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#and it's written so beautifully too!!!
poorly-drawn-mdzs · 4 months
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Turtle Takedown Teamwork.
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#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#tulu xuanwu#Something about changing the action sequence to something gentle is hilarious to me.#The lesson here is “Be nice to turtles. They are gentle creatures. And many are very endangered.”#don't get me wrong here; I love this scene a lot. LWJ's string technique is one of my favoyrite things.#We do get a fair amount of LWJ fighting but I always loved how the theme of strings comes into play.#There is actually a lot to unpack with LWJ being associate with 'strings'.#The musicianship: Of dedication and rigor in one's practice.#The tension between following along a path or composing your own way forwards (playing what has been written vs composing)#A string is a tightly coiled/taunt entity; The same tension that makes it sing so beautifully can be it's downfall if pushed too hard.#And as a non-musical string - something that binds. Be it to his sect and family or how he binds his fate to WWX -#LWJ cannot exist without his binds. It is not something which ties him down though. It keeps him together.#And he himself *is* a bind. He 'ties wwx down' in ways that are initially negatively viewed ('come to gusu' - feels like: come be trapped)#But later it is shown how (despite being introduced as a free spirit) WWX truly wants to be bound to something and someone.#Marriage is a bind he wants. He wants to be tied and grounded by LWJ.#It's starting to sound like innuendo. Let's call his fondness for being literally tied up smart thematic writing.#Finally. Sex scenes that are important to the plot and characters
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braimin · 2 months
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I think about @wellship‘s 20 year waltz comic atleast once a week. Particularly the part about zosan being called the god with no back. Like even though they’re the wings of the pirate king they’re also something outside of the monster trio. As the wings they serve their king and their crew. But they also have this connection , this dedication , to each other that can only exist between the two of them. And it’s something so powerful and obvious that people see them and just know they move as one entity.
And the conversation between baby zoro and old sanji ? So good I cried the first time I read it. 😭 Just how long did zoro actually have to wait ? And for him to be so patient the whole way. Ughh I’m going to cry again. And knowing that (spoiler if you haven’t read it) it’s just them meeting memories of themselves and not ‘real’ versions hurts my heart a bit. Because while older zoro gets that comfort and closure from sanji , he still has all those memories of longing without the promise of love in return. I bet zoro would have been okay with that outcome too. He probably came to terms with the idea of sanji only ever seeing him as nakama long before they got together.
Oh I could write a whole dissertation on that comic it’s just so good man. 🤌🏼
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its-a-hare-pom-pom · 2 months
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“And now I’m thinking about the Dallys of the world, always on the outside looking in. Bruises on their eyes and using grease for their disguise”
DO YOU SEE HOW OKAY I AM ABOUT THE OUTSIDERS MUSICAL??!?! I AM SO SO OKAY
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sivavakkiyar · 21 days
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I always think of that letter Kafka wrote to—-I guess his sister, I guess I think of the letter more than the recipient—-where he says something like ‘do you know the shame of needing the police to protect you?’
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earlgodwin · 4 months
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ok so i'm re-reading blood and beauty once again, and i have to say that sarah dunant is the superior borgia fiction writer out there. i absolutely love her delicate and evocative writing as well as how she brilliantly humanizes the characters through compelling narratives. not to mention her attention to detail and meticulous research creates a rich historical backdrop, immersing us in the fascinating world of the borgia family. she also has an exceptional understanding of how hot and terrible cesare can be while still making him nuanced. it's a personal win for me as someone who's pretty much bored of his character being softened up and romanticized in other works. the more he does something awful, the more compelling he becomes to me (although he wasn't romanticized much in showtime's the borgias but his image of an over-ambitious, sadistic, gaslighting, and manipulative guy seems to appear innocent that watchers tend to overlook it, and some of his misdeeds were dumped onto juan, like making him the only one having an affair with sancia of aragon when cesare was involved as well, or having him kill lucrezia's lover, paolo, etc., which is why i wasn't as interested in cesare as i was in juan because juan does nasty acts, but you get an idea of why he did what he did and still find the human in the heinous.) the most phenomenal writing part for me was to not lean into the rumors by not having cesare kill juan because it's closer to historical reality. and as much as cesare's 'from envy to fratricide' pipeline can be groundbreaking like how it worked in showtime's the borgias, dunant proved that juan's murder can still be astounding without the fratricide. because even if cesare did have a tempting motive to kill him, as he wanted his position so badly, cesare's letters to him make me doubt that he ever had any involvement in his murder since the letters show so much fraternal love. i also want to add that rodrigo's deep love for his children, while being self-aware and devastated over the fact that he uses them and forces them into roles they're incompetent for and marriages for political gain, was a standout aspect in the book. in short, the book is emotionally engaging because it delves into the intriguing world of the borgia family's renaissance. imo, it's a must-read for borgia enthusiasts.
