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#and i really feel it would inspiring
poorly-drawn-mdzs · 2 months
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Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.
(Part 1, Part 2, Part 4 (soon))
#poorly drawn mdzs#mdzs#lan wangji#Yungmeng Jiang training arc AU#I wanted to try out a different paneling style for this one - sorry I'm a day late! (there will still be a post tomorrow to keep on track)#The original 3 panel comic idea was fine but the point of this new schedule was to take time to push myself a bit more.#I was taking a look back through some comic artists I felt inspired by#and I really loved how Lynda Barry fills her gutters with patterns and doodles!#Obviously I'm not going as absolutely wild with it as she does but it was a great exercise!#I truly think the gutters are the most important and most overlooked part of any comic. There's lots going on in that space.#It's the same with timeskips. The implied movement between moments that we don't see changes depending on how wide that gap is#You're here for the funny tags so here's some that ties this time talk together:#I think LWJ was thinking about that second note from day 2 but it took him 7 days of hazing to commit it to paper.#I think he sends it a day later and immediately regrets it. Chasing down the messenger and everything.#You know if something actually happened to his brother he would never ever forgive himself for putting the bad vibes out there.#Third time skip was the hardest because there was so many possible flavours of jokes here. Day 8/9 was a personal favourite.#day 14 was also funny (week by week). I think the debate on 'how long does lwj take to catch feelings' is more or less:#'how long does it take for him to arrive at a particular stage of grief and yearning (and awareness of it all)#This is a symphony. There is an act by act structure. Every day he is fighting to keep his old sensibilities. He is losing so badly.#(I'll be returning to the main comic soon but there is more of this AU to come!)
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forgettable-au · 3 months
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Does Flowey exist in this au?
Yes, he does.
Everything's pretty much the same when it comes to the regular story in this AU. It's just the past, especifically Papyrus' past (wich we don't know much about to begin with) that changes
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Actually Flowey is one of the main characters in the story! (the main story of this au is divided between the past before the game and a post-pacifist timeline:D)
He and Papyrus will have a fun dynamic
-some thought I had in tags behind the keep reading
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Srry for the spelling mistakes in here but I can't go and fix tags because I would end up erasing everything😭tumblr struggles
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hopefulonion · 11 months
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A few posts done for fun on Twitter! 😭✌️✨
Featuring Soap on a leash and would you love me if I was a worm?
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raycatzdraws · 2 months
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ribbonwood
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pherredraws · 18 days
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from the homumiko mines
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gentlenotes · 7 months
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hey, you guys. life gets so much more fun when you let yourself enjoy the small pleasures of life, love your friends loudly and wholeheartedly, and let yourself be loved.
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queenlucythevaliant · 5 months
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Okay gang, here's a silly little game. I've assembled six teams of blended Narnia and Tolkien/LotR characters. Here they are:
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For bonus points, tell me in the tags where you're going on your road trip, who has what role (driving, snacks, aux) on the road, and what you'll stop off and see along the way
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foxovobear · 1 year
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I had this dream the turtles broke into a lab and Donnie found this mystic tablet thing that brought whatever a person drew into existence and this is how that played out.
He did, in fact, handle it, by the way. And it was just never brought up again.
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lskamil27 · 7 months
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" BUTCHER " // JIRI - Termina OC + Moonscorched
Succumbed to my whims and made a Termina OC whose lost his eye from a chicken at his family's farm
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hephaestuscrew · 9 months
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"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359
TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon. 
[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]
~~~
Ep21 Minkowski Commanding
First appearance 
We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.
EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.
The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way. 
'Goddamn harpoon' speech
So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:
MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.
There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)
But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.
Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!" 
The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.
The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat. 
Absurdity
A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on." 
Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.
We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.
I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).
Other mentions of the harpoon
The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.
Ep27 Knock, Knock
EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.
In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.
Ep45 Desperate Measures
LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.
Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe  Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.
The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…
Characterisation through Weaponry
When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.
A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is. 
Maxwell's Death
When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about. 
Ep61 Brave New World
About a third of the way into the finale, there's another indirect mention of the harpoon:
RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…
This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.
Which brings us, of course, to the harpoon's most significant moment:
Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.  MINKOWSKI Let's see you catch this.  FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.  MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.
This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.
Human unpredictability 
It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive. 
It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.
Making good on her promise
Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."
It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew). 
As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. 
And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.
The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.
