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#and just bisexuality as a whole
poorly-drawn-mdzs · 3 months
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Bonus 8: How met your mother (CSSR design by @qourmet!)
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#poorly drawn mdzs#mdzs#cangse sanren#wei changze#jiang fengmian#It was important to me that WCZ had the hereditary mole. I will die on this hill.#I have been *waiting* for the day to finally arrive when I could finally make this comic. It's been marinating for months.#My mission is to redraw all of qour's character designs one day. They are just *that* good.#CSSR has the vibes of a wandering menace who shows up in towns like a stray cat arriving at a new doorstep for treats. 10/10.#While YZY strongly leads us to believe that JFM was in love with CSSR and that's his whole motivation behind taking wwx in-#-I do think this is (once again) rumour being presented as reality. It's the juicer story to tell after all.#It is still possible that he did love her! But I think that story undercuts the relationship he also had with WCZ.#Yall ever think about how JC and WWX parallel their fathers? How Wei Changze also left the Jiang Leader's side? I do.#Unlike JC though It is far more hilarious and plausible to imagine JFM begging to be CSSR and WCZ's third. You know he would.#My wild headcanon is that JFM and YZY are in a mlm and wlw arranged marriage situation. Deeply unhappy as partners. Better as friends.#they care for each other and I'll admit that there is a beautiful tragedy in them having romantic feelings for each other the whole time.#But I am also here for the gaffs. Let them be unfulfilled homosexuals together.#Meanwhile cssr and wcz are having incredible hetrosexual sex in a bisexual way that WILL leave him pregnant by the end of it.
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savagegood · 9 months
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me when i lie | THE WITCHER SEASON THREE
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future-crab · 2 months
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It's been said before, it will be said again, but it's still worth saying: the fact that art centering on straight romance is allowed to just be bad, but art with queer romance in it always has to be indicative of A Serious Problem With the Way We Tell Queer Stories makes being a queer person making queer art deeply stressful
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VERY interesting that this moment took place in the "woman in house and wilson's building thinks they're gay/dating" episode
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also. hugh laurie's little smirk here really adds a certain . . . dimension to this moment that would not be there if he'd responded to the joke in a different way
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houseswife · 3 months
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listen. this may sound like a reach but I don’t think house’s eagerness to go to the lesbian bar with thirteen was fetishistic glee. because like. okay. straight men love lesbians. but it’s only ever in a “conventionally attractive porn stars making out”, “I’ll pay these 2 strippers to kiss” sort of way, not exactly in the sense that they like to surround themselves with regular, real life sapphics. in fact, most hetero men despise the lesbians they meet in real life because they see them as either unattainable or unappealing disappointments to their fantasies. now, listen. house isn’t stupid, it’s not like he thought thirteen was gonna let him in on some hot girl-on-girl voyeuristic action, and he certainly knew he wasn’t about to get laid himself at a bar of ALL WLW. he’s an overconfident perv, sure, but not the kind who thinks he can ‘convert’ a gay gal, nor would he even desire to. the damn patient of the week is a guy who tried to ECT himself straight, which house obviously doesn’t believe is reasonable (this episode also gave us the shot where both house & thirteen are shown making a face in response to “I’m as straight as any of you!”)
with all of this laid out, you kinda have to assume that he was excited about the bar for another reason. dare I say it was simply… the joy of existing in a queer space as a queer person?
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forcedhesitation · 7 months
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huge ew at all the people who erase the bisexuality of the bg3 companions. they aren't "playersexual," they aren't "gay coded" or "lesbian coded," there are MANY instances of them expressing romantic and/or sexual interest in other characters of varying genders. and not just your tav. it's not a suggestion, it's part of who they are no matter who your tav is.
