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#and its impossible to get 'good' endings without all three games
ezdotjpg · 2 months
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do you have any directors commentary on the recent two updates? 👉👈 the color palette is absolutely lovely! and and and WOLF!! :DD
OH BOY DO I
In the original draft of this chapter, Wolf stays a, uh, wolf until like the 4th update. Instead of actually managing to get his teeth on the master sword, Loft threw him off immediately. The Deku Tree still said the line about all three of them being heroes and Slate is like. “Including the fucking dog????!” I thought it was very funny but a) it made some scenes later down the line a huge pain and b) I was tired of drawing wolves ALDKDKD
You may have noticed Wolf’s scowling in the bg of almost every panel. That’s kind of just his face, but also right now my guy is nursing the world’s biggest migraine from popping the shadow crystal out of his skull. He can stay wolfmode for a while, but it’s still technically a curse. It’s not consequence free, and there’s an upper limit for how long he can spend in that form. Anyway, cut him some slack if he’s a little prickly for a bit.
There were a lot of comments about Loft being strong enough to toss a wolf over his head lol. My hc is that he’s one of, if not the strongest Link sans any magic items like power bracelets or gauntlets. He’s actually not even as strong now as he was during his quest. Wolf maybe has him beat now, but he can still get tossed lolol
It might seem like Slate’s really taken everything that happened at the end of ch1 in stride, but don’t worry. He’s simmering. Loft is grateful for the opportunity to get distracted by something else. Maybe that’s why he was so willing to approach the wild animal he’s never seen before lol
This maybe goes without saying based on the events of the last two updates, but Slate never had wolf link with him during the events of botw. He doesn’t recognize Wolf.
I’m really glad ppl seem to be liking the colors bc I struggled with them so hard on both updates 🫠literally days of me turning to my roommate and going “I think I’ve never made anything worse” and them going “it looks good stop being dramatic” WKDJDK I have this thing where if I had an idea in my head for what an update should look like, and what I produce doesn’t meet it somehow, I start seeing in fucking. shrimp colors. Posting always gives me a confidence boost back lol.
these pages were cursed in general bc like. this doesn’t usually happen but I think I redrew every panel in this update at least 5 times each. that’s part of why it ended up being late SKDJF
I REALLY like the idea of being in the presence of the Triforce and having access to its power being this eldritch, divinely horrifying experience. The sort of thing that is impossible to explain to anyone and also haunts you forever. Loft spends a lot of time actively trying not to think about the Triforce. Just, like, remember that about him.
Like how tears in reality are shown through holes in the literal comic panels, I tried to show the concept of reality bending in the form of a panel stretching and twisting like a ribbon ᕕ( ᐛ )ᕗ I hope that came across. Triforce lore varies a bit from game to game, but I’ve come up with my own internal logic for bonus links that combines all the ideas I like lolol. We’ll learn more about it in due time!
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I also really like this parallel :D I intentionally set up the panels so past and present loft would line up like this. i love getting to draw flashback links it’s so fun to think of ways to convey what they used to be like, and how their quests might have gone for them. Past Loft’s not having a great time by the time he reaches this point lol
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I think that’s all I’ve got for now. Thanks for asking :D
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kvtie444 · 3 months
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✧.* HABITS .1
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Summary: Chris, your best friend's brother, is in a relationship. Despite that, the two of you began a discreet fwb relationship that initially felt enjoyable. However, as time goes on, you find yourself unable to resist developing deeper feelings for him.
・₊✧⋆⭒˚。⋆
I take a deep breath, casting my gaze over at the peacefully sleeping body next to me. Chris's features are like a canvas before me – his brown hair, now tousled and covering his eyes, freckles emerging as the weather warms, his pink lips slightly parted, and his chest rising rhythmically with every breath. My attention shifts to both our phones resting on the nightstand. In my effort to check the time without disturbing his slumber, I grab the first phone I can reach, unwittingly selecting Chris's
7:28 am
Missed call from Anna 🤍
Anna 🤍: Baby, I miss you.
Anna 🤍: Call me later, ily x.
I sigh and power off my phone, tracing my fingers over the edge of his phone case.
I'm know what you're thinking – I'm a horrible person. Fucking with someone in a relationship is undeniably a shitty thing to do. I don't argue with that. Chris and I started seeing eachother three months ago, while he's been dating Anna for two. It started at some after party, one thing lead to another and all I knew was that it felt good and I didn’t want to stop. But when he started getting serious with Anna, I attempted to end it with him, but when his lips find your neck, creating a symphony of kisses and heavy breaths while his fingers deliver everything you crave and more, it's impossible to say no.
The real predicament, however, is his brother, Nick. Nick is my best friend, and I love him more than myself. I wasn't particularly close to Matt, but Nick and I were platonic soulmates. He had no clue about Chris and me. In fact, he hasn't even seen us having more than three conversations together. The main source of my guilt was Nick, not Anna – who, to be honest, was kind of a bitch.
I sigh and turn my attention back to Chris, gently shaking him awake. He groans, his hand finding its way to my waist. "Chris, wake up. You need to go," I whisper softly, nudging him awake for school. He grumbles a bit more before sitting up, rubbing his eyes sleepily. Grabbing his shirt from the edge of the bed, he throws it on, standing up to put on his shoes – a routine we've established by now.
I rise from my bed, dressed in shorts and a long-sleeve top, and head to my closet to pick out an outfit for school. A presence leans down beside me, a hand on my waist, prompting me to turn around. Chris smiles down at me, his blue eyes locking onto mine. "I'll see you at school later, yeah?" he practically whispers, leaning toward me. "Mhm," I hum, nodding. He smiles, presses a soft kiss to my lips, then pulls away, leaving my room, followed by the sound of my front door shutting.
I turn to look at myself in the mirror, taking back breath, alone again.
˚₊‧꒰ა ☆ ໒꒱ ‧₊˚
"They're just driving me crazy," Nick vents as we walk down the hallway. He's caught up in a massive argument with Matt and Chris, and he's been on tangent about it all morning. Leaning against the wall further down the hall, I spot Chris with his girlfriend and their friends. Our eyes lock, and as I approach down his side of the hallway, Anna grabs his face, pulling him into a kiss. I avert my gaze, walking on with Nick, attempting to push aside the twinge of jealousy.
"Y/n?" Nick interrupts my thoughts as we reach our classroom. "You okay?" he asks, holding the door open for us. "Yeah, just didn't sleep well last night," I reply, a half-truth.
"Alright, you still coming to the lacrosse game tonight?" Nick questions as we take our seats. I reach into my bag for my books. "Yeah, of course, I'll be there," I reply with a smile. Nick hated attending the games but had to as the photographer. He'd always pick me up and drop me off after the game, so it didn't bother me much. "I heard Nate's looking forward to seeing you there," Nick smirks, teasing me about Nate's crush. My cheeks tint red, but I manage a smile. Nate had had a thing for me for a while, and the idea wasn't unappealing. I wasn't blind - he was a good looking and nice guy.
I push my hair behind my ear, and my attention is drawn to the door. Chris walks in with his friends, including Nate. Speak of the devil. I lock eyes with Nate, and he smiles, taking a seat in front of me, with Chris to his right. I find myself staring at the back of Chris's head, contemplating that with school ending this year, I've got nothing left to lose.
Suddenly, Nate turns around, catching me off guard. "Do you have a spare pen?" he smiles at me. I momentarily freeze before handing him a spare pen. "Yeah," I reply. As I pass it over, our fingers brush. "Thanks. Am I gonna see you tonight at the game?" He smirks, propping his arm on the back of his chair. I smile, looking at him, when I notice Chris's eyes turning cold, glancing over at us without turning his head. I refocus on Nate, "Yeah, I'll see you there," I reply, leaning forward slightly. I hear Chris kiss his teeth, prompting both Nate and me to glance over. Nate smirks at me, his eyes flickering over my lips and back to my eyes before turning back around.
I know this will rile Chris up, tension building. It's unfair; he could be with other girls, but if I even talk to another guy, he acts possessive. I brace myself, knowing he'd run it up on me tonight; I'm in for it now.
・₊✧⋆⭒˚。⋆
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hockeybabe · 1 year
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So I did recently ask for a Quinn fanfic. And you did amazing like always!!
Could I maybe get an Auston Matthews one with smut and angst? I’m not really picky on the story as long as it involves me going from tears, to jumping for joy, to smirking. THANK YOU BESTIE!!
Am I Yours?||𝘈. 𝘔𝘢𝘵𝘵𝘩𝘦𝘸𝘴
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*gif not mine*
Pairings: Auston Matthews x gf!reader
Summary: Auston makes sure you know who you belong to after having doubts.
Warnings: smut, oral (f!receiving), handjob, penetration (p in v), dirty talk, angst with a smut ending, Auston being an asshole, slut shaming, morning sex, squirting.
Word count: 1.2k
Requested: yes
Note: The urge I had to just make this an angst story but this is the smuttiest thing I've ever written
Being in a fairly new relationship with Auston was nerve-racking. You weren't going to lie, but when Auston first posted you on Instagram for Valentine's fans reactions were mixed. Many people didn't like you; frankly; most people didn't like the fact that Auston was off the roster for single men.
Auston constantly tried to reassure you that everything was okay and that they were just fans who didn't know either of us. It got harder when you showed up to games, fans would find you and interrogate you, asking you questions like "When will you break up?" "Are you using him?" Or "You're just another whore who wants him."
Tonight the Leafs will play the Blackhawks and Auston was just getting back into playing after a three-week injury. You've told Auston the fans were becoming too much and that you wouldn't be attending them anymore and just stayed in your apartment and watched.
Auston wasn't thrilled with the idea, but also knew that the fans were getting the best of you. You had many doubts on whether on not you two being together was a good idea. Reluctantly, Auston agreed not without arguing first.
He left for the game angry and said "We'll talk about the when the games over." and walked out the door. The Leafs lost by two, and when Auston got home it was clear the tension in the air was thick.
"Auston?" You call from the couch in your family room, pausing the tv. "What do you want?" He glares, walking into the room. You feel yourself confidence shrinking with the tone in his voice. Auston always brings happy/uplifting spirits when he talks.
"Look I know you're upset-"
"Upset, I'm more than upset, I'm fucking livid!" He shouts, throwing his hat to the side. Flinching, you pull your knees up to your chest. "First you're worried about the fans! Then, its not wanting to go to my games! I need my fucking girlfriend!"
"And I need you to understand!" You scream, tears welding in your eyes. "You need to understand how fucking hard it is hear your fans tell me all the time how I'm not good enough or that I'm a slut and just using you for fame!" You shout, getting up from the couch, facing Auston.
Auston runs his hands through his hair grunting. "Well you know what they say, start believing what people say and you become it." He mutters, not looking at you. "Fuck you." You whisper out, sobbing. "Fuck you! How dare you slut shame me! You know what? You're sleeping on the fucking couch." You shout, wiping the fallen tears, stomping upstairs to bed.
While lying on yours and Auston's bed you hear bangs coming from downstairs. As time passes, sleep becomes. practically impossible without Auston. Rolling over, you lay on Auston's pillow, inhaling his scent for comfort, feeling yourself slowly drift off to sleep.
꧁꧂
Getting out of bed was the last thing you wanted to do; part of you expected to see Auston lying right beside you when you woke up, but he must've stayed downstairs like you told him to. Grabbing your phone off the nightstand, you open instagram to see Auston posted on his story.
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Feeling your heart clench and warmth devouring your body, you walk down the stairs to see Auston sleeping on the couch with a blanket barely covering him. Your panties dampen at the thought of having make-up sex with him and probably wake him up to it.
Straddling Auston's torso, you place open mouthed kisses on his face down to his jaw, then neck; you gasp at the feeling of two hands gripping your waist and a grunt leaving Auston's throat.
"What are you doing?" He mumbles huskily against your lips. Lifting your head and looking down at Auston, you smile. "I saw the post." You start, trailing your finger down his chest. "I want you to show me how much I'm yours." You smirks down at him.
Auston growls and sits up in response burying his face into your neck sucking and kissing, tilting your head as you let him take over, but not completely. Dragging your hand down his chest to the waistband of his sweats, you put your hand in reaching for his cock.
"That what your want baby, you want me to take my pants off." He whispers into your ear, peeling off your t-shirt. "Yes." You breath out, Auston obeys, taking both his sweats and boxers off at the same time. Auston, Auston's  cock springs out, pre-cum, already spewing out.  
