this and they go to hell together. And if you haven't read Triumph & Torment, you really should, because it's amazing.)
So Doom is off to his time machine to go team up with Morgan le Fay and Tony thinks Doom is up to something -- Doom has been stealing components for his time machine from a lot of people, including Tony -- and he follows him and it turns out one of Doom's lackeys has a grudge and wants to trap Doom in the past forever, and Tony gets caught up in it. Now they're both in Camelot. Surprise! #149 is actually all setup; they don't get to Camelot until #150.
IM #150 begins with Doom and Tony thrown back into the past; there's a fandom-famous splash page of them locked in combat, only to realize that they have found themselves in Camelot.
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They are then discovered by knights; Doom would very much like to attack them, but Tony, who naturally would be happy to LARP Camelot forever, persuades him to play nice. Also Doom thinks Iron Man is only Tony's bodyguard so he keeps referring to him as "lackey," much to Tony's annoyance. Somehow everyone thinks they're sorcerers. Can't imagine why. The knights take them to meet King Arthur himself, and Tony has clearly had his introduction all ready to go, as he introduces himself in a timeline-appropriate manner, says he's here to apprehend Doom, and demonstrates his "magic" by levitating Arthur's throne. Doom's response is essentially "I'm the king of Latveria," which is, y'know, also valid. So they're guests at Camelot for the night while Arthur figures out what to do with them.
We then have a page devoted to Tony alone in his room, musing sadly about how alien he feels, how he doesn't know if he'll ever get home, how he could never fit in here without his beloved technology. Then a Sexy Lady shows up to keep him company for the night, and he decides maybe it's not all bad. Thanks, Marvel. I guess they can't all be winners.
Doom is using his evening much more productively; he compels one of the servants to tell him where Morgan's castle is, because he's still interested in having that team-up. Then he jets off. Literally. He has a jetpack.
The next morning Arthur's like "one of you is still here and one of you has punched a hole through the castle wall and flown off to join Morgan so I guess I know which of you is more trustworthy." He then explains to Tony who Morgan is, because Tony professes ignorance, because clearly we had not yet retconned in Tony's love of Arthuriana. Tony offers to go fight Doom and Morgan with Arthur; meanwhile, Morgan and Doom have teamed up and Morgan has offered to help get Doom's mother out of hell if he commands her undead armies against Arthur because for Reasons she can't command them herself anymore. So that's a thing that happens.
So, yes, it's Tony and Arthur versus Doom and Morgan. Fight fight fight!
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Tony tries Doom first but then decides to hunt Morgan down, and in the ensuing fight we get what I think is Tony's first ever "I hate magic," a complaint that we all know he still makes even to this day.
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Anyway, Tony freezes a dragon with Freon (mmm, technology) and Morgan gets upset and disappears, so the battle comes to an end, and of course Doom is extremely mad at Tony because he blames Tony for Morgan not sticking around to save Doom's mom, because I guess Doom trusted her to keep her word? Weird. (Like I said, for the next chapter of Doom saving his mother, go read Triumph & Torment.)
Doom says if he and Tony work together, the components in both of their armors can send them both home. So Tony has to trust Doom. Which he does, because he really has no other choice. They build a time machine and Tony makes Doom agree to a 24-hour truce when they get back, so they can both get home. So it all works out okay, and they end up in the present, and Doom tells him, ominously, that they will meet again. Okay, then. That concludes the original Doomquest. It's fun! You can see why fandom likes it.
So that's all well and good, but you might have noticed that Tony's ability to get home hinged on Doom actually being trustworthy. And Doom was. But what if Doom hadn't been? What if he'd just stranded Tony in Camelot forever As you may have surmised from the form of that question, that is in fact a question Marvel asked themselves, because, yes, there's a What If about this! What If v1 #33 is "What if Iron Man was trapped in the time of King Arthur?"
The divergence point from canon, as you can probably guess, is the very end of Doomquest. Instead of Doom bringing Tony home, he deceives him and leaves him in Camelot. And since Tony cannibalized a lot of the tech from his armor to make the time machine, he doesn't have a way to go home.
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This is not a story where Tony comes up with a way to go home after all. He really doesn't get to go home. But instead of drowning his sorrows in mead -- because, remember, Demon in a Bottle has already happened and Tony is sober now -- he decides he might as well just play the hand he's dealt. So with what's left of his armor, he defeats some enemies that Morgan rounds up to send against Camelot. And for his services, he's knighted. He is now Sir Anthony.
Tony acknowledges that he is both living the dream and would also like very, very much to go home.
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He does end up having some fun in Camelot; it's not all miserable. But he obviously doesn't want to be there.
So if you're at all familiar with King Arthur, you know how this goes, right? Arthur fights Mordred and Mordred kills him. And that does happen in this version. Except Tony is right there, and with his dying words, Arthur asks Tony to rule Camelot... and Tony agrees.
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So, yes, Tony Stark becomes king of the Britons after Arthur's death and he never goes home again. The end. Man, I love What Ifs.
Heading back to main 616 continuity, there is still more of this arc to go. The original Doomquest was only two issues, yes, but it was popular enough that Layton & Michelinie did a sequel a hundred issues later, in their second run of Iron Man, and that's Iron Man #249-250, Recurring Knightmare. (In the intervening issues were Denny O'Neil's IM run, specifically the second drinking arc (#160-200), and then Layton & Michelinie came back and most famously gave us Armor Wars (#225-232). I would have to say that Armor Wars is definitely the standout fandom-favorite arc of their second IM run; for their first one, I think a lot of people would have a hard time choosing between Doomquest and Demon.) But anyway, yes. Recurring Knightmare.
Recurring Knightmare is... well, the best way I can describe it is "a trip." It is definitely a sequel to Doomquest, and it is also definitely not a sequel you  would ever have expected to see for Doomquest.
Much like #149, #249 is pretty much just setup. Fun setup, but the big action is in the next issue. We open with Doom in Latveria, on his throne, pondering which of his servants he should have disintegrated. Anyway, he's just hanging out there when a mysterious object appears. In California, Tony is suited up and entertaining the crowd at a mall opening when the same object also appears! He takes it to his lab. Please note that this is after the Kathy Dare incident, so Tony is still recovering and is walking with a cane. Doom sees on the news that Iron Man has found the same object, which cannot be carbon-dated, and he shows up at Tony's house. He criticizes Tony's taste in art.
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Anyway, Doom basically orders Tony to work with him. Tony refuses, and then Doom sends some robots to attempt to steal Tony's version of the object because he thinks if he has them both he will be powerful. Doom manages to steal it, and when he puts the pieces together, both he and Tony disappear.
So where do they go, you might ask? Camelot?
Not exactly. The future! There is a great callback to the Doomquest splash page.
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It turns out they are in London in 2093. Merlin brought them there. Tony still hates magic. And in the future, King Arthur is still there, except he is now a child, because he has been reborn. But he does remember Tony from Doomquest, at which point Tony kneels. Doom, of course, is not impressed. He asks why they have been brought to the future.
The answer is that things are going wrong in the future. If you do not personally remember United States politics in the 1980s, I need you to google the words "Strategic Defense Initiative" right now. I'll wait.
Back with me? Okay, so this is a future where Reagan's Star Wars program actually happened the way he wanted it to, and the satellites are still hanging around the Earth in the future and messing everything up, and Arthur and Merlin need Tony and Doom's help to stop them. Doom once again flies away with his jetpack, of course.
Tony is game to help, but he's not in an armor that can stay in space for long. This is when Merlin takes him and Arthur to the mall and Tony manages to get everything to upgrade his armor at Radio Shack. You see what I meant about this issue being weird.
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Tony is out in space trying to disarm the SDI platform, which is where he runs into his future descendant, Andros Stark, who is in armor you will probably recognize from Iron Man 2020. He is referred to as "the resurrected spawn of Iron Man 2020" so I assume he's actually directly related to Arno rather than a direct descendant of Tony; Wiki confirms that Arno is his grandfather. This is all from way before Arno was contemporaneous with Tony in canon. Anyway, he's fighting Tony.
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Oh, by the way, Future Doom exists. Future Doom would like to rule this future Earth and for some reason Andros would like to help him. Meanwhile, Present Doom finds out from Merlin that he can't leave except by magic and he can't leave without Tony, so he is reluctantly on Tony's side.
They need help from the Lady of the Lake, except the lake has been paved over and is now a parking lot. Merlin makes the lake come back and then of course they get Excalibur. Arthur is a kid, so he can't wield a longsword; Doom assumes he's going to take it because he is basically a king, and he's pretty grumpy when the sword picks Tony. Tony then uses Excalibur to destroy the space lasers, and I bet that is a sentence you never thought you would read. It's pretty cool. Tony concludes that magic has its good points. Tony stops Andros and Doom stops, uh, himself, and the world is saved and they get to go home. Also, Doom finds out Tony is Iron Man, but when Merlin sends them back he conveniently erases their memories, so neither of them remember anything about this and Tony's secret is still safe. And that's the sequel to Doomquest.
And if you think that's weird, wait until you see Legacy of Doom.
Iron Man: Legacy of Doom is a four-issue miniseries from 2008, also by Layton and Michelinie. Even though it's from 2008, it's set during a much more classic time in Iron Man, continuing on from where we left off in this Doomquest saga. We start with a framing story in 2008. Tony, who has Extremis now, is busy scrapping some of his older armors and reviewing his logs when he suddenly remembers that there was a whole thing with Doom that happened that he seems to have forgotten about until right now. So the whole thing is narrated by Tony in flashback.
Tony's in space fixing a satellite when a hologram of Doom shows up and summons him to Latveria. It's not really clear why Doom needs Tony's help in particular here, but Doom tells Tony that he's discovered that Mephisto would like to bring about the end of the world, which Doom finds, and I quote, "presumptive." So Doom has his Time Cube, and with it he takes Tony to hell.
(Yes, I promise this is relevant to Doomquest. There will be some Arthuriana shortly.)
Doom brings Tony to Mephisto, and it turns out it's a setup! Doom trades Tony for an item he wants from Mephisto, leaves, and Tony's going to be trapped in hell forever! Oh no! (I mean, he's not. But it's quite a cliffhanger.)
At the beginning of issue #2, we find out what the Arthurian connection is, which is that we learned that after the events of Doomquest, Morgan had been granted sanctuary by Mephisto in exchange for a shard of Excalibur that she had somehow stolen. Doom still wants Morgan's help with some magic -- he doesn't mention what it is here, but he says he needs someone of Pendragon blood, and that'd be her -- so he traded Tony to Mephisto in exchange for, I'm guessing, Morgan and the Excalibur shard.
I have probably mentioned this elsewhere, but Legacy of Doom #2 is one of my favorite issues of Iron Man ever, solely because of the next scene. We return to Tony in hell. Howard Stark is also in hell, and he is now a demon, and Tony has to fight him. Mephisto brings popcorn and watches. This is the one time in canon when Tony actually confronts his father, and okay, yes, it's a fistfight in hell and Howard is a demon, but that's comics for you. Howard spends several pages insulting Tony -- specifically insulting his masculinity, but that's a whole other essay -- until he finally insults Maria too, and that's when Tony fights back, because his mother taught him to be good. Honestly if you're a Tony fan I'd recommend this issue just for that scene.
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Anyway, we go back to the Doom and Morgan plot, and Morgan casts the spell Doom wanted, which was fusing the Excalibur shard with Doom's armor. Then Doom sends her back to Camelot rather than hell, because he's still mad that she never helped him get his mom out of hell like she said she would.
Tony freezes Howard with Freon -- yes, the same trick he pulled on the dragon back in Doomquest -- and tells him, "You're no father of mine." It is immensely satisfying.
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(I had been going to mention that I thought it was a shame that neither canon nor fandom seems to have really engaged with this confrontation, and I know canon never believes in narrative closure but fandom sure does -- and then, anyway, it occurred to me that since the framing story of Tony remembering this is set when Tony has Extremis, there's a very good chance that he no longer remembers remembering it. Goddammit, Marvel.)
(If I got to retcon one canon thing about Tony, I think "the entirety of World's Most Wanted" is up there. I mean, okay, a lot of things are up there, but WMW is definitely on the shortlist.)
Okay. Tony has now engineered his way out of hell, and he's back with Doom in Latveria. Doom has Excalibur. Doom would very much like to fight him. While wielding Excalibur. You get the sense that this is going to be bad. Another cliffhanger!
Legacy of Doom #3 opens with Tony destroying Doom's lab to buy time and running away from Doom and Excalibur. I should probably mention that Doom still doesn't know Tony is Iron Man (anymore), so he thinks he is dealing only with Iron Man, Tony Stark's lackey. Meanwhile, some scientists at SI think there's something weird going on with space. Meanwhile meanwhile, Tony is in a forest taking a breather when a mysterious old man walks up to him.
It's Merlin! Surprise! Merlin wants Tony's help to stop Doom from doing whatever he's doing with Excalibur. The sword makes you invincible and the scabbard makes you invulnerable, so Merlin sends Tony to Scotland on a fetch quest for the scabbard. Doom has now magically sent the sword in search of the scabbard, so the sword flies away to meet it and Doom follows. Turns out the thing that's wrong with space is a thing that's going to hit Earth at the exact place Tony and Doom are. What a coincidence! So Tony and Doom get trapped in a stone circle and fight some stone warriors and then Tony ends up with the scabbard. And by "ends up with," I mean it fuses to his armor. Next issue!
Legacy of Doom #4 is when things really, really get weird. A giant demon made of eyes (???) appears, and this demon is apparently what Doom had been preparing to fight (because it's mad that Doom stole one of its spellbooks), and now he can't, because the sword and the scabbard aren't together. Thanks, Shellhead.
That's when Merlin shows up and says all is not lost. They can defeat the demon... if they put the sword into the scabbard.
"But I'm the scabbard now!" Tony says, uncomprehending.
"Yes," Merlin says. "You are."
Then Tony gets it.
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So, yes, Doom has to, um, penetrate Tony. With Excalibur. I love comics. I love comics so much.
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So that's a thing that happens.
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And then Tony flies off and, I guess, resolves to never, ever think about any of this again.
We head back to the framing story, in which Tony, now having remembered all of this, flies to Britain, buys the land the lake is on, and paves it over, presumably so it will be there for Merlin to bring back in Iron Man #250. The end.
Whew.
Okay, yeah, I know I didn't have to summarize the whole thing, but Legacy of Doom here really is one of my favorite Iron Man miniseries. And I just want to share the love. Please read it. It's great.
But the Arthuriana fun doesn't end there! In fact, now we get an Arthurian-themed arc that actually isn't in Iron Man comics. It's in Avengers! Iron Man is involved, though.
(There is also apparently a Morgan arc in Avengers #240. I actually haven't read it. It seems to be yet another Spider-Woman arc. I get the impression that this isn't really Arthuriana other than having Morgan in it fighting Jess, though, so it doesn't seem quite as relevant. Morgan also apparently has some appearances in FF, Journey into Mystery, and Marvel Team-Up, but those seem like more of just basic villainy. Also, probably not involving Tony.)
Kurt Busiek's 1998 Avengers run, volume 3, is in large part the kind of Avengers run that is a nostalgic love letter to older comics. Heroes are heroes and villains are villains and good triumphs over evil. The Avengers all live in the mansion and are BFFs. I love it. It does assume that you are already a fan of the Avengers, because it starts out by summoning pretty much everyone who has ever been an Avenger and is available to the mansion, and that is... a lot of people. Thirty-nine, by my count. Also, when the entire team is magically whisked away, we are treated to the following narration, as Steve disappears: "And Captain America's last thought, as the world goes white around him, and he with it -- is that Iron Man would hate this."
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The narration doesn't tell you why Iron Man would hate this, or how Captain America would know that Iron Man hates this. This is not explained later on. But if you have read comics -- or if you have read the above summary of Doomquest -- you know that Tony is absolutely, one hundred percent, thinking, "I hate magic." And Steve knows it.
The reference is not relevant to the plot; if you don't get it, you'll be fine. But that's what I mean when I say this is a nostalgia run. There are definitely Easter eggs for people who have read a bunch of comics. Busiek does this a whole lot in his work -- there's a reason you can buy an annotated edition of Marvels -- and, yeah, it happens here too. Just know that there will be references you're not getting, if you're new to comics.
Anyway. So Busiek's run actually starts out with an Arthurian arc, #1-4, "The Morgan Conquest." The name is a dead giveaway. Yes, Morgan le Fay is back. Again. For once, Doom is not involved.
The Avengers are all back from their sojourn on Counter-Earth after fighting Onslaught -- don't worry about it -- and mysterious things are happening. There are a lot of monster attacks. So pretty much everyone who has ever been an Avenger is summoned to the mansion, at which point we learn from Thor about some mystical artifacts that are being stolen. (They are the Norn Stones and also the Twilight Sword. That sounds like something from a Zelda game, doesn't it?) The Avengers go to try to stop this, end up in Tintagel, and then they run into Mordred. He wants to capture Wanda, presumably for Magic Reasons. Morgan le Fay casts a spell on all of them, reshaping reality. Yes, all of them. Surprise!
So now all the Avengers are living in a medieval castle and/or town; Morgan is their queen, and thanks to the power of mind-control they are all basically living in Ye Olden Times. The Avengers are all some variety of knight, except for Wanda, who is chained up in the dungeon so Morgan can steal her magic and use it to fuel all this reality-warping.
Wanda calls for help, and that snaps Steve (Yeoman America!) out of the mind control (or altered reality or whatever you want to call it) pretty fast, because Steve's always been very good at resisting mind control, and then Steve promptly goes and snaps Clint out of it, because I guess Steve is also good at inspiring people to snap out of mind control. "Oh, man!" Clint says. "Not another alternate reality! Not again!" (I assume he's referring to Counter-Earth? Maybe?)
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So Steve and Clint go around reassembling the Avengers and orienting them as to reality. They get Jan and Monica easily, but then Steve insists on trying to get Tony because, I guess, he likes Tony and would really like to hang around Tony, who is half-naked and asleep in his bedroom, and certainly I am reading nothing whatsoever into this. Clint tells Steve it's not going to work. Tony has historically been fairly susceptible to mind control; it was only pretty recently at this point that he'd been doing Kang's bidding in The Crossing. But the more serious impediment is that this is Tony Stark and he would obviously like to LARP being a knight forever and ever. Tony, therefore, does not believe Steve, and throws him and Clint out of his bedroom and into the barracks.
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"Iron Man's a good guy, normally," Clint says. "But he's waaay too into his whole nobleman/lord of the manor trip. That spell musta hit him right where he lives!"
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Clint speaks the truth, clearly.
Anyway, they go around and manage to make pretty much every Avenger in the room other than Tony snap out, and attempt to rebel against Morgan while Tony is stil fighting them because he is Still A Knight. There's a lot of punching, because some of the Avengers still aren't free; they weren't ones Steve found.
The day is saved when Wanda manages to channel Wonder Man and break free. This gives the Avengers a fighting chance against Morgan and the Avengers are all lending Wanda their power when Tony finally snaps out of it and is on the side of good. 
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Then they take Morgan down, go home, and attempt to figure out which of these thirty-nine people should be on the active Avengers team. Hooray.
But that's not the end of Morgan le Fay showing up to screw around with Tony's life! There's more to come! Not much, but there is one that I know of, and at least one more memorable reference. 
(I haven't read all her appearances or anything, but one of them definitely involves Tony; I can't swear that he doesn't appear in any of the other books Morgan shows up in, but it'd be a cameo for him, because I only know of one more arc that she's in in a book that Tony stars in.)
In a few more years, we have now entered the part of Marvel Comics history where Brian Michael Bendis writes all the Avengers books at the same time for, like, seven years running. It was sure A Time. There were a lot of word bubbles.
And the thing about Bendis is, Bendis looooooves Doomquest. If you're familiar with the very end of his tenure at Marvel where he made Doom be Iron Man after Tony got knocked into a coma in Civil War II, you have probably figured out already that he likes Doom. But he also likes Doomquest, specifically.
I mean, if nothing else, the giant splash page in The Confession where Maleev redrew the climactic Doomquest fight while Bendis had Tony talk about how deeply meaningful to his understanding of the world this all was -- and how it allowed him to predict Civil War -- was probably a big clue, right?
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As far as I am aware, Morgan le Fay makes exactly one more appearance in Tony's life. And that's in Mighty Avengers vol 1 #9-11. Only one of those issues is named, so I'm going to assume the arc is named after it: Time Is On No One's Side.
You remember Mighty Avengers, right? The deal with the Avengers books at the time was that after Bendis exploded the mansion and made the team disband in Avengers Disassembled, the main Avengers book was no longer called just Avengers. Instead, the main Avengers book was New Avengers, and that was the only Avengers book. Then Civil War happened, Steve got killed, and New Avengers became the book about what was left of the SHRA resistance (i.e., Steve's side) after the war. So about halfway through New Avengers, Mighty Avengers starts up, and Mighty Avengers is about an extremely fucked-up and grief-stricken Tony Stark trying to run the official government-sanctioned Avengers team, with Carol's help. This is the comic with the arc where Tony turned into naked girl Ultron. You remember.