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I’ve been highly confused as to why Michael “deeply openly thirsting on Twitter about David Tennant for half a decade” Sheen is half-in half-out the closet but apparently Wales is absurdly homophobic lmao what the fuck how is a country the size of New Jersey that much of a hater bruh we out number the shit out of you
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closet-keys · 8 months
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i remember seeing a post like a decade ago (... fuck me have i been here that long) that was talking about the way in which cishet cultural understandings of gay men and lesbians have this bizarre paradox where gay men are assumed to be categorically incapable of misogyny and lesbians are assumed to hate men innately.
sometimes I still think about what that implies about the sort of dominant culture understanding of gender. just in terms of like...
the idea that a man not being sexually/romantically interested in women is a man incapable of hating women or harming women or leveraging structural power against women (implication that misogyny is inherently and exclusively enacted through sex and relationships, or perhaps weirder, that attraction to women in and of itself is oppressive).
the idea that a woman not being sexually/romantically interested in men is a woman inherently hateful towards men (implication that a woman's disinterest in or unwillingness to engage with sex/relationships with men is directed at men as a hateful act, that a lack of attraction to men is inherently cruel or mean. or, perhaps weirder, that an "actual" lack of attraction to men is impossible and lesbianism is a deliberate and conscious performance of disinterest as a means to inflict cruelty on men, making "man-hating" a necessary prerequisite to the "performance" of lesbianism).
and then you start to see how those concepts also intersect with other weird ideas about gayness.
if attraction to women is in and of itself oppressive and misogynist, then that would certainly imply that lesbians themselves are oppressive and misogynist towards other women (and certainly many cis straight women and girls claim so). if misogyny is only enacted through sex and relationships then clearly straight women would be incapable of leveraging misogyny to harm other women or holding hateful views about women (and many cis straight women/girls seem to think so!)
if an unwillingness to engage in relationships with men is equivalent to or necessarily linked to unkindness towards men, then being mean and avoiding emotional vulnerability or physical intimacy in any context with men is how one expresses or performs sexual/romantic disinterest in men (and certainly many cis straight men do express and perform meanness and avoid emotional vulnerability and physical intimacy with other men, including even friends and family! certainly many cis straight men and boys are "accused" of being sexually interested in men for simply engaging with other men/boys in their lives with gentle kindness).
because cis straight people primarily encounter gender tension as something in the realm of romantic and sexual relationships with each other, they are often extremely lacking in understanding larger structures of gendered oppression (especially when they are also white and do not perceive contemporary gendered oppression as inextricably linked to structures of colonialism and whiteness and labor division/devaluation under racial capitalism). the surface perception of gender on this very small, interpersonal level without a greater power analysis or historical material analysis then leads them to just extrapolate these oversimplified ideas outwards and all sorts of weird shit gets projected onto LGBTQ+ people more broadly.
and then of course, LGBTQ+ people are not outside of this culture either--we grow up inside of it.
so many cis and trans lesbians and bi women (and straight and bi trans men too, and probably also cis bi men) go through some period of being terrified that their attraction to women makes them inherently predatory or harmful towards women.
sometimes cis (and sometimes also trans) gay men (and sometimes also ace men) inflict harm on women without understanding that harm as misogynist, because they don't realize that--for example--groping a woman is still sexual assault even if you're not attracted to her and doing it as a 'joke.' they might believe that talking over trans women repeatedly isn't straightforwardly misogyny or decide that a (cis or trans) ace woman or lesbian is being "mean" or "misandrist" by not prioritizing them.
idk, every time I see the "mean lesbian" trope (not like lesbians themselves reclaiming it-- though sometimes that can also veer into this if it is internalized rather than consciously a satirical critique to highlight the bizarreness of a simple absence of interest being construed as literal hatred) I think about how pervasive these ideas are and how they harm so many people beyond just those who identify as lesbians. I think the notion of the "mean lesbian" is sometimes considered like a small prejudice with minimal relevance outside of us, but it really is part of a much larger interconnected web of weird oppressive gender ideology.