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leaving-fragments · 2 months
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i cannot explain how much anne with an e resonates with me, i have cried over it daily at this point... the filmography of the light on the landscape... the games of childhood, the anxieties of growing up, the quiet love within the cuthbert family... i recognise it and it evokes such feelings of nostalgia and love for living in me, it's a little bit much to bear at times
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rainbowvamp · 1 year
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oh fuck. wait. hold on. do we have a pacific rim dreamling au yet?? do we? because. fuck. fuck. we need one. listen, it's a fandom right of passage. we need a pacific rim au that we're all obsessed with. we deserve it.
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mer!sugu watching you transfer a bug to a leaf so it wouldn't drown in the waves of sea water, just thinking about how you're too sweet for this world. too nice, too sweet, too eager to help others, even to the smallest of creatures you find by the beach. he can't help but feel irritated.
not at you.
never you.
but your tendency to pick up strays like suguru doomed it all from the start. he couldn't help but fall in love when you helped him and chose to stay. he couldn't help but fall deeper in love every time your eyebrows furrow with worry when he's even the slightest bit hurt. or every time you smile when he seemed content.
it feels so good to be happy, but christ it hurts to think that he'll always outlive you. he'll always live with the fact that he'll inevitably lose you someday.
so whether he leaves or he stays, it'll hurt anyway. no matter how sweet your love is, and how tender the moments you spend with one another are.
he hates that.
[got the thought from rafayel [love and deepspace] my other pretty purple fish man ...i couldn't resist with the angst my bad-]
🥺🥺🥺🥺🥺 ANONNNNNNN ……..
when i saw this in my inbox i kinda had to take a breather … i have no idea what i did to deserve such talented anons ??? like genuinely ???? everyday i wake up and one of u dropped the most heartwrenching beautiful concepts i’ve ever read and then i’m just expected to continue on w my day like nothing happened smh ……..
AAAA JUST . this concept !!!! T_T anon!!!!! it’s so dear to me and def in line for what i think the main theme of this au is which is just … kindness? the meaning of little everyday acts of mercy??? and u just described it so so well i can’t handle it…. reader being so kind and happy to take in strays, even at their own detriment…. mer!sugu who can’t help but be charmed by it even though he thinks you should be a little more selfish :((… and the emphasis that he could never be angry at you, he’s just angry at the world and your circumstances…..
“your tendency to pick up strays like suguru doomed it all from the start” anon the way you phrased this is turning my heart to mush :((((( he can’t help but fall for you and that dooms you both. sob.
it feels so good to be happy, but christ it hurts to think that he'll always outlive you. he'll always live with the fact that he'll inevitably lose you someday. so whether he leaves or he stays, it'll hurt anyway. no matter how sweet your love is, and how tender the moments you spend with one another are. he hates that.
and don’t even get me started on this 😔😔 this aspect of their dynamic makes me so sad bc i don’t think reader ever thinks about it (or even knows that merfolk live way longer), but suguru does and it’s just this bittersweetness that he keeps to himself… that makes his chest hurt more than he’d prefer…. sighhh. T—T the thought of mer!sugu loving you forever and cherishing your memory even after you’ve passed makes me so sad….. but it’s also such a beautiful aspect of this au :’3 he won’t always have you with him which only makes those tiny moments of kindness and happiness between you more important!!
so i think deep down he’s really glad that you’re you, even when he has to share a home with all the abandoned kittens you brought back <3333
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Happy birthday Mushitarou!
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The sad silly green man is one of the absolute best and also one of the most criminally underrated characters in all of BSD. I don’t have any fics or anything for him today (EVENTUALLY... eventually....), but I’ll share some headcanons for him (+others) that I have 💚 (part headcanons/part analysis tbh)
Under the cut cause uhhhh this got a lot longer than I expected it would ahaha, smh:
While I don’t think he had any particular falling-out with his family, I think Mushi is naturally isolated from them, and only became more closed off after his father died, someone whom he was especially close to and who shaped him into the good person that he is. He was lonely growing up in school, and Yokomizo was as well, even though it didn’t seem that way on the surface due to the latter being much more outgoing and extroverted; neither of them had anyone who truly understood and engaged with their interests (especially not Mushi after the loss of his father). Yokomizo was also estranged from his relatives, even more so after he became obsessed with writing, so he and Mushi became as close as family after enough time had passed – they really were all each other had, in so many ways.