"By the looks of it, you seem ready for me." You giggle, wrapping your hand around the tip of his cock, spreading his cum around the tip. "Fuck baby." He moans out, leaning on his elbows, leaning his head back as you rub his shaft up and down while your other hand plays with his balls.
"Baby, I'm gonna-" Before Auston can finish he bursts into your hand, smiling at him; you bring your hand to your mouth, licking it clean. Amusement and lust flash in Auston's eyes as he changes positions for you to be on the bottom of the couch.
"I'm gonna show you how much you belong to me." He growls, shimming down your body, kissing around your hips, and pulling your panties off since you weren't wearing any pants. Auston kisses on the insides of both your thighs getting closer to you pussy.
Auston blows onto your sensitive bud, watching you shudder in his hold "Auston please," you beg, gripping onto his hair. "Please what baby?" He taunts, blowing once more. "Lick me." You shudder again. Auston does as told giving you one lick and another and another, until you're coming apart in his hands.
Gripping his hair tightly, your head falls back onto the cushions as your orgasm takes over your entire body while Auston continues to rub your clit. "Auston its too much," You try to warn him, every time you and Auston have sex, he makes it his job to make you squirt since he was the first to do so.
Your ragged breath and body start to shake uncontrollably, as you try to warn Auston you're stopped as juices fly out of your pussy soaking the couch underneath you and Auston. "Fuck, that was so fucking hot." He mutters, kissing his way up your stomach to your face. "Look at you, you're practically cock starved. You want my cock?" He mocks playing with the buds of your nipples.
“Y-yes.” You answer out of breath, grinding your naked body against Auston’s. Auston runs his cock up and down your swollen slit, entering with no warning. You gasp as he thrusts once again. Auston leans over your body, burying his head into your neck, whispering comforting words.
You can tell Auston's as close as you are as his thrusts get sloppier and rougher. "Auston I'm-" "I know baby, I know." He mumbles, as he then commands you to cum. Auston collapses right beside you, pulling you closer to his naked chest. You both have small talk as Auston cleans you up and takes you upstairs back to bed.
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ashlingiswriting · 8 months
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do i know you? chapter seven
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[ 5.4k words ] [ masterlist ] [ prev chapters: one, two, three, four, five, six ] you figure you can be good and still take it a little easier. that’s all you’ve done today, take it a little easier, and it feels really fucking good. richie jerimovich x reader, past mikey berzatto x reader, slow burn
after an eleven-hour stretch of sleep, a three-egg breakfast, and cautious self-reflection, you come to the conclusion that something has to change. and fast. yesterday, richie fucking jerimovich—constant leather jacket tracksuit combo, stab wound, aggravated assault charge, and anxiety and depression diagnoses, that richie—asked you if you were okay. it was a reasonable question for him to ask, and giving him the truthful answer felt like peeling off your own skin.
usually you’d cut and run—you’re not big on torture—but richie’s become as much a fixture in your life as cigarettes themselves. whatever you go through with him, you have a feeling that things would be worse without. so you do the reasonable thing. 
you go to the library and google ‘how to stay mentally healthy.’
sure, it makes you feel like an idiot, but it’s not like you have other options. your health and benefits package consists of stolen medications, a grizzled retired doctor named beth, and weirdly extravagant christmas presents in years when the carusos are doing well. none of these qualify as conducive to mental health.
thus, doctor google. most of the listed mental health tips seem either impossible—you’re not about to make new social connections, you’re not that self destructive—or plain old stupid, as in a stress ball. like a little rubber ball to squeeze. great stuff.
there’s a few things that you think you can tolerate, though. you end up working out every day in your apartment, volunteer stocking the shelves of a food pantry every tuesday morning right before bed, and tackle the miserably unorganized state of your post-michael finances. occasionally you’ll eat a salad, but you’ll curse richie as you do it. 
cultivating mental health for its own sake is not something you’d usually engage in, but mental health as a one-sided competition that you are determined not to lose? it’s a tolerable game.
as for richie, he seems to be holding steady. the new and horrifyingly fancy specter of the bear does seem to freak him out, but at least the bear’s got a future. the beef, as far as you remember, only ever had a past.
though this winter’s turned bitter cold, you never invite him inside, not even past the double doors into the pathetic excuse of a lobby with its single fake potted plant. you had your one little breakdown and that’s fine. but the rules stay strong, and you get a little stronger. he tells you that eva liked the girl who loved horses the best, and you tell him she’s got good taste. there’s still bad nights, but there’s less fear. you haven’t fucked it up, that’s the point. you’re being good.
and then one day he doesn’t come back.
.
.
.
you’re not a fool. you wait for three days before letting yourself go. 
on the third day, you have to wake up to administer alessandera’s iud at the stupidly early hour of eleven in the morning. afterwards, too caffeinated to rest, you decide that you might as well head to the library to check his instagram. 
the most recent picture is from eight days ago, so that’s no help. his two pinned posts catch your attention anyway. in the first picture, eva’s got two blonde ponytails sticking out of opposite sides of her head, and her ponytail holders have huge round sky blue plastic beads on them. the smears of chocolate on her fingers match the ones on richie’s cheek, and they’re both giving the camera a goofy thumbs up. 
in the second picture, it’s him and michael. they’re both grinning, squinting against the evening sun, and staring at something or someone just out of frame. lake michigan spreads out glorious behind their shoulders. it was probably a fishing trip. it’s got to be an old ass photo, cause they’re both wearing shirts that say the original berf of chicago and you stole michael’s in the summer of 2020. you needed to have something of his during quarantine, and you kept it even after quarantine ended. it’s still folded away in your dresser, protected by mothballs. 
michael disappeared on you too. after you broke up, you kept texting him about meeting to give him back some of his things, but he wouldn’t answer. to be fair, all you had to do was ride the elevator up a couple floors and drop off a box by his door. but you kept texting him anyways, texting on into the silence, until finally it occurred to you: he was punishing you. two could play at that game. you stopped texting altogether, and that’s when it happened.
this is no number of push-ups or good deeds or leafy greens in the world that can defend against an experience like that. the silence was supposed to only last a week, a month at most, and then it became forever. 
so yeah, you go to the beef. the bear. whatever.
so much for being good.
.
.
.
the restaurant is closed for renovations, so you go around to the back and find an unusual pair sitting, eating sandwiches off paper plates, and arguing about greta gerwig’s little women. you recognize both of them from richie’s instagram. 
fak breaks off mid-rant and peers up at you from under his baseball hat, as bright-eyed as a squirrel spotting a potential nut. syd, on the other hand, looks neat and cool in an apron, kerchief, and cautious expression. she’s by far the more intimidating of the two to you, though maybe that’s just richie’s influence coming through. she’s on another level and you know it. 
can i help you? syd says.
yeah, you say. where’s richie?
he’s out sick. 
out sick, that makes sense. relief warms you like the first sip of hot coffee on an icy morning, and then you clock the expression on syd’s face. she’s shifted from suspicious to outright dubious.
why, she adds, does he owe you money? 
ah, fuck. you were so worried that you forgot that when you’re wearing your big coat and your stoic face, you look like trouble. 
nah, you say. he doesn’t owe me anything. is he okay?
from the way she stares, syd must think you bizarre, but she humors you. i mean, two days ago he texted me a video of three chimpanzees attacking a gorilla. is that okay? she shrugs. you tell me.
he’s such a fucking weirdo. why?
i don’t know, i told him that one of the restaurants i used worked at was a vegan place and he’s been sending me shit like that ever since. am i vegan? no, i’m not, but why should that make any difference, you know? who knows why richie does what he does.
who knows, you say. it’s fun to grumble about richie, but you don’t actually find him mysterious. one or two scares aside, he’s the easiest person to understand in the whole city. 
i should probably call him, you say. can i borrow your phone? 
sydney looks even more weirded out than before for a second, and then she seems to have a lightbulb moment, just as you see the back door opening. 
he does owe you money, doesn’t he? syd says, exasperated, but not surprised.
quién le debe dinero a quién? says somebody in an undertone, and then tina appears, her curly hair a little shorter than the last time you saw her, but otherwise unchanged. when she sees you, her expression breaks into a smile of welcome while her eyes get complicated. 
hey, julie, she says. how you doing?
usually, you hate it when people ask you that. but with her, you just don’t.
doing okay, tina. you?
oh, we’re doing good, right, chef? she says, with a fond glance at syd that seems to invite her in. 
still fighting for our lives with an auditor, but yeah, syd says. we’re on track.
you want to walk with me? tina says to you, and you nod, grateful that she seems to have instinctively guessed what you need. 
while you’re strolling out of earshot of the others, syd heads inside, which puts you on a ticking clock. the chances of carmy knowing your actual name are slim, but the chances of him coming out into the alley to investigate? those are dangerously high.
tina interrupts your train of thought, stopping by the chain link fence and turning to face you. 
so what’s wrong? she says, and though she’s as warm and genuine as before, you are reminded by the glint in her eyes that she’s perceptive and tough and not to be fucked with. no wonder michael loved her so much. she was one of the few people who knew how to love him back without drowning.
does there have to be something wrong? you say. 
not necessarily. but historically speaking? she says it almost apologetically.
yeah. 
you only ever met her two times, both in his apartment, once in the dead of night and once in the middle of the day. you remember meeting her, but that’s all. in your mind, each emergency blends into the nexxt, and you don’t probe them for details. all you remember is that one time she was there, you called for an ambulance even though he ordered you not to, and he hated that. tina stood firm and carried on amidst all the shouting, even when you lost it.
it’s a wonder she’s being kind to you now, actually.  
i still carry the narcan in my purse, tina says. 
the nasal spray? you say. the stuff that you gave her after the scare in october ‘21. that’s good. gonna find somebody savable eventually, right? and that comes out way more bitter than you meant it to, but you can’t figure out a way to take it back fast enough.
there’s a hint of steel to tina’s voice, a reminder that she’s deliberately granting you her patience and could revoke it at any time, when she repeats, so what’s wrong?
you take out your burner phone, your sad little nokia, and show it to her.
i busted my old phone, lost all my contacts, and i don’t have the money for a new one right now, so this artifact is all i got. do you have richie’s number? you say meekly.
sure, she says, pulling it up and handing it over so easy that you’re startled. you’re not used to being given something that you need simply because you asked for it.
you take her phone with a quiet thanks and start typing his number and address into your own.
i looked for you at the funeral, she says. it stings, whether she meant it to or not.
well, you say, still typing and glad of the excuse to not look up at tina’s face, i figured i’d spare his mom the fun of having multiple women show up. 
that’s not a fair hit, not the full story, but you don’t bother to clarify. 
to your surprise, she doesn’t give you what you deserve. instead, she says, you still mad at him? 
why even ask. aren’t you?
i was never mad at him.
you have to look up, and not just because you’ve run out of stuff to type. 
never? that’s impossible.
not after, tina says, her brown honest. he was just a kid, you know?
he was a thief and an addict and older than you. but yeah, you know. you really do. he was just a kid.
you want to tell tina that she’s a better woman than you are, that to love and forgive at the same time is a trick that you can only envy. but you don’t know how to say that. 
there’s another version, too, a simpler one, one that doesn’t compare the two of you. she’s sunlight and she’s concrete, the type of kindness that defies the laws of physics, and you can’t figure out how to say that to her either. 
how are you doing? you say instead. you already asked her, but you didn’t really ask her in the way she had asked you. this time you try to do it right.
from the way she smiles, you know you got close.
i’m good, she says. really. all the stuff they’ve got us up to out here? herbs and shit, fucking french. i don’t know, it’s working. and they’re gonna send me to the cia. 
delight looks good on her, and it’s infectious. you say, why not the fbi?
the culinary institute of america, dummy.
oh shit, the level up machine. you’ve heard of it before, of course, because it seems to have turned carmy into a rock star, so that’s gotta be a good thing, right? you gonna come back, kick his ass, and take over?
she grins. girl, you know i could already do that if i felt like it.
true, true. you’re grinning too, and god, it feels good.
and then, glancing over her shoulder at the sudden sound, you can see the back door open.
thank you, tina. you hand her the phone back, quick. if she notices the sudden change in you, she doesn’t let on.
anytime, she says, and presses her wrapped sandwich in your hand. here. 
i can’t take your lunch.
she waves you off. nah, there’s more where that came from.
hey tina, a voice calls. it’s carmy’s, so you keep your eyes trained on tina and hope he doesn't recognize you at that distance.
thanks again, you say, and then you flee, clutching your sandwich.
