Frontier Branch Leaders, pt. 3: Drake and Liu Ren
Pt. 1: Background Information
Pt. 2: Sean
Drake
-I stated in an earlier post on this blog that he's 27. Please forget that. He's probably on the cusp of 39 (circa 2015, at the beginning of Frontier).
-Originally from Sweden; moved to Copenhagen a few years before Frontier started.
-Absolutely hates the sensation that occurs when he enters his ancestral battle trance. To him, it's as being possessed, not to mention being utterly exhausting. Starting in his teens, he'd often have periods of abruptly losing control of this trance, and lashing out, sometimes violently, against tormentors and, in worse cases, family. Violet's interest in mysticism allowed her to help him work out what was going on, and slowly learn to detect when a wave of possession was imminent.
-Loves his Ankylo BO because he needn't fear injuring it during one of his trances. He feels most comfortable around padded and armoured vivosaurs.
-For a long time, he tried, desperately, to minimise the length of time he had to spend around children and, by extension, the youngest of the Wardens. He's terrified of hurting people accidentally. Moreover, he finds most people too loud, too much, too extraverted to deal with.
-Has a surprisingly excellent relationship with Sean, who quickly worked out that Drake was intensely sensitive to Sean's typical loudness. As such, Sean usually drops his volume around Drake, and where possible, emails or texts him, instead of talking, on bad days. When Drake's overloaded trying to handle the caseload that comes with managing not only Europe, but also cases in Africa, Sean will often offer to take over some of Drake's more menial duties. Drake, in return, bakes for him, and brings him odd fossil trinkets and weird rocks.
-Despite how much he hates loud people, he loves Scandinavian death metal.
-Known to abuse the World Gate to conveniently escape people. ('Sorry I can't come to your birthday, friend. I'm in Chile right now.')
-Suffered significantly with OCD from childhood, being at his worst in his teens and mid-twenties. He waited for almost 15 years before finally seeking help. While he still has intrusive thoughts and compulsions, they're far better managed now. His social anxiety is also significantly better than it once was.
-Was diagnosed with autism at age 4. Will scream if someone enters his office unexpectedly.
-Has some of the same powers as Violet—however, while she can communicate with spirits and occasionally see the future, he can merely hear spirits and detect psychic energy, but can't actually manipulate them well. Generally, if he can hear his ancestors chattering, he knows his bloodthirsty side is about to take over.
-Blows off frustration by punching pillows. If he punches walls instead, he will leave cracks in the plaster.
-Speaks Swedish and Danish fluently, as well as German and English proficiently. Has a very, very strong accent.
-Visits Switzerland all too often for the sole sake of buying too much Toblerone. Violet can and will raid his supply if there's any left by the time he returns to Fossil Park Europe, so he has about three days to consume everything he buys before she can find him.
-INTP 6w5 sp/sx.
Liu Ren
-Originally from Shanxi. Swears he's forty-eight years old, but Drake and Violet both detect a particular spiritual energy coming from him that's far too immense for him to be a normal forty-something. Writes exclusively in traditional Chinese, never mind that simplified characters have been in use since well before the 80s. Moreover, he's clearly far smarter than he lets on. Violet and Drake are both absolutely certain he's at least a century old, and aren't entirely sure he's human.
-Writes his name as 劉仁, but Violet swears that certain Qing-dynasty documents by 劉陽磊, a mystic and self-proclaimed witch, give off the same energy as Liu Ren's own writings.
-Fluent in Mandarin, Cantonese, six other Chinese dialects, English, and Portuguese.
-Tends to playfully rib Tria for her extremely strong Sichuan accent.
-Consumes obscene amounts of Sprite and Coca-Cola. Nobody knows how his teeth are still intact.
-When other Wardens get injured, he'll tell them to cheer up, and inevitably have a story of a similar injury. As such, he's been poisoned, burned, bruised, and broken over and over. Nobody knows how he's had time to suffer all these abuses, let alone recover.
-Drake and Sean both overtly dislike him. In part, it's that Fossil Park Asia has a longstanding rivalry with Fossil Park America, and that rivalry means that Sean tends to interpret Liu Ren's gestures as patronising, instead of circumspect, and Liu Ren thinks Sean to be green and overconfident. Drake's suspicions about Liu Ren's history remind him of his own supernatural tendencies, leading him to deeply distrust Liu Ren. Stryker is the only one at HQ who isn't concealing some kind of misgivings about Liu Ren, and even then, Stryker is notoriously unwilling to take orders. While Liu Ren has been there far longer than Stryker, and Stryker owes some success to Liu Ren, they exasperate each other.