Mushi already visited Yokomizo frequently enough as it is, without much else to do in his life, but began coming to see him even more often after he was told about Yokomizo’s terminal illness/given the request to kill him. Despite Yokomizo’s desire to finish his novel before his health deteriorated enough to be noticeable, he was unable to do so, and as time wore on, Mushi began to worry that something would happen to Yokomizo without anyone there to help, and took it upon himself to take care of him. Yokomizo’s urgency to finish his writing became more desperate, yet Mushi tried to keep him from pushing himself, which somewhat worked – there was an unspoken understanding that both were trying to put off the inevitable; for Mushi, it was out of utter denial of losing him and of what he’d have to do, and for Yokomizo, it was out of a sorrowful desire to spend as much time with Mushi as he still could, and guilt for the tremendously selfish and cruel thing he was ultimately asking of him, even as both of these emotions fought with his stubborn desire to go out the way he wanted to.
Mushi’s façade of hatred towards Yokomizo after killing him, although mostly a coping mechanism to distance himself from him and his grief, is not entirely without basis: a small part of him did want to genuinely hate Yokomizo for forcing this upon him, though ultimately a much larger part of him simply hated himself for doing something so unspeakable to the person he called his friend, even if it was asked of him.
Yokomizo, however, wanted Mushi to hate him over all, even if he never said this outright. The months leading up to his death were filled with worry for his friend, for the person who was essentially like a younger family member to him (not exactly a little brother, but… something akin to that. Although they’re probably around the same age, I feel like Yokomizo was more mature (not in every way though of course), and was protective over Mushi in a lot of ways); he knew Mushi very well, and he knew that Mushi would not cope well with his death at all, let alone what he was asking of him – he already wasn’t coping well. Mushi always had walls up and pretended to be arrogant, pretended to be selfish and not care about anyone but himself, but Yokomizo was the one person he was comfortable around, and he had long since practically become home for him: although their time together was never anything extravagant, he was able to bring him out of his shell, and force him to do and think about things he never would have otherwise, giving them both a happiness they each would have never otherwise known for so many years. But then that fragile peace they had together, that safety net, was being cruelly ripped away from them both, and the thought that Mushi would go back to being lonely, closed-off, and isolated after he was gone, drowning in his grief and with no one else to support him anymore, was more devastating to Yokomizo than even the fact that he was dying. As cruel and selfish as asking Mushi to kill him for his perfect crime was, I think a part of him felt it would be even crueler to force Mushi to watch him slowly wither away from illness (and he, too, dreaded and was terrified of having to go out like that, after so much drawn-out pain), and he selfishly hoped that Mushi’s hatred of him for forcing this upon him would overcome his grief, and the inevitable self-loathing he would have – yes, Mushi could hate him, needed to hate him, anything to keep him from hating himself. Of course, Yokomizo knew that wouldn’t happen, because Mushi was far too kind, far too caring, and far too selfless – anyone who would do so much for him for so many years as he had, especially after he became ill, and would willingly agree to go as far as to essentially euthanize him for his selfish final dream, no matter how much all of it hurt him, was truly the greatest friend anyone could ask for. Mushi was and is a beautifully selfless person, but he himself could never see it – only Yokomizo could, and so he knew exactly how he would respond, and worried about him immensely because of it. And that worry made him want to try to distance himself from Mushi as much as possible, to die as soon as possible, even, so it wouldn’t be even harder on him than it already would be… but in the end what won over that was his desire to make as many happy memories with him as possible in those final months, so they could somehow try to forget about what was coming, if only briefly; so that Yokomizo could, maybe, somehow, in some small way, believe that Mushi would be okay in the end after he was gone. :’ )
Continuing this, as part of those memories, I headcanon Yokomizo liked to dance with Mushi a lot, since there’s some art of them doing that 💚 Mushi also took Yokomizo out to various quiet place, like to see fireworks or the beach. He canonically doesn’t like the smell of the salty sea air (why? I have no clue), but I hc Yokomizo loved the sea, so Mushi went with him there at least once oops my Yokomizo Oda similarity headcanons are showing-