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poorly-drawn-mdzs · 3 months
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Thank you all for voting in the poll to decide who was going to be the leader of the band! It turned out to be such a close race!
#poorly drawn mdzs#better drawn mdzs#mdzs#madam lan#A-qing#Band AU#(Reminder that Madam Lan's design inspiration goes to Qourmet!)#Madam Lan may have been the winner per vote count but there were so many strong advocates for A-Qing!#I played around with a few versions of what the 'poll winner' art was going to be and ultimately decided I wanted them both.#As any good theater love knows though - The battle for leadership was a ruse. They *all* get a chance to be featured.#Cooperation was the real end goal! However I do think these two have the best frontman energy of the group.#Or at least 'crowd favourite' energy. I also really loved hearing what people thought their vocal styles would be like!#This was probably one of my favourite polls to do and I love drawing these characters a lot B*)#I'd love to spend a bit more time in this AU so count on me bringing it back.#One thing I keep feeling like I need to redeem myself on is Madam Lan's Translucent skirt. I have *not* done the concept justice yet.#It is such a crack-platonic ship but I want to think Madam Lan and A-Qing would enjoy each other's company.#Possibly also with JYL as well. They can be like mutually beneficial therapy dogs to each other.#Madam Lan never got to see her kids grow up into teenagers after all. She only had sons. Never daughters.#Even if she saw her kids once a month we do know she treated them with so much love and kindness.#She would bite the shit out of YZY for yelling at JYL. What a sight to see. A-Qing would also start biting (for fun).
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scumbagjaeger · 11 months
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Rating: 18+ mdni!
Whatever you do, do not imagine Porco realizing he has a breeding kink after inheriting the Jaw Titan (but in an angsty way)
Imagine knowing the Warriors, being friends with Reiner and the others but Porco always hating you for some reason? Like the constant bickering between you two, nothing you say will ever be right in his eyes, etc. You're friends with them all but you're vocal about how heartbreaking their line of work is. Thirteen year lifespan? Porco's adamant that it's their duty to protect and serve Marley, and that it's their legacy to do so, but their abandoning their families and giving up the chance to have families of their own? He just thinks your selfish for putting your own needs before your country.
After Fort Slava, Porco and the other Warriors return, now Porco has inherited the Jaw Titan and there's is a power and honor that he has, but he does feel the weight of his choice as well, and sometimes it keeps him up at night when he thinks about the clock that has started counting down in his mind? And about what you had said about legacy?
Sometime during the first battle in Liberio, Porco is in his titan form and he spots you rushing into a building that's too close to the fighting for his comfort, and he feels an overpowering urge to scream, to emerge from his titan and pull you out of there himself, before you get hurt. But then you're quickly running out, holding a child in your arms? He watches you bring the crying infant to the mother and father. They envelop you with open arms and are crying too, thanking you for saving their child, just moments before the house you were in gets crushed as the battle continues. He thinks about that at night too, how you risked your life to save another. He also can't get the imagine of you holding that child so close to your chest. He remembers you smiling as you discussed your desire for a child someday, and rather shamefully he can feel his chest tighten, a familiar pool of heat forming in his abdomen as he lets his thoughts wander.
Days later, you're with the Warriors again, still fazed with how close you were the warfare and the brutality of it all, and Porco can't even look at you because he's realizing now how close he got to losing you? But you're not even his, what is he talking about. He excuses himself from dinner as soon as you set your plate down next to him, and he can feel your gaze on him as he heads to his room.
Not too long after, there's a knock on his door and it's you, and it's like a dam has opened up. He unleashes everything onto you. How stupid are you, you could have gotten yourself killed, what is he supposed to do with himself if you're gone. It slips out before he can even think about it, but you're holding him, trying to calm him down because somewhere during his meltdown at you he's begun to cry, but he can't help himself from grabbing your jaw and bringing your lips to meet his.
When he feels your hands make their way through his hair, he wastes no time leading you to his bed, not breaking the kiss for a second until you are both panting for air, your back pressed against the cool sheets on his bed and he's already undoing the buttons on your shirt. He's not thinking straight, too delirious and drunk on you to even remove it entirely, so he undoes as many buttons as he can manage before dipping his hand under your shirt and letting the other hand tug down your pants.
Do not think about how messy and sporadic he would be desperately clinging to you as he ruts you into the mattress, biting and leaving marks up and down your body that he wants to stay forever. He wants to stay in your forever, buried deep inside you as your legs are wrapped around him, eyes rolled back and you're letting the prettiest sounds escape your lips.
