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#and opacity - tilt; and when I set it the same way on the Surface it looks completely different
torchickentacos · 2 years
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5 Things I’ve learned about digital art in one year of doing it (plus my favorite pieces I’ve done at the end)
In no way am I saying these as rules, just things I’ve found have helped me improve. It was last august/september that I got my surface pro and decided to try krita, and here’s what I’ve learned from it! Again, not rules. Also, I’m not saying this as someone who thinks they’re super good at digital art- it’s a hobby that I have gotten better at but next year I’ll have even more things I’ve improved!
1.) OPACITY IS YOUR FRIEND. Learning the opacity setting for things like shadows is amazing. In some programs you can use opacity in individual layers and not just tools, which is even better if you don’t want that stripey layery look. 
2.) mess with the different brushes. Seems obvious but hear me out. I tend to use the same 5 tools, and that’s fine for sketches and lazy stuff but when I’m going for a more serious piece it’s good to try and figure out which brush will give you the effect you want. When I started, I thought, ‘there is no way I’ll ever use 2435 of these’. Since then, I’ve used most of them. 
3.) your neck, back, and wrists will hurt. Especially if you have Ehlers Danlos Syndrome, but that’s more a me problem. Invest in ibuprofen (I prefer naproxen though), those microwaveable neck beanbag things, and wrist braces or compression gloves if you tend to work all day like I do some days. I personally work with my screen up and tilted instead of flat because it helps my neck more, but just find a position that’s comfortable for you even if others think it’s weird. I personally get weird looks for drawing semi-vertically, but you do whatever you have to do for your neck to keep working. Necks that operate are generally something worth preserving. 
4.) something I learned just yesterday or the day before, thanks to @householdpowerhouse - clipping masks are worth messing around with and figuring out. The more advanced settings still scare me, but I’ve already shaved HOURS of erasing edges off because of clipping masks. They’re a godsend. 
5.) there are no rules. Suggestions, sure. Guidelines, yeah. But no rules. You’ll see these tiktoks telling you how to draw stuff, and unless you want to emulate that art style, take it with a grain of salt. It’s AMAZING to study other people’s art- their preferred brushes and styles-but at the end of the day, following rules about digital art is going to possibly stifle you from finding your own style- something I’m still trying to do. I have four-ish different art styles I mess with because I don’t have mine yet, but those all developed through me experimenting and messing around rather than doing what someone on tiktok told me to do. 
Finally, tools are there to be used. It’s not cheating if it makes your life and your art easier. It’s kind of like other tools in life- I use a cane for my joints, for example. That’s not cheating, it’s a tool that’s there for me when I need it and it makes my life easier. 
Ok, time for me to round up my favorite pieces I’ve done!
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Not fully happy with this one (Suki from ATLA) but I was super proud when I finished it so it deserves a spot here. This was the piece where I realized I had talent. Maybe not as much as other people but THIS was the moment I realized this was somethign I really enjoyed and got a lot of happiness out of. 
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And finally, a wip I never finished but still LOVE.
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pikapeppa · 3 years
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Professor Solas/Lavellan: Dreams
Chapter 15 of Inadvisable (professor Solas modern AU) is posted! Note: I didn’t post Chap 14 here on Tumblr because formatting/I’m lazy, so if you’re following from Tumblr, make sure you don’t miss that chapter!
In which Solas and Nare have a very productive supervisor meeting. UST ahoy. 😂 ~7000 words; read on AO3 instead. 
***********************
- SOLAS -
Nare leaned away from Solas’s computer screen with a sigh. “... so after I tried for the fifth time to layer the colours and ended up with just a bunch of muddy-looking landscapes, I got fed up. That’s when I texted you.” She shot him an apologetic look. “I’m sorry about that, by the way. Bothering you on a Sunday night like that.”
He gave her a gently chiding look over his reading glasses. “I told you, you are never a bother. But this is what I mentioned on Sunday. Layering is not as useful in oil painting as it is with watercolours.” He leaned back in his chair. “What could be helpful, however, is to carry over your gouache techniques instead of the watercolour techniques. Gouache is more opaque — closer in opacity to oils than watercolours, in any case, though the opacity is not nearly as…”
He trailed off in amusement. Nare’s face had fallen into an expression that was very reminiscent of a lightbulb turning on over a cartoon character’s head. 
He smiled at her. “You see what I’m suggesting, don’t you?”
“I’ll just create the highlights after the fact,” she exclaimed. “I’ll add them at the end instead of working around the canvas to get the whites.”
“Yes, exactly,” Solas said. 
She laughed and ran a hand over her ponytail. “I can’t believe I didn’t think of that on my own. I’m an idiot.”
“Don’t insult yourself, Nare,” he said firmly. “It serves no purpose.”
Her eyebrows rose. “Sorry. It’s — it’s automatic. I don’t really mean it.”
He relaxed slightly, then tilted his head. “It is not often that a piece frustrates you to this degree, is it?”
“Not really,” she admitted. “I don’t usually start over this many times. Even if I’m not happy with a study, I always just finish it so I can start fresh on the next one.”
He looked at her in surprise. “You always finish your studies?”
“Yeah,” she said. “Even if I don’t like them, I… it’s hard for me to leave them unfinished.” She sighed and leaned back against his desk, and he studied her pensively for a moment. This was something he hadn’t known about her process, and it was certainly enlightening. 