.
.
.
richie doesn’t pick up and your first call goes to voicemail. you’re wound too tight to enjoy the bill murray of it all, so you just hang up and call again.
he picks up after the third ring. 
what? he growls. 
hey asshole, where are you, you say, just as abruptly, but so pleased to hear his voice. 
richie barely skips a beat. you dont have to kill me, i’m already fucking dying, he says, which is his idea of reassurance.
yeah?
i mean, i’m alive, he says, like it’s a great concession. but for how long?
not much longer. where are you. 
dead silence. this, you did not expect and have no idea what to do with. you snap, richie, where the fuck are you? in a voice that makes a passing woman give you a wide berth on the sidewalk. 
calm your tits, secret agent. i’m on my fucking deathbed with saltines and espn, jesus christ. everything’s fine.
you’d really like to strangle him, but you don’t miss his hint. that’s his way of letting you out of this, secret agent, everything’s fine, so don’t cross a line and then regret it. thoughtful of him, but you’re already a world expert in regret. you’ve weighed your odds, you’ll take your chances.
i’ll be there in twenty, you say, unless you tell me to fuck off.
there’s a split second of hesitation before he says, will you bring me a popsicle? 
no. 
you hang up. then you go and buy some popsicles.
.
.
.
you dig out the ring of keys from your pocket, another inheritance. the gold key is for michael’s old place, the silver is for the beef, and the square-headed one is for richie’s. when you turn it in the lock, the door to his apartment swings open, easy as pie. 
his apartment is a mess. worse, it’s dead dull, with only a few old movie posters hung up over the off-white walls for decoration. at least it doesn’t smell. there’s a kitchenette to your left, one huge and incongruously new ikea wardrobe to your right, and across from you, his bed. it’s shoved up right next to the far window, so the deep windowsill serves as a side table to a tiny succulent and a laptop streaming espn. 
richie’s sprawled out sans blanket and sheets, which are all huddled in a lump at the foot of the bed. he’s not bothering to watch espn and he doesn’t bother to get up at the sound the door opening, either. just looks over and watches you. 
you lock the door behind you and take your shoes off out of habit, even though you know you might have to get out fast. as you walk over to him, you encounter some dirty laundry along the way and kick it into the corner. then you’re at hit bedside, looking down at richie.
he’s lying there in a worn out grey t-shirt, looking up at you muzzy-eyed, sweating, and unsurprised. 
come to finish me off? he says.
after a second, you say, open your mouth. 
he gives you a look that says, i could argue if i fucking felt like it, but then he does open wide with a little aah like a kid getting his tonsils checked. 
you take a quick glance inside, then close your hand to imitate a mouth closing, fingers meeting thumb. 
he does as instructed, but you can tell by the glint in his eye that he’s got a joke locked and loaded, so you lean over and put the back of your hand to his forehead before he can say a thing. 
as you expected, he goes quiet. his skin is hot and damp with sweat. 
after a second, you withdraw and straighten up, touch still echoing on the on the back of your hand.
yeah, you’re fine, you say. dehydrated, low fever, but you’re fine. 
and here i thought i was dying, richie says. he’s not usually subtle, but for once you can’t tell if he’s mocking you or not. is that for me?
he reaches for the plastic bag hanging from your shoulder, and you yank it back out of reach just in time. 
business first. when did you take your last tylenol?
richie slumps sulkily back onto his pillow with a petulant look. you’re no fun when you’re in doctor mode.
then don’t get sick, asshole. tylenol? 
this morning, he says, and then before you can volley a follow-up, he skips ahead. bathroom, behind the mirror. 
as a reward, you sling the plastic grocery bag onto his bed before you go investigate. 
sure enough, there’s a miniature pharmacy on the two small shelves behind the foldable mirror. at first glance, the only prescription stuff is xanax and pravastatin. you grab the tylenol and you’re just about to go when you notice, down at the bottom left corner, a small familiar white box edged in magenta. four milligrams of narcan, nasal spray, your old friend. you gave tina way more of it than she needed and told her to pass it on to anyone at the beef that she trusted, just in case. narcan’s not a cure, it just buys you a little time. that’s all you were doing by then, buying yourselves a little time.
looking at the box now, you suddenly feel sorry for richie. it’s been bad enough for you, and you’ve been living like a fucking vampire, no daylight, barely leaving your lair. richie’s had to go into the outside world, and the outside world fucking sucks. michael’s everywhere out there.
.
.
.
when you get back with the tylenol, richie has a grape popsicle already stuck in his mouth, the extra package of saltines on the windowsill by his side, and your sandwich in his hands. he’s trying to unwrap it when you snatch it away and deposit a tylenol in his palm instead.
with a shrug, he takes the popsicle out of his mouth and swallows the tylenol dry. 
trying not to think too hard about that, you turn away and head to the kitchen.
cups? you say.
upper left. he’s watching you make your way through his space, you can feel it. so you went to the beef, huh.
yup. in the upper cabinet, there’s an assortment of cups, none of them matching. you pick the plastic one with dora the explorer on it, then go fill that with water.
richie says, you talk to carmy? 
no, you say, with just enough edge on it to warn him off the subject. on your way back to his bedside, you pause to peek in his fridge and freezer. fuck me, did nobody ever teach you that man cannot live on microwave burritos alone?
news to me. what are you, some kind of fuckin gourmet?
you complete your circuit, come perch on the edge of his bed with the cup in your hand, and wait for him to sit up. 
woman can live on frozen pizzas alone, that’s a whole different thing, you say.
uh huh. he slumps back against the headboard, then accepts the cup from you and drinks. in the silence, you watch him. the small movements of his throat, the glint of gold slipping out over the nape of his neck. he wears that cross even in his sleep. hopefully it protects him. something should. 
you could sit here for a long time. 
but the cup runs out of water fast, and there goes your excuse. you take it back from him and say, just for the sake of saying something, your interior design is severely lacking.
he scrunches up his nose when he smiles, a wry little smile interrupted by a sniff. thanks.
go back to sleep.
but he doesn’t. instead, he reaches for the remaining half of his grape popsicle, so you go for your sandwich, unwrap, and take a bite. this is as good as the middle of the night to your body clock, so you’re not one bit hungry. but food works just as well as a cigarette, permission for silence. 
you get a sando and i get saltines? he says. talk about a raw deal, man.
mouth full, you say, these are actually pretty good, you know?
what, you didn’t think they would be? he scoffs. c’mon, i know you were never a regular, but the thing with the gun, that wasn’t your first time in. 
so he remembered you. even before he knew you had any kind of connection to the beef, he remembered you. 
you pretend not to notice.
i’ve just never had it with the peppers before, you say.
you’ve never had it with the peppers? his voice rises with each word.
i’m not normally a huge peppers girl, you say nonchalantly. 
you’re a fucking heathen is what you are.
for that, you take an extra big bite and chew as loudly and disgustingly as you can. 
it backfires immediately. he gags and presses his fist to his mouth, and you bolt to the sink to grab the trash can from under it, nearly tripping and hoping like hell he doesn’t throw up all over himself because you do not have it in you to do that kind of laundry. trash can in hand, you turn around to find that he’s giving you the thumbs up and grinning. not gagging at all, perfectly fine. 
oh, fuck you. you put the trash can back, stalk over, and drop down onto the bed beside him again, petulantly this time, making the bedsprings squeak. 
he’s still chuckling. you should’ve seen your face.
you know what my problem is? you say.
you think you have only one problem, j? i got news for you. 
that’s not the first time anyone’s used that nickname for you, but you still like it. 
my problem is that you’re not scared of me, you say. i need to make you more scared of me, and then you’ll treat me with the respect i deserve.
okay, well, fyi: you are already the third scariest person in the world to me, richie says.
the third? you echo with mock offense.
third is good, man. there’s stiff competition. like, you realize isis is still out there? his eyebrows raise and he gestures emphatically. and there’s a lot of them?
you snort. isis is not still out there.
i think they are. he tries to tick them off on his fingers. isis, al qaeda. and the other one. what’s the other one?
i think you need to stay well away from middle eastern politics when you’re running a fever, you say, getting up to go.
you said my fever was low! 
and yet you’re fuckin addled. go back to sleep. with that, you head back towards the kitchenette to see what you can do. 
his pantry turns out to be not quite as empty as his fridge, so you pick up a couple things and get to cooking him something basic and nourishing. no sense in trying anything impressive. you’ll be lucky if the result is passably tasty. 
sunlight comes in through the window, throwing a rectangle of warmth on your shoulder. you retrieve a pot, a cutting board, a large knife.
eva’s his number one scariest person in the world, obviously. number two’s probably tiff? donna’s scary, but you get the sense that she’d be worse to her kids, or at least that it’d feel worse to be her kids. richie’s never directly talked about her, though he did made a couple bitter remarks early on about what he did for ‘the family’, and given that sugar hates his ass and carmy wasn’t around, it has to be donna he was trying to take care of. wait, maybe carmy’s number two. no, it’s tiff. it’s definitely tiff.
yo, richie says, what the fuck are you doing? stop.
you look up, bewildered. what? 
he’s sitting at the edge of the bed with his feet flat on the floor, like he’s prepared to stand up and stop you. with the light coming in through the window at his back and the hanging lamp of the kitchenette throwing gold on his front, he really does look like he’s coated in sweat. 
put the knife down, he says. commands from his mouth are usually fruitless protests issued for comedic effect, but not this time. you put the knife down. 
you okay? you say it like a gentle person would, only to have your gesture immediately spoiled.
who taught you to cut onions like that? he says, like you’re physically hurting him. you do not cut onions like that! 
oh my god, fucking stop me. you roll your eyes and pick up the knife again, only to hear a tell-tale grunt from richie. no, that was a joke. don’t—you throw down the knife with an annoyed clatter. i’ll be fine. just watch your baseball or something, okay? sorry i’m not fucking carmy and i can’t go all human food processor on it, but let me do my thing.
after a second, richie says, ‘s gonna taste like shit, isn’t it.
you want me to go? you say, stung.
no, richie says immediately. i just want to know what you’re gonna do with those onions.
you shrug, a touch defensively. i was gonna brown it, add a couple cans of campbell’s beef and barley. something like that. it’s really sad when you say it out loud, just two ingredients: onions and canned soup. 
i don’t hate that, richie says. 
you look at him warily, unsure of whether that’s meant as an insult or the world’s most pathetic compliment. 
just curl your fingers when you cut, right? fuckin—he imitates, to show you how your left hand is supposed to be positioned, while he mimes chopping with his right. it really should not be charming. unfortunately, it kinda is.
yeah, yeah, you mutter, and then you go back to your cutting board and try to practice what he just taught you. 
usually, you have protein bars for snacks, frozen pizzas for meals, takeaway for variety, and pre-bagged salads for your recent attempts at health, so it really has been ages since you cooked like this. 
kind of feels like you’ve been missing out. there’s a peaceful feeling to this simple concentration, a bit like your work but without any of the stress. you take little breaks every now and again to prevent the onion from making you cry. with each break, you take a look at something new: the drawings from eva that he has pinned to the fridge, the poster for the movie white squall, the stack of books that look like somebody’s actually read them. 
when you start shoveling slices of onion into the pot, richie calls over, don’t turn the heat up too high.
i won’t, you say, unbothered.
you get about thirty seconds of peace, stirring your onions as you add some oil, and then richie pipes up again.
seriously, he says, if it doesn’t brown fast enough, don’t turn the heat up, just—
the heat’s at four out of ten, fuck’s sake. your swearing is just for show, because you’re feeling nearly mellow. there’s something so soothing about the crackling sound of the onions in the hot oil. are you drinking your water?
i already drank it all!
not believing him, you walk over, only to find that the cup is indeed empty. you refill it, then linger for a second, trying to make sense of the baseball he’s streaming on his laptop. 
look at this guy, richie says, referring to some player that you’ve never seen before in your life and probably never will again. the guy’s winding up to take a swing. you both watch. the guy hits a foul, and richie shakes his head in disgust. you grunt, noncommittal and happy, and return to your caramelizing onions.
by the time you’re done cooking, he’s asleep. 
