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#and just... that wasn't even all of it
allysketches · 1 month
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this drawing started off as tv crowley and aziraphale dressed like their book cover counterparts, but then I got carried away and it turned out... not being exactly that anymore 🤷🏻‍♀️
so... late 80s/early 90s au? (aka. literally the book lol)
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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blairpfaff · 1 month
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Paul Mescal & Andrew Scott behind the scenes of All of Us Strangers (2023)
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prahacat · 2 months
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when the horrors catch up and you take an evening off to batch-process
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hairmetal666 · 2 months
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He hates Steve Harrington, everything about him. His stupid, upbeat pop music. His tall fucking hair. His annoyingly bright clothes. His bullshit German luxury car.
Eddie hates that Steve's a good guy. Hates that he carried Eddie's broken and dying body out of hell. Hates that the kids love him how they do. Hates that he and Robin Buckley are the kind of best friends who might as well be siblings. Hates the way that Jonathan is back and Nancy is happy, and Steve has no resentment about any of it. Hates that he'll never, for as long as he lives, forget about six kids and a Winnebago.
And he hates, more than anything of all, the way he's always finding himself in Steve's bed. The way he falls apart when Steve is deep inside, the way he begs for more, pleads for Steve to wreck him. The way Steve treats him so good that it makes him sob.
Eddie hates himself for not being able to stop. For wanting Steve so much that sometimes he feels it as a visceral ache in the back of his molars. He hates himself for how little fight his dumb traitor heart puts into not being astronomically down bad in love with the guy immediately.
And none of this is supposed to flow from his brain to his tongue to out of his mouth, but Steve fucks him so good and slow--gives him the most mind-blowing orgasm of his life--that it all just slips out of the safe confines of his mind.
"I fucking hate you," he says. Or pants, more like, he's all flushed and sweaty and covered in come, not yet settled back to himself.
"W-what?" Steve stutters. He's standing at the edge of the bed, damp towel clenched in his fist.
True, full consciousness strikes then and he doesn't know what else to say. Steve's big eyes are wide and sad, and Eddie's brain is screaming at him to fix it, and isn't that just another thing that he hates?
"Steve. Like. Fucking look at yourself, man." He waves his hand up Harrington's perfect body. "You're the most beautiful fucking thing in the universe. And you--you embody like every fucking thing I'm supposed to hate with your money and your athletic ability, and your whole goddamn clean-cut All-American boy next door bullshit. And I--I keep ending up here when everything in me says to run away, that this--you--are too good to be fucking true."
And Steve, he's pinching the bridge of his nose, looking more than anything like he's trying not to burst into tears and this--this cannot be borne.
"I love you so fucking much." His voice cracks and he reaches out to circle his fingers around Steve's wrist, the one holding the towel. "I love you so much and I don't deserve even a second of it. Not a minute. Because you're Steve Harrington, you're--"
Steve presses his hand (he hates the the wide palms and long fingers, how they're perfect, how they hold him and comfort him and wring out pleasure again and again like it's nothing, like Steve's hands were made for making Eddie come) over Eddie's mouth. "Shut-up, Munson," he says.
"I fucking hate you too." There's ease in the way he says it, a lightness in his eyes. "I hate that you don't use conditioner. I hate that your van makes that turkey gobble sound every time you turn a corner, and you refuse to let me look at it. I hate how loud you play your music, how it makes my fucking skin shake. I hate when you forget to take the damn chains off your jeans when you put them in the wash."
Steve climbs into bed, straddling him, towel long forgotten. "You know what else I fucking hate, Eddie?" He leans down, ghosting his lips against the tip of Eddie's nose, skimming his mouth. "I hate that I've never loved anyone like I love you. I hate that I almost fucking lost you. I hate that we can't spend every minute in this goddamn bed, so I can memorize every inch of your skin, every sound you make, every single way I tear you apart, and all of the things that put you back together. I love you, Ed. Every fucking terrible part."
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mobius-m-mobius · 6 months
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#just a wizard gentleman and his butler 🪄🎩
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mirrorhouse · 3 months
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i wonder how many more people would've vehemently hated gale right off the bat on full release if his introduction conversation had stayed like this or something similar
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boojangs · 2 months
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How she looks at her when she isn't looking:
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How she looks at her:
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How she looks at her when she isn't looking:
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How she looks at her:
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Building Trust:
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Coming Home:
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spacedace · 7 months
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Found this old snippet and don't really remember of the context for it outside of being a joking exploration of how weird the Fenton/Phantom family tree would seem to outsiders (not even getting into how relationships might be classified differently between the human side & the ghost side)
Anyway gonna drop it here as a prompt lol
Mind the quick reference to dismemberment, there's no gore or detailed description and no one is actually hurt, it's more there for comedic effect, but still wanted to give the heads up on it 👍
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Nomad motioned to the towering, vaguely vampire-looking buff dude with literal flaming hair what the fuck, “Dan, this is everyone. Everyone this is Dan. He’s my…” Nomad trailed off and blinked, a look of confused befuddlement on her face as she let the sentence hang for too long.