-He's been in the job for over 25 years, and looked the same then as now. Though few people like him well, he's still impossible to boot from the position, as he's never actually done anything overtly wrong. Fossil Park America claim that he's overpowered and obsolete; Fossil Park Asia claim that he's done more for INTERFOL than Fossil Park America has in the last three decades combined. He's possibly the most experienced person in INTERFOL, and doesn't seem to be running out of momentum; as such, he's invaluable, even if he's incomparably ill-liked.
-Though he's not overtly frayed at the edges in the same way that many, many Wardens are, he can and will go very, very quiet if someone mentions anything to do with Cosmonium, and when he touches the stuff, he claims that it burns. Drake is starting to wonder if Liu Ren's apparent agelessness might have something to do with Cosmonium, and if there may be some awful incident at the heart of what drove him into contact with it.
-Occasionally takes partners for a night, but doesn't appear to be seeking companionship. Has a portrait of a wife in his office, but it's old-fashioned, in black-and-white, and nobody has ever met the woman herself. Mei Lian once worked up the courage to ask her name. Zha Youjing. When Mei Lian looked at the photo of Youjing and called her gorgeous, Liu Ren looked as if he'd seen a ghost.
-ENTP 3w4 sp/so.
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im still on my fuckshit but when i think of cc maria ( by extension also nosy maria but specifically noting the isolation aspect of cc );
can you imagine one day skimming the paper. its been a few weeks since all the commotion knowing your friends' had attempted to come find you but then were chased off. never actually heard or saw any of them, but you know they were around.
but you've been moved from the cells to a mattress upstairs. you're given more freedom, more wiggle room, you're allowed to do things - little hobby-type activities - you're given better foods, you're looked after by the older woman at the other house. the man who took you, who terrifies you still to some degree, slowly doesn't feel like such a stranger anymore, you're right to still be cautious around him but as the days, the weeks, pass by, there's simply a different air about him, and in the shack. lighter, in a sense.
you find yourself growing used to the new daily - the new routine. of waking to the sound of him getting ready for the day, of being left alone in there for hours sometimes, others trailing after him like a duckling, around the older womans' property, helping with an array of tasks. and you worry about upsetting her at first, unsure if doing so will earn a knife to the throat. you listen, you do as you're told, you find some kind of way to co-exist - all the while still, in the back of your mind, there's still a ray of hope,
that maybe, maybe, since the rest of them got away - that they're merely licking their wounds, that they'll get word out and even with all the silence since they had been on the property, there's that shred of hope that maybe? someone will waltz in, guns blazing so to speak, and you'll get out of this hell finally.
that is, until that day - that you're skimming through the paper, and you recognize yourself in a little column - and you realize you're staring at your own fucking obituary.
and in that moment everything seems solidified.
you're never getting away.
there's no point in it.
there's no one out there who are still trying to find you, get you back, bring you home, back to your mothers' arms, back to being an older sister, back to the circle of friends you loved so dearly.
you're dead.
not just to the world, but to those you loved - those who claimed to have loved you, too.
what else do you have at that point? where else do you go, even if you still tried to leave? who wouldn't look at you sideways for the blood that's already stained your hands? for the flesh caught between teeth?
who else is there, except the one murmuring encouragement and praise in your ear?
the only constant you've had in all these weeks? whose words rang true - clearly - that no one cared? that they abandoned you? left you there, didn't even care to make sure you were alive or not? only thought of themselves and got the fuck outta there without confirming if you were even still alive.
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i did not sleep yay for me im still on my fuckshit but when i think of cc maria ( by extension also nosy maria but specifically noting the isolation aspect of cc );
can you imagine one day skimming the paper. its been a few weeks since all the commotion knowing your friends' had attempted to come find you but then were chased off. never actually heard or saw any of them, but you know they were around.
but you've been moved from the cells to a mattress upstairs. you're given more freedom, more wiggle room, you're allowed to do things - little hobby-type activities - you're given better foods, you're looked after by the older woman at the other house. the man who took you, who terrifies you still to some degree, slowly doesn't feel like such a stranger anymore, you're right to still be cautious around him but as the days, the weeks, pass by, there's simply a different air about him, and in the shack. lighter, in a sense.