So, anyway, there's this Mighty Avengers arc where Doom is Up To Something (there are symbiotes and a satellite involved) and somehow Tony and the Avengers end up in Latveria, punching Doom. Also, by the way, Doom is visiting Morgan in the past because he likes her. The Avengers attacking his castle made him have to come back to the present, so he's kind of cranky. And he fights Tony, and in the course of the fight, his time platform explodes and sends Doom and Tony and also the Sentry to... the past.
This is one of those times where you should definitely look up the comics if possible because the way the past is visually indicated here is that it's colored with halftone dots the way you would expect old comics to be colored, although they have modern shading and color palettes. It's very charmingly retro.
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So the three of them are stuck in New York in the past, and naturally they would like to leave. There's one person in this time who has a time machine and it is, of course, Reed Richards. Doom and Tony have a lot of banter in this arc; I think it's entertaining.
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Sentry has to be the one to break them all into the Baxter Building because of that power he has where no one will remember him. So they do that, travel forward in time, and end up in Latveria in the present again except Doom is gone and also things are currently exploding where they are.
Doom, of course, has made a side trip to visit Morgan again and he asks her to help him build an army, because I guess this is what their relationship is like. So the rest of the Avengers are captured by what look to me like Mindless Ones and are in a cave in magic bondage, because comics. Jess comments that at least they aren't naked, because she too is remembering that memorable New Avengers trip to the Savage Land. Doom threatens Carol in some creepy sexist ways and eventually it turns out that Tony and the Sentry are fine and everyone kicks Doom's ass. Business as usual.
And the last page of the arc is Morgan alone, wondering where Doom is. So technically Morgan and Tony don't come face to face here, but I think she counts as being at least partially responsible for ruining Tony's day here. And then Secret Invasion happens and Tony has a very, very bad day.
There are a few more Morgan appearances after this, but, as I said, I don't think any of them involve Tony. She shows up in Dark Avengers, apparently, which was one of the post-Civil War Avengers titles I didn't read, and I know that recently, on the X-Men side of things, she's been in Tini Howard's Excalibur one, which I have only read a little of. No Tony there. Just a lot of Morgan and Betsy Braddock and Brian Braddock and the Otherworld.
If you are interested in Morgan's other appearances, you might like this Marvel listicle that is Morgan le Fay's six most malicious acts. I pulled some of the Darkhold backstory from their discussion, but it's not really focused on Morgan and Tony.
So there you have it! That's everything I know about Tony's love for King Arthur and every run-in I know about that he's had with Morgan le Fay! One of two terrible people in Tony's life named Morgan! Actually, I don't think we've seen Morgan Stark in a while. I wonder if he's alive. There should be a Morgan & Morgan team-up. I should probably stop typing and post this.
The tl;dr point is that you should all read Doomquest and its sequels, especially Legacy of Doom. They're great!
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blind-alchemists · 3 years
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Meta-Analysis of the Rift Mage Specialization
I said in February I was going to do it, and it only took me seven months to follow through!
Anyway. Analyzing game-play elements for narratives purposes has become somewhat of a hobby of mine ever since I really got into GameLit. Then, I started "fangs" and felt that my fight scenes were boring, so I build ability trees reminiscent of DA:I's for my OCs. You know, as you do. During that process, though, the lack of banter acknowledging several choices struck me as odd. Especially regarding specializations. Especially when it comes to Solas'.
We’ll be taking a look at (in order)
1. Description
2. Codex Entry
3. Skills
a. in comparison to DA: II’s Primal & Force Mage
4. Specialization Dialogue with Solas
5. Conclusion
Disclaimer: I talk a lot (this post might have about 2.5k). And, I promise you, you'll be tired of seeing 'the Fade this' and 'the Veil that' at the end of it.
Description
“These mages draw upon the force of the Fade, either pulling matter from the Fade to attack or twisting the Veil itself into a weapon to stagger or crush their enemies.”
[source – DA wiki; bolding mine]
So, lore-wise, mages do ‘draw upon the Fade’. Sure. But do they ‘pull matter from the Fade’? Absolutely not.
Physical things and the Fade rarely mix well. Plus – this is mainly my theory – the way magic is utilized (the 'drawing upon the Fade part') requires it to pass through the Veil. Magic being a form of energy, and thus not physical, does not constitute to ‘pulling matter from the Fade’.
That's the first thing other mages (read: Dorian, Vivienne, possible the Inquisitor) should (or could) have referenced in banter/dialogue.
The rest of the sentence ('twisting the Veil into a weapon') is also highly interesting, since there is little known about the Veil. Nobody knows how it works. And, thus, nobody should be capable enough to manipulate it consistently enough to use it as a weapon. But considering it's Solas who gets this specialization - well. He knows the Veil well enough, don't you think? (Which is why I think Rift Mage should have been Solas' personal, individual specialization like Fenris' Lyrium Ghost, but I just really like personalized skill trees in general.)
However, having answered that question, connecting magic so closely to the very thing can be described as a “magical vibration that repels the Fade”, I'm curious about how it would work. Since, you know, mages are inevitably tied to the Fade. Wouldn't the Veil repel a try to manipulate it by a mage? Is using mana the same thing as drawing energy from the Fade? If so, it would be straight-up impossible to actually use such a method for any ordinary mage (read: not Solas). If mana can be used without the Fade, it would be possible, but is such a thing feasible? Can you switch between spells and Veil quickly enough without horrific consequences such as possibly tearing yourself apart?
Very interesting topic. Would love to go into it more, but at that point, I'd become subjective, so let's end it here.
To summarize: Rift mages do things (physically pulling things from the Fade plus using the Veil) normal mages don't do. There is also a chance, logically speaking, that no one else but Solas (or mage!Inquisitor) can accomplish such a feat without dying a horrific death.
Codex Entry
From "Power Bleeds: Harness the Flow." Your Trainer's words make one passage stand out:
There are no tomes dedicated to this manipulation. There has been no time for academics, only the practical—and not in a manner that mitigates risk. Power in a raw form has found an outlet, both visible and in ways that only we of arcane proclivity can sense. The risk is great.
An account:
From this page forward, these are the notes of Thelric. They began as the work of my mentor Julion, and I will continue in the research she began, as she cannot, because she is dead. The rift we were examining did not react well to her last investigation. We believed ourselves prepared for demonic manifestation. We were not prepared for how the energies we expected would be encountered. Well-versed in the forces that magic can produce, my senior was surprised by an alteration, a deviance. That which previously had to be coaxed is now a flood that must be staunched. The same amount in different intensity, quick to expose fault in the way it is accessed. She drew too much, expecting resistance. There was none, and her form suffered the brunt. Tread carefully in studies of new matters, for I cannot unsee the end of her.
Scattered symbols and sketches follow.
[source – DA wiki; bolding mine]
Apparently DA:I has a thing for hiding the true horror in Codex Entries and off-hand comments.
Here, we learn one key fact: The school of Rift Magic is relatively new ('no tomes dedicated to this manipulation'). I think it's safe to assume the possibility - and thus research concerning it - emerged around the time the Breach appeared. So it's new, people have no idea what they're doing, but it somehow works. A little like the whole time magic thing, funnily. (That brings me back to a lot of questions I have about the Veil: Just how powerful is it? Just how deeply is it intervened with Thedas?)
Reading further, the entry seems to (only) stress how dangerous Rift Magic is. Who would have thought! No, really, it's a fair point to empaphize. I'm not certain the Trainer and his previous teacher (or anyone else but Solas) know what kind of role the Veil plays in this, and so of course experiments are going to get ugly. The Veil holds a much greater importance than the people of Thedas realize.
And, in a very similar vein: The people of Thedas don't know much about directly interacting with the Fade through, say, a rift, which poses another risk. The wiki entry establishes two things in particular that are relevant here: Using spells (in the Fade itself) has unpredictable results, and one can draw unprecedented power from it while sleeping.
The codex entry cited above proves that. A rift is a direct connection to the Fade, and thus unpredictable ('She drew too much, expecting resistance. There was none') and that power is too much to handle ('her form suffered the brunt').
My theory is that, while a certain flunction is natural to the Fade, the Veil also plays a role here. Which I'm not sure. But it has one.
Personally, I wouldn't be sure the risks of a horrific death outweigh the benefits of power, but let's look more in depth at that!
Skills
Which brings me to the abilities themselves.
The first two you can choose from are Veilstrike and Stonefist. (Which I think should have had their names changed but, oh, well.)
Veilstrike: “You recreate your own fist from the essence of the Fade and smash nearby foes to the ground.” (Upgrades being Punched Down and Wounded Veil, but they don’t have anything interesting for this analysis. Note the names, though.)
Curious here is the 'recreate [...] from the essence of the Fade' part here. On first glance, it sounds like a rather ordinary spell, right? But it's not. That's just the 'hiding in plain sight for the first playthrough' aspect of Solas' character.
Mages do shape their spells with energy from the Fade (as far as my assumptions go). Maybe they can also recreate something. I'll give them that much. But the essence of the Fade - the inherit, unchanging nature of it - can't be manipulated by them. I think that's specifically a trait only Dreamers can have. (More evidence for my 'Rift Mage should have been Solas' personalized, individual specialization' hc!)
There is an argument to be made if this already constitutes for 'pulling matter from the Fade', but this isn't even the funkiest part yet.
Stonefist: “You summon a boulder from the Fade and smash it into your target, sending them flying.” (Upgrades being Shatterstone and Unblockable Force.)
'Summon a boulder from the Fade', you know, as in, bring physical matter from the Fade to the other side of the Veil. A thing that is pretty much unheard of. Remembers what happens to spirits when they pass violently through the Veil? There is an entire game dealing with that. (I mean, stones won't hopefully turn into demons, but my point is that bringing things through, usually, is not a wise idea.
Another thing someone could have commented on.
Passives: Restorative Veil, Encircling Veil, Smothering Veil, Twisting Veil.
Unfortunately, neither of these descriptions give me much, but they all have the ‘Veil’ component in their name, so that’s interesting.
Upon closer inspection, the Veil can function in a variety of ways: speeding up mana recovery, further weakening enemies, boosting your own damage. (Veilstrike being an example of a means of attack.)
Now, my question here would be: Do over mages notice changes in the Veil? Do they feel it shift and bend? If not, well, that's one thing. if they do, even subconsciously, I'd want banter. (I want a lot of banter, though. Just generally speaking.)
Pull of the Abyss: “You create a tiny rift that pulls enemies toward a central point.” (Upgrades being Shaken Veil and Devouring Veil.)
I can live with never hearing anything about everything else. Sure. But this one? This damned skill? You're telling me I read that the first time I played the game, nodded, and that was it?
'You can create a tiny rift-' I'm sorry, do you what now? After a good a couple of hours of learning just how bad rifts are?
And the upgrade names. Shaken Veil, Devouring Veil - is there anything this thing can't do, except for becoming more and more horrifying and giving me bad vibes ofr whatever DA4 will do with it?
Firestorm: “You summon flaming meteors, raining fire down upon enemies all over the area for the next several seconds. This ability consumes and is powered by focus.”
This one is ... honestly, I don't like it being here. It's an AOE skill, which does fit in with the rest, but it's fire and it seems rather randomly assigned compared to other focus abilities with a more personal note (Haste, Rampagne, Cloak of Shadows, Mark of the Rift).
Doesn't give a lot here to analyze, except that raining down flaming meteors is the level of (global) destruction I can see happening in the future if Solas isn't stopped. So. That's fun.
(It's the ultimate skill in the Fire/Ice tree in DA:II, or at least the ability there has the same name.)
DA: II Comparison
Nearing the end, I'll take a brief look at the Force Mage specialization from DA:II and the Primal base skill tree for mages. Both have some interesting similarities.
First, Primal.
Stonefist: “The mage hurls a stone projectile that strikes with massive force.”
It's only the name and the effect, honestly, but it is curious to see it in a skill tree that focuses exclusively on the elements earth and lightning. (Because Pride demons also use electricity ... yeah, yeah. I'm reading too much into this.)
Petrify: “The mage entombs an enemy in stone, leaving the foe temporarily unable to move. However, the target becomes more resistant to damage for the duration of the spell.”
This has nothing to do with Rift Mage, but in light of Trespasser, I'll just leave it here for your consideration. Petrifying people is neither new nor exclusive to Evanruis.
Now, onto Force Mage.
Fist of the Maker: “The mage slams enemies into the ground with incredible power, against which armor is no protection.”
The effect sounds like Stonefist (Primal) and Veilstrike.
Pull of the Abyss: “The mage conjures a maelstrom of energy that draws enemies to its center while slowing them to a crawl.”
This one is similar to the Rift Mage skill with the same name, so it might have served as an inspiration (or base).
Overall, though: nothing much to say here. Maybe I could talk more about Rift Mage being focused on crowd control, but that is probably for game-play balance. I could connect that to Solas' character and analyze every little thing to death. I'm not doing it, though.
Specialization Dialogue
Solas: You have begun practicing new magical forms. Interesting. You seem to be drawing upon the raw substance of the Fade, likely using your mark as a catalyst. I use similar techniques, although it took me years to learn that. Why did you choose such an esoteric area of study?
Inquisitor: (if chosen) I hoped that studying such magic would me help better understand the Fade.
Solas: While our fight affords little time for formal study, the wise can better themselves even in the midst of battle. Perhaps especially then. I hope your new studies serve you well.
[source]
Let’s go through this slowly.
‘You seem to be drawing upon the raw substance of the Fade-’ Alright, we’ve talked about that. Makes sense he’d comment on it. ‘likely using your mark as a catalyst’ Sorry? The Inquisitor is doing what? I’m not saying it’s not possible, I’m just saying it might not be an overly smart idea to use the Anchor in that way. Because it’s attached to the Inquisitor’s arm. And because the Inquisitor knows what happens if it snaps out of control. So, purposefully doing something that might cause you agonizing pain? Mh. Yeah. No, thanks.
Also. The 'drawing upon the raw substance of the Fade' part makes me think that the Anchor does give the Inquisitor Dreamer-like abilities. Forcefully, and possibly difficult to control, and the Inquisitor might not be aware of it, but. That would be an interesting aspect to explore.
‘I use similar techniques, although it took me years to learn that’. Well. Yeah. Mostly a sound response, except I’m not really sure it's true. Why does he say years? Because he didn’t go right to sleep after creating the Veil, or because he studied such methods theoretically beforehand? I doubt he refers to the time Inquisition spans, because it’s not that long, cannocially, (isn't it like ... a year? I forget what the devs said), but … I don’t know. It doesn't sit right with me. Solas never truly outright lies, so there is probably some merit in it.
‘Why did you choose such an esoteric area of study?’ That’s … an interesting way to ask. Sure, there is a very small group who has this specialized knowledge, but it feels a little like deflection.
The rest of the conversation doesn’t give much for me to analyze.
Conclusion
TL;DR: There should have been banter. Or Rift Mage should have been a personalized, individual specialization.
Pull of the Abyss is the funkiest skill in the entire game, from a meta-perspective, because tearing a hole into the Veil is the opposite of what the Inquisitor is trying to do.
There are also many more questions than answer to take away from this regarding the Veil and the Fade and how Solas manages not to blow his cover, but I believe there are theories about at least the two former points out there.
I thank you very much for bearing with me for this long!
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Okay so I was looking at the Loonatics Unleashed fandom wiki for no particular reason I swear and I have come across some mildly interesting discoveries about the content of said wiki. I guess this is like... kind of a weird partial wiki review? Is that strange? Under the cut, some spoilers, yadda yadda yadda.
1.  Something I couldn’t stop thinking about after watching the show was the fact that Ace and Lexi have like... no interesting personality. Since the wiki was right there I figured, “Hey, there’s usually a personality section on their character pages, maybe I just didn’t notice something.” So I looked at Ace’s page. 
His personality section is tiny. And what is there is stuff like, “he may have a sweet tooth,” and he’s, “cool, calm, and collected,” three words which basically mean the same thing. 
Next I checked Lexi’s page... which... hilariously... did not even have a personality section. But don’t worry guys! She’s got a section unique to her called, “fashion sense,” which goes into great detail about her not wanting to look fat.
Curious, I checked the other characters pages as well. 
Slam, unlike Lexi, has a personality section, which is incredible, considering he’s on screen for a fraction of the time she is. But Lexi is not alone in having no personality(according to the wiki) as Rev apparently doesn’t have one either. Like, come on. Nobody editing the wiki could think of one trait that he has? Even Slam got a line about having great battle strategy. Nothing about being enthusiastic or fiddling with Tech’s things or desiring his dad’s approval? Uh, okay then. Speaking of Tech... he got one line about being warm hearted and protective of his inventions... Yep. That’s... definitely all his traits... Totally... Ugh... 
Duck has a fully fleshed out personality section, which, makes sense since he has a very well defined personality and most interesting interactions with the rest of the cast. There are still problems with it though, like talking about his powers in the wrong section and another thing I’ll go over later.
2.  Also along the lines of the “Ace is bland” thought I had, his Powers and Abilities section is pathetically short. I mean, he has four tiny bullet points: One is about having great agility which isn’t needed because another point is that he’s skilled at martial arts which requires great agility. There’s his laser vision, and then apparently he has infrared vision? I mean, I’ll believe the wiki this time but I straight up do not remember that. It must have been one of those things that wasn’t brought up much. (Also it didn’t mention his swordsmanship which is strange.)
Most of the other characters’ sections of their abilities are pretty standard, but I have to note that Rev’s section is MASSIVE. One of his listed “abilities” is literally the ability to talk which uh... is strange. It’s noted that he talks fast, but that just seems to be a common trait of roadrunners as far as I can tell. Rip was the strange one for talking at a slower pace. Either way... I guess the ability to speak is an ability. Strange to put it side-by-side next to things like “super speed” and “flight” though...
3.  There is straight up incorrect information and strange assumptions in a few places. A lot of those things come from Rev’s page and specifically his Trivia section. 
Small complaint first, the page mentions the sound the original Roadrunner makes a couple of times and spells it as “meep, meep,” which the actual sound is “beep, beep,” an imitation of a car horn. Pedantic, I know. 
Okay first true complaint, the wiki assumes Rev’s the youngest solely based on the fact that he’s hyper. Uh... he could also be hyper because, and stay with me here, his power is super speed... and also some people are just hyper? IDK. I have to mention he seems like someone that would’ve gone to college given his family’s wealth and history with being engineers, along with his own technical knowledge, making him similar in age to Tech and Lexi. But odds are all members of the team are college aged and none of them are notably older or younger than the others. (Wait the Trivia page mentioned him being hyper but he still didn’t get a personality section with “hyper” in it???)
Another incorrect “fact” in the trivia section is that Rev’s the only character whose family is shown in the show. It was brief, but we saw Duck’s parents in the flashback of him and Pinkster in the orphanage. Yeah they’re just some boring humans but they’re still his parents. 
I guess this counts as a complaint? Uh, maybe I’m missing something, but the wiki claims Duck has sibling relationships with both Ace and Lexi, which... like... I swear I don’t recall from actually watching the show. I do recall him calling Lexi “sister” at least once, but like, in a sassy friend sort of way? And I just... straight up don’t recall him and Ace having any interactions that would denote them as being brother like. Is this just someone deciding that being Good Friends that learn from each other constitutes a sibling relationship again? I’ve seen it happen before. (Don’t ask, it’s stupid.)
Lastly, whoever wrote Lexi’s page seems desperate to ship her with Ace, but like, as professionally as possible. The section on her relationship to Ace is like “their relation is unclear, but she could possibly LooOOoove him~” Then it goes on to scrape for every time she showed concern for him, but also says she keeps her emotions hidden? Guys there’s a word for when someone is in a mutually caring relationship that isn’t a romance. It’s called being friends. Best Friends if it’s a little deeper than normal. Shhh. It’s okay. I know a man and a woman being friends is scary but it can happen. Everything will be fine. 
4.  As I’ve ironically noted a few times already, there are a bunch of redundant pieces of information on some of their pages. Most of the time I think it’s just due to padding. Like, Lexi has 4 bits of trivia and one is, “she likes video games,” and another is, “she’s good at video games.” You uh... couldn’t just make those both one point, huh? I’m not gonna count information being repeated through sections because sometimes context is important. 
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Yeah so reading the wiki was... something. I mean I don’t blame the wiki of a 2005 Looney Tunes spin off for not being the most well loved and complete, and I’m sure it’s probably been vandalized a few times for lols, but I just thought this stuff was worth noting nonetheless. Mostly it means I can’t entirely trust the wiki when it comes to information regarding the show. 
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omegas-spaghettios · 3 years
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Loki Episode 3 Spoilers!
I wanna talk about Sylvie and her being the Enchantress.
I believe she is truly a Loki variant.
I want to make it clear that I'm not taking the stance she CAN'T be the Enchantress, that isn't my point. My point is I personally do not believe she is not a Loki Variant and I'm going to share evidence to support that.