In truth, everything he had learned about Nare over the past two weeks was enlightening. In the space of a mere two weeks, Solas already felt like he was becoming well-versed in who she was. With every passing day, he learned more about what excited her and what made her nervous, the things she was most passionate about and the things that made her laugh. 
And with every new thing he learned about her, he felt more…  aligned with her than he had any right to feel, considering that they had known each other for less than a month. And it wasn’t just their increasingly lengthy supervisor-student meetings that were giving him these fascinating insights into who Nare was. 
It was the texts. The insidious, unwise, inadvisable conversations by text message that Solas was incapable of cutting off, no matter that he ought to. 
He was still trying to maintain a modicum of professional distance by not being the one to initiate the texts, but that didn’t change the fact that he was checking his phone more eagerly these days than he ever had in his life. In some small and admittedly deluded part of his mind, he had convinced himself that if he kept a small amount of distance, letting Nare be the one to initiate contact, he could maintain a veneer of innocence in this, despite his obvious culpability. 
You are the only one who believes me to be a sweet talker. Should I insist on you having a little more discipline? Are you talking back to your supervisor?
His overly candid texts, his inappropriate innuendo-laced remarks, and worse yet, the voice memos...
He was making a mistake, and he knew it. But with every passing day, he found himself caring less and less. He had never texted anyone as often or in the same capacity as he texted with Nare. His texts with Abelas and Dorian were entirely professional, and his texts with Felassan were a bit more frequent and casual with occasional bouts of banter, but he’d never engaged in anything like the texted conversations he had with Nare. And their exchanges really felt like actual conversations. Solas had never realized that it was possible to have such in-depth conversations via text.  
He had never realized how quickly the intimacy of a bond could be fostered by the simple medium of typed-out messages on his screen. 
Solas forced his mind away from the idea of intimacy and bonds and removed his reading glasses. “Do you recall how in your portfolio submission for this program, I asked you not only to submit your best works, but the ones you consider to be your worst?”
“Yes,” she said.
He nodded. “Your weakest works still displayed good technical skills, and what you remarked on were the technical errors, which told me what you already know: you have a strong technical foundation — a very good handle on perspective, anatomy, colour theory and so on.” He set his glasses on the desk. “What I found interesting is what you didn’t point out in your own weakest pieces.”
Her expression became wary, as though she was afraid of what he would say. “What do you mean?”
“Your weakest pieces all had a stiffness to them,” he said. “A rushed but almost static feel, as though you were stuck on them in some way but forced yourself to finish them just for the sake of being able to say they were finished.”
Her face slackened with surprise. “You could tell that from looking at them?”
“Yes.”
“That’s…” She trailed off and stared at him. Her expression was shifting from surprise to an odd sort of melancholy, almost as though he’d exposed her in some way that she hadn’t expected to be exposed, and he watched her changing expression with some concern.
“Did I offend you?” he said softly.
“No,” she said quickly. “No, it’s not that. I’m just…” She licked her lips nervously. “None of my art professors before ever… remarked on that.”
He frowned slightly at this. “It appears quite obvious to me.”
She shot him a tiny smile, then took a deep breath and folded her arms as though she was cold. “So you could see from those bad pieces that I was struggling just to finish them?”
“Yes, I could,” he said. “Now, having become more familiar with your work and the way you think while you’re painting, I believe that those pieces are the result of you getting trapped in a certain mindset. It is almost like you fall into a groove with them, and you become too focused on finishing them rather than stepping back to re-evaluate their quality.”
She shrugged helplessly. “I get what you’re saying, but I just… I don’t like leaving things unfinished.”
“Studies are never meant to be finished,” he reminded her. “The entire point of a study is essentially to play. To figure out the bones of your piece and to problem-solve.” He frowned. “Your undergraduate art professors allowed you to finish your studies?”
She shrugged again. “They seemed to like it when I did. They thought the finished studies were good.”
“But you didn’t,” he said. It wasn’t a question; he knew she didn’t care for her own finished studies, which was why she had submitted them as her weakest pieces.
“No,” she said. 
He frowned more deeply. “You should have trusted your own judgment in this matter.”
She gave him a small smile. “You’re saying I should have ignored the opinions of my professors?”
He lifted an eyebrow. “Some professors have better opinions than others.”
She laughed. “I wonder where I can find a professor with a good opinion, then,” she said playfully.
Solas smiled in return, but he didn’t reply. Nare was half-sitting on his desk with her head tilted coquettishly, and he was visited by a heated — and very inappropriate — urge to seat her more firmly on the surface of his desk and to discipline her for her cheeky remark.
Ah yes, he would discipline her slowly. He’d strip off her pants and push her legs apart, and he’d run his tongue slowly and very teasingly along the insides of her thighs until she promised not to talk back to her supervisor anymore.
His cock stirred in his trousers, but he shunted the lustful thoughts away just as he had done every time they’d met in person for the past two weeks. His meetings and his seminar class with Nare were becoming a true test of his self-control. On the one hand, they were satisfyingly productive and intellectually stimulating; every time Solas saw Nare, she had read or watched at least one of his recommended resources, be it an article or a book chapter or a tutorial video, and the ensuing discussions they had were as satisfying as any that he had with any other scholar or artist at the university. 
On the other hand, his treacherous lust-fuelled body was so attuned to her that he had to physically force himself not to reach for her whenever she was near. 
Solas was torn: torn between his dual urges to discuss everything with her and to devour her. His only saving grace was the fact that he’d finally given in and allowed himself to fantasize about her when he touched himself — which he had being doing almost every night for the past two weeks, to his own mild disgruntlement.