Yokomizo wanted Mushi to be happy, but it also worried him that his friend clearly bottled everything up and never allowed himself to cry, either. So seeing him cry in his last moments was a huge weight off his shoulders, and was somehow what ultimately convinced him that Mushi would one day be okay again. :’ )
At some point, probably multiple times, Mushi and Yokomizo had a discussion where Mushi tried to make sure that Yokomizo truly, sincerely wanted him to do what he was asking of him. Around and around, trying to talk him out of it, insisting that he hadn’t truly thought it through, but Yokomizo was always gently steadfast. After they settled on strangulation (poison, aside from being ruled out for the sake of the reader, was not what Yokomizo preferred when his body was already painfully killing itself from the inside), Mushi tried to suggest that he be given a strong sleeping pill/sedative before being killed so that he wouldn’t feel it, but Yokomizo insisted against it, as it would imply sympathy on the part of the killer, which couldn’t happen. His sickly state, although it wasn’t yet public while he was still alive, would already suggest a mercy killing and was putting the plan/general reception at risk enough as it was. </3
After killing Yokomizo, Mushi handled his body ever-so-delicately, tenderly, almost reverently, just as he had many times before while carrying him, as he strung him up the way he was instructed, and even as he cut off his ears. He took his time doing it, wanting to hold his friend close and memorize what he looked like for as long as he possibly could in these final moments, even though he felt like his hands didn’t have the right to touch him anymore. Then, after everything was in place and he’d fled the premises with the manuscript, he promptly threw up somewhere. :’ )
Yokomizo was the second person to give him the nickname “Mushi”, after Mushi’s father. No one else ever calls him that now; it’s a name reserved only for them.
Mushi struggles while trying to write at Poe’s mansion out of a feeling of inferiority compared to Yokomizo; writing and mysteries were never his passion, they were Yokomizo’s, and he was just indulging the latter’s hobbies. He has no right to claim the role of writer for himself, not now that he’s gone and when he was only ever in it for Yokomizo to begin with… and there’s no possible way he can ever create anything good or original, when they’d already talked at length about how everything in the mystery genre had already been done, and Yokomizo himself created the ultimate mystery that no one could ever possible top, least of all him.
But Poe knows that what he writes doesn’t need to be perfect or even good; Mushi only needs to do it as a form of therapy for himself, because it will bring him closer to his deceased friend, since mysteries are what they enjoyed most when he was alive. (and I honestly think Poe would understand and empathize Mushi very well, having been so isolated and lonely in the past himself before Ranpo essentially saved him just as Yokomizo did for him) Once he’s able to convey that to him, it gradually comes more naturally to Mushi and becomes comforting for him as Poe intended. 💚
Mushi forms a reluctant friendship with Karl over the course of his stay with Poe (inspired by this person’s art series of them together 🥹). It starts with Karl trying to help the first time Mushi has a nightmare there, and after that he starts bothering him/trying to get his attention in general, until Mushi slowly gives in, becoming begrudgingly fond of the little creature. Whenever he’s having a hard time, whether it be a nightmare or a panic attack or just listlessness, Karl is usually there for him, as his own personal therapy raccoon. 💚
To add to that, Mushi canonically dislikes thunder; I headcanon that when they were together during storms, Yokomizo always made sure to be even more chatty than usual, to distract Mushi from his fear of the noise. Once he’s at Poe’s mansion, when it storms, he suddenly realizes how much louder and scarier the thunder feels now… but of course he doesn’t let it show. Karl, however, notices his discomfort, and is there for him during storms now. :’ )
Post-series, in general, Mushi always brings treats for Karl whenever he meets up with Poe again. 💚
A headcanon plenty of people have, but Ango is absolutely crucial to Mushi’s journey of healing. Post-series, they have quite a few talks about their respective situations, and Ango is the one person Mushi ultimately (after enough time, of course) bears the most of his soul and his pain to, because Ango can empathize with him and understand his guilt/self-loathing/sorrow in a way none of the others can. Earlier on, Ango checks on Mushi the most (Ranpo and Poe do too though) to make sure that he’s taking care of himself, just like he occasionally does/did with Dazai.
Mushi starts wearing traditional clothes more often after Yokomizo’s death, including a few old things that used to belong to him, that are comforting to Mushi.