Also to further clarify, I 100% see that they are drawing inspiration from Enchantress to make Sylvie's character and could see her calling herself the Enchantress, but I do 100% believe she is a Loki Variant.
What I think is the most important is respect. I have a friend who knows nothing about the comics and she got yelled at by another friend for not knowing the Enchantress from the comics and not believing it. Comic fans, cut this out. I know 95% of comic fans who read this won't ever do that, but please be kind to people who haven't read the comics. But regardless, if you are reading this and believe she is the Enchantress and NOT a Loki Variant at all, I'm not trying to disrespect you, please don't disrespect me.
So, all that out of the way, here are my points.
(If you agree with me or don't really care, this is also just a ton of infodumping and character analysis)
1. The MCU loosely follows the comics
This isn't specific evidence but it is worth mentioning, the MCU will change the comics all the time. Thanos is very different in the MCU than the comics, The Guardians are incredibly different, Quill's heritage of being a kid of Ego is an almost completely original story, Civil War's plot varies wildly, there are countless examples. It culminated in WandaVision, where a lot of comic fans got incredibly burned with our predictions, me included (my guess was about Fietro, but I'm mostly referencing Mephisto). Plenty characters also take from others. Nando V Movies has an entire series on it, a notable villain being "Hela isn't Hela." In that video and series he details how some MCU characters draw from many comic characters. So it is not outside the realm of possibility or probability the MCU is taking parts from Enchantress Sylvie and changing it heavily.
I am aware Sylvie is an Enchantress in the comics but her origins have already seemed to vary wildly, so I would assume we are taking her comic self with a grain of salt. I however am by no means an authority on comics Sylvie, I literally just read her wiki page.
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2) Addressing things I attribute to being Genderqueer/Genderfluid
We don't know much about Sylvie's identity so as a blanket statement I will be referring to her as genderqueer. If I use this term incorrectly, let me know.
A large piece of evidence Enchantress fans use is Sylvie hates being called Loki. That COULD be an Enchantress piece of evidence, but it also can very clearly be a genderqueer thing. If she is just trans or largely prefers a feminine appearance/identity, it makes sense she wouldn't like her birth name. I'm Trans MTF and I HATE my birth name, it is very common.
Loki in the show still uses Loki and seems very attached to it, but Sylvie is clearly VERY different. Loki himself is confirmed as Genderfluid, and Sylvie obviously has a very different experience in life from him, so we can expect variance in identity as well. If a version of Loki can be like THIS:
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An already Genderqueer character can be queer in a different way.
Also, her blonde hair being different from Loki's is not an indication she isn't a Loki, changing hair color is so easy it means almost nothing.
Also, isn't the joke that Genderqueer people dye their hair a lot?
3) Her different power set and background
The fact she calls it enchanting is a pretty big indicator, I'll give you that. But the fact her powers function differently than Loki's doesn't automatically means she is not a Loki.
This is discovered as they talk about their backgrounds, Loki grew up and was taught by Frigga while Sylvie was not. Now, we know their pasts vary anyway since Sylvie learned she was adopted much earlier, but this can be taken two ways in my mind and BOTH explain the difference in powersets.
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The obvious is that if Sylvie was not taught by Frigga, she'd have different magic. But an interesting hypothesis is that Sylvie went through becoming a TVA agent and escaped, her memories tampered with, affecting her memories of her training and parents, explaining why she says her mother is a distant memory. That's a hypothesis, but it could explain her different powerset even if she was a standard Loki initially. That could also affect her identity but I would honestly rather it didn't, it feels weird and off, but it's a possibility.
4) Loki's Reaction to Her
Loki notes many times she isn't "acting like a Loki", but I find it much more probable he's just full of himself instead of her not being one.
Loki is interesting because he is incredibly perceptive yet presumptuous at once. He picked up on two Tony Stark's and deduced it was time travel, but he assumed they were trying a last ditch effort to stop him since he succeeded. He is very perceptive of what Sylvie is trying to accomplish, but he doesn't understand WHY she wants to (he's been told, but he can't fathom not wanting to rule).
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The point is, Loki's narrative is not the factual narrative. He notices Sylvie doesn't act like him and that's true! But he speaks of it like she can't be a Loki because he OBVIOUSLY is the gold standard when tons of evidence already listed in earlier sections speak to this difference being due to different life experiences, and his failure to acknowledge this so far is because of his ego, at least in my mind.
Also, the two are also very similar in a lot of respects. Sylvie guesses his sexuality and he in turn says she must be the same, they also both have an affinity for bladed weapons.
I believe the scene where they both try to get into the woman's home illustrates their similarity VERY well. They try different ways of getting in, yes. But they both assume the other will fail, they both are incredibly confident, and both of their confidences get them shot.
5) If she isn't a Loki, why impersonate him?
That's a genuine question, if you have an answer let me know.
What is the benefit of impersonating a Loki? It offers no tactical advantage in my mind. Sure, she is the TVA's biggest threat, but she seems to not understand the general viewpoint of Loki. Mobius calls him pathetic and states Loki's have the highest variance rate, they must be fairly easy to catch.
You could argue that she impersonated a Loki BECAUSE the TVA expects so little of Loki, which is a fair point i can't counter. However, it did blow up in her face since Loki was able to track her (and him tracking her as fast as he did is more evidence that she is indeed a Loki).
So, in Conclusion,
She is certainly at least partially based on an Enchantress from the comics, but I believe there is more than enough evidence to show, both in the show Loki and the MCU as a whole, that she is truly a variant of Loki.
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stupid-stew · 3 years
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character names keep me alive, toh is my lifeblood.
i am literally obsessed and this show really does provide (i still have to add more smh my head dana terrace why do you do this to me jk i love it so much please never stop) COPY AND PASTED FROM DOC UNDER BREAK
NAMES INCLUDED:
FIRST NAME
LILITH
EDA
LUZ
KING
WILLOW
GUS
ASSORTED BLIGHTS
LAST NAME
BLIGHT
CLAWTHORNE
NOCEDA
PORTER
PARK
BUMP
MISCELLANEOUS
BELOS
HIERONYMUS AND BOSCHA
ADEGAST
HOOTY
OWLBERT
KIKIMORA
GWENDOLYN
RAYNE
NOTE EVERYTHING BEFORE GWENDOLYN AS OF 6/24/21 WRITTEN WITHOUT SEASON 2 KNOWLEDGE, TO BE REVISED, REVISIONS IN BOLD!
Hello and welcome to the ramblings of a mad man. Before we get into it I think you should note that I do write like I talk because I think like a talk and I write how I think, so if you are confused as to why it sounds like i’m not making sense its because I'm not making sense also my capitalization and punctuation suck so sorry about that but we don’t have time for technicalities in this house. TO ADVENTURE!
FIRST NAME
LILITH
EDA
LUZ
KING
WILLOW
GUS
ASSORTED BLIGHTS
LAST NAME
BLIGHT
CLAWTHORNE
NOCEDA
PORTER
PARK
BUMP
MISCELLANEOUS
BELOS
HIERONYMUS AND BOSCHA
ADEGAST
HOOTY
OWLBERT
KIKIMORA
GWENDOLYN
RAYNE
GILBERT
FIRST NAME
LILITH
Ok so because I'm lilith’s bitch we are gonna start with her because her name is so cool and I love her and we should be besties Lilith hmu. Anyways as most people know Lilith is a pre existing mythological character which makes this very much good because that means it’s all outlined. Most people know her as a demonic figure, which I very much dig but similar to our lovely queen of curses out here, that's not all she is. There isn’t going to be a chronological explanation of similarities and conclusions, cope. The basic gist is that Lilith was this chick with fiery red hair (this is important iykyk) who refused to be beneath or below adam, more specifically to subjugate to him, funny because of the tapestry with belos what says subjugation on it, probably a coincidence but I do not believe in coincidence right now. Anyways basically she runs off and becomes this chick who like snatches children and will make them sick if they don’t have an amulet with the names Senoy, Sansenoy, or Semangelof on them, thats a different story but what I find interesting is this one passage,
“(12) Her nobles shall be no more, nor shall kings be proclaimed there; all her princes are gone. (13) Her castles shall be overgrown with thorns, her fortresses with thistles and briers. She shall become an abode for jackals and a haunt for ostriches. (14) Wildcats shall meet with desert beasts, satyrs shall call to one another; There shall the Lilith repose, and find for herself a place to rest. (15) There the hoot owl shall nest and lay eggs, hatch them out and gather them in her shadow; There shall the kites assemble, none shall be missing its mate. (16) Look in the book of the LORD and read: No one of these shall be lacking, For the mouth of the LORD has ordered it, and His spirit shall gather them there. (17) It is He who casts the lot for them, and with His hands He marks off their shares of her; They shall possess her forever, and dwell there from generation to generation.”
And there are separate part of this that I find relevant, especially the description of the location, i’m not all that familiar with symbolism of animals in religious texts, so i’m gonna take it at face value and say that this is more or less a description that could be given to the physical owl house itself, sort of a place for people who don’t fit in, its a little messy and I guess one could say overgrown, but it’s a place for anyone, a place to rest now hopefully for Lilith away from the coven, there shall the Lilith repose. On top of that we see the “the hoot owl…” and you’re probably thinking what that so crazy wacko because like why are they referring to Lilith as the hoot owl isn't Eda the owl lady, yes she is. That’s why the actual meanings of lilith’s name that come from her mythological depiction as a demon lady are so important. We have night monster, night owl, night spectre, vampires, night hag, night creature, nightjar (which is another kind of bird), and night bird, all of these seem to fit lilith’s dark aesthetic very nicely which is very good for her, but there are two other ones, hot owl and screech owl, which draw her closer to Edaand away from the coven and her depiction in the mid-later episodes of the show as a monster for cursing eda, but also the name night monster could come into play if while sharing the curse Lilith acquired some of its traits, similar to Ed aas the owl beast. Ultimately, we have this little red head girl who eventually fights back against the men who are attempting to get her to be under them, for the character that is belos, for the other Lilith that is adam, god, and his angels, and now hopefully both of them will find solace and repose among the owls in a place they never thought they’d belong. All this talk of owls and god brings us into the other clawthorne baddie:
Lilith did find her repose! I love her staying in the owl house, get it queen oh yuh.
EDA
For this I'm going to use her full name edalyn, because you know like that’s just how it be it is her name. There isn’t a wiki page for her name like there is for Lilith which makes this a little bit harder but the general consensus seems to be that it means something along the lines of “gift of god”, which I find very interesting. If you are going to name a child gift of god i’m assuming that you are referring to the child themselves, but I don’t think that really applies to eda. I’m not religious, but its my impression that someone who lies, cheats, pranks, and steals their way to the top and isn’t exactly the most responsible witch on the isles and might not be the best gift god could give. I do really love Eda though, her character flaws are still a part of her character, but I think this refers to her powers. Eda considers herself to be the boiling isles gift to magic, which I mean like, have you seen the woman. In agony of a witch we see her at what probably 30% of her power with how much the curse was already tolling on her and how much magic she was probably using to fight it off, and like goddamn. She was almost beating lilith, definitely beating the shit out of her, but she was almost defeating Lilith who was at her full power, and that is just a fraction of what she used to be able to do. Her powers were a gift of god, and I think that the loss of them will greatly affect her. She’s already admitted that she doesn’t know how to do much without her magic, and I think going straight from the second most powerful witch on this isles to having no power at all is going to be incredibly taxing on her, physically and mentally.
Luckily for her the name edalyn also means patience, another thing about her name is that it not only means gift of god, but also similar things like gifted by the gods or even goddess, and this draws a connection to Lilith who is named after a demonic figure, casted out for having defied god, they are quite literally polar opposites on the name spectrum, and we see that a lot in the show, they are completely different people, I mean have you looked at them they don’t even look related, but the funnier thing is that their personalities do the same thing. You’d expect Edain her youth to be a gift from the devil, just ask principal bump, and Lilith seemed to be a goody two shoes who worked her ass off, their names could be switched based off their characters alone.
A random baby name site I found said that :
“Persons with the name edalyn are usually highly flexible and well equipped to making and accepting change throughout their life. They always seek excitement and are sometimes a bit of a risk taker. They are imaginative, and often, through their unconventional way of thinking, are naturally able to solve complex problems with ease. They are quick thinkers and observers who are clever, analytical and versatile”
Which I mean like very much applies to eda, she takes change like a champ, either genuinely or by pretending she’s ok with everything, and is always seeking excitement. Like literally all of the time. Always. I think she takes felonies as a compliment, and one of the biggest changes in her life that she genuinely was able to adapt to and appreciate was
OH MY GOD HER LEARNING THE NEW GLYPHS WAS SO CUUUUTTTEEE, I love her being able to adapt, she really is doing well. As the beginning of separate tides shows, she’s working around it, and is doing a damn good job, living up to her name.
LUZ
Ok I think at this point everyone knows that at this point the name Luz means light, and if you didn't, oopsies now you do. The character Luz was named and designed after a real life person the miss dana terrace knew at the time she was starting to really think about the show, Luz ’s personalty comes more from dana herself and we love that, but the character has really started to grow into her name. This is made most obvious when the first spell Luz learns is the light glyph, not only coming into her own as a witch, but also starting to live up to her name, which along with light also has to do with “Our Lady of Light”, which is the virgin mary, fitting her right in with the other biblical names we got going on here. I really want to stress that I know next to zero about religion, and all of the connections I am making come from wikipedia, so bare with me here. But most of the time mary seems to be this pure, saint like figure, which I think is what a lot of people see Luz as, especially on the isles. I’m going to flat out say that this is in no way meant to pass off Luz as simple minded, pure, or oblivious, because we have seen what that girl is willing to do, she faced death and poked him in the with an ice cicle. In terms of life on the isles, however, she is more or less pure and sheltered, she’s completely new to the world she’s in, but she does quickly adapt, and shows more of her strong side, and remains a good person throughout all of it, taking losses as they come, and not letting them remain losses at the same time.
Back to the whole light thing, we already touched on the whole literal bit of her and the light spell, but can you think of a better way to describe Luz ? She literally brings light everywhere she goes, even Eda admits that she’s changed things for the better, for everyone around her too. Willow got a new friend, probably the first friend she’s had in a long time, and even got to begin repairing her relationship with amity, and got placed in the plant track so she could do the things she loves, all because of Luz . Edagot to grow as a person and a mentor, and finally got someone willing to accept all her eda-ness, unconditionally, someone to really care about that really cares about her back, all because of Luz . Amity got a friend who cares about her, not just her family name and money, someone who supports her and will do anything for her because she is her friend, and a bit of self discovery along the way for amity, all because of Luz . Not a single person on the isles who has had more than 2 minutes of interaction with Luz hasn’t had their lives improved, even belos got his portal, and the thing is that even characters who people might not even consider changed have been, characters such as
Luz my beloved, she seems a little bit less of a light this season, and i do mean little. That’s totally fine though, it’s expected, i didn’t want her to just be this bright shining star after the events of the last two episodes of season 1, and appreciate her going and starting to take the fantasy of the isles with more than just a grain of salt. Obviously like in escaping expulsion, she’s still trying her best to make everything better and make friends with everyone, but there’s something a little different about it and i’m here for it tbh.
KING
The name king itself is obvious, he is royalty, the king of demoNS HIMSELF ASMODEUS hahahaha pulled a sneaky on you now accept my ideas as your own. I am on a mythological name kick, deal with it. The most important thing here is in the bible, asmodeus poses himself as a false god, which I know is something we have all considered with king, that he might be a full on liar, not be a king of anything and is just your ordinary street demon, it’s even come up in the show with him calling himself the king of artists and Luz asking him if he was just making it up at this point. It’s a good theory, I can see it, and this could be used as proof. There is also another legend that paints him as a good natured dude, who eventually banishes the king by literally throwing him, and then he loses his powers and is banished, but this is also the same legend where he marries Lilith and that is not something I am down for. There is another text in which he tells the king (the same one he threw in the other one) that his kingdom will one day be divided and the king does not believe him, and this is the same text where he admits to hating water and birds because they remind him of god. Lets think class, who has the god name and is related to birds here? King’s name by itself holds true to his character, who (regardless of if it is truthful or not) holds himself as if he is a king, and he isn't the only one with a name like that, there is also
WILLOW
Ok I know we all thought it, willow, the plant girl, how fiendishly clever. This also happens to be the only descriptor for her name I could find, which is totally fine because I think it’s a very cute name and willow is also very cute. This means we get to go into the symbolism of the willow tree wwwooooOOOOO aren’t you so very excited I know I am. Its kind of interesting, willow trees seem to match the character, understanding, warm, a safe space really, but most of all the ability to let go of pain and suffering, sometimes outright ignore it, and move on. Willow does always say out of sight out of mind does she not? She is willing to ignore, even excuse people bullying her, be it bosha or even amity, and the moment she got the chance her inner willow decided to try and literally burn the painful memories she had, willing to cause damage just to forget. Willow as a character is very willing to move on like nothing happened most of the time, key word most because another thing about willows is the ability to grow from the pain. Before understanding willow, we never really saw willow stand up for herself until she really had to, but hy the end of the episode she is willing to tell amity that she isn’t willing to fully forgive her, but she’s willing to grow and try. Heck, we see this over the entire first season, we see this little girl who can barely pull it together long enough to stand up for herself grow into this amazing character willing to publicly oppose the emperor and break into his castle for her friend, she tried to full out attack Lilith when 19 episodes earlier she wasn’t able to stand up to amity for bullying her. And I am in no way calling willow weak, she never was, she just needed to find the ability to show everyone that she’s strong, god I love willow so much, you wanna know who else loves willow?
GUS
Gus, my main man, love you but for this we are gonna have to use the full on augustus sorry babes. The name augustus means majestic, or venerable, which while I must say that the illusion of kiki doing the worm was probably one of the most majestic things I have ever seen, I’m going to focus on venerable a bit more here. Venerable is a big word, it means “accorded a great deal of respect, especially because of age, wisdom, or character.”, which for gus the age part might play a smaller part here, but he is good as what he does, Luz and willow both respect him, Eda Respects him, he’s this little dude who is younger than everyone and has to rely on his ability to succeed, not only with his power but with his personality. Gus seems to be confident in himself, communicating with everyone regardless of who they are or what power they hold, similarly to willow he was willing to do anything to help Luz , leading into the second description of venerable, “heroic in nature”. Now, you might be wondering, bestie where ever did you get that description, it totally wasn’t from a religious page okyesitwas but that's fine because being pronounced venerable guarantees a spot in heaven so get it bestie. Overall, the general meaning for augustus is that they are strong, respectable, and powerful, which takes us right into the
Gus, shawty, ily but please stop the obsession with death babes ur starting to scare me. I hope with the upcoming Gus content in TTLGR we will see more of him growing into his powers and such.
ASSORTED BLIGHTS
The blight first names bring me joy so I am putting amity last because I think its really funny, starting off with alador, the name alador evokes diplomacy, correctness, and confidence. We know zilch about alador, but if the vibes of the blight family have anything to say it’s definitely something along those lines. The name odalia means wealth, which I mean like have you seeeen blight manor? Also back at it again with the fact that it’s a variant of the name odilia, like the saint olilia which I don't have ties for you right now because again, we know nothing about her. Edric also means wealth, fortune, riches, powerful, you get the vibes, same thing with emira which means commander, or prince, princess, leader, or star. So you know like we have all these super powerful names happening, and then, oh boy and then we get to little miss perfect herself, amity blight. It means friendship, or harmony. If I was her I would be so mad at my parents like yall have these mad powerful names and I got stuck with friendship? Hand me the emancipation papers. You know what they say, friendship is the real magic (even if no longer taught in schools due to budget constraints). I hope that this leads more into season 2 with amity working on her friendships and ultimately her relationships in general, which we got a bit of already with her working on repairing her relationship with willow, and making the moves to cut off old toxic friendships and moving into more genuine ones with willow, Luz , and gus. I guess you could say that the only thing ALL the blights have in common with each other is their
They are rich assholes, alador is a little wacko, odalia is hot asf dana seriously what the hell man that was out of pocket. The only thing about alador that lives up to his name is his money, odalia seems more obsessed with image and money, and i too am obsessed with her image literally boy what the hell boy.