He was sleeping very well, however, so he supposed he couldn’t complain.
“For what it is worth, my opinion is this,” he said. “It appears that you have gotten into a habit of making the completion of a piece your goal, and that you’ll drive toward completing a piece even if you are unsatisfied with it, or if you know something about the piece is off. But finishing a painting should not be your ultimate goal. What you should be striving for is to create something expressive — something that captures the feeling or the message that you intend to convey, whether the form of that creation is a completed painting or a half-finished study or a simple sketch.” He gave her a knowing look. “You should be striving to make something that brings you joy and satisfaction, Nare. Something you can take pride in. It is not enough to finish the piece if you did not derive any satisfaction from it.”
She smiled weakly. “I don’t know that concept artists or other professional artists would agree with you about that.”
He huffed in amusement. “You’re right. Felassan and I have had to agree to disagree about this matter. But to my understanding, you are not aiming to be a concept artist.”
“That’s true,” she said softly. She took a deep breath, then released it. “So instead of trying to always finish the piece, I should just… ask myself if I’m happy with it.”
“Exactly,” he said.
She nodded, then gave him a pleading look. “But I want the art to be good, though.”
“That’s what studies are for,” he reminded her. “Your other professors seem to have forgotten that, but the purpose of a study is to practice. To hone your technical skills as well as your ideas.”
“And what if I find myself grinding away at a piece even though I don’t like it?” she asked. “I should just… what, throw it away?”
He shook his head. “Don’t throw away unfinished pieces. Set them aside and come back to them. When inspiration leaves you dry, the best approach can often be to come back with a fresh perspective. Set the piece aside, focus on something else, let it live at the back of your mind. Then return to it when you are refreshed, even if returning to it means leaving it alone for years.”
“Years!” she exclaimed. “Have you ever left a piece to sit for years before coming back to it?”
“I have, in fact,” he said dryly. “So I believe my opinion about this matter is a valid one.”
She chuckled. “All right. I’m sorry, professor.”
His heart jolted at her playful — and provocative — use of the term. She smiled broadly at him, then exhaled and nodded. “Okay. I’ll work on just… putting things aside and coming back to them.” She smiled wryly. “I’m so impatient, though.”
“I’ll help to coach you in this,” he assured her. “I am very patient.”
“I hope that rubs off on me,” she said.
His belly flipped at the innuendo in her tone. His eyes locked onto hers, her brilliant oceanic eyes, and for a moment they just stood there, frozen in the forbidden but heated thrill that was building between them. 
She was still leaning against his desk while he sat in his chair. In this pose, this tense and heated tableau they were locked into, Nare’s knee was nearly brushing his, and he wouldn’t even need to fully extend his arm to touch her. He could place his hand on her waist, brush his thumb over her hip, trail his fingers toward the fly of her pants and peel them open button-by-button until she was panting — all with barely having to try… 
He abruptly stood up, then clasped his hands behind his back as he made his way around his desk. “As I mentioned on Sunday, I am happy to provide more hands-on instruction in oil painting techniques. Even one or two sessions could help to build your confidence with this medium.”
“I would love that,” she said. “When can we start? Where should we do the lessons?”
“I will have to check my schedule to determine the best time,” he said. “As for where: the university’s graduate studio would be most convenient. We can easily book a space.” Secretly, however, he was imagining her in his studio at his apartment. The thought of having Nare in his home, standing barefoot in front of an easel while he provided gentle guidance for her slender hands: the fantasy made him feel aroused and protective at the same time, as though he wanted to guard her from others while keeping her selfishly for his own, and he was grateful for the span of space between them as he wandered idly toward his bookshelves. 
“The grad studio space sounds good,” she said. She started edging around to the front of his desk as well. “Or, um. I… Tamaris and I have a studio space at our apartment.”
He looked at her. Her expression was shy but hopeful, and when he met her eye, she ducked her head in that bashful way that always made him want to bend her over his desk. 
She tucked a russet strand of hair over her ear and let out a little laugh. “That probably wouldn’t work, though. Tamaris uses that space most of the day for her tattoo clients and I don’t want to get in her way. But she, um, she also doesn’t work every day, she always picks a day of the week where she sees no clients, so we could always — I mean, you could come and — all my paints and supplies are already there…” 
She was babbling. She looked up and met his eye again, then let out another self-deprecating laugh and rubbed her arms as though she was cold. “Never mind. It’s a dumb idea. Pretend I didn’t say anything.”
Solas didn’t reply. Truly, in this moment, he was forcing himself not to speak or to move. The way her manner shifted so seamlessly from bold and flirtatious to bashful and demure was so… fenedhis, it was a perfect dichotomy, like two glimmering facets that melded so perfectly in this one beautiful young woman, and each side of her seemed to call to something different and complementary in the depths of his soul. 
He wanted to teach her and to watch her bloom. He wanted to pin her down and make her beg. He wanted to protect her from any clumsy lovers who would fail her, and he wanted to imprint himself on her body so thoroughly that she would forget any other lovers who had come before. 
Solas wanted Nare so badly that it was a physical ache, and with every passing beat of his heart, he had to remind himself of the ugly truth: he absolutely could not have her. He could banter with her and text her and savour the undeniable electricity between them, but at all costs, he needed to remember: Nare was not his to have.
He inhaled slowly through his nose to master himself. “Let us stick to the plan of booking a student space for this,” he said. “Teaching you at your home studio would be unwise.”