.
.
.
you pour out two bowls of soup and put the rest of it in the fridge. that plus the saltines are enough to get him through the night and another day. you doubt the fever will last much longer than that. 
as you do the washing up, you make sure to scrub off every last bit of onion from the bottom of the pot, and then you leave all the clean dishes on the rack to dry.
between soup and saltines, richie should have enough for tonight and tomorrow, and you doubt the fever will last much longer than that. with the cooking and washing up is done, you walk over, sit on the bed beside him, and set down two bowls of soup on the deep windowsill that serves as his side table. his laptop has gone to sleep, and the silence in the absence of baseball is pretty much perfect. so is the sunlight.
you take off your hoodie, finally—you were starting to sweat yourself near the end there, thank goodness he was too sick to notice—and tug down your original berf shirt. it’s safe enough. richie’s out cold, snoring a little. with the tylenol doing its work, he’s not as sweaty as before, so you drag the sheets up from the foot of the bed and make sure they’re tucked over his shoulders.
taking out a sharpie from your coat pocket, you root around in the pile of assorted mail by his bedside until you come up with a pizza flier you can write on. you leave him the phone number of the burner you kept for michael. reason being, it’s the only number you know by heart, and you’re too tired to deal with any more unexplained absences. 
after all, you figure, you can be good and still take it a little easier. that’s all you’ve done today, take it a little easier, and it feels really fucking good.
settling down, you reach over richie again to get your bowl and your spoon. the bowl is warm in your lap, and even though you weren’t hungry before, the act of cooking has worked up your appetite. the soup smells good to you: sweet, savory, a bit like childhood. 
your father used to say grace at the table, and though you never do that anymore, there’s something still left to be said.
you know, you say, you’re the number three scariest person in the world to me too. you sit with that for a moment, and then you add, number two once told me he would shoot me in the face, so. there’s that. 
richie looks completely harmless like this, slumped on his side under the sheets, turned a little towards you with his eyes closed. he’s way easier to talk to when he’s unconscious, go figure. you can't touch him, though.
drink your fucking water, you say quietly. 
and then, still looking at him like he’s a photo to remember, you begin to eat your soup.
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[ next chapter ] [ masterlist ]
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@garbinge, @narcolini, @drabbles-mc, @beingalive1, @eternallyvenus, @cerial-junkie, @jackierose902109 — if anyone else wants to be tagged, let me know.
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tobiasdrake · 19 days
Text
AA4-2, Investigation Day 1, is such a unique investigation day. One thing the Ace Attorney brand has always excelled at is shaking things up with introductions to its cases.
Sometimes it's simple. Someone comes to the office and goes, "Hey man there's a murder will you defend" and the attorney goes "Yeah man I got you" and then we're off to conduct our trial preparations.
But other case introductions are more... unconventional. Given the circumstances, 4-2 has no choice but to be an oddball.
The Wright & Co. Law Offices don't exist anymore and, having just successfully sent his boss to prison for murder, Apollo is obviously fucking fired from Gavin & Co. So. Even though Apollo is licensed to practice law, there is no law office for a prospective client to walk into.
Which means we gotta get creative with three odd jobs in place of a typical crime investigation.
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Three seemingly unrelated requests that all seem more like police work than attorney business. This sure is a weird way to introduce the second chapter of a lawyer game. The first time I played this, I was very confused and spent much of the chapter wondering when the lawyering was going to kick in. Much like how Apollo feels.
This chapter's introduction is very off-putting. Intentionally so, but I do wonder if the extremely unconventional nature of this setup is part of what alienated the player base.
Guy Eldoon, incidentally, is a pretty significant piece of Ace Attorney lore that doesn't quite come across in the American version. In the original Japanese, Maya's "burger" obsession was an obsession with "ramen". They localized it into burgers to try and make the game American back in AA1.
The series has been paying the price for the decision to localize ever since, as it's had to wind itself increasingly in knots to try and explain away how aggressively Japanese many parts of it are. One of the consequences of that decision is that Guy Eldoon loses his punch.
The reason Eldoon's Noodles is such a big deal is because this is the noodle vendor that Maya was getting all that ramen from. Her burger supplier, if you will. This man's family legacy of noodle stands is a critical piece of Ace Attorney lore, but he and his stand are also so obviously noodle-designed that it'd be impossible to try and call it a burger grill. So the bit just. Broke.
Without that vital piece of context, funny jokes like this simply don't land.
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HA! It's funny because Maya is fucking obsessed with burgers ramen so of course Phoenix had a tab back in his attorney days!
Meanwhile, not to be left out, Trucy's here with the references to the good ol' days as well.
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She is absolutely Phoenix's kid. She's absorbed his talent at being pedantic incorrectly on the topic of ladders.
In any case, these three seemingly unrelated events are fairly trivial to solve, but they begin to weave together the complicated tale of a bizarre and inscrutable crime spree last night that sees even the local yakuza family hit.
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What makes this investigation really interesting from a creative standpoint is that all of these seemingly unrelated errands come together in the end to paint a picture of a single crime.
But. What makes it frustrating from a player standpoint is that until you become aware of that, it just feels like you're running around doing pointless errands. Ultimately, I like the idea of this case introduction more than its execution.
It ultimately becomes a huge relief when an actual client finally makes themselves known. Courtesy of Trucy having shrewd yet amoral business sense.
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Trucy do not sell our services to the yakuza thank you
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Too late. We're mob lawyers now. Now we get to defend this dipshit.
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I particularly love Bad Badger there on his shirt. This wannabe gangster is running around wearing a cartoon mascot of a stereotypical Crime Dude as depicted in police propaganda. That's like self-identifying as the archnemesis of McGruff the Crime Dog.
I genuinely can't decide if he's trying too hard or just the right amount of hard. It's such a perfect combination of gangster edge and childish dipshit. I love his shirt so much.
In any case, once the hurdle of the opening errands is cleared, we pick up our two new additions to the game's principle cast. First being our rival prosecutor Klavier Gavin.
Gavin's intro is a little gross, gotta say. I like Gavin's role in the plot, but they're going for this suave rockstar aesthetic. He's both the "rockstar" of the court who vanquished legendary attorney Phoenix Wright seven years ago and literally a rockstar.
To that end, we see him (24) flirt with Apollo (22)...
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...which is fine. But he also does it with Trucy (15).
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Gross thing to call a minor, dude. Godot was a weird creep too but at least he didn't hit on underage girls. So this isn't a great first impression to the game's main plot-important rival.
Fortunately, it's quickly followed up by the triumphant return of Ema Skye, who was retconned into existence just two years before Apollo Justice's release to tease her presence in the new status quo. She immediately endears herself by being equally grossed out by Gavin.
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The thing I really like about All Grow'd Up Ema is that her personality's changed from the girl we knew in Rise From the Ashes. She's still Ema where it counts.
(Hahahahaha look at it! That's it! That is the burger joint! Serving ramen, ramen, ramen, and rice ball! I bet you Maya's favorite was probably the ramen, medium grilled with tomatoes and lettuce.)
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Still a determined forensic analyst at heart. But it's been nine years since last time we saw her, and she was only 16 years old when we knew her before. People change a lot between 16 and 25, so it'd be weird if she was still the same ol' Ema through and through.
Ema's here to be our new Detective Gumshoe. But the wide-eyed optimism of youth has been replaced by jaded bitterness at a career path that hasn't been so glamorous as she once imagined.
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And one that has driven her to a newfound snacking habit. This is a character trait I adore. It reflects the classic stereotype of the whiskey-addicted detective worn down by life and with no more fucks to give, except her drug of choice is chocolate.
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Incidentally, I had to take so many pictures of this woman eating to get that one frame where she pops the Snackoo into her mouth that now I feel like a total creep so let's move on.
Point is, Ema's new disgruntled attitude is a lot of fun, and makes for a sharp contrast against the easygoing and carefree nature of Dick Gumshoe. Though she becomes less hostile and combative with Apollo and Trucy once she learns who they are....
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And though her attitude improves tremendously any chance she gets to whip out her forensic tools....
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Her demeanor towards her actual job remains sour. Though we do get some explanation as to why.
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With Gumshoe, the joke was always just dunking on his salary for fun. Haha, Gumshoe screwed up and now the prosecutor's angrily cutting his salary! He has to subsist on cup ramen! LOL
Which can be aggravating as a "running joke" if you know what it is to be poor.
That's not to say there wasn't more to Gumshoe's character. He was a good-natured nice guy with a tendency to miss subtle details. He liked giving his all for his "team" even though the prosecutors rarely appreciated him, but he also respected the defense and even put himself into physical danger to protect them from violence multiple times.
Gumshoe was a great character, and he will be missed.
Ema's point of friction with her job is a lot more character-driven. Because we had time to get to know her back when she was wide-eyed and optimistic, we can feel it when she expresses that this is a waste of her talents. She should be in a lab doing DNA analysis on a bloodstained knife, not picking it out of dirt and putting it in a bag for the prosecutors' office.
Ema is a welcome addition to this new cast.
With all that sorted out, there's just two characters left for the investigation day to introduce. Since we're mob lawyers now, thanks Trucy, we gotta meet the mob. We met Little Plum and her sword-concealing sweeping broom earlier. But we also need to meet the head of the yakuza with a distinctive Godfather look about him.
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And our client, the ever-rebellious Wocky Kitaki desperate to make a criminal name for himself.
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Though our time with them is brief, it quickly becomes apparent what our biggest conflict of this trial is going to be: Our dumbass client wants to go down for murder, because he is a child of a criminal culture who feels like he has something to prove - despite his family's efforts to convince him otherwise.
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Wocky reminds me a lot of Ron DeLite. This is hardly our first time at the defense stand having to battle our own stupid client who's all too eager to confess - Something that, in actual case law, wouldn't be a thing? Like. If your client wants to plead guilty, you can't stop them. But Ace Attorney takes extreme artistic liberties with the law.
(Remember that one time when Phoenix's client fired him in the middle of a case, and for no clear reason he was allowed to remain in the courtroom and continue defending her anyway? Good times. Also, hi, Ema!)
But the difference is that Ron was a gentleman thief and Wocky's a teenage wannabe gangster, so the difference in temperament is palpable.
All in all, this investigation is... meandering. While a fun idea in theory, chasing down all these errands can easily leave the player just... waiting for the plot to start. There's a lot of busywork here, right down to Ema making you leave the crime scene to go talk to Phoenix so that you can come back and talk to Ema only this time she's cooperative.
The Kitaki family are a fun set of characters once they're introduced. Eldoon's Noodles is a significant piece of Ace Attorney lore if you're familiar enough with the non-localized version to catch it. Ema's return is a lot of fun. Trucy's charming and likable. But the connective tissue between all these things needed work, I think.
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microwavedfishsticks · 6 months
Text
ITS A DAY LATE BUT IM DOING IT ANYWAYS!!! HALLOWEEN CARS CHARACTER HEADCANNONS
(I was originally going to include Bob and Darrell but it got so lengthy I decided against it)
I've done essentially most the main characters of all the Cars movies(including the lemons from Cars 2)
Lightning: spends his time getting dressed up in silly non-scary costumes, trying to spook people by jumping out infront of them and going "boo!!", and getting others into the spirit of it. He really likes Halloween and 100% jokingly teases people about being scared of him jumping infront of them or being scared of movies, ultimately to scream/shout every time it happens to him
Mater: He loves Halloween and he's a bit of a lowkey adrenaline junkie/extremist. Everytime he gets scared he shouts and then immediately starts laughing. Don't scare him yourself though, unless you're prepared to start a scare-off war, and he won't leave you alone until he gets you scared at least once! Probably convinces everyone to try and take turns telling scary stories in a big blanket fort or out in the middle of nowhere camping at some point.
Strip: He's the most neutral about it. Probably buys a bunch of people's favorite candy and passes it out to them. He's the person that says "I'm dressed up as myself" and wears his racing suit. If you try scaring him he'll just chuckle to himself and say it was a good try
Chick: Waits until it's completely dark outside and proceeds to binge watch the most horrificly racid movies that someone with an iron stomach couldn't even stand and he holds a completely straight face while doing it. He's completely unfazed by anything. If you somehow manage to get the smallest spook out of him and make him jump his natural reflex is shoving someone into the ground.