LAST NAME
BLIGHT
The word blight by itself means a plant disease which boy oh boy can you believe how nicely that fits into amity bullying willow because I sure can. Outside of just the plant bit it overall just means like something that damages another thing, and this works beautifully for each member of the family. The parents are damaging their children, the twins just causing general damage, and amity and her goddamn relationships, but fortunately that whole plant thing brings us into the next couple of last names
CLAWTHORNE
The last name clawthorne means “cold or exposed thorn tree” which had me kind of like what the heck so I went off and had some fun and got you some presents that I think are funny, so there was this guy right, his name was joseph clawthorne, and he created the term whiffenpoof, which is the name for a wildly fictitious animal, things like a jackalope, or even a griffin with spider breath, though I guess that would be the work of a
NOCEDA
Back again with the trees good lord, it means field of nut trees, so again I went into prominent people an found this guy named jorge noceda sanchez, he was a painter and some of his works are kinda baller actually it seems like something that would fit in on the isles, but also not all of the names have a deeper meanings, names like
PORTER
Ok I am like pretty sure this was just meant to be a play on the fact that gus’ dad’s name is perry and is a reporter, get it, perry porter, perry porter, reporter, but nonetheless I did some digging because why the heck not, it means doorkeeper, or gate keeper, someone who guards something like an important building, which honestly I think this would be a good last name for hooty if he ever gets one, but again not all of these are important names at the moment, or maybe they won't ever be at all, names like
PARK
At first I was kinda like l m a o willow park plant girl hahahahah plants in the park parks have trees willow is a tree but then I remembered that someone pointed out that park is a traditionally korean surname and then like a week later disney posted about it for aisian pacific american heritage month which kind of confirmed it, and I don’t know if the whole intention behind it was to establish willow as representation or not, but the surname park by itself means gourd and willow I am so sorry that is so unfortunate LMAOSIFN
BUMP
To be honest I was not expecting bump to have a last name that meant anything but it means swift walker and I think thats funny so you have to know it now
MISCELLANEOUS
BELOS
BIIIITCH LISTEN UPPPP there is a butt tone of mythology surrounding his name and its mostly a different form of it, belus, that is referenced, but same thing different shape. Most of his depiction is as a great king or ruler, in babylonian mythology being the equivalent of zeus of jupiter, which liiikkkkkeeeoajolnjojnkjakjavnjfvdfkjf but its fine everything is great its all ok most importantly, he is recognized as the god or ruler of war, and in that same mythology he lived in babylon, which “... was originally water, and called a sea. But Belus put an end to this, and assigned a district to each, and surrounded Babylon with a wall; and at the appointed time he disappeared.” and idk about you but the smell of him assigning a divide and disappearing smells sour like funky to me babes
HIERONYMUS AND BOSCHA
I am only putting this here because the fact that it’s totally a play on hieronymus bosch makes me cackle and you all have to know it thank you
ADEGAST
B-but brevyn he was only there for like one episode, yeah ok and? Radegast is the slavic god of hospitality, and there is no host like a host that pretends to take you on a mythical quest and then tries to eat you and your mentor and her deranged cat demon, ok? His name translates to “dear guest” or “welcomed guest” and I mean I think if my host tried to suck me into some fantasy would delusion i’d feel pretty welcomed
HOOTY
He is an owl
OWLBERT
He is also an owl
KIKIMORA
First and foremost, she is a little night gremlin who hates children and I think that really fits her, but she is also a little house demon, who is very difficult to get to leave, have we seen her outside the castle? Will she be a spy along with the mask next season? She also has a name that means nightmare or night demon, similar to a certain other night creature we might have heard of a while ago. She tried to strangle children and I love that for her,and she is described as a little old ugly messy haired lady and I feel like her current character has the personality of one so i’ll take it, but what really gets me is her villain origin story, which is that she "grows up with a magician in the mountains. From dawn to sunset the magician’s cat regales Kikimora with fantastic tales of ancient times and faraway places, as Kikimora rocks in a cradle made of crystal. It takes her seven years to reach maturity, by which time her head is no larger than a thimble and her body no wider than a strand of straw. Kikimora spins flax from dusk and to dawn, with evil intentions for the world.”
GWENDOLYN
Ok, the queen herself, haven’t met her yet but like who knows. Not really a whole lot here (my ears are ringing oops one sec ok i’m back hi) anyways um uh rings? Her name right off the bat has a lot to do with rings, and really that only applies to eda, because her ring was a big thing for her, she gave it to lilith, we all watched wing it like witches you know what’s up, but i mean like was that gwen’s ring? I really wanted the hand on eda’s wall to be gwen’s, very upset to see she has all of her body parts so far. I am also not sure if that’s how it’s spelled, but it means the same thing anyways. Also meaning fair or blessed, any woman who created both eda and lilith is probably mad powerful and we love to see it, also she’s a beastkeeper and i like i want to talk about that with eda’s curse but now is not the time for shenanigans (that’s a lie every time is the time for shenanigans i’m just exhausted)
RAYNE
Bitch, sorry, ok listen like um sidebar I AM SO EXCITED FOR THIS CHARACTER AND YOU ALL NEED TO KNOW IT but also at this point i’m not really sure about this character, is this their name, is that even how it’s spelled, girl idfk but like whooptydooo I do what I want so cope. Right now, we are assuming that they are the new bard coven head character, and like let me tell you the way that I am fully pissing my pants atm like bestie, anyways, if spelled rayne, then it means counsel or song, and this is why, do you see why this is why we spell it like this? It’s also scandanavian which means like nothing but it’s cool. This spelling fits because like counsel, head of the bard coven, you get it it’s fine, and then song, also head of the bard coven, you know. It fits so well, especially since this is supposed to be a friend from eda’s past, and like is supposed to try and recruit eda for a rebellion against the emperor in the episode eda’s requiem, i cannot convey to you how goddamn excited I am like there are not enough words in this realm or any others to tell you how prepared i am for this character to rock my world.
GILBERT
I AM S O B B I N GGGGG apparently one of willow’s dad’s names is gilbert and that is literally so cute I cannot like actually this knowledge makes up for coronavirus anyways it means bright promise and idk what that even has to do with anything but I love it and you should to omg
Now i have to go update the other characters see you in hell <3
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blackicewave · 3 years
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hot take on the recent chapters
I came up with this while I was on too little sleep & after a friend caught up to the manga, it’s really long and I hope it makes sense - so, enjoy! 
I think what is happening right now, might be Ymir trying to re-establish her former form.
Because Eren has three out of nine titans right now - Attack, Founding, Warhammer. The Founding Titan was the very first of all titans before Ymir started gathering/creating all those other abilities. 
We currently have this written/known about it specifically on the official wiki page:
Its Scream can create and control other Titans, and modify the memories and body compositions of the Subjects of Ymir, but this power can only be used by the royal family under normal circumstances.
According to Marley's Titan Biology Research Society, the Founding Titan is the point where the paths that connect all Subjects of Ymir and Titans cross.
We have been known that only the royal family can properly use it, which is why Eren only managed to use the Founding when touching Dina Fritz's titan (the one that ate his mother) to protect Mikasa after Hannes was devoured and then when coming in contact with Zeke, seeing as he is from royal blood as well. However, the royal family is bound by a vow and the ideology of Karl Fritz - basically, he wanted the Eldians to be locked up and separated from the world because they had been too involved in wars before. So he wanted to protect them, essentially.
The vow is renouncing war to stop Eldia from using the Founding Titan to devastate the world ever again and it possesses the individual to follow the idea. That is why Frieda, even though she viewed the Eldians as sinners, still followed that protocol.
Now, with Grisha devouring Frieda and gaining the Founding Titan and passing it on to Eren, the chain of royal blood inheritors was broken. Which is why, paired with Erens own ideology to go behind the walls and see the world, Ymir zeroed her interest in him as it's seen in the recent chapters.
She herself wasn't of royal blood and being used to fight wars for that king in the backstory most likely built a hatred for humanity in her view - she was viewed as that slave, of which Eren broke her free. He's the only inheritor that hasn't been shaped and controlled by that ideology of King Fritz that she could get her hands on, so she can twist his views or add her own to it in having to destroy the world and humanity in it.
I think that she's using Eren as a vessel to collect all titans. He already has three, and with every other shifter present right now - Armin (colossal), Reiner (armored), Annie (female), Falco (jaw), Pieck (cart) and Zeke (Beast) - she can take them prisoner and force them to join with Eren. 
She basically already has Zeke in her control, having lured him into paths with Eren, and she just took Armin prisoner with another previous titan. Why else would she take him prisoner and bring him to "Eren's ass" as Levi said and separate them by a hoard of powerful, controlled titan shifters if not to ensure they don't get him back until she has taken all of them captive? She knows how powerful Levi and Mikasa are - most likely through Eren's memories. She most likely wants to create a vessel with all nine titans again to merge with Eren fully, maybe even devour him herself, to use her full former strength to get back on humanity and make them pay.
In the first chapter about her backstory it's shown that she was being punished and chased to her "death" because she let the pigs escape - in the last chapter 135, however, in the very first panel, it's shown that she willingly opened the gate to let them escape. She wanted them to run away. Whether or not it was planned that she'd be chased like that and would tumble into the tree trunk is questionable, but I think it has to do with it.
To add to my suspicion of not killing the current inheritors of the nine titans because she needs them later on, look at chapters 114-115 specifically.
Zeke blew himself up in the scene with Levi, and that entirely. He was torn in half. His spine was destroyed and therefore the titan in him "lost" because he had no one to pass it on to. He accepted that he'd die, told himself that. He did die.
But Ymir brought him back. She rebuilt his body and brought him back to life - if she really did that out of pure selflessness and devotion to her people, why didn't she do it with Levi? He's Eldian, too, technically, even if he's an Ackermann.
But Ackermanns are a byproduct and made to protect the royal family, and if we follow my thing right here, then she hated the royal family - she was forced to marry the king and give him offspring, after all. And she was nothing but a child. And she knew how dangerous Levi was - so she planned for him to die while rescuing Zeke, because she had a plan for him while Levi would have only endangered that.
In chapter 110, Zacharias refuses Mikasa and Armin to go see Eren - and promptly dies in an explosion. This might be a hot take, but I think Eren might have ordered someone to do so (because Ymir made him?) - because she needed to split the bond between them. And afterward, Eren escaped. Maybe it was used as a maneuver to get the attention off of him.
In chapter 112 he returns to meet Mikasa and Armin in the table scene - already threatening to transform if they make any move. "I am free. Whatever I do, whatever I choose. I do it out of my own free will."
That's what he says, entirely unprompted really. He proceeds to tell Armin that he's the one being controlled by Bertholt, and I think that mirrors the situation properly. Because it could serve as a parallel that it's not Armin but Eren controlled by "the enemy".
In that chapter, Eren effectively cuts all of the bonds to his friends even though in a few chapters before (when discussing who will inherit his titan once his time is over) he claims to care about them more than anything. And he does. He cares incredibly, he's a very emotional person - but suddenly, all of his emotions are gone. Seems fishy. ‘
He cuts Mikasa off by telling her he's hated her for his whole life, knowing it's her weak spot. He beats Armin up, knowing it's his weak spot because Eren was always there to take hits for him when he got beaten up as a child.
Once again, I think that's Ymir taking control of his memories and using them against him. That, or Eren used those purposefully to get them away from him and out of the danger zone, knowing that he's a time bomb.
In that chapter, it is thickly laid on that Eren "hates" slaves. "Do you know what I hate most in this world? Anyone who isn't free. That, or cattle. Just looking at them made me so angry, now I finally understand why. I couldn't stand to look at an undoubting slave who only ever followed orders."
Maybe, once again, that is Ymir speaking - she was reduced to a slave, and her creation of a titan made to fight was broken down by a vow the Eldian King created. The following inheritors only ever accepted that fate and didn't do anything to break free from it. 
In chapter 130 when Eren tells Historia his plan, he says the following: 
"The only way to put a final end to the cycle of revenge born from hate is to remove that history of hate from this world and bury it in the ground, civilisation and all." - he knows it's a repeating process, possibly because of previous memories handed down to him through the Attack Titan and looking through the royal bloodline with the Founding Titan (first seen when he kissed Historia's hand).
The cycle of revenge born from hate - gotta keep that in mind, cause I think it's very important looking at all of his actions. 
There's this constant reference with his friends. In so many flashbacks, it tells us that Eren wants his friends to have happy lives. To be free. To live long. He adores his friends and loves them with all of his heart. So why tell them he hates them? Why beat them? Why get them involved in all of this? 
Because it isn't him saying those things, and if it is there's more behind it.
In chapter 131 he apologizes to a child for everything he is about to do before it even happens. Maybe because he saw the outcome of it all?
He knows how much he will hurt the world and people, but he does it anyway because he needs this cycle to end.
 I'm not fully sure what the rest of his apology means, talking about how he was disappointed learning that people lived in the outside world. But what I do think is important is the last panel in that chapter, this one:
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It views Eren with his eyes shut. Just his head. Usually, whenever he controls his titan, his eyes are open. His own body moves to control the titan. Here it isn't, though. I feel like that symbolizes how it's not him.
We established that he's a very emotion bound person that often rejects logic to follow his heart - he doesn't have his heart here. He can't listen to it. If you are manipulated the source of that manipulation always tries to break your mind first. Rob you of your beliefs and make you follow others. 
The contrast is right then and there - why would he apologies in tears to a child he doesn't know at all and explain his intentions and beliefs when once it happens, and once the child is murdered, he doesn't show any reaction?
Sure, one could argue that he's not conscious after his head was shot off, but who caused the jump and transformation into the titan if not Eren? Possibly Ymir. 
It is shown that the user has to focus on that goal to transform, as in season one with Eren and the well, so either Eren was conscious enough - somewhat doubtful - or Ymir had full control of him then and there already as soon as he stepped into paths.
In chapter 133 Reiner says something important; "If it was me, I'd probably.. want someone else to handle the power of the founder by now. And if I couldn't, I'd want it to be stopped by someone."
There's pretty much a direct contrast once again - are Eren and the Rumbling controlled by someone else? In my opinion, yes. 
Does he want someone else to stop it? He most likely does, why else would Mikasa, Armin, and co be able to move freely? Ymir not so much. 
I feel like he's putting up a resistance to them, which is why she can't control them properly despite them being Eldians. 
They get thrown into paths then, and when they see Eren it's him but his younger version. Around nine or ten, probably.
What I think happened here is that Ymir is keeping him trapped in a younger version of himself - similar to that one time he was wrapped up in blankets in his home and Armin was knocking on the window behind him, trying to shake him awake and conscious again.
She's keeping his conscience reminded of good memories to hold him there and be able to move freely with his body - like I said, she's using him as a vessel to push her actions, her dream, her ideal world and outcome into his hands.
"In order to gain my own freedom, I will take freedom away from the world." Sounds a lot like something Ymir could have been saying, in my opinion. But then again, who knows.
This panel is also important:
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Eren, in his young form, is simply standing next to Ymir. And he doesn't do anything. He doesn't react or recognize his friends, and most importantly, he mirrors how Ymir is standing in the exact same way.
She's mirroring herself onto him, projecting her conscience onto his body. It proceeds with "If you want to stop me, then try to stop me from ever taking another breath" -  once again, and I cannot stress this enough, Ymir uses Eren's memories against him.
She knows his friends won't risk him dying. She knows they would do anything to protect him. This is her playing it safe; they won't kill him, ergo they won't stop her from continuing her plan by using him. 
Now in the recent chapter, she's standing on top of his spine and it becomes very clear that she's controlling it all. She's building former titan shifters from his spine, and controlling them to separate the team from Eren's location - and Armin's, most likely even Zeke's. 
She figured out that they won't give up until they found Eren and can talk to him, so she creates that barrier that she's sure they won't manage to surpass. Not with limited supplies. 
When Pieck becomes a danger, she eliminates her by impaling her on that trident - but she doesn't injure her beyond conscience or in a threatening state. She specifically uses Galliard and Berthold against Reiner, and throws those two on him to damage him in his abilities and trick his mind, to manipulate him.
Armin says it himself: "If Eren is only attacking onward like he said he would then this resistance is coming from Ymir." If Eren is attacking onward to follow the goal to end the cycle, then Ymir is the one bringing all the complications. They might work hand in hand, but I do strongly believe that all of the complications are solely on Ymir. Eren never wanted to risk hurting his friends.
In fact, and this is if he is conscious enough to pull any strings right now, I think he might be setting things up to ensure that his friends are the ones that kill him. 
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Note
"Breathe" for Jonsa?
ok FINE, yes, this could have been written for the last prompt I did which was basically “shove Jonsa into other media” but whatever. I’m doing it again for this prompt. I have no shame.
So, in honor of the Bachelorette finale last night (possibly the greatest season of the Bachelorette of all time), I give you, Jonsa Bachelor AU.
xx
When Robb signs her up for The Bachelor, she nearly goes into an Arya-level rage blackout.
When she learns why he signed her up for The Bachelor, she actually does. She manages to throw a (poorly aimed) bagel at his head at Sunday breakfast, to Arya and Rickon's delight and her mother's horror, before she realizes what she's doing.
“If you love Jon Snow so much, why don't you apply to go on?” she screeches, she doesn't care that her voice is almost at a decibel only dogs can hear.
“I would, but The Bachelor is real regressive and they definitely don't allow men on and I don't know if Jon Snow even swings that way,” Robb says, hiding behind Jeyne (who gives him a glare and steps out of the way) and he has to add on, “and also I'm dating Jeyne, the love of my life.”
“Jon Snow might swing that way,” Arya says through a mouthful of bagel that Sansa thinks is actually the one she flung at Robb and why is Arya eating off the floor when they have a dozen more perfectly clean, non-floor bagels? “Do you remember those photos of him with that model guy? Satin what's-his-face?”
“None of this is helpful!” Sansa stomps her foot (no one can bring out her angry, petulant inner child quite like her siblings). “I am not going on that stupid show just because some football player Robb has a boner for is the Bachelor.”
“Stupid show?” Now it's Jeyne's turn to be offended, mouth open in a look of betrayal (and yes, fine, she and Jeyne are Bachelor buddies and she goes over Jeyne's apartment every Tuesday and they drink wine and watch the show and they even have a league going with some of their friends and coworkers but this is different).
In the end, it's Arya who convinces her to do it.
Her application had been approved (which is how she found out that Robb had signed her up in the first place) and she gets through the rounds of interviews, the whole time trying to remember Arya's points.
You broke up with Harry six months ago and haven't even tried to date again. It'll be like a vacation, you might get to travel to another country if you make it far enough. You can unwind from social media for a while. You might even be able to promote your Etsy store or something.
There's not a lot of time between the application approval and being whisked to a hotel and kept under lock and key, but there's enough for her to start a Google search on Jon Snow. Sure, she knows who he is, but she doesn't know him know him, you know? She knows he's on the Direwolves and she knows he's one of their star players, considering how much Robb (and everyone else in Winterfell) talks about him like he's some sort of god, here to bring the Direwolves back to their former glory.
But to be completely honest, Sansa has very little interest in football herself, never cared much for a bunch of dudes running around a field trying to kick a ball into a net. And they can't even use their hands? Seems dumb to her, their hands are right there.
She gets about thirty seconds into Googling Jon Snow before she starts to feel guilty, because once she's past his basic wiki page and his season stats, she starts to get to some stuff that she feels like she shouldn't be looking at, even if it's technically public knowledge. His season-ending injury, his very public downward spiral and drunken fight in a bar a few months after. His breakup with his ex, some punk singer named Ygritte who looks like she would stab you in the throat rather than talk to you and Sansa wonders how Jon is going to go from Miss Trash-a-Hotel-Room to the kind of women who end up on The Bachelor.
Women like Sansa.
Oh no, she's one of them now.
She closes the Google tab and tries not to think about Jon Snow at all.
.........
She has watched girl after girl get out of the limos and with each passing one, her anxiety only gets worse. There was a girl dressed like a wolf, a girl in a wedding gown, one that rode a unicycle, and even one that wore his jersey (and only his jersey and Sansa wonders if they're going to have to black box her, the jersey did not cover much).
And then the producer who is crouched on the floor of their limo is shooing her out the door and she swallows against her very dry throat and manages not to stumble on her exit. She smooths her dress down and doesn't know what to do with her hands as she walks up the drive to the huge mansion lit with a multitude of spotlights and the pavement is wet, did they hose it down? It definitely hadn't been raining earlier. Why is the walk so long? Why are there so many cameras? Why did she agree to do this?
To be completely honest, she's so caught up in not looking like an idiot that she hadn't even noticed the actual reason she's here until she's standing in front of him. She's seen pictures of Jon Snow before but she thinks they don't quite do him justice (or maybe it's that she's never seen one of him in a tux with his hair pulled back and his beard trimmed so short).
Ok, here's where she says something. She and her producer, Sam, had gone over her introduction line again and again. What was it? Something about being Northern, something about reminding him of home or some nonsense? They practiced this line, she's got it.
She opens her mouth but nothing comes out and she realizes in horror that her mind is absolutely blank. She is so aware of the cameras, the lights, this stranger she's standing in front of, the millions of people who will be watching this and judging her and laughing at what an idiot she is and-
“Hey,” his voice breaks her out of her thoughts and it's low and calm and he reaches out and grabs her shaking hands. “Breathe.”
She nods and lets out the breath she had been holding and he does an exaggerated deep inhale and exhale and she mirrors him and they do it a few more times until her head has cleared a bit and her hands are no longer threatening to vibrate off her body.
“Hi,” she says and tries to smile and she hates the way her voice wavers.
“Hi,” he says back and the corner of his mouth tilts up and he's still holding her hands and she thinks she should pull them away but she honestly doesn't mind.
“I'm nervous,” she breathes, like that isn't the most obvious thing on the planet.