He regretted his word choice the moment it left his mouth: Nare straightened with interest. “Unwise? Why?”
Because I would be far too tempted to ravish you if we were alone, he thought. “Not unwise,” he amended quickly. “Inappropriate.”
Her hopeful expression became playful. “What, you’ve never taught any other students at their studios at home?”
He gave her a chiding look, even as his heart swelled with a heated sort of amusement. Shy one moment and cheeky the next… she was such an irreverent little vixen. 
“I haven’t,” he said calmly. “But you are the first fine arts graduate student I have had since I began working at the University of Orlais.”
Her eyes widened. “You’re kidding! Why? There must have been tons of students who wanted to work with you.”
“None that met my standards,” he said. “Felassan says my standards are frighteningly high. And that is not sweet talking, as you would say,” he added wryly. “That is the simple truth.” He paced slowly in front of his bookshelf as he went on. “You are already a very good artist, Nare. With some tutelage and guidance, I have no doubt that you will be exceptional.”
She smiled shyly and sat on the couch. “How can you have such faith in me when I don’t have  that kind of faith in myself?”
“Many of the finest artists are shackled by self-doubt and uncertainty,” he replied. “The artists who succeed are the ones who channel that uncertainty into a drive to improve their work.”
“So do you think it’s good that I’m always criticizing myself?”
“Your self-criticism can go one of two ways,” he explained. “It can become a weight that prevents you from progressing, or it can become an objective lens that will drive you to improve for the rest of your life. As objective a lens as there can be when it comes to art, at least,” he added with a small smile.
“You won’t let me get weighed down by my doubts, will you?” she asked.
He paused in his pacing and faced her. “I will not let that happen, Nare,” he said seriously. “Do not worry about that.”
“I’m not worried,” she said. “I trust you.”
I trust you. Her words were simple and guileless, but for some reason, they hit him like a bolt of emotion straight to the gut. For her to say that to him so easily and so quickly, with such perfect sincerity, even though they had known each other for less than a month… 
She let out another breathy little laugh and nervously adjusted her bracelets. “Honestly, I… I trust your judgment more than… more than any other professor I’ve ever had.”
He swallowed hard. “I am honoured by your trust,” he said quietly.
Her answering smile was sweet, and Solas admired her with a mixture of lust and regret and inexplicable tenderness — tenderness that he absolutely should not be feeling for his student, but which had burst upon him nevertheless, like a sunshower that he had been both unable and unwilling to avoid. 
For a long, suspended moment, neither of them spoke. And in this tense and electric moment, Solas swore to himself that he would never betray Nare’s trust, no matter what happened.
Nare was the one to break the silence. “We spend so much time talking about my work,” she said. “I’d love to hear about yours. Are you working on any paintings right now?”
He relaxed, grateful for the innocuous change of subject. “I’m afraid to admit that I’m not.”
“You aren’t?” she said.
He smirked. “There’s no need to look at me like that. I realize the irony.”
She chuckled. “As long as you realize it. What have you been sketching or drawing, then?”
He smiled at her. In one of their meetings, he had told her that he drew or sketched every day even when he wasn’t actively painting, and he was flattered that she had remembered that little detail of his routine. 
He shrugged and resumed his slow pacing. “I haven’t drawn anything worth showing lately,” he said — a near-lie, unfortunately. In truth, he’d been refining the sketch of the eager hands in the hopes of turning it into a fully-finished drawing. It would be the first realistic anatomical drawing he had done in several years. But he was keeping this particular piece to himself for now. 
Nare gave him a skeptical look. “Oh come on, I don’t believe that. Your sketchbook must be full of amazing work.”
“I don’t use a sketchbook,” he replied.
Her eyes widened. “Wait, really? What do you sketch on, then?”
“I draw on loose cardstock,” he said. “I dislike being constrained by the binding of a sketchbook or the height of a stack of pages. It interferes with the positioning of my hand.”
She beamed at him, and the warmth in her expression lifted an answering warmth in his belly. “What amuses you?” he said softly.
“It’s just such a specific preference,” she said. “Like a special quirk.” She tilted her head. “I like knowing special little things about you.”
He huffed and rubbed his chin. “Then perhaps you’ll be entertained to hear about the shelf of haphazardly stacked cardstock sketches in my studio at home.”
“You’re kidding!” she exclaimed. “What, just piled on a shelf?”
“Yes,” he said with a small smile. “It’s quite a mess.”
She giggled and eyed his less-than-organized desktop. “That actually doesn't surprise me.”
He playfully lifted one eyebrow. “That’s disrespectful.”
“I’m sorry, professor,” she said, equally playfully. “Are your loose sketches dated, at least?”
He winced, and Nare laughed again. “No! That’s really terrible!”
He chuckled. “Athera would be horrified if ever she saw my shelf of sketches.”
“She would!” Nare agreed. “It would be a nightmare for her. I wouldn’t mind helping you to organize your shelves, though.”
Solas carefully maintained his pleasantly neutral expression. This was not the first time Nare had hinted at wanting to see his apartment, and every time she did, he got a thrill at the thought — and immediately changed the subject to stop himself from inviting her over like he so desperately wanted to do.
“That’s a kind thought,” he said. “At any rate, to answer your original question: no, I’m not working on any serious painted pieces at the moment.”
“How come?” she said. “Haven’t you been having interesting dreams?”
“My dreams have been a bit light on inspiration as of late,” he said. “Luckily, I keep a journal to jot down my more interesting dreams so I can come back to them when I am lacking in new ideas.”