Francesco: He just overall likes celebrations, he gets overly hyped and excited, probably drags a few people into throwing some sort of Halloween party. He quickly burns himself out though and just wants to rest and relax. Very jumpy though and you will have to sit through a very long lecture, even if you accidently scare him!
Finn: Eats a bunch of super sour candy with a straight face and convinces other people that "its not that sour" and watches it all unfold. That's about where his terror ends. Don't ask him to hide anywhere because he will never be found. He'll disappear off the face of the Earth for three days for a game of hide-and-seek. Nearly impossible to scare him unless you like actually threaten him or someone he cares about, but he'll return the favor of scaring you with a surprise Grim Reaper meeting.
Leland: Unironically enjoys all the pumpkin flavored stuff. He's just there for the aesthetic, he hates being scared and will never admit he has a slight grudge against Halloween because of it. He will decorate things without your permission. He does it for every event. If you try and scare him be prepared to have some sort of cold coffee or hot chocolate splashed onto you(whether accidental or not is up to interpretation).
Rod: Probably doesn't even know that it's Halloween. Accepts some candy that some of his friends gave him. Key word is "Accepts" because he will out right refuse any candy from anyone else, or any gifts for any occasion of that matter. If you ask him about any plans or thoughts on Halloween all you're getting from him is an unacknowledged "Mm". He's going to ignore scare attempts that you'll probably begin to be convinced you've turned into a ghost.
Axlerod: He's not very Halloweeny. Mostly anything he gets for celebrating Halloween is because I asked him to. He has his own personal problems with Halloween so he's not very fond of it. Will absolutely pull a gun out on someone for scaring him(slightly out of reflex)((dont ask why he carries a gun on Halloween)). It's a 50/50 if you get the gun or a very harsh glare.
Acer: Absolutely loves Halloween for nearly the reason Axlerod hates it. He can just..be himself and no one will say anything, they'll just assume it's all for Halloween. Acer is like the embodiment of when the Ninja Turtles celebrate Halloween and get excited cause they don't have to hide themselves and won't get called freaks. Also the candy. Acer needs someone to supervise him eating candy. He'll probably grab you by the shoulders and shake you for scaring him or tackle you to the ground. Depending on how well you know him depends on whether he pretends to raise his fist like he'll hit you(the closer you are to him the more punching threats you get).
Grem: Is normally busy supervising Acer. He wouldn't let Acer in a different room by himself, nonetheless on Halloween. Probably gets some candy, drinks, popcorn and watches about half of a movie before getting bored. He has a very lazy Halloween and the closest he gets to a costume is the little plastic devil horns that Acer puts on his head. He doesn't like being scared and is probably one of the few that will actually tell you not to scare him after the first time it happens. If you keep doing it he'll go from a forced chuckle to eventually you mattress is missing from you bedroom, actually, the entire bed is missing and the only thing left is a bunch of pinestraw and pinecones with a couple inconspicuous bugs crawling around.
Jackson: He can be convinced to put on a half-assed Halloween costume but only if it's 'cool'. Probably covers his social media with Halloween stuff and makes it seem like he's going out somewhere and then proceeds to spend the entire night doing all the video game Halloween events. He'll smack you upside the head if you try to scare him at all. And he'll poor cold water on you while you're asleep if he ever spots you asleep, regardless of how long ago the incident was.
Cruz: She loves festive stuff and celebrations, she decorates her entire house and yard in Halloween stuff on the last day of Septemeber and does a bunch of Halloween stuff throughout the month. She learns everyone's favorite candies just for this day! She doesn't like being scared cause its..well, scary, but she absolutely enjoys playing along and will scare you back and watch scary movies even if it means she won't sleep that night. She also celebrates 'Halloween-weekend' and says the first three days of Novemeber still count as Halloween
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cloudslostlibrary · 1 year
Note
Congrats on 100 Cloud!!!
I would love snowing, Sapnap and “I’ve never really been in love, not seriously” (:
A new book has been found !
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Book Title: Movie Night
Characters: CC!Sapnap, Reader, CC!Georgenotfound
Genre: Fluff
Summary: Reader gets to the movie theater later than usual because of the snow outside and ends up catching Sapnap's attention when they give him a gift.
Tw: Mention of food
Author's Note: Exciting to finally be able to write requests for this event!!
Beta Reader: @allywritesforfun (thank you!!)
Event Masterlist
Regular Masterlist
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“Finally.” You sighed and watched the cloud from your breath be swept away in the chilling wind. “I’m here.”
Your boots sunk into the snow as you slowly trekked through the AMC’s parking lot. You stepped through the doorway of the movie theater, your frosty skin was immediately met with a sea of warmth. Reaching into your jacket pocket, you pulled out your phone and checked the time. ‘9:25, shit,’ you thought to yourself. ‘Five minutes won’t be enough time.’ You walked up to the counter in the middle of the lobby as you slid your phone back into your pocket.
The employee working at the counter seemed to be the only other person in the theater.
‘I guess going to the movie’s once the movie has already started does have its advantages.’
“Good evening,” the woman said, interrupting your train of thought. “How may I help you?”
“Good evening,” you responded. “I’d like a ticket to ‘The Black Phone’ please.” 
The employee grabbed the ticket from under the counter and shuffled a few steps right to the register. She waved you over and said, “That’ll be $13.69, anything else I can get you?”
“No, ma’am. Thank you.” you answered as you took $15 out of your wallet, careful not to drop anything, and handed it to the employee.
“Enjoy your movie!” The employee kindly smiled at you as she handed you your change.
“Thank you! Have a good day!” You smiled back before you walked a few steps away and took your phone out again.
’9:27.’ the lock screen read.
‘Only three minutes, I don’t think I’m going to make the commercials,’ you thought before deciding it would be alright to miss them— after all, how could you watch the movie without getting a duck?! With that in mind, you dashed over to the arcade section of the lobby, straight to your favorite machine.
The rubber duck claw machine was your favorite game because you were always guaranteed to win. Everyone was actually— it’s impossible to lose the game. All you have to do is put in one dollar and, just like a claw machine, you maneuver the device to win your prize. The game had no timer, and won’t stop until you’ve won! All the prizes in the machine were different rubber animals; although, they were mostly rubber ducks in costumes. Since discovering the machine, you’ve made it a habit to get a rubber animal to accompany you to watch the movies.
You squatted down and fed the machine a dollar. As you stood back up the door chimed. A gust of cold wind hit your skin and sent a shiver through your spine. You glanced in that direction and saw two men walk through the door. One was slightly taller with dark brown hair. His face was flushed from the cold and he was blowing into his hands, presumably to warm himself. The other man’s hair was a lighter brown with a hardly noticeable red tint to it. As if he could sense your gaze on him, the shorter one turned his head and met your eyes. He looked you up and down before his friend stole his attention at the counter.
You remembered what you were meant to be doing and refocused on the machine in front of you.
‘Wouldn’t want to miss too much of the movie, better hurry this up,’ you thought as you moved the machine’s arm.
You decided you wanted the rubber duck that looked like a green T. rex and let the claw drop to pick it up.
“Wooo!!” You cheered as the machine picked up the weirdly positioned dinosaur on your first try.
“Clang!” The dinosaur was dropped into the plastic area of the machine. “Clang!”
‘That’s weird… Sounded like it fell twice..?’ you silently questioned.
You opened the compartment and reached your hand in. Sure enough you felt two rubber ducks. Pulling them out, you noticed that the machine had given you two of the same dinosaur ducks. You stared at the second duck in your hand in confusion.
‘It must have been picked up with my dinosaur and I just didn’t notice,’ you deduce. ‘But what should I do with it? I can’t watch the movie with TWO rubber ducks, that’s not right.’
You looked around the lobby and saw the two men, now at the counter paying for their popcorn and tickets. An idea popped into your head and you walked over to them.
“Hi, I’m sorry to interrupt you,” you started. “Long story short, that claw machine over there just gave me two ducks instead of one, so I came over here to give one to you. Paying the luck forwards you know? Anyways, have a good movie!” 
You handed the shorter man the duck and started walking towards your movie theatre.
“Wait!” He lightly grabbed your arm to stop you. Succeeding in his attempt, you turned back around and tilted your head at him, confused.
“Hmm?” you hummed.
“You didn’t give me the chance to say thank you,” he chuckled softly. “My name is Sapnap, this is my friend George.”
“Nice to meet you! I’m Y/N.”
‘He smells good,’ you thought to yourself. ‘What is that smell though? I definitely recognize it.’
“Nice to meet you too, and thanks… for the dinosaur.” Sapnap smiled, looking down at it then back to you.
“No problem! But I’ve got to go, the movie is going to start any second now if it hasn’t already!” you said as you quickly left to go to theater five.
~~
“Are you going to have that stupid smile on your face for the rest of the day?” George asked Sapnap.
“What are you talking about?” Sapnap tried to push down the smile on his face, only for it to peak back through.
“You know exactly what I’m talking about.” George scoffed. “You like them.”
“Quit it, I don’t like them,” Sapnap lied and started walking toward their theater, already late for the movie.
“You’ve talked to them once and now you’re in love!” George shook his head at his friend.
Sapnap rolled his eyes at George. “You’re so stupid. I’ve never been in love… Not seriously— at least”
The two walked on in a comfortable silence until they reached the door of their theater. They walked in and got a few isles down before Sapnap threw out his arm and stopped both of them in their tracks.
“What?” George questioned.
“Is that them over there?” Sapnap pointed at a person sitting in the front row.
“You’re not going to be doing this the whole movie are you?” George crossed his arms over his chest.
“I think it’s them!” Sapnap whispered, walking in their direction.
“Come watch a movie in the theater with me you said, it’ll be fun you said.” George mocked his friend, following a few steps behind him.
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Taglist:
@graymoon2-archive @allywritesforfun @wrenqueenisboss @graymoonspam @bi-narystars @0yuioy0
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specksizedgoddess · 4 months
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Cruelty ahead.
There’s so many household objects I could use to destroy you. I think about stapling you to the wall—once, twice, three or four times of me putting a puncture hole in you the diameter of your arm just for good measure. Or I could impale you on a thumbtack, watch you writhe as gravity pulls you further onto the widening point and away from freedom.
Don’t even get me started on my kitchen. I could dissect you on my cutting board or throw you in the microwave and send you for a spin. You wouldn’t last more than a few seconds. I could drop you in a blender and watch you plead and scramble up the impossible walls before I finally press a button and let the blades do the easy work of converting your being into messy parts.
So many good options. But if I ever really had the chance I think I’d pass all of those options by and swallow you whole. No fanfare, no toying with you or crushing you in my teeth, just you sliding inescapably down into my trash compactor with a boring gulp. After all, we don’t want you unconscious or bleeding out before the fun even begins. You should be alive and fully aware for the descent. Pulled into the vacuum of my throat. No way but down. Trapped in darkness, nothing but the eager gurgling down below to situate you. Listen to it get louder and louder as you’re squeezed down my hot, slick throat, knowing that when you’re deposited unceremoniously into my hungry stomach, you’ll have no choice but to learn intimately how it feels to dissolve.
How badly does it sting? How quickly does it overwhelm you, and how much longer will you still digest after you can no longer take it with your mind intact?
The thing is, you don’t even warrant my aggression or my creativity. And I certainly don’t want to clean up the pathetic mess you’d leave behind if I used some kind of tool on you. So let’s solve a few problems at once. As soon as I swallow you, which is such an easy action I do it all the time without thinking anything of it, then I can forget all about you. In fact, you’re nobody’s problem. My body will take up the effortless, thoughtless work of rendering you down to nothing. And you won’t make a fucking mess all over the place.
How pathetic, at your size you’re not even a snack, not even padding. You’re hardly energy. You’ll burn up inside me and be forgotten to the world before you’re even gone. I’d send you down just for the sick pleasure of knowing it would ruin you, then move on to doing something more worthwhile with my day.
—🌙
AASHHHAGGGGDDGA TTHAVDA FFSHDF FUCK OHSS MY GODSBD <3323
TTAHSGDABSVTHANK YOU
Squirming eagerly as you examine me, so many ideas... so many ways to leave me attatched brutally to a wall, dissected, blended, ahhihilated~ its almost like a game of how easily you could get rid of me... but why waste energy on a bug? Why make a mess with it's body when you can get rid of it so, so effortlessly...
Moaning as your lips part, breath washing over me... immediately swallowed and plunged down your throat... no teasing or foreplay, those are for people! People who matter, who arent absolute worthless little specks- all you have to do is swallow and forget.