There aren’t many public photos of Yokomizo, since he was a rather private author. There is, however, only one single personal photo of him, one he roped a grumpy Mushi into taking with him once, his own expression being as sunshine-y and exuberant as always in contrast. Mushi cherishes it now :’ ) oops the buraiha trio vibes strike again
Because of his period of dealing with Yokomizo’s terminal illness, Mushi has some medical-related knowledge that the average person probably wouldn’t. It isn’t the kind of thing he wants to dwell on after Yokomizo’s death, and he can’t stand being around hospitals, for obvious reasons, but regardless, whether he’s consciously aware of it or not, he is especially compassionate/understanding towards those who are sick and disabled that he encounters. His time with Yokomizo has given him perspectives and philosophies about life that he wouldn’t otherwise have, and when he’s not trying to write strictly mysteries, it’s the sort of things that are evident in his writing. In a way, writing about it in general is healing for him, separate from mysteries being comforting to him solely because they’re associated with Yokomizo.
At some point, Mushi starts visiting Yokomizo’s grave together with Ango, Poe, and Ranpo, or sometimes just Ango. Similarly, he, Poe and Ranpo join Ango in visiting Oda’s grave. He and Ango each tell stories about their respective lost loved ones, so that more people will learn about and remember who they once were. 💚
With his ability, Ango is able to read the memories within the room Yokomizo was living in (or perhaps in objects Mushi owns), and see numerous happy memories he had with Mushi, long before his illness and death. With what he sees and conveys, Poe is able to write a small story of the memory, which he then gives to Mushi, allowing him to go into the story and relive the memory and see Yokomizo again for the first time in years. It’s not the real Yokomizo, and Mushi knows this – he’s long since stopped seeing the hallucination of him, because he’s healed enough by this point. But even so, just knowing that the book is there, that he can see his friend moving and talking again whenever he wishes – a version of Yokomizo that is just as happy and bright and energetic as he always remembered, without suffering from illness – is the greatest gift and kindness he could ever imagine receiving, and from his new friends no less, and it’s enough to make him cry, from how loved he truly is :’ ) 💚
I love Mushitarou sooooo much, and I truly hope he gets more attention in the future (can’t wait for tomorrow’s episode!!), because his story is so touching and his character so relatable and comforting 🥹 and I sincerely hope he finds his ultimate happiness in the manga one day. Happy birthday, you sweet, sentimental, pathetic (affectionate), goofy little gremlin man 💚
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sparring-spirals · 2 years
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Placing such a hard time limit using the Calamity was exceptionally good and also inherent to the tragedy of it and im thrilled by it. Don't get me wrong, forced time limits in tragedies and doomsday stories are common for a reason. They work, and they work well. but just, within the context of EXU Calamity, its really getting me.
because its always about not having enough time, right? its about expecting that you'll have more. There's complacency with power, and mistakes, and wealth, but maybe what the Ring of Brass were most indulgent with was time.
(you always think you'll have enough time, more time, another replenishment, another deal, another broadcast, another batch of bright children. youll get another time to hash out an argument with your father. you'll get another time to stay home with your kids and get to know them. you'll get another time to apologize and explain and fix your broken relationship. there's just something else, right here, right now, that should get done first.)
The Ring of Brass were rich, in so many ways. They had power, and wealth, and a million responsibilities, and so maybe they would've argued they had ZERO time, actually, and they just needed to sort everything else out first, and they'd have enough time to figure everything else out later.
but that's the point, right? There's never really a good time for this. for the important stuff, or the end of the world.
(Laerryn was, perhaps, the primary person in the Ring Of Brass operating under a time limit from the get-go, trying desperately to get the Leyline working, because if it wasn't now, it would be never. Because Quay wouldn't live that long. But even she assumed that was the extent of the time limit, that for Everything Else, there would still be time.)
(And is that such a ridiculous expectation? Is that so foolish of her? Of all of them? You never expect the world to end. You don't have infinite time, sure, but- you've got tomorrow, or next week, or- just not now.)
And so it is tragic, but it is also weirdly satisfying, to see the way time got shattered and stretched and sped throughout that last episode. The first second lasted forty minutes. They get maybe two hours at the hands of a damned demon, and its the best blessing they've ever had. Rounds are six seconds. A broadcast is maybe thirty. A healing word, a Wish, a Wall of Force, all buying paltry seconds that make all the difference. The dawn is coming, Avalir is landing, there's so much that has to be done, and that won't get done. We watch them make hard decisions, over and over, and over, and we keep saying "there's not enough time". Because of course there isn't. There could never have been.