Her eyes widened in wonder. “You have a dream diary?”
“Yes, I do.”
“I’d love to see it,” she said eagerly.
He hesitated. “Well, it’s… rather private,” he hedged. Few people knew about his dream journal — only Felassan and Abelas and a couple of others — and none had ever asked to see it before. But the thought of showing something so private to Nare was dangerously tempting.
She pulled a little face. “I’m sorry, I didn’t mean to pry.”
He shook his head. “Don’t apologize. I’m honoured by your interest. It’s… uncommon to receive this much interest in my process.”
“That makes sense, if you haven’t had an art student in so long,” she said knowingly. “I bet any fine art student would be really interested in your process.”
“Your interest is what pleases me,” he said without thinking.
A flush lit her cheeks, and the flare of hope in her eyes was so obvious and so beautiful that it made him feel like he was falling off of a cliff. 
He hastily changed the subject. “I would be happy to share some of my more interesting dreams. The ones that I can recall, at least.”
She straightened. “Really? I’d love that!”
“All right,” he said. He leaned against the edge of his desk and folded his arms. “There was one dream I had of late: a figure so striking that I was forced to rise from my bed to sketch it out.” He tilted his head. “The Dalish tell tales of spirits, yes?”
“Yes, we do,” she said. She gestured at her face. “In Dalish traditions, our vallaslin was meant to help us connect with the spirit world.”
He nodded slowly. “The spirit world of which you speak is likely different from our Arlathani lore, but I suspect that our stories share their bones. In any case, the striking figure from my dream was a spirit that I call the Shadow Goddess.” He narrowed his eyes and tried to remember the details of the elusive dream. “Hidden by a cloak of the deepest black, she walked the Fade along the southern tundra — weeping, lonely, and forgotten. More than that, I couldn’t tell; I woke before her story could unveil itself to me. But the essence of her tale still lingers in my mind: a loneliness so dark and deep that even light was chased away by her endless solitude.”
For a moment, there was silence. Then Nare spoke. “Solas, that’s… so sad.”
Her voice was small and slightly breathless. When Solas met her eye, it was to find her looking very serious, but also somehow… on edge. Not nervous, not afraid, but still on edge somehow. 
“It was a very sad dream, yes,” he said softly. “You can see why I haven’t been able to bring myself to paint it yet.”
She nodded. “I can’t decide if I’d want to see it painted or not.”
“Why wouldn’t you?” he asked.
A tiny frown creased her brow. “If it meant you had to be that sad to paint it? I would never want you to be that sad.”
He smiled faintly. “I suppose you have a point. I should be grateful that I have not yet had the heart to paint the lonely Shadow Goddess.”
She nodded, then leaned forward a little bit. “Can you tell me another dream?”
“Certainly,” he said. “Let me try and recall another.” He stepped away from his desk and sat on the other end of the couch. “There was one dream I had — a dream inspired, in fact, by an article I read in an Elvhen history journal.”
“An article? Really?”
He nodded. “The article was about the ruins of ancient Arlathan. When finally I went to sleep, my sleeping mind was mired among the burning ruins of the ancient city.” He crossed his ankle over his knee. “Marble towers and arches stretched above my head, higher than the eye could see, but all of it grew black with ash: the burnt remains of a once-grand home, unable to stop its own demise.”
She nodded and let out a slow and slightly shaky exhale, and Solas frowned. “Nare, are you all right?” he said. Her expression was still serious, but she looked even more tense than before. Her knees were pressed together, and her fingers were clenched in the leather seat of his couch.
“I’m fine,” she said quickly. “I, um… your dreams are always so sad.”
He studied her carefully as he replied. “This dream wasn’t sad, in fact. It was filled with rage.”
“Rage? Why?”
“It is commonly believed that ancient Arlathan was burned during the old wars between Arlathan and Tevinter,” he said. “But the article I read revealed the truth: the city had been burnt before those wars had even reached their heights — burnt from within by its own people.”
Her eyes widened with surprise, but Solas couldn't help but notice that the tips of her ears were pink, almost as though she was getting flushed. 
Curious now, he went on. “Rage was what defined my dream. The blackened ash that stained the stones and hid the beauty of old Arlathan: marks of rage, brought upon the city by its own forgotten people.” 
She inhaled slowly through her parted lips, and Solas’s own breath stalled in his chest as he watched her. She was shifting subtly on the couch, arching her spine and brushing her knees together in a distinctly restless way…
He suddenly realized what was going on.
Her tense posture on his couch. Her request to hear more of his dreams, and her shameless texted requests for voice memos. Her precious confession, saved in his phone, that ‘I really like your voice’... 
The realization hit him like a thunderclap — an incredible, terrible, maddening thunderclap. 
She was getting aroused.
She nibbled her lower lip — fenedhis, it wasn’t fair, he wanted to be the one to nibble that lip — then she looked him in the eye. “Can you tell me another?” 
He stared at her, stunned with wonder. Nare was turned on by the sound of his voice. And by requesting more stories, she was shamelessly asking him to arouse her even more.
This was bad. He should say no. He ought to say no. He knew exactly how dangerous this was for them both, and it was his responsibility to say no. 
But that smug and foolish sense of pride was unfurling through his limbs again, taking control of his body and making him shift slightly closer to her on the couch. 
He lowered his voice. “I will tell you one last dream,” he said.
She nodded. “Yes please,” she breathed.