Ffucckahfhhs fuck I need to be yours. I need to be ended by someone who thinks I'm worthless, who couldnt care less about my feelings.... I need to be a blushing, eager mess, practically cumming whats left of my little brains out... slowly digesting in your acid while you forget about me...... nobody's problem <33
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goodnightmemes · 2 years
Text
just some great Doctor Who quotes
❛ Let me be brave. ❜
❛ I don’t want to go. ❜
❛ Together or not at all. ❜
❛ How about that? I win. ❜
❛ Laugh hard, run fast, be kind. ❜
❛ To save you, I can do anything. ❜
❛ Look how far I went for fear of losing you. ❜
❛ Whole worlds pivot on acts of imagination. ❜
❛ Nothing’s sad till it’s over, then everything is. ❜
❛ Everybody lives. Just this once. Everybody lives. ❜
❛ Never trust a hug. It’s just a way to hide your face. ❜
❛ Have a good life. Do that for me. Have a fantastic life. ❜
❛ Stories are where memories go when they’re forgotten. ❜
❛ I’ll be keeping you safe. One last victory. Allow me that. ❜
❛ Who I am is where I stand. Where I stand is where I fall. ❜
❛ We’re all stories in the end. Just make it a good one, eh? ❜
❛ I’d forgotten not all victories are about saving the universe. ❜
❛ All that pain and misery and loneliness, and it just made it kind. ❜
❛ Does it ever bother you that your life doesn’t make any sense? ❜
❛ I made my choice a long time ago, and I’m never gonna leave you. ❜
❛ No, I mean it. I would rather die. It’s better to die than to live like you. ❜
❛ What happened to you? When did killing someone become an option? ❜
❛ The only way anyone can live in peace is if they're prepared to forgive. ❜
❛ Don’t play games with me. Don’t ever, ever, think you’re capable of that. ❜
❛ You were fantastic. Absolutely fantastic. And do you know what? So was I! ❜
❛ Never be cruel and never be cowardly, and if you are, always make amends. ❜
❛ Everything’s got to end sometime. Otherwise, nothing would ever get started. ❜
❛ Oh, look, I’m angry. That’s new. I’m really not sure what’s going to happen now. ❜
❛ Good men don’t need rules. Today is not the day to find out why I have so many. ❜
❛ Do you think I care for you so little that betraying me would make any difference? ❜
❛ Sometimes, the only choices you have are bad ones, but you still have to choose. ❜
❛ Is there a word for ‘total screaming genius’ that sounds modest and just a tiny bit sexy? ❜
❛ You're stone cold brilliant, you are, I swear, you really are. But you could be so much more. ❜
❛ Just because my pretty face has turned your head, do not assume that I am so easily distracted. ❜
❛ Some people live more in 20 years than others do in 80. It’s not the time that matters. It’s the person. ❜
❛ It doesn't matter if there's nothing under the bed, or in the dark, so long as you know it's ok to be afraid of it. ❜
❛ If you're very wise and very strong, fear doesn't have to make you cruel or cowardly. Fear can make you kind. ❜
❛ Shut up! I can't let you die, without knowing you are loved. By so many, and so much. And by no one more than me. ❜
❛ If it's time to go, remember what you're leaving. Remember the best. My friends have always been the best of me. ❜
❛ Letting it get to you. You know what that’s called? Being alive. Best thing there is. Being alive right now is all that counts. ❜
❛ Come on! Look at me. No plan, no back up, no weapons worth a damn. Oh, and something else. I don’t have anything to lose! ❜
❛ Okay, this is bad. At the moment I don’t know how bad, but certainly we’re three buses, a long walk, and eight quid in a taxi from good. ❜
❛ You asked me if you were a good man. And the answer is… I don’t know. But I think you try to be. And I think that’s probably the point. ❜
❛ Love, in all its forms, is the most powerful weapon we have. Because love is a form of hope. And like hope, love abides. In the face of everything ❜
❛ The universe is big. It’s vast and complicated and ridiculous. And sometimes, very rarely, impossible things just happen and we call them miracles. ❜
❛ You're all the same, you screaming kids, you know that? "Look at me, I'm unforgivable." Well here's the unforeseeable, I forgive you. After all you've done. I forgive you. ❜
❛ The way I see it, every life is a pile of good things and bad things. The good things don’t always soften the bad things, but vice versa, the bad things don’t always spoil the good things or make them unimportant. ❜
❛ Because every time you see them happy you remember how sad they’re going to be. And it breaks your heart. Because what’s the point in them being happy if they’re going to be sad later? The answer is, of course, because they are going to be sad later. ❜
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weaselbug · 3 months
Text
I kinda wanna talk about the mana games
at least the ones i have played
secret of mana
while this game is good, but holy crap. so many issues with it, namely magic spam, its almost impossible to beat some bosses without not letting them attack you at all. but ultimately a good game, can get annoying at times, and not really a game i would plan on playing again. worth your time, but only once. and the story isnt amazing, but the world is so wonderful that i love it anyway.
trials of mana (secret of mana 2 if you're like me, and a huge nerd)
this game is great! first things first, a 3 choices. what characters do you want! pick 3 out of 6. which most combos are very good. although I wouldn't recommend picking three magic users. but go ahead most of the game is pretty easy, although still with magic spam, there is less of it, and very easy to run out of mana.
then there are the jobs, which there are 3 levels to, the first one you just have. but then you get to choose between light and dark, which then goes to another choice between light and dark. and a game with 6 different characters all with 4 different ending power ups, this game is great.
although there are some parts where the difficulty spikes for some reason, expecially a boss with a human sized person where he just one shots all your squishys (if you have any)
there is one point where you are stranded on an island and have to interact with a random rock to progress, so watch out for that. and it kinda has a problem with you going "where the heck do i go" the remake fixes this, but in like, the worst way possible, still doesnt tell you where to go, but just gives you a way point on your mini map. i dont know which one is better.
storys ok. they are all your tipical affair, "go slay a dragon" or "go save the kingdom" or "go save your brother" but honestly, i think its ok that its story is nothing to write home about, its just enough to get you to care. and thats all that matters.
technical problems: two stats just, dont work. that being luck and dex, they are mostly useless exept for the ninja character. then they unlock their spells, but thats it. and crits never happen, ever. so one of the final jobs for one of the characters is completely useless and you probably shouldn't pick it.
the music and world is great, that is what mana strives on, the world and music.
adventure of mana (final fantasy adventure)
this game is pretty good, for a game boy game at least, first off, this game is hard, not in the "oh man i gotta try again, i almost had it!" hard, more of the "fricken dang it! this game is too hard!" and there is one part which is getting pretty regular in these games, where you have to circle a tree like 3-5 times in order to progress. or have to wear silver armor to get into a cave.
and it has a system where you can choose to wait and charge up your attack to do a big attack, which is really fun and i love it. all mana games have this in common. which is one of the reasons why i love them.
legend of mana
oh this one is great too*.
oh so so many choices to make, im a simple person, give me meaning or non meaning full choices to combat and i am a happy camper. and this one has no shortage of them. first, choose your gender/character. then pick where you want to have your world, (some parts you cant pick cause they dont have enough sea.) then your off. but then you can choose between 11 different weapon types, which i wont list off here lol.
then there's the pets, which are fun at first, then you find the asterisk, which that every single system has one. first off, they have made every system overly complicated and over all, useless. why should i make a new sword when the store bought one is just fine, AND i have to put all the ingredients IN ORDER to get the right sword, and you have no idea what that is without a guide.
you can place down the worlds the way you want to, which is fine on a first playthrough, but you will be locked out of content if you do your placements wrong. but i found it fun to just go through the game as i wanted to, then go with a guide. and the story is really well written. made me care for all or at least most of the characters, and the world and music are beutiful as all get out. even listening to the abandoned city makes me almost cry.
but over all, the game was designed with the idea that you would replay it a lot, which is a fun idea. rouge likes (hate that name btw) are a testiment to that. over all, great game. just with a few blemishes, that might be a little ugly but oh well, the whole thing is pretty good. i just wish the pets were more enphsised and all the systems were made more impactful and easyer to understand.
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kieuecaprie · 8 months
Text
Kieue Caprie's List of Games Finished in 2023: Entry 11
#31: Pajama Sam: There's No Need to Hide When It's Dark Outside
What Platform? - Steam
Finished When? - 6/8/23
I had this game installed for the longest time but never got around to playing any of them. So I decided to play through it after having seen Limes (That's Limealicious) play through Spy Fox. It was pretty fun although I felt like I was going in circles a few times. It was still fun, though.
#32: Quake II (Remaster)
What Platform? PC, Steam
Finished When? 11/8/23
#32-A: Quake II - Call of the Machine
What Platform? PC, Steam
Finished When? 15/8/23
So, I never actually played Quake II in full until they released the remake. I always thought it was not very good simply because there was something missing. Turns out that the missing thing was the music which the Steam version lacked for some godawful reason.
So when the remake came out, I decided to give it a whirl, I did need a reason to try out my gyro-enabled controllers more tbh. It was fun, although it felt very difficult in a lot of places, it got so hard in fact that it got to the point where I had to bind quick-save and quick-load to my controller's function buttons to save my sanity.
Nightdive did a great job on the remaster, although they did kinda mess up on a few points such as the Railgun dealing less damage in SP and the shockwaves produced by certain enemies being next-to-impossible to counterplay. But other than that, it was a very solid remaster.
The new campaign was also really nice too, it had this kind of feel to it where you lose all your items upon completion so you can feel free to use the items whenever instead of saving them up for the final boss and unloading on them like I did in the vanilla campaign. Without spoiling it too much, I was not expecting certain inclusions in there. You'll understand what I mean when you get to those points if you decide to give it a look.
#33: Cruelty Squad
What Platform? PC, Steam
Finished When? 16/8/23
Not the first time I finished Cruelty Squad, probably not the last, but I felt like I wanted to play Cruelty Squad again because all my progress was gone, just like the apes. Armed with a gyro-enabled controller, I managed to make my way all the way through the depressing cyberpunk dystopian hellscape to the end, stonks and all.
Does it still hold up? Yeah, I'd think so, its got that feel to it that's hard to describe tbh.
#34: Quake III Arena
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What Platform? PC, Steam
Finished When? 19/8/23
Xaero turned himself into a statue. Funniest shit I've ever seen.
Quake III Arena was one of those games that just doesn't like my PC, forcing me to play a sourceport instead. It was kind of fun playing through the campaign, although it felt barebones compared to Unreal Tournament's. However, it does have one leg up on UT... it's still on Steam. (i'm still in pain from Epic removing Unreal and Unreal Tournament games from all online storefronts...)
#35: Bomb Rush Cyberfunk
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What Platform? PC, Steam
Finished When? 24/8/23
Where do I start with this game? Well, it's a great game with great vibes and a bumping soundtrack, what can I say? The movement is fluid, the boostpack is very helpful for platforming (...sometimes...), the characters are great, the art-style is amazing, and the story was about enough to hook me through it.
However, I have ONE big issue with the game: The combat. It's not entirely explained by the tutorial and it felt very floaty, inefficient, and the boss battles don't really give you a lot of feedback either, on top of them being complete bullshit sometimes (stunlocks anyone?). It's probably the weakest aspect of the game for me and it kind of drags everything down with it. Had the combat been more fleshed out or something and the bosses made more than just "find opening, hit three times, can't do anything else in the meantime", it would've been much better.
That said, I enjoyed my time with the game and I wanted to get it done before Armored Core 6 decides to throw everything into the backlog. Maybe now that I'm done, I can probably go back and fiddle with it from time to time, maybe try the custom graffiti modding dealie.
Also that one song where the singer yells ASS ASS ASS ASS in auto-tune is gonna haunt me for the rest of my ASS ASS ASS ASS life.
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Text
Dev-Blog #1: The Team, The Project, The Future
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Greetings fellow PLAYERNAMEs, a lot of time has passed since we announced our first major project, The Uprising, and we finally have some info to share, so let’s get started!
The Team and Release Date
Before getting into the specifics of the project, and its progress, let’s start off by introducing the wonderful people who are working together in order to bring The Uprising to life. Yes, that’s right, there’s a whole team working on the extension. So let’s get to know the team.