“Yeah,” he huffs out a small laugh. “Me too.”
She has to remind herself that he's a famous football player and the Bachelor and he's probably not nervous at all and just trying to make her feel better, but he sounds so sincere.
His thumbs are rubbing the back of her hands and she doesn't think he even realizes he's doing it and neither of them are saying anything and she knows she should be saying her line but for the life of her she can't remember it and instead they're both just standing here in silence holding hands.
Then there's some producer gesturing wildly from behind one of the cameras and she realizes at the same time Jon does that this has gone on too long and so she says “guess I should go in?”
“Seems to be the popular thing to do,” he nods and she lets out what has to be the most embarrassing giggle she's ever produced. Why is she like this?
He finally lets go of her hands and she nods and steps back and she's a few steps away when he calls out “hey,” and she turns and he says “remember to breathe.”
Breathe. She can do that.
It isn't until she's inside and sitting on one of the uncomfortable couches with a glass of champagne in her hand that she realizes she never even told him her name.
So not only did she make an absolute fool out of herself, but he also has no idea what her name is and now she's definitely going to be one of those girls who gets sent home night one
It doesn't matter, she tries to tell herself, and she wonders why she feels so awful. Who cares if she gets sent home night one? Maybe they'll barely even show her and she can get out of this with little to no notice from the general population. And then she can go home and tell Robb and Arya well, I gave it a shot, didn't I? and she can go back to living her life and she never has to think about Jon Snow or his earnest grey eyes or his pretty mouth or his steady hands or his deep voice ever again.
She's going home tonight and she's totally fine with it.
Totally.
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jayfrost-designs · 3 years
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This is also from December of last year.
I've had a new idea in my head for Darkstripe for a while now, and after getting all those other ref sheets that I needed to do done, I decided to run with it.  You may have noticed a change in the name of his father in his bio. Don't worry about that just yet.  I'll get to it after talking about the design.
The reverse side of his design can be seen here.
On his wiki page, Darkstripe is described as a large, lean, sleek, and thin-furred tom. I misread the "thin-furred" part of his description as "thick-furred" when I started designing this, so he ended up with a rather thick pelt. Oops.  My explanation/excuse for this is that the thin-furred description comes from his appearance as a Dark Forest cat, so as a living cat he had sleek, thick fur, but after dying he started going all patchy and ragged and his fur started to get pretty thin in places. So that's my half-baked excuse for that.  I went pretty free-hand with this design, but he's mostly based on Turkish Vans, and is meant to be decent-sized and muscular, with a thick mediumish pelt. He has a smaller version of his mother's ear tufts and a decent amount of scars, since he was always pretty aggresive.
For his pattern, Darkstripe is described as a dark gray tabby tom with black stripes and yellow eyes. I completely changed his design from his old one and went for a smoke tabby look for him this time around. His black stripes don't stand out as much as on his old design since the rest of the pelt is darker now, but they're still there, and he's overall a very dark-looking cat, so Dark- fits him well as a prefix. I played around with his design a lot before I was happy with it, but I'm really happy with the end result. ^^ I came up with a fresh shade of yellow for his eyes as well. ^^
Now for the fun part. Since Tawnyspots is no longer listed as his father on the official family tree, I decided to come up with a new headcanon for who his father is. I considered a few cats from ThunderClan at first, but none of them seemed to fit. But then I had a really interesting idea for his father - and for the reason he's a smoke tabby. I'll explain everything below - starting with Willowpelt's story. Apologies in advance for the length. ^^
~-~-~
As a young cat, Willowpelt gets lonely sometimes. Her sister is busy training to be a medicine cat, and Redtail throws himself into his warrior duties so much that he doesn’t spend as much time with her as either of them would like. She doesn’t begrudge either of them their ambitions - she knows Redtail wants to be the best warrior he possibly can (and later has his eye on the deputyship), and Spottedleaf will make an amazing medicine cat. But she doesn’t share their ambitions. She’s always been a much more relaxed cat, content to do her duties as a warrior, but not pushing beyond that, preferring to spend her time racing through the forest on the wild excitement of the hunt, and spend lazy days sunning in the grass, rather than busying herself with constant patrols and duties.
So while her siblings are busy with their work, Willowpelt seeks out companionship elsewhere. She’d always been curious about twolegplace, hearing stories about how their last leader had left to live there, and decided to check it out one day. She doesn’t find Pinestar - but she does find some friendly kittypets who welcome the visit of a real wild Clan cat. She continued to visit occasionally over the moons, whenever she’s feeling particularly lonely. She’s never swayed by the thought of becoming a kittypet herself - she loves her Clan, and her freedom, too much - but she’s happy to visit her kittypet friends whenever she can.
She grows particularly close with a sleek, handsome smoke tom called Sparky. A few moons later, she finds herself expecting the tom’s kits. The two aren’t in love, and Sparky rejects Willowpelt’s offer to join ThunderClan and help raise the kits, but it’s all very amicable and the two remain on close terms. Willowpelt is perfectly happy to raise her kits alone. She later gives birth to a single tom, Darkkit, who looks remarkably like his father. The Clan gossips a little about who the father could possibly be (Willowpelt covers her tracks visiting Twolegplace better than Featherstorm had), but overall they’re just happy to have another kit after the nursery has been empty so long, since White-eye’s last litter.
Willowpelt plans to tell Darkkit about his parentage when he’s old enough, but the young tom grows bitter after moons of some of the stricter cats whispering about his unknown parentage, and the loneliness of being the only kit in the nursery. Willowpelt always assures him that there’s nothing wrong with him and is a fiercely loving mother, but her laidback attitude about borders and rules bothers him - other warriors take these things seriously, so shouldn’t she? A kernel of doubt begins to weed its way onto Darkkit’s mind - what if Willowpelt won’t tell anyone who his father is because his father doesn’t want him? What if it was because he isn’t good enough to be this mystery tom's son? Willowpelt longs to comfort her son that his father does care and does want to be part of his life, but she’s not sure he’s old enough to understand the truth about his father, so she waits.
With all this doubt and bitterness swirling inside him, it’s no surprise that upon becoming an apprentice, Darkpaw immediately attaches himself to the first cat who seems ready to take him seriously and see some potential in him - his new mentor Tigerclaw. To Darkpaw, Tigerclaw is everything a warrior should be. He has the strength of TigerClan, the courage of LionClan, and  is the wisest, most loyal warrior in the entire Clan in the young tom’s eyes. He can’t believe his luck in snagging such a skilled and brave warrior as his mentor, and quickly learns to worship the ground Tigerclaw walks on. A secret part of his heart wonders whether Tigerclaw is his father. They both have dark tabby pelts and fur that grows darker at the points, and while Darkpaw isn’t nearly as tall and long-furred as the older tom, he’s still broader and taller than his mother, and could have inherited that from Tigerclaw. He works tirelessly to mold himself after Tigerclaw’s image and takes all of his training to heart - including his views on loyalty and cats from outside of the Clan.
Willowpelt had intended to tell Darkpaw about his father a moon or so into his training, but the longer he trained with Tigerclaw, the more disdainful he grew of cats outside of the warrior code, especially kittypets. She worries about how much the tom has changed, but he doesn’t seem willing to listen to her anymore, so there’s little she can do to curb Tigerclaw’s influence on her son. She resolved to continue hiding the truth of his father, as Darkpaw is probably happier not knowing the truth, and resolves to keep an eye on her son. It’s not all bad, she assures herself. Tigerclaw has taken the fatherless tom under his wing just as Thistleclaw had done for him, and he seems genuinely proud of his young apprentice - in his own stoic way - and is molding him into a strong warrior. As long as Darkpaw is happy, that’s what matters - right?
Though Darkpaw, then later Darkstripe definitely grows more scornful of others and more conceited over the moons, Willowpelt tries to stay optimistic. He’s a bit of a jerk, yes, but otherwise he seems like a perfectly loyal and happy warrior. But that illusion starts to chip away little by little after Tigerclaw’s exile as Darkstripe continues to show an unhealthy attachment to such a traitor, and then comes crashing down completely the day that Darkstripe tries to poison his own half sister. Unbeknownst to the rest of the Clan, Willowpelt sneaks out after Darkstripe as he’s departing the territory for his exile.
Rage and heartbreak bubble under her pelt in equal measures as she faces her eldest son. Something inside of her is wailing at the loss of the son that she’d loved, and her failure to protect him from becoming this, but the rest of her feels an icy calm. She faces Darkstripe, coldly informing him that if he’s fool enough to follow Tigerstar on his rampage against “impure” cats, then he’d better hand himself over as well for being impure. He’s the very thing that he’s always hated, the thing that he has been relentless in mocking Firestar for being - he’s half kittypet. Darkstripe flies into a rage, shrieking that it isn’t true, it can’t be true, that Willowpelt never loved him and is just lying to make him doubt himself. He tries to attack his mother, but she dances out of range, still glaring at him with icy calm while her heart continues to wail its pain inside of her. She tells him that she loved him with all of her heart, and that if he’d let go of his bitterness and his unhealthy devotion to an admitted traitor long enough he would’ve seen that, but that now it’s too late. She’ll always love him, but she will never forgive him for what he’s done to her daughter. She leaves him there on the border between ThunderClan and TigerClan. He hesitates, but only for a moment. Then he slips into TigerClan territory.
Unfortunately, Darkstripe’s reception at the TigerClan camp is chillier than expected. It was true that Tigerstar had once felt genuine pride and companionship for Darkstripe as his apprentice and as a fellow warrior. He’d always known that Darkstripe was a bit of a suck-up, but he was still strong and a powerful warrior in his own right, and Tigerstar had been proud of the efforts of his first run as a mentor. However, his opinion of Darkstripe had lessened after the tom refused to follow him into exile, and had dropped even more sharply after one of his Twolegplace allies had told him about a smoke kittypet who’d mentioned being friends with forest cats. Tigerstar had taken the chance to spy on the kittypet from a tree one day, only to be shocked at the sight of a cat nearly identical to Darkstripe.
After that, Tigerstar had put together the pieces and realized that Darkstripe was the son of a kittypet. He tells Darkstripe as much when he arrives in TigerClan, glaring down at the groveling tom with a sneer. That kittypet blood has tainted him with weakness, he claimed, weakness that had kept him from following Tigerstar into exile, that had made him fail again and again at Tigerstar’s commands as his spy, and that had made him fail at the simple task of killing one insignificant little kit. Darkstripe quivers before the tom, protesting that it couldn’t be true, though with Tigerstar’s account of the smoke kittypet, he’s starting to realize that it must be. He wails that he’d never known, that Willowpelt had hidden it from him, that she is the true traitor. He didn’t care who his father was, he whimpers - his loyalty was to Tigerstar, it had always been to Tigerstar, and it always would be.
Tigerstar watched the sniveling display with disdain. The tom was undoubtedly tainted by the weakness of his blood, but he’d always shown devotion to Tigerstar. Perhaps he could be given one last chance - but only one. He tells the tom that if he is ever to be anything but the sniveling son of a kittypet, he must prove himself willing to eradicate any disloyalty in the new Clan and pledge himself entirely loyal. He considers ordering the tom to hunt down his kittypet father and slay him, or to sneak into ThunderClan territory and kill his treacherous mother. But there are more pressing concerns facing his Clan right now, and he can’t have one of his warriors off on some lengthy mission to get one well-guarded cat alone when TigerClan is on the verge of conquering the other Clans. Such tests of his loyalty can come later. For now, perhaps a simpler task will do. He still needs someone to take care of those halfClan prisoners after all...
Of course, Darkstripe fails in that task too, and Tigerstar’s rage at yet another failure from his half-kittypet lackey is fearsome to behold. It is only the need for every fighting warrior available for the battle to come that keeps Tigerstar from punishing Darkstripe more severely. A worse fate may have awaited Darkstripe after the battle’s end, had Tigerstar not fallen under Scourge’s claws. And yet, Darkstripe continues his nearly obsessive devotion to the cat he still thinks of as his true father, even if he isn’t a father by blood, and he ends up dying in his quest to avenge the murderous tom. And yet, even a death in service to Tigerstar isn’t enough to truly raise him in the tom’s eyes, and he spends his seasons in the Dark Forest being overshadowed by a Tigerstar’s true sons, until the end of the Dark Battle leaves him to wander alone in the darkness forever.
~-~-~
Anyway, that’s my mini-essay on Darkstripe’s father and life story. XD Overall, I'm really happy with how his design turned out, and I had a lot of fun coming up with his parents' story and his story in regards to thinking of Tigerstar as his father. I also like how silhouette-wise, he looks a fair bit like Graystripe, but their patterns make them decently distinct from each other.
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ser-rctslcyer · 3 years
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Sweet Home (2020)
First of all this is going to major major spoilers from the show, so don’t read if you are still trying to finish!!!
I’d like to start off by saying that this is my opinion, thoughts and feelings about the show(I watched all of it). I will be comparing events in both the Webtoon comic and the Netflix TV series. Also again it’s been awhile since I have read the Webtoon from beginning to end so sorry if there’s some misinformation (apologies if any of the names are spelled wrong or out of order too, I using the wiki page to write out the characters name from the show as they changed names a bit)  but here we go. 
(1) Pacing Issues
I’d like to start off and say the show has a lot of pacing issues. Throughout the show there are a lot of events that happen so quickly and sometimes bizarrely. From the transformations, to the introduction of characters, and the movement of the plot. One of the odd things that stood out was the bizarre news broadcast which was showcasing weird and scary visuals, as it explained the ‘rules of monsterization’ (you think that for global news that big, you wouldn’t want to cause global panic, but insist on showing the visuals that would put even more anxieties in the people at that time. Also why didn’t they cut it off when the dude first started having a nosebleed). 
Next I know Hyun was only supposed to be there for a week before everything started going down, but literally it just felt like a day. It didn’t seem to establish enough of his situation for the audience. I understand that adaptations like this are made for the niche audience of those who have either watched/read the original source material, however everyone should strive to have a story for anyone to view that they could understand and follow. It feels like immediately we get into the craziness that is thrusted upon all of the characters. 
Another thing that threw me for a loop was the way the ‘Blind Monster’ quickly transformed, it was just so fast. One moment he is the random human and then the next he’s standing up full monster. I think it would’ve been way cooler to see him transform fully, which I think would have been the first (full) transformation to see on screen. It’s one of the coolest monsters in the comic AND IT GETS PUNKED SO QUICKLY IN THE SHOW!!!
I get making the montage when Hyun met Du-sik, and how he went there to get his weapon made but it felt weird that they quickly figured out that they could use the phones to detect the monsters. It seemed so very rushed, and again one of the many things that probably would give the audience whiplash. Then when he meets up with Ji-su(Ji-soo) and Jay-hun did he teach them that the phones can work to detect monsters??? I mean they talked to each other all of two seconds before going back out to save the kids.
Hyun also went so quickly into his madness phases (his alter)? I swear they just really threw that in there so early by episode 2-3 . It seemed so random again as there wasn’t really much build up to show his ‘desires’ side. It was so abrupt especially because they hadn’t ‘laid out’ Hyun’s character yet, enough to introduce his alter ego fully like that. It didn’t really showcase Hyun’s struggle a lot to defy the his alter; mainly seemed like they used the alter to explain why Hyun is the way he is, which happens in the comic but again the show just kind of makes it feel like the alter is sorta just there to give us more exposition. 
There’s a lot more pacing issues which I could get into but I think that would make this entirely much longer than it has to be.
(2) Continuity Issues 
There’s also a ton of issues with continuity of the story too. The first glaring one that comes to mind is this both the power issue and the no internet service. In the show it establishes toward the end of episode one that there is no service, as the big group is on the first floor wondering why they are locked into the building. That’s at episode 1, which then in episode 2 opens up to Hyun still playing games on his computer, the group watching the news broadcast and Hyuk reading the initial first article about the outbreak being a ‘curse’. Now I’m not a tech savvy person, but when there’s no service, I’m pretty sure you aren’t able to do any of those things. Then when the Netflix original character, Seo Yi-Kyung, the ex firefighter/special forces decides to send a picture of the dead guy’s body to his family when there is no service; how is that possible? (Also was I the only one who found that to be completely odd and mean, as she saw a picture of his family? I understand it set us up for her story and how she’s trying to uncover secrets from her long lost fiance but it seems out of pocket as well as a dick move.) But that again loops back to the point that there is no service in this place, it’s been said many times so it just irks me more because that is such a big glaring issue, which should’ve been caught by someone reading the script.
Then there is when the power goes out. It shows Hyuk at the cameras when the powers go out and the cameras all shut off. But when he comes back to the camera with Seo Yi-Kyung, the camera’s are back on. Is it possible for them to be running on a separate generator, perhaps. However they showed the cameras going so then again, I can’t believe that there is a separate generator because again they showed them all shutting off; so again another continuity error. During that same scene I also could have sworn the lady also was looking at the cameras and saw the monster on screen, but apparently not because as she returns she punches Hyuk in the chest. I thought it was really weird because again he pointed and even showed which camera it was where she had to turn the power back on, yet she didn’t see the monster at all? Not only that too but I thought too she knew the risk she would be taking, as they were unaware of what other monsters could be in the building, however I guess not since she came back so defensively.
Another issue I have is the strength of Protein. Protein is first shown in episode 3 when Hyun has gone to rescue the kids and bring them back to Dusik’s room. Hyun begins to have a nosebleed and then his alter comes to him in his head and he tells the kids to go on without him. They run into Protein who if I remember correctly knocked Hyun through the door.  As Hyun is still dazed and the kids are dragging him away, Protein takes about 5+ hits… to break through a wall. This giant hulking mass of a monster, takes more than 5 hits to finally bust through a wall, does that seem right to you? The later when he fights [the lady who lost her baby] and when he pouches her, it almost feels like a push with how far she flies, even though he reared up for that punch. Anyway later on in episode 8 I believe, when Protein comes back, he quickly demolishes their armored car, so much that it looks nearly if not just like a pile of scrap. One could argue that yes, when he comes back and attacks the group, he’s supposed to be in his ‘rage mode’ of sorts, so that could be what makes him stronger. However he’s a towering hulking monster, seems to not do that much damage, to both the surroundings around him and then to the few people he smacked around. It just seems weird how he had different strengths each time he appeared. I know again that sometimes adaptations do tend to nerf characters, however I found it weird how they seemingly tried to do that in the show. I was sure that Jae Heon’s sword wasn’t able to slice Protein at all in the comic (or maybe he was in his rage mode at that point) either way though the nerfing of Protein’s character seemed to flip flop from whatever they seemed fit. 
(3) Monsters 
Which this can lead into the monsters. Now each monster in Sweet Home has different power sets and abilities than the other, however one consistent thing in the comic at least is that most of them are actually pretty sturdy and tough for the group to beat. A lot of the monsters, it takes time, effort, and a lot of learning for the group to figure out how to kill them. 
Let’s start off with the Tongue Monster. The Tongue monster is one of the first ones the group initially encounters; its terrifyingly tall stature is already unsettling enough, there’s the gaping hole of a mouth with a powerful tongue. Now the effects that for the opening of the mouth were a little wonky, but something I could look past. However my main problem was that this monster single handedly got the most kills in the show out of all the other monsters. In fact he was the only monster to get kills, which is very disappointing to see when you have all these cool monsters that could have different and interesting kills. (I’m not counting Mr. Kim and Jay hun’s death simply because that was a self sacrifice on Jay hun’s part. Nor am I counting any of Jung Wooi-myung kills because he was a half monster also he didn’t go full monster to kill anyone). In the comic, the Tongue monster had gotten 2 kills which one of those happened to be another monster (Mr. Kim).  
Eyeball monster was alright, and did what it needed to do. 
The Blind monster, who is for a doubt, one of the most terrifying and troublesome monsters in the comic. Like both in the show and the comic, he originally attacks Ji-su first, but then Jayhun comes and saves her by slicing off it’s head. The two leave think it was dead but that’s when the true terror starts as he was monsterized enough to survive it’s head being cut in half but unable to regenerate its head fully. Since it fully relies on sound, it makes it more deadly as it shoots out branch-like tendrils with great speed. This is deadly for the group as they have to make sure they travel quietly as possible to avoid being killed by the agonized creature. I did enjoy how the show included when Hyun first opened his door to it being right there, as that was a very suspenseful moment, and showed us another big threat that the people in this apartment building would face. The Blind monster is only around for 23 chapters in the comic which is roughly he’s in there for about  16.43% of the story (not including the flashback in the later chapters). While that number is small to you, the Blind monster is one of the iconic monsters as well as one that sets an even bigger tone for the dire situation the characters are in. He didn’t feel like much of a threat in the show, as I think also in episode 3 he gets killed by Protein after their ‘cheesy’ fight. In the comic, the Blind monster only killed one human (shown in a flashback as it was the slime monster’s mother) and was killed by Eun Lee. I will say he was one of the better looking monsters in the show and I give props for both the practical effects and special effects they used to create him.