you find yourself growing used to the new daily - the new routine. of waking to the sound of him getting ready for the day, of being left alone in there for hours sometimes, others trailing after him like a duckling, around the older womans' property, helping with an array of tasks. and you worry about upsetting her at first, unsure if doing so will earn a knife to the throat. you listen, you do as you're told, you find some kind of way to co-exist - all the while still, in the back of your mind, there's still a ray of hope,
that maybe, maybe, since the rest of them got away - that they're merely licking their wounds, that they'll get word out and even with all the silence since they had been on the property, there's that shred of hope that maybe? someone will waltz in, guns blazing so to speak, and you'll get out of this hell finally.
that is, until that day - that you're skimming through the paper, and you recognize yourself in a little column - and you realize you're staring at your own fucking obituary.
and in that moment everything seems solidified.
you're never getting away.
there's no point in it.
there's no one out there who are still trying to find you, get you back, bring you home, back to your mothers' arms, back to being an older sister, back to the circle of friends you loved so dearly.
you're dead.
not just to the world, but to those you loved - those who claimed to have loved you, too.
what else do you have at that point? where else do you go, even if you still tried to leave? who wouldn't look at you sideways for the blood that's already stained your hands? for the flesh caught between teeth?
who else is there, except the one murmuring encouragement and praise in your ear?
the only constant you've had in all these weeks? whose words rang true - clearly - that no one cared? that they abandoned you? left you there, didn't even care to make sure you were alive or not? only thought of themselves and got the fuck outta there without confirming if you were even still alive.
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when do u think youll be done with the we shall never surrender project??
Hi, dear! That's a great question, thanks for sending it in!
To be quite honest with you all: I don't know.
There's a few reasons for that, so bear with me a little, please "^^
1 - I'm on a sudden art mentoring program with a friend who offered it to me freely.
I've been unemployed and ill for quite a while and a 'friend' of mine literally scammed me and stole all the money I had left, so I'm officially broke. That's been stealing my nights of sleep, because I'm trying to figure something out to make some money and at least pay my credit card every month.
When I mentioned with my mentor I might try to get in the art industry, she was over the moon and took me in for training free of charge and help me as she can so I can get a job. That being said, I'm focusing 1000% on that - hence why I disappear for so long: in less than a month, I've finished 600+ drawings.
Yes, I'm crazy. But this is the only shot I've got after a long period of distress and not knowing what to do. I'm giving it all to it.
2 - I decided to use this mentoring time to improve my art and apply it to the requests of the Shall Never Surrender Project!
I always thought I could do better with the requests - I don't want to deliver something bad and half assed. This last month, I feel like I improved so much, I wanted to wait a little bit to deliver something with a better quality!
3 - My health sometimes kicks me down and so I need to choose carefully what I have energy to do.
As you guys know, I'm trying to recover from an illness and I have a chronic illness as well. I don't eat much and that means sometimes I don't have enough energy to get up from my bed.
There are days I start being productive at 3 p.m - I spend all the morning lying down, gathering energy to tank the day and taking a few naps. There are other days, I can't even bring myself to eat 'cause I feel like I'm going to pass out midway to the kitchen.
Think Vergil dragging his ass out of Hell and crumbling apart at the beginning of DMC5. That's it, literally, I'm not being dramatic.
I have to prioritize what I can do during my days, then. Usually, I prioritize my mentoring, then helping my mom with chores and running errands and then, by night, I'm already very tired. If there's any energy left, I try to write - for the blog here or the book I'm trying to write - and then work on the Shall Never Surrender Project.
It's slow. Very slow. But it's going.
4 - Nevertheless, I want to finish the requests of the Project before starting comissions.
Like I said, I'm broke. And, as you might have seen, I opened commissions to help a friend of my mom who is in a worse situation than mine and really needs some help.
I want to finish the Project requests before any commissions start coming in, because I do feel guilty for making you guys wait so long. I thought I could deal with requests of full, coloured and polished artworks quickly, but I can't.
That was a foolish overestimation of my part and I am sorry.
Even then, people don't commish me a lot. I had a few commissions some years ago, but I gotta tell ya, it's VERY rare for me to get something. Even then, I need to try. For this friend of my mom and for me, eventually.
If I'm not wrong, there are 3 requests for me to finish. I'm working on them in the order people have requested, and honestly, I hope to finish them soon.
I'm really sorry for taking so long, but life sometimes runs over us and we are caught like a deer on headlights.
I know this might feel like a sassy response, but it isn't. I'm really happy you asked and I can explain a few things/give you guys some idea of what's going on and apologize for taking so long :)
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