The story of Silverfox Story Developments started with two ideas being discussed. One of those is to make a group of creators to make and promote all types of story-driven content and its authors, and the other being the concepts of The Uprising.
The formation of SSD started with Silverfox, the team’s manager, lead developer & writer, searching around the outskirts of the Russian Hacknet community branch for people willing to partake in development of big Hacknet related projects. The Results of the search laid the foundation for the team, as it is an extension’s development cycle and goals.
Currently, the team consists of three wonderful people:
Silverfox — Team founder and manager, lead developer and writer
NeinZieselMouse — Junior developer and the mind behind all the websites’ implementation, as well as a great consultant on networks
TheWrenchFries — Tester, junior QA and writer
And then you have it. Now, onto the important thing, the release date. Whilst we’re highly interested in making the project, all this work is still done as a hobby, fuelled only by our altruism and wish for making a high quality product. We still got our lives to live and consider while dedicating time to creating The Uprising, so there’s no specific release date or even a release window, as life in its nature is unpredictable. However, we will be providing info on the project's progress with dev-blogs like this one every now and then.
What is The Uprising?
The big question that possibly was circulating in the minds of people who took notice and interest in our teaser, which was dropped early in the summer.
First of all, it is an extension project, one that aims to expand off of the Labyrinth’s “all planes saved” ending, which we consider to be the canon for the game’s lore. Our aim is to show the bigger picture of the world and to lay a foundation for possible future projects.
It is important to note that the story mostly revolves around new characters and generally previously unseen turf, but there will certainly be familiar faces to find within the campaign.
There’s also a plan to make The Uprising’s world very detailed, very “alive”. And we’re aiming to achieve it via miscellaneous content like custom-made text files, themes and other things that might not be noticeable at first but will add to the feel of the campaign’s extensive world.
Another thing we’re interested in is making players notice the results of their actions and choices. Branching out story paths is a major element of our project, by implementing which we hope to achieve a high level of replayability.
However, it is impossible to make a good and interesting project without bringing something new to the table, and of course we understand the technical limitations of Hacknet as a core platform we’re building our project on, we’re certain that we will be able to make something interesting out of it.
MVP Build
Whilst, of course, extensive worlds, branching paths and interesting mechanics are all important and key to the project, there has to be a foundation to build upon. A testing sandbox if you will, one that works flawlessly and is stable enough to be toyed with.
That is primarily why creating an MVP Build of the project is our main priority, that we’re currently focusing on the development field. And with Hacknet as a core platform, even making a standard project that is stable and working can be tricky, which we now have hands-on experience with.
To be specific, currently the main objective of the team is to make an MVP build of the first two acts of the story, which will be then used as testing grounds for all the concepts of “interesting mechanics” and other things.
At the time we’re almost done with the creation of the MVP build of the first act of the story, however knowing what awaits us further down the line, the tasks waiting for us are much more complicated. Although, it will be much easier to work on the more advanced bits without having to worry about the “skeleton” of the project, which is surely a good thing.
What’s done and what’s next?
It is surely one of the most important questions for all of us, both you, reading this and wondering what is next for this project and for the people responsible for putting this whole thing together.
Surely, as we’ve said in the beginning, life is unpredictable in its nature and things can go both very ugly or very beautifully, but before we try to guess what’s going to happen next, let’s quickly go over what is already done:
The Development team is gathered, and a work methodology has been selected to optimize the development of the project
MVP build of the first act is almost done, the progress for it is somewhere about 75-80% depending on criteria for evaluation
The Hacknet’s website renderer has been tamed by us, and we now have an understanding of what can and can not be done with them, which wouldn't happen without help from Fayti1703, a big shout-out to him from us
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And now onto the future. Once our main goals for this development stage are complete, we’re going to start preparing a demo, in order to receive feedback from the community and improve the project.
As for the future dev-blogs, we’ll be releasing those when there is something major done, so that we wouldn’t up the expectations without having anything to back them up with.
Until then!
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longmonthartist · 2 years
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A Brief History of K18 Fanfics Part 3 (Final)
Preface
Thanks for reading Part 2 and I hope you all found some enjoyable stories out of the list. I’ll be covering the contemporaries (2020s) this time but just like the previous list, I’ve included a few authors missing.
2nd Generation K18 Writers (Late 2000s to mid 2010s) Continued
IncognitoMan1-2-3-4
While IncognitoMan1-2-3-4 has only written one K18 series: “A Perfect Love”, it was a really well written series of short stories, with some written in 3rd person perspective while the last two chapters were from Krillin and 18’s perspective respectively. All in all some solid K18 stories that won’t leave anyone disappointed.
Shepherds-Glen
Shepherds-Glen, aka Alison is more of a DBZ generalist than K18 specialist. Nevertheless, her K18 stories story: “The Reluctant Mother To Be” is definitely worth a read with the sheer amount of love shared between our favorite couple. How K18 reacted to the news of Marron’s conception was cute to say the least too. This being said, it’s a shame this author, like some others, tend to leave her stories unfinished, so do expected some cozy first few chapters but ultimately no resolution to the story.
Kanthia
Kanthia has written a lot of DBZ stories and amongst them there’s only 1 K18 story and yet that alone is enough to put her on this list. “I Fell in Love with a Black Hole” is a very realistic take on how 18 would’ve behaved right after Cell Games, leading her to eventually seek out Krillin. I won’t go into much detail, as this is a fairly short piece but the writing and characterization more than made up for it. Do give this author a chance especially if you are into more realistic, non-fluff depiction of 18.
LPphreek
Another DBZ generalist who has only written one K18 story. This being said, his masterpiece: “Counterfeit Emotions” is an incredibly detailed and in-depth take on 18’s cyborg psychology and, excuse me for saying this, but one of the best depiction of 18’s mentality there is. If you don’t mind something a bit more real and angsty, LPphreek’s story is a great read both for his character depiction but also for his craft.
Gemini30 (English version by BadMonster-Fr)
BadMonster-Fr is a French author who has written quite a number of stories in French. One of her stories on FF.net, titled: “Love’s Not Away” is a translated version of one written by Gemini30. This is a very sweet and complete K18 get together story. Do give this lovely work a try, all chapters are fast reads, making them good relaxing short reads after work. Oh, did I mention she finished this series, yes, there’s a satisfying ending at the end too.
Draquia
Draquia has written only 1 DBZ story, and that just happened to be “Lovefools Part 1”, a great story portraying 18 trying to save her brother with the help of Krillin. The story has been completed with satisfying ending too and at 78k, this short novel should keep any K18 lover occupied with its engaging and unconventional plotline.
Contemporary K18 Writers (2020s)
By the 2020s, most fanfic authors have already learned all there is to learn about writing structure and format and stories are getting increasingly longer, with many works akin to short novels. All of the 2020s authors I’ll introduce here have written some full and completed master pieces, starting with attention grabbing intros and ending with plot-wrapping conclusions. Needless to say, the development in writing style is thanks to earlier works, as it is simply impossible for a community to progress to this point without prior examples.
Benisadog1
One of the most well established K18 lemon author there is, Benisadog1 has written just about every single imaginable steamy encounter between our favorite couple, with the scenarios ranging from their honeymoon to AUs and even an unlikely adventure they shared with Future 18. Of the three stories he has written so far, “K18 Movie Dates” is a hilarious depiction of K18 getting sidetracked while watching movie, “The Punk and the Geek” is an ongoing AU where punk 18 met office nerd Krillin, and “Krillin and 18 Lemon Anthology Series” a close contender to the best compilation of K18 steamy short stories.
One thing that sets Benisadog1 apart from other lemon authors is the inclusion of decently developed plot that connected the lemon with actual stories, making his work all the more enjoyable to read. On a side note, his chapters tend to be on the longer side and require some time to read through. Rest assured though, this lemon master’s works will not disappoint.
Literal Winter
An incredibly detail and plot oriented author, Literal Winter’s stories all involve very carefully crafted plots and engaging twists and turns that, despite their creativity, still matches the tone of DBZ. While not all of his stories are strictly K18, all of them more than gave this couple the time and respect they deserved and can be viewed as having the K18 side plot within the overarching story. I will give each one of his stories a brief summary below, seeing that I’ve personally read and reviewed all his works so bear with me.
“Facing the Future”, his very first work is a very engaging story of how 17 and 18 went to retrieve cure for a sick Krillin from the future timeline and the collaboration they shared with Future Trunks. While Krillin isn’t featured for the majority of this story, he is definitely involved as it is 18’s love for him that drove the cyborg woman forward.
“Twin Paths” offered a very plausible of why the future androids differ so much from their present counterparts and is totally worth a read.
“Vengeance Granted” portrayed another possible storyline that replaced Resurrection F. Here, the Z-fighters (including K18) had to fight a Frieza who has done something to their beloved dragon balls. While the premise may not be attractive to everyone, I argue this is one of his most creative pieces yet.
He has also written “Our Past Together”, a heart-warming non-action K18 one shot and an entry to K18 month.
Last but not least, his still ongoing work: “Dragon Ball Z: New Future” attempted at describing how post Goku Black Trunks would’ve tried reshaping the DBZ timeline starting from pre-Android saga.
Do give his stories a read, this author has a habit of completing his stories and if you love action oriented DBZ stories with heavy K18 involvement, Literal Winter will not disappoint. Just heads up that he is a Vegeta fan and for those K18 fans disliking Vegeta (I know there’s quite a lot in this community), his stories “Vengeance Granted” and “Facing the Future” may be too Vegeta heavy at times.
SuperSimpleStuff
SuperSimpleStuff is of European origin and although English is her third language, she has written two very engaging K18 stories “That first Time, you and I” and “From birth to rebirth: the incomplete story of Androids 17 and 18”. The best way to describe SuperSimpleStuff’s writing, or SSS for short (she has given me consent to address her as SSS), is that they are very unconventional in both plot and writing structure but can be very engaging, even to the point of jaw-dropping if readers were willing to invest the time.
“That first Time, you and I” for example, is a very well written K18 lemon that focused more on the couple’s psychology while engaging in the act of passion. It might just be me, but rarely do female authors write lemon and when they do, it’s very different than ones written by male authors. SSS is no exception as it’s possible to read from her words the tenderness of K18 in the act.
“From birth to rebirth” is a 17 and 18 story that features a lot of Krillin in some chapters. This story really sets itself apart from other DBZ stories with the amount of OCs in it. In a sense, SSS has crafted a standalone world for 17 and 18 populated with all the characters the twins have come across in their life. While this story is currently on hold (stopped right before Buu saga), the existing 50 chapters more than covered the cyborg twins’ journey sufficiently and detailed their growth throughout the years.
I may be a bit biased with the amount of communication I have with SSS, but do give her stories a try. If you can enjoy the dozens of OCs all with colorful personalities and their interactions with 17, 18, and Krillin, her story can mesmerize you since in her world, 17 and 18 always take center stage unlike DBZ.
AutumnKL/LongMonthArtist
After some debates, I have decided to include myself on this list of contemporaries. Although I shouldn't evaluate my own work, if you love K18, do give my stories a read. I try to do this lovely couple justice.
Final Words
This last post concluded my little write up of K18 fanfic history. It is by no means complete as I am aware many stories, especially those hosted in long-since-deleted DBZ shrines may never see the light of day again. I do hope to bring attention to the many wonderful stories written of this lovely couple though, and if possible, to document this shared bond we’ve all experienced.
Feel free to use this list as an example to compile your own list or better yet, become K18 writers if you haven’t already. It goes without saying that the number of people writing K18 is in sharp decline now that Dragon Ball Super anime has ended and the DBS manga hardly contained any traces of K18.
While this is not a call to action for writers, let me just say that it is never too early or late to get into the fandom as an author. You’d be surprised at the amount of K18 fans still out there eager for good reads.
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circesoracle · 5 months
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Would genuinely love to know your outlook on ME 1-3 as a writer. What did you think of the ending? Any theories on Liara? If you’re still keeping up with the announcements, that is
(I don't know what you mean by as a writer because my brain is small and smooth, but! nonetheless)
ME1 is a game of all time for me irt story, it does what a lot of first entries in a franchise (and ME3) fail to do which is utilize a macguffin in a way that doesn't feel like a let down or cheapen the story up until the point it's revealed to be nothing but a driver for the plot. it's a satisfying story that relies on predictability in its genre to its benefit, particularly in terms of characters. Saren is such a classic almost cartoon villain, very Skeletor, very Hordak, your typical world (galactic) domination sort, that Sovereign really *hits* when you get to it. it's by far my favourite of the trilogy in terms of narrative, but that's personal preference for what it evokes and the tropes at play and sort of high (but within reasonable comprehension) stakes.