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winnieinthemeadow · 1 year
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there is no way in HELL enid wasn’t gay. i’m sorry they did not have her mom try to send her to “werewolf conversion therapy” and drop the fact that she’s from SAN FRANCISCO to have her not date wednesday
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beanghostprincess · 1 month
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Finding hilariously ironic how most of Sanji's perv jokes end up being extremely trans-coded to some extent only because the joke is longer than it should be.
The "guy with a woman's body" joke has been a thing for ages now, but it usually ends after the "haha I have booobs" joke. Sanji extends it to "I want to stay in this body forever. It feels right. I don't want to give it back". Which could still be read as some perverted stuff, but I don't think any man would agree with that. No matter how much of a pervert he is. Because usually being perceived as a woman is something they refuse to go through although they like being in possession sexually of a woman's body (a type of excitement Sanji actually shows, not by being that much aroused by it but being comfortable with it? Which is... A different approach to the joke).
Sanji has made the typical "going into the girl's changing room/bathroom" joke a couple of times, but in Egghead he goes all the way to be extremely frustrated about not being able to do so? And it is obviously different than wanting to keep Nami's body forever. It can still be seen as frustration for not being able to see girls naked. But. But. The fact that the length of the joke increases? The fact that it's way longer than it should be for an average "haha boobs" joke? You know what I mean.
Not to mention his whole arc during the time-skip and how a simple (both transphobic and misogynistic, by the way) joke, goes all the way to show us that Sanji is indeed comfortable in more feminine clothes and environment, until he's pretty much forced to snap out of his fantasy to go back to the crew. But he wasn't having a bad time at all. And it is intended to be a joke, but it's... Longer than it should be to be considered only a joke and to not pay attention to it.
This isn't meant to be an analysis of any kind because if it were I would've worded it differently and would've mentioned how his childhood is also extremely trans-coded, but we all already know that. I just find it extremely funny how all of these jokes that intend to be directed at straight perv men are actually too long to not be taken into consideration as something deeper than a joke. But, aha, yeah, these are just jokes and definitely not proof of Sanji's perception of gender and his issues with it.
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stevethehairington · 1 year
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Steve sits in his car, parked outside of the Hawkins High theater room as he waits for his begrudgingly favorite group of gremlins to come spilling out of the building and pile into his backseat (and argue about the front seat too) so he can drive them home after their Dorks & Doofuses, or whatever it's called, club.
It, technically, ends at six, but it usually takes them a while to pack up all their shit (and who knew a nerd game could have more equipment than most sports?). Plus they love to linger after to try and weasel hints about future sessions out of their Nerd King or whatever he's called and start strategizing for next time. Steve always tells them not to dawdle, they've got curfews and he's got parents to keep happy, but they never listen.
He glances down at his watch right as the little hands ticks past the three. Any minute now. At least that's what he hopes, anyways.
ABBA's playing through the tape deck, and Steve absentmindedly taps along as the opening bars of Gimme Gimme Gimme fill the car. He hums the tune through the first verse and turns it up just as it starts to gear up for the chorus.
And then, as if on cue, right as that chorus hits, right as Agnetha and Anni-Frid start to ask for their man after midnight, the doors of the theater room go flying open.
And out walks — nay, saunters — the prettiest boy that Steve has ever laid eyes on. Dressed in a tantalizing mix of leather and denim, he's got his head thrown back in a bright, beautiful laugh (loud enough to hear even over the music, and jesus, it sounds even better than the song), his long, wild curls fanning out around his face and shoulders, and the most gorgeous, easy smile pulling at his mouth and baring all of his teeth.
There's not a soul out there, ABBA sings, no one to hear my prayer.
But boy oh boy are they wrong. Steve didn't send out any prayers, but there sure as shit is a soul out there. Traipsing through the Hawkins High parking lot like he owns the place, throwing his arms and hands around in erratic, enthusiastic gestures, walking backwards towards a beat up old van in the back.
And Steve can't look away.
It's almost embarrassing how caught up he gets in staring at this boy, because he doesn't even register the kids trailing out behind him, or how they've finally made it to his car until the doors are wrenched open none too carefully and their raucous bickering bursts through the bubble.