The request probably falls out of his mouth before he can even process it, all in one go, can-I-cum-in-you and he can hardly contain himself as he hears you whine back yes, please, Porco, cum inside me.
Do not imagine him letting out a whimper when he cums, letting his head fall in the crook of your neck as he shakes, trying to fill you up as much as possible. Not long afterwards he feels your walls tighten around him as you climax and he continues to thrust into you, helping you ride out your orgasm while feeding his own arousal once more.
He'd beg you to let him fuck you once more, just to fill you up further with his cum, and to make sure he's put a baby in you. His logic is already out the window but his hands find their way to your jaw and he kisses you so gently as he begs to breed you. His body shakes at the idea and he rambles, half out of his mind in post sex haze and delirium as he babbles about putting a baby in you, his baby, making you his and giving you that child that you so desperately want.
And you let him fuck you again, bringing another orgasm out of the both of you that makes him ache. If you feel your neck start to moisten, the cloth of your shirt dampening as he cries into it, you never say anything. You rub his back and kiss his hair as he fucks into you with the last of his strength, even staying buried in you for a moment after.
After he finally pulls out, he stays in between your legs, resting on top of you, holding you so close it's almost like he's melting into you. He might even snake a hand down and coax his cum back into you as it seeps down your thighs.
Do not think about the type of pillow talk you have with Porco afterwards, where he tells you that you should leave Liberio and find somewhere safer. He promises that he'll find you, no matter where you go, and that maybe you two can even run away together. He'll promise that you'll never work another day in your life and that he'll keep you safe, always.
Whatever you do, do not think about the quiet voice that fills the room as Porco looks up at you and asks, "if it's a boy, d'you think we can name him after Marcel?", and do not think about how his eyes light up when you agree. And do not think about waking up as he's preparing to leave in the morning, promising to be there, but then he's not. Do not think about Reiner looking at you with dread as you ask him where Porco is after the next battle in Liberio. Do not imagine waking up alone the days to come.
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Asexual Dennis Reynolds moodboard💥💥💥💥💥💥
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tvmblrsillyman · 8 months
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Dan Hays - Colorado Snow Effect (2008) - Oil on canvas
(Reposting this after the original poster [likeafieldmouse] of the original post has deactivated and the post itself got flagged as explicit, making it unlikely that Staff will reinstate the post, let alone be able to share it. Click the link and check the artist out. It's a whole series of paintings and there's more of them on the same concept!)
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birdsong-warriors · 11 months
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SwiFT, WE CAN SEE YOU.
First | Previous | Next
Part 1: Friend and Family
See up to thirty pages ahead, with timelapses, on Patreon!
Backgrounds, brushes, and other assets for sale on my Ko-Fi!
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sableeira · 3 months
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someone free me from this very cursed The Raven Cycle inspired bsd au. rich kid Dazai spends all his time researching the supernatural and ley lines in Japan’s country side. He had a (near) death experience as a kid but was saved through supernatural means and now he is unable to die. But the gift of his immortality is unbearable to Dazai. Thus he has dedicated his life to researching the supernatural to figure out what happened to him and how to reverse it. Since his incident he has also been able to see the supernatural. Unfortunately, when he is trying to come in direct contact with the supernatural it dispels, almost like he is nullifying it.
Chuuya is the youngest in a found family household of shrine workers and spiritual mediums. He is the only one in his family that’s not inclined to the supernatural but everyone around him feels the supernatural more severely when he is around. Even though he can’t see the supernatural like his family members do, he helps out and enhances the supernatural during seances and other family business.
When Dazai and Chuuya meet, their opposing inclinations to the supernatural cancel each other out. But the same way their inclinations to the supernatural are opposing each other so are their personalities. Will they get over their differences to work together?
And then there is this little tiny detail that could shake up this potential research partnership. Chuuya has been told since he was a little kid that he would kill his true love with their first kiss. During a seance he enhanced a few months earlier, Chuuya managed to catch a glimpse of an actual ghost for the first time. The ghost of a boy who is supposed to die in the next 12 months. Lippmann told him that non-clairvoyants are only able to see the ghosts of the future-dead if they are the one to kill them… or their soulmate. The boys name? Dazai. And now that Chuuya has met him he is pretty sure he is going to kill him. Right?!
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