Yes, please. Ah, to hear her say this in a much more intimate context — and with considerably fewer clothes between them…
He leaned back and draped his arm along the back of the couch. “This final dream I’ll share with you was about a garden,” he said quietly. “Flowers bloomed across a vast expanse, stretching far into the haze of a horizon that my eyes could not perceive. But these flowers were unlike any I have ever seen. And this, I admit, is why my hand has never given shape to this particular dream: the flowers in this garden were so strange and foreign that I couldn’t hope to replicate their likeness.”
He paused for a moment to study her. Her eyes were half-closed and her lips slightly parted, and a rush of nearly-vicious desire fanned through his body. The look on her face right now, this look of languorous and shameless desire: how many times had he imagined such a beautiful expression on her face? How many times had he imagined seeing her look like this while he stretched her arms above her head, while he dipped his fingers between her legs, while he whispered soft and heated words into her ear — not unlike what he was nearly doing now?
Her eyelashes fluttered for a moment, then lifted as she turned her head to look at him. “Please,” she said. “Can you tell me more?”
Please. Such a simple and innocent word, but in Nare’s husky voice, it sounded anything but innocent.
He hesitated before speaking, however. There was, in fact, more to this particular dream that he could tell her, but he knew he shouldn't. 
And for that reason, his contrary and lustful lips opened to tell her anyway. “At first, the garden was like any other: rich in colour and pleasing to the eye,” he said. “But as I waited in that garden, I discovered that those blooms were not just simple static flowers. With every breath that filled my lungs, the flowers seemed to pulse and sway. Their pulsing was… familiar somehow, like a song I had once known and had forgotten: the heartbeat of a foreign place, made familiar again by the whims of my sleeping mind.” He leaned toward her slightly and lowered his voice a little more. “I felt myself begin to wake, but I wasn’t ready to rise yet from that strange and familiar dream. I remained in that garden, feeling the pleasing floral beat as it swelled inside my chest, and when finally I woke…” He trailed off. This whole suggestive story was leading toward one conclusion, and it was a conclusion that he didn’t dare verbalize to her, not even with this misplaced cocky pride that had taken control of his tongue.
She gazed at him, her expression avid with curiosity and desire. “What happened when you woke up?” she asked.
He raised his eyebrows, and her eyes went very wide. “You — did you, um…” Her eyes darted to the bulge at his crotch, and Solas felt himself throbbing as though his cock was summoned by the heat of her gaze. 
Her eyes returned to his face, and she swallowed hard before speaking again. “Did you have to take a shower when you woke up?” she whispered.
“I’m afraid so,” he said, very quietly.
“Oh,” she said. “Oh gods. Um, that’s…” She clenched her fingers on her thighs, then pressed her knuckles to her mouth, and Solas studied her very obvious reaction with all the ravenous hunger of a wolf studying its mouth-watering prey. 
Nare closed her eyes, and for a long, delicious, endless minute, Solas stared at her while she dragged in a series of deep and tremulous breaths. Her knuckles were pressed to her lips as though to muffle herself, and her other hand was clenched on her thigh, and Solas wished that he could push her hand away and replace it with his own. 
But he didn’t reach for her. He didn’t shift any closer to her on the couch. He stayed exactly where he was, still and unmoving with one arm draped casually along the back of the couch. For all that he craved her, for all the lust that was howling in his blood as he studied Nare’s arched spine and her fiery red hair that he longed to wrap his hands in, he couldn’t bring himself to touch her first. 
If she touched him, however… 
Fenedhis, he didn’t know what he would do. At this particular moment, he was fairly sure that the mere brush of her finger on his knee would be enough to make him pounce.
I can’t, he thought desperately. With an enormous effort of will, he forced himself to stand. “Well, I hope that this meeting gives you enough guidance to try again with your study,” he said briskly. “And I will certainly email you about a time for us to meet at the studio for a lesson.”
She lowered her hand from her lips and looked at him, and he very nearly quailed. The look in her eyes, the sheer uninhibited lust and pleading in her beautiful face: her expression was exactly as he’d always imagined — no, it was better than he’d imagined. Both better and worse, if he was honest. The naked desire in her face was better than he’d imagined, because it was real: it was real and true, tangible and visible proof that the way he felt for her was mutual and shared.
And it was worse than he’d imagined, because this incredible feeling was completely forbidden. 
She tilted her head pleadingly. “Solas, please…” 
Please. He couldn’t bear to hear this word from her, because it was exactly what he wanted to hear. 
He shook his head slightly — both for his own sake and hers. “That’s enough for now, Nare,” he said. “Come.” He made his way over to his office door and waited for her to rise. 
She closed her eyes for a moment, then exhaled heavily and stood up from the couch. She adjusted her purse on her shoulder as she joined him at the door, and when she reached for the doorknob, he was torn between relief and a very visceral sense of loss. 
She paused and looked up at him. “So I’ll… I’ll see you on Thursday morning, then?” she said breathlessly. “For our usual meeting?”
He smiled, genuinely amused despite his horrible desire. “You’re forgetting about our seminar this afternoon.”
Her jaw dropped, and she burst into laughter. “Oh no, I did!” she exclaimed. “We really are fated to keep forgetting about the seminar!”
He grinned and clasped his hands behind his back. “To date, you have forgotten more often than I.”
“It’s not my fault!” she protested.
He quirked an eyebrow. “Are you suggesting that I’m to blame for your poor memory?”
She laughed again, then gave him a sly smile. “Not for my poor memory, no,” she said quietly. “For your sweet talking.”