“Huh…” She said considering, looking up at vampire-dude, Dan apparently, with a confused furrow on her brow. “You know this is the first time I’ve ever had to try and explain our relationship to each other and I’m drawing a blank and what exactly to call you. Uncle? Dad? Brother? Like, I think you could technically be considered all three.”
What the fuck did that mean??? Kon snapped his attention over to meet Tim’s masked gaze, the look of wild confusion Kon was sure was on his own face mirrored there. Around the meeting room confused and worried looks were being shared by the rest of the League. Which like, yeah, what in the Habsburgs was happening here for all of those terms to be applicable?
“Well, you’re Danny’s Mirror, so if you consider him your dad then it stands to reason I’m also your father.” Dan said, hand coming up to his - literally flaming, how did that work? - goatee thoughtfully.
“Yeah but like, I call Danny dad just to piss Vlad off.” Nomad countered, toying with her severed arm with her still attached hand. Kon didn’t think he’d ever get over how casual she was about being literally disarmed and just…not caring. “And I definitely don’t see you as a dad. Uncle?”
The giant of a ghost shook his head with a frown, “Implies that Danny and I are brothers, which could work but gives our relationship kind of a weird vibe. I feel more like his father than anything.”
“Gramps, then?”
“No.”
Nomad laughed, “Fair, wouldn’t want to take the title of Grampa away from CW. Besides we’re both half Vlad, so I think brother works best here.” She frowned, looking thoughtful, “Maybe half brother?”
Dan considered, “Half-brother could work. Though it gives Vlad more credit than he deserves.”
“Oh come on, can you imagine the look on his face if we went in together on suing him for child support?” Nomad asked, fanged grin wicked. Dan’s face lit up at the idea, and Kon felt like they were rapidly heading towards the two ghosts running off to go and go torment whoever this Vlad guy was rather then them help deal with the current demonic problem at hand.
“Can you please explain what any of that means?” Kon asked, more a squeak than anything else. He was starting to get a headache.
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gummi-ships · 8 months
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Kingdom Hearts - Traverse Town
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iromnam · 9 months
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thinking about how gear 5 grants Luffy an entirely different dimension of freedom
i'm talking about the fact that the nature of his devil fruit lets him break out of what's commonly expected from the Japanese animation style, how his rubber body lets him bring in the "squash and stretch" principle from cartoons in a way that makes sense to the story and it's just. too. damn. good.
in other words: Luffy is free in every sense of the word and I'm crying over it
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yangjeongin · 11 months
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HYUNJIN | MAMA 2020 ENDING
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acetier · 1 year
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Afterwards, relief.
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divorcedtom · 1 year
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gay ass greg
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ineed-to-sleep · 3 months
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So I've had this wip sitting in my folders for months now and decided to ressurect it to satiate the urge to draw these two again
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It will never stop being funny to me that the Titan's Tower incident between Jason and Tim happened right after fucking Jericho did the exact same thing but was way, WAY scarier about it.
JERICHO repeatedly attacks them, endangers civilians, possesses multiple people, is out of his head with rage and sorrow at feeling expendable and feeling like teen vigilantism was what got him and Donna killed. Hell he even shoots Bart through the leg, which fucks him up so bad he has to go through unanesthetized surgery and that trauma prompts a whole ass character growth spurt! Jericho both while possessing Slade and when they fight him in Raven's mind trap thing is like seriously bad news! He's playing for keeps and intent on really hurting them! It takes a full team effort over multiple comics to trap the guy
Then fucking JASON sneaks in ever so carefully, knocks a few of them out, feels a bit bad about even doing that, and has like a waffle house parking lot fist fight with Tim in a party city Robin costume. And what's he do afterwards? He just fucking leaves and never bothers them again! He doesn't wanna kill any of them! He's just a sad wet sack who doesn't know what he's doing with himself
The Teen Titans really do gather around Timmy after their fight lookin at that wall like, "Fucking seriously?? This is the second time this week!"
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