2 is a bit of a funny one for me. I really like 2. I also think it causes a lot of problems in terms of character and world building. it's also trying so hard to be hard and edgy and sexy without a hint of self-awareness, which I find idk unappealing. it's kind of sexless and overly sanitized, but they swear a lot and Miranda ass shots so it's definitely totally cool right? fourteen-year-old-boy-who-calls-his-mother-a-bitch-for-making-him-do-laundry type of cool imo. all the same I do really enjoy it, it has a lot of stuff I love, a lot of stuff that i think served the series really well, and I do love LotS as a DLC (both in terms of DLC for ME and just DLC in general)
ME3 is like. so nearly it but isn't. and not just because of the endings but like. the macguffin in 1, the beacons, is utilized almost perfectly. the crucible and catalyst in 3 are some of the worst uses of it i've ever encountered, and having these intangible, vague things doesn't help the sort of impossible to comprehend stakes of it by the end. we *can not* as players actually comprehend, quantify, or fathom the actual stakes of 3, that's the point, the reapers are meant to be eldritch in their conception and their goal is legitimately beyond comprehension. it's hard for us to comprehend the human suffering and loss of actual, real wars, let alone one that would slowly, systematically wipe out trillions of lives. we can't even quantify a trillion. so there's two levels of absolute detachment to the narrative already involved going in. a good example of this is the main drawback to most decisions in the game to try and dissuade renegade options that are beneficial is single character deaths. Tali, Mordin, EDI, the first and third being the most obvious, because both their deaths come with the death of ALL quarians and ALL geth respectively, but those are just vague numbers, so most people focus on the single character death because that meaning that is quantifiable. most players don't care about vague but high numbers, this is why most people don't bang on about Shepard committing actual legitimate genocide and instead gloss over it. it's just a number, it doesn't matter, but killing Mordin? unthinkable.
the endings absolutely don't help all of this. it's the BioWare classic of relying on the meta and the player's attachment over the actual in-universe attachments or choices. the three endings hinging almost entirely on "Shepard is sacrificed in some way" is the same bland player-attachment meta that made them think the Hawke/Alistair/Logaine sacrifice in the Fade was a good narrative choice despite the Inquisitor literally Not Fucking Knowing those characters for more than like a week. it relies on you, the player, knowing and caring, which is not the basis for good roleplaying *or* storytelling.
all that said, I do really like 3 (and Inquisition, for that matter). but when I like something, I become more critical of it.
as for my opinion on the endings, idk, I wasn't there in 2012 watching everything I'd waited for since 2007 fall to pieces before my very eyes, so i imagine my opinions are quite moderate compared to some. I chose high war assets destroy. it is what it is.
I've been keeping up with the announcements but I'm gonna be honest, the less I think about them touching Liara again the happier I am. I dont know if you know Dragon Age, anon, but if they Varric my baby girl I'll make sure the BioWare developers never know peace. theories (actual) are she's fucking around where she shouldn't as she does and gets roped into some nonsense as she does. theories (delusional) are they have cast Ali Hillis as a bespoke other asari to gaslight us all and actually they will never touch Liara again and we will get a lore entry saying she is so so happy doing archaeology in peace which I think would be niceys 😊
I do not know the Mass Effect fandom very well so I hope these are all the normal widely accepted opinions that everyone very politely agrees on and never argues over!! thank you for the ask I hope you have not condemned me to one million years of petty discourse ❤️
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mycomicbox · 2 years
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OMORI 2 (spoiler warning for OMORI)
I highly doubt that there will ever be an official sequel to OMORI. However, the idea of it is fun to play with.
Let's get the most obvious thing out of the way: No matter which way you slice it, OMORI's story is complete, done, tied up with a bow. A direct sequel, prequel, or midquel game would be nigh impossible to pull off well. The story is just too self-contained to allow an entirely new game that branches off of it, and I am extremely annoyed that people think otherwise. A continuation would work better in the form of something like a short story or comic, not a full-fledged 25-hour RPG.
"But what about a game about Sunny at his new home?"
"But what about game that shows how Aubrey, Kel, and Hero reacted to the truth?"
"But what about a POV shift to another character?"
These are examples of direct sequel ideas that, while not bad, would work infinitely better as a different form of media and not an RPG. (plus the three friends’ reactions were SUPPOSED to be left up to player interpretation)
I get that we're attached to these characters and want to see how they grow and progress, especially after the good ending, but there's no dancing around it. A direct continuation would not work as a full-fledged RPG because there would be no “game” to speak of.
This is why I propose the idea that an OMORI 2 would start fresh with a new story, setting, and cast of characters. This is similar to, for example, what the Final Fantasy series does. Each mainline entry is its own contained world and storyline (with a few exceptions such as X-2 being a direct sequel to X), but still has plenty of aspects in both gameplay and story tropes that unify them as a series.
This isn’t a brand-new concept. To quote the TV Tropes page on Thematic Series:
Unlike a typical series, a Thematic Series does not follow the same characters or story; instead, it follows the same themes. For instance, a series may focus on themes of war, but with each installment centering on completely different people being affected by completely different wars. One might recognize a few nods to past installments here and there. If the installments share any characters at all, they will be side characters or it may be in the form of a cameo by a former main character of a different chapter.
I wouldn’t write this whole text wall without sharing my own ideas, so here they are!
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OMORI was originally planned to allow the player to select Sunny/Omori’s gender (M/F), but the idea was scrapped due to the crew having to redraw all the art. I would bring back the gender selection with a NB option to boot.
Also I looked up Hail on babynames.com out of curiosity and I think I can work with this meaning.
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Random character concepts:
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Gameplay changes 
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Headspace foes
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Headspace items
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Some stuff I wrote down in a .txt file:
While OMORI 2 is not connected to OMORI in terms of story, they do take place in the same world, with some minor connections to the first game (such as the Pet Rocks games getting sequels or Captain Spaceboy becoming a huge multimedia franchise).
While the Headspace in OMORI is more wacky and cartoonish, I want the Headspace in OMORI 2 to have a somewhat different feel to it. Maybe something more akin to a grand adventure rather than silly antics. It could have a little high-fantasy flavor mixed in (emphasis on "little").
I imagine Hail to be very hateful and misanthropic, save for their friends (similar to Omoriboy from that old blog)... But what happened to them that made them this way? Maybe it wasn't a single event, but multiple throughout their life, and Hail has to confront each of them one by one. Maybe the game could be in several acts, with each confrontation increasing in intensity.
Since this game takes place about a decade after OMORI, I could have some Faraway Town NPCs (such as Cris or Mincy) make an appearance... or even be a playable character.
There are some quotes from the OMORI 2014 trailer and the Omoriboy comics that I want to play into: "Anything fun is just a distraction from how much the real world sucks..." "You're not crazy if even one person believes in you..." "Too bad saving the world isn't as easy as these games make it out to be..."
There will probably be a Hikikomori Route or something adjacent to it.
Omori is an in-universe brand of piano, which is why Omori the character from the first game has elements of a piano in his design (his shirt is the top, his striped shorts are the keys, and his socks are the legs). In our world, there is a company called Casio that makes pianos (albeit electric ones), but they also make watches, calculators, and other devices. So, what if Omori the company is basically the equivalent of Casio, and Hail's dream persona was still called Omori? (similar to how almost every Final Fantasy has some incarnation of Cid) That would mean that there's some sort of physical object that holds importance to the story.
Due to the fact that OMORI 2 likely wouldn't revolve around dissociative amnesia like the first game, the lightbulb in the logo will likely have to be replaced.
For the horror bits, I should delve into more of the psych-horror genre for inspiration. Similarly, I should play some Yume Nikki fangames for more inspiration (Yume 2kki, .flow, etc.)
If I'm being completely honest with myself, this game probably wouldn't be as good as OMORI, though that's usually how it is with like 80% of sequels.
In OMORI, all of Sunny's friends were directly affected by Mari's death. How do I connect Hail's friends with the main conflict so that they aren't just there for the sake of existing?
While I should keep similarities to the first game for OMORI 2 to be called a sequel, I also don't want it to just be OMORI again but with a different coat of paint. Similarly, I don't want any of the characters to simply be clones of those from the first game (other than Omori himself, who is somewhat the same, even with a different incarnation). 
I have to be EXTRA CAREFUL to avoid romanticizing, sugarcoating, or truncating heavy themes. However, I also can't be too overboard with it or else it comes off as insensitive. It's a delicate balance.
Will I end up projecting myself and my own issues onto Hail? Probably.
I want to have the real-world sections take place in a big city... but I grew up in a fairly rural area surrounded by farmland and sports fields, meaning that my sources of inspiration are pretty lacking.
An idea that I had was that, since OMORI has themes of forgiving oneself, OMORI 2 could have themes of forgiving others. However, I'd be playing with fire, since I could accidentally deliver a toxic message.
None of this will probably be an actual game, as I'd need composers, artists, funding, people who are skilled with RPG Maker, and probably permission from OMOCAT and crew.
If I decide to develop this idea further, I’ll probably delegate it to a second blog.
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empahe · 2 years
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maybe an unpopular opinion but an opinion i will share nonetheless:
every single update young justice has made to different characters’ origin stories/backstories in general i’ve felt has been necessary and good. i’m thinking of two main examples: how they treated the tara/slade dynamic in season 3, and how babs becomes paralyzed in season 4.
quick aside: i didn’t mind the updates to the cyborg origin story, either. however, those were very universe-specific, so i doubt we’ll be seeing them in any other incarnations of cyborg after this show ends.
i’m terms of the tara markhov/slade dynamic, i really, really enjoyed how the writers handled it. marv wolfman (og creator of deathstroke) actually has said he never really intended for deathstroke to be a VILLAIN per-se, moreso an antihero-for-hire. changing their dynamic to more of a mentor/mentee where it seems as though slade actually cared about tara, even a little, and NOT in a creepy/sexual way was so refreshing. and yes, you could argue that this was largely retconned in the teen titans series from the early 2000s, but their dynamic still, at least to me, had some creepy sexual undertones. young justice did a fantastic job at revising that and making that story more palatable to a younger and broader audience, without sacrificing the integrity of either slade or tara as characters. i am really hoping this influences how tara is depicted in the future, and maybe allows her to BE more depicted in the future.
on babs being paralyzed: i will admit, i am a fan of the killing joke as a comic—however, as i’ve seen other people continually point out, how babs becomes paralyzed is just…lazy, and reduces barbara to simply a chip in joker’s long game with batman. and also…it’s just kind of gross and terrible thinking about it. i doubt, honestly, that we will ever really see young justice’s portrayal of babs’s paralyzing take off into other mainstream iterations of babs (it’s so dependent on cassandra and also idk people love the killing joke)—but i LOVE it, especially in context of young justice. it speaks to that broader message of love and family which has pervaded the entire series from the start. babs allowed herself to take a hit to prevent someone from going down a path of darkness—and, as we see, her being paralyzed hasn’t diminished her importance to the team—it has, perhaps, increased it. this was a huge tell of character for barbara, and really deepened my love for her in young justice. do i think this story will take off? no, i don’t. but hey, it’s not impossible—the mr. freeze origin story most of us know isn’t even from the comics—it’s from batman: the animated series.
all this to say, i’m really enjoying how the writers of young justice are taking old material and modernizing it. hell, they were willing to tackle the BLUE BEETLE origin story in season two, which like…MAYBE three people probably knew before that—and now jaime reyes’s blue beetle is one of the most well-known modern superheroes, and is even getting his own movie. and i’m not saying it’s because of young justice—him becoming a teen titan did a lot of that work as well—but what i like about young justice is the fact that they’re willing to take on any character, well-known or not, and make them into well-rounded, well-developed characters. hell, the runaways which i know are huge fan favorites are all revamped versions of the “diversity” characters from super friends (save virgil). the writers are not afraid to tell well-known stories in different ways—cmon, for a lesser known character, we’ve seen the cyborg origin story dozens of times now, but the writers still found a way to make this well-known story their own. and that’s good storytelling. say what you want about young justice, but at its core, it’s a good story—and i still wholeheartedly believe that.
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