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the-casbah-way · 7 months
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i am always really grateful to get comments and feedback on my fics, but you don’t need to insult other peoples’ work in order to be nice about mine. it’s not even a compliment to me, really. you could’ve just talked about what you like about my writing rather than the fact that you dislike someone else’s. if you haven’t managed to find any fics in a fandom that are for you, i’d be more than happy to give you some recommendations of my own. the natm fandom is one of the most creative fandoms i’ve ever been a part of and even i, someone who barely reads fanfiction and is extremely picky about the tropes i want to read, have managed to find a tonne of fics that i absolutely adore. if it wasn’t for those fics i wouldn’t be writing my own. you can be picky about what you read, like i am. but it doesn’t mean that every fic you aren’t interested in reading is bad, and it doesn’t mean that only the fics you enjoy are good. i do agree that putting your work on the internet and in the public eye is inevitably and inherently opening yourself up to the possibility of criticism or negative feedback, but personally i think that fanfiction isn’t exactly the same as a published novel. we are writing this for free, and providing it for free, with no guarantee that we’ll get any traction or appreciation for it at all. if you don’t like a fic purely because you just didn’t like it and you don’t have anything helpful or productive to offer, it’s generally better and kinder to keep that to yourself. just be nice <3
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sysig · 4 days
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Reading moodboard #84430940 (Patreon)
#Doodles#I wonder what this is in reference to lol - could be anything really!#Bit funny actually - I was reading something else in overlap at the time - a fic from another fandom though it ended up not being for me#Different authors just speak to different people! It was fun to come back to something familiar and realize Just how much I appreciate it ah#Novel and familiar! My very favourite <3 And of course it was a wonderful experience on top of that hehe ♪♫#Numbers lol - I really have done way too much age headcanon math pfft#I just love timelines! And even if the hints aren't exact they /are/ hints and I'm going to use them!!#The numbers that are established are such fun markers - and using characterization as hints towards how many years have passed! Ah! ♪#Like how it's definitely possible that Max took a two year but considering his family he was probably pushed to do a four year#There's no confirmation either way but it's just so fun to consider what they'd do based on how they're written!#These are the kind of written math problems I enjoy hehe#I was being a bit self-deprecating for that doodle actually tho lol - art mimics life and all that pfft#Also confirmation of him being a Lit Major ❤️💕💖💞💗 Small details give me big love you must understand this lol#As evidenced lol ♪ Adding to my playlist definitely didn't help it very strongly upgraded to Big Love for like a week straight lol#Terrible ♪ Couldn't stand it <3 Genuinely painful ♫#Lol - ''finding'' more - it's what had my blood on fire! I'm so grateful for mirrors#Anyone who's been following me for a while knows I have this whole thing about Legacy and what you leave behind and the internet in general#That the internet is forever except when it's not - that plenty of things get deleted or lost etc. etc. and it makes me very sad :(#So seeing that there was an in-built preservation - it only saved Some things but anything saved is precious!! It made me very happy <3#And then finishing off 💔💕 Beautifully heartbreaking ah#Even skim-reading later made me cry again! It's deeply affecting hhh#Another experience I'm so happy to be able to have ♥ Another tally on the wall haha <3
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Against my better judgement I’ve acquired two new books from Ollie’s: Coriolanus by William Shakespeare and Empire Games by Charles Stross (which I didn’t know was a series when I got it lol whoopsie… I usually don’t read series; but this is classic-style dystopian sci-fi with time travel so it’s a little different).
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longagoitwastuesday · 10 months
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you seem to have a wide taste in books !! what are some books that you would recommend ??
Hmmm I wonder. I have the feeling I just read the same couple of books over and over, and at times only different iterations of the same story, like in that line by Borges ("the various intonations of a few metaphors").