Dustin slides into the front seat and slams the door behind him, and Steve's attention is momentarily stolen from the pretty boy as he slips into the familiar song and dance that is chastising Dustin for his lack of respect for Steve's things and volleying back at the snarky remarks he gets in return.
"Later dweebs!" Interrupts a smooth, lilting voice from outside and every pair of eyes in the car (including Steve's, especially Steve's) snap towards the source. The pretty boy stands in the open door of his van with a broad smirk and a hand stuck up in a sedentary wave.
The kids all chorus their goodbyes and wave back, and Steve — ingloriously, embarrassingly, mortifyingly — gives a wave of his own.
The pretty boy notices, because of course he does, and his grin sharpens. He adds an extra flutter of his fingertips as he meets Steve's eyes directly.
Steve flushes all the way up to his roots and immediately tears his gaze away, drops his hand to the wheel, and clears his throat. "Alright," he says, sounding a bit pinched. "Buckle up shitheads," he adds and hopes that none of the excruciatingly nosy children in his car noticed any of that.
He doesn't even know how to begin explaining any of that to the kids. He doesn't even know how to being explaining any of this to himself.
Steve waits for the sound of three distinct clicks, then shifts the car into drive and eases off of the break. As he heads towards the parking lot exit, Steve spares one last fleeting glance to the pretty boy getting smaller and smaller in his rear view mirror.
Gimme gimme gimme a man after midnight, take me through the darkness to the break of the day.
The song — which Steve is absolutely going to have stuck in his head for days now, just like a certain boy that will absolutely be stuck in his head for days (and weeks, and months, and—) — fades to it's end, but this? This is only just the beginning.
This is the beginning of Steve Harrington's big huge crush on one Eddie Munson.
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mataurin · 5 months
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Here’s my obligatory bg3 brainrot sketch dump
Astarion and shadowheart never leave my team, I require their bitchy little commentary on everything I do
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ma-petite-fleur · 13 days
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The amount of content I just made in this makes me so happy…
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When Piper (lesbian) broke up with Jason she told him than she thought she actually liked girls.
Jason, confused, asked her about it, because obviously she liked girls. Girls were amazing. Who wouldn’t like them? He’s just confused as to why that’s the reason she’s breaking up with him. If she wanted to end things, he would respect it, but that reason didn’t really make sense to him.
Piper, repeated herself and told him than she thought she only liked women. And Jason was a man. So it couldn’t work out. But than she would love to still be friends.
Jason, even more confused now, is like?? Piper only likes girls?? But everybody likes everyone?? Not just one gender specifically??
Anyway this is how Jason discovers he’s bisexual
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faramirsonofgondor · 7 months
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we all know that when jamie said “it’s funny when roy’s yelling at other people” what he really meant was “that was so fucking sexy i want to jump his bones rn” but unfortunately the ted lasso writers are cowards 😔
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Have I talked yet about how important it is to me that Crosshair is queer-coded?
Have I talked about how it doesn’t quite make sense why the character who’s consistently stuck to his family like glue and shown absolute disdain for anyone and everyone outside of his squad is the only one to make the conscious decision to leave them and follow Anakin alone on Skako Minor unless there’s some deeper kind of attraction going on here? Have I talked about how his natural dramatic streak seems to intensify whenever Anakin’s around? How he, who we can assume guards his equipment like it’s treasure, seems so willing to let the Jedi hold it? Almost like he’s deliberately trying to impress him? 
What about how it’s canon that Sister was afraid of how she’d be received by the wider galaxy? Or how important the theme of feeling othered and hate being fostered as a result between groups of people that really aren’t so different is to the Bad Batch? And how Crosshair is by far the biggest example of that? Do I really need to elaborate on the implications of their Kaminoan purity-and-perfection-obsessed creators that live in a city associated with blinding white and treat any nonconformity/diversity as defectiveness?  
I’m just saying
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