The one I hate the absolute most is, Speed monster. His design was awful to me and sort of out of all the designs in the show he was the most out of place for me and just weird. He served his purpose though, the design they did for the show makes him comical rather than scary. In the comics, he does kill one in a flashback and then is killed by Hyun Cha. 
Reach monster is another one I think the show did really well, design wise. However the narration when reading the guys journal to figure out why he had become a monster was a good idea how the execution of it seemed so jarring as we were already moving back to the characters of that scene and ultimately doesn’t get the audience to really get invested into the thought that anyone could turn into a monster over seemingly any desire. 
Protein or the Steroid monster is another great and iconic monster from the comic, which in the show he seemed much less of a big deal than in the comic. The continuity with his strength seems to vary all throughout the show. He takes 5 hits to break one measly apartment wall, 1 attack to almost demolish a car (which I think he just smacked away because it didn’t seem like he rushed it), and he ended up getting crushed to death by on-fire debris. The strength and speed of Protein is what makes him another big problem for the group yet in the show, they sort of deal with him quickly. In the comic, Protein kills the Tongue monster in a fit of rage and also Seop Ahn (Seob An) who he crushes his skull with one singular punch. He’s later killed by the criminals that invade the apartment as they ram him with a bus and then eventually set him on fire. Protein was seemingly lack-luster in the show and honestly wasn’t as terrifying as I thought a 10 foot monster should be. 
Mr. Kim (Security Guard) is another monster that comes back out of nowhere in the show to kill Jae-heon (Jayhun). I found it weird that they didn’t show Mr. Kim, as in the comic he’s seen a couple times wandering before it comes to the other realization that he’s in fact a monster. Also in the comic, Mr. Kim is a strong and sturdy monster, his thirst for vengeance against the tenants whom some harassed him make him out to be a very tough monster for the group to beat. When he starts rampaging to kill the other survivors it is Jayhun who rushes to try to stop him by tackling him however he’s unable to move him. Mr. Kim threw him to the ground and then stomped on Hayhun’s head, crushing his skull. It takes the Tongue monster for Mr. Kim to finally be weakened enough for them to kill him. Jayhun’s death impacts the group but also mainly impacts Ji-su and Hyun both, however in the show they don’t really show it changing Hyun. I do appreciate the different take of this in the show, in fact I think that is one of the best scenes in the show. I also think Ji-su’s pain and anguish after was really well done.  I’m fine with the debuffing of Mr. Kim but I do kind of wish he played a bit of a bigger part. 
The live actions’ original creepy crawly monster I thought was a pretty decent design although some of the cgi for it is a bit of an eye twitch but again I can look past it. The monster itself resembled a spider, it uses webbing to capture and hold it’s victims.
The Slime monster I think was also another monster I like how the show did. It served its purpose well, and helped a bit show how some of the monsters aren’t necessarily as evil as the survivors may think. 
Seok Kim monsterization form was awful, he just looked like a giant walking talking hairball. At first I didn’t know who it was, and I found it stupid Sun Ahn (Seon Ahn) knew it was him; like how do you tell from underneath all that hair? I’m glad they kept it the same and had his wife kill him. Also wish they showed more of him losing his mind and talking to his alter, as in the show he really turned out of nowhere, kinda odd.
(4) Military Subplot 
I hate the military subplot, it’s such a stupid and overused trope especially with adaptions like this and honestly in never really works for it. The whole thing with the military knowing about this monsterization process before the initial outbreak and them trying to weaponize the ‘special infectees’ just really bogs down the story in my opinion. One of the reasons why I love and adore the comic is because it’s about a group of strangers, who don’t really know each other, trying to work together as a unit to survive. They have to learn how to use the materials around them and each other to fight off the monsters. Which they do in the show but when the show’s ‘criminals’ show up and they all have guns, it gets boring for me there (I’ll go into them later). The military subplot I know is setting the series up for a second season and probably will introduce other elements as well but ultimately it takes away what the comic had originally built; the suspenseful tension of being trapped in a building with people who could easily turn on you or turn into a monster and kill you. 
(5)Characters and Relationships
Now let’s talk about characters and relationships. Brace yourself, this is going to be a long ride. 
Hyun
Hyun was honestly I think is the worst adapted character in the show. The show felt like it dumbed down his character greatly. He’s the main character of the comics but the show treats him like a side character, especially at the beginning of it, as it tries to push some of the other character’s narratives first. From a creator’s standpoint I think it was a poor decision because I didn’t build up the same attachment to him when I had read the comic; most of the time he was on screen I completely didn’t care. The way the show portrays him is almost delicate since he’s pretty socially inept but the show makes him feel boring and plain by this fact. In no way am I saying he was a happier more confident person in the comic but the comic had clearly shown his character development and how his growing confidence pushed him to be a better person. The show however speeds past this process which again gives the audience no emotional attachment to the character. If there had been more scenes with him and his internal struggle, that were fleshed out it would have changed his character development immensely.
 Because of how the show did him, he also ends up not making friends with some of the group members as he did in the comic, Ji-su being another one of the things that irked me about the show. Hyun’s and Ji-su’s growing relationship in the comic is a big reason for his character development. Ji-su pushes Hyun socially but also Hyun finds strength to stay human as long as possible and help others. Not to mention Ji-su is one of the few that actually cared for him when everyone was against him. In the show they barely have any interaction and  Ji-su acts way more defensively around Hyun. I found it so awkward when Hyun lost control to kill the other half monster and Dusik, and she was talking about how she was glad Hyun wouldn’t have to remember all of that. I know the show was trying to show her caring side for him but ultimately it’s lost to me because they never built up a relationship between the two of them. Jayhun and Ji-su’s relationship completely overshadows anything they had tried to do with Ji-su and Hyun. Hyun and Eun’s relationship in the show is kind of mediocre and I don’t really care for it since Eun’s character is very annoying to me throughout most of the show. Hyun’s closest relationship in the show was with Du-sik and even still they didn’t really build up the relationship that much. They had a couple scenes here and there but they never really showed that connection that the two of them built in the comic. 
Hyun’s quick flip into madness or his alter happened relatively fast and also it didn’t seem like he was fighting internally with himself much; again something I wish they went more in depth with, showing how strong Hyun’s character really is. Even with the flashbacks to his past, that they only used for a couple of episodes, they didn’t still do much to grow his character. 
The show makes him a total blank slate and a completely flat character throughout the show. He never grows to really be much of a character  and is definitely a weak spot in the show. 
Ji-su
Ji-su gets a decent amount of focus and attention in the show but her character does seem to be different than her comic counterpart. I think they did a good job on showing the relationship between Jae-heon and Ji-su. I think they capitalized really well on showing that working relationship. I wished they showed more of the growing relationship rather than kinda taking Ji-su out of the game with both her having her first nosebleed and then having her bursting appendix problem. Which I  don’t understand why they didn’t have her get hurt in the garage raid like in the comic? They could’ve kept the reasons the same to have the group attempt to go outside but instead they took her out, just to get the group to go out? I get maybe they were trying to ground the show in a bit more of reality by trying to show how no matter what situation anything is truly possible. Still however it kinda suck not seeing Ji-su in action
Another part I didn’t understand is Ji-su’s reaction to people around her turning into a monster. When Jae-heon and her come to Hyun’s rescue and find out he’s becoming a monster, she becomes aggro and tells Hyun that she’ll kill him. However later with Im Myung Sook (the lady with the dead baby girl) who she goes to check on after she watched her attack Protein, she seems so worried. Then when she sees the claws, she goes back to being aggressive and defensive towards her becoming a monster. It seemed odd to me because why was she so harsh with Hyun but then acts worried for a lady she’s seen get tossed by a giant monster? Did she really not think that she wasn’t becoming a monster after that? Those small little character decisions really threw me for a loop because I couldn’t wrap my head around how any other person who acts these two distinct ways to both people they don’t really know. Again I wish they also tried to pursue that relationship with her and Hyun. Overall her character is done pretty well in the show, I still enjoyed her character. 
Jae-heon (Jayhun)
The show I think pretty much nails most of Jae-heon’s character. I think they honestly did a great job of adapting his character. Jae-heon’s character is definitely my second favorite, as I liked the way they built him up in the story. I did enjoy the way they killed him off the show, that noble sacrifice was very well suited for him.
Lee Eun-Hyeok(Hyuk) 
Hyuk is the most comic accurate character for me and definitely was my favorite from the show. I think they did a great job establishing the coldness of his character but also growing to show his true caring side. One thing I don’t understand was the fact he decided to stay behind. I understand he was going back to see first if he could convince Hyun to go with the group but also that he was turning into a monster.  The rest of the group knows Ji-su was becoming a monster, why did he not just go with them as well? I didn’t see the point of letting himself get crushed by rubble whenever the group is also escaping with another person who is turning. I know this is probably to set up Eun’s sort ‘redemption’ arc in the next season and also maybe he could potentially return if they decide to bring him back. Overall I think that they did his character justice for the most part of the show, he was really well done. 
Lee Eun-Yu(Eun) Eun is a completely different character than her comic counterpart. She’s a total asshole throughout most of the show up until the last 2-3 episodes though until she finally decides to show an ounce of human emotion. Honestly I have no clue why they changed her character, it seemed like such a weird thing to do for this adaptation. Her character also stays pretty flat too which is seemingly funny because when she tries to do nice things, like comfort Ji-su after Jae-heon’s death, and explain her story of how she’s trying to repay her brother, it all fails to make me want to care for her. She was so aggressive from the jump and insanely rude to everyone. Usually the ‘take no shit’ kind of characters I do tend to enjoy, if done right they can be both badass, hilarious, and one of the greatest characters in any series. In this case however I just wanted her to stop being an ass to everyone. In the last few episodes, I see how they were really trying to show the change that was going to happen to her character but at that moment I couldn’t bring myself to even try to care really for her character. She’s definitely one of the worst adapted characters in the show. 
Wook
Wook I feel is an entirely different mess than Eun. I get changing things to make certain, not as fleshed out characters who are prominent in series have more importance but honestly I found it interesting they made Wook one of those, because he has a perfectly fine backstory in the comic. In the show they call him a ‘gangster’ a lot (which happens in the comic) but unlike the comic they never state that he’s an ex-police officer. It seems that in the show he’s sort of like a private detective (if you wanna call it that). The show makes him seem like this cool and collected tough loner who kinda just takes everyone else’s orders. In the comic he’s more of a secondary leader for the group which would have been a good element to see in the show is him and Hyeok butting heads. His character seems almost pointless, as he’s really only there to also do the ‘heavy lifting’ (missions) with Hyun. His character was another sort of 180 from his comic counterpart. I found his character to mainly be comical because he was unbothered by everything; he just didn’t give a fuck. 
Seo Yi-Kyung
I’m probably going to be the only one that says this but I did not care nor like her character. It’s because I hate the military subplot to this story and since that’s mainly where her story lies, I can’t honestly bring myself to like her. She’s too plot convenient and honestly I’m still trying to figure out what she’s going to gain when she finds her fiancé she knows was turning into a monster and apparently ‘changed’. I understand it’s probably closure but to go as far to sell out a child who you barely even know, to people you barely even know in hopes of maybe finding your fiancé, to only be again sad when you discover you aren’t going to be able to save him as he’s already a monster, I just don’t get it. It’s a very weak plot line in my opinion and again wish they didn’t add the military subplot. Her character too is another flat character, as she doesn’t go through much change only in changing her mind about selling out Hyun to the military when she realizes that it’s essentially not worth it. 
Criminals The criminals are just basic, on their very copy pasted stereotypical villain shit that we must ‘kill all monsters’ but oops we accidentally invited a half monster into our group. They annoyed the shit out of me and angered me even more as they somehow collectively got more kills than the monsters in this show. 
Jung Wooi-myung (the other half monster)
So from what I could tell Jung Wooi-myung is like this leech monster that didn’t die when Hyun stabbed him with his arm wing. He also probably infected Wook’s body in the end. He plays the generic role of convincing Hyun to join his side since people won’t ever accept monsters which is true. Ultimately didn’t even care for him.
(6) Hyun’s Monster Transformation
This needed to be its own category for the simple fact that the whole scene sequence was utterly atrocious. For starters why did there need to be a mini eclipse for Hyun to transform ONE arm into this barbed spiked wing? That seemed to be thrown in for aesthetic purposes more so than having an actual reason behind it, as this was something that did not happen in the comics. Hyun’s arms transformation just seemed so bizarre. I would have been perfectly fine if the show black veins rushing through his body and him being stronger because of it, sort of like how the comic does it. However this one arm wing just seems completely dumb to me. Why would you make it a barbed wing? Why not at that point do a blade arm or like something that’s also better at bludgeoning monsters with?
(7) Final Consensus 
I had initially come into watching Sweet Home with low expectations as time has taught me before that things I want that get live action adaptations may not always be that good. I set the bar low in hopes that the show would do something ultimately to get me happy and excited for watching it. Sweet home never hit that spot for me though. As I was watching I began noticing how the pacing seemed to just go out of it’s way on some points and there were continuity errors staring me right in my face. The story didn’t captivate me like the comic did, not even in the slightest. I spent most of my time watching, laughing because of the absurdities and then pondering why certain events had gone down the way the show did them. I understand that with adaptations things may change but I feel like with the adaptation with Sweet Home it changed too many key elements of the main story that were important for making the story what it is. My rating for Sweet Home is a 1/10. This definitely is not something I would watch again.
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twdmusicboxmystery · 3 years
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Connections Between Nebraska, the CRM , and TWB
Morning Everyone! I wrote this last week and it jumps around a bit, referencing some old TWD episodes, a TWB episode, an a few other things. The biggest thing here is just making connections and showing that the symbolism is the same across all shows in the franchise. That all of them are connected. And that the writers are telling one, huge story, and have been since very early on.
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So, while speaking with a follower last week, I ended up making some interesting connections. Nothing groundbreaking. Bit of a rabbit hole, but not too deep. ;D
But someone sent me something yesterday that said on the walking dead wiki page for the CRM, it says they’re based out of Omaha, NE. Now, they definitely talk about the Omaha location in TWB, but I didn’t remember it saying the CRM is actually based there. 
So I went and looked at the wiki page. What it says is that it’s part of the Alliance of the Three, and Omaha is one of their locations. The actual base of the CRM is still unknown.
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But I started thinking about TWD 2x08, Nebraska, and decided to go back and watch that episode again. It’s honestly been years since I sat down and watched it beginning to end. I did, and I’ll come back to that in a minute.
(CRM Page HERE.)
A/B Theme
But further down on the page, it also defines the A and B symbolism. It says A = a strong leader who is spirited and willing to fight back. And B = someone who either can’t fight back or won’t.
But it also has a note under the A that says 1x04 of TWB confirmed that A also = Bitten. That seemed a little weird to me. I didn’t remember them confirming that for sure in the episode (we would have talked about it a LOT more). And Jadis called Rick a B, which suggests he’s not bitten. So I was like, Hmm. What’s this about?
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Well, I went and rewatched 1x04. I really need only have watched the after-the-credits coda, since I’m fairly certain that’s where they’re getting this. (And of course let’s remember that anyone who is a member can update wiki pages; so this isn’t exactly a confirmation from tptb.)
In the coda, as you will remember, the woman is eating a sandwich and talking into a recorder about test subjects. All of them have an A before their numbers. And the camera pans over all of them, clearly showing bite marks. So, I’m thinking that’s where they’re getting that A = bite from. But to me, that’s not exhaustive evidence. I still think Rick was bitten, and I still think we don’t entirely understand the definition.
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I COULD get behind there being two definitions going on here. One that they’ll acknowledge in the show as the actual way the CRM uses the numbers, and one that’s more symbolic that tptb will never confirm or deny. I mean, they did this with the A on Daryl’s shirt at the Sanctuary. And then there’s the A Sam had in 6a, and the A painted on FG’s church. Are we supposed to believe they’ll all be directly linked to the CRM in the show?
So, I’m wondering if the strong fighter vs weak fighter is how the CRM actually uses it. But symbolically, that’s where the bitten/not bitten comes in.
And you may ask, even if that’s the case, why would Jadis call Rick a B? I mean, he’s clearly one who will fight back.
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But here’s the thing. When she had him prisoner in his blue skivvies in the yellow storage container, she wrote an A on the outside. So clearly, whatever it means to the CRM, she thinks he’s an A. And obviously he wasn’t bitten then. So either B does mean bitten, or else she’s just lying about him being a strong leader and fighter. Why would she do that?
I’m thinking about Grady. They saved Noah but left his father behind. And I’m thinking that given what we know of Noah’s weakness, his father was probably the stronger fighter. You could also argue that they saw Beth as weak and took her, but when they saw Daryl in their review mirror, they sped off. I think they only take vanilla people they believe they can control. So maybe Jadis said it because otherwise they wouldn’t have taken Rick, and she wanted to save his life. And because he was hurt and weak, his rebelliousness really wouldn’t have come across to the guys in the helicopter.
Boy are they in for a rude awakening!
So yeah, basically it confirmed nothing for me, lol. The symbolism is still clear as mud, no?
Nebraska
As for Nebraska, when I watched, I mostly saw more connections to what we’ve learned recently, about the CRM and the Great Britain theme (Revolutionary War) and such.
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So, I wanted to specifically listen to what the guy says about Nebraska. I wondered if he could have ties to the CRM at all. I didn’t see any evidence of that, but there was still kind of an interesting hint. He was talking about how they’d met lots of people, who all had stories about where some community might still be functioning. And one of the things he said was that they met someone who was sending supplies via RAILWAY toward Omaha, NE. And that was it. They went on about Nebraska in a few other lines, so we’re clearly supposed to take note of it. 
But what we CAN now confirm via TWB is that one of three communities in the Alliance of Three is in Omaha. So, to me, this was definitely a very early, very subtle CRM clue.
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(Clearly from the above pic, which is not mine, other people in the fandom are also putting these things together.)
I’ll give you one more small thing and then the part that gets kinda wild. His shark t-shirt. Um…Stafford Sharks, I think? And I know we’ve talked about this before in the sense of it being a water clue. But the Stafford Sharks thing is a real place that’s based out of the UK. Their website even ends in the “.co.uk” suffix. And of course there’s an 11 on the back of the shirt, which we’ve talked about for a long time and, as has recently been pointed out, MIGHT among other things point to S11.
So for me, we have the 11, a hint at the UK (Julia Ormond’s character is British and represents Cornwallis in the Revolutionary War template), and a subtle reference to where the CRM is, all in one person/conversation. And if this guy, at a broad level, represents the threat of the CRM, I think it’s important that Rick kills him. Yeah, Rick’s totally gonna knock the CRM on it’s butt by the end of the series. (Yay!)
But here’s the other thing I thought about. This episode is THE next episode after Sophia comes out of the barn.
Think about that. 1. Missing girl 2. Girl found 3. Hint at CRM    
Just saying.
TWB 1x04
As I said, I rewatched the entire episode and probably didn’t need to, but I was actually glad I did. If I had more time, I do rewatches of literally EVERYTHING right now. Unfortunately, that’s probably not going to happen just yet.
I didn’t nail down the TWB template until the final episode of season 1, so rewatching it, I’m just seeing things I didn’t pick up on before.
This was the episode where they went into the high school to get out of the rain, Silas and Iris dance in the auditorium, etc. And mostly I was focusing on the pairings. We picked up the idea of Iris and Silas being Bethyl proxies when we first watched it. That much was clear. But now that I know Felix = Daryl and Huck = Carol, I saw more.
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They divide into 3 groups and what really jumped out at me is that in this scenario, Huck and Faith are together. If anything, because she goes into the CRM at the end, Faith = Beth, right? Which we talked about. So I was thinking about what I’ve said that Daryl and Carol will split up and Carol and Beth might have the first reunion, and kind of watching it through that lens. Nothing huge jumped out at him until…
…the wolf.
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Remember the wolf that was building a nest and protecting it’s young and dragging walkers through the halls? I don’t even know how to interpret it in a forecasting way, but since TWD ep 21, where we saw Daryl fixing the bike and hear the wolf howl, it really jumped out at me. The idea that the wolf symbolism will return with Beth and be an important part of the story.
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Beyond that, I think we MIGHT be able to take some clues about Daryl’s future arc from this little sequence with Felix and Elton, but nothing huge jumped out at me. So, I’ll probably have to go back again later, maybe during or after S11 as we learn more.
So yeah. As I said, very meandering thoughts and connections today.
Thoughts?