He huffed, but her words gave him a little pang of guilt. Now that the worst of his prideful lust was starting to abate, the reasonable part of his mind was growing louder and clamouring at him for his extremely irresponsible behaviour just now.
He bowed his head. “You are probably right. I should curb my tendency to talk at such length.”
To his delight and his deep dismay, she took a little step closer to him. “Or maybe I should try some sweet talking of my own,” she murmured.
His semi-calm cock instantly hardened once more, but he forced his expression to remain neutral. “I wouldn’t advise that,” he said.
“Why not?” she asked.
He gazed into her eyes: her bold and beautiful cerulean eyes, bright with laughter and mischief — provocative eyes to go along with her provocative smile… 
Provoked by Nare’s taunting, his barely-leashed sense of lustful pride reared its head once more. He took a step closer to her, and her eyes widened. 
Then he took another step closer to her still, and another, and then she was backed against the office door while Solas loomed over her. 
He placed one palm carefully on the door beside her head. “You know exactly why,” he said, very quietly.
She didn’t reply. Her eyes were huge and feverishly hot, her lips parted, her cheeks flushed. Beautiful, he thought dizzily. Nare was beautiful and lustful and brilliant, and most strange and unfathomable of all, she wanted him. But… fenedhis, this was utterly and completely inadvisable, and they both knew it. 
She nervously licked her lips, and Solas’s gaze helplessly dropped to her mouth. She lifted her chin—  
Someone knocked on the door.
They both jumped, and Solas hastily stepped away from her. “Just a moment,” he called. “I’m finishing a meeting.”
“All right,” Abelas replied through the door. 
Solas exhaled through his pounding heart and looked at Nare. She was covering her mouth with both hands, and her eyes were huge. 
He gave her a reassuring look. “Be calm, Nare,” he whispered. “You’ve done nothing wrong.” 
She nodded and took a few slow breaths, and Solas carefully backed away from her. A tense moment later, she lowered her hands and gave him a sheepish but beautiful smile. “I’ll see you later,” she whispered. 
He nodded, then smoothed a hand over his scalp before gesturing politely at the door. Nare opened the door and smiled at Abelas as she stepped out of the office.
“Hi, Professor Abelas,” she said politely, and Solas felt a completely unreasonable rush of possessiveness. He was feeling jealous about Nare calling Abelas by his own title? He must be going mad. 
Abelas nodded to her. “Nare,” he greeted. He stepped into Solas’s office and held out an envelope. “Tamlen gave this to me by mistake.” 
“Ah,” Solas said. He took the envelope and carefully did not watch Nare as she walked away. “Is that all?”
Abelas nodded briskly. “I’ll be leaving the office for an early lunch. I’ll go straight to my one o’clock meeting when I am finished.”
Solas raised his eyebrows, actually distracted by this surprising news. “You’re leaving the office for lunch? Is there a lecture happening somewhere?”
“No,” he said. “It is a working lunch. A last-minute arrangement.”
“Ah,” Solas said. “My condolences.” He was well aware of Abelas’s distaste for last-minute plans. “You couldn’t turn it down?”
“Apparently not,” Abelas said ruefully. “I will see you later.” He turned away to return to his office, and Solas closed his office door. 
He made his way over to his desk, then plopped down in his chair with a sigh and pressed the heels of his hands into his eyes. He really must be going mad. Allowing himself to be provoked by Nare’s subtly arched spine and her soft little murmurs of please, telling her tales about his dreams even though he knew that his voice was riling her up, pinning her against the door and staring at her lips like a mindless lustful fool…  
He rubbed his face, then straightened in his chair and clicked his mouse. He opened his documents and forced himself to concentrate on the article he’d been translating from Elvhen to common, but even as he worked on his translation, part of his mind was greedily running through his meeting with Nare, picking out the most deliciously suggestive things she’d said and done and storing them away for later when he was alone.
Her coquettish smile… Solas, please.. The arch in her spine as she sat on his couch… Maybe I should try some sweet talking of my own… The heated, feverish, pleading look in her eyes as he pinned her back against the door… 
He cock throbbed insistently in his pants. He sighed and ignored it, then went back to tapping away at his keyboard. 
Nare’s degree was going to be a very long two years. 
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kjhomqhan · 5 years
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XP-Pen Artist 15.6 Pro Drawing tablet with Screen Review
XP-Pen Artist 15.6 Pro Drawing tablet with Screen Review
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I'm a artist who is getting into digital art because I really liked drawing , but wanted something better, both with hardware as well as software. I considered the iPad Pro but feared the price and that iOS would ultimately frustrate and limit me. The Wacom Cintiq 16 is also more expensive. Ultimately I decided on the 15.6 Pro.
XP-Pen Artist 15.6 Pro is the newer model of the Artist 15.6 , but with pen tilt Support , The tilt function ensures that the accuracy of the pen remains the same when tilted, offering a real and natural drawing experience.
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Artist 15.6 Pro has been used 120% sRGB in the device to give you more vivid, clear and sharp color quality that also enhances the accuracy of any image.
It has greatly improved on parallax, New optical bonding process that greatly reduces parallax , becuse of new Technology their has No Air Gap.
Compared to the Artist 15.6,the Artist 15.6 Pro features 8 fully customizable shortcut keys and 1 Red Roller Wheel which puts more customization options at your fingertips to suit you preferred work style, allowing you to capture and express your ideas easier and faster for optimized workflow.