I find recommending books without knowing anything at all about the person asking rather difficult. What I'd suggest to one may differ greatly from what I'd recommend to someone else. I'll give a list of some of my favourite books that I think are enjoyable in general:
— Thoughts by Pascal
— Cain: a mystery by Lord Byron
— The Iliad by Homer
— Crime and Punishment by Dostoievsky
— Othello by Shakespeare
— Pedro Páramo by Juan Rulfo
— Cyrano de Bergerac by Edmond Rostand
— The fragments of the Presocratics
— La Regenta by Leopoldo Alas, Clarín
— Tractatus Logico-philosophicus by Wittgenstein
— East of Eden by John Steinbeck
— Vita nova by Dante
— Contributions to the Founding of the Theory of Transfinite Numbers by Georg Cantor
— Caligula by Albert Camus
— North and South by Elizabeth Gaskell
— Peter Pan by J. M. Barrie
— Some essays by Russell. I personally love Mysticism and Logic
— Metamorphoses by Ovid
Poetry is perhaps harder to recommend because at times it translates horribly, but in general I love Baudelaire, Rimbaud, Lorca, Juan Ramón Jiménez, Rilke, Byron, Quevedo, Góngora, Lope de Vega, Horace, Catullus, Ovid, Tennyson, Maiakovsky, Garcilaso de la Vega, Oliverio Girondo, Vicente Huidobro, Emily Brontë, T. S. Eliot, Luis Cernuda and Edgar Allan Poe, to name a few.
#I talk too much#I wanted to say The tragic sense of life by Unamuno and Philosophy and Poetry by María Zambrano#but I thought maybe they'd be hard to find in translation. They're both approachable texts of philosophy beautifully written though#Unamuno's essay Vida de Don Quijote y Sancho (translated as Our Lord Don Quixote in English according to Wikipedia?) is also beautiful#I adore Schopenhauer and Nietzsche but I'm not sure I'd recommend them to anyone. Probably you can't go wrong with Kierkegaard though#I know what some of these books look like (like Wittgenstein's Tractatus or Cantor's Foundations)#but I swear they're approachable without specific academic background. The last line of Wittgenstein's Tractatus is one of my favourite#lines ever in the history of anything‚ philosophy or literature‚ but to be as hitting as it is you need to reach it at the end of the book#I think despite what it looks like both Cantor and especially Wittgenstein have an aesthetic intent in their writing#Wittgenstein in particular reminds me of Kierkegaard and Rilke and also of Unamuno and Zambrano. And of course Schopenhauer et al.#The Tractatus is very similar in my opinion to Huidobro's Altazor which is just amazing but I don't know how it would translate#These books I like in form and not just in content (although form is content like I think happens in Wittgenstein's Tractatus)#so when possible I'd read them in their original languages.I myself can't read German and know but very little of Russian and Ancient Greek#and a bit of Latin so I must be missing a lot of those. Nonetheless they're great in what I can get through translation#Perhaps you'd have the chance of enjoying them in full#If you can't read Russian I am actually quite specific with the translation of Crime and Punishment haha There's a concept#Razumikhin develops through the book at several points and often translators aren't consister with the word which makes the readers lose#the view of this development. And I happen to think the development works alongside the narrative of Svidrigailov#and also with what happens towards the end with Porfiry and Raskolnikov so I think it's important#In English there are several translations that maintain the coherence such as the one by Pevear and Volokhonsky#(the only one I can remember right now but I could check the rest). Garnett's translation is everywhere but that one doesn't do it#Hmmm Pedro Páramo in English takes some liberties and La Regenta isn't as funny which is what happens with Wuthering Heights#and The three musketeers in translation even when the translations are more accurate#I haven't recommended Wuthering Heights because I take you've read it but that's my favourite book#And I haven't recommended Pandora Hearts because that's a manga and you asked for books but it does some very interesting things#that I think are in line with many of the books listed here (as I said‚ I basically like the same few things retold over and over haha)#There are many books I am itching to recommend but that I can't do freely without some knowledge of the person asking#Like Steinbeck's arthurian novel or idk Gone with the wind#I hope this list is enjoyable enough. I'm not sure if I've been able to avoid being too partial#I suppose one has to bear the conditions of their existence and can't ever entirely get rid of themselves haha
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diamondseaside · 8 months
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i have very conflicted feelings on the new yorker article about listening to taylor in prison am i a terrible person
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logicheartsoul · 2 years
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So, in a fandom server I’m in, someone shared the existence of an AI that can write fic for you if you put in a prompt, whether it’s a couple of words or a sentence or two. It works better with popular fandoms but I think if you give it more info it might actually work with smaller fandoms. (I haven’t tried though.)
This is my second day playing with it...and wow. Some of the results are astounding. Like you type in the words, click submit, and you watch in real time the AI generating the words. It just blows my mind some of the amazing results that have come out.
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