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ensiasilverash · 3 years
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yozuru
okie real talk i know very little about Yozuru but im bouncing around wiki pages so i can still do this one for ya, that said the shipping section im getting not even crumbs, sorry lol
Sexuality Headcanon: oh that is a very well dressed gnc lesbian, like wow i look at that casual outfit and i think "total enby lesbian"
Gender Headcanon: honestly i dont know a whole lot but from what im seeing i get kinda agender vibes but yeah
A ship I have with said character: uh no idea
A BROTP I have with said character: uh shes part of puella care (of whom i know nothing about cuz i am not far enough in my japanese lessons to get half of whats goin on in arc 2 on my own) but i bet her and Livia have a real cool dynamic
A NOTP I have with said character:
A random headcanon: this is kinda just a sticker i slap on every character that seems to play the cool collected types; she has wig outs a lot when shes alone like she talks to someone its all business but the instant she is alone its full on rant with arms out, ruffled hair, going "what the fuck is wrong with you???" which she counters by being a total nerd on her own
General Opinion over said character: seems cool! i learned a lil and am now super interested in figuring out more about her
and lastly, if this all seems way off base, sorry in advance!! im working with not a whole lot here the wikis ive hit dont really have a lot to em outside of basic info and stats
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horrorhot-line · 3 years
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Do you have any writing tips Coz i rlly like your writing ❤😭
This one took a while to answer because of how much I had to say. (Please keep in mind that I am in no way telling you to follow these tips, take whatever you think will work for you and discard what doesn't, okay?)
Alright, first things first, I've been writing on and off for the past seven years, and I can say for a fact that I've definitely improved since my first fic (which was on paper, we don't talk about it). The following tips are what works for me, and what I believe has helped me become better at writing. 
Remember, fanfiction is supposed to be self-indulgent, and therefore you are entitled to write whatever you like because it's your work, so you don’t have to follow any of these tips if you don’t feel like it.
Proofreading, making sense & grammar
Grammar and punctuation make a huge difference. You could have an amazing story, but bad grammar can make that piece of work flop. Stories are supposed to be immersive, but if there are too many mistakes or the words don't make sense, it can ruin it for a reader. (I don't mean your garden variety missing letters, I mean something like 'an he and her goes and u were like oh no'.) I can't name the amount of time I've started to read something online and ditched it because the grammar irks me (your instead of you're, their instead of they're and so on). I've seen a lot of fanfiction writers also switch between past tense, present tense and future tense in the same paragraph, which makes it hard to understand what's happening. 
If you're trying to post and have it get attention, please do check your work to make sure it makes sense. Write down everything first, don't correct anything, and once you're done writing the scene, go back to proofread the whole thing. Get someone to read it for you and point out mistakes or things that don't make sense, if you can. 
If you can't, then there are alternatives. There's 'text to speech', where you can copy and paste what you've written down onto a website, and it will read the text out loud to you. It works the best (for me anyway). There's also grammarly, which is kind of similar to google docs except it points out all the mistakes you may have in your work. (Bear in mind a few mistakes don't matter, but if there's too many then it's likely that your post or blog won't get much attention.) This tip helps you to get a lot of likes on your writing.
Research
If you're writing fanfiction, please study the character(s). My biggest pet peeve when I read fanfiction, is that the love interest is out of character. Whether it be the way they talk or the way they act, if it isn't close to canon, I cannot read it.
So, if you're trying to gain traction and have your work get a lot of positive feedback or likes, then it's best to do research. Most fictional characters have wiki pages where their personalities, relationships and life stories are listed, so why not make the most of it? It's all there for the taking. When writing for a character, rewatch the show/movie to get a good grasp of their personality and then begin to write. The more canon your writing is, the more people will enjoy it.
Reader Inserts
Ever come across an x reader where there's way too much description about their appearance? (Specified hair colour, hair length, named family members etc.) I once read a reader insert where the author described the reader as someone who had pale skin, blue eyes and blonde hair... I was like, huh? That's not what I look like :') 
When you specify or go into details about 'reader's' appearance, it will most likely ruin the mental image your readers have in their heads already. I feel like when one tries to write a story or oneshot with a reader, they should be as vague as possible. There's no need to specify the height, or the reader's dream job or names of family members, or outfit choice- that's up to the people that are reading your stuff to work out. Leave it to their imagination. (This doesn't apply to requests made by others for specific character traits or appearances.)
Write believable characters
If your work has a reader insert or original characters, please make them believable. You don't want to write characters that are 2D and have little to no depth. Please don't make them perfect, that takes the fun out of things and makes your character somewhat boring. You don’t want to write a character that your readers find it hard to care about, so even if you were to kill them, the readers wouldn’t care. 
Make them real, with real problems and a factor of relatability. Heck, give them toxic/bad personality traits while you're at it. Easily irritable, overly sensitive, cynical, selfish, manipulative, people pleaser- the list is endless (we all have our flaws, no?). Contrary to what others may believe, this will make your character easy to relate to or understand, and more people will like your work that way. (this links to my next tip btw)
Mary Sues
I've seen this a lot in the fanfiction community, and oh god, does it make me cringe (this is because of personal preference, though). Mary sues, if you aren't aware, are perfect characters that have no faults. They don't make mistakes, and everyone loves them even if they do nothing. They are basically the perfect hero/heroine, and that makes them boring. My biggest pet peeves are mary sues in fanfiction author's works, (but, this is because I can't stand perfect and over-powered characters that everyone seems to fall for at first sight). 
Fair enough if the entire story is self-indulgent, I'm not here to bash others over personal preferences (this is just how I feel on the matter), but that also means that you take the risk of your work flopping for that sole reason. Your work might not get any traction or positive feedback because it is overly indulgent. 
Don't make your original character or reader insert a mary sue. Throw hurdles and hardships at them, let them make huge mistakes and learn from them, let them mature. Let them have flaws, let them win over the love interest slowly, instead of having the two fall in love instantly. 
Use the right inspiration for romantic relationships
Please for the love of god do not use toxic relationships as your inspiration for the romance you write into your story. 'After' by Anna Todd comes to mind first, as it is a good example of a romance written horribly. If you don't know already, then it's a Harry Styles wattpad fanfiction that got popular and was published, with two movie adaptations out already, (with more on the way)- the classic good girl falls for bad boy cliche. 
So, what's so wrong with 'After'? For one, the male interest is toxic as hell. Anger management issues, substance abuse, trash personality, the list goes on. What does the female interest to about it? Absolutely nothing. She lets him walk all over her and forgives him for it every time. 
Please don't use stories like this as a basis for what the romance in your work is like. Relationships where one abuses the other, whether it be mentally, physically or verbally are wrong and shouldn't be glorified nor romanticised. Relationships are supposed to be healthy, and shouldn't tear the people in it, apart. Use the right inspiration, there's plenty out there.
Writing chemistry between characters
For me, I use inspiration where ever I can find it. Movies, animes, books, real life, you name it. Observe the different types of media around you. How do friends interact with each other? How is it different from childhood friends and family friends? How is it different to lovers? I watch Netflix shows/movies in my free time, mostly romance- and yes, it is for research purposes. From there, I take a particular interaction or scene and get to thinking. If the characters from my works were in that situation, how would they react? 
Ever watched a movie or a show and thought to yourself, 'Wow, the interactions are so awkward'? That's mostly because the script is forced, and that's the last thing you want to write like. Chemistry, whether it be platonic or romantic, should be natural. The best way for you to do this is by thinking about how characters would interact and letting it come naturally to you.
Don't rush it
You have all the time in the world to write chemistry between characters. Why rush it? Slow burns hit the hardest and a lot of people like them. What I mean to say is, please for the love of god, don't let the characters in your work meet and then immediately fall in love. 
The countless amount of times I've sighed in frustration because I've decided to read a story and the first chapter they meet, the second they're already a thing and the third they get married? (This is an exaggeration, but you know what I mean.) What? Why? The time between realising feelings and officially dating should at least take a month, so write with that in mind. (This tip doesn't apply to one-shots.)
Narration
I’ve seen authors skip out on explaining where the story takes place and give the bare minimum when it comes to details, and have realised that it makes it very hard for the reader to understand what’s happening. When there’s barely any context, the story is no longer immersive and is less enjoyable.
Focus on describing the settings. There should be more description than dialogue. The weather, the surrounding, if there are people near or not, smells, sounds, etc. This will help the reader visualise what's happening, and will make it more enjoyable all around. The surroundings should be included in your story to make it more interesting and to keep the reader hooked. I've seen authors do this in their fanfiction and my god, when it's done right, it is so beautiful.
The first paragraph
This is a tip I've only recently started to use. You should always start the first paragraph off with something interesting. It's gotta be eye-catching. This makes sure that the reader doesn't click off of your work before you get to the good bits. There are a lot of writers who start their stories off with the classic 'I woke up in the morning to the alarm clock sounding,' and it is the absolute worst because it's the most overused cliche I've ever seen. 
Reading about someone waking up isn't interesting unless it's important to the story. For example, you can start off with a character waking up, if they're sick, 'I jolted awake only to immediately groan at the headache I was hit with. I moved to massage the bridge of my nose, to ease my pain, somewhat. It was then that I realised I was covered in a thin layer of sweat. Breathing in through my nose, I kicked the covers off of myself in an attempt to try and cool down. Turning my head and coughing into my pillow, I wondered if it was even worth it to get up.'
Internal monologues
Internal monologues give character to the person you're writing about and also gives the reader a good idea of what they're like. They also make your story better as a whole and can prove to lengthen it a bit more. Sprinkle them in where you see fit.
For example, 'The school day dragged on. You gazed at the clock yet again- why did it feel as if the hand on it hadn't moved? You should have stayed home. What was the point of this again? You could be spending your time doing something better. You suppressed the urge to yawn as the teacher droned on about how to calculate frequencies and wavelengths.'
Read
I mean this. When you're not writing, read, and do it like it's a job. Find a good book or a fanfiction that's well written, and take note of things the author has done that you think, 'Oh! That's worded beautifully.' This will help you expand your vocabulary, provide you with inspiration and overall will improve your writing.
hope this helps 💞💞💞💞
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dangan-meme-palace · 4 years
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PokeV3 AU – Boys!
Rantaro
Flying Type
His theme is loosely based on travel.
He got delibird because he canonly likes to bring back souvenirs. Mantyke was his first pokemon and hes been using it to travel around on the water. The rest he got just by traveling to different parts of the world.
Rantaro is a traveler for sure, but when he finally settles down I imagine he would become a pokemon breeder and he studies for that while traveling.
His family is different than canon so heres some info on them too:
His dad is like a green haired Saxton Hale. Used to adventure a lot but then settled and became a business man, and a surprisingly good one at that. He owns the poke center chain and a certain mansion where he let's people visit and battle the staff for fun. Absolutely loves the fact that his son is adventurous like he was and will pay for whatever he needs. Not worried about Rantaro because he turned out all right, so why wouldn't his son? Adventure runs in his veins haha! He's just a happy go lucky guy that really loves his kids and supports them.
His mom is VERY worried about Rantaro in stark contrast to her husband, and gets mad that her husband is so carefree about their own child. She waits impatiently for the day Rantaro finally settles down so she doesn't have to worry anymore. Very doting and cute!
His sisters arent lost, they're the poke center nurses!
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Ryoma
Fighting Type
His theme is competition and teamwork!
Ryoma used to be one of the youngest people in the elite four until his pokemon got stolen by the antagonist team. He barely made it out alive, but lost his pokemon and hasn't been the same since.
Would only adventure if someone gave him hope that he could find them again. The adventure ends when he finds them all because he'll want to go back home and settle down now that he's finally got them back.
He wouldn't necessarily get back into the elite four after finding them because he's just not as enthusiastic as he used to be about fighting, but he would probably become someone that gives advice to young trainers around his town.
He used to be super famous when he was in the elite four, and everyone knew him for his competitive spirit and his good sportsmanship. Lots of people still remember him and wonder what happened to make him quit so suddenly.
While he's still missing his pokemon he would hate it when people would be like "omg weren't you in the elite four?!?!" but when he gets them back he just kinda cracks half a smile and chuckles, not really answering but also not saying no.
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Korekiyo
Ghost Type
His theme is ancient culture to absolutely no one's surprise.
Frosslass was given to him by his sister. He found golett, yamask, and duskull in different archeological digs that he visited. Banette and misdreavus just took a liking to him, so they joined up with him. He's surprisingly really good with ghosts types? They just like him for some reason...
Korekiyo is an anthropologist like in canon.
His sister is alive but she's really frail after her health took a dramatic turn and has to stay home instead of exploring like she used to. She was super into ice type pokemon, but cant go catch them because her body can't handle the weather anymore.
Kork wants to show his sister the world she cant go out and see anymore and so he travels and brings back souvenirs and pictures for her. She's a little sad she can't go with him, but tries to keep her spirits up despite not being able to fulfill her dream and supports her little brother's dream instead. She's still getting used to the thought of not being able to adventure like she used to.
She was a kinda famous ice type trainer that was about to make it big before her health started failing.
Her health problem is hereditary and her mother died from it when Korekiyo was born because her body couldnt handle the illness and giving birth to Korekiyo at the same time. She won't die as long as she's careful, which includes not going into cold areas and not engaging in strenuous activity. Only the girls in the family get it, and no one really knows what it is.
They dont know where their dad went, but he left after their mother died because he couldn't stand the grief.
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Gonta
Bug Type
Fun bug fact: he somehow managed to accidentally catch all the bug types people that freak people out (spider, centipede, wasp/bee hybrid, bugs with pinschers, the parasite one, etc). People have run away from battles with him before and he feels bad about it but cant figure out why they ran.
Gonta doesn't really battle so much as he goes looking for new bug type pokemon. Really enthusiastic about bug types and helps his professor by giving him all the field notes he writes.
Oddly doesn't seem to have any parents? The professor has basically adopted him at this point and they don't talk about it.
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Kaito
Dragon Type
His theme is any pokemon he thinks is cool.
Kaito wants to be the champion and if he calls someone his sidekick it means he wants to have them be in his elite four.
He has a penchant for doing things he thinks other people would find cool. Probably has a fucking cape and sunglasses. Wants what Leon has so fucking badly but ends up looking like an egomaniac and a try hard on accident. Totally lies about his adventures to try and look cooler to people, but little does he know that no one ever believes him.
Hasn't actually traveled much despite what he may tell you, but you could get him to tag along as long as there are no ghost types involved. He's scared of them.
Hates cold weather.
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Kokichi
Ghost Type
His theme was childish looking pokemon, but then they evolved so it's mischievous pokemon with cool and spooky lore
If the dex entry mentions anything about children, odds are he's caught it already. He's a magnet to those types of ghost pokemon for some reason.
The way he caught his drifloon was cuz it thought he was a little kid and tried to steal him lmao
Kokichi "haunts" (read: terrorizes the townsfolk of) whatever place he's at until he gets bored, then he goes to a new place and starts again. He's another one that oddly doesn't seem to have parents.
He gets excited by adventure and challenges, but I dont think he would leave his country unless he had people he really cares about ask him to go with them, and he'd only go because he doesn't want them to leave him. He'd eventually come around to the idea of traveling and really enjoy it, you just have to give him some time to adjust.
Kokichi in this AU gets really attached to places/things/people that leave an impression on him and doesn't wanna let them go kinda like how ghosts possess places and things and dont want to leave until they get exorcised or find closure. Luckily for Kokichi he "definitely doesn't" let himself get attached to things anymore. I wonder why...?
His tragic backstory is that he's always had an affinity to ghost types and that freaked everyone out so they basically cast him out when he was younger and he's lowkey traumatized by it. Was kinda raised by ghost types in an abandoned, haunted mansion after that because they liked him a lot. Raised in that place but eventually forced to leave because it was so decrepit that it finally collapsed.
Once he meets someone he likes who actually likes him too, he sticks to them like glue and doesn't let go. So much for not getting attached.
Scared of bug types.
Likes Falinks and Pawniard even though they're not ghost types.
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Kiibo
Electric/Steel Types
Kiibo is human in this AU. He's a technology enthusiast and a huge fan of Miu's work.
Knows a lot about pokemon like Shuichi and would absolutely geek out with him, but his interest is mostly directed towards steel and electric pokemon rather than all of them, unlike Shuichi's interest in ALL pokemon.
Heir to his father's tech company and that's how he met Miu; she works for his dad. They're really good friends and have been for years.
Magearna has been passed down through his family.
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Shuichi
Psychic Type
Shuichi is a pokemon fanatic and is probably in a pokemon fan club.
Studies all day about everything from type matchups to berries but gets overwhelmed and forgets everything he's learned until he really gets into the battle.
Not bad at battling when he's not overwhelmed.
He's good to have around because he's basically a walking wiki page.
He has a knack for finding pokemon and his life goal is probably to try and discover new species or types of pokemon.
His uncle is a detective and he still lives with him like in canon. He's tracks down lost pokemon more than anything though because those are the only cases he really enjoys working on. I imagine he would be like a lost pet/pokemon detective when he's older because that's his specialty.
Solved a big case involving the antagonist team when he was younger and wears a hat to hide his face so they don't recognize him and try to get revenge. Really, really hopes that it will eventually blow over.
He would be nervous about traveling very far, but looking on the bright side of things he gets a change in pace, some new experiences, a chance to avoid the antagonist team, and new friends. He would accept for those reasons, but he would only go with someone he trusts.
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academian-rhapsody · 3 years
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Mikuyami’s Giant Guide to Self-Studying Japanese
If you’re like me, you’ve always wanted to be able to switch tabs while you’re watching anime and still be able to understand what they’re saying. Chances are you’ve watched enough anime to know a few words here and there and even understand a sentence once in a while, but you’re still not anywhere close to fluent. To get fluent, you’re going to have to do a lot more than watch anime. This is what this guide is for. Japanese isn’t an easy language to learn, and knowing which resources are good is important if you want to learn it properly. While the resources are the focus of this guide, it’s very important to read the stuff I’ve written about them. I know the walls of text look scary, but just trust me.
Note: all resources listed are completely free unless otherwise stated.
And yes, all the links in this guide will open in a new tab when you click on them. You’re welcome.
For now, let’s start with the basics - Hiragana. Hiragana is the first thing you should learn and teaches you Japanese pronounciation, reading, and later on, grammar. Here are a few good resources for learning it:
Websites:
Really, the only website I’d recommend (that’s completely free) is Memrise. Memrise is great for learning Hiragana/Katakana and vocab. It’s used for other school subjects like math and science, but I’d say it’s the best for learning languages. You’ll learn words and characters quickly, but it’s important to do it for 10-20 minutes each day. HOWEVER: While Memrise is an amazing vocab resource, it isn’t optimal for grammar at all. It’s also important to know which courses are good and which ones aren’t.*
Phone apps:
Kana Mind - This is by far my favorite resource for learning Hiragana (and Katakana!). When I decided to start learning Japanese, I wasn’t sure where to start, so I just downloaded some simple phone apps. I’m glad I did - this app is extremely easy to use and I quickly learned Hiragana. Just like Memrise, though, you should review the characters for 10-20 minutes fairly often.
TenguGo Kana - A lot more information is covered in this app. While Kana Mind is good for learning the characters, TenguGo is good for learning about the characters. It also includes Hiragana and Katakana charts for quick reference.
Memrise - Yes, Memrise also has a phone app! It works just as well as the website (in my opinion).
Kana Draw - Learning the stroke order for Hiragana is important, and this app teaches you just that. It’s very simple, but again, you should practice consistently.
Very important: You should also practice writing Hiragana! With correct stroke order, of course. All that’s needed to do this is a pen and paper. This chart shows the stroke order for all the Hiragana, but you shouldn’t look at it constantly - it’s more of a quick reference thing, and you won’t learn as well if you rely on it too much.
Really, you don’t need any fancy resources to learn Hiragana! You shouldn’t be spending any money to learn it, either. What I’ve listed should suffice. Hiragana is straightforward and you don’t need to do anything but memorize what sound each character makes. Most of these resources also cover Katakana, which is what you should be learning next.
*In Japanese, there’s a formal way of speaking and causal way of speaking. Some Memrise courses only teach formal, and while that’s important to learn, so is casual! There isn’t really a good way to tell you how to distinguish formal courses from casual ones, so for now I’ll just say… trust your instinct. That’s terrible advice, I know, but just focus on learning vocab and be aware that you still have to learn either causal or formal.
Because most of the Hiragana resources I listed also include Katakana, it’s time to move onto the more scary stuff - grammar. No, we don’t need to start learning Kanji quite yet, as the Kanji can be read with the Hiragana sounds (that’s why Hiragana is so important to learn). You’ll need more resources to learn grammar, but the go-to man for this is…
Tae Kim.
This guy has a special place in my heart. His Japanese grammar guide, guidetojapanese.org, is arguably the best free Japanese guide out there. I’ve gotten more out of this one site (it can be purchased as a book too) than out of every other resource I’ve used. He provides videos as well as explanations and examples. However, it helps a lot to take notes and copy examples down for future reference. To give you an idea of what I mean, here’s a page of notes I took in a simple composition notebook: Of course, there’s no format you have to follow while taking notes - just do whatever makes sense to you and what helps you. Taking notes also gives you practice with writing characters. The great thing about Tae Kim’s guide is that it gives polite examples as well as casual examples (as you can see from my notes). Also, throughout the guide, you learn plenty of vocab and even Kanji. While this guide covers Japanese grammar really well and could be the only resource you’ll need, sometimes you need more examples or explanations.
This website is kind of like a wiki for Japanese grammar. I haven’t had much experience with it so I can’t say much about it, but it provides plenty of examples and explanations, and is broken into different levels so the easy grammar stuff is separate from the more complicated grammar. The content is contributed by other people (which is why it’s like a wiki), so there’s lots of stuff to look through.