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Specifications:
Display Size: 15.6″
Aspect Ratio: 16:9
Shortcut Keys: 8
Roller Wheel: 1
Pen: P05R Battery-free Pen
Pen Pressure: 8192 levels
Tilt: 60 degrees
Report Rate: ≧200 RPS
Display Resolution:1920 (H)*1080(V) pixels
Display Color Gamut:120%sRGB
Resolution:5080 LPI
Visual Angle:178°
Input Device:USB
Reading Height:10mm
Response Rate: 25ms
More details: https://www.storexppen.com/buy/artist-15_6pro.html
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Package Contents:
XP-Pen Artist 15.6 Pro tablet
XP-Pen P06 battery-free pen
Pen case
Combined cable
USB type-A extension cable (for power)
USB power adapter
Outlet adapters for international power outlets
HDMI to Mini-DisplayPort adapter
Pen nib replacements x8
Anti-fouling glove
Screen cleaning cloth
User manual
Warranty policy and warranty card
Design
XP-PEN Artist 15.6 Pro has 3 buttons along the side which are for power, brightness up, and brightness down. The tablet comes with a pre-applied screen protector which has a very minimal amount of texture.
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The boxing and packaging is very nice and rather professional looking. There is just one cable for multiple ports(splits from one to three with the one cable as seen in the picture).
The power button will glow with a dark blue light to indicate that the tablet is powered on.
It’s very nice that tablet comes with a stand but it’s not adjustable.
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The IPS Screen
The tablet has a 15.6-inch IPS display with full HD resolution (1,920 x 1,080) . It has pairs a superb color accuracy of 120% sRGB 16.7 million colorswith 178 degrees of visual angle.
The screen is awesome, clarity and colors look nice. Using the default plastic nib works great on this new surface, and feels more like a traditional pencil on paper to me.
The screen has a textured matte film over it this is to give your pen more grip and improve control when drawing.
Artist15.6 Pro adopting full-laminated technology, seamlessly combines the glass and the screen, to create a distraction-free working environment that's also easy on the eyes.
If you push hard on the screen it makes some waves, not very noticeable.
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The Stylus(Pen)
With the pressure of 8192 levels, 5080 LPI and 10mm sensing height- the pen is very sleek and makes your drawing natural on the screen as it intensely senses and analyzes every movement.
Stylus (P05R) supports 60 degrees of tilt function, allowing it to easily and quickly sense the gesture movement of the stylus to ensure accurate imitation of a real tilting brush effect.it’s a battery-free device, even with large complex Photoshop brushes or sculpting with high res stamps in 3D, is minimal to the point of non-existence.
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The Roller wheel and 8 express buttons
There are 8 programmable buttons and a Roller wheel. the innovative Red Dial interface breaks through the traditional pen display design for optimal efficiency. These can be used at the fingertips, can be scrolled, zoomed in, etc.
The buttons are amazing, the round ring in the middle, The scroll wheel can be programmed to control three different parameters (such as zoom, brush size, etc). And the customize-able physical buttons have nice tactile feel.
The buttons are completely customize-able to whatever hot key you want, and with the conjunction with custom on screen buttons, you'll be able to work comfortably without a keyboard..... at least with programs that are designed to be simple for tablets, like Sketchbook or Painter. Even with these keys, I don't think you can get away using Photoshop, or zbrush etc. I think some programs are just too frustrating without a keyboard.
I wish the middle of the wheel was a button but serves no purpose.
The drivers
The driver download is done through their site online.
The XP-Pen tablet drivers are extremely easy to install. Just go download the latest version directly from XP-Pen’s site and remove all other tablet drivers you have on your computer before installing it.
The XP-Pen driver is a simple one page driver with all the important settings in just one window. Here you can set the pen buttons and pen pressure, and choose which monitor the tablet maps to.
I did not need to change any of the default settings as the tablet worked very well with the defaults. I also did not need to calibrate the pen because the cursor properly appeared directly under the pen by default (which surprisingly isn’t the case for some tablets).
To date, the drivers have worked fine with the programs I use most: Adobe Photoshop and Clip Studio Paint.
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Drawing Experience
Artist 15.6 Pro was fantastic. It was also very portable so I could bring it with me to libraries and give demonstrations.
On Photoshop , the program recognizes stylus tilt. This allowing you to vary opacity with pressure, but line thickness with pressure tilt. It took me a good hour to get used to using it, it's a bit different than using a real pencil, but I now love it. The line weights, and the look of the pencil lines, makes it feel more like traditional pencil and paper.
Conclusion
XP-Pen Artist 15.6 Pro is an ideal choice among professional artists who love drawing and painting. This device is the best way to step into the digital canvas world. Now you don’t have to worry about colors, brushes, sheets, and pencil anymore, just pick this piece, keep it in your bag and move ahead to the world of art.
They have designed a protector that seems to fit into the premium product space in terms of functionality while keeping the cost to a minimum for beginning artists.
Although this is a bargain of $400, but I am very satisfied with its performance. Overall, I'm very satisfied with my purchase, and I highly recommend it to anyone looking for a mid-range pen display tablet.
In case you don’t want Pen tilt function, or want to save few bucks and get the Screen drawing tablet for cheaper, it may worth it to check out the previous Artist 15.6 model. Which have similar features, like the 8192 level of pressure sensitivity, the HD screen. And the pro pen with 8 replacement nibs.
If you want to learn more about the Artist 15.6 Pro, check out the link below:https://www.storexppen.com/buy/artist-15_6pro.html
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