Now comes the wall in the Japanese language: Kanji. This is where a lot of people stop learning Japanese because they get scared off by it. Yes, Kanji is scary and you’ll have to learn a lot of Kanji to become fluent in Japanese, but now that you’ve come this far you might as well keep going. Since there’s so much to learn with Kanji, you’re gonna need fancier resources and sometimes - sorry to say - ones that you have to pay for.
iKnow! is overall a great resource for learning Japanese. It provides a tutorial on how to use it, and helps with Kanji, listening, etc. I gave it a try and really liked it - it’s very organized and spends extra time reviewing the words/Kanji you have trouble with. The one downside to it is that you have to pay to use it. There’s a free trial, which you can actually learn a lot from, but if you really wanna learn vocab/Kanji then you’re gonna wanna get the membership.
Anki is available as a phone app and downloadable program as well as online (but the program should be the first and most used). It’s like flashcards - you’re shown a Kanji, and you have to know what that Kanji means. You then “flip” the card to see the correct answer. I’m calling them flashcards, but they’re just called cards and sets of cards are called decks. You can make your own cards, but decks can be downloaded from Ankiweb. Anki is completely free and I’ve heard lots of good things about it.
Tofugu is a site dedicated to learning Japanese and Japanese culture. It has plenty of information about Kanji readings, Kanji stroke order, etc., and even provides other resources for learning Kanji. While it doesn’t provide vocab, it’s good for learning about Kanji.
EDIT: I’ve recently discovered a phone app called KanjiSenpai and it has quickly become my most favorite resource for learning Kanji. You can learn tons of Kanji using this app, and it even teaches you the stroke order of each one (tips for guessing a Kanji’s stroke order can be found on Tofugu). In addition, it keeps track of how long you studied each day. I’d highly recommend this app for learning Kanji.
Other Resources
Sometimes you need to look up a Kanji’s stroke order, or maybe you just wanna learn more about Japanese culture. This part of the guide is for random resources that help with Japanese or provide information about it.
Jisho.org Basically a Kanji dictionary. You simply search for a Kanji, and the meaning, pronunciations, and stroke order for it can be found. I refer to it a lot, sometimes when reading Tae Kim’s guide and other times when I’m just curious about a Kanji.
Maggie Sensei This website has information about Japanese culture, manners, mini Japanese lessons, and more. I’d say it’s more for intermediate Japanese learners, but there’s still a lot to be learned regardless of how much Japanese you know.
Youtubers There’s quite a few people that track their lives in Japan through vlogs. These videos provide tons of information about Japanese culture, and sometimes there’s videos about learning Japanese. My favorite person that makes these sorts of videos is kanadajin3. She has lots of videos about Japanese culture and provides tips about learning Japanese for all levels of learners. Another Youtuber I’d recommend is jyuusankaidan. She basically does the same thing as kanadajin3, but also includes vocab from her videos in the description. Finally, Medama Sensei makes videos mainly about Japanese society. Though his channel doesn’t seem to be active anymore, his videos were very interesting to watch.
Anime Yeah, okay, I said anime isn’t good for learning Japanese, but that’s only if you want to become fluent in it. There’s still a lot you can learn from watching anime - that is, if you listen carefully and pay attention to what the characters are saying, how they say it, and when they say it. If you really wanna test out how much you’ve learned, try watching a non-dubbed version of the anime and see if you can understand what everyone’s saying. This can also help you learn faster and get used to how Japanese sounds.
Japanese Songs Something I’ve only started doing recently is taking a few lines of lyrics from a Japanese song and learning them thoroughly. This means learning the meaning of all the Kanji in those lyrics, learning how to write them (thank you Jisho.org), and learning how to pronounce everything (find the Romaji lyrics). This obviously helps with learning multiple aspects of Japanese.
As a final little note, I’d say that the most important thing to do in order to learn Japanese is to just keep at it. When I started learning Kanji, I was overwhelmed by the fact that each Kanji had multiple pronounciations, but as you learn more, things start making more sense. I’ve definitely noticed a lot of improvement in my understanding of Japanese. So, always try to stay motivated in your studying!
Well, that just about does it for this guide. If you know of any other good resources that I didn’t list, feel free to add them onto this post. Also, if you have any questions, don’t hesitate to send me an ask! I’d be more than happy to answer your question. I’m no expert and I’m still far from being fluent in Japanese, but I’ll do my best to help you.
Thank you for reading and happy studying!
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stupid-stew · 3 years
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My Obsession With Character Names Pays Off Right Here Right Now
I have literally never posted here but I decided that since I spent today writing about the the name of the characters in The Owl House instead of prepping for finals, someone should see it. Included are Lilith, Eda, Luz, King, Gus, Willow, Amity, Alador, Odalia, Emira, Edric, Belos, Adegast, Kikimora, last names Blight, Noceda, Clawthorne, Park, Porter, and Bump, and briefly Hooty, Owlbert, Hieronymus, and Boscha.
FIRST NAME
LILITH
Ok so because I'm lilith’s bitch we are gonna start with her because her name is so cool and I love her and we should be besties Lilith hmu. Anyways as most people know Lilith is a pre existing mythological character which makes this very much good because that means it’s all outlined. Most people know her as a demonic figure, which I very much dig but similar to our lovely queen of curses out here, that's not all she is. There isn’t going to be a chronological explanation of similarities and conclusions, cope. The basic gist is that Lilith was this chick with fiery red hair (this is important iykyk) who refused to be beneath or below adam, more specifically to subjugate to him, funny because of the tapestry with belos what says subjugation on it, probably a coincidence but I do not believe in coincidence right now. Anyways basically she runs off and becomes this chick who like snatches children and will make them sick if they don’t have an amulet with the names Senoy, Sansenoy, or Semangelof on them, thats a different story but what I find interesting is this one passage,
“(12) Her nobles shall be no more, nor shall kings be proclaimed there; all her princes are gone. (13) Her castles shall be overgrown with thorns, her fortresses with thistles and briers. She shall become an abode for jackals and a haunt for ostriches. (14) Wildcats shall meet with desert beasts, satyrs shall call to one another; There shall the Lilith repose, and find for herself a place to rest. (15) There the hoot owl shall nest and lay eggs, hatch them out and gather them in her shadow; There shall the kites assemble, none shall be missing its mate. (16) Look in the book of the LORD and read: No one of these shall be lacking, For the mouth of the LORD has ordered it, and His spirit shall gather them there. (17) It is He who casts the lot for them, and with His hands He marks off their shares of her; They shall possess her forever, and dwell there from generation to generation.”
And there are separate part of this that I find relevant, especially the description of the location, i’m not all that familiar with symbolism of animals in religious texts, so i’m gonna take it at face value and say that this is more or less a description that could be given to the physical owl house itself, sort of a place for people who don’t fit in, its a little messy and I guess one could say overgrown, but it’s a place for anyone, a place to rest now hopefully for Lilith away from the coven, there shall the Lilith repose. On top of that we see the “the hoot owl…” and you’re probably thinking what that so crazy wacko because like why are they referring to Lilith as the hoot owl isn't Eda the owl lady, yes she is. That’s why the actual meanings of lilith’s name that come from her mythological depiction as a demon lady are so important. We have night monster, night owl, night spectre, vampires, night hag, night creature, nightjar (which is another kind of bird), and night bird, all of these seem to fit lilith’s dark aesthetic very nicely which is very good for her, but there are two other ones, hot owl and screech owl, which draw her closer to Edaand away from the coven and her depiction in the mid-later episodes of the show as a monster for cursing eda, but also the name night monster could come into play if while sharing the curse Lilith acquired some of its traits, similar to Edaas the owl beast. Ultimately, we have this little red head girl who eventually fights back against the men who are attempting to get her to be under them, for the character that is belos, for the other Lilith that is adam, god, and his angels, and now hopefully both of them will find solace and repose among the owls in a place they never thought they’d belong. All this talk of owls and god brings us into the other clawthorne baddie:
EDA
For this I'm going to use her full name edalyn, because you know like that’s just how it be it is her name. There isn’t a wiki page for her name like there is for Lilith which makes this a little bit harder but the general consensus seems to be that it means something along the lines of “gift of god”, which I find very interesting. If you are going to name a child gift of god i’m assuming that you are referring to the child themselves, but I don’t think that really applies to eda. I’m not religious, but its my impression that someone who lies cheats pranks and steals their way to the top and isn’t exactly the most responsible witch on the isles might not be the best gift god could give. I do really love Eda though, her character flaws are still a part of her character, but I think this refers to her powers. Eda considers herself to be the boiling isles gift to magic, which I mean like, have you seen the woman. In agony of a witch we see her at what probably 30% of her power with how much the curse was already tolling on her and how much magic she was probably using to fight it off, and like goddamn. She was almost beating lilith, definitely beating the shit out of her, but she was almost defeating Lilith who was at her full power, and that is just a fraction of what she used to be able to do. Her powers were a gift of god, and I think that the loss of them will greatly affect her. She’s already admitted that she doesn’t know how to do much without her magic, and I think going straight from the second most powerful witch on this isles to having no power at all is going to be incredibly taxing on her, physically and mentally.
Luckily for her the name edalyn also means patience, another thing about her name is that it not only means gift of god, but also similar things like gifted by the gods or even goddess, and this draws a connection to Lilith who is named after a demonic figure, casted out for having defied god, they are quite literally polar opposites on the name spectrum, and we see that a lot in the show, they are completely different people, I mean have you looked at them they don’t even look related, but the funnier thing is that their personalities do the same thing. You’d expect Edain her youth to be a gift from the devil, just ask principal bump, and Lilith seemed to be a goody two shoes who worked her ass off, their names could be switched based off their characters alone.
A random baby name site I found said that :
“Persons with the name edalyn are usually highly flexible and well equipped to making and accepting change throughout their life. They always seek excitement and are sometimes a bit of a risk taker. They are imaginative, and often, through their unconventional way of thinking, are naturally able to solve complex problems with ease. They are quick thinkers and observers who are clever, analytical and versatile”
Which I mean like very much applies to eda, she takes change like a champ, either genuinely or by pretending she’s ok with everything, and is always seeking excitement. Like literally all of the time. Always. I think she takes felonies as a compliment, and one of the biggest changes in her life that she genuinely was able to adapt to and appreciate was
LUZ
Ok I think at this point everyone knows that at this point the name Luz means light, and if you didn't, oopsies now you do. The character Luz was named and designed after a real life person the miss dana terrace knew at the time she was starting to really think about the show, Luz ’s personalty comes more from dana herself and we love that, but the character has really started to grow into her name. This is made most obvious when the first spell Luz learns is the light glyph, not only coming into her own as a witch, but also starting to live up to her name, which along with light also has to do with “Our Lady of Light”, which is the virgin mary, fitting her right in with the other biblical names we got going on here. I really want to stress that I know next to zero about religion, and all of the connections I am making come from wikipedia, so bare with me here. But most of the time mary seems to be this pure, saint like figure, which I think is what a lot of people see Luz as, especially on the isles. I’m going to flat out say that this is in no way meant to pass off Luz as simple minded, pure, or oblivious, because we have seen what that girl is willing to do, she faced death and poked him in the with an ice cicle. In terms of life on the isles, however, she is more or less pure and sheltered, she’s completely new to the world she’s in, but she does quickly adapt, and shows more of her strong side, and remains a good person throughout all of it, taking losses as they come, and not letting them remain losses at the same time.
Back to the whole light thing, we already touched on the whole literal bit of her and the light spell, but can you think of a better way to describe Luz ? She literally brings light everywhere she goes, even Eda admits that she’s changed things for the better, for everyone around her too. Willow got a new friend, probably the first friend she’s had in a long time, and even got to begin repairing her relationship with amity, and got placed in the plant track so she could do the things she loves, all because of Luz . Edagot to grow as a person and a mentor, and finally got someone willing to accept all her eda-ness, unconditionally, someone to really care about that really cares about her back, all because of Luz . Amity got a friend who cares about her, not just her family name and money, someone who supports her and will do anything for her because she is her friend, and a bit of self discovery along the way for amity, all because of Luz . Not a single person on the isles who has had more than 2 minutes of interaction with Luz hasn’t had their lives improved, even belos got his portal, and the thing is that even characters who people might not even consider changed have been, characters such as
KING
The name king itself is obvious, he is royalty, the king of demoNS HIMSELF ASMODEUS hahahaha pulled a sneaky on you now accept my ideas as your own. I am on a mythological name kick, deal with it. The most important thing here is in the bible, asmodeus poses himself as a false god, which I know is something we have all considered with king, that he might be a full on liar, not be a king of anything and is just your ordinary street demon, it’s even come up in the show with him calling himself the king of artists and Luz asking him if he was just making it up at this point. It’s a good theory, I can see it, and this could be used as proof. There is also another legend that paints him as a good natured dude, who eventually banishes the king by literally throwing him, and then he loses his powers and is banished, but this is also the same legend where he marries Lilith and that is not something I am down for. There is another text in which he tells the king (the same one he threw in the other one) that his kingdom will one day be divided and the king does not believe him, and this is the same text where he admits to hating water and birds because they remind him of god. Lets think class, who has the god name and is related to birds here? King’s name by itself holds true to his character, who (regardless of if it is truthful or not) holds himself as if he is a king, and he isn't the only one with a name like that, there is also
WILLOW
Ok I know we all thought it, willow, the plant girl, how fiendishly clever. This also happens to be the only descriptor for her name I could find, which is totally fine because I think it’s a very cute name and willow is also very cute. This means we get to go into the symbolism of the willow tree wwwooooOOOOO aren’t you so very excited I know I am. Its kind of interesting, willow trees seem to match the character, understanding, warm, a safe space really, but most of all the ability to let go of pain and suffering, sometimes outright ignore it, and move on. Willow does always say out of sight out of mind does she not? She is willing to ignore, even excuse people bullying her, be it bosha or even amity, and the moment she got the chance her inner willow decided to try and literally burn the painful memories she had, willing to cause damage just to forget. Willow as a character is very willing to move on like nothing happened most of the time, key word most because another thing about willows is the ability to grow from the pain. Before understanding willow, we never really saw willow stand up for herself until she really had to, but hy the end of the episode she is willing to tell amity that she isn’t willing to fully forgive her, but she’s willing to grow and try. Heck, we see this over the entire first season, we see this little girl who can barely pull it together long enough to stand up for herself grow into this amazing character willing to publicly oppose the emperor and break into his castle for her friend, she tried to full out attack Lilith when 19 episodes earlier she wasn’t able to stand up to amity for bullying her. And I am in no way calling willow weak, she never was, she just needed to find the ability to show everyone that she’s strong, god I love willow so much, you wanna know who else loves willow?
GUS
Gus, my main man, love you but for this we are gonna have to use the full on augustus sorry babes. The name augustus means majestic, or venerable, which while I must say that the illusion of kiki doing the worm was probably one of the most majestic things I have ever seen, I’m going to focus on venerable a bit more here. Venerable is a big word, it means “accorded a great deal of respect, especially because of age, wisdom, or character.”, which for gus the age part might play a smaller part here, but he is good as what he does, Luz and willow both respect him, Eda Respects him, he’s this little dude who is younger than everyone and has to rely on his ability to succeed, not inly with his power but with his personality.Gus seems to be confident in himself, communicating with everyone regardless of who they are or what power they hold, similarly to willow he was willing to do anything to help Luz , leading into the second description of venerable, “heroic in nature”. Now, you might be wondering, bestie where ever did you get that description, it totally wasn’t from a religious page okyesitwas but that's fine because being pronounced venerable guarantees a spot in heaven so get it bestie. Overall, the general meaning for augustus is that they are strong, respectable, and powerful, which takes us right into the
ASSORTED BLIGHTS
The blight first names bring me joy so I am putting amity last because I think its really funny, starting off with alador, the name alador evokes diplomacy, correctness, and confidence. We know zilch about alador, but if the vibes of the blight family have anything to say it’s definitely something along those lines. The name odalia means wealth, which I mean like have you seeeen blight manor? Also back at it again with the fact that it’s a variant of the name odilia, like the saint olilia which I don't have ties for you right now because again, we know nothing about her. Edric also means wealth, fortune, riches, powerful, you get the vibes, same thing with emira which means commander, or prince, princess, leader, or star. So you know like we have all these super powerful names happening, and then, oh boy and then we get to little miss perfect herself, amity blight. It means friendship, or harmony. If I was her I would be so mad at my parents like yall have these mad powerful names and I got stuck with friendship? Hand me the emancipation papers. You know what they say, friendship is the real magic (even if no longer taught in schools due to budget constraints). I hope that this leads more into season 2 with amity working on her friendships and ultimately her relationships in general, which we got a bit of already with her working on repairing her relationship with willow, and making the moves to cut off old toxic friendships and moving into more genuine ones with willow, Luz , and gus. I guess you could say that the only thing ALL the blights have in common with each other is their
LAST NAME
BLIGHT
The word blight by itself means a plant disease which boy oh boy can you believe how nicely that fits into amity bullying willow because I sure can. Outside of just the plant bit it overall just means like something that damages another thing, and this works beautifully for each member of the family. The parents are damaging their children, the twins just causing general damage, and amity and her goddamn relationships, but fortunately that whole plant thing brings us into the next couple of last names
CLAWTHORNE
The last name clawthorne means “cold or exposed thorn tree” which had me kind of like what the heck so I went off and had some fun and got you some presents that I think are funny, so there was this guy right, his name was joseph clawthorne, and he created the term whiffenpoof, which is the name for a wildly fictitious animal, things like a jackalope, or even a griffin with spider breath, though I guess that would be the work of a
NOCEDA
Back again with the trees good lord, it means field of nut trees, so again I went into prominent people an found this guy named jorge noceda sanchez, he was a painter and some of his works are kinda baller actually it seems like something that would fit in on the isles, but also not all of the names have a deeper meanings, names like
PORTER
Ok I am like pretty sure this was just meant to be a play on the fact that gus’ dad’s name is perry and is a reporter, get it, perry porter, perry porter, reporter, but nonetheless I did some digging because why the heck not, it means doorkeeper, or gate keeper, someone who guards something like an important building, which honestly I think this would be a good last name for hooty if he ever gets one, but again not all of these are important names at the moment, or maybe they won't ever be at all, names like
PARK
At first I was kinda like l m a o willow park plant girl hahahahah plants in the park parks have trees willow is a tree but then I remembered that someone pointed out that park is a traditionally korean surname and then like a week later disney posted about it for aisian pacific american heritage month which kind of confirmed it, and I don’t know if the whole intention behind it was to establish willow as representation or not, but the surname park by itself means gourd and willow I am so sorry that is so unfortunate LMAOSIFN
BUMP
To be honest I was not expecting bump to have a last name that meant anything but it means swift walker and I think thats funny so you have to know it now
MISCELLANEOUS
BELOS
BIIIITCH LISTEN UPPPP there is a butt tone of mythology surrounding his name and its mostly a different form of it, belus, that is referenced, but same thing different shape. Most of his depiction is as a great king or ruler, in babylonian mythology being the equivalent of zeus of jupiter, which liiikkkkkeeeoajolnjojnkjakjavnjfvdfkjf but its fine everything is great its all ok most importantly, he is recognized as the god or ruler of war, and in that same mythology he lived in babylon, which “... was originally water, and called a sea. But Belus put an end to this, and assigned a district to each, and surrounded Babylon with a wall; and at the appointed time he disappeared.” and idk about you but the smell of him assigning a divide and disappearing smells sour like funky to me babes
HIERONYMUS AND BOSCHA
I am only putting this here because the fact that it’s totally a play on hieronymus bosch makes me cackle and you all have to know it thank you
ADEGAST
B-but brevyn he was only there for like one episode, yeah ok and? Radegast is the slavic god of hospitality, and there is no host like a host that pretends to take you on a mythical quest and then tries to eat you and your mentor and her deranged cat demon, ok? His name translates to “dear guest” or “welcomed guest” and I mean I think if my host tried to suck me into some fantasy would delusion i’d feel pretty welcomed
HOOTY
He is an owl
OWLBERT
He is also an owl
KIKIMORA
First and foremost, she is a little night gremlin who hates children and I think that really fits her, but she is also a little house demon, who is very difficult to get to leave, have we seen her outside the castle? Will she be a spy along with the mask next season? She also has a name that means nightmare or night demon, similar to a certain other night creature we might have heard of a while ago. She tried to strangle children and I love that for her,and she is described as a little old ugly messy haired lady and I feel like her current character has the personality of one so i’ll take it, but what really gets me is her villain origin story, which is that she "grows up with a magician in the mountains. From dawn to sunset the magician’s cat regales Kikimora with fantastic tales of ancient times and faraway places, as Kikimora rocks in a cradle made of crystal. It takes her seven years to reach maturity, by which time her head is no larger than a thimble and her body no wider than a strand of straw. Kikimora spins flax from dusk and to dawn, with evil intentions